- 18 minutes ago
Riviera Season 3 Episode 1
Category
🎥
Short filmTranscript
00:01I'm not saying that what I did was right. It wasn't.
00:05I just think that I had soaked up all the things that my mother had said to me.
00:10The things that she did.
00:12And because I never dealt with it,
00:14it began to seep in.
00:17Like an infection.
00:20And when I was under attack, that's where I went.
00:23To her reactions.
00:25To her version of me.
00:31You don't think so?
00:35How's your sleep?
00:37Good. Better.
00:39No more nightmares? Terrors?
00:42No.
00:44And the little girl.
00:48Do you still dream about her?
00:50Not since the fire. No.
00:53What do you think happened to her?
00:56I think...
00:58I think she's free.
01:01Hm.
01:02Mm-hmm.
01:07You know that's really annoying.
01:10It's not a question. It's not a comment. It's just...
01:13a noise.
01:18Mm-hmm.
01:25I'm sorry. You can't smoke in here.
01:30I don't smoke.
01:31Miss Cleos.
01:34Ryland.
01:37It's Georgina Ryland.
01:39Mm-hmm.
01:41Mm-hmm.
01:42I'd say that's time.
01:44Uh...
02:01I don't know.
02:02I don't know.
02:02It's a good thing.
02:06Huh?
02:06I know.
02:09Maybe...
02:13I don't know.
02:14My name is the other.
02:44Burning all the gold to sapphire skies
02:47But the breeze is cold in paradise
02:50I can feel the whispers in the stream
02:54Every night I shiver in my sleep
02:58No reality, cause it's all a dream
03:05Was it love, it was well, brought me to my knees
03:09Sparking flowers, my voice
03:11With the space of things I tend to lay around my baby
03:16Oh, this world is mad, mad, crazy
03:20Was it love, it was well, brought me to my knees
03:24Sparking flowers, my voice
03:26With the space of things I tend to lay around my baby
03:31Oh, this world is mad, mad, crazy
03:37Art restitution is not about the cash value of a piece of canvas
03:42It's about righting the wrongs of the past
03:46Justice, legacy, truth
03:51It's about finding the missing link in a family's history
03:54Or a community, sometimes even an entire culture
03:58We can't rewrite history
04:00But we can uncover the truth
04:10That's a good one
04:13Let's see if you're laughing when I set fire to the college bar
04:17Okay, that's all for today
04:19Phone's off next time
04:29I thought you handled that very well
04:33Yeah, well, we're not allowed to hit them anymore
04:36Hi, Gabriel Hirsch
04:38I know who you are
04:40It should be me listening to you talk about restitution
04:42Not the other way around
04:43Oh, God, no, no
04:44I hate young people, lucky pastors
04:47And what's that saying?
04:48Those who can't teach
04:50Thanks
04:51Yeah, but that's the point
04:52I think you can
04:54I'm on these books here myself
04:55I'm an associate fellow
04:57Or some bollocks, I don't know
04:59Plays well with the Americans anyway
05:00I couldn't believe it when I saw your name
05:02They are very lucky to have you
05:05Well, I enjoy it
05:07Do you?
05:09I heard about the Vermeer that you got back
05:13That's impressive
05:15The point is, I've got leads on a cache of similar items
05:18Taken from a Dutch family in 44
05:20And I could use someone like you
05:22You know both sides of the game
05:24You've got access to places that I'm pretty barred from now
05:27I think they'd make a good team
05:31I'm flattered
05:32But last year was pretty intense for me
05:35The fire
05:38The fire
05:40So I'm happy to take a back seat
05:42And I don't think you really want someone like me
05:44With all the rumours flying around
05:45No, but that's all bullshit
05:47Anybody who's followed your career
05:49Knows how much you care about art
05:50You would never do something like that
05:54Would you?
05:57Of course I wouldn't
06:00Look, I appreciate the offer
06:04Come on, come on, come on, come on
06:05It's like you said
06:07Restitution is a chance to put things right
06:08To get justice
06:11And what's more fun than fucking over-old Nazis
06:17We'll do it again
06:18And then it'll be already
06:42Coming over-old Johnson
07:00Easy. We're working.
07:05We can do this in our sleep.
07:10Do you want my last look at the prize?
07:12I think I can spot a Picasso when I see one.
07:33Wow.
07:39Good evening.
07:40Good evening.
07:54Georgina Cleos. Where have you been hiding?
07:57I pulled her out of rehab.
08:00Luca, this is my friend Gabriel.
08:02Enchanted. Are you a collector too?
08:07Comedian. Currently out of work.
08:08Well, please, enjoy my party.
08:11And if you want to know the price of anything, don't hesitate to ask.
08:17Oh, Luca, it's Ryland now.
08:21My name? Georgina Ryland.
08:24As long as you're still spending Cleos money, you're welcome.
08:31Shall we take a look around?
08:33Should we take a look around?
08:33Yeah.
08:43You, uh, do you ever think about keeping the name Cleos? Just for work?
08:50No.
08:50That's not who I am anymore.
08:54No, but...
08:57opens doors.
09:02You want my name to help you open that door?
09:06No.
09:19Any sign of it?
09:20No.
09:21You?
09:22No Picasso, but he does have a couple of clays that might be worth looking into when we get back.
09:27What's that?
09:29Fuck no. It's not really his thing, is it?
09:31We should probably search the rest of the house before he starts to notice that we're missing.
09:36Yeah, you're right.
09:38We should split up, cover more ground.
09:49Nothing.
10:02Nothing.
10:03Nothing.
10:16Nothing.
10:17Nothing.
10:17Nothing.
10:18Nothing.
10:19Can't talk to themselves.
10:24There we go.
10:31I see you found my latest acquisition.
10:35It's beautiful.
10:37An Austrian deal I know ran into some financial trouble.
10:41I was happy to take it off his hands.
10:44And it's genuine?
10:46Look at it.
10:48And I have the paperwork to prove it.
10:51Are you sure that's clean?
10:54It can be.
10:57Fantastic. I'll take it.
11:00Well, I'll be happy to negotiate a price.
11:05Oh, I wasn't thinking of paying for it.
11:09What, you didn't hear?
11:12I'm in restitution now.
11:14We have a client with a very credible claim
11:17that this piece was taken from her grandfather
11:20by a lieutenant, Thomas Reyes, in 1945.
11:31No, no. It was sold to Reyes, Celia.
11:35Yeah, but at gunpoint,
11:37which was common for forced sales at the time.
11:40You cannot prove that.
11:41Well, according to the unedited provenance,
11:44it was sold almost immediately after to a dealer named Lowe
11:47at a much higher price.
11:51You can do this.
11:53There's a court order in there.
11:55I'm sure you couldn't have known the history of the piece,
11:58or you wouldn't have had it on display.
12:01And I trust that you'd be more than happy to let your guests know
12:04that you do not support what happened during the Holocaust.
12:15Great.
12:17I'll send the restitution team by first thing in the morning.
12:27Very nicely done.
12:29Well, no-one saw that coming.
12:32Hi. Hello.
12:34Ellen Swan.
12:36Gabriel Ash, hi.
12:39Yeah, Georgina at Ryland.
12:42Different surname, not married.
12:44Barely like each other.
12:46So, are you the police or Interpol?
12:51No, we're art restitution.
12:54Is experts too strong?
12:56Yeah, no, I'm going to go with experts.
12:58And where are you targeting, Mr. Alaperti?
13:00No, no, no, we just follow the work.
13:01You know, it helps to know who the players are.
13:05I could tell you all about it over a drink if you're interested.
13:10That sounds lovely, but I'm here on business.
13:13It's nice to meet you both.
13:14And you.
13:17What?
13:33Hey.
13:52Everything all right?
13:55Yes, of course.
14:02This is better than marking essays in your shitty London, isn't it?
14:07Yeah, I guess I could get used to it.
14:12I don't like the sound of that.
14:13What, barking dogs?
14:17Your friend could be a bit of a sore loser.
14:19Luca, please.
14:21Let's get out of here, come on.
14:24What?
14:24You can't go, I'm going to go.
14:26Hey, come on.
14:33Let's go.
14:36Get out of here.
14:37Get out of here.
14:39Get out of here.
14:40Come on.
14:42Get out of here.
14:43Come on.
14:47Come here.
14:50Let's go.
14:51Come on, come on.
14:53Come on.
15:03Come on.
15:15Ah!
15:16Shit!
15:17No!
15:21Come on.
16:08What do you want?
16:19Come on.
16:19Entrégamelo.
16:21Suéltala.
16:23Bien, Pedro.
16:23Dámelo ya.
16:25No sé de qué estás hablando.
16:28Entrégamelo ya.
16:38No sé de qué estás hablando.
16:52No.
16:54No.
16:58Come on.
16:59Come on.
17:02No.
17:06No.
17:19No.
17:23No.
17:28No.
17:28No.
17:29No.
17:29No.
17:31No.
17:32No.
17:34No.
17:35No.
18:02No.
18:11No.
18:18No.
18:19No.
18:33No.
18:34No.
18:36No.
18:38No.
18:39No.
18:50No.
18:52No.
18:53No.
18:55No.
18:56No.
18:56No.
19:10No.
19:17No.
19:35No.
19:37No.
19:49No.
19:54No.
20:04No.
20:11No.
20:16No.
20:18No.
20:18No.
20:19No.
20:22No.
20:28No.
20:36No.
20:38No.
20:43No.
20:49No.
20:52No.
20:54No.
20:56No.
20:56No.
20:57No.
20:57No.
20:57No.
20:58No.
20:58No.
21:09No.
21:14No.
21:21No.
21:24No.
21:25No.
21:26No.
21:35According to the latest surveys, the possibilities of that Mr. Víctor Alcina Suárez
21:40would be elected as chief of government of Buenos Aires are very scarce.
21:45The voters accuse him of not having fulfilled his electoral promises,
21:49and the protest in his contra, directed by the father Enrique Romero of the Villa 31,
21:54seems to empeorar things.
21:57His opponent, Luizana Barroso, takes the front with 12 points of advantage
22:02and with only a week before the elections,
22:05it is more doubtful that Mr. Alcina Suárez could be elected.
22:14We must remain strong and never win,
22:18until we get to have what we need by divine law.
22:22He says that a mother should die before her son,
22:27but it was the man who fulfilled his order.
22:33That's why, while his mother dies,
22:38we will proclaim justice for Tomás.
22:52Ellen Swan is chief of staff to Alexandra Harewood, tech billionaire.
22:58She's at Les Voiles in Saint-Tropez, so why is her chief of staff, and God knows who else, looking
23:03for us?
23:03Look.
23:07Look, I know that you want to figure out what we're up against,
23:11but I think we've been through enough today.
23:14Let's take the plan A.
23:17Get our stuff in the morning.
23:20Get back on home turf.
23:25I'll take the couch.
23:38Georgina?
23:39Yeah?
23:43I am so sorry that we've ended up here.
24:06Their names are Gabriel Hirsch and Georgina Ryland.
24:09He's our restitution.
24:12She's got history.
24:15What kind of history?
24:17I sent you the details.
24:21Do the Argentinians know?
24:24Yes.
24:25I've instructed Cesar to leave it to me.
24:30And how are you?
24:32Disappointed.
24:35Alex?
24:37Yes.
24:40I'll get a buck.
24:59Fuck.
25:11Yeah.
25:16How are you?
25:19How are you?
25:21How are you?
25:22How are you?
25:24How are you?
25:25That's right.
25:26How are you?
25:33Madame, señor.
25:37Gloria, qué elegante, ¿eh?
25:39Si yo tuviera 20 años más.
25:42Muchas gracias, Víctor.
25:43Lo estaba reservando para cuando ganaras las elecciones,
25:46pero después de las marchitas de mi sobrino,
25:49lo consideré innecesario.
25:51Muy pronto voy a tener lo que le prometí, ¿sí?
25:54Yo espero.
25:56Pero no sería conveniente
25:58divulgar los secretos de mi sobrino Enrique
26:01antes de que cumplas tu parte del trato.
26:04La función comenzará en tres minutos.
26:06Gracias.
26:07Gracias.
26:08Gracias.
26:13Gracias.
26:14Gracias.
26:27Gracias.
26:32Gracias.
26:39Gracias.
26:41Gracias.
26:52Gracias.
26:58Gracias.
27:00Gracias.
27:00Gracias.
27:01Gracias.
27:08Gracias.
27:09Hey, hey.
27:12Where is it?
27:17It doesn't make any sense.
27:19Luca's guys were chasing us,
27:21even though he knew he didn't have a leg
27:23to stand on with the Picasso.
27:24What does he want?
27:30Georgina, the dead guy wanted something to something that you took. Where is it? I can explain
27:47What the hell have you done?
27:55How many people do not stop the fire?
28:09Please stay.
28:10I'm going to turn on the streets to confirm the situation.
28:11Look, look, look!
28:13We have to make out of it.
28:15We're completely wrong.
28:17There it is! There it is!
28:19There it is! There it is!
28:20The justice is the justice.
28:21The justice is the justice.
28:47What the hell are you doing?
28:50Father Enrique.
28:52Let's go.
28:53We want the truth about the castillo.
28:56Let's go.
28:57Let's go.
29:00Let's go.
29:17Let's go.
29:28Let's go.
29:41Let's go.
30:00Let's go.
30:02Let's go.
30:04Stop it.
30:04Walk away.
30:05They came looking for us at our hotel.
30:08You think this is just going to stop?
30:10Well, we can give it back.
30:12To who?
30:12The guy I just shot?
30:34Look, I've been in worse situations.
30:37There's always a way out.
30:54What's that?
30:57It's a note.
31:01It's more Spanish.
31:04Marguerite.
31:05You're always in my heart.
31:07With you for all eternity.
31:11Enrique.
31:12Looks like emeralds and diamonds.
31:14Yeah, I thought it was probably German.
31:18Maybe French.
31:19Is there a safe in here?
31:21Yeah, in the wardrobe.
31:30What's that, your birthday?
31:31It's one, two, fuck you.
31:33You're going to have to work a lot harder than that.
31:52Huh?
32:09Imagine if you're looking for an event.
32:10You have to Почему?
32:11George's secondおすせ here.
32:11I'll visit you at the prom humano.
32:12What is he?
32:17I wanna seeify his neospimes.
32:32Oh!
32:41Georgina?
32:45Georgina?
33:11hello where are you I'm going to see Luca he's a dealer I'll cut him a deal so we can
33:18be in the
33:18clear okay well give me give me five minutes and I'll catch up with you no no you go to
33:25the hotel
33:25I'll meet you there okay Gabriel I'm trusting you okay
33:57Luca
34:27I'll see you there
34:37I don't know.
35:15I don't know.
35:30Hi, Georgina.
35:32Luca's dead.
35:33What?
35:34He's been shot.
35:39Are you okay?
35:41Yeah.
35:42Where are you?
35:43I'm on the way to the hotel, like you said.
35:45Keep going.
35:47We need our passports.
35:50Hey, hello?
35:52Georgina?
35:53Talk to me.
35:54I think there's someone else here.
35:56Well, then get the fuck out.
35:59Please, please, don't take any risks.
36:00Just get yourself out of there.
36:03Gabriel?
36:03Yeah, what?
36:04Shut the fuck up.
36:05Come on.
36:05Come on.
36:13Woo!
36:14Woo!
36:17Woo!
36:19Woo!
36:21Woo!
36:25Woo!
36:39Fuck.
36:47Fuck.
36:57Fuck.
37:40You like to dance, huh?
37:44In Argentina, the man leads and the woman follows.
37:57Fuck.
38:06Fuck.
38:09Fuck.
38:14Buongiorno.
38:18Hi, Georgina.
38:20It's okay.
38:20I'm fine.
38:21Just meet me in the lobby.
38:23All right.
38:25Fuck.
38:48You've got something that belongs to me.
39:16Hi, Georgina.
39:38RICARDO CONTESTÁ TU TELÉFONO, CARAJO, TENEMOS UN PROBLEMA, LA PUTA DE LA FIESTA ME VIO EN LA CASA DE LOCA,
39:44HAY QUE CALLARLA, LLAMAME YA.
40:01RICARDO CONTESTÁ TU TELÉFONO, CARAJO, TENEMOS UN PROBLEMA, LA PUTA DE LA FIESTA.
40:29AMBRIEL?
40:30AMBRIEL?
41:00AMBRIEL?
41:01AMBRIEL?
41:02AMBRIEL?
41:31AMBRIEL?
41:34AMBRIEL?
41:37AMBRIEL?
41:38AMBRIEL?
41:41AMBRIEL?
41:42AMBRIEL?
41:44AMBRIEL?
41:44AMBRIEL?
41:48AMBRIEL?
41:50AMBRIEL?
41:51AMBRIEL?
41:52AMBRIEL?
41:53AMBRIEL?
41:56AMBRIEL?
41:59AMBRIEL?
42:02AMBRIEL?
42:09Gabriel, what the fuck?
42:11What happened?
42:13Long story.
42:15Kind of in Saint-Tropez.
42:17Saint-Tropez?
42:19Yeah.
42:20Look, Georgina, I know the south of France is the last place that you want to come to right now.
42:25What are you talking about?
42:27Are you okay?
42:29I need you to bring the rosary here quickly.
42:33Why?
42:34What is going on?
42:36I can't really talk right now, but I need your help.
42:39Okay?
42:40Please?
42:44You may run on for a long time.
42:50Run on for a long time.
42:55Run on for a long time.
43:01Let me tell you that God's gonna cut you down.
43:15My God spoke his hope so sweet.
43:19Thought I heard the shuffle of angels here.
43:21Look at the stage.
43:22Muhammad White, what's gonna do?
43:22Pop one hand over a acost, pray God all night, Eli tell her.
43:28Just big, just big...
43:41Fuck you!
43:43Fuck you!
43:43Get in the ship!
43:44Fuck you!
43:46Fuck you!
43:47Fuck you!
43:47axe me!
43:47Get in the ship!
43:50Correct!
43:50Oh no!
43:51Let me go!
43:53I'll take the bomb!
43:58Come on!
43:59Let me go!
44:01Oh my God!
44:02Oh my God!
44:03Come on!
44:03You may throw a rock, hide your hand,
44:06Working in the dark against your fellow man,
44:10But sure, it's got to make the day and night,
44:13What you do in the dark will be brought to the light.
44:17You may run on for a long time
44:22Run on for a long time
44:25Run on for a long time
44:28Let me tell you that God's gonna cut you down
44:33Go tell that num-tongued liar
44:37Go tell that midnight rider
44:40Tell the gambler, the rumble, the backbiter
44:44Tell the God's gonna cut him down
44:52Was it love, it was well
44:54Got me to my knees, strike and throw
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