La Linea D'ombra 02.08 - #Cannibali - Armin #Weiwes, Jeffrey #Dahmer - Issei #Sagawa
#Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
#Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
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TVTrascrizione
00:00:07Cannibal, man who feeds on others of his species, who eats human flesh, who
00:00:18he behaves in a ruthless and cruel way, anthropologist, tractor, destroyer.
00:01:15Thank you all.
00:01:33Looking for a young, good-looking man willing to be killed and eaten.
00:01:39This is no joke.
00:01:41If you come, you should know that it will be your last visit.
00:01:48Cannibalism is a practice historically shrouded in mystery, on the border between reality and myth, between symbolism, fear and speculation.
00:01:57Throughout the centuries, judged atrocious and sacrilegious by some cultures, it is respected and sacred by others.
00:02:04It is difficult to establish its exact origin, but it certainly dates back to the dawn of civilization, to the need to ingratiate oneself with the gods, to take revenge.
00:02:12and control the enemies.
00:02:15Evidence of the practice, both in Europe and the Americas, dates back to the Neolithic period.
00:02:21To track down evidence of cannibalistic rituals, archaeologists pay particular attention to certain characteristics of the skeletal remains.
00:02:29Skull fractures allowing exposure of the brain, facial mutilations, broken and burned bones, blade marks in the
00:02:37amputations.
00:02:38Whether we are talking about primitive practices or modern facts, cannibalism can take three different forms.
00:02:45There is ritualistic-spiritual cannibalism, survival-related cannibalism, and then there is criminal cannibalism.
00:02:58After my mother's death, I began to become very interested in the theme of death.
00:03:06I ended up on these sites on cannibal pages and chat forums.
00:03:13At first, when I came across it and saw everything there is, I thought it was just fantasy,
00:03:23but the way these ads were presented, it was truly incredible.
00:03:29There are people who actually offer themselves to be eaten and look for people willing to do so.
00:03:37Then I started looking into it more closely and one day I responded to an ad.
00:03:46April 2000. A message appears in an internet forum.
00:03:55Male, gay, looking for hot guy between 18 and 30, to butcher.
00:04:00A man replies to the message. His name is Bernd Jürgen Brandes.
00:04:08A computer engineer. A microprocessor expert.
00:04:15A distinguished man. Wealthy. From Berlin.
00:04:22He's 37 years old. Seven years older than the age requirement in the ad.
00:04:28But he lies and says he has 30, to convince the cannibal to eat him.
00:04:37He writes.
00:04:38I offer myself to you and will allow you to dine with my living body.
00:04:44It's not a slaughter. It's going to be a dinner.
00:04:48Anyone who is really going to do this will need a real victim.
00:04:53Armin Miles, the cannibal, answers him immediately.
00:04:59She sends him photographs of her teeth.
00:05:04He writes to him
00:05:07who will use them
00:05:09to bite his tongue off.
00:05:13March 9, 2001.
00:05:16Brandes leaves his Berlin apartment.
00:05:19He takes the train to Rottenburg.
00:05:22In Germany
00:05:23300 kilometers.
00:05:27It will be his last trip.
00:05:30Armin Miles' house.
00:05:32An eighteenth-century villa.
00:05:35From the wooden structure.
00:05:3842 rooms.
00:05:40It looks like a fairytale house.
00:05:43Miles lives there alone.
00:05:48Just arrived,
00:05:49Brandes undresses.
00:05:52and it offers itself
00:05:53to his executioner.
00:06:01Here you are,
00:06:02this is my body.
00:06:04I hope you like me.
00:06:07Then,
00:06:09the victim ingests an anti-flu drug.
00:06:13It should make him drowsy.
00:06:17To make it easier for Miles
00:06:19the task that awaits him.
00:06:22But the adrenaline is too much.
00:06:24Brandes
00:06:25stay awake.
00:06:28Swallow another bottle of medicine
00:06:30along with half a bottle of alcohol
00:06:32and 20 sleeping pills.
00:06:35But he's still awake.
00:06:38He's curled up in a room
00:06:40that Miles prepared for slaughter.
00:06:44Suddenly
00:06:45it is decided
00:06:46and asks the landlord
00:06:48to cut off his penis.
00:06:51Miles
00:06:52prepares the resumption of the operation.
00:06:55He will need it at the trial.
00:06:57to prove that his victim
00:06:59she was consenting
00:07:02and avoid
00:07:04the murder charge.
00:07:11Then he goes to the kitchen.
00:07:14He takes a knife.
00:07:23and cut it off.
00:07:26It was unpleasant for me
00:07:28and also disgusting
00:07:30and especially for him, right?
00:07:32For me, it was nice for him.
00:07:34Nice, yes.
00:07:35He underwent this cut
00:07:37and for him it was
00:07:40the most beautiful thing
00:07:41that she had imagined.
00:07:46Armin Mives
00:07:47the organ boils.
00:07:50It flavors it
00:07:51with salt, pepper
00:07:53and garlic.
00:07:54It divides it into two parts
00:07:56that the two
00:07:57they consume together.
00:08:03his victim
00:08:04he loses a lot of blood.
00:08:09It is prepared for him
00:08:10a hot bath
00:08:13then, brought back to the bed
00:08:15where he stays for ten hours
00:08:18at dawn
00:08:20Miles
00:08:21go back to the engineer.
00:08:25I kissed him
00:08:26once again
00:08:27I begged him
00:08:28and averted
00:08:29to forgive me.
00:08:41I had imagined
00:08:43a beautiful thing
00:08:44maybe even romantic
00:08:45and instead
00:08:47it was all horrible
00:08:49and scary.
00:08:52At that moment
00:08:53I had a feeling
00:08:55that cannot be described
00:08:57with words.
00:09:00there was hatred
00:09:01fury
00:09:03joy
00:09:04all together.
00:09:06There was on one side
00:09:07hatred towards him
00:09:09for coming
00:09:10to make me do this
00:09:11And
00:09:11hatred towards me
00:09:14why I was there
00:09:15with the knife in his hand
00:09:16and anger
00:09:18because I wanted to do it
00:09:19and at the same time
00:09:21joy
00:09:22and happiness.
00:09:26I didn't know at all
00:09:28what I should do
00:09:29and I thought
00:09:31I have to pray
00:09:33the devil
00:09:33oh God
00:09:35as always
00:09:35and in the end
00:09:37I asked
00:09:38forgiveness to God
00:09:41I pierced him
00:09:42in the throat
00:09:44and the knife
00:09:45he entered from here
00:09:45and he went out
00:09:46on the other side.
00:09:48There was relatively
00:09:49little blood
00:09:50in his body
00:09:51and also the quantity
00:09:53of blood
00:09:53that was coming out
00:09:54from the wound
00:09:54era
00:09:56relatively little.
00:10:02and then
00:10:03I wanted
00:10:05continue
00:10:05following the instructions
00:10:06that I had found
00:10:07on the internet.
00:10:08and then
00:10:09work
00:10:11and then
00:10:13Armin
00:10:14Mives
00:10:14pierces
00:10:16Brandes
00:10:16in the throat
00:10:17he dissects it
00:10:20the body
00:10:20And
00:10:22the part
00:10:23in envelopes
00:10:25plastic
00:10:29in the months
00:10:30which follow
00:10:31he will eat it
00:10:32about
00:10:3315 kilos
00:10:36cooking it
00:10:37grilled
00:10:39every time
00:10:40that I ate
00:10:41a piece
00:10:41of meat
00:10:42I remembered
00:10:43of him
00:10:43was
00:10:44how to do it
00:10:45the communion
00:10:46it's a beautiful one
00:10:47sensation
00:10:48know
00:10:48that now
00:10:49he has become
00:10:50part of me
00:10:59in spite of
00:11:00whose
00:11:00refuse
00:11:00to believe
00:11:01that in our
00:11:02era
00:11:02modern
00:11:03and civilized
00:11:04may it still
00:11:05exist
00:11:05the practice
00:11:06of cannibalism
00:11:07in the course
00:11:08of the last
00:11:08one hundred years
00:11:09there is evidence
00:11:10documented
00:11:10of numerous
00:11:11cases
00:11:11of clear
00:11:13relevance
00:11:13criminal
00:11:14and in cannibalism
00:11:16criminal
00:11:16we can distinguish
00:11:17three big ones
00:11:18categories
00:11:18a sexual form
00:11:21a typology
00:11:22aggressive
00:11:22and finally
00:11:23a cannibalism
00:11:24ritualistic
00:11:25and epicurean
00:11:25of course they exist
00:11:27situations
00:11:28in which the motivations
00:11:29they overlap
00:11:30when the alleged
00:11:31Pleasure
00:11:32for the taste
00:11:32of the meat
00:11:33joins
00:11:33as needed
00:11:34to experiment
00:11:35a total
00:11:35check
00:11:36and dominion
00:11:36on the victim
00:11:37of which
00:11:38they want each other
00:11:38also acquire
00:11:39devouring her
00:11:40the best qualities
00:11:47how wonderful
00:11:48it's the woman
00:11:49more beautiful
00:11:50that I have ever seen
00:11:51high
00:11:52blonde
00:11:52a skin
00:11:53of a white
00:11:54white
00:11:55it amazes me
00:11:56for his
00:11:57grace
00:11:58I invited her
00:12:00at my house
00:12:00for a dinner
00:12:01Japanese
00:12:02accept
00:12:04after dinner
00:12:05I ask you
00:12:06to read
00:12:06my poetry
00:12:07favorite
00:12:08expressionism
00:12:09German
00:12:12while reading
00:12:14I am not able
00:12:15to detach them
00:12:15the eyes
00:12:16off
00:12:17when he leaves
00:12:18I still feel
00:12:19its scent
00:12:20on the sheets
00:12:21where she was sitting
00:12:22while reading
00:12:24I lick the chopsticks
00:12:25and the dishes
00:12:26which he used
00:12:27and I feel
00:12:27the flavor
00:12:28of her lips
00:12:31my passion
00:12:32it's so big
00:12:33I want to eat it
00:12:35if I do it
00:12:36it will be mine
00:12:37forever
00:12:39there is no escape
00:12:40from this desire
00:12:44I organize
00:12:44to make me read
00:12:45the poem
00:12:46again
00:12:46I lie to her
00:12:48I tell her
00:12:49that I want
00:12:49record
00:12:50my poetry
00:12:51for my teacher
00:12:52in Japan
00:12:52she believes in it
00:12:54I prepare everything
00:12:55the recorder
00:12:57for poetry
00:12:58the rifle
00:12:59for the sacrifice
00:13:00arrive on time
00:13:02after drinking
00:13:04tea
00:13:04and whiskey
00:13:05I turn on the recorder
00:13:07she starts reading
00:13:09he speaks German
00:13:11Perfect
00:13:13speaks
00:13:15he smiles
00:13:17but I inside me
00:13:18I know I am
00:13:19the strangest
00:13:20of all
00:13:21I reach for the rifle
00:13:23hidden
00:13:23behind the chest of drawers
00:13:25I'm slowly approaching
00:13:27and support
00:13:28the rifle
00:13:29behind his head
00:13:31her yellow top
00:13:32sleeveless
00:13:33shows off her beautiful
00:13:35white arms
00:13:37I smell her perfume
00:13:40I can't stop
00:13:45love in reality
00:13:47it is destructive
00:13:48there is only one way
00:13:49to satisfy your appetite
00:13:51the steak
00:13:52and destroy it
00:13:53there is no
00:13:54another way
00:13:55when the child
00:13:56suck the breast
00:13:57of the mother
00:13:59he sucks it
00:13:59with everything
00:14:00the desire
00:14:01who has
00:14:02but the child
00:14:04he is not aware
00:14:05of existence
00:14:05of the gland
00:14:06with external secretion
00:14:08he doesn't know it's milk
00:14:10but the breast
00:14:10it stays there
00:14:11the child
00:14:11he's eating
00:14:12the mother
00:14:13at that moment
00:14:14take that one
00:14:15that comes to him
00:14:16he doesn't know
00:14:16what comes to him
00:14:18when he sucks
00:14:18but he is
00:14:18and this
00:14:19element
00:14:20of great appetite
00:14:21it is the element
00:14:22archaic
00:14:23ancient
00:14:24that in the stratification
00:14:25of the psyche
00:14:26it stays there
00:14:27and then it transforms
00:14:29it sublimates
00:14:30becomes
00:14:31let's say
00:14:31until then one
00:14:32will become
00:14:32a gourmet
00:14:33but at the origin
00:14:34there is this element
00:14:36trendy
00:14:38appetitive
00:14:39which is basically
00:14:41it's basically
00:14:42destructive
00:14:44there is a loud noise
00:14:46and his body
00:14:47falls from the chair
00:14:48on the floor
00:14:52it's very quiet
00:14:53here
00:14:54there is only
00:14:55the silence
00:14:56of death
00:15:00there is blood
00:15:01all over the floor
00:15:03I try to clean it
00:15:04but I understand
00:15:06that I can't
00:15:06stop
00:15:07the blood
00:15:07that comes out of her
00:15:08from the head
00:15:13I try to talk to her
00:15:14but he doesn't answer anymore
00:15:21it seems like he's looking at me
00:15:22I look at her cheeks
00:15:23his eyes
00:15:24the nose
00:15:25and the mouth
00:15:26while the blood
00:15:27it's dripping from her head
00:15:34it's difficult
00:15:35to undress
00:15:35a dead body
00:15:39in the end
00:15:40I can do it
00:15:41her beautiful body
00:15:43white is in front
00:15:44to me
00:15:44I waited
00:15:45so much
00:15:46and now
00:15:47here it is
00:15:50I wonder
00:15:51where to bite
00:15:52Before
00:15:56I decide to bite it
00:15:57above the butt
00:16:01I try to bite
00:16:03strong
00:16:05but I can't do it
00:16:08it comes to me
00:16:09a strong one
00:16:09heachache
00:16:16I take a knife
00:16:17from the kitchen
00:16:19and I sink it
00:16:20slowly
00:16:21in his skin
00:16:24I find the meat
00:16:25under the fat
00:16:30I put it in my mouth
00:16:32I chew
00:16:33it has no smell
00:16:34it has no flavor
00:16:36it melts in your mouth
00:16:37like a perfect
00:16:38piece of tuna
00:16:41I look her in the eyes
00:16:43and I tell her
00:16:44you are delicious
00:16:52Issei Sagawa
00:16:53is seen
00:16:54June 13th
00:16:551981
00:16:56in Paris
00:16:57in a park
00:16:58is trying
00:17:01to bury
00:17:01a bag
00:17:03in
00:17:04torn to pieces
00:17:06the body
00:17:07by René Hartnell
00:17:08his colleague
00:17:10at university
00:17:12of Paris
00:17:12after killing her
00:17:15with a rifle shot
00:17:16had abused
00:17:18sexually of the corpse
00:17:20he had eaten them
00:17:22different parts
00:17:25five days later
00:17:27he is arrested
00:17:29by the French police
00:17:31he will say
00:17:33of having chosen her
00:17:34because beautiful and healthy
00:17:36while he
00:17:38it is considered
00:17:40a weak man
00:17:41bad
00:17:42and small
00:17:43he wanted
00:17:45absorb
00:17:47his energy
00:17:52sure it's strange
00:17:54associate with a practice
00:17:55so terrible
00:17:55like cannibalism
00:17:56the term
00:17:57epicurean
00:17:57but the criminologists
00:17:59they go beyond
00:18:00and together with Epicurean
00:18:02they add a second
00:18:03qualification to this type
00:18:04of anthropophagy
00:18:06nutritional
00:18:07it means that
00:18:08for those who practice it
00:18:09to eat human flesh
00:18:11it essentially depends
00:18:12from the taste
00:18:12from its qualities
00:18:14intrinsic
00:18:15of food
00:18:15some people deny it instead
00:18:17that there is a category
00:18:18like this one
00:18:19and that rather
00:18:20the pleasure of flavor
00:18:21be a secondary aspect
00:18:23of cannibalism
00:18:24with a sadistic background
00:18:24sexual
00:18:30July 22nd
00:18:311991
00:18:34miluocchi
00:18:36afternoon
00:18:36a day
00:18:38sinks
00:18:40a man
00:18:41he's wandering around
00:18:42in a shopping center
00:18:44It's Jeffrey Dahmer
00:18:46he ate a pizza
00:18:48and drank a few beers
00:18:50he's coming home
00:18:52when he meets
00:18:54three black boys
00:18:56with one of them
00:18:58has already exchanged
00:18:59a chat
00:19:00a few weeks before
00:19:02talking to the boys
00:19:04Dahmer
00:19:06he says he's bored
00:19:08and offers $100
00:19:10to anyone who wants to keep him company
00:19:13just company
00:19:16one of the boys
00:19:18accept
00:19:19his name
00:19:21It's Tracy Edwards
00:19:24they take a taxi
00:19:26but Dahmer
00:19:28he doesn't let himself be carried
00:19:29at the Ambassador Motel
00:19:31where lying
00:19:32he said he lived
00:19:34ask the taxi driver
00:19:35to stop
00:19:37on 25th Street
00:19:38on the outskirts
00:19:40it's here
00:19:42who now lives
00:19:43Jeffrey Dahmer
00:19:45Dahmer house
00:19:47an orderly environment
00:19:49clean
00:19:50but there's something strange
00:19:53on the whole
00:19:55a nauseating smell
00:19:58on the floor
00:20:00there are some boxes
00:20:02in
00:20:04muriatic acid containers
00:20:07Dahmer
00:20:08tells Tracy Edwards
00:20:10to use acid
00:20:12to clean
00:20:14Tracy Edwards
00:20:16he's already sorry
00:20:17to have accepted
00:20:19that strange invitation
00:20:20there is
00:20:21he asks for a beer
00:20:23and Dahmer
00:20:24he tells him
00:20:25who can take one
00:20:26in the refrigerator
00:20:27Then
00:20:28while the other
00:20:30he turns his back on him
00:20:31by surprise
00:20:32he handcuffs him
00:20:35Edwards
00:20:35he is terrified
00:20:37asks for explanations
00:20:38Dahmer
00:20:39he answers him
00:20:40who is joking
00:20:41and that the keys
00:20:42of the handcuffs
00:20:43I'm in the bedroom
00:20:45Edwards
00:20:46it shows itself
00:20:47condescending
00:20:48why Dahmer
00:20:49has at hand
00:20:50a large knife
00:20:52kitchen
00:20:52he looks around
00:20:54poster of men
00:20:56nudes
00:20:56on the walls
00:20:57and a little further on
00:20:59a big one
00:21:00blue barrel
00:21:02he ordered me
00:21:03to lie down on the ground
00:21:04face down
00:21:05and to put your hands on
00:21:06behind the back
00:21:07then it changed
00:21:08it has become even more
00:21:09more aggressive
00:21:12the boy says
00:21:13who will accept
00:21:14to be photographed
00:21:15but on one condition
00:21:18must put away
00:21:19the knife
00:21:21Then
00:21:22promises
00:21:22who will go to the bathroom
00:21:23and he will undress
00:21:26he told me
00:21:27that if I didn't do it
00:21:28what he told me
00:21:28it was killing me
00:21:29but suddenly
00:21:31something changes
00:21:34Dahmer
00:21:34he is relaxed
00:21:36almost absent
00:21:39in a calm voice
00:21:41asks Edwards
00:21:42to lie down on the bed
00:21:45and rests his head
00:21:46on the boy's chest
00:21:48then he lay down
00:21:49across me
00:21:50and he rested his head
00:21:52on my chest
00:21:52while listening
00:21:53the beats of my heart
00:21:55he told me
00:21:55that he would eat it
00:21:57it's here
00:21:58that Tracy Edwards
00:22:00start thinking
00:22:02on the run
00:22:05suddenly
00:22:07he stopped lending it to me
00:22:08Attention
00:22:09he started humming
00:22:11rocking back and forth
00:22:12I said I had to go
00:22:14in the bathroom
00:22:15and he didn't follow me
00:22:16in an instant
00:22:17I got up
00:22:18I hit him
00:22:19and I ran away
00:22:22with a jolt
00:22:24the boy breaks free
00:22:25and runs into the street
00:22:27as quickly as possible
00:22:30It's 11:30 pm
00:22:32it's night
00:22:35a police car
00:22:37reaches the corner
00:22:39between Kilbo Revenue
00:22:40and 25th Street
00:22:42for Tracy Edwards
00:22:43it's like a mirage
00:22:45asks
00:22:46that they take the handcuffs off him
00:22:48but the policemen
00:22:50they can't do it
00:22:51then the three
00:22:53they go to Dahmer's house
00:22:54at the start
00:22:56he is willing to cooperate
00:22:58declares to work
00:23:00as a mixer
00:23:01at the factory
00:23:03of Ambrosia chocolate
00:23:04in the center
00:23:08recognizes
00:23:09of having put
00:23:10handcuffs to Edwards
00:23:11but he can't say why
00:23:13one of the two policemen
00:23:15notice immediately
00:23:16the big knife
00:23:18under the bed
00:23:19and dozens of Polaroids
00:23:20with naked men
00:23:22among these
00:23:23also photographs
00:23:24of corpses
00:23:25torn to pieces
00:23:26and that were taken
00:23:28right in that same house
00:23:30when then
00:23:31continuing the search
00:23:33the officers open the refrigerator
00:23:37they make a terrible discovery
00:23:39a cardboard box
00:23:42and inside
00:23:45the severed head
00:23:47of a black man
00:23:48in the freezer
00:23:51three plastic bags
00:23:53within
00:23:54two human hearts
00:23:56and pieces of muscle
00:23:57in the chest freezer
00:24:01three heads
00:24:03it's a human torso
00:24:05chemicals
00:24:07and bleached skulls
00:24:09a large aluminum pot
00:24:12containing human remains
00:24:14on the bed
00:24:16blood stains
00:24:17a Polaroid camera
00:24:21in the bedroom
00:24:23two skulls painted in gray
00:24:25and a human skeleton
00:24:27complete
00:24:28in the dresser
00:24:2964 photographs
00:24:31of naked men
00:24:32of deaths
00:24:33of macabre details
00:24:35in a corner
00:24:37a blue industrial barrel
00:24:40from 250 liters
00:24:42it gives off a smell
00:24:43of chemicals
00:24:45that takes you by the throat
00:24:46is removed
00:24:49from the hazardous materials unit
00:24:51of the firefighters
00:24:52the macabre content
00:24:54of the barrel
00:24:56three human torsos
00:24:58immersed in acid
00:25:00in various stages
00:25:01of decomposition
00:25:03and then
00:25:05identification documents
00:25:07scattered everywhere
00:25:09and the first identification
00:25:11Oliver Lessi
00:25:1424 years old
00:25:15and his
00:25:17head in the refrigerator
00:25:20the heart
00:25:21in one of the bags
00:25:22the skeleton
00:25:24in the freezer
00:25:25but also other objects
00:25:28that are scary
00:25:29a hypodermic needle
00:25:31rubber gloves
00:25:33acid-resistant
00:25:34cans
00:25:35of bleaching soda
00:25:36a drill
00:25:38hammers
00:25:39saws
00:25:40the shadow is present
00:25:42in each of us
00:25:43as constitutive
00:25:44of our psyche
00:25:45Unfortunately
00:25:46we come
00:25:46from a Christian culture
00:25:47I say unfortunately
00:25:48Why
00:25:49Christian culture
00:25:51has radically divided
00:25:52good and evil
00:25:53while all things
00:25:55they are essentially
00:25:56ambivalent
00:25:57all people
00:25:58they are ambivalent
00:25:59all religions
00:26:01they hypothesize that God
00:26:01be good
00:26:02but also badly
00:26:03Christianity
00:26:03he operated
00:26:04this division
00:26:06and that we discount
00:26:07with the figures
00:26:08of perfection
00:26:10with the figures
00:26:10of holiness
00:26:12removing evil
00:26:13but all that
00:26:14which is removed
00:26:15Freud taught us this
00:26:16returns
00:26:17and since it is not accepted
00:26:18on our side
00:26:20rational
00:26:21ends up being
00:26:22a violent repressed
00:26:24the shadow
00:26:25evil
00:26:26they are violent
00:26:27why not accepted
00:26:28from the self
00:26:29Dahmer
00:26:30he drugged his victims
00:26:32putting sleeping pills
00:26:34in alcohol
00:26:35abuse
00:26:36sexually
00:26:37of them
00:26:37take photographs
00:26:39Before
00:26:40and after the relationships
00:26:41then he kills them
00:26:43he strangles them
00:26:44sometimes with your hands
00:26:46sometimes
00:26:47with a leather lace
00:26:49and tears them to pieces
00:26:51he tears them to pieces
00:26:53in the bathtub
00:26:55and let it drain
00:26:56the blood
00:26:57directly
00:26:58in the drain
00:26:59Before
00:27:00cut off the head
00:27:01Then
00:27:02the arms
00:27:03and the legs
00:27:04and in the end
00:27:05removes
00:27:06the internal organs
00:27:08when he decides
00:27:09to preserve
00:27:10the skeleton
00:27:11use two large pots
00:27:13with water and soda
00:27:14sometimes
00:27:15only preserves
00:27:16the head
00:27:17the stripping
00:27:18cleans it
00:27:19and paints
00:27:21the skull
00:27:21with a paint
00:27:23granite color
00:27:27I kept it
00:27:28the mummified head
00:27:29and the bones
00:27:30of a victim
00:27:30in a briefcase
00:27:31hidden
00:27:31in my locker
00:27:32in the factory
00:27:35and my impulses
00:27:38they were so
00:27:38strong
00:27:39to push me
00:27:39to preserve
00:27:40parts of them
00:27:44when it is not
00:27:45interested
00:27:46to hold on
00:27:47the skeleton
00:27:48Damer
00:27:48he tears to pieces
00:27:49the corpse
00:27:50with the help
00:27:51of saws
00:27:52and knives
00:27:52Then
00:27:53shatters
00:27:54the bones
00:27:54with a club
00:27:55immerses
00:27:56All
00:27:57in the acid
00:27:59There are two forms
00:28:00of cannibalism
00:28:01spiritual
00:28:02or ritualistic
00:28:03we can talk
00:28:04of exocannibalism
00:28:05when a group
00:28:06a tribe
00:28:07incorporates
00:28:08a representative
00:28:09from another group
00:28:10of another tribe
00:28:11Usually
00:28:12this kind of ritual
00:28:13it ties to power
00:28:14and the murder
00:28:16and eating
00:28:16of the body
00:28:17of the enemies
00:28:17can be useful
00:28:18from intimidation
00:28:19as well as
00:28:20to tie oneself up
00:28:21to the conviction
00:28:22that with the meat
00:28:22of the rivals
00:28:23it is acquired
00:28:24their spirit
00:28:25and their skill
00:28:27Indocannibalism
00:28:28it concerns instead
00:28:29the practices
00:28:30within
00:28:30of one's own group
00:28:31often associated
00:28:32at the ceremony and funeral
00:28:34cannibalism
00:28:35mortuary
00:28:36it is the most widespread form
00:28:37and the meat
00:28:38for the ritual banquet
00:28:39it arrives then
00:28:40from subjects
00:28:40already deceased
00:28:57let's mix
00:28:57we mix human flesh
00:28:58with sago flour
00:28:59we cook the meat
00:29:01on the stones
00:29:01or we roast it
00:29:03directly on the fire
00:29:04I like everything
00:29:06not only the brain
00:29:08the thighs
00:29:09or the arms
00:29:10me personally
00:29:11I killed
00:29:12and ate
00:29:12five enemies
00:29:17the cannibal
00:29:18he feeds on human flesh
00:29:20for ritual purposes
00:29:24tribal
00:29:25the anthropophagus
00:29:27performs an act
00:29:28an end in itself
00:29:30ingests limbs
00:29:32of another man
00:29:32and that's it
00:29:36the first track
00:29:38of anthropophagy
00:29:39it dates back
00:29:41800,000 years ago
00:29:42in Spain
00:29:45signs of it are found
00:29:47also in Croatia
00:29:48and France
00:29:49but only at the beginning
00:29:51of 1500
00:29:52is coined
00:29:53the term
00:29:54cannibal
00:30:00they exist
00:30:01various types
00:30:03of cannibalism
00:30:04in some tribes
00:30:06it's about
00:30:06of a magical ritual
00:30:08after a battle
00:30:10a fight
00:30:12the winner
00:30:14eat parts
00:30:15of the opponent
00:30:16defeated
00:30:16wants to internalize
00:30:19his skills
00:30:20the strength
00:30:22the cunning
00:30:24courage
00:30:26or
00:30:28push to the extreme
00:30:30his revenge
00:30:33in Polynesia
00:30:35to feed on human flesh
00:30:36takes on a meaning
00:30:39religious
00:30:39an extreme honor
00:30:42reserved
00:30:43to the deceased
00:30:44even the followers
00:30:46of the Goddess Cali
00:30:47in India
00:30:47and the Aztecs
00:30:49in Mexico
00:30:50they dedicate themselves
00:30:51to anthropophagy
00:30:52religious
00:30:53for the guaiacs
00:30:55of Paraguay
00:30:56human flesh
00:30:58Instead
00:30:58has value
00:31:00therapeutic
00:31:00curative
00:31:04even the Maori
00:31:05of New Zealand
00:31:06they were
00:31:07anthropophagous
00:31:08they considered
00:31:10the cannibalistic meal
00:31:11tasty
00:31:13and fortifying
00:31:19many tribes
00:31:20Furthermore
00:31:21they consume remains
00:31:23of dead relatives
00:31:25generally though
00:31:27it's about ashes
00:31:29charred meat
00:31:31crushed bones
00:31:39different
00:31:40it's the practice
00:31:41of theophagy
00:31:43Africa
00:31:44and South America
00:31:45the countries
00:31:47where it still is
00:31:48in use
00:31:50the natives
00:31:51they sacrifice
00:31:52and they eat
00:31:53animals
00:31:54symbol
00:31:56of the gods
00:31:58they ingest
00:31:59flesh and blood
00:32:00to assimilate
00:32:02the virtues
00:32:03divine
00:32:07within
00:32:08of the world
00:32:08of psychology
00:32:09it's strong
00:32:10the debate
00:32:11about what
00:32:11push a person
00:32:12to transform
00:32:13in cannibal
00:32:14a theory
00:32:15accredited
00:32:16refers to
00:32:16to cannibalism
00:32:17as a response
00:32:18to a trauma
00:32:18experienced
00:32:19at the moment
00:32:20of weaning
00:32:22deprived of the breast
00:32:23the little one
00:32:23he lives the separation
00:32:24with anguish
00:32:25coming to fantasize
00:32:27to devour
00:32:28his own mother
00:32:28a triggering event
00:32:30in adulthood
00:32:31could lead
00:32:32a regression
00:32:32at this stage
00:32:33and transform
00:32:34the imagination
00:32:35actually
00:32:37a second hypothesis
00:32:38postpones cannibalism
00:32:39to existence
00:32:40of a pathology
00:32:41schizophrenic
00:32:41more or less manifest
00:32:43with his dissociation
00:32:44between thought
00:32:45and affection
00:32:47to think that
00:32:48anthropophagy
00:32:49be a symptom
00:32:49of psychosis
00:32:50then opens the way
00:32:51to the explanations
00:32:52more organic
00:32:53a genetic alteration
00:32:55or a mess
00:32:57in chemistry
00:32:57of the brain
00:32:58as often happens
00:33:00with human behaviors
00:33:01and the criminal ones
00:33:02they fall within it
00:33:03fully fledged
00:33:04every theory
00:33:05it has its value
00:33:06but no theory
00:33:07is able
00:33:07to support
00:33:08convincingly
00:33:09all aspects
00:33:10and to explain
00:33:11all cases
00:33:17name
00:33:18weapons
00:33:19surname
00:33:20miles
00:33:21the cannibal
00:33:23of rottenwood
00:33:24the butcher
00:33:2639 years old
00:33:29German
00:33:30computer analyst
00:33:34bisexual
00:33:41human flesh
00:33:42human flesh
00:33:42it tastes the same
00:33:43than pork
00:33:46it's just
00:33:47slightly more bitter
00:33:48but more
00:33:49substantial
00:33:51it's really good
00:33:55name
00:33:56Jeffi
00:33:57surname
00:33:59gentleman
00:34:00the cannibal
00:34:01of miluocchi
00:34:0231 years old
00:34:03worker
00:34:05in a factory
00:34:06chocolate
00:34:07homosexual
00:34:10necrophiliac
00:34:13fetishist
00:34:16alcoholic
00:34:18kills
00:34:19dismembers
00:34:20and eat
00:34:21men of color
00:34:24I'm struggling
00:34:25to believe
00:34:26that a human being
00:34:27may have done
00:34:28what I did
00:34:30but I know
00:34:31which is the truth
00:34:32name
00:34:33Issei
00:34:34surname
00:34:35Sagawa
00:34:3632 years old
00:34:39Japanese
00:34:41son of a rich man
00:34:43and influential
00:34:44entrepreneur
00:34:46literature student
00:34:47English
00:34:48at the Sorbonne
00:34:49of Paris
00:34:52obsessed
00:34:53from women
00:34:54tall
00:34:54and Western
00:34:58I'm scared
00:35:00it seems alive
00:35:01I kiss her
00:35:02and I tell her
00:35:03to love her
00:35:03after it's cooked
00:35:05I sit at the table
00:35:06using his
00:35:06underwear
00:35:07like a napkin
00:35:10they still have
00:35:11its scent
00:35:13I had
00:35:13of the legs
00:35:14fantastic
00:35:15finally
00:35:16it's in my stomach
00:35:19finally
00:35:20it's mine
00:35:22it's the best dinner
00:35:23of my life
00:35:28what prompted
00:35:29Maedes
00:35:30Damer
00:35:30or Sagawa
00:35:31with gestures
00:35:32so terrible
00:35:32evil
00:35:33or madness
00:35:35there is no doubt
00:35:36that the German
00:35:37assessed several times
00:35:38not present
00:35:39the signs
00:35:39of a psychosis
00:35:40a disorder
00:35:41of personality
00:35:42Certainly
00:35:42and then
00:35:44a mess
00:35:44of sexuality
00:35:45with eroticization
00:35:46perverse
00:35:47of the cannibalistic act
00:35:53The first time
00:35:55that I ate
00:35:56a piece
00:35:56it was a part
00:35:59from behind
00:36:00that I had
00:36:02chosen on purpose
00:36:06Before
00:36:07I had divided
00:36:09the other parts
00:36:09in pieces
00:36:12and I had them
00:36:15frozen
00:36:16in the freezer
00:36:20and of course
00:36:22I prepared
00:36:23a solemn dinner
00:36:24two beautiful candelabras
00:36:27on the table
00:36:30I took
00:36:31the good cutlery
00:36:34and then
00:36:36I roasted
00:36:38this steak
00:36:39this steak
00:36:41from behind
00:36:43I prepared
00:36:44a side dish
00:36:44of potatoes
00:36:45and then
00:36:46when everything
00:36:47he was ready
00:36:48I ate
00:36:49How was it
00:36:51the first bite
00:36:52what did he eat?
00:36:53Was it good?
00:36:54The first piece
00:36:55era
00:36:58naturally
00:37:00at the start
00:37:01era
00:37:01a bit
00:37:02strange
00:37:04a feeling
00:37:05indefinable
00:37:07because I had
00:37:08waited
00:37:09that moment
00:37:09for 40 years
00:37:11or
00:37:1330 years old
00:37:17and I had it
00:37:19desired
00:37:20and I had
00:37:22so a feeling
00:37:23of perfect
00:37:23Communion
00:37:25through
00:37:26this meat
00:37:28and the meat
00:37:29era
00:37:30similar
00:37:30to that one
00:37:32of the pig
00:37:32Perhaps
00:37:34a flavor
00:37:34slightly
00:37:36stronger
00:37:36more bitter
00:37:38but
00:37:38beyond
00:37:39of this
00:37:40there is no
00:37:41a lot of difference
00:37:41he really has
00:37:42a good taste
00:37:43which seems
00:37:44Very good
00:37:48Today
00:37:48fairy tales
00:37:49they seem to have passed
00:37:49in fashion
00:37:50but once upon a time
00:37:51among the most famous ones
00:37:52those that were told
00:37:54to the children in the evening
00:37:55there was the story
00:37:56of Hansel and Gretel
00:37:58they wrote it
00:37:58the Brothers Grimm
00:37:59at the beginning of the nineteenth century
00:38:00but the origin of the story
00:38:02it is much older
00:38:03and of several centuries
00:38:04Hansel and Gretel
00:38:06it's a fairy tale
00:38:06who speaks
00:38:07of devouring
00:38:07and of being
00:38:09devoured
00:38:09children eating
00:38:11voraciously
00:38:11a little house
00:38:12of marzipan
00:38:13the house
00:38:14of a witch
00:38:14which then
00:38:15he imprisons them
00:38:16and locks them up
00:38:16why they get fat
00:38:17to transform them
00:38:19in turn
00:38:20in food
00:38:20and a finale
00:38:22surprise
00:38:22with the little ones
00:38:23ready to be
00:38:24cooked in an oven
00:38:25and that instead
00:38:25among the flames
00:38:26they push us
00:38:27the witch
00:38:29Hansel and Gretel
00:38:30it was the fairy tale
00:38:30favorite by
00:38:31Armin Myres
00:38:32the story
00:38:33who loved
00:38:33to have it repeated
00:38:34of his mother
00:38:35when he was little
00:38:40an authoritarian woman
00:38:43cold
00:38:44possessive
00:38:46three divorces
00:38:48behind
00:38:48four children
00:38:50a personality
00:38:53very strong
00:38:54Waltraud Myres
00:38:56Armin's mother
00:38:58the only person
00:39:00to share
00:39:01with him
00:39:01the huge villa
00:39:03of Rothenburg
00:39:04under his roof
00:39:05does not allow
00:39:07to no one
00:39:07to escape
00:39:08under his control
00:39:10when Armin Myres
00:39:12turns twenty
00:39:13the mother
00:39:14Waltraud
00:39:15attack
00:39:16a sticker
00:39:16at his door
00:39:17it's written
00:39:19Kinder Zimmer
00:39:20nursery
00:39:24Armin's brothers
00:39:25they leave the house
00:39:27as soon as they have it
00:39:28the possibility
00:39:30leaving him alone
00:39:31in that environment
00:39:33austere
00:39:35I felt alone
00:39:37and completely
00:39:38derelict
00:39:40Armin
00:39:41he doesn't have a life
00:39:42rich social
00:39:43he doesn't have a life
00:39:44sexual
00:39:46try to get out
00:39:48with some girl
00:39:49but the mother
00:39:50it's always
00:39:52in the vicinity
00:39:54Then
00:39:55he's looking for his own
00:39:56space
00:39:57enlisting
00:39:58in the army
00:40:00but Waltraud
00:40:01he goes often
00:40:03to find it
00:40:04he puts it
00:40:05embarrassed
00:40:06in front of
00:40:07to his
00:40:07comrades in arms
00:40:09when the cannibal
00:40:11of Rothenburg
00:40:11spreads his
00:40:13first message
00:40:14on the internet
00:40:14the mother
00:40:16she died
00:40:17for a year
00:40:19Berthold Seberg
00:40:21a former comrade
00:40:22of school
00:40:22go find him
00:40:24together with his wife
00:40:27he is impressed
00:40:28from a particular
00:40:31while visiting
00:40:32the house
00:40:33Note
00:40:34upstairs
00:40:35a large one
00:40:37dirt
00:40:37it looks out
00:40:40in the room
00:40:41of the mother
00:40:42by Mives
00:40:44on the contrary
00:40:46that in the rest
00:40:47of the house
00:40:47here
00:40:48everything is clean
00:40:50tidy
00:40:52the room
00:40:53it remained
00:40:54as if frozen
00:40:55as if
00:40:56Waltraud
00:40:57the mother
00:40:58by Mives
00:40:59must return
00:41:01for a moment
00:41:01to the other
00:41:03on the bed
00:41:04the dressing gown
00:41:06of the woman
00:41:06the slippers
00:41:08lined up
00:41:09on the floor
00:41:10as if
00:41:11the lady
00:41:12was still
00:41:14Viva
00:41:14as if
00:41:15was still
00:41:16there
00:41:18seberg
00:41:19receives
00:41:20in that period
00:41:21some strange ones
00:41:22e-mail
00:41:23contain
00:41:24a request
00:41:25absurd
00:41:25they ask
00:41:27whether it is
00:41:29willing
00:41:29to do
00:41:31slaughter
00:41:34for Almy Mives
00:41:36the nickname
00:41:36of cannibal
00:41:37it's certain
00:41:37relevant
00:41:38but there is
00:41:39another one
00:41:40definition
00:41:40which can
00:41:40to adapt
00:41:41to his
00:41:41businesses
00:41:42that
00:41:42Of
00:41:43Internet
00:41:43killer
00:41:44him and his
00:41:45victim
00:41:46they met
00:41:46online
00:41:47and if
00:41:48the killer
00:41:48was
00:41:48captured
00:41:49it's just because
00:41:50after the crime
00:41:51continued to
00:41:52search the web
00:41:53other companions
00:41:53accomplices
00:41:54victims
00:41:55willing to share
00:41:56with him
00:41:57a last meal
00:41:58a last meal
00:42:26and cancel
00:42:27and cancel
00:42:27and cancel everything
00:42:56of the elaborations that the person makes, we can meet in front of, we can find ourselves in front of situations
00:43:06and the most disconcerting answers possible.
00:43:10So, and here I use an expression from the prophet Isaiah, a great figure of the biblical tradition, a great code indeed
00:43:18of our culture,
00:43:19who said are those who call evil good, good evil, bitter sweet and bitter sweet
00:43:28and in the end they confuse light with darkness.
00:43:32Well, this is the great risk of humanity, no longer being able to distinguish reality and authenticity.
00:43:41of values.
00:43:43The trial of Armin Miles begins on Wednesday, December 3, 2003.
00:43:51It immediately becomes a puzzle for the judges and for public opinion.
00:43:57Judge Volker Mütze declared
00:44:00The crime of cannibalism is rejected by society and not covered by the codes.
00:44:07We find ourselves in a peripheral area of criminal law, without any legal principles of reference.
00:44:16According to the prosecution, what Miles committed was a homicide for sexual gratification.
00:44:25But the defense can prove that the victim was consenting
00:44:30and that at most we can talk about contract killing.
00:44:36A crime similar to euthanasia, for which the penalty is no more than 5 years in prison.
00:44:47The video shot by Miles during the slaughter of his victim is shown behind closed doors.
00:44:57The footage that proves unequivocally that Berne Jürgen Brandes wanted to be killed and eaten.
00:45:09The video in the file shows the victim and the perpetrator consuming Brandes together.
00:45:21And then two more witnesses are called.
00:45:26Two of the many volunteers who reportedly showed up at the Rottenburg villa to be eaten.
00:45:35Jörg Bose, 32, was supposed to be the second victim.
00:45:42He had been enrolled with Miles for 5 years.
00:45:46He had told me that his father was a veterinarian and that he had seen a slaughterhouse up close.
00:45:53And for this reason he had always portrayed himself as an animal.
00:45:58He wanted to be stabbed in the throat and then have his testicles amputated.
00:46:04Then he wanted to be bled dry and have his belly cut open and his entrails exposed.
00:46:14Then the body was split in half.
00:46:18Split in half?
00:46:19Split in half.
00:46:21Yes, that is, he is decapitated and then his sternum is cut in half.
00:46:25The pelvis cut in two and the spine.
00:46:29And finally that the individual pieces of meat were divided.
00:46:35And then he also said that you can make a steak with the brisket here.
00:46:40The arm and forearm can be roasted and things like that.
00:46:44And he showed me the marks for the cuts.
00:46:48He is stripped and hung on a butcher's hook.
00:46:53Transported by pulley to the slaughter table.
00:46:59He makes marks on his body indicating where he intends to make the cuts.
00:47:13Mives sprinkles it with oil.
00:47:17But suddenly, Bose feels unwell.
00:47:23He doesn't want to be slaughtered anymore.
00:47:27Then Mives frees him and lets him go.
00:47:33And again.
00:47:35Dirk Müller.
00:47:37Employed in a London hotel.
00:47:41He is tied to Mives' bed.
00:47:46Even on his body, the Rothenburg cannibal wrote signs for slaughter.
00:47:56He changes his mind too.
00:48:00He too is set free.
00:48:07According to the defense, Mives received approximately 430 messages in response to his 80 appeals on the internet.
00:48:18The defendant will say, there are at least 800 cannibals in Germany.
00:48:27People who hide behind pseudonyms, like Hansel and Gretel.
00:48:33Mives says he aspires to a world where eating men can be seen as a solution to the
00:48:44hunger and overpopulation.
00:48:46The police found in the computer of the Rothenburg cannibal two vans of documents that demonstrate a dense network of
00:48:57other cannibals and potential victims.
00:49:07What do you see in the mirror in the morning?
00:49:13I see myself as a fairly normal man, available, always willing to help others, even here in prison.
00:49:22But can you understand that there are people who find all this terrible and horrendous?
00:49:27Yes of course.
00:49:30The problem is that, as you might say, for me it was normal at a certain point.
00:49:39Anyone who cannot understand this finds all this monstrous.
00:49:44But generally speaking, I'm a perfectly normal man.
00:49:47I had a crazy idea, I put it into practice and Brandes also had this crazy desire and he did it
00:49:56done.
00:49:57He knew exactly what he was doing and so did I.
00:50:01Of course it's a sick thing, or rather, it's not normal.
00:50:06Because only what society wants is normal and when something happens that goes beyond this rule it is considered normal.
00:50:13abnormal.
00:50:15To understand that something that is not normal is not the business of a man, a sick man.
00:50:23Sexual cannibalism falls into the category of psychosexual disorders.
00:50:28The act of eating a victim's flesh takes on an erotic significance for the murderer.
00:50:38May 21, 1960
00:50:41Evangelical Deacons Hospital
00:50:44Milwaukee
00:50:454:34 PM
00:50:49Jeffrey Lionel Dahmer is born
00:50:52He will go down in history as the Milwaukee Monster
00:50:58I never suffered physical or verbal abuse, I had a normal childhood.
00:51:04In 1970 the mother was admitted to a neuropsychiatric ward.
00:51:10Jeffrey blames himself for his mother's illness.
00:51:15Between the ages of 10 and 12, a child's physical appearance and behavior change radically.
00:51:23He is always tense, he is increasingly lonely, he shows no interest in others.
00:51:32He spends his time collecting skeletons of small animals.
00:51:36It preserves insects in formalin, a small animal cemetery.
00:51:43As a teenager he becomes more and more passive, and inexplicably gains weight.
00:51:49He's already an alcoholic.
00:51:53So he begins to cultivate secret fantasies.
00:51:58He was a surprisingly sensitive and kind man,
00:52:03in a way that many would find difficult to understand.
00:52:09His crimes were not motivated by anger or a desire to destroy,
00:52:15but rather from a very particular complex of perverse sexual needs,
00:52:23in the context of a pathologically shy man,
00:52:27who didn't know how to find a boyfriend,
00:52:31and an alcoholic who could only release his inhibitions when he was drunk.
00:52:38he dreams of dominating, of possessing, of tearing a human being to pieces.
00:52:46And in the meantime he drinks.
00:52:47He takes refuge in alcohol to escape his fantasies.
00:52:51He discovered he was gay.
00:52:54He buys pornographic magazines, with pictures of naked men, to get excited.
00:53:00June 18, 1978.
00:53:03A small farming town in Ohio.
00:53:07Jeffrey Dahmer has been alone at home for days.
00:53:10It's stiflingly hot.
00:53:13He's tired,
00:53:14haunted by sexual fantasies,
00:53:17haunting and unspeakable.
00:53:20So he decides to go out,
00:53:22to take a drive.
00:53:24It's 5pm.
00:53:27On the side of the road,
00:53:28he sees a hitchhiker.
00:53:31A handsome boy in jeans and sneakers.
00:53:34Stephen Hicks,
00:53:36of Illinois.
00:53:38He introduces himself.
00:53:40He lets himself be tempted,
00:53:42from Dahmer's proposal.
00:53:44A few beers and a joint at his house.
00:53:48When they get home,
00:53:50Hicks,
00:53:50He prefers a beer to marijuana.
00:53:53For a while,
00:53:54the two listen to music
00:53:56and they drink one beer after another.
00:53:58Dahmer would like to get closer to the boy.
00:54:02Touch it.
00:54:03But he doesn't want to scare him away.
00:54:06He doesn't want her to understand that he's gay.
00:54:11Dahmer,
00:54:12he's drunk now.
00:54:14he feels it rising inside him
00:54:16anger
00:54:18for those unrealizable wishes.
00:54:21That he can't chase away.
00:54:23That he cannot confess.
00:54:26After a couple of hours,
00:54:28Hicks tells him he has to go.
00:54:31Dahmer then goes down to the cellar
00:54:33and takes a dumbbell
00:54:35for weightlifting.
00:54:37He wants to calm down.
00:54:40When it goes back up,
00:54:42hits Hicks in the head
00:54:44with the handlebars.
00:54:46When it collapses to the ground,
00:54:48Dahmer strangles him.
00:54:51then he undresses him
00:54:53with care.
00:54:56When it gets dark,
00:54:58drag the body out.
00:55:01He hides it
00:55:02in a cavity
00:55:03between the house and the land
00:55:05and goes to sleep.
00:55:09Dahmer is afraid.
00:55:11But he understands that the only thing
00:55:13what is left for him to do?
00:55:14is to erase the beginning.
00:55:16The next day
00:55:17buy a big knife.
00:55:20First of all
00:55:21cut off the arms
00:55:22and the legs.
00:55:24In the end,
00:55:25the head.
00:55:27The night of the day after
00:55:29throw away the bags
00:55:30with the bust
00:55:31and the limbs of Stephen Hicks
00:55:32down a wide
00:55:34and deep channel
00:55:35of drainage
00:55:35in the garden.
00:55:37Later
00:55:38drive to a river
00:55:40and throws into the water
00:55:42a necklace
00:55:42together with the knife
00:55:44which he used
00:55:45to tear to pieces
00:55:46his first victim.
00:55:49I was adrift
00:55:51and I arrived
00:55:51to cannibalism
00:55:52to eat the heart.
00:55:53Yes, the heart.
00:55:55It was a way
00:55:56to hear the other
00:55:57like a part of me.
00:56:00Jeffrey Dahmer
00:56:01kills 17 times.
00:56:03all the victims
00:56:05they were
00:56:06narcotized
00:56:07raped
00:56:09torn to pieces
00:56:10sometimes
00:56:12dissolved
00:56:13in the acid
00:56:14other
00:56:14preserved
00:56:16in a large freezer
00:56:18more still
00:56:19made disappear
00:56:21they were almost all
00:56:23black boys.
00:56:25May 26th
00:56:271991
00:56:29Miluocchi
00:56:30It's Sunday
00:56:32Dahmer
00:56:32decides to go
00:56:34at the big shopping center
00:56:35on Grand Avenue
00:56:37to eat
00:56:38in a German restaurant.
00:56:40He remains to watch
00:56:41the shop windows
00:56:42until 5 pm.
00:56:44He's about to go home
00:56:45when you notice
00:56:46a boy
00:56:47of Asian origins.
00:56:50Dahmer stops him.
00:56:51he asks him
00:56:52if he wants
00:56:53earn
00:56:5350 dollars
00:56:54posing
00:56:55for some photographs.
00:56:57The boy
00:56:58accept
00:56:59to follow him home.
00:57:01Conerac
00:57:01Syntasunfone
00:57:03it is the
00:57:04thirteenth
00:57:04victim
00:57:05by Jeffrey Dahmer.
00:57:07It leaves
00:57:09to photograph
00:57:09in underwear
00:57:10accept
00:57:11a drink
00:57:12Then
00:57:13faints
00:57:13while the boy
00:57:15he is unconscious
00:57:16the killer
00:57:18He abuses
00:57:19of him
00:57:19Then
00:57:21it ends
00:57:22to fall asleep
00:57:23when he wakes up
00:57:25Dahmer
00:57:26try an experiment
00:57:27he takes a drill
00:57:29and make a small hole
00:57:31in the skull
00:57:33of the boy
00:57:34wants to achieve
00:57:36the frontal lobes
00:57:37Then
00:57:38with a syringe
00:57:39inject muriatic acid
00:57:42in the brain
00:57:46he was alone
00:57:47an obsession
00:57:47then I searched
00:57:48to keep alive
00:57:49a person
00:57:49transforming it
00:57:51in zombie
00:57:54I injected him
00:57:59acid
00:58:00and hot water
00:58:03but it didn't work
00:58:07wants to create
00:58:08a zombie
00:58:10a being
00:58:11devoid of will
00:58:13that he obeys him
00:58:14and above all
00:58:15that you don't abandon him
00:58:17never
00:58:23even Jeffrey Dahmer
00:58:24has united
00:58:25in his horrible crimes
00:58:26sadism
00:58:27necrophilia
00:58:28and anthropophagy
00:58:29but then he went further
00:58:31when it started
00:58:32to preserve
00:58:32body parts
00:58:33of his victims
00:58:34the meat
00:58:35and the freezers
00:58:36while the skulls
00:58:38and the bones
00:58:38he cleaned those up
00:58:40painted
00:58:40arranged in a caricature
00:58:42of altar
00:58:43a corner
00:58:44dedicated to worship
00:58:45of his demons
00:58:45at this point
00:58:47Jeffrey Dahmer's mind
00:58:48he certainly took
00:58:49the direction of madness
00:58:50in spite of
00:58:51of what will come
00:58:52supported
00:58:52in psychiatric assessments
00:58:59a serial killer
00:59:01hedonist
00:59:01oriented towards sexual pleasure
00:59:04the pleasure
00:59:06he is wanted
00:59:07through control
00:59:08total
00:59:08of the victim
00:59:09these murderers
00:59:11they combine the binomial
00:59:13sex and death
00:59:15sexuality
00:59:16aggression
00:59:18torture
00:59:19mutilation
00:59:20cannibalism
00:59:22I am an experience
00:59:24of eroticism
00:59:25extreme
00:59:25one of the
00:59:26common denominators
00:59:28of this situation
00:59:29it's having the other
00:59:31in his own power
00:59:32power to do
00:59:33whatever you want
00:59:34of the other
00:59:35having the other
00:59:35to its own
00:59:36complete disposition
00:59:37this explains
00:59:38because in some cases
00:59:40in Dahmer's
00:59:41for example
00:59:41there was a trend
00:59:43rudimentary
00:59:44naive
00:59:44to make a
00:59:45lobotomy
00:59:46to his victim
00:59:48to do strange things
00:59:50maneuvers
00:59:51which he believed
00:59:52having read
00:59:53sense
00:59:54that it could be
00:59:55lobotomy
00:59:56he was sticking some garlic
00:59:57in the skull
00:59:58and why
00:59:59the trend
01:00:00to create
01:00:01of zombies
01:00:04of people
01:00:05to his
01:00:05complete disposition
01:00:07and this
01:00:08clarifies
01:00:08what is there
01:00:09right below
01:00:10put the others
01:00:11to its own
01:00:12complete disposition
01:00:14until
01:00:14of the corpse
01:00:15the corpse
01:00:18let's say
01:00:19he no longer has
01:00:19no autonomy
01:00:21and then
01:00:21this trend
01:00:22to create
01:00:23of the
01:00:23how to say
01:00:25of Frankenstein
01:00:26the doctors
01:00:28who questioned him
01:00:29during the process
01:00:30they explain
01:00:31that Dahmer
01:00:32he's not a serial killer
01:00:33like everyone else
01:00:35suffers
01:00:36of various disorders
01:00:37everyone
01:00:38of character
01:00:39sexual
01:00:40Dahmer
01:00:41he is affected
01:00:42from necrophilia
01:00:44the necrophiliac
01:00:45reaches
01:00:46the satisfaction
01:00:47sexual
01:00:48only with
01:00:49a corpse
01:00:51he was desperately
01:00:52in search
01:00:53of a partner
01:00:54passive
01:00:54that I don't
01:00:55he abandoned
01:00:56I think
01:00:57let this be it
01:00:58the problem
01:00:58central
01:00:59of his
01:00:59sexuality
01:01:00and that's why
01:01:02that the term
01:01:02whichever comes closest
01:01:03to the condition
01:01:04by Dahmer
01:01:04that's it
01:01:05of necrophilia
01:01:08the killer
01:01:09serial
01:01:10necrophiliac
01:01:10Usually
01:01:12was
01:01:12a child
01:01:13closed
01:01:14in himself
01:01:14the world
01:01:16of fantasy
01:01:17occupies
01:01:18a place
01:01:19central
01:01:19in life
01:01:20of this
01:01:21subject
01:01:21at the expense
01:01:23of the world
01:01:23real
01:01:24with which
01:01:25the serial killer
01:01:26necrophiliac
01:01:27he doesn't have
01:01:28a lot of familiarity
01:01:29sex
01:01:31with people
01:01:31lives
01:01:32it scares him
01:01:33the corpse
01:01:34it's an object
01:01:35completely
01:01:36passive
01:01:37on which
01:01:37the necrophiliac
01:01:38can address
01:01:40his own
01:01:40sexuality
01:01:41finally
01:01:42free
01:01:43from inhibition
01:01:45actually
01:01:46Dahmer
01:01:47he is a necrophiliac
01:01:48unique
01:01:48of its kind
01:01:50why he tries
01:01:51to create
01:01:52in all ways
01:01:53of the slaves
01:01:54try
01:01:55to lobotomize
01:01:56his victims
01:01:57creating
01:01:58of zombies
01:01:58that I don't
01:02:00they never leave
01:02:01I saw it
01:02:02rather
01:02:03like a being
01:02:04human
01:02:04from the personality
01:02:05distorted
01:02:06what he had done
01:02:07extraordinary things
01:02:08at the service
01:02:09of his perversion
01:02:10things he wouldn't have
01:02:12never done
01:02:13if it weren't
01:02:13was an alcoholic
01:02:15Dahmer though
01:02:16he is also a fetishist
01:02:18preserves
01:02:19body parts
01:02:20the fetishist
01:02:22try to make
01:02:24superfluous
01:02:25the partner
01:02:25wants to achieve
01:02:26the satisfaction
01:02:27sexual
01:02:28without him
01:02:31the attraction
01:02:32tested by Dahmer
01:02:33for the remains
01:02:35of his victims
01:02:35it's an example
01:02:37extreme
01:02:37of transference
01:02:38fetishistic
01:02:39said
01:02:40partialism
01:02:41that is to say
01:02:42the desire
01:02:43of a part
01:02:44of the object
01:02:45of one's own interest
01:02:47in the course
01:02:48of the years
01:02:49development
01:02:50another problem
01:02:50this too
01:02:51rather unusual
01:02:53there are some
01:02:54only very few
01:02:55documented cases
01:02:56and this is it
01:02:57somehow
01:02:59the internal organs
01:03:00of the human body
01:03:01with their
01:03:02provisional flight
01:03:03they began
01:03:04to attract him
01:03:06Obviously
01:03:07this happened
01:03:08while he was intent
01:03:09to dissect
01:03:10one of his victims
01:03:13I gave
01:03:14a definition
01:03:15to the thing
01:03:16sflanknophilia
01:03:17and this one
01:03:18unusual condition
01:03:19could explain
01:03:20the intensification
01:03:22of the crimes
01:03:22and then
01:03:23of dissections
01:03:24actually
01:03:25Dahmer
01:03:27carries within itself
01:03:27so many features
01:03:29generally
01:03:30not connected
01:03:31among themselves
01:03:32that could be
01:03:33consider
01:03:34like the first
01:03:35example
01:03:35of a new one
01:03:37and chilling
01:03:38category
01:03:38of serial killers
01:03:41in the moment
01:03:42in which he arrived
01:03:43to have
01:03:44a series
01:03:45of corpses
01:03:46lined up
01:03:46in the apartment
01:03:47he found himself
01:03:48in difficulty
01:03:49it was inevitable
01:03:50and he was at risk
01:03:51to be discovered
01:03:52I do not believe
01:03:53that he
01:03:54or any
01:03:55other
01:03:55serial killer
01:03:56wants
01:03:56really
01:03:57to be stopped
01:03:58and captured
01:03:58even if sometimes
01:04:00we are witnessing
01:04:00to some behaviors
01:04:02that leave you thinking
01:04:03that a part
01:04:03of them
01:04:04wants
01:04:04Truly
01:04:04to be stopped
01:04:09January 30th
01:04:101992
01:04:12Milwaukee
01:04:13the process begins
01:04:15to that
01:04:16which has become
01:04:17the most famous
01:04:17serial killer
01:04:18of the United States
01:04:21will be judged
01:04:22by a jury
01:04:23popular
01:04:24which will have to
01:04:25to establish
01:04:25his ability
01:04:26to understand
01:04:27and to want
01:04:28at the moment
01:04:29in which he committed
01:04:30the murders
01:04:30of which
01:04:31he is a self-confessed criminal
01:04:34it's not the first time
01:04:36that Jeffrey Dahmer
01:04:37he finds himself in front of
01:04:38to a judge
01:04:39it had already happened to him
01:04:41and he succeeded
01:04:43to deceive everyone
01:04:44to say
01:04:45that he wouldn't have it
01:04:46never done again
01:04:47to convince them
01:04:49that in the end
01:04:50him
01:04:50he was a good person
01:04:53but this time
01:04:54he can't do it
01:04:56to deceive no one
01:04:58Dahmer
01:04:59he confessed
01:05:0017 murders
01:05:02but they come to him
01:05:03disputed
01:05:04only 15
01:05:07a victim
01:05:09she was killed
01:05:09in Ohio
01:05:10outside the jurisdiction
01:05:12of the State
01:05:13of Wisconsin
01:05:13of another
01:05:14there was nothing left
01:05:16any remainder
01:05:16no memory
01:05:18just the identification
01:05:21through
01:05:22a photograph
01:05:23anger
01:05:25of relatives
01:05:26of the victims
01:05:26explodes
01:05:27violent
01:05:28when they come
01:05:29tell me
01:05:30the atrocities
01:05:30inflicted
01:05:31to their relatives
01:05:33so much so that
01:05:34in court
01:05:34must be
01:05:35took measures
01:05:36urgent
01:05:37to avoid
01:05:38a real one
01:05:38and its own
01:05:39revolt
01:05:39against the monster
01:05:41Dahmer instead
01:05:43as they come
01:05:44listed
01:05:44his terrible
01:05:45businesses
01:05:46he remains impassive
01:05:49authoritative
01:05:50psychiatrists
01:05:51they are called
01:05:52to testify
01:05:53the defense
01:05:55aim to make him
01:05:56obtain
01:05:57mental infirmity
01:05:58the accusation
01:05:59the maximum
01:06:01of the penalty
01:06:04in the autumn
01:06:06of 1991
01:06:07Robert Westler
01:06:09the most famous
01:06:10profiler
01:06:10of the FBI
01:06:11is called
01:06:13as a consultant
01:06:14for the defense
01:06:14as an expert
01:06:16of the prosecution
01:06:16Park Dietz
01:06:18known
01:06:19psychiatrist
01:06:19forensic
01:06:20one of the maxims
01:06:22authority
01:06:22on erotomania
01:06:23violent
01:06:24January 13th
01:06:271992
01:06:28Dahmer
01:06:29in agreement
01:06:30with his lawyer
01:06:31Gerard Boyle
01:06:33changes his statement
01:06:35instead of declaring himself
01:06:36not guilty
01:06:37of the 15 murders
01:06:39which he was accused of
01:06:41because incapable
01:06:42to understand
01:06:43and want
01:06:43decide
01:06:45to declare oneself
01:06:46guilty
01:06:46but affection
01:06:48from mental illness
01:06:52Your Honor
01:06:53it's over
01:06:53I never looked
01:06:55to be freed
01:06:56frankly
01:06:56I wanted death
01:06:57for myself
01:06:58I want to tell the world
01:06:59that I didn't do it
01:07:00out of hatred
01:07:01I have never hated anyone
01:07:03I knew I was sick
01:07:04bad
01:07:05or both
01:07:07Now
01:07:07I think I am
01:07:08really sick
01:07:10the doctor
01:07:11he spoke to me
01:07:11of my illness
01:07:12and how bad
01:07:13I caused
01:07:14I did my best
01:07:16to make amends
01:07:16after my arrest
01:07:17but it doesn't matter
01:07:18I can't delete
01:07:19so the terrible evil
01:07:21that I caused
01:07:22thank you
01:07:23Your Honor
01:07:23I'm ready
01:07:24for your sentence
01:07:26that I'm sure
01:07:27it will be the best
01:07:28I'm not asking for extenuating circumstances
01:07:29but please
01:07:30tell the world
01:07:31that I'm sorry
01:07:32for what I did
01:07:34in relation
01:07:35to the
01:07:36first charge
01:07:38the court
01:07:40establishes
01:07:40life imprisonment
01:07:41more others
01:07:43more others
01:07:45ten years
01:07:45for the aggravating circumstance
01:07:46of the continuation
01:07:47second count
01:07:51life imprisonment
01:07:52more
01:07:53ten years
01:07:57from expiring
01:07:58of the first penalty
01:08:00third count
01:08:06life imprisonment
01:08:06I believe that
01:08:11Nobody
01:08:11benefit
01:08:12from the fact
01:08:13to add
01:08:14a life sentence
01:08:14to the other
01:08:15However
01:08:16I wanted to explain
01:08:17that the sentence
01:08:18it was structured
01:08:19in such a way
01:08:19That
01:08:20the defendant
01:08:21it won't be
01:08:22never free again
01:08:25while in prison
01:08:26Sagawa
01:08:26receives letters
01:08:27of support
01:08:28by many
01:08:28intellectuals
01:08:29Japanese
01:08:29who do not hesitate
01:08:31to send the books
01:08:32on cannibalism
01:08:33to some extent
01:08:34this comfort
01:08:35he is the killer
01:08:35which thus discovers
01:08:36of not being alone
01:08:37in its bizarre
01:08:38perversion
01:08:45I take her hair
01:08:46and I raise my head
01:08:48I understand that I am
01:08:50a cannibal
01:08:54I recognize
01:08:55each piece
01:08:55of meat
01:08:56the fridge
01:08:58in a pan
01:08:58on the table
01:09:00I put
01:09:00mustard
01:09:01the salt
01:09:02pepper
01:09:05I put his
01:09:06underwear
01:09:06to the side
01:09:07of the dish
01:09:09I put it in the background
01:09:11his box
01:09:12while reading
01:09:13German poems
01:09:14and I eat
01:09:15it doesn't have a great flavor
01:09:17I put some salt in it
01:09:20and a little mustard
01:09:21it's delicious
01:09:22a meat
01:09:24Truly
01:09:24high quality
01:09:27I try to remember
01:09:28which part
01:09:29of his body
01:09:30I have in my mouth
01:09:31but it's difficult
01:09:32reconnect it
01:09:33it seems only
01:09:35a piece of meat
01:09:37I keep eating it
01:09:38until
01:09:39they don't catch me
01:09:41everyday
01:09:42that passes
01:09:43the meat
01:09:44becomes more tender
01:09:45everyday
01:09:46the flavor
01:09:47it's sweeter
01:09:48and delicious
01:09:55June 20th
01:09:561981
01:09:57on the 6th Sagawa
01:10:00he is arrested
01:10:01in Paris
01:10:02with the accusation
01:10:03of murder
01:10:04and vilification
01:10:05of a corpse
01:10:07according to psychologists
01:10:09Japanese
01:10:10he is totally incapable
01:10:12to understand
01:10:12and want
01:10:13he is not able
01:10:14to support
01:10:15the process
01:10:17the father
01:10:18Akira Sagawa
01:10:20he can do it
01:10:21extradite
01:10:22in Japan
01:10:23so that
01:10:24be treated
01:10:25in a clinic
01:10:26psychiatric
01:10:27it will remain there
01:10:28only 15 months
01:10:30Today
01:10:32he writes
01:10:33in magazines
01:10:34of cooking
01:10:35participate
01:10:36Often
01:10:37invited
01:10:38a talk show
01:10:38and small films
01:10:42he comes
01:10:43nicknamed
01:10:44in Japan
01:10:44the monster
01:10:45of Paris
01:10:46and in France
01:10:48the monster
01:10:49from Tokyo
01:10:49he wrote
01:10:52a book
01:10:52in which
01:10:53he told
01:10:54in detail
01:10:55his murder
01:11:00cannibalism
01:11:01does not constitute
01:11:01in Germany
01:11:02in itself
01:11:02an illegal act
01:11:03if it is not associated
01:11:05to another crime
01:11:06such as
01:11:07the murder
01:11:07but of course
01:11:09guarantees
01:11:09a psychiatric assessment
01:11:10but that
01:11:11in Maives
01:11:11he did not find
01:11:12the signs of madness
01:11:14for the defense
01:11:15it was a matter
01:11:16of murder
01:11:16of the consenting
01:11:17a kind
01:11:18of euthanasia
01:11:18for the prosecution
01:11:20it was better
01:11:20to remove forever
01:11:21that man
01:11:22from civil society
01:11:23closing it behind
01:11:24the bars
01:11:25as long as he lived
01:11:31Maives
01:11:32he is accused
01:11:33of murder
01:11:33for the purpose
01:11:34of lust
01:11:35and disturbing
01:11:36of a corpse
01:11:38January 30th
01:11:392004
01:11:40he is sentenced
01:11:42at 8 years old
01:11:43and a half
01:11:43of imprisonment
01:11:45the judge
01:11:47Volker Mütze
01:11:48he states
01:11:50a crime
01:11:51agreed
01:11:52between two people
01:11:52disturbed
01:11:53psychically
01:11:54it's not a murder
01:11:57according to psychologists
01:11:59Armin Miles
01:12:00he is capable
01:12:01to understand
01:12:02and to want
01:12:03the problem
01:12:05it's in healthcare
01:12:07of the victim
01:12:07but Brandes
01:12:09he is not the accused
01:12:11in the motivation
01:12:13of the verdict
01:12:14the judge
01:12:15grants
01:12:16that for Miles
01:12:17it was a matter
01:12:18of the realization
01:12:20of one's own imagination
01:12:22he was pushed
01:12:24from desire
01:12:25to make
01:12:26another man
01:12:27part of himself
01:12:29Miles
01:12:31has arrived
01:12:32to this experience
01:12:33binding
01:12:34through
01:12:35consumption
01:12:36of the meat
01:12:38on appeal
01:12:39on appeal though
01:12:39the judges
01:12:41they overturn
01:12:42the sentence
01:12:42first degree
01:12:43and condemn
01:12:45the cannibal
01:12:46of Rothenburg
01:12:47to life imprisonment
01:12:48for murder
01:12:49and disturbing
01:12:51of a corpse
01:12:54Mives
01:12:55will declare
01:12:56if I weren't
01:12:58it was like this
01:12:58stupid
01:12:59to be continued
01:13:00to search
01:13:01on the internet
01:13:02I would have brought
01:13:04my secret
01:13:04in the tomb
01:13:06in the end
01:13:07of the process
01:13:08the judge
01:13:09will declare
01:13:10with this sentence
01:13:12we opened
01:13:13a door
01:13:14on a world
01:13:15new
01:13:15no point in denying
01:13:17that now
01:13:19go
01:13:20immediately
01:13:21closed
01:13:25Jeffrey Dahmer
01:13:26he killed
01:13:2717 times
01:13:2817 boys
01:13:29and young men
01:13:30all of color
01:13:31psychiatric attrition
01:13:33while acknowledging
01:13:34in him
01:13:34a mental illness
01:13:36he declared it
01:13:37capable
01:13:37to understand
01:13:38to want
01:13:39a conclusion
01:13:40that in many
01:13:41American states
01:13:42would have guaranteed
01:13:43to the killer
01:13:43a certain destination
01:13:45that of the arm
01:13:46of death
01:13:47and then
01:13:47depending on the case
01:13:48the electric chair
01:13:50or lethal injection
01:13:52but in Wisconsin
01:13:53there is no death penalty
01:13:54Jeffrey Dahmer
01:13:55he gets by
01:13:56with prison
01:13:56for life
01:13:59but things
01:14:00they don't go like that
01:14:01and indeed
01:14:02the end of his story
01:14:03it makes you think
01:14:04that another jury
01:14:04condemned him
01:14:05and a strange executioner
01:14:07executed him
01:14:13the end of Jeffrey Dahmer
01:14:15it's a strange ending
01:14:17a strange death
01:14:19a prison officer
01:14:21puts together
01:14:22three people
01:14:23a white man
01:14:25who killed
01:14:26the wife
01:14:26and he tried
01:14:27to download
01:14:28the fault
01:14:29on a black man
01:14:31Jeffrey Dahmer
01:14:32who killed
01:14:3317 men
01:14:34and guys
01:14:35of color
01:14:35and then
01:14:37a tall man
01:14:38more than two meters
01:14:39a thug
01:14:41of color
01:14:42totally schizophrenic
01:14:45releases suns
01:14:47the prison officer
01:14:48and when he returns
01:14:50twenty minutes later
01:14:51find the black giant
01:14:54who stares at his hands
01:14:56bloody hands
01:14:58he just killed
01:15:01the other two companions
01:15:03of detention
01:15:08Dahmer
01:15:08Myles
01:15:09Sagawa
01:15:10for each of them
01:15:11cannibalism
01:15:12it was something different
01:15:13not limited
01:15:15to a simple one
01:15:15erotic perversion
01:15:16the act of eating
01:15:18of human flesh
01:15:19he filled
01:15:19their fantasies
01:15:20for years
01:15:21has produced
01:15:22in the three murderers
01:15:23an excitement
01:15:24boundless
01:15:24in orgasm
01:15:25the only certainty
01:15:27is that whoever arrives
01:15:28at the border
01:15:29of the monstrosity
01:15:30searching
01:15:31the emotion
01:15:31to kill
01:15:32and eat
01:15:32the meat
01:15:33of his victim
01:15:34how did they do it
01:15:34Jeffrey Dahmer
01:15:35Armin Maive
01:15:3666 Sagawa
01:15:37always surpasses
01:15:39the limit
01:15:41what he thinks today
01:15:43of what he did
01:15:45Today
01:15:46I know that this
01:15:47what I did
01:15:48it was wrong
01:15:50That
01:15:51this road
01:15:52it is not
01:15:53the right one
01:15:55that these desires
01:15:57and these fantasies
01:15:59they must never
01:16:00to translate
01:16:01Indeed
01:16:01and that everything
01:16:03what you dream of
01:16:04must remain
01:16:06must remain
01:16:06a dream
01:16:08and that too
01:16:10what I did
01:16:11after having done it
01:16:13I've always had
01:16:15the feeling
01:16:16That
01:16:16this dream
01:16:18could actually
01:16:19become reality
01:16:22but today
01:16:23I know this
01:16:25it's not possible
01:16:27and the people
01:16:29that today
01:16:30they have these
01:16:31same problems
01:16:32that we had
01:16:33me and
01:16:34Bernie
01:16:36they have to look for
01:16:37someone
01:16:38with which they can
01:16:40speak openly
01:16:41and freely
01:16:41doctors
01:16:43psychologists
01:16:43psychiatrists
01:16:44priests
01:16:45shepherds
01:16:46the interviews
01:16:47That
01:16:47I had
01:16:48here in prison
01:16:49with psychologists
01:16:50and psychiatrists
01:16:52cultured people
01:16:53and expert
01:16:54they gave me
01:16:54a strong sense
01:16:55of liberation
01:16:57it was the first
01:16:58once ever
01:16:59that I could
01:17:00speak
01:17:00with someone
01:17:01Truly
01:17:02and serenely
01:17:04of everything
01:17:04what I wanted
01:17:05and the weight
01:17:07that I had accumulated
01:17:08on my shoulders
01:17:09practically
01:17:10in 30 years
01:17:11of life
01:17:12all of a sudden
01:17:13era
01:17:15disappeared
01:17:50of life
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