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How to Get to Heaven from Belfast - Season 1 - Episode 04: The Girl From Sagres
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00:08Girls, it's me again. Sorry, but this is driving me insane. I've thought about nothing else
00:13these past two days. Who was she? Who was Jodie Pryor? How did she end up in that coffin?
00:21We have to find out. We know she was friends with Greta. At least that's what Liam told
00:26me in the hotel. In the ballroom. In the ballroom. In the ballroom. Hey. Who are you talking
00:34to? You're all wet. Yeah. We're evacuating people from the village. We need to find
00:43some place to put them. Shit. It's a precaution really. I mean I hope it's a precaution. Can
00:55I have a drag. I didn't think the kids smoked these days. Only when they're nervous.
01:03There's nothing they're nervous about. Is there? Is there you?
01:17Is someone smoking in here? I can see smoke. No. Sorry. This isn't working.
01:26Cut it there. Reset. Kershia, sorry. But she says she can see smoke. I mean would she
01:33see it? I'm just not sure that she would say it. Oh no, no, she does say it. Look, see,
01:36it's written here. You're not listening to me. Seb! Can I see you in my trailer?
01:46100%. I'll deal with her. She's not great on nice shoes. That's all. She needs to sleep.
01:50She needs poop to sleep. So, the wedding venue rang again, by the way. We have to decide
01:55on the menu. There's either a daub of beef or chicken a la king. What the fuck is a daub?
02:00Kershia, which one of these coats do you like? Marnie can't decide. It's slow cooked.
02:04I don't care about that one. It's meant to be quite moist. Please don't say moist.
02:09Sorry. Very quick one. Paul's saying only when they're nervous, but it's only when we're
02:14nervous. Which one do we prefer? Oh, I don't know. Shall we go with what's in the actual script?
02:18I'm just obviously worried that it might be a bit chewy. Kershia, can I make Marnie's
02:22hair even wetter? She's coming in from the rain. I know. I wrote it. It's a storm. I mean,
02:26how heavy is it? Well, it's a storm. Maybe the chicken would be safer, but then do we
02:29definitely want it a la king? Just Marnie says she'll get pneumonia. It's a fucking storm!
02:38Let's take five, everybody. Five minutes, please. Then there's the vegetarians. They need
02:43numbers. Jesus Christ. I'll go and talk to Marnie. Oh, there's a policeman over there.
02:50It's a cop shop, sir. No, a real one. One of the Irish ones. You said you asked him to
02:55come
02:55down. Research. I'll take it. Yeah. Research.
03:52That scene you were filming. Is that supposed to be ours?
03:55What? No, no. I mean, no. I take bits and pieces from real life. Bits and pieces. It was
04:02word for word. It's not a big deal. They're not even important characters. I think that's
04:07like literally their only scene. Setting up for Saoirse and Liam have sex. Scene 43.
04:12Saoirse and Liam have sex. One of their own. Can we have the intimacy coordinator on set,
04:18please? The intimacy coordinator on set, please. So, um, why is it you want, Saoirse? What'd you ask me?
04:35Right. Yes. Um, so the woman you were talking to at the hotel, the woman that claimed to know
04:42Greta? Jodie Pryor. You found out her surname? So did you. So, uh, I was talking to Seamus. He said
04:52last time you spoke to Jodie Pryor, she was asking for directions to her friend's house.
04:56To Greta and Owens? To Greta and Owens. Of course, Owen denies Jodie ever existed.
05:01Why? Why is he lying? An affair, maybe. What? Oh. Oh. Owen and Jodie? It's just a theory.
05:12Anyway, now we'll never know. What do you mean? We can't exactly go and interrogate Owen and Jodie's
05:17booked herself a flight to Portugal. What? I've been trying to track her down. I wasn't having much luck,
05:23so we decided to check the airline logs, and there she was. Checked in online last night.
05:30Last night, but she...
05:35And she can't have. And she was.
05:53And she works at your hotel. Jodie Pryor? Jodie Pryor? Do you know which department she works in?
06:03Is it on Jodie Pryor? Yes.
06:05Go with me.
06:08Hello? Oh, hi. Hello.
06:10This is Mrs. Pryor, yes? It is Gabriela. We spoke earlier about your daughter.
06:15That's right.
06:16I have the dates you asked about.
06:18You do?
06:21On the 7th, she'd take five days' leave.
06:24She told my colleague she would go to Ireland.
06:26She was supposed to come back this week, but no.
06:31Say?
06:32I'm very sorry, Mrs. Pryor.
06:34You still plan to come here, yes?
06:36I plan...
06:39Yes. I plan to.
06:41If there's anything we can assist with.
06:43Well, I'll let you know. Okay.
06:45But thank you for your help. Okay. Bye. Bye-bye-bye.
06:48Love you. Bye.
06:50Love you, Christ.
07:03Oh, my God.
07:07Who's Jessie?
07:09Who is Jessie and why is she messaging you?
07:11Robin!
07:11Don't try and pay time. I want an answer now.
07:14Jessie Benson from the office.
07:15Oh, so she works for you?
07:16Now we're getting somewhere. Does she have a nice arse?
07:18I bet her arse is better than mine.
07:19Jessie's my boss.
07:20I want you packed up and gone to the first light.
07:23What are you, John Wayne?
07:24I am serious.
07:25Jessie Benson is a man.
07:26What?
07:27He's a man. In his early 60s.
07:29You've met him at the Christmas party.
07:31He's tall and bald.
07:32You know, he's married to Deirdre.
07:35Oh, my God.
07:37A man?
07:38Yes.
07:40I don't know what to say.
07:42Circumstances like this, it's often traditional to apologise.
07:45I can't even look at you.
07:48Okay.
07:49Did you know when you married me?
07:50Did I know what?
07:51That you were, you know, into the boys.
07:55I'm not into the boys.
07:56So you're denying it?
07:57Yes.
07:58All right, then. Why don't you just tell him?
07:59Tell him what?
07:59That you're not into it.
08:00Because he's not into it.
08:02Jesus, Robin.
08:03Jessie Benson is my boss.
08:04We've been working together for 20 years.
08:06He's not gay.
08:07I'm not gay.
08:08He sometimes sends me messages about work.
08:10Why, though?
08:10Because we work together.
08:12I read the message, Jim.
08:13He said you need to tell your wife.
08:15He said he won't wait forever.
08:18He's got this promotion for me, but there's a lot of travel.
08:21Ha! No chance.
08:21This is why I didn't bring it up.
08:23You have to admit, this is all a bit weird.
08:25No, Ma, but what's weird is you creeping into a room at three in the morning dressed like the fucking
08:30military woman.
08:31Now, I'm going to sleep.
08:32Try not to attack me before half seven.
08:42Look, Terry Woman isn't even a thing, but whatever.
08:51I can't believe this is happening.
08:54I'm still not sure about the frog.
08:57I just cannot believe it.
09:00I mean, I can't get my head around it.
09:01Oh, but you give over, Dara.
09:02I'm not sure about the frog either, love.
09:04Is it a bit tight?
09:05Does I?
09:05This isn't normal.
09:07It's not as unusual as you think.
09:09People get the news.
09:10They want a plan.
09:11Have the doctors given any indication, you know, time away?
09:16What, doctor?
09:17She's not ill.
09:18Except for not being all there in a mental sense.
09:20When I do go, you'll be glad I had a plan in place.
09:23If I don't get this right, I'll be the talk of the town.
09:26You'll be dead, mammy.
09:27You can always unzip it.
09:29Do dress.
09:29Yes.
09:31Nobody's going to see the back.
09:33And who's this one?
09:35It's Angela.
09:35She's doing the flowers.
09:37Can we have a quick word, please?
09:39Her friend passed recently, and I suggested to mammy that we speak to you.
09:42For peace of mind, like.
09:44I didn't know she'd demand a full-blown dress rehearsal.
09:46Do you mind me asking why you chose us?
09:49We've never booked a job in Belfast.
09:51I was at a wick in Donegal the other day.
09:55In Nogdara Village?
09:57Milk?
09:57Yes, please.
09:58You did a beautiful job.
10:01Sugar?
10:02Seven, please.
10:04So you wanted us for your wee mammy?
10:06Aye.
10:07Do you remember the wick?
10:10Greta O'Neill?
10:12The O'Neill girl.
10:14That was a strange out of job.
10:17Why so?
10:18Are you friends with the husband, too?
10:21No, not at all.
10:22Very high up in the guards, I believe.
10:27Desperate.
10:29A woman falling down the stairs like that.
10:34And then there were the burn marks.
10:37Burn marks?
10:38All over her back.
10:42Scarish, you know.
10:43Was it a happy marriage, do you know?
10:44Do you think she was hurt deliberately?
10:46Ah, now that's not for me to say.
10:50Between you and me.
10:55The husband.
10:59High up in the guards, I believe.
11:05Dara, Robin and Saoirse are here.
11:07Oh, lovely.
11:07They've come to pay their respects.
11:09Seriously?
11:12You really think it's Greta?
11:13It has to be Greta.
11:14Jodie's dead.
11:15And she's gone to Portugal.
11:17On a plane.
11:18Yes, on a plane, Dara.
11:20What do you think she did?
11:20Set off on foot?
11:21Right.
11:22So, come on.
11:23What did you guys find out?
11:24Jim's having an affair.
11:25Who'd have an affair with Jim?
11:26A six-year-old bull fella, apparently.
11:29Oh, for God's sake.
11:29Robin, come off it.
11:31Jim's not gay.
11:31Oh, he is dull, isn't he?
11:34Did you ring the resort or not?
11:35Yes, I did.
11:36Jesus, keep your knickers on.
11:38Right.
11:38The girl at reception said that Jodie was due back this week,
11:41but nobody's heard from her
11:42and her mum's been looking for her,
11:43so she's definitely missing.
11:44Oh, my God.
11:45Well done.
11:46Turns out I'm pretty good at this shit.
11:48Jim doesn't stand a fucking chance.
11:50The undertaker told me the body had burn marks on it.
11:53Really?
11:54He didn't think it was an accident either.
11:57I could tell.
12:00What did they do to that poor girl?
12:03And why?
12:06What now?
12:09Do you still have that room key?
12:10Uh-huh.
12:12Do you think Greta's going to go to the resort?
12:14I do.
12:15Which means we have to follow her.
12:16Does it really, though?
12:18Don't you want to know what really happened that night, Dara?
12:21Listen, if we're doing this,
12:23we have to do it properly.
12:24We have to be strategic and ruthless.
12:27We have to hunt her down like a dog.
12:31I feel sorry for your children.
12:33I don't know, girls.
12:33I can't just drop everything.
12:36Gonna make mommy's last meal as a wee rehearsal.
12:41Do you just want some oven chips?
12:46Okay, let's do it.
12:55I have the most wonderful news.
12:57We're being given an opportunity here.
13:00A gift.
13:25The number you have dialed has been changed to
13:320209173477.
13:39It's time.
13:44We need to get Jodie out of the country.
13:48Noctara can't be our final destination.
13:52Do you really think you'll find it?
13:55Of course.
13:57It has to be there.
14:08Why are we stopping?
14:16What's going on?
14:23When the Lord sent his angels to destroy Sodom and Gomorrah,
14:28the angels commanded Lot to take his family out of the city.
14:32Come on.
14:39The angels told Lot to take his wife and his daughters and flee into the mountains.
14:44They would be saved.
14:45But the angels had one warning for them.
14:48As they ran, whatever happened, under no circumstances,
14:54should they look back.
15:03Lot's wife couldn't resist.
15:06She looked back to see the city burning.
15:09She was turned into a pillar of salt.
15:16All good?
15:18Keys.
15:21Do you want to tell me what happened?
15:23With what?
15:24You were late.
15:26I was just behind you.
15:27You were supposed to be here first.
15:31I'm sorry.
15:34Don't let it happen again.
15:41There's only five seconds behind you.
15:45Two, three, one.
15:47Two, three, one.
15:49Two, three, two.
15:51Two, three, two.
15:51My heart knows it better than I know myself,
15:53so I'm gonna let it do all the talk.
15:56Two, three, two.
15:58Two, three, two.
16:00I came across a place in the middle of nowhere
16:03with a big black horse and a cherry tree.
16:05Two, three, two.
16:07Two, three, two.
16:09I fell in fear upon my back.
16:12I said, don't look back, just keep on walking.
16:14Two, three, two.
16:16Oh, oh.
16:18And the big black horse said, look this way.
16:21He said, hell and they will marry me.
16:23Oh, oh.
16:25Oh, oh.
16:27But I said, no, no.
16:30No, no, no, no, no.
16:32I said, no, no.
16:35You're not the one for me.
16:37No, no.
16:40No, no, no, no, no.
16:41I said, no, no.
16:43You're not the one for me.
16:46Oh, oh.
16:50Oh, oh.
16:51Oh, oh.
17:08The airport security guy was only doing his job.
17:11I just think you could have been a bit, you know, nicer.
17:13I was wrongly convicted, Dara.
17:15No one was convicted.
17:16It was gross miscarriage of justice.
17:19All right, Gerry Conman.
17:20Give it a rest.
17:22We're here now.
17:23And it's lovely.
17:25Okay.
17:25What's the plan?
17:26Where do we start?
17:27Oh, Jesus, Robin.
17:28Give us a minute.
17:29No, Dara.
17:30I would quite like to actually get to the bottom of this thing.
17:33Oh.
17:34I want to maybe squeeze in a wee facial.
17:35Let's think about Greta's motives for a second.
17:37Or maybe a massage.
17:39I actually wouldn't mind having a go on one of those banana boats.
17:41Have you seen those?
17:42They look class.
17:43Girls.
17:45Girls.
18:10What is this place?
18:12Home.
18:13Home for the next while, anyway.
18:26Don't go outside.
18:28Don't even look outside.
18:31Wait, you're leaving me?
18:32Just stay inside.
18:40Why would Greta come here?
18:42The hideout?
18:43I say we focus on Jodie.
18:46The more we find out about who Jodie was, the closer we get to where Greta is.
18:51It's good.
18:52I know.
18:54Oh, they do a chemical peel.
18:57I bring our backs, these ladies.
19:06Oh, thank you, dear.
19:08Oh, my God.
19:11Shit!
19:12Wait.
19:13Em...
19:13Excuse me!
19:14Madam, please.
19:15No more tea.
19:16This is enough.
19:17No, please, I need your help.
19:19Jodie Pryor, do you know her?
19:21You are her mother?
19:22No, I am not her mother. You fucking mad?
19:24Oh, we are expecting her mother
19:26because it has been many days since she has been here.
19:30Her room is here in the hotel?
19:32No, no, Jodie is in the staff court here.
19:35Sunshine.
19:37Sunshine.
19:40Sunshine.
19:41Moment of truth.
19:42I guess this is it.
19:56Yeah, it doesn't fit.
19:57Well, it's our first line of inquiry.
19:59Fuck.
20:01Wait.
20:13Always worth a try.
20:32What the hell happened here?
20:34What are you doing?
20:36Gathering evidence.
20:37Or something.
20:54The doll complex.
21:06Jesus Christ, gross.
21:09Look.
21:17Heaven's fair.
21:24I'm here now.
21:25What's going on?
21:27Jodie.
21:28Jodie.
21:31Can I help you?
21:33Sorry, we were just trying to...
21:36We were looking for...
21:37Wait, I know you.
21:38You hit my car back in Ireland.
21:41My God, that...
21:43Yeah, that's right.
21:45I'm sorry I haven't been in touch about that yet.
21:49Yeah, my husband's been having an affair with his boss.
21:53Jesus, Rob.
21:54Sorry, do you know my daughter?
21:56You're Jodie's mum.
21:57You haven't seen her, have you?
21:58We had this massive riot on the plane.
22:00She stormed off.
22:02And we'd had such a lovely time when she was back home.
22:06I shouldn't have come.
22:07Hold on.
22:08So, you and Jodie flew here together?
22:12That's right.
22:13I shouldn't criticise, but it's hard.
22:15I mean, Christ, the state of the place.
22:16How can she live like this?
22:19Sorry, how did you say you know her?
22:21We're friends of a friend.
22:24Ah, right.
22:25Greta O'Neill.
22:27I can't say I've heard of her.
22:29Then again, my daughter has a lot of friends,
22:31or rather people who encourage her drinking habits.
22:34Well, Greta, she passed away.
22:38Oh, I'm very sorry.
22:39Yeah, could we, um, could we speak to Jodie?
22:42Would that be possible?
22:43It's just there's, there's some things we think she might be able to help us with.
22:47Well, when, if she shows up, I'd pass that on.
22:52Okay, we're staying in the hotel.
22:53If she just asked for Robin Winters.
22:55Very good.
22:57Let's go.
22:59Um, have you any idea what this means?
23:03Heaven's veal?
23:04I don't know.
23:07I'll have to ask my daughter.
23:12Fuck's sake, Saoirse.
23:13I don't understand what this means.
23:16I think this means that your theory is a load of balls,
23:18and that Jodie is very much alive and kicking.
23:20Oh, but the symbol?
23:22The symbol on the wall?
23:24Heaven's veal?
23:25I knew we were in a cult.
23:27We're not in a cult.
23:27Well, it sounds culty to me, Saoirse.
23:29Look, we just need to figure out.
23:31Stop it.
23:31Just stop.
23:32Shut up.
23:32Where are you going?
23:34My brain is melting.
23:35Like, I can actually feel it dissolving inside my skull.
23:38I need to not talk about this mad shit for five fucking seconds, okay?
23:41Good day.
23:46Good day.
23:47Want to hit the bar?
23:48The bar?
23:49No chance.
23:50It's 35 euro for a margarita.
23:51It's a five-star resort, Dara.
23:53That's mental.
23:54You could buy two bottles of tequila and make 30 yourself.
23:56Yeah, who would do that, though?
23:57I would.
23:58That's who.
24:00Dara.
24:01Dara!
24:05Oh, Mr. Christ!
24:09Robin Winters for the Lusitanian pommel?
24:11Yes.
24:12Welcome, madam.
24:13Here is your robe and sleepers.
24:15Can I ask, the pommel, it is a firm massage.
24:20It's just I can't be dealing with the ticklish ones.
24:22Ah.
24:23Gidea Zelda will be looking after you.
24:27Fantastic.
24:28Here is your locker key.
24:34Locker key.
24:37It's a locker key.
24:40Yes.
25:08It's just, it's still, it's still open.
25:37I want to know my love name
25:42I want to know where do you go
25:46I want to know
25:57I am the great Alfonso, master of mystery.
26:02Welcome, boys and girls, to the most magnificent show in Zagres.
26:12What does he mention?
26:22A third weekend are always called to hold up like this.
26:25Public disorder is what it is.
26:27Are you sure it's the same fella?
26:29Of course it's the same fella.
26:30Look at the big article telling him.
26:34Just shift him, lads.
26:39Seriously?
26:40I was thinking what you said about Jodie and Owen potentially having a thing.
26:45Where are you?
26:48Unset.
26:49That's just like a suspicion, right?
26:52Nothing to back it up.
26:54If I want to prove it, I'd have to go around the edges a bit.
26:56What do you mean?
26:57I've been thinking about Greta's mother.
26:59If he was having an affair, I'd think the mother-in-law would have something to say about it.
27:02Oh, my God.
27:05That is really devious.
27:08And I mean that as a compliment.
27:10Liam, this big fecker won't budge.
27:12Listen, I have to go.
27:14Keep me posted.
27:15Will do.
27:16Bye.
27:20For God's sakes, lads.
27:22What's your name, young man?
27:24Teddy.
27:25Oh, Teddy.
27:26Just like a teddy bear.
27:28Right, that's enough.
27:29Short for Edward, you silly man.
27:33And now for my first trick.
27:35Three boxes.
27:37Small, but completely impregnable.
27:57Teddy bear, indeed.
27:58He's not even a proper magician, darling.
28:00Let's buy you an ice cream.
28:02I want that.
28:04Oh, I don't think so, darling.
28:05Cheap tat.
28:07If you don't want to.
28:17If you don't want to get a good job too.
28:20And you can get a bad job.
28:20I want to get a good job.
28:21Oh, you must.
28:34Mrs. Heaney, I hope I'm not disturbing you.
28:38Owen's out, I'm afraid. Not sure where.
28:41I'm just toying up some loose ends of a local thing.
28:43I miss in person. Perhaps you can help.
29:00They told me they're looking for Judy.
29:02And we both know they're not going to find her.
29:06Don't be Inspector O'Neil.
29:10What else haven't you told me?
29:19They, uh, they came to the wake.
29:22I see.
29:25Now, I don't know what they're playing at,
29:27but I'm sure it's nothing to worry about.
29:29Well, I'll be the judge of that.
29:31One thing's for sure.
29:33This is hugely inconvenient.
29:36I have enough to be doing.
29:39And I still haven't found...
29:43...the box.
29:56Dear Judy, I am truly sorry for how things turned out.
30:02But it's over now.
30:05I never want my family to find out about us.
30:08Don't look for me again.
30:09Don't contact me again.
30:11I want to move on.
30:12Please let me.
30:13This might explain things better.
30:15Greta...
30:16What the actual hell?
30:18Are they lesbian lovers, darling?
30:20Well, how would I know?
30:22Because you're a lesbian.
30:23Yeah, but I don't, like, keep a database.
30:26Judy told me and they grew up together.
30:27Let's open this thing.
30:29It's locked.
30:30Can we just try all the different combinations?
30:34It'll take no time at all. You make a wee start there.
30:39So what are we going to do now?
30:42Christ!
30:44If it wasn't Judy's body in the coffin, I have just got this.
30:47Like, it's so wrong.
30:49Or a were.
30:51I'm so sorry, girls.
30:57Yeah, this is the part where you're supposed to say it's okay.
31:00It's fine.
31:02You're in luck.
31:04Mrs Pryor.
31:05She's back.
31:06She is?
31:07We've hired a boat.
31:08Well, I have.
31:10Bloody expensive peace offering.
31:11But we'd love if you all came for dinner.
31:14Oh, yeah, well, that'd be great.
31:17Would you look at that?
31:19I used to have a wee jewellery box like this once.
31:23Oh, the old combination lock and everything.
31:26Is that right?
31:30Well, we should get going.
31:32What, now?
31:33Why not?
31:33Jodie's there already.
31:35We're going to have a few drinks before we eat.
31:37Come on.
31:40Here, let me give you a hand.
31:41I know it's grand.
31:43Follow me.
31:45This way.
32:02You'll have to excuse the mess. I'm...
32:07The truth is, I'm trying to keep myself occupied.
32:14Oh, please.
32:22You have a lot of books.
32:23I do.
32:25I'm a...
32:27I was.
32:29I was.
32:29A psychiatrist.
32:31A life helping others navigate their own darkness.
32:35And look at me now.
32:38Oh, let's see.
32:41How funny.
32:42I'm so sorry about your door.
32:47How funny.
32:49That's the one I've been looking for.
32:54The doll complex.
32:56How we hold trauma.
32:59How it defines us.
33:00Shapes us.
33:02And how we can change the narrative.
33:08Is that where you got the name?
33:10The name?
33:11The author.
33:12Greta Gancale.
33:14It is.
33:15Yes.
33:16I was reading it when Greta was born.
33:21She only ever wrote one book, you know.
33:30Mrs. Heaney.
33:33I'm sorry.
33:34A missing person, you say.
33:36In Noctara.
33:37Yes.
33:38Well, she wasn't from Noctara.
33:40But she was last seen here.
33:43Her name's Jodie Pryor.
33:46I don't know her.
33:49No.
33:51I didn't think you would.
33:55But she was staying in the hotel here.
33:57And she asked the landlord, Seamus.
33:59Now, Seamus, I do know.
34:00God help me.
34:02She asked Seamus how to find this house.
34:07She was looking for Greta.
34:09It was the day before the accident.
34:11Well, Seamus isn't the most reliable of sources.
34:16So she wasn't a friend of Greta's?
34:17Not that I know of.
34:19How long has she been missing?
34:20Oh, yes, you said.
34:22Before the funeral.
34:23Sorry.
34:24And she was travelling?
34:25Yeah.
34:31Did I tell you that?
34:34You said she wasn't from here.
34:39Of course.
34:40So I did.
34:50What's all this?
34:53Oh, Seamus, get a move on.
34:55Yes, I'm coming.
34:56I'm coming.
34:57I'm coming.
34:57I'm coming.
34:58I'm coming.
34:58I'm coming.
35:03Here we are.
35:08This is the boat.
35:10Of course not.
35:12That's the boat.
35:13That's the boat.
35:45I'm coming.
35:46I'm not sure about this.
35:47No.
35:47We are about to meet an actual person.
35:49You might be able to tell us some actual facts.
35:51Stop trying to fanny out.
35:52I'm not trying to fanny out.
35:53Why would I turn?
35:54Fanny out.
35:57Let me take your things.
35:58Oh, thank you.
36:04Where's Joanie?
36:05Oh, I'll just let her know you're here.
36:06We'll be long.
36:08Help yourselves.
36:25I'll be fine.
36:26Her daughter works as a cleaner.
36:27But she's hard on luxury yachts.
36:33I need a drink.
36:50Are we moving?
36:54Seamus was trying to track her down.
36:56I think there was a problem at the hotel with her credit card or something.
37:00Not a great reason to disturb a grieving mother in the middle of the night.
37:02Sorry.
37:04I wasn't thinking.
37:06Liam, I know you must be bored.
37:09A young lad like you in a place like this, well, he has to keep himself entertained.
37:15But let's not forget what brought you to Nocturra in the first place.
37:21You came here to look after my uncle.
37:24If you say so.
37:32Good night, Garda.
37:37Try to stay out of trouble.
37:44What does he know?
37:45Nothing.
37:48How can you be sure?
37:50I can tell.
37:51You can tell, can you?
37:52What about all your training, your knowledge of human nature, you can tell?
37:59Don't spiral, Owen.
38:00Those, uh, women, Greta's friends, they're in Portugal now.
38:07Did you know that?
38:10They're on the trail of your little girl, your little project.
38:15My wife.
38:18You're being ridiculous.
38:21I won't rise to it.
38:23I won't rise to it.
38:23What are we doing?
38:29What have we done?
38:32You're not built for this, Owen.
38:35It worries me.
38:37It worries me that you are.
38:44For God's sake, Owen.
38:48You're being real.
39:07I don't know.
39:10God's sake, I'll come to you.
39:25Let's go.
39:39he's gone for now
39:45the author's only published work the doll complex is considered one of the definitive works on the
39:52mother-daughter relationship published in 2004 the doll complex explores two thousand and four
40:08what's taken so long something's not right right I'm gonna see what's happened
40:32there's no one there you're stopped Mrs. Pryor
40:50Mrs. Pryor
40:52Mrs. Pryor
41:01it's locked what do you mean it's locked what do you mean what do I mean it's locked
41:07Dara we're locked then what's that she's leaving
41:18Jodie's not she's leaving
41:23what's going on she's not here Jodie's not here she was never here
41:43what the hell was that yep that was an explosion
41:46I don't smell smoke
41:49oh Jesus I can see smoke
42:06find yourself together Dara
42:09it's no end of panic
42:11that's exactly the time to panic
42:13how could it up be a better time to fucking panic
42:16jeez
42:17I'm just gonna wet myself
42:19help
42:22help
42:23help
42:23help
42:24help
42:24THE END
42:57Oh my God, you're a fucking genius, Dara.
43:04It was 75% off.
43:06Oh, you beautiful type bastard.
43:25This is all so fucked up.
43:27Why would Mrs Pryor try and kill us?
43:30She wasn't Jodie's mum, Dara.
43:33Well, who was she?
43:34I don't know.
43:35But Jodie is dead.
43:38I was right all along.
43:40I was right all along.
43:42You two, you doubted me.
43:44You're like that lad.
43:45That fella from the Bible.
43:47What fella from the Bible?
43:48You know, whenever they all go to the garden
43:50to hear the cock crowing and...
43:53One lad's all like here,
43:54I think Jesus is talking bollocks about being crucified,
43:57so Jesus has to show him all his holes.
44:01Peter.
44:03These are Dighton Peters.
44:06God, there's laps, Catholicism and then there's you.
44:13I... I sensed it when she lifted that box.
44:16Sensed what?
44:17Girls, that mad bitch might still be here.
44:19We can't stick around.
44:20Maybe it's because I've been around actors for so long
44:23I sensed it was all a performance.
44:27The way she, uh...
44:30The way she looked at that box.
44:31There was just something about it.
44:32I wasn't sure if I should bring it with us.
44:35So...
44:36Shit.
44:37I didn't.
44:40Mysterious lady with mysterious request.
44:43I keep yours.
44:46You have mine.
44:57Could I interest you in an inflatable banana?
45:01Ahem.
45:06Ladies and gentlemen,
45:07we are about to depart on our flight to Dublin.
45:09Please fasten your seatbelts
45:11and place your seat in the upright position.
45:13Fucking Dublin.
45:14Get over.
45:15It was the first flight, Robin.
45:17I'd have jumped on one to Timbuktu.
45:19This thing is totally hammered.
45:20We just need to get back to Ireland.
45:22And when we get back to Ireland,
45:23then we can have a breakdown.
45:25Work out what to do.
45:27Oh.
45:28Oh, okay.
45:45No, don't.
45:47Oh, I'm a yoga.
45:51Oh, my God.
45:52I love George.
45:53I'm a fighter.
45:53Oh, my God.
45:54It's my life.
45:54Oh, my God.
45:55Oh, my God.
45:56Oh, my God.
45:57Oh, my God.
46:07Hello?
46:21Hello?
46:35Three Proseccles, please.
46:36Certainly, madam.
46:38Thanks.
46:40Sláinte.
46:57Sláinte.
46:59Sláinte.
47:10Sláinte.
47:12Sláinte.
47:13Sláinte.
47:14Sláinte.
47:16Sláinte.
47:18Sláinte.
47:19Sláinte.
47:20Sláinte.
47:20Sláinte.
47:20Sláinte.
47:21Sláinte.
47:22Sláinte.
47:23Sláinte.
47:23Sláinte.
47:24Sláinte.
47:24Sláinte.
47:25Sláinte.
47:26Sláinte.
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