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How to Get to Heaven from Belfast - Season 1 - Episode 05: TBD
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05:14Yeah, but we are 100% not making it off this flight of life.
05:17What exactly is she going to do to us in a confined space with loads of witnesses?
05:21She seems to really want that box. So as long as we have —
05:24Hang on, where is that box?
05:25I'm sorry, ladies. Your overhead locker is in the back, isn't it?
05:37It is here. For fuck's sake.
05:39It is here. For fuck's sake. Linda, what are you doing, lovely? The locker was over capacity. Did it close?
05:47Then it's fine. Drink's Charlie. Now. Sorry about that. These agency stand-ins are always messing with procedure.
05:57Actually, can I just grab something. It's our mother. It's our mother's ashes. Yeah. Yeah, of course, lovely. Right. Let's
06:16get you three a drink. Linda!
06:18Linda!
07:09Hey, Saoirse. It's me. Yeah. Liam. Excuse the voice note. I didn't want to call in case you were working
07:15on it.
07:15Yeah. I sent that too soon. I never know if I should delete and start again when that happens or
07:20if that looks a bit...
07:24Sorry I did it again there. I think maybe I just have really big fingers.
07:30Anyway, look. So, I spoke to Margot. She didn't know anything about Jodie Poir, or so she says, but she
07:36did tell me something which was a bit...
07:38I don't believe this.
07:40Megan!
07:40Megan! Anyway, I spoke to Margot. She told me when she was pregnant she was reading this book. The author
07:46was a psychiatrist she admired. Greta Gankala.
07:49So she, Margot that is, she decided she'd name her child after her. But here's the thing.
07:56Jesus Christ!
07:57Sorry, here's the thing. This woman, she only published one book and it was written more than a decade after
08:02Greta was born. So that can't be right, can it?
08:05I'm not really sure what it means, but...
08:07How the fuck have you done that again?!
08:11Maybe just give me a call back, sure.
08:14Ladies and gentlemen, we'll shortly be starting our descent into Dublin Airport. Please fasten your seatbelts and place your seat...
08:21Excuse me.
08:27Right, let's do this. Ready?
08:30No.
08:31Great.
08:36Why would we scatter her in the sea? Sure she hated getting her hair wet!
08:40Aye, well do you know what she hated? You never saw her! You moved to London and forgot about us!
08:46She wanted scattered in the big pre-mark! She loved that there was her happy place!
08:50I'm gonna have to ask you all to take it down a notch for me girls.
08:53I can deal with this if you wanna let the pilot know what's going on.
08:55Well sure, I'll open the door to the cockpit now.
08:57Who the hell trained you, Linda? Al-Qaeda!
09:00You always give her bad advice!
09:01Seatbelt! Now!
09:02Well, you were always ripping the back out of me!
09:04Sit back down!
09:04Well!
09:05Curran for her was the worst decision you ever made!
09:08It only exacerbated your avoidant personality and gave you an excuse to never put yourself out there and live your
09:13own life for fear of rejection!
09:29We're not drunk! Not really! We were acting! It was an act!
09:33Girl, if you are gonna subject us to any kind of breathalyzer type scenario, I should say I've had a
09:38few Prosecco's.
09:39That woman was trying to kill us! She's a psychopath!
09:40She locked us in a boat! A big boat! She blew it up! She blew the big boat off!
09:44If it wasn't for Dara's banana, we'd all be standing here dead now!
09:47Impersonating a member of cabin crew staff!
09:49She did not know what she was doing during that safety demonstration!
09:52Where's the real Linda? That's what I wanna know!
09:54You have to help us!
09:57On you go!
09:59Okay then!
10:00Well, thanks for listening, lads!
10:09Shit! Look!
10:14Look!
10:15Okay, we have to go!
10:16Now!
10:16Without our bags!
10:17No chance!
10:18I brought a Max Mara bikini that cost me 300 quid!
10:21I'm sorry Robin, that is actually immoral!
10:23Absolutely cracker looking on me is what it is!
10:29Okay!
10:30Okay!
10:35Right!
10:36Come on!
10:38Right!
10:38Come on!
10:47Hello!
10:49Good night, Pops!
10:53Thank you, Julie.
10:54Very well for you!
10:54You're ready to go, Ryan.
10:55Yeah!
10:55You're ready.
10:56Come on!
10:56Come on!
10:59Come on!
11:00Come on!
11:01Come on!
11:02Come on!
11:03Come on!
11:03Come on!
11:04Come on!
11:07Come on!
11:15Come on!
11:17Come on!
11:20This person who called this woman, she said Greta knew your father?
11:25That she knew something about his disappearance, yes.
11:29But the caller, they didn't identify themselves?
11:31No, and that was the only time they contacted me.
11:34What day did you receive this call?
11:35The ninth of this month.
11:41I think Greta died.
11:42I've since learned as much, yes.
11:46That was strange.
11:50So did your wife ever mention my father?
11:53Or talk about having any dealings with a journalist?
11:55No, never.
11:56Would have been a long time ago.
11:57She didn't mention anything.
12:00Well, she would have been a teenager when he went missing.
12:05Around the same age as your daughter, perhaps.
12:07My daughter?
12:08Yes.
12:09What do you know about my daughter?
12:11Well, I tried your house.
12:13You weren't in, but she was, and I briefly...
12:16You leave my daughter out of this.
12:17Sorry?
12:18I mean, whatever this is, you leave my daughter out.
12:20No, I didn't even speak to her.
12:21My mother has just died.
12:22My wife has just died.
12:24I didn't mean that.
12:24And you come in here with this insane story?
12:29It's not a story, Inspector O'Neill.
12:32It's a fact.
12:34Someone did call me.
12:36And someone gave me your wife's name.
12:48I don't have time for this.
12:55I understand.
12:57I apologise, sir.
13:00It's not the right time.
13:02Perhaps.
13:04I can wait.
13:16Yeah?
13:20Anything I can help with?
13:22No.
13:25No, it's...
13:27It's fine.
13:46Maybe it's time we talk to the guards.
13:48Maybe we should just tell them everything.
13:50Yeah, but you see, we can't tell them everything, can't we, darling?
13:52Because there's some bits we need to keep to ourselves.
13:54Like some quite big criminally-type bits.
13:56Oh, that name guy, he might help.
13:58Well, my phone's fucked.
13:59Oh, shit, my tea.
14:01Robin's works!
14:02For fuck's sake, Jim.
14:04I don't remember his number.
14:05Why's Jim ringing me?
14:06I don't know Robin, maybe because he's your husband and the father of your children.
14:09Hiya, love.
14:10How's things?
14:12Great, yeah.
14:13All under control here.
14:15Robin's bleeding, darling.
14:17How is Portugal?
14:18Hey, baby, let the free world slide!
14:21Yeah, a lot of Irish here.
14:23One second, though.
14:24In the name of...
14:25I've got to go deal with this.
14:26Ryan!
14:27We need to focus, girls, okay?
14:29What do we actually know?
14:30What are the facts, okay?
14:31So we know that this thing belongs to Jodie.
14:33We know that Jodie and Greta grew up together.
14:35We know that they were connected.
14:37What was the name of that town again?
14:40Er...
14:40Come on, Tashban.
14:41Tashban, that's right.
14:42Why are you talking about Narnia?
14:43What?
14:44Tashban.
14:44It's from the Chronicles of Narnia.
14:47Yeah, Jack's reading it.
14:48I forgot how messed up it is.
14:49That lion is a friggin' narcissist.
14:52I've got to go, love, okay?
14:54Right, bye.
14:54Bye bye bye.
14:55Yeah, love you, bye.
14:56Fuck.
15:00Jesus Christ.
15:01When was it?
15:03He was right.
15:04What are you talking about, yeah?
15:06They couldn't have come from Tashban.
15:08Because Tashban doesn't actually exist, girls.
15:12Every single thing she told us was a fuckin' lie.
15:15The songs they sing.
15:17It's so lonely.
15:20I can feel love and right.
15:28And with that, it's goodbye Jodie.
15:31Perfect.
15:31A passport pick is everyone on their bestie.
15:35It looks great like this, by the way, babes.
15:37If I do say so myself.
15:39The truth is, you don't have to do that much.
15:41What's that thing they say about lying?
15:44A good lie stays close to the truth.
15:48Like with your name.
15:49I always think it's best to go for something that sounds similar.
15:53That way, when someone calls you or you have to sign something, it's less of a leap like psychologically.
15:58So I'm thinking...
16:01Gráinne!
16:02Gráinne?
16:03I think it's itchy, babes.
16:04I honestly do.
16:06Gráinne?
16:07It's like an echo of the person you once were.
16:10I like that.
16:12Like a ghost of yourself.
16:14That's actually quite profound.
16:16That's me, babes.
16:17Now, the surname we have less, freedomless.
16:20We have to work off a list that's been cleared.
16:22What?
16:23I must have left it upstairs.
16:25Let me run and grab it.
16:28Gotta take the hardware with me, I'm afraid, babes.
16:32It's not that I don't trust you.
16:34It's just better safe than sorry type thing.
16:37And I've been stung before.
16:39People are like, I just want to talk to my mother, or sister, or son, or springer fucking spaniel.
16:46Just once.
16:48Just to hear their voice.
16:50And I'm like, I get it, babes.
16:52But now you've blown the whole operation and I'm starting to decide with whoever it is that wants you dead.
16:59You're on the other side of things now, I guess.
17:02What's up?
17:03Well, earlier you said that you were evaporated too.
17:08Oh right.
17:09Yeah.
17:11But I was so young.
17:13How young?
17:15Thirteen.
17:17Yeah, my parents.
17:19They were both.
17:22God.
17:23I still haven't found a better way of putting this.
17:27Like, they were kind of murdered babes.
17:31I'm so sorry.
17:33You don't need to know all the details.
17:34Trust me, it will kill the crack.
17:38Overnight, my environment became, well, not the safest.
17:43And Booker heard what happened.
17:46And she decided to help me.
17:50Booker saved me.
17:53I owe her everything.
17:55I guess that's why I'm here.
17:58Doing what I do.
18:01That's something else we have in common.
18:05What is?
18:07Well, you were young too.
18:09When that Marco woman stepped up on me.
18:16You know about that?
18:17You know what happened with my mother.
18:19We know everything babes.
18:43We know everything.
18:43I'm blue.
18:44I'm blue.
18:45I'm a deed.
18:45I'm a night.
18:46I'm a deed.
18:51I'm a gun.
18:52I'm a deed.
18:53I'm a guy.
18:54I'm a deed.
18:55I'm a gun.
18:55I'm a deed.
18:56I'm a deed.
18:56I'm a deed.
18:56I'm a deed.
18:57I'm a deed.
18:57I'm a deed.
18:58I'm a deed.
18:58Cheers, love.
19:00You go kick the shit out of those doorway packers.
19:03Yeah!
19:03Don't get back right there, don't get back right there.
19:09It's not St. Patrick's here.
19:10It sucks.
19:28For fuck's sake, I'm not even wearing green.
19:31It's supposed to bring a bad look.
19:34Think of it already.
19:35It has.
19:40Run!
20:27She's grand!
20:34She's here.
20:36Why does she do that?
20:40Go, go, go!
20:41Go!
20:44Go!
20:59Thanks.
21:00Sure you don't want one?
21:01I'm grand.
21:02That's not very Irish, are you?
21:03That's quite offensive.
21:05He's now crack.
21:07Don't say crack.
21:08Sorry.
21:09Great man, St Patrick.
21:11Single-handedly drove the English out of Ireland, you know.
21:14No way.
21:15Not the English.
21:16Snakes.
21:17Sheilers, two pints.
21:18Wait till now, Donald.
21:19You're quite upbeat for a fellow with a missing da.
21:22Well, he went missing when I was a baby.
21:24Settled into it.
21:28Hmm.
21:29Would you like a straw?
21:31Do you think I could ask one?
21:32No.
21:33No.
21:36So, why all of these questions about my meeting with your boss?
21:40Just curiosity, really.
21:42Okay.
21:43Well, I don't trust him.
21:47Really?
21:50I've seen you before.
21:52Sorry?
21:52I called at Owen's house yesterday.
21:55I walked there.
21:56I, uh, I saw him lead you out.
21:58Saw you get in your car and drive away.
22:00You didn't see me.
22:01Neither did he.
22:03But, anyway.
22:05When I reached the door, there's no answer.
22:08For some reason, he didn't want to speak to me.
22:11Why don't you trust him?
22:12What makes you think I don't trust him?
22:14The fact that you're sitting here.
22:18All right, fine.
22:19In the meantime, let me show you this.
22:22So, these are my father's old notebooks.
22:26I've, uh, been trying to decode them.
22:29Decode?
22:29Yeah.
22:30He interviewed paramilitary members, intelligence agents.
22:32When you said he was a journalist, he was an actual journalist.
22:35So, a few times, he talks about what I thought was something like sad girl or mournful woman.
22:41But then I found out that the school that Greta attended was called Our Lady of the Sorrows.
22:48You do know there are probably a hundred skills in Ireland with that name.
22:51Yes.
22:52But then there's this.
22:55What does it mean?
22:57No idea.
22:58It feels religious.
23:00It's my instinct.
23:01Anyway.
23:04I, uh, went to Greta's old school for a look.
23:07And there's this whole area of the grounds that's just sort of abandoned now.
23:11And there's an old caretaker's cottage.
23:15This isn't all just a coincidence.
23:19Greta O'Neill was connected to my father.
23:24How did you find out that was Greta's old school?
23:26Oh, well, when I spoke to her friends, they mentioned it, and Greta, well, she'd have still been there the
23:32year that my father disappeared.
23:35Did you say you spoke to her friends?
23:39Hey, Saoirse.
23:41So, uh, I just had a chat with Andrew.
23:44You remember, Andrew?
23:45English lad.
23:46He, uh, spoke to you about the fact that his father disappeared, about how he thinks Greta was involved.
23:50Now, here's what I'm wondering.
23:53I'm wondering why you didn't mention any of this.
23:55I want you to call me back.
23:56I want you to tell me what the hell is going on here.
23:59Fuck it.
23:59I'm coming to Belfast.
24:01See you at the studio.
24:27I'm coming to Belfast.
24:29See you at the studio.
24:30If I die today, then I want my conscience to be clear.
24:38You're not dying, Saoirse.
24:41My head is banging.
24:42I might have some painkillers in my bum bag.
24:45Okay.
24:45At some point, we need to address the fact that you've started wearing a bum bag.
24:50Now, these are mums.
24:51They're prescription only.
24:53They are really strong.
24:54Close.
24:55We need backup.
24:57I'm calling Jim.
24:57What's Jim going to do to that mad bitch?
24:59I'll have Jim for breakfast.
25:01How's it going?
25:02You've reached Jim's phone.
25:03Where the hell is he?
25:04I'll text you after the beep.
25:06He's gone out.
25:07Who the hell does he think he is?
25:10Wait, you're tracking Jim.
25:11Obviously.
25:11I haven't trusted him since the whole affair thing.
25:14There was no fucking affair thing.
25:17Shit, she's tracking us.
25:21She's tagged us somehow.
25:22It could be on her clothes, in her hair.
25:26You know what that means.
25:27In her hair?
25:29She's on her way here.
25:42Robin, stay beside that door.
25:44I don't want a priest talking in here and seeing my fandango.
25:47What you fandango doing out?
25:48Can everybody just keep their fandangos under wraps, please?
25:54Shh.
25:56What's that?
26:13Grab a weapon, quick.
26:22Come on.
26:24Come on.
26:25Come on.
26:25Come on.
26:26Come on.
26:27Come on.
26:27Come on.
26:27Come on.
26:27Come on.
26:28Are we ready?
26:29For a fucking exorcism, maybe?
26:34Who is she, girls?
26:36Is she playing at night?
26:38I don't like it.
26:39Yeah.
26:40I see that smile.
26:41Come on now.
26:46Moving on to scene 32A.
26:49Let's have cars on set in five minutes, please.
27:09I feel like I need mass.
27:11Terrible.
27:12It's so obvious.
27:13Excuse me.
27:14Yeah.
27:14I'm going to have to see the brain.
27:15Excuse me.
27:16Scene 32A.
27:18Crew show, people.
27:19Crew show.
27:20Steve.
27:21I'm not sure if you remember me.
27:23The cop.
27:23I remember.
27:24I'm looking for Saoirse.
27:26I bet.
27:28Why would I know where she is?
27:29Well, because you work together and also aren't you engaged?
27:33Well, I'm sure you've seen a lot more of her than me recently.
27:36What?
27:37You think I don't know what's going on?
27:41There's nothing going on.
27:42Look, I don't mind.
27:43You don't mind?
27:44I'd just like to be involved.
27:48Involved.
27:49I think you'll find I have a lot to offer in that department.
27:52Okay.
27:53I genuinely don't know what you're talking about.
27:55And I'm kind of afraid to ask.
27:57Oh, come off her.
27:58It explains why she's been AWOL for days.
28:01What does?
28:02She's storylining season five and you're helping with research.
28:05Oh.
28:07No.
28:08Pushing me out.
28:09Again.
28:10So much for TV being collaborative.
28:11Listen, boss.
28:13Erm.
28:13Why are you in the wrong uniform?
28:14No, he's a guard.
28:15We're shooting those scenes next week.
28:16No.
28:16That's all location.
28:17Costume.
28:18Yeah.
28:18This EGIT's in the wrong uniform.
28:19No, he's not.
28:20I'm not an actor.
28:21I'm a real person.
28:21Oh, and actors aren't real people?
28:22He's an actual guard, okay?
28:24He's helping Saoirse's storyline season five.
28:26Really?
28:27We're going to have to swap out scene 15.
28:28This rain's not stopping any time soon.
28:30Oh, no.
28:30Could you just have her call me?
28:32Mm.
28:32Seb, darling, my car's here.
28:33Taking that god-awful tele-interview.
28:36Love you, darling.
28:37What's 15 again?
28:38Exterior school.
28:39Bearing of the body.
28:41Okay, fine.
28:44Hey, er, sorry.
28:46Do you have a script?
28:49Can we get a move on, people?
28:56What is she playing at?
28:57She knows we're in here.
29:02Sanctuary law!
29:04She is obeying our right to claim sanctuary.
29:07So long as we're in here, she won't touch us.
29:09So why the fuck would we leave?
29:28Hello?
29:29I just want the box.
29:32You've been swept up on something you deserve no part of.
29:37I don't want to hurt you.
29:38She tried to kill us.
29:39The boat.
29:40That was a warning.
29:42If I really wanted you dead, you would be.
29:45I just want the box.
29:48Why?
29:50What's in it?
29:51What's all this got to do with gravity?
29:54Knowing that will infect you like a disease.
29:57A fatal one.
29:59All you have to do is come out here and hand me the box.
30:08Do that and I promise you will never see me again.
30:15After a while, you'll begin to question if any of this actually even happened.
30:21If I ever actually existed.
30:28What'll it be?
30:45Let me do it.
30:57Let's go.
31:00Let's go.
31:03Let's go!
31:06Let's go.
31:12Let's go!
31:14Let's go!
31:16Let's go!
31:17Say hi.
31:18Let's go.
31:19Let's go!
31:19Bye!
31:20Bye!
31:21Bye!
31:22Here is her!
31:22She has the right to go.
31:22Bye!
31:22Bye!
31:28Why didn't you come inside?
31:30I don't do business in God's house.
31:35I don't trust him.
31:37I see.
31:42Well,
31:46we don't make deals with the devil.
31:59Oh, that's so cute.
32:02Weed charity shop number.
32:04You've got to get the balance right with this stuff.
32:07It's more time consuming,
32:08but every stitch young can't be brand new.
32:12I'll sort the basics,
32:13because they haven't told me where you're going yet.
32:16So, I don't know what conditions we're dealing with.
32:19Will you travel with me?
32:21They'll send the midwife.
32:22The what?
32:23She delivers you to your new life.
32:26When?
32:28Soon.
32:29Too soon.
32:30It was my understanding that when I'm settled to my daughter,
32:32she could join me.
32:33Oh, come on, babes.
32:35I get that there's a lot to do.
32:37Well, that's one way to put it.
32:38I thought if I could get a sense of...
32:39You're giving me cause for concern here, babes.
32:42You're concerning me.
32:44I'm concerned...
32:45You don't need to be.
32:46A time frame.
32:47Just roughly.
32:47This is a very delicate procedure.
32:50I get that.
32:51With no guarantees.
32:53But if everything goes to plan...
32:54With no guarantees!
32:57She's my daughter,
32:59and she thinks I'm dead.
33:03What is in...
33:04her best interests?
33:12You'll be okay.
33:15Will I?
33:17Some people are about to survive.
33:22That's what Bicker told me when my parents died.
33:26She said...
33:27She knew I was deafening because I cleaned it all up.
33:32Most adults couldn't have managed that, she said.
33:37Cleaned what up?
33:38The mess, babes.
33:40It was such a terrible mess.
33:44They were stabbed, you see.
33:47Thirteen times between them.
33:50Oh my god.
33:53It's fine, honestly.
33:56They wouldn't have known anything about it.
33:59What do you mean?
34:02They were fast asleep.
34:09Thirteen times?
34:11A wound for every miserable year.
34:16Oh, don't look so shocked.
34:19You recognised it in me.
34:21I saw it in you two.
34:23Before I'd read a word.
34:26It takes one to know one, doesn't it, babes?
34:33You'll be okay.
34:36You'll survive.
34:38People like us always do.
34:46She should be calling somebody.
34:48Yeah, all right, love.
34:49You okay?
34:57Exactly what part of the plan were you unclear on, Dara?
35:00I'm telling you, I was chilling.
35:02I was standing there.
35:04Look at her right in the eyes.
35:05And it was like, she had no soul.
35:07It was like you're in the presence of evil.
35:10Actual evil.
35:11How might someone like that react to you, bashing her face in, I wonder?
35:14She was never going to let us walk away, Robin.
35:16She was lying.
35:18What's this queue for, exactly?
35:20No idea.
35:21But I'm thinking, if we're hiding behind lots of people,
35:24she'll have to kill them first.
35:25Jesus, Robin.
35:26Even I think that's dark, Robin.
35:28And I'm morally quite sketchy, like I work on television.
35:31Oh, speaking of which,
35:32Seb's been trying to get you.
35:34He wants to know how many scripts to give Liam,
35:36now that he's a consultant.
35:37What the fuck is he asking for scripts?
35:39I'll need them if he's a consultant.
35:40He's not a consultant, Dara.
35:43What is going on here?
35:45I'll go easy almost.
35:47Tickets?
35:48Or what?
35:49The Late Late Show.
35:50Oh my God, The Late Late Show.
35:53I love Patrick Hieldy.
35:55I love Patrick Hieldy.
35:58Oh yeah.
36:00I mean, I suppose he's good at what he does.
36:02I just don't get what all the fuss is.
36:05Fine, I love Patrick Hieldy.
36:07Jesus.
36:09She can't kill us on live TV.
36:13Okay, can you guys move aside, please?
36:16Uh, we don't have tickets because these are the competition winners.
36:19What are you talking about?
36:21Should be on your list.
36:22Jesus, I emailed about this yesterday.
36:24What list are you working from?
36:27Who put you in the door?
36:28Cara.
36:29Oh, typical.
36:30Aye.
36:31Well, tell me that you at least have some house seats back.
36:34Yeah, of course.
36:35Yes, always.
36:35Right.
36:35So, shall we?
36:37Mmm.
36:39Tickets.
36:40I think we've seen a lot of 30 Rock.
36:43But you've yet to watch one episode of my show.
36:45The show's not funny.
36:47How would you know?
36:49We're just down the end there.
36:50Sorry, thanks.
36:51Thanks very much.
36:52Yeah, we're just down the side there.
36:59Right, we'll be okay.
37:00We should be okay.
37:01We'll be back.
37:02Oh.
37:04Bye.
37:05Bye.
37:06Bye.
37:08Bye.
37:40Hello, ladies. Welcome to the Late Late Show.
37:43Let's do it for our band, folks.
37:46Look at Jonathan there.
37:47Hey, would you ever turn that bollocks off?
37:52And happy St. Patrick's Day.
38:00Also on the show tonight, he went viral this week
38:03when he rescued a blind sheep stuck in the mud
38:06halfway up the Wicklow Mountains
38:08and carried it down on his back to safety.
38:11His name is Sean O'Kelly.
38:14Good man yourself, Sean.
38:16Where was he, Jeff?
38:18What a strange show.
38:20She plays Detective Emma Fierce
38:22in the smash hit multi-award winning
38:24television series Murder Code.
38:26Let's have a huge welcome
38:28for the one and only Marnie Mullins.
38:34Oh, shit, mate.
38:36Isn't that those three Belfast agents we questioned?
38:40God, I think you're right.
38:41Are you sure?
38:42Sure, I'm sure.
38:44I'd recognise you won't anywhere.
38:46This thing's still live, right?
38:47Oh, God, yeah.
38:48You cannot whack it.
38:49Now, the show has such a huge following.
38:53Shall we all love a bit of Murder Code?
38:57When you first read the scripts,
38:58did you know it was going to be such a massive hit?
39:00Do you know what, Paddy?
39:01Here we go.
39:02No.
39:03I actually struggled to see what the big deal was,
39:06but then I realised
39:07it was the audience's attachment
39:10to my character, Emma.
39:12My character, Emma.
39:14That was the big pull.
39:15So I made a few suggestions
39:16to make her relatable
39:19and the scripts were definitely elevated after that.
39:24I mean, we did a lot of work on them.
39:25We.
39:26And after all that,
39:27I think we knew we'd made something truly special.
39:30Well, special is right.
39:31I mean, what was it?
39:32Something like 10 million viewers tuned in
39:35to see you catch the elusive career killer
39:39in your own home?
39:41Actually, actually,
39:42a lot of that scene was improvised.
39:46That is it.
39:48That is it.
39:53Oh, my God.
39:56That's our writer, Saoirse Shaw.
40:00Surprise!
40:01Saoirse Shaw, writer of Murder Code.
40:05Ladies and gentlemen,
40:05let's get her down here!
40:18Look, look, Mummy's on TV.
40:20She really is.
40:21All right, lads,
40:21will you stop?
40:22Your mum's in Portugal.
40:29So, Saoirse.
40:31Patrick Kielty.
40:32Paddy.
40:33Patrick.
40:33Paddy Kielty.
40:34PK.
40:34Paddy.
40:35Mr Paddy.
40:35You take a breath.
40:36Yes.
40:38Jesus.
40:39Jesus.
40:40So, tell us, uh, tell us this.
40:42Where do you get your inspiration?
40:44All these complicated plots and twists and turns.
40:48I guess, uh, I, lots of things inspire me.
40:52Books.
40:53Yeah, look, Seb, just calm down.
40:55I'm just loading up now.
40:56Give me a second.
40:58Yeah, got it.
41:01Films, news stories, uh, history, uh...
41:06Oh, what the fuck is she doing?
41:09How many of those bloody pills did she take?
41:12Oh, for God's sake.
41:13Yeah, sort of a thing of things that happen in real life.
41:17Even.
41:18Let's talk about that.
41:20Talk about...
41:20Give us an example.
41:23Well...
41:23Oh, maybe I shouldn't say that.
41:26Go on, I don't be a tease.
41:31When we were young, my friends and I, we did this pretty terrible thing.
41:37But only because we were...
41:39We were trying to protect someone.
41:43Go on.
41:44Oh, I get in trouble here.
41:45Sure, isn't that what live TV's for?
41:47Yeah.
41:50I think this is a bad idea, Patrick Kingday.
41:54Tell us.
41:55Tell us.
41:57Tell us.
41:58Tell us.
41:59Tell us.
42:00Tell us.
42:01Tell us.
42:02Tell us.
42:03Tell us.
42:05Well, turns out the person we were trying to protect, she was...
42:10lying.
42:13So now we've done this terrible thing, but we don't even...
42:16We don't even know why.
42:18If this were murder code, and you were Emma, I mean, what would you do?
42:25Well, I suppose...
42:27Well, I suppose Emma would realise that she's overlooked something small, something that
42:35she initially thought was insignificant, but it turns out that it was the key to unlocking
42:46the case.
42:48The key to unlocking the box.
42:51Locks.
42:52She had it all alone.
42:55I had it all.
42:56She already knew the answer.
42:58I already know the answer.
43:00Of course you do.
43:02You've seen it.
43:03Where have you seen it?
43:05I don't know.
43:07Think.
43:13I don't remember.
43:15I can't remember.
43:16Picture.
43:17Picture.
43:17Picture.
43:18A painting.
43:19A painting.
43:20A picture of a painting.
43:28I've got it.
43:29Paddy, it was actually a pretty challenging shoot.
43:32I assume.
43:33I had these sort of panic attacks, but I had someone...
43:35I really must get her some media training.
43:37Back at five.
43:38Don't go anywhere now.
43:39Roll it down.
43:44Totally swindled.
43:45Big fan of your work.
43:46Right.
43:47Hello.
43:47Let's go.
43:48We've got to get you.
43:48Let's go.
43:49I saw Patrick.
43:50Dang.
43:50We all saw Patrick too.
43:52Keep going.
43:53Keep going.
43:53Look as you like.
43:54Look as you like.
43:55Let's go.
43:56Hold it down.
43:57Come on.
43:58Jesus.
43:59Saoirse, those things could kill a horse.
44:01You're such a liability.
44:03I think I solved it.
44:05We solved it.
44:06Me and Patrick, Katie.
44:09I love Patrick, Katie.
44:16We already saw the answer.
44:19We had it right in front of us.
44:22What?
44:24The symbol in Portugal.
44:26Did you take a picture?
44:29Wait.
44:36Was there a number on it?
44:38Yes.
44:39Yes, there was a number.
44:40It's a date.
44:41I'll call it out.
44:42Um, two five zero one nine seven.
45:04Oh, my God.
45:20What happened to her?
45:35What the hell is going on here, girls?
45:38It's actually quite difficult to know where to start.
45:41Charles Sampson.
45:42Start there.
45:43What do you know about Charles Sampson?
45:45Watch out!
45:52Holy shit.
45:53Step out of the car!
46:24What do you want?
46:36You!
46:38Dreif!
46:41Maeve!
46:57You keep going there, I tell you to stop.
47:25You keep going there, I tell you to stop.
47:29You keep going there, I tell you to stop.
48:12You keep going there, I tell you to stop.
48:41You keep going there, I tell you to stop.
49:08You keep going there, I tell you to stop.
49:29You keep going there, I tell you to stop.
49:47You keep going there, I tell you to stop.
49:47You keep going there, I tell you to stop.
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