- 43 minutes ago
Igra sudbine - 1775 epizoda NOVO
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00:00The End
00:00The End
00:00The End
00:05The End
00:07The End
00:11The End
00:12The End
00:13Now let's talk about it.
00:15Yes.
00:16Now, if not a problem.
00:18Okay.
00:20It's very interesting.
00:23How are you talking about Lenko's relationship?
00:26No.
00:26No, no.
00:28In which sense?
00:30In every sense.
00:32So, from when you came out, you don't have any relationship?
00:37Yes, that's right.
00:47What's happening?
00:49Obviously, you don't know everything you know.
00:51It's not good for me because of all of this.
00:53What's happening with Lenko?
00:56If I told you, you had to find a mistake.
00:58Why should you tell me?
00:59Why should you tell me a little girl,
01:02try to get a task.
01:04Let him call him as a task,
01:07or as a task,
01:07or as a task.
01:08But there is no need!
01:10Why did you say so?
01:12Why did you say that?
01:13I said that you were all right.
01:16You should have to ask all of that,
01:17why did you do this?
01:18It's not a problem, I don't have to do it anymore.
01:21Everything is a little sad.
01:24What's wrong?
01:26That's why Alex is so nervous.
01:28I'm very nervous.
01:30What's all about? You have to understand him.
01:33I understand him.
01:35But I have to understand myself.
01:37To be honest, who would be thinking like this?
01:40I believe that everything is thinking.
01:43And unfortunately,
01:44I don't want people to see me through this prism of money
01:49and that it will be gold.
01:51I want to be more sensitive.
01:54Wait, you really don't have the need to protect me from all of this.
02:00What?
02:01And how much did Alex pay?
02:06About half a million euros.
02:09I heard it well.
02:10I don't understand.
02:11Lazar, let me ask you, sit down and I'll take water.
02:14What water?
02:15I don't need water.
02:16I don't understand anything.
02:18I don't understand how you got me that.
02:20Who got me that?
02:22I don't know.
02:24Vukashin didn't give me the approval.
02:26What?
02:26Let me ask you, Vukashin.
02:28Vukashin, Vukashin.
02:29I don't understand.
02:35What?
02:36What was it with Salinko?
02:37I don't understand.
02:39How is it?
02:40How is it?
02:41How is it?
02:41I haven't been in contact with her.
02:43You know it yourself.
02:44Okay.
02:46What was it yesterday with Salinko?
02:47What was so funny?
02:48Nothing.
02:50We have to talk about something.
02:53Listen, Alex,
02:56this is the moment where you can be completely honest with me.
03:00I listen to this story and I can't believe in this story.
03:03This story sounds like for a small child.
03:06We thought of being a child.
03:08I thought of being a child.
03:11You are normal.
03:12Who would want me to be a child?
03:16I don't know.
03:17What is it with you?
03:19It's hard to believe that today there are romantic problems.
03:31Where are you, Chef?
03:33Good morning, Natasha.
03:35How many people are looking for you?
03:37I don't know.
03:39The police came.
03:40Only because the Vanzemaljci didn't ask for the director.
03:44Everything was very familiar.
03:45The director was with my daughter on a ski.
03:49Good, people.
03:50But I have been sitting here for a few days.
03:52I have to write something.
03:53I can't go back to the office.
03:55I can't go back to the office.
03:56I can't go back to the office.
03:57I can't go back to the office for a few days.
03:58I want to be excluded for a few days.
04:00And people have a bad mood.
04:02That's it.
04:02I really like it.
04:03It's not enough.
04:25I can't go back to the office.
04:27I can't go back.
04:28I can't go back in the office.
04:30I can't go back, don't go back.
04:33But you can't leave a cough, man.
04:33I can't go back, don't go back.
04:33Oh, God.
04:36I was ready for all of the folks.
04:39The secret is not enough.
04:39I'm not sure.
04:44They say that life writes novels, they say that life isn't good to me.
04:53Sometimes it will be free, but often it will be mine, and everything is unrighteous,
05:00but often it will be free, but often it will be free.
05:16You have one life, only one chance to become no one,
05:23because it will be free, but often it will be free.
05:30They play dreams like a circle of happiness,
05:35someone who wants, someone who doesn't want,
05:39they will be free, but often it will be free,
05:44and we are our dreams.
05:48So you should be there, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
06:06oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
06:09oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
06:09oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
06:09oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
06:10oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
06:28okay
06:29good
06:29good
06:30good
06:30good
06:30good
06:30good
06:31good
06:31good
06:31good
06:33what is that?
06:35you're in a shame
06:37I need to talk
06:40with your idiot
06:43Bebice, I'm here, I'm here.
06:49You have a lot of joy, you know.
06:52What?
06:53What? That's what we're going to do.
06:55And I got a leg to the house.
06:58And I don't have a heart attack.
07:00That's true.
07:00That's true.
07:02That's true.
07:03That's true.
07:06That's true.
07:07Yes.
07:08Katastrofe?
07:08Da.
07:09Polo miliona evra je tebi katastrofa, o?
07:12Polo miliona katastrofa.
07:15Jesi ti svesten o kakav si krva problem sebe i nas ubuka?
07:30Mislim, ja stvarno ne razumem čemu tolika frka oko mog nestanka.
07:34Ali stvarno ne razumem.
07:37Bila sam s momkom na Alpima i to je moja privatna stvar.
07:42Sa momkom na Alpima?
07:44Da.
07:45Nije bilo nikakve ucene ili čega god.
07:48Oni si se javljala?
07:50A nisam imala dometa.
07:54Mislim, nisam ni ja znala da ćemo ići, bilo je putovanje iznenađenja.
07:58Tako da kažem.
08:00Nemam nameru baš ono kao previše da čačkam i šta ga ja znam, ali moram da ti postajem još jedno
08:06pitanje.
08:07Koje?
08:09Svi su se, ali svi baš su se zabrinuli za tebe. Čak je bila u opciji sumnja da si možda
08:19oteta.
08:20Oteta?
08:21Da.
08:21Pa dajte, molim vas.
08:25Dobro, dalje možeš bad nešto da mi kažeš o tom svom momkom?
08:29O Urašu?
08:30Da.
08:33Uraš je čovek koji je vrlo uspešan u svom poslu.
08:36Viđe mu se već neko vreme, lijepo nam je.
08:40To je to što ima da se kaže.
08:42Dobro.
08:45Po kaštine, meni se iskreno život pretvori u pakao zbog ove navodne otmice.
08:50Žal mi je.
08:52I mislim, nisam imala ideju o tome da su novine pisale, da sam nestala.
08:58Pa, pisale su.
09:00A eto, a ja sve vreme skijem na Alpimu.
09:05O sve ne.
09:08Znaš da skiješ?
09:23Znaš.
09:23Kakav krva problem?
09:25Jel ti sada misliš da će Urašu da dozvolimo neko tako otmede evo iko?
09:30Pa on traže glavu na tenijeru.
09:35A nađi nekog ka onu kad smo digli zlatarovu letenju?
09:40Pa ceo grad zna da ja tražim otmečari šta će se dogoditi kad ih nađem.
09:46Nema dobrovoljaca da daju.
09:51Nađi nekog da je bila.
09:55Kako?
09:56Čekaj, čekaj, čekaj, čekaj.
09:59Kako to misli da ja da, da?
10:01Što ti ne odeš?
10:03Što ti ne odeš?
10:05Idi ti kod Urašu.
10:06Ti mu reci.
10:07Evo ovo su krivci.
10:08Naš sam sam.
10:08Hajde muš kad si nojiš.
10:11Dobro.
10:12Jel možemo da nađemo neka tela i da mu kažemo eto to su bili ti ljudi?
10:16Možemo da iznajmimo.
10:19Kakva tela? Jeste normalni?
10:20Šta pričas?
10:20Mislim da ih napravim.
10:22Šta? Šta? Šta?
10:23Da ih napravim.
10:23Ne, ne, ne.
10:25Ne.
10:25Uraš je postala malo ambicioznije.
10:29On.
10:30Ovo ne žele da prepusti nikom.
10:32Hoće to da uradi sam.
10:35Zvataš sad.
10:36U čemu je krvavi problem.
10:39Zvata.
10:44Alo, Nataša, ja sam.
10:48Dobro, dobro. Reci Urašu da sam tu za petnaestak minuta.
10:55I ovo ti je posljednji put da si napravio ovako veliku sranje.
11:25Dobro, Lenka.
11:28I verujem ja tebi.
11:30Da što me onda tako gledate?
11:34Hm.
11:35Zato što mi je to u opisu posla da budem podozir, sumnjiče, profsionalna deformacija.
11:41Razumem ali ovde objektivno ne postoji nijedan razlog za sumnju.
11:51Da li bi mogla, u ovih dana što premislim, da mi doneseš svoju putnu ispravu.
12:00Da vidimo datum izlaske iz zemlje, povratka.
12:04Ja mislim to je čista formalnost, ali mi to moramo da zavedemo.
12:07Vidite, Vukašine, ja apsolutno više nemam nameru da se pravdam na ovu temu.
12:12Otišla sam na romantično putovanje sa svojim onkom.
12:16Ali ovo je samo formalnost.
12:18Ja to razumem, ali to što pišu novine, to što ljudi pričaju, nema veze sa mnom.
12:22Mislim, u krajnjem slučaju, ja sam ovde dobrovoljno došla.
12:26Nic sam počinjela neki zločaj, nic sam prekršila ne znam nija kakav zakon.
12:30Mislim, nic sam ja počela celu ovu priču, razumete?
12:34Tako da, aj moram da priznam da me malo i vređa što mi ne verujete.
12:41A vidi Lenka ovde, mislim kako da ti kažem, nije ovde problem ili stvar u poverenju i nepoverenju.
12:50Ja sam vama rekla sve što sam imala da kažem i što se mene tiče ova priča je završena.
12:55Stvarno, ne planeram više da se bavim.
12:59Prijetno, hvala.
13:09Zmeldaski, ja, ali znaidas, Aņka.
13:29Zmeldaski, ja, ali znaidas, AŠ고.
13:35Zmeldaski, pa da ja si krenao ti?
13:37Where are you going to do that?
13:40I'm not. I have a lot of things.
13:45What do you have?
13:48I have something...
13:51Nothing.
13:54Sit down, you don't get mad.
13:58I believe that nothing can happen.
14:08Come on, mother. Come on, what am I wrong with you?
14:11Come on, let me kill you.
14:14Let me kill you.
14:15Allow me to hear you.
14:18Son.
14:19Mother.
14:22Mother is a pity on you.
14:26I pray.
14:29I'll repeat it, it's not a problem.
14:31Mother.
14:33Mother is a pity on you, like, mother.
14:38Mother, this son is now aware that he is in problem.
14:44Only, slowly, it's not a moment.
14:48I hope you told me that you're sorry.
14:51Yes.
14:53Bravo.
14:54You showed me that you're a nice man, that you have fine manners,
14:59and that you're not like every other man, a bizgov and a cromanion.
15:05Mother, you're forgetting me.
15:07I'm not sure that you're a critic and nothing more.
15:10You're just crying, you don't get sick.
15:14I knew that you don't have anything.
15:30You're a pity.
15:31Iskreno, this is good, this is the lead that written by Novjedner.
15:34Good, it's really good.
15:35It's fine he wrote, and they all think about the important ones.
15:40It's amazing.
15:41It's super.
15:42I totally understand Lenku that she's got on the other side.
15:46Yes, but you know how important it is that she's been talking about the anxiety of the women's anxiety.
15:52There is a lot of trouble.
15:55How much is the hardest part of the women's job?
15:59It's totally normal that she's got on the women's job to restart.
16:02How do you know?
16:03You know, you have a business on your shoulders and you have a contact with someone who knows how many
16:09people.
16:09You have to pay attention to the women's job.
16:11You have to pay attention to the women's job.
16:16What is it?
16:19Do you know how many people can do this job?
16:22Do you know how many people can do this job?
16:25We've just watched it.
16:27You can see it.
16:28Or, you can throw it.
16:31Look at this job.
16:40Look at this job.
16:41You can see it.
16:50You can see it.
16:52You can see it.
16:58What is it.
17:11You can see it.
17:13I can see it.
17:16I can see it.
17:18I can see it.
17:22and I'll be able to do this one, but...
17:25...
17:25That, as I said, that I'm sorry, is really fantastic.
17:32You showed everything nice.
17:35But, son, I'm pretty.
17:38You understand, son?
17:40Because you don't need to do yourself,
17:43you don't need to do me,
17:45you don't need to do this, my mother.
17:48Okay, what do I do now?
17:50No, nothing. You just need to continue. And in that direction.
17:57I'm going to show you that I've changed, that I've changed, that I've changed.
18:01Yes, yes. I don't say anything that you don't.
18:05No, no.
18:07Now, son, for you, I have a great idea that I don't say a task.
18:15Znao sam da mi nešto spremaš. Znao sam.
18:17Ne, ne, sine, sve što ti majka sprema, sve je samo za tvoje dobri.
18:20Ajde, šta da čujem, majko?
18:21Evo ovako. Nadino i ružino potkrovlje ćeš da oribaš da se blista do usijanja.
18:31I ja bih voljela da ti to shvatiš onako kao deo terapije.
18:36Aha, aha, aha, vidi, majko, ja u životu sam svašta radio, sve mogu, sve.
18:40Evo ću, djeću, sad ja da rimam potkrovlje, majko, na šta ti ja ličim.
18:44Vidi, sine, to shvati, evo, ili kao deo terapije ili kao dresuru.
18:52Kako ti je volja.
18:54Dobro, majko, dobro, samo mi reci šta želiš da postigneš time što ću ja da izigravam kućnu pomoć.
18:59E, da, ima još nešto.
19:01A, ako se ne bude potkrovlje, blistalo kao apoteka.
19:07Računaj i na krećenje.
19:09Kao pitanči.
19:10Računaj i na krećenje.
19:18Ovaj.
19:39Hey, you're alive, thank you.
19:44Who would expect that with Lenko all this is the best possible?
19:48I don't know what to say.
19:53I don't know what to say.
19:55For me, this story is quite strange.
19:59Why do you believe you don't believe in the future and the future?
20:04Well, it's a little bit like when you write something like that.
20:10Everything is crazy and bad at the beginning.
20:12If he doesn't stop, you're going to be ghosted, what would you say,
20:15and then you'll return to someone completely irrelevant.
20:17You understand?
20:18Those are the variants, we've all passed.
20:21Yes.
20:22I don't say that it's impossible.
20:24I don't know how to say that.
20:27Something hurts me.
20:30Something hurts me and that's all.
20:31I don't know what to say.
20:32But, okay.
20:33I mean, I'm going to tell Lenko all this.
20:35I'm going to tell you about it.
20:36It's important that she's good.
20:37Yes.
20:38That's the most important thing.
20:40And I think that she looks like the most romantic type ever.
20:45Yes.
20:46Like from a movie.
20:47Yes.
20:48And that's all for Lenko.
20:51How would I like to find such a type that is ready for all kinds of guests.
20:57Good.
20:58They can be ready for guests, but you should have to finance financially.
21:01I don't think we'll leave.
21:03I think we'll have a feel for one of my own, ahead of 1,000 years ago.
21:07I mean, he was a good actress.
21:09Really romantic.
21:09But you remember, I'm being afraid.
21:11I'd like to go to an industry.
21:13We're going to the country, we're going to the star.
21:15Then, watching the stars.
21:15We're getting there with the fame.
21:17And that's what it's about.
21:20Well, that's right.
21:21Good.
21:21I mean, sure, all of us are okay.
21:24Because I want to show the time.
21:26You know, I don't know.
21:27You know, we'll see...
21:27For two or three years, I'll pay attention to Lenko.
21:30Yes.
21:31Okay.
21:31Okay, you're right. We'll see you.
21:35Don't go.
21:38I wanted to tell you something.
21:41You didn't have anything.
22:02Don't go out there at the castle.
22:05You know what?
22:07I'm going to be mad at all.
22:10It's all that.
22:12You're mad at me.
22:13You're mad at me.
22:14You're mad at me.
22:14You're mad at me.
22:15I'm mad at me.
22:16I'm mad at me.
22:17I'm mad at you, but you're not mad at me.
22:31I'm mad at me.
22:33You're mad at me when someone's spending time.
22:39Who's spending time with you?
22:41You know what happened?
22:45You know what happened?
22:45What happened?
22:47What happened?
22:48What happened?
22:51What happened?
22:52Who's the one?
22:55We were going to say, you and me, we were going to put some trouble.
23:00We were going to see what happened.
23:03What happened?
23:04What happened?
23:06What happened?
23:09What happened?
23:10We were going to say, you know what?
23:13We're back as if we were going to try.
23:14We're back to him.
23:16In fact, I didn't want to say anything.
23:24Maybe, you know what?
23:26The answer is.
23:31Hey!
23:31You need to pay something, Valjomir.
23:33Is it you brought a single name? Is it wrong?
23:36Of course, I'm not when I don't have a house, but the woman is gone to live.
23:40Ah, so you didn't brought a single name?
23:43The woman was not a baby?
23:45And what do I need to do now?
23:48Two, three, five, five.
23:53Okay, forget it, sorry.
23:55Let's go.
23:57But I have to ask you something else.
24:13Tell me.
24:16I wanted to tell you...
24:20What happened, Stella?
24:22Tell me.
24:24Sorry, but it's really uncomfortable.
24:27You're uncomfortable.
24:28You're uncomfortable.
24:28Don't look at that.
24:30What happened, Stella?
24:31I have to go to Podgorica.
24:32I'm going to do something.
24:36That's all?
24:37Yes.
24:38Yes.
24:39I'm not going to go.
24:39You're normal.
24:41Okay, I'm in a second.
24:42What's the problem?
24:43I know.
24:44I'll leave you in this moment.
24:47I'm not going to go.
24:48I'll leave you in the moment when I was the most needed.
24:51We were all in the midst.
24:53You know what?
24:54I will be grateful for you.
24:56I'll be grateful for you.
24:57I know.
24:57I mean, you'd be grateful for me.
24:59It's normal.
25:01Let me help.
25:02God, yes.
25:03You will come home with your family.
25:05Be careful.
25:06God bless you.
25:07But when we're with your family,
25:09I want to congratulate me, Strika.
25:10I pray.
25:12Please.
25:13Thank you. Thank you very much.
25:15Would you like something else?
25:17We would like two cups of wine. Thank you.
25:20Two cups of wine.
25:21Look how much we are.
25:22Let's not waste ourselves.
25:24Let's not waste time.
25:27Thank you very much.
25:30Thank you very much.
25:31Thank you. This looks great.
25:35It smells great.
25:38Is that your name?
25:52Hear it.
25:54Can you tell me who was Velybor?
26:01I think you were the closest to his friend.
26:06You were the best friend of yours.
26:07You were the best, is it?
26:12He was dangerous. He was exclusive. He was very, very clever, like all the big players.
26:26He had everything and knew it with everyone.
26:33That's right.
26:35Are you interested in something specific?
26:36No, I'm interested in how it was on Earth before my time. I'm doing films.
26:47Yes, yes. All these stories are...
26:54...satcane on...
26:55...the blood and the blood...
26:58...and the traces of me very difficult.
27:03I don't know what you're talking about.
27:06I don't know what you're talking about.
27:07I think I'm so mad.
27:10Yes, but...
27:12...and I'm thinking...
27:14...what do you think about lying death?
27:21Can you explain to me?
27:22What?
27:51Yes.
27:53No, I'm not going to listen to the wrong speech.
27:58We'll see.
27:59We'll see.
28:00I'm not going to listen to the wrong speech.
28:24No, I'm not going to listen to the wrong speech.
28:27It's important to be able to listen to the right person.
28:31It's strange that she was on the right hand, but it truly is.
28:39I'm saying that she was here to feel the way she felt more goodbye.
28:42That is important, that is good.
28:45That is the reason why she was doing it and why she was doing it.
28:50I'm not going to see the truth.
28:52I mean, did she tell you?
28:54No, she didn't tell me and there was no need to tell me.
28:57I'm finished with that story and I would ask you to support you more.
29:01Okay, we'll finish this story, but before I ask you something.
29:19Let's go.
29:22You're alive.
29:28And?
29:30It's a strange voice.
29:34What, didn't you think you were able to press the situation?
29:37No, it wouldn't press the button.
29:38It would only be more than it would be.
29:41Of course.
29:43Okay, how could it be?
29:47You didn't think you were able to press the situation.
29:49Okay.
29:50Okay, okay.
29:51I'm out of the tough situation.
29:52It's much stronger than what you think.
29:55What's important for this job?
29:57Yes.
29:58Yes.
29:58Yes.
29:59She listened to me all of the media hype about her.
30:02And I really liked her.
30:05Yes.
30:07Yes.
30:08Yes.
30:09Yes.
30:10Yes.
30:11Yes.
30:22Yes.
30:23Yes.
30:26Yes.
30:27Yes.
30:28Yes.
30:37Yes.
30:40Yes.
30:43Yes.
30:43Yes.
30:45Yes.
30:45Yes.
30:47Yes.
30:54Yes.
30:58Yes.
31:01Yes.
31:03I don't know that you've been in your marriage in your marriage.
31:11If you don't have to stop, you're going to kill yourself.
31:15You don't have to run away from yourself and your emotions.
31:18I mean, love is so important when you have love.
31:21Love after sin doesn't exist.
31:33For both, you'll have to stop.
31:55I don't know if you're good at all.
31:55What's important?
31:57This thing, what is your name?
31:59If you're speaking this way, you can't figure it out.
32:04That's enough, brother. That's how I'm going to play like a rock.
32:06What do I need? I'm going to hide it in my village.
32:08Good boy, slowly.
32:10That's what I'm going to do.
32:13I'm going to an ordinary night in the restaurant.
32:16You know what?
32:18When I think a little bit more about all of these things,
32:20I'm going to fall into a big nonsense at the end of the game.
32:24I'm going to tell you that I'm going to get into it, brother.
32:28That's what I'm going to do.
32:29That's what I'm going to do.
32:29You're not going to get into it, but you didn't get into it.
32:32But we got into it.
32:35That's it.
32:37That's it.
32:38That's it.
32:38That's it.
32:39That's it.
32:41That's it.
32:43When we were with Tony,
32:45we wanted to talk about it.
32:58That's it.
33:00It was a good thing.
33:00That's it.
33:03That's it.
33:04That's it.
33:04That's it.
33:09You know what?
33:10It's not a good thing.
33:12But you're not aware of things.
33:15U modnim krugovima da, po društvenim mrežama da,
33:20ali ovako ne na tom nivou.
33:21Dobro, ne možeš reći da nije bilo rizično, ajde.
33:24Vidi, nas dvoje smo mogli da ostanemo inkognito,
33:28da nije bilo sve ove gluposti oko njene odbice, kapiraš?
33:32I sad zbog svega toga ja imam jaku želju nekoga da raščarupam.
33:37A ti imaš tačno sedam dana od sada da mi ih nacrtaš ispred.
33:43Ili jasno?
33:45Ako to ne uradiš, sam moj bez ću da preusmerim ka tebi.
33:50Kapiraš?
33:51Jer ja više ne mogu da budem miran.
33:54Dugo sam bio i staložen i miran.
33:56A sad mogu samo da budem jako, jako bezan.
34:10Ubijem vas.
34:26Ubijem vas da smo imale mjerodano što ono prečerale.
34:30Bogom imavam sad jedan, ali i funkcionalni bubrek.
34:34Pa naravno da je tu.
34:37Nemoj sad, nemoj sad.
34:38Ne, šta nemoj.
34:43Slušaj, strašna ti je ona ideja o onom mentalnom zdravlju i onom njenom nestanku pa za kamufliranju na poseban odličan
34:50marketinjski trik.
34:51Bravo! Perfektno! Perfektno određen!
35:04E, baš mi je žao što, što neću moći da gledam s tobom, ali uskoro ću moći.
35:12Gleda, ko ćeš ti da povratiš?
35:15Pa sad ni ja ne znam tačno šta da ti kažem, ali nekako ću uspeti.
35:21Pa, ne poj se, si mu uspećaš, tu je baka, tu sam ja, tu je tata.
35:26Joj, Pile, dedilo, mnogo te volim, znaš, mnogo.
35:30Joj, što se dogredali, udavit ćeš.
35:33Znaš, hvala ti što se ti brineš o svom deke, znaš.
35:47Pucaj, htio sam zapravo nešto bi te pitan.
35:50Pa pite, brate.
35:53Imaš te tvoje offshore fazone, kapiraš?
35:56Sam mislio da, ako bi mogao, možda meni dotvoriš te neki račun.
36:01Mislim, na moje ime.
36:03A zašto?
36:08Muzika
36:15Odkrati nisje otvarala ove prozore?
36:18Ne znam što.
36:21Pa, za gusljivo je imalo, moraš da provetriš.
36:24Pa, hladno je napolje, a in je nešte vazduh, čudan.
36:28Znaš šta, ti si počela da stičaš on i stoklonski sindrom.
36:33Znaš šta je tu?
36:35Do you love me in my own way?
36:38No, no, I'm still waiting for us to go there and I hope that you will allow me to do
36:43that.
36:44That's why I came to them.
36:45That's why I came to them.
37:16That's why I came to them.
37:50That's why I came to them.
38:16That's why I came to them.
38:17I did not know him.
38:21That's why I came to them.
38:22Because of a couple of times.
38:24That's why I came to them.
38:29Hey, tambura, opet ja.
38:30Ah, Maksimija, šta hoćeš?
38:32A, vidi ovaj, treba mi još kinte.
38:35Šta drba, kinte, jo? Ma nemoj, svago.
38:48I mislim, svi imaju milion i pet pitanja, no.
38:52Gde si bila, šta si radila, šta si nisi javljala.
38:56Čak sam morala da dam izjavu za novine.
38:58Mislim im jednom prijatelju, poznaniku.
39:00Pa sam složila neku priču kao ženi prenatrpanoj poslom,
39:05koja se leči od anksioznosti, umiru, disanje, afirmacije, nevitacije.
39:11Uff.
39:23Čemo ovdje da razgoja?
39:25Ma da, možemo, jer ako svi spavaju, a šta si hteo da mi kažiš?
39:34Pa, razgovarao sam sa Lenko.
39:37A zašto?
39:38Pa, nije mi nešto zjavo da omira.
39:41A u kom smislu, Vukir?
39:43Pa u smislu...
39:48Nešto mi je to čudno.
39:49Pa, razgoja?
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