- 15 minutes ago
Bos ili Hadžija (2026) - Epizoda 23 - Domaća serija
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TVTranscript
00:07You
00:30Life is, brothers, old bandit,
00:32the time when it starts, everything is destroyed.
00:35And you don't want to break yourself,
00:38be alive, don't want to sing.
00:41Fire the engine to gas,
00:44the moments are wonderful everywhere around us.
00:49This life is not something,
00:52or you're a fan or you're a boss,
00:54sve ga će biti, samo neće nas.
01:00To je život, to nije štos,
01:03ili si hađija, ili si boss,
01:06sve ga će biti, samo neće nas.
01:21Sve opcije leže na stolu,
01:24snađi sve znaš parolu,
01:27parola je poznata oko cilje visoko,
01:31In the sky!
01:33Put the gas in the sky!
01:36And the lights are all over here.
01:41To your life, it is nothing.
01:44And you are a town.
01:46Or you are a boss.
01:47This is just a night that you are only a night!
01:55I'm sorry, I'm sorry.
01:57More than 600 objects of the playwright
02:00are in the near the city of art and religious objects.
02:04That's right, I'm a good idea.
02:06Good morning, let me know.
02:07Can you copy me this?
02:09Yes, I can.
02:11A few examples.
02:14Good morning.
02:21I don't know what to say about you.
02:26What's wrong, Murga?
02:28What's wrong, Murga?
02:29What's wrong, Murga?
02:31Religion and religion are the same things.
02:34What are you talking about, Mother?
02:40Dear God, my dear.
02:43Religion, Murga.
02:44How many people have in the world?
02:46How many people have in the world?
02:48With one, at least confidence.
02:50It's not true.
02:52It's not true.
02:53It's not true.
02:54You're a fuller.
02:55You're playing on red, and it's not brown.
02:58I don't do anything about it.
03:01But it's not clear that I'm not sure about it.
03:04It's not true.
03:06It's very simple.
03:07You're a very simple thing.
03:10You're writing.
03:11You're writing.
03:12I'm going to buy the diploma.
03:15I'm going to buy the diploma.
03:15I'm just finished.
03:15But what diploma is to do?
03:18I'll never get this.
03:19So, what should I do?
03:20And one person says,
03:23and he will say,
03:24Buraz, my architect,
03:27believe me,
03:28they are the only architect,
03:30they are the only architect,
03:31they have jobs, they have money,
03:34and you say,
03:35okay, I will give you one diploma
03:38so I will be the architect.
03:39You are the diploma,
03:40and you say thank you,
03:43and you go to the world,
03:46but the architect is not on the map.
03:50How is that?
03:51What is it?
03:51The architects, Buraz,
03:53the architects are the ones who have money,
03:55the architects are the ones who work,
03:59the architects,
04:00the architects,
04:00the moral of the story,
04:03you think that something is safe,
04:05but it is not safe.
04:06It's a shame, Buraz.
04:08I am 100% convinced
04:10that you need to print and copy
04:13your seminars and sociology
04:15and philosophy.
04:17But I will tell you
04:19what is the commitment to the people
04:19who have to do?
04:21No, no.
04:21If a man wants to make a mistake,
04:23he will be the end of the world
04:25to make a mistake.
04:26Is that right?
04:27Exactly.
04:27As our people say,
04:29the opportunity to make a mistake,
04:30is that you want to make a mistake?
04:32You want to tell you
04:32that when people don't see a mistake,
04:34they don't make a mistake?
04:35Exactly.
04:36I will tell you,
04:37I will do something else.
04:38I will do something else.
04:42I will do something else.
04:43I will do something else.
04:44I will do something else.
04:45I will do something else.
04:47I will do something else.
04:49I will do something else.
04:50I will do something else.
04:50If you put them in the book,
04:52they will read more than you.
04:54Yes.
04:55If nothing,
04:56they will read more than you.
05:00But if you want to do something else,
05:01I will tell you what is 100% guaranteed.
05:03It will be a mistake.
05:06Sorry.
05:08We will talk a little bit.
05:11Let's do something else.
05:14We will talk a little bit.
05:17We will talk about it.
05:18Let's take a look.
05:23Let's do something else.
05:26Please,
05:26excuse me,
05:27we will not allow you to be in a while.
05:29Don't do anything.
05:30It was great.
05:31It was very interesting to listen
05:33how much food we eat
05:35and we eat
05:35the meat
05:35so complex.
05:36It's so good.
05:36Then it's good.
05:39It's the easiest to do it.
05:41But you should do something.
05:43Here you go.
05:45It's not the job.
05:46Mačka, let's go.
05:48I heard that you like these people.
05:50I'll take care of yourself.
05:52It's a pleasure.
05:53It's a pleasure for you.
05:54It's all for the results of the investigation.
06:00These geolochskies of Zlata
06:01have been here for thousands of years.
06:03The Austrians did an analysis
06:05and decided to do the investigation
06:07in the furnace,
06:09even though there was a percentage
06:11of gold in this location.
06:14Then you need to take the time
06:15to get the answer to what we will do.
06:17As I said to my friend,
06:20that I've been 10 years old.
06:22I would do the investigation.
06:24There are millions in question.
06:27Unfortunately, I'm old,
06:28but I have enough money.
06:30I have enough money.
06:36I have enough money.
06:37I have enough money.
06:38Just to tell me,
06:39Please,
06:40copy me two examples.
06:42Just a little bit more.
06:43Oh, I'm sorry.
06:44Oh, I'm sorry.
06:45I'm sorry.
06:46I'm really interested in this.
06:47I've been to my country
06:49and I've been to my country
06:49for a long time.
06:49I've been to my country
06:51for a traumatic experience.
06:52It's not just a country
06:53but a lot of gold.
06:56It's not just a country.
06:57It's a lot of gold.
07:01I'm sorry.
07:02Not a country,
07:03If I heard of gold,
07:04you can say gold.
07:06Yeah?
07:06Yes, of course gold.
07:08There's a lot of gold.
07:09All of my Gemini.
07:11The land is expensive
07:11to get a lot of resources.
07:12If you find something there's something else.
07:13I don't know what to do.
07:19I'm sorry if I'm going to stop.
07:22If we're here, I'll be able to get some documents
07:25to finish our contract.
07:28Let's go.
07:29You'll wait for 25 million dollars.
07:31It's time for money.
07:33Let's go.
07:37Let's go.
07:39How are you?
07:40How are you?
07:40Two more.
07:42Let's go.
07:47I'm sorry.
07:48I don't have a vault.
07:49I don't have a vault.
07:53Thank you, Chef.
07:56If I can ask you something...
07:59Of course.
07:59We're here.
08:00Do you have to buy land?
08:05My location is the last one.
08:07I've already agreed with the client.
08:09I've already agreed with the client.
08:10I'll go, I'll go for the next one.
08:13Maybe the next one will be your fault.
08:15Exactly.
08:17Bye.
08:18God, you're welcome.
08:19God, you're welcome.
08:20Bye.
08:22Bye.
08:24Bye.
08:25Bye.
08:28Bye.
08:28Bye.
08:29Bye.
08:30Bye.
08:32Bye.
08:33Bye.
08:34Bye.
08:35Bye.
08:47Bye.
08:49Bye.
08:52Bye.
09:04Hi.
09:06Hi.
09:07Hey.
09:08Listen.
09:08I'm not sure.
09:08100,000, so if he's holding his hand, he'll pay for it.
09:14I'm giving him 25.
09:17God, I have the opportunity to give him 30.
09:20I'll give him 30.
09:22That's what he said.
09:25I didn't give him the opportunity to give him his number.
09:30Why don't you give him?
09:31How do I give him the opportunity to give him?
09:33I don't know where he is now.
09:36Why don't you call him his number?
09:38Are you crazy?
09:40How do I call him when I don't have his number?
09:43You don't have his number, but you have a package.
09:45What a package?
09:46You have a package that has his number.
09:48You know him, but you have his number, right?
09:51My mother, I'll be crazy with you.
09:53I'm not afraid of Freda.
09:56Buraz, really?
09:58Your employee has a photographic memory.
10:01You have to know what you need to do in the future.
10:05But I'll just say to you,
10:07Maybe you've got a little bigger problem?
10:09What?
10:10What, what?
10:12First of all, you have 30,000,000,
10:13you've got to pay for a man.
10:15And the other,
10:16you've got to get a lot of money,
10:18and then we're going to go further.
10:20What?
10:20What is it?
10:22How is it?
10:22You're right.
10:24You're right.
10:25I don't want to make a statement.
10:27I'm trying to get his number of people.
10:30There's no idea of taking a picture.
10:30What is it?
10:31Yeah.
10:33What is it?
10:34Fucking hell!
10:37And you're right, my brother.
10:38I'm going to, I ain't.
10:39Which is, I'm going to write a sheet.
10:40I am.
10:47One side is a young village who wants to wake up children, play and play, and on the other side
10:54is a profiter who will only use this land so he can do more.
11:00Now I'm going to leave, and I'm not going to do that. You're really going to give me one.
11:05I am ready, Mr. Rustem, to give me more than what it is on the market.
11:12No need. I've been working for a long time.
11:16I just feel the situation where something needs to be done.
11:20This is a classic example of the situation.
11:23If I could have been a little blessed.
11:28I don't know.
11:29I'm sure I'm sure.
11:32However, when I think about you, Mr. Vaz,
11:36with your future family,
11:40how they are, how they are happy,
11:43how they are, how they are.
11:46I can't get rid of it.
11:48I see that you are an idealist, who has your dreams.
11:51I don't want you to be on the road,
11:53so you don't get rid of those dreams.
11:55Do you think the job is still there?
11:58I don't know how to thank you.
12:01I am totally...
12:02I thank God.
12:04I thank you.
12:06I thank you and sun.
12:09I thank you.
12:09That is the way you got to get to my office.
12:13Thank you very much.
12:15Thank you very much.
12:16Thank you very much.
12:17Tell me.
12:18I want to get to my office right now.
12:21I want to get to my office.
12:22I haven't thought of it.
12:23Yes.
12:25Yes.
12:26Thank you, Mr. Rustem.
12:27Thank you very much.
12:28We'll see you soon.
12:29I hope.
12:30It was a pleasure.
12:31All right.
12:32God.
12:34God.
12:37God.
12:38God.
12:38To be dead.
12:39Why did you die, my dear brother.
12:42toen Smoklyn?
12:42Oh my God.
12:43What did you mistake?
12:45How could you die?
12:47Yes.
12:47You're not Macially innocent.
12:48You're no longer canEye.
12:50You're not being a toac basic president.
12:50When you're making one of those dreamsgonadı,
12:52it is not just you.
12:53Whatever that lets doing,
12:54which is necessary.
12:54It's like a problem.
13:04Let me hear you. Who is this friend?
13:07I have to know the truth.
13:08I don't care about him.
13:10He's a great friend of Zagreb.
13:13He knows you.
13:15Wait, he's a friend of mine.
13:17You know him?
13:18Yeah, yeah, yeah.
13:18What?
13:19What?
13:20What is he?
13:22That's a great grandmother.
13:24You don't care about him.
13:25What else?
13:32You know what?
13:35That's why he doesn't help him.
13:38Do you know what's going on?
13:40I know that people are sick.
13:44Just a little bit.
13:47That's why when Murga ends this job,
13:50I'm going to solve the problems
13:51and open two copies in Sarajevo.
13:54You think Murga is going to find two copies?
13:59No, I'm going to open two copies.
14:00I'm going to open two copies.
14:08Jomela, take a picture of you once,
14:09and I believe that I can see.
14:11I'm with you.
14:11But then you will leave the copies in the book.
14:13You don't have any copies.
14:14You won't be able to mill you.
14:17You don't have any copies.
14:18You're not going to have any copies.
14:19You will be able to see how they work.
14:20The copies will know the copies.
14:26You only need one very good car.
14:28I'm going to drive almost every day.
14:29What are you doing now?
14:31A little bit, a little bit.
14:33You can see how the old car is moving,
14:36and it's a mataman for you.
14:38God, I don't want to go.
14:40Wait, what's the car?
14:42No, no, no, let me go.
14:44I made a right decision.
14:47Look at this.
14:48Two copies in Sarajevo,
14:50the car is only a copy in Travnik.
14:53Wait, wait,
14:56let me explain
14:57why the car is in Travnik?
15:01It's because of the words.
15:03Do you think that the car will not start?
15:06Do you know that the car is in the last video?
15:09Do you know?
15:11Let me tell you,
15:12if you don't do anything other than me,
15:15let me go a little bit.
15:17Yes, I'll give you the car.
15:19No, I'll give you the car.
15:19No, I'll give you the car.
15:21I'll give you the car a little bit.
15:25I'll give you the car,
15:27I'll give you the car.
15:28Put the car in the car.
15:29That's how you're getting used for a little bit.
15:32I'll give you the car.
15:33Put it at the car.
15:35Put it closer.
15:35Let me see.
15:36I'll give you the car.
15:43Elena, when I tell you, this is a very good opportunity, this is important for us and for our family.
15:51Oh, family, look, look, look, look at me there's a fear.
15:57What do you have to be a fear, my Jelena?
16:00This is a possibility that you can't forget.
16:02What do you have to ask me?
16:04Why don't you leave a place that is full of gold?
16:08That's not the usual man.
16:12He's very sentimental.
16:13Why don't you have to give me my old school?
16:16I will only be my money to pay attention, and then I'll give you my attention.
16:22I'm sorry.
16:26I'll give you my attention.
16:28What do you have to do?
16:28What do you have to do?
16:30What do you have to do?
16:32I sent you to ZK on the mobile phone.
16:34What do you have to do?
16:35I sent you to ZK.
16:36I sent you to ZK.
16:38I asked you to ask.
16:39Let's go.
16:41Let's go.
16:42Let's go.
16:42I sent you to ZK.
16:44Okay.
16:45Let's go.
16:46Let's go.
16:48Hello, Mila.
16:50I am.
16:51I am fine.
16:52I have to tell you something.
16:53I sent you to ZK.
16:56I am fine.
16:59I will tell you.
17:00What do you have to tell me?
17:01I will tell you.
17:03I will wait for my phone.
17:05I will tell you.
17:05I know you are going to tell me.
17:07I will tell you.
17:08I will tell you.
17:11Good.
17:14Good.
17:16Let's drink a coffee.
17:18Let's go.
17:18What do you say?
17:20It's clear.
17:22You are going to get a coffee.
17:24You can have a coffee.
17:25I am not going to mix without having a coffee.
17:27What do you say?
17:30I am going to say that.
17:33This is the second and the best choice.
17:36In life.
17:36Yes, you are going to start with me.
17:38Yes, I am.
17:40I am going to.
17:40Yes, I am.
17:40Hi!
17:49I'm not going to lie!
17:52Hey, boy. Hey.
17:55Fuck yeah.
17:57Stop it.
17:57I didn't tell you what happened today.
18:00You won't believe me.
18:03Let's try, Arane. I won't believe.
18:05What do you say?
18:07Let's go, Mute, and I'm going to see you.
18:10Good day. We gave him a little power,
18:13we had a nice day,
18:15but we were going to take the sun.
18:18Let's go to another side.
18:19There's a cold.
18:20We run around the road when I'm running,
18:23Bam!
18:24A friend, Mute, and the car.
18:26I'm sorry.
18:28He flew three meters into the sky.
18:31Now when he flew into the sky,
18:33he turned around,
18:34He made a
18:35gun.
18:35He was a ninja.
18:38I don't believe it.
18:40I don't believe it.
18:41He was injured and injured.
18:46He couldn't believe it.
18:47Can he hit you on the bike or not?
18:50What kind of bike?
18:51How many bike?
18:52You went to the bike, Haver, when you were out.
18:56Where did I get him?
18:57He was injured and injured.
19:00He was injured and injured.
19:02You were looking for a mutter ninja.
19:03Yes, as the frayers came out and came up there, he steps forward to Mutetu.
19:07Yes.
19:08He steps forward to the frayers.
19:10Yes, I'm telling you, one of them.
19:13I'm going to blow the tower.
19:16We're going to get all the passage of the frayers.
19:19I'm going to blow the mutter to the frayers.
19:22Yes, I'm going to blow the frayers.
19:24What is that?
19:25You're going to blow the door.
19:26This is not 5, not 6. I'm going to harp on it. I'm going to use my mouth.
19:33I'm going to turn around the light.
19:35I'm sorry, my mother.
19:37You know, Buras, until that moment you were able to sue him,
19:41and from that moment you're going to have a great deal.
19:43What a deal, fuck it.
19:44A deal of 7,000 euros.
19:46What a deal.
19:46Well, it's going to be that Mutetov is old,
19:50that he left Mutetov when he was young.
19:52What a deal.
19:53What a deal.
19:55What a deal.
19:57How did you get to know him?
19:59He got to know Mutet, because he had his picture.
20:03The old guy was looking for years,
20:04but Mutetov's old guy didn't get to know him before.
20:08What a deal.
20:10What a deal.
20:12That's the case.
20:14Not this, my mother.
20:17What else?
20:18We're going to get to the front,
20:19we have to ask the fray guys,
20:21when he's teaching me?
20:23When you're going to get older,
20:24why are you older,
20:26Averu, please.
20:28Wait a minute,
20:30how do you know that the fray guys was little interventional,
20:34when you were not talking about fray guys?
20:37He told him the fray guy while we drove him in the hurry.
20:40I'm fine.
20:41I'm fine.
20:43You know what?
20:44That's right, it's time for us to go to Pješačkog.
20:50We didn't even know the old man.
20:54So, in the world, we wouldn't go to Pješačkog.
21:00We didn't go to Pješačkog.
21:02You think I'm going to go to Pješačkog?
21:04I'm not twice.
21:06I'm not a little.
21:07I'll show you.
21:16Hey, Bani!
21:17What's up, Lutko?
21:19Give me one Vlahov, take me what you want to do.
21:22What's up, Horan?
21:24I'm going to go to Pješačkog.
21:26You don't have to go to Pješačkog.
21:31This is a natural dopamine.
21:34What's up?
21:35A little earlier.
21:36He came to Jaran and said that you didn't see him for 100 years.
21:39He came to Jaran.
21:41He came to Jaran, man.
21:43He has 10 years of his life.
21:45He's like that, he's looking for a lot of his name.
21:46And it means that he's still a bit of a waste of money?
21:50Let's go, Mane.
21:51I'm going to sing again.
21:52He's also lost a house.
21:54Well, Lutko, go ahead.
22:01What are you doing, Fakje?
22:02Oh, Murkice! What? Is that a wedding?
22:05What kind of wedding?
22:07Today Murga is a new man.
22:09What are you doing with the old Murga?
22:11Where is the old Murga?
22:12Let's go, let's go.
22:14Okay, let's go.
22:15Let's go. I'm not going to talk.
22:18That's how I like you, brother.
22:22How many hours?
22:26What are you doing?
22:28What are you doing?
22:29What are you doing?
22:33How are you doing?
22:34Good morning.
22:38Good morning.
22:39Good morning.
22:39Good morning.
22:44Good morning.
22:48Faksone,
22:49Murga,
22:50new man.
22:50I'll do this,
22:52I'll do this.
22:52I'll do this,
22:54I'll do this!
22:56I'll do this,
22:57but yeah,
22:58I need it and I have to do this.
23:00A little more.
23:01What about you doing?
23:03What do you think about it?
23:05That's a great woman.
23:07Do you think she'd give her a lot of money before she's done?
23:10Is she just saying to me that she's going to pay for money?
23:13I'm not going to pay for money.
23:15She's going to leave the money for our wedding.
23:17I'm just saying to her,
23:19that we invest these money.
23:22Oh!
23:23Oh!
23:24Oh!
23:25I'm a best teammate and I'm not going to leave it alone.
23:27You have to pay for your attention to your dream.
23:37But it's not that great.
23:39That's what I'm saying.
23:40I'm doing great work.
23:43I'm working hard enough for my friends to take part and take a nap.
23:44I'm not going to be teaching me because I don't know,
23:47and I'm not going to be teaching you because I will.
23:49I'm not going to be teaching you again.
23:49I'll be teaching about the difference.
23:50But when you're teaching me about the decision,
23:50you want to be teaching me about the decision.
23:51What's going on?
23:52I don't want to be.
23:53You've been listening to me before,
23:54I can't wait for you to take part.
23:55I'm going to be a doctor.
23:56Bye.
24:02Rustem, Rustem, Rustem, Rustem.
24:04What is that? I don't know.
24:06The goal is to remember something.
24:08What is it?
24:10Wait.
24:16Rustem.
24:18Rustem, Rustem.
24:19What is it?
24:20I'm not in prison.
24:22Rustem, Rustem, Rustem.
24:24Rustem, Rustem,
24:25Prevara,
24:26Kriminal.
24:31Hey, wait a minute.
24:33Organizum.
24:35My mother.
24:41Let's go.
24:44Inspektore, fuck it.
24:45I'm sorry, I need you to check me out.
24:50You should have to see a few of them.
24:51Hello, sir, it's all.
24:52Here we are now.
24:55Welcome to our hotel.
24:56Very good.
24:57Let me check the amount of Glück.
25:00I'm saying we can't get enough money.환ug.
25:00Lord Morize,
25:01I'm very sure. Alright, let me
25:04check. I'm not the
25:05amount of money.
25:06I don't know what to do.
25:13We've got 28 thousand dollars.
25:16I said that you won't work for a long time.
25:19You're very talented.
25:20Listen, it's a big business.
25:24I'd like to go to the beach and celebrate it.
25:27Unfortunately, I'm a very important part.
25:29Everything will be a opportunity for a partnership.
25:33Do you know the location?
25:35The location is your location.
25:37I ask you to wait for a few days before you call the agency for the invitation.
25:45Just so that we don't have our hearts in the house.
25:47I understand.
25:49But you know, there's no sentimentality in the job.
25:52I didn't believe it.
25:56Look, look.
25:58There are the stars.
26:00What is the problem?
26:01Osmane, who are you?
26:03I'm going to kill you, Gurise.
26:05This is the old, prevarant.
26:09There's no prevarant.
26:10Everything is legal, Osmane.
26:11The family is not legal.
26:14Gurise, I don't know how to introduce yourself,
26:16but this is my old friend, Rustem Djozic.
26:21He's called Rust.
26:23We haven't seen it for a long time.
26:24It doesn't change anything.
26:26You're still not able to do it.
26:28You're still not capable of the criminal.
26:28Here, Mr. Djozic.
26:30Osmane, this is a circus.
26:31You know that I'm going to do it before we get to the police.
26:34You don't want to do it.
26:35We'll go together.
26:49Don't have to stop the police in the country.
26:51You should have to stand.
26:52You should have a massage on me.
26:54You're still lying on me.
26:55You're lying there.
26:57You should have a massage on me.
26:58You're lying there.
26:58Where are you lying there?
26:59You can't get the police inside.
27:00You're lying there.
27:02You're lying there.
27:04I don't know.
27:04I'm going to talk to you with Zlatan, stop it, stop it, stop it!
27:07Who was that?
27:08Who was that?
27:10The contract was 128 million.
27:12I would have been...
27:14I said, here we go, two milions on the table.
27:18I would have been...
27:22Two milions on the table.
27:28What about Zlatan?
27:31What about Zlatan?
27:33What about Zlatan?
27:34What about Zlatan?
27:36What about Jelena?
27:40She said to me...
27:42She said to me...
27:43She said to me...
27:45She would never want me to die.
27:53Hey, people...
27:55Good morning, Murga!
27:58What about Zlatan?
27:59What about Zlatan?
28:01What about Zlatan?
28:03What about Zlatan?
28:04What about Zlatan?
28:06I'm sorry, I'm sorry.
28:07I'm sorry, I'm sorry.
28:08I'm sorry, I'm sorry.
28:11I'm sorry.
28:12I've brought a little baby,
28:18I've been up to you.
28:19What are you doing, Murga?
28:20I'm sorry, I'm sorry.
28:21I'm not the first or the last one.
28:23I'm sorry, this world is full of Zlatan.
28:26I'm going to sit with you, Muran.
28:29We haven't seen it for 100 years.
28:31We were together,
28:32when we were together,
28:33and they said to me,
28:35what is this?
28:37It was never easier for me than now.
28:41I don't know.
28:41They were like a Pulitzer.
28:44I'm sorry, I'm sorry.
28:45But I really felt like something was hurt.
28:48First,
28:49it's a completely false Zagrebacic accent.
28:53And the other,
28:54it's a old actor.
28:55Nothing, nothing.
28:56And the third,
28:57you know,
28:57it's like something he forgot
28:59and turned around.
29:01Yes.
29:01Wait,
29:02the Zagrebacic accent?
29:03Yes?
29:04So,
29:05very great.
29:06Yes.
29:07The same thing.
29:07Of course,
29:08You know,
29:09you're right!
29:10I'm going to talk with you.
29:12I'd like to call you.
29:13I won't fight,
29:16I'll get you down here,
29:17I'll take some 감사합니다.
29:22I'll take care of that.
29:23I'm the land in Tyran.
29:25Did you kill me?
29:27Yes,
29:28but it's my wife,
29:29I wouldn't support you.
29:31He is the only one who sells the land and sells for 5 million dollars.
29:39You can see it. You can see it. Everything is better.
30:28La la la la
30:31To je život, to nije što, ili si hađija, ili si boss, sve ga će biti, samo neće nas.
30:41La la la la la
30:52Sve opcije leže na stolu, snaži se, znaš parolu, parola je poznata oko, ciljaj visoko, udviši stoko.
31:11To je život, to nije što, ili si hađija, ili si boss, sve ga će biti, samo neće nas.
31:22To je život, to nije što, ili si hađija, ili si boss, sve ga će biti, samo neće nas.
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