- 15 minutes ago
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Short filmTranscript
00:02Are you okay? What is going on?
00:04It's Nico.
00:05It makes me feel so worthless.
00:09Nico, get out here!
00:10They won't answer you.
00:12Did you do this?
00:14People push us too far.
00:16And our only choice is to fight back.
00:20What's this?
00:21Everything you might want to know about Georgina Ryland.
00:24Her mother's psychiatric history makes for interesting reading.
00:28You and I can never see each other again.
00:30I can't do this on my own.
00:32You don't have a choice.
00:34Did something happen with Daphne?
00:36Believe me, you do not want to know.
00:38Why are you lying to me?
00:39Knowledge is power, you said,
00:41but it seems that you're quite happy to leave me in the dark if it suits you.
00:48Who is Margarita?
00:50I know she's dead.
00:51And you think it was Enrique who killed her?
00:57I know that Victor Alcino Suarez covered up that boy's death.
01:04And you've done everything you can to make sure that nobody knows your bankrolling his campaign.
01:09I admire your desire for justice, but I fear you may have overstepped the mark.
01:13Trust me, I'm just getting started.
01:15Oh!
01:17And now!
01:18And now!
01:37FAUCIbli
01:39Who cares?
02:42I will make sure Miss Ryland is subject to a rigorous psychological evaluation.
02:48Make sure she receives whatever treatment you feel is appropriate for someone in such
02:52a fragile state.
02:53No!
02:55No!
02:57You and I are cut from the same ice
03:01Sincerity made us the perfect eyes
03:04Burning all the gold to sapphire skies
03:08But the breeze is cold in paradise
03:12I can feel the whispers in the stream
03:15Every night I shiver in my sleep
03:19No reality
03:20Cause it's all a dream
03:26Was it love?
03:28It was wild
03:29Brought me to my knees
03:30Spark and forth
03:31Spark and forth
03:32When it spreads the things
03:34I tiptoe right around my baby
03:37Oh, this world is mad, mad, crazy
03:41Was it love?
03:43It was wild
03:43Brought me to my knees
03:45Spark and forth
03:46Spark and forth
03:47But it spreads the things
03:49I tiptoe right around my baby
03:52Oh, this world is mad, mad, crazy
04:03Are you in charge?
04:04Dr. Maccio, I'm the resident clinical psychiatrist
04:07Are you comfortable?
04:12I was drugged and brought here against my will
04:15I see
04:17I know this is going to sound insane
04:19But I am in the middle of a political cover-up
04:23Of course
04:25No
04:25You don't understand
04:28They're trying to silence me
04:31This is something we can discuss in more depth
04:34During our assessments
04:36Assessments?
04:37What assessments?
04:39There's nothing wrong with me
04:41The court papers decree that you're not to be released
04:43Until we've completed treatment
04:46How many more times
04:48Do I have to tell you
04:50I don't need any treatment?
04:53I need you to calm down, please, Miss Ryland
04:55Because I can't allow you to receive visitors
04:58In this state
05:00Is someone here to see me?
05:08Sir Island
05:21Georgina
05:22Georgina
05:23How are you?
05:28Is this something you feel comfortable with?
05:31Yeah
05:32I'd like very much to speak with them
05:37I hope they've been looking after you
05:41This is one of the best facilities in France
05:43And we will, of course, pay for your treatment
05:45It's the least we can do
05:46It's the least we can do given the circumstances
05:49What is it you're so scared of?
05:51I understand this is difficult, Georgina
05:54But the doctors know best
05:56And in cases like this
05:58They have to abide by the judicial precedent
06:01It's because we were getting to the truth
06:03About what happened to Thomas Castillo
06:05Believe it or not, we really do have your best interests at heart
06:08And I'm sure that with the help of the judges here
06:12You can work through your trauma
06:14What are you even talking about?
06:15You killed a man, Georgina
06:17That has to have a lasting effect
06:18You set me up!
06:19All I have tried to do is help you
06:22And this is the thanks that I get
06:26I didn't do that
06:27No, there's no way
06:29I was there
06:30I saw it myself
06:31This is all fucking lies
06:32It's the delusions talking
06:34Stop it!
06:37Calm down!
06:38That's my fault
06:39She's clearly not up to receiving visitors
06:41I will fucking kill you when I get out of here
06:45If you get out of here
06:52Hmm
06:54What the fuck are those?
06:56It's your medication
06:56I don't need any medication
06:58You can either take these willingly
07:00Or we can use force
07:01It's entirely up to you
07:14Open your mouth
07:15What for?
07:20Let's try again, shall we?
07:30Satisfied?
07:35You didn't even tell me what those pills are for
07:37To prevent another outburst
07:39Like you had earlier
07:42If you had any sense
07:43You would stop fighting this
07:51Daphne
07:53Ellen
07:54I'm looking for Gabriel
07:55Why?
07:57Has something happened?
07:58It's still Gina
07:58She had some kind of
08:00A breakdown at the house yesterday
08:02We had to have her sectioned
08:03Oh my goodness
08:04What was he?
08:06She was in a real state
08:09Something had pushed her over the edge
08:12She was making outrageous accusations
08:14About what exactly?
08:16I should really talk to Gabriel
08:18Have you seen him?
08:19I'm sorry
08:19All I know is that he's left town
08:21Where is Georgina being looked after?
08:24I would love to go and see her
08:26She's really not very well
08:27So I'm not sure that's the best idea
08:29She needs time to herself
08:31Poor thing
08:32Look if I hear from Gabriel
08:33I'll be sure to pass some shocking news
08:36Thank you
08:51Please take a seat
08:55You know the last time I talked to a therapist
08:58I set her on fire
09:04It was a dream
09:05Don't worry
09:07Thank you, Vivian
09:08Am I sensing a certain hostility?
09:14What do you expect?
09:16I shouldn't be here
09:19You demonstrated violent tendencies, Miss Ryland
09:22You had to be restrained and sedated
09:24That would suggest underlying issues with anger
09:27Wouldn't you agree?
09:29That doesn't even come close
09:31To what I am feeling right now
09:34Then tell me
09:39I'd like to know
09:43Where does the anger come from?
09:46Maybe
09:48Being locked in this fucking prison?
09:51Your mother was a schizophrenic, I believe
09:54Wow
09:55Sorry, is this making you uncomfortable?
09:57No
09:58I just don't see what that has to do with anything
10:01Well, you've experienced a lot of loss in your life, Miss Ryland
10:06Do you feel culpable at all?
10:08People often think death is contagious
10:12That has never been a problem for me
10:17Okay
10:20So tell me about the man you shot in Venice
10:26That's interesting
10:28That they told you that
10:32They could have gone to the police
10:34Instead, they sent me here
10:37What do you think that says about them?
10:39We're here to talk about you
10:42It must have had a lasting impact
10:45Even for someone as detached as you
10:49I'm not detached
10:51I just think that guilt
10:54Is a useless emotion
10:57Would you say that is a common response?
11:03I don't know
11:04I don't compare myself to other people
11:09But you must have had some feelings of remorse
11:14So I'm supposed to weep and wail
11:16And beat myself up?
11:19Would you ask me that question if I were a man?
11:25Either way
11:27I felt nothing
11:36What an extraordinary reaction
11:39Really?
11:41It doesn't feel extraordinary to me
11:43And you have no concerns about the lasting implications for yourself?
11:49Such as?
11:52Someone in your position is likely to suffer some kind of post-traumatic stress
11:59Then I guess I'm an exception to the rule
12:16Shall we?
12:24Let's go
12:43Hello, I'm calling about patient abuse
12:46Georgina Ryland
12:49Yes, my name is Ellen Swan
12:55My mistake, so sorry to bother you
13:06Yes, hello, my name is Ellen Swan
13:08I'm just calling you to check in on a patient of yours
13:12Yes, her name is Georgina Ryland
13:17My mistake, so sorry to bother you
13:27Hello, my name is Ellen Swan
13:31Yes, my mistake, so sorry to bother you
13:47I'm just calling you to check in on a patient of yours
13:49I'm just calling you to check in on a patient of yours
13:51My name is Georgina Ryland
14:17There is a visitor here for you
14:18There is a visitor here for you
14:22Who is it?
14:24Daphne Elton
14:26She says she is a friend of yours
14:27I don't want any trouble this time
14:39Georgina
14:40Oh, I've been so worried about you
14:41How did you know I was here?
14:43Ellen Swan came to see me
14:44Of course she did
14:45This is so awful
14:47I can't believe you've had to go through all of this on your own
14:51Can we talk in private?
14:55Would it be okay if my friend and I went for a walk?
14:57Of course
15:04I'm so happy to see you
15:07Yeah
15:14You have to get me out of here
15:17Look
15:20I need to know
15:22If you've told anyone
15:25Told anyone what?
15:27About Nico
15:28No, of course not
15:29What are you talking about?
15:30The suite has been cleaned
15:31I threw his phone and passport into the sea
15:34And that's got to be the end of it
15:36I need to know
15:37That I can trust you to keep our secret
15:41Is that why you came here?
15:43I'm here because I care about you
15:45No
15:47No, you came here because you're worried
15:50I'm going to tell people that you stuck a fucking knife in your brother's chest
15:54Don't say that
15:55Why not?
15:56It's true
15:57And I'm guessing that you didn't tell Gabriel I'm here
16:00Because he would have come with you
16:02Maybe Ellen was right to be concerned
16:08What did you just say?
16:09I admire your strength, Georgina
16:10I really do
16:12But what you did in that hotel room
16:15The way you just switched emotions like that
16:18It was frightening
16:19Maybe some time in here will do you good
16:22I'll give you a chance to work through your problems
16:26You fucking bitch
16:27What are you doing?
16:27Get off me!
16:28Is there a problem here?
16:28She just lashed out at me
16:30I barely touched her
16:31I think you need to leave now
16:34I hate to see her like this
16:35You do not get to just walk out of here
16:38That's enough
16:39Ask her what she did to her brother
16:41Go ahead, ask her
16:43I always knew that this would happen one day
16:46She doesn't even know what she's saying
16:48Poor thing
16:50Good luck, Georgina
16:54I warned you about this behaviour
16:56Now we're going to have to see about increasing your medication
16:59And from now on
17:00None of us it does
17:01You can't do that
17:03I think I can
17:12This is Georgina Ryland
17:14Please leave a message after the beep
17:15Hi, Georgina
17:16Hi, it's me
17:18Whatever that was yesterday
17:23Put it down to hormones
17:25Mine, not yours
17:29I just don't know where you are right now
17:33Can you just call me and tell me that you're okay
17:36Please
17:40Thanks
17:50Bien, tenemos aquí en el estudio
17:53A Enrique Romero
17:56Sacerdote activista en las causas sociales
17:58Al parecer usted tiene nueva información
18:01Con respecto a la muerte de Tomás Castillo
18:06Finalmente los manifestantes han conseguido que se haga una segunda autopsia
18:14¿Y cuáles son las conclusiones?
18:19Que la muerte de Tomás se debió a un problema cardíaco no diagnosticado
18:28Que se agravó por el uso de drogas duras
18:34Esto de alguna manera confirma el resultado de la primera autopsia
18:47Quiero agradecer públicamente al señor Víctor Alcina Suárez
18:53Por haber aceptado reabrir la causa
19:01Y pido disculpas
19:05Por todas aquellas acusaciones que yo pude haber hecho
19:12Con anterioridad
19:17Ya no es momento de protestas
19:22Tiempo de reflexión
19:25Tenemos que reflexionar sobre la vida de Tomás
19:29Con paz
19:31Y con humildad
19:33Qué hipócrita, ¿eh?
19:35Y darle tiempo a Juliana Castillo
19:40A lamentar
19:43La trágica pérdida de su querido hijo
19:49Tomá, teneme esto
19:53Respira, respira
19:58Basta, basta
19:59No podés seguir así, papá
20:00Mirate cómo estás
20:01Así no servís para nada ni para nadie
20:04Escúchame
20:05No te podés seguir haciendo el boludo con lo que te dice el cuerpo
20:08Voy a llamar a la doctora
20:17Adelante, tu padre ya está vestido
20:22Yo le dije, doctora
20:23Mi hijo estaba exagerando
20:24No, para nada
20:25Hizo muy bien en llamarme
20:27¿Cómo está?
20:29Mirá, la enfermedad de tu padre hace que los músculos alrededor de la garganta, la boca, la lengua
20:34Se vean debilitados
20:36Y es por eso que tiene dificultades para masticar y para tragar
20:40Ahora, ¿por qué carajo están hablando como si yo no estuviera acá?
20:43Víctor, nosotros ya discutimos esto
20:45Pero es importante que él sepa
20:47Que esto se va a poner cada vez peor
20:50Doctora
20:52Usted tendría que ser un poquito más cariñosa con sus pacientes, ¿no le parece?
20:55¿Hay algo que yo pueda hacer para ayudar?
20:57Sí, claro
20:58Él necesita descansar
21:01Reposo absoluto
21:02Yo voy a descansar el día que me muera
21:04Y eso, Víctor, va a ocurrir antes de lo que yo quisiera
21:06Si no descansás y si no escuchás a tu hijo
21:10Bien
21:11Vengo mañana a ver cómo sigue
21:13Gracias
21:14Permiso
21:20Papá
21:20No, no, no, no digas nada
21:21No, no
21:23Alguien te lo tiene que decir
21:24Tenés que bajarte de estas elecciones
21:26¿Y qué voy a hacer?
21:27A ver, decime, ¿qué voy a hacer si esto es lo único que yo tengo?
21:32Ey, ey
21:33Mírame, mírame
21:35¿Estás bien?
21:37Sí
21:38Estoy bien
21:40Yo no voy a permitir que esta enfermedad me gane
21:46Todo era más fácil cuando estaba tu mamá viva
21:48Betónique
21:57¿Bien?
22:02Ostras
22:02No ha decidido que te остановás
22:03Ya no, no, no, no
22:09Si, si
22:14Sin
22:14Si
22:14¡Ay
22:14Te
22:16Claro
22:18Mi
22:21What was it?
22:22Did you give me a gift?
22:24You are my only judge.
22:25You are my only judge.
22:27God is my only judge.
22:28Don't let God in this.
22:30Tell me the truth.
22:32Father.
22:34Father.
22:40Pardon me.
22:43Lord, pardon me.
22:48Lord, pardon me.
23:00But what you did in that hotel room, the way you just switched emotions like that, it was frightening.
23:23Well, this is a rather unexpected turn of events.
23:32I know what you're thinking.
23:33I've made a miraculous recovery.
23:37What, you thought a knife in the chest was going to get rid of me?
23:44This isn't real.
23:45And yet here we are.
23:49In this rather imposing psychiatric facility.
23:53I would say it's been a long time coming, wouldn't you?
23:56Tell me, what have they got planned for you whilst you're here?
24:01Padded cell.
24:03Electro-convulsive therapy.
24:05A good old-fashioned lobotomy.
24:09You know what's the matter?
24:10It's not often you're lost for words.
24:13I don't have to listen to this.
24:15Oh, but you do.
24:18Because this is my chance.
24:21To have my say.
24:24And by God, I'm going to enjoy it.
24:28Oh, you make out like this was all born out of some desire for the truth.
24:33Your pathetic attempts to restore order.
24:38But what you don't realize is you're the architect of all of this.
24:44So many lives have been destroyed by you, Georgina.
24:48Mine included.
24:51It's all starting to catch up with you, isn't it?
24:57This is your legacy.
25:00I just don't have the good sense to lock you up.
25:03Throw away the key.
25:46And I just don't know.
25:50I just don't know.
26:06you have a visitor
26:09dario i wasn't expecting you
26:12would you like a drink
26:13no thank you
26:15then what can i do for you
26:16i need you to persuade my father
26:19to stand down
26:20why on earth would she do that
26:21because this is killing him
26:23that's why
26:27your father is more than aware of his limitations
26:33so that's it
26:36you'd rather see him in a grave than walk away from this
26:38what victor does with his remaining time
26:40is entirely his prerogative
26:43and we're about to achieve something monumental here
26:45together
26:46please don't
26:47no need to pretend you care about my father's legacy
26:52this is just a vanity project for you
26:56look i'm sorry you're upset about your father's illness dario
26:59i really am
27:01but we'll be moving ahead
27:03with or without your approval
27:06now if you'll excuse me
27:07i have a call to prepare for
27:11can i offer you a piece of advice
27:13yes i'm all ears
27:16you're a guest in this city
27:18don't outstay your welcome
27:37dad
27:40i assumed you'd be in some exotic location hunting down some stolen paintings
27:44Oh, no. No such luck, I'm afraid.
27:48Your message is very intriguing. How can it help?
27:50Um, I was hoping that you might have seen Georgina.
27:55We had a bit of a bust-up and haven't seen her since.
27:59Oh, I wouldn't worry. Georgina has a habit of showing up when you least expect it.
28:04So, you haven't heard from her at all?
28:08No, I'm thinking we're going to the police and I was wondering if you'd be coming with me.
28:13What, is that wise? I mean, given her rather checkered history...
28:18What else I can do? She's not answering her phone. All her belongings are still at the apartment.
28:22And, you know, you've known her a lot longer than I have.
28:25You can finish some of the blanks for the police.
28:27Listen, this isn't the first time Georgina has done this.
28:31You know, she did walk out on her entire family.
28:34And, well, I'm afraid the likes of you and I are left to pick up the pieces.
28:40No, she wouldn't do that.
28:43You said to yourself, I've known Georgina a lot longer than you.
28:48And the way I see it, we have a choice.
28:50We can either, you know, sit here and worry, or...
28:55We can make the most of this beautiful sunshine and get to know each other a little better.
29:01What do you say?
29:04Yeah, that sounds like fun.
29:08Wonderful.
29:08Oh, monsieur.
29:12Oh, monsieur.
29:22That won't be necessary.
29:26They gave me some pretty fucked up dreams last night.
29:29I'll ask if they can change your prescription.
29:37I've heard about you.
29:39You're a famous art collector.
29:41Curator.
29:43At least I was.
29:49Do you like art?
29:54Do you know Boulevard Montmartre Matiné du Printemps?
30:00Of course.
30:01I paid eight million for it in 2014.
30:06I didn't catch your name.
30:08Theo.
30:09Have you been here long?
30:11Two years.
30:16There's got to be a way out of here, right?
30:18I can pay you.
30:20Anything you want.
30:21Just name your price.
30:22We shouldn't be having this conversation.
30:24Then at least just let me go outside.
30:26I just need some time to myself.
30:28I feel like there are eyes on me everywhere.
30:31I'd need the doctor's permission.
30:32I've taken the pills.
30:33I have done everything that you asked.
31:03What's the call to use?
31:07I'm here.
31:14I can't take it.
31:32No reason I'm here to go outside.
31:33I haven't been 15 to 15 years ago.
31:33I'll ask yourself if I can stand up.
32:07You're new here, aren't you?
32:11Don't worry. It just takes a bit of getting used to.
32:16How long have you been here?
32:17Must be at least two weeks now.
32:19It was my husband's idea, and knows I suffer with my nerves.
32:25Miss Rylander, I wasn't expecting you to join us.
32:28Please, take a seat.
32:31Sure.
32:35Don't worry. It's not as bad as you think.
32:38As we've previously discussed, this is not only a sounding board, but also a support network.
32:45So, who'd like to start us off?
32:49Oh, no. I am happy just to listen.
32:53I'll go first, if you like.
32:56Go ahead, Diane.
32:58I want to thank you all for taking such good care of me here.
33:02I know my husband's relieved to know I'm in such safe hands.
33:07Diane, we've talked about this.
33:09Talked about what?
33:13This is simply delusional.
33:16You're in denial because you're trying to protect yourself from the truth.
33:20Your husband is dead.
33:22You murdered him.
33:24That's why you came to us three years ago.
33:27I don't know why they keep saying this.
33:29The more you keep telling yourself this story, the harder it will be for you to move forward.
33:35Please don't listen to them.
33:48I'm surprised you're still in town.
33:51Why would you say that?
33:53Well, because I went to the bib last week for you and they said that you'd checked out.
33:59Well, Nika's gone travelling and I was rattling around that place all by myself.
34:05So tell me, how is a handsome and charming man like you still so long?
34:13Ah, it's complicated.
34:15Well, I love complicated.
34:19Were you ever married?
34:22For a time, yeah.
34:24I mean, what woman in her right mind would grow tired of you, I wonder?
34:34Well, Georgina, by all accounts.
34:40Well, can we not talk about it now?
34:43I don't think we should waste any more time discussing her.
34:48Do you?
34:49Are you trying to get me drunk?
34:55Would it matter if I was?
35:00Would it matter if I want to see you?
35:03That's very good.
35:59It is funny that Georgina and Nico
36:03both disappear on the same
36:05days.
36:07What are you suggesting?
36:09A horrid affair?
36:11No, no, no, no. I mean, that would be unlikely
36:13given our history.
36:16Shall we get the bill?
36:17Do you want one for the road?
36:18No, it's so kind, but honestly, I'll be
36:20hopeless all afternoon.
36:36Ah, seems our mutual friend is alive
36:38after all.
36:40Georgina needs to know that she can't
36:42treat people like this.
36:43Fuck you!
36:44You'll be better off without her.
36:46Believe me.
36:53Hi, you've reached Gabriel's phone.
36:55I'm not here right now. Leave a message.
36:57Gabriel, it's me.
36:58Listen, Alex and Alan set me up.
37:01I'm locked in a psych ward.
37:03It's called Chateau Saint-Jude.
37:07I have no idea how to get out of here.
37:08You have to come find me.
37:18This place is a freaking maze.
37:20Is that the way to my room?
37:24I will take you.
37:27But first, Dr. Mathieu wants to see you.
37:34Would you say you struggle maintaining
37:36meaningful attachments?
37:38What is this? Kindergarten?
37:41You don't like talking about yourself much, do you?
37:44Not unless I've had, like, four
37:45vodka martinis, no.
37:49It strikes me you have a tendency
37:50to run away from your problems.
37:52Then you don't really know me well at all.
37:54If anything, I run
37:56straight towards them.
38:03Listen.
38:05Whatever mistakes I have made
38:06in the past,
38:08I have owned them.
38:09So the dead man in Venice,
38:10that's you owning the problem, is it?
38:12What is it you don't understand?
38:14He was going to kill my friend.
38:17And you seem to think that grief
38:20and guilt are like this
38:22universal experience.
38:24I kind of think they are.
38:27What about you?
38:29What are you running from?
38:34We're not here to talk about me.
38:36You are making assumptions.
38:40Well, go on.
38:42Tell me.
38:43I'm sure you've filled up
38:44that entire notebook by now.
38:49I think
38:52your mother's illness
38:53is still something
38:54that occupies your thoughts.
38:56Even though you've trained yourself
38:58to compartmentalize
38:59fearful and damaging experiences.
39:02No wonder.
39:04When so many people around you
39:05have ended up dead.
39:07Whether your refusal
39:08to acknowledge any guilt
39:09over the man you killed
39:10is simply a symptom
39:11of delayed grief.
39:12I didn't know him.
39:14Then your lack of remorse
39:15would suggest sociopathic tendencies.
39:23Is that it?
39:25My diagnosis?
39:28Does that mean I can go now?
39:34There are many more factors
39:35I need to consider
39:36before I feel confident
39:37in making a diagnosis.
39:40This is such bullshit.
39:44You must be so tired
39:46of running.
39:50Thank you, Georgina.
39:52That's it for today.
40:06It's okay.
40:07I know the drill.
40:10I know the drill.
40:19I know the drill.
40:20I know the drill.
40:21I know the drill.
40:25I know the drill.
40:25I know the drill.
40:26I know the drill.
40:27I know the drill.
40:27I know the drill.
40:28I know the drill.
40:29I know the drill.
40:29I know the drill.
40:30I know the drill.
40:30I know the drill.
40:30I know the drill.
40:31I know the drill.
40:32I know the drill.
40:35I know the drill.
40:38I know the drill.
40:43Miss Ryland, whilst engaged, displays obvious signs of disassociative behaviour.
40:49There is a clear disconnection between the way she presents herself
40:53and the trauma she has no doubt endured.
40:59She's proving to be a compelling case study.
41:13One, new message.
41:15Gabriel, it's me. Listen. Alex and Alan set me up. I'm locked in a psych ward.
41:23It's called Chateau Saint-Jude. I have no idea how to get out of here. You have to come find
41:27me.
41:34Hi, I'm looking for Georgina Ryland.
41:41I'm afraid Miss Ryland is not allowed to visit us.
41:45Okay, but look, there's been a mistake.
41:47She was admitted to us in a highly agitated state, and she's undergoing psychiatric evaluation.
41:53What are you talking about? She shouldn't even be in here.
41:56That's something I'm afraid you'll have to take up at the courts.
41:59The courts? This makes no fucking sense.
42:03We will, of course, be happy to allow visitors once there is some improvement in her condition.
42:11Goodbye.
42:29I suppose you won't want to sit with me now.
42:38They've broken you already, haven't they?
42:41They want me to think I'm crazy.
42:43But you're not. I can see that.
42:48You're angry, though, aren't you?
42:50Like you wouldn't believe.
42:55I don't regret a single one of those blows.
42:59Sometimes people can push us too far.
43:19Miss Ryland, whilst engaged, displays obvious signs of disassociative behavior.
43:26There is a clear disconnection between the way she presents herself and the trauma she has no doubt endured.
43:32She's proving to be a compelling case study.
43:35Her lack of empathy is as fascinating as it is disturbing.
43:39She doesn't seem to be frightened of anything or anyone, and yet it's apparent to me that the person she
43:44should be most afraid of is herself.
43:56I would suggest we look to extend Miss Ryland's stay well beyond the 30-day time frame.
44:13The man in Venice wasn't the first person that I've killed.
44:20But you probably worked that out already.
44:27You know what?
44:30I don't regret anything.
44:37You were right.
44:41Traumatic events can leave their mark.
44:46I just hope this is something that you can get over in time.
45:00Sorry.
45:02Didn't have a letter.
45:04I don't know.
45:32You were right.
45:35I don't know.
45:35Oh, my God.
46:17You took your time, didn't you?
46:23You're not really crazy, are you?
46:25I'm mad as hell.
46:49Go, go, go.
46:49Go, go, go.
47:16Go, go, go.
47:46Go, go.
47:47Go, go.
47:48Go, go.
47:48Go, go.
47:49Go, go.
47:53Go, go.
47:55Go, go.
47:59Go, go.
48:01Go, go.
48:23Go, go.
48:25Go, go.
48:25Go, go.
48:27Go, go.
48:31Go, go.
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