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How to Get to Heaven from Belfast - Season 1 - Episode 02: The Secret

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TV
Transcript
00:27You
00:49MUSIC CONTINUES
00:53Look at the guns on me, Lohan.
00:55Steroids.
00:56Wah. That's what people are saying.
00:57It's senior school sports day, Saoirse.
01:00Not the fucking Olympics.
01:03Oh God, if someone might say so.
01:06I love that we got these.
01:07Me too.
01:08Separate, but inseparable.
01:09Do you know what sort of shit that I can't say?
01:11Girls, come on.
01:13Mine has started to scab.
01:14Get it done without knowing that.
01:15I swore if my ma finds out.
01:17How's your ma gonna find out you've got yours in your arse?
01:19Aye, if your ma's still wiping your hole,
01:21you've got bigger things to worry about.
01:22I don't mind on my lower back.
01:23Get it.
01:24Yes.
01:27Greta.
01:28He's here.
01:30Who?
01:32Jason Meadows.
01:33He's here.
01:37Fucking creep.
01:44He'll never leave me alone, will he?
01:46Let's go, Greta.
01:47Let's go inside.
01:49Just keep walking.
01:51Ignore him.
01:53You don't scare me?
01:55Saoirse, come on.
01:58Saoirse.
01:58Saoirse, come on.
02:01Saoirse.
02:03Saoirse.
02:04Saoirse.
02:05Oh, you're okay.
02:07Oh my God.
02:09Everything's fine.
02:10What?
02:11I was fucking not.
02:12We had a crash, but thankfully, Owen called for help.
02:17So everything's fine.
02:24You gave us quite the fright.
02:26You left your bag at the house so Owen here was just trying to catch up with us.
02:29Could have been a hell of a lot worse.
02:31Roads around these parts of their own beast.
02:35You have to know what you're doing.
02:42So, if you ever find yourself in this neck of the woods again,
02:47well...
02:49You really should be more careful, girls.
02:57It wasn't her.
02:58It wasn't Greta in the coffin.
03:00And that gay person, gay heart and the one who sent the emails just exists.
03:04You see it?
03:05Well, I might have picked that up.
03:06What?
03:07We're pretty hungover, Saoirse.
03:08We're still pissed.
03:09Pissed and paranoid.
03:11Look, going to that wake was a stupid fucking idea.
03:14Our friendship with Greta ended a long time ago and for good reason.
03:17So, let's just get the fuck out of this place.
03:19Hey.
03:21Is that the mechanic?
03:22Yeah.
03:23Last night.
03:24Outside the...
03:25The thing.
03:25The...
03:26Hotel.
03:27He told me it was actually alright.
03:30A cop.
03:30Did I look okay?
03:31No.
03:32Great.
03:32Hey.
03:33Hi.
03:34How are you feeling?
03:35You okay?
03:36I'm fine.
03:37You sure?
03:38Yeah.
03:39Good.
03:42Eh.
03:42We're fine too, by the way.
03:45Myself and Dara here.
03:46Fellow victims of the crash.
03:48Yet yous are very lucky, you know.
03:50I mean, you only have to take one look at the car.
03:52Ugh.
03:53Sweet and gentle.
03:54Jesus, my car.
03:56I've barely had it a month.
03:58Jim's gonna go absolutely mental.
04:00I can't listen to him.
04:01I cannot listen to him.
04:03Maybe he'll just stay here.
04:04Maybe he'll just live here.
04:05In the mountains.
04:06Alone.
04:06Forever.
04:08When you're back home, you're gonna have to get some cosmetic work done.
04:11No shit.
04:12Give us a hand getting her down.
04:14No, I'm heading back to work, Uncle Hughie.
04:16Two minutes.
04:17I'm in my uniform.
04:19Take the uniform off.
04:20Yes, Liam.
04:22Take your uniform.
04:23He's young enough to be your son.
04:25He's 26.
04:27He's 12 years.
04:28Oh, you've done the maths, have you?
04:29You hate maths.
04:30You're gauged, seriously.
04:31I know my gauged, Jesus.
04:32I was joking.
04:33I'm hardly gonna forget the fact that I'm in gauged.
04:36What?
04:36My ring?
04:37Honest to Christ, where'd I put it now?
04:44Everything alright?
04:45Huh?
04:45Oh, yeah, I lost my ring.
04:47Again.
04:48You're gonna need to get one tattooed off.
04:52Hey, what is it?
04:55Nothing.
04:56Shit.
05:01Harry, yeah.
05:02Sasha, what time do you think you'll arrive?
05:03We're gonna meet before the red carpet, because it's an absolute clusterfuck.
05:06Is that tonight?
05:07Have you forgotten?
05:07No, I didn't forget.
05:09The thing is, I'm gonna need a new flight, because the other flight is, well, it's gone now, and I
05:14wasn't on it.
05:15You missed your flight.
05:16Oh, can someone in the office sort that?
05:18It's the BAFTAs.
05:19It's the fucking BAFTAs, Sasha!
05:22I was in a car crash, actually, Harry.
05:25A car crash?
05:26Jesus Christ, are you okay?
05:28What?
05:29Sasha?
05:30I...
05:30Sasha, can you hear me?
05:31I'm fine.
05:32Okay, let's just get you on a plane.
05:33Yeah, well, I have to go straight to the venue, so help you.
05:36Ideally.
05:37Are you sure you're alright?
05:37No, I'm...
05:38I'm fine.
05:39I'm still gonna be able to write.
05:41You're still gonna get your commission.
05:43Bye-bye, Harry.
05:46Christ.
05:49You're a writer?
05:50I am, yeah.
05:52What do you write?
05:54Erm...
05:55I write a TV show.
05:56A cop show, actually.
05:58It's called, erm...
06:00Murder Code.
06:01Isn't that huge?
06:02Yeah, yeah, I suppose it is.
06:03I mean...
06:05I have no idea why.
06:09So you're interested in cops?
06:16Saoirse, your ring was in the glove compartment.
06:20Oh, thank God.
06:30Girl, I can't wait to get home.
06:32Sat-nav, it's totally fucked.
06:34Here, I have the map on my phone.
06:36Say I was right.
06:37I think we're turning off here somewhere.
06:39Stick your arm through so I can see the map.
06:40What if it wasn't our body in the coffin?
06:42Do you know how I'd arranged your sign?
06:44Why can't I just come up front?
06:45The passenger window's all over the seat, Dara.
06:47And picking shards of glass out of your arse is not how you want to end this already.
06:51Quite mental weekend.
06:52If I saw what I think I saw.
06:54If being the significant word, you can't just dismiss it.
06:56Okay, that's it.
06:57Dara, open the door and fuck her out.
06:59I don't really want to fuck her out.
07:00I'm not mad.
07:01Look, I know going there was a big deal, considering the thing we never talk about.
07:08Stop it, Dara.
07:09Stop what?
07:09Looking at her to check how you should react if you don't fucking mind of your own.
07:13Sorry.
07:13You don't have to apologise.
07:14What are you apologising for?
07:15Sorry.
07:16I really think something weird is going on here.
07:20Okay, we all know Dara was a bit complicated.
07:24Just leave it alone.
07:25We've left it alone for 20 fucking years.
07:27And shit!
07:33Again?
07:34Are you fucking serious?
07:37Are you talking to God?
07:39If you are, you might want to lose the attitude.
07:54Right, stay here.
07:57Jesus, bloody car!
08:02I am so, so sorry.
08:05Are you okay?
08:06I'm usually a really careful driver.
08:09The condition of your car would suggest otherwise.
08:12Right.
08:13Is that a dairy accident I'm detecting?
08:15I'm, I'm from Belfast.
08:17I'm not really feeling the old six-county solidarity at the minute.
08:20Fair enough.
08:21Let's do the thing and get going then.
08:25Well, it's not actually that bad.
08:29I mean, wing mirror side.
08:36This is a nightmare.
08:38Well, she never looks where she's going.
08:41Hi.
08:43Hi.
08:43Are you okay?
08:45Not really.
08:47I should probably kill you all, but I don't have room in me boot.
08:49I don't.
08:58Here.
08:59Put on your details.
09:00Give me yours and I'll do the same.
09:02Right.
09:10Right.
09:11There you go.
09:12I'll be in touch.
09:13I'll look forward to it.
09:17Dairy people are always such weirdos.
09:21Bye.
09:42Good girl.
09:47What the hell are you looking at?
09:49What the hell are you looking at?
09:53Bye.
10:39Look, Saoirse, I know Gratadyne, the wick, maybe brought up a lot of stuff.
10:47Yeah. But I really think we just...
10:51Fine. Right. I've had it with Oz. Let's get the fuck back to Kansas.
11:06Jesus Christ.
11:08I was in a car crash, Harry. What were you expecting?
11:10Oh, my God, baby.
11:11I'm fine.
11:13This whole thing is a bloody nightmare. You were in a car crash. Gina sent the wrong waistcoat over.
11:17Yeah, that's the scene.
11:19It's horrific.
11:20Guys, we need her on the red carpet for the photographs.
11:23Right now? Right now.
11:24Ah, shit. You'll have to get changed here.
11:26Not get changed in the fucking street, Harry.
11:28Oh, grow up.
11:28Oh, over here. Over here.
11:30Some fans left these for you at the venue. So sweet.
11:33Oh.
11:34Here.
11:34I mean, they're usually just storytelling ideas, which nine times out of ten are fucking psychotic.
11:39It's just such a weird fit. It feels sort of boxy. Is it boxy?
11:44I'm just going to talk you through the plan, if that's called sishi.
11:46Sishi? Seriously?
11:48Zeb, can we have a hand, please? For God's sake.
11:54Oh, fucking hell!
11:57Hold it nice and high.
11:58So, I've just been with Marnie and we are very sensitive to the fact that there are some creative discussions
12:05going on, but from a channel perspective, we are super keen that you walk the red carpet together. How were
12:13you feeling about that?
12:14Not brilliant.
12:15Right.
12:16Um, we wouldn't push it if we didn't feel it was super imports.
12:21Imp... imports? Do you mean... do you mean important? Does she mean important?
12:24I think she means important.
12:25She's a dick.
12:26Right.
12:26She's a dick, isn't she?
12:28There was some definite dick-like behaviour on set. Then again.
12:32No, then again. We will not be needing a then again unless you'd like me to call off our engagement.
12:36She really regrets some of the things that she said.
12:39She told you that?
12:39I very much got that vibe.
12:41Um, isn't apology something that you would be open to?
12:44She's not going to apologise. Come on.
12:47No.
12:51Sorry, you want me to apologise?
12:53Get the fuck!
12:54Sisha!
12:55I'm so sorry. She's Irish. What can you do?
12:57We're just thinking of the fans.
12:59Are you?
12:59Especially the women.
13:01Because they see you two out there. The showrunner and the star.
13:05This unstoppable, inspirational, feminist force.
13:10And they feel empowered by Etsy, she.
13:12Mm-hmm.
13:13Fans like the show because of the murders.
13:16They like to solve a mystery because it makes them feel in control.
13:19It makes them feel like good will prevail.
13:21It makes them feel like this fucked up, messy existence can somehow be figured out when the truth is.
13:27Of course they're not in control, good won't prevail and life is fucking meaningless.
13:30So, you do whatever it is that you need to do because I am not apologising to that narcissistic, ungrateful
13:40dickhead and I am not walking the red carpet with her.
13:45End of scene.
13:51Thank you. Thank you.
13:54You think you're going to win tonight?
13:56Oh, Scott, look, we're just delighted to be nominated and in such great company.
14:01And also it's a good excuse for a girly night out, isn't it, Sish?
14:04Oh, totally.
14:06Yeah, we've definitely brought our dancing shoes.
14:09And you have a new nemesis this series, I believe.
14:12Yes, indeed, Rosemary de Cassis.
14:15So, how do you come up with such fabulous character names?
14:18It depends, really.
14:19Sometimes it's just about what feels right or, like, real, truthful.
14:23Erm, but with the villains I can have a bit of crack.
14:26A bit of fun.
14:27So, what I do is...
14:33Er, w-w-w-what I do...
14:36Gay Harden.
14:37Can I see? Is there anything hanging?
14:40I'm so sorry.
14:48My name is Gay Harden.
14:52So, now you know...
14:54You know who sent that email.
14:57And you know it wasn't me in that coffin.
15:01I don't know anything.
15:04Not for certain.
15:06If it wasn't you, who was it?
15:08Are you ever planning on telling Seb you don't want children?
15:10Jesus, where'd that go?
15:11I don't know, I'm a figment of your imagination, Sershi.
15:13You're the one calling the shots here.
15:15We are talking about you being in a coffin or not being in a coffin.
15:18Please just stick to...
15:20Jesus Christ, I can't breathe.
15:22Do you know what?
15:23I-I-I'm not doing this.
15:24Not now.
15:25Not here.
15:26I'm gonna close my eyes and when I open them again...
15:29You're gonna be gone, okay?
15:30Whatever you say.
15:37When did you do this, Gerda?
15:44I guess it didn't work.
15:45False!
15:47You have to tell the others about your little epiphany.
15:49They won't listen.
15:50Make them listen.
15:51I'm not sure I can.
15:53Fine, ignore it.
15:54Pretend it didn't happen.
15:55You're good at pretending things didn't happen, aren't you?
15:59Is this...
16:00connected to...
16:03what we did?
16:09That's what you have to figure out.
16:20Stop this.
16:22Take yourself back there.
16:24No.
16:25Take yourself back there and look at it again.
16:33See it.
16:39Remember it.
16:45And ask yourself this.
16:47What should we have done?
17:02There you are.
17:03You must meet Marcus Dalton Foster.
17:05He produces...
17:05Oh my God, we were obsessed with it.
17:07I'm so sorry.
17:07I just need to steal him for a second, okay?
17:10What's going on?
17:10I have to go.
17:11Can I have the room key?
17:12Because they took off my stuff.
17:13What do you mean you have to go?
17:14It's my friend.
17:15You know, the dead one.
17:16It's an emergency.
17:17What kind of emergency?
17:18Has she died again?
17:20It's a whole thing.
17:21I can't really get into it right now.
17:22Can I just have the key?
17:23Um, it's here, sure.
17:24Babe.
17:24It's the BAFTAs.
17:26Mm-hmm.
17:26Um, do you think you might have a concussion?
17:29Oh, no, I'm fine.
17:30You sure?
17:30Yeah, yeah, yeah.
17:31Oh, yeah.
17:31Okay, great.
17:32Um, if we win, you're gonna have to do the speech.
17:35Do not let Marnie do the speech.
17:39Wow.
17:42So much.
17:43Um, what a huge honour.
17:44For he who conceals his transgressions will not prosper.
17:51But he who confesses and forsakes them will find compassion.
18:01Take this, all of you, and eat it.
18:04For this is my body, which will be given up for you.
18:09Body of Christ.
18:10Body of Christ.
18:16Body of Christ.
18:17Body of Christ.
18:20Body of Christ.
18:25Body of Christ.
18:26Body of Christ.
18:34Body of Christ.
18:42Grace!
18:43Grace!
18:44If you make Patrick, I will not be responsible for my actions!
18:49Well, if anyone's going to make Patrick, I mean...
18:51Do you think I'm decided?
18:52I know!
18:52I'm going to completely banjax my brand-new car.
18:55That'll be class-cracked!
18:56No, of course not.
18:57It's just, well, do you know, like, it was bloody expensive, Robin, and I work hard, though.
19:03I don't work hard?
19:04No.
19:05No, that, that, that, that, that, that, that, that's not what I said.
19:07Well, maybe all this is easy.
19:09Maybe, maybe I'm overthinking this whole mothering thing, you know.
19:12Maybe I'll just fire the three of them outside and let nature take care of it.
19:16They'll be like Chicken Boy.
19:17Who's Chicken Boy?
19:19The elephant from Anna who was raised by chickens. Chicken Boy.
19:23What do we know him?
19:24Look, who gives a shit about the car? I could have died, Jim.
19:27Well, obviously, I'm glad you're not dead.
19:30Oh, my God, really?
19:32Seek.
19:34Oh, Jesus.
19:37I'm glad you're not dead.
19:40Fuck it.
20:14Oh, Father.
20:15I am so sorry.
20:17Please, don't worry about it. These things happen.
20:19I'm going to be left for the bingo, Dara.
20:21In a minute, Mammy.
20:22Father, I was wondering.
20:23Yes.
20:23Will you take my confession?
20:25Oh, for a first minute.
20:26Could we do it tomorrow?
20:28Well, I'd rather do it now.
20:29It's just that the confessional closes at nine.
20:31Well, can't you just open it?
20:33Normally I would.
20:34But Rome's in Paris.
20:35Encouraging us all to examine our work-life balance.
20:38Work-life balance?
20:39You're a priest.
20:40And I'm heading to the bingo now myself.
20:42So...
20:42But listen, tomorrow I'll be all ears.
20:46Oh!
20:49Someone handed that in to the sacristy for you.
20:52And I'll see you at the bingo, Mrs. Freed.
20:54Bye, Father.
20:57Come on, come on.
21:08Come on.
21:09Come on.
21:10Jesus Christ.
21:11I'd have rung, Natalia was coming, but you know.
21:13I didn't.
21:15How come you're here?
21:16And there?
21:18I'm not there.
21:19I'm just here.
21:20What?
21:21We just saw you on the red carpet.
21:23It's edited.
21:24Oh, what do you mean edited?
21:26Do you want me to explain what edited means?
21:28Oh, no.
21:28Why?
21:28Look, there's a delay.
21:30See, it might even be...
21:31Oh, my God, I won.
21:33What?
21:34How the hell could you know that?
21:36Give me strength.
21:37What are you doing home now?
21:38Listen, do you remember my notebooks, like, from school?
21:41All my old stories and scripts and ideas and things?
21:44You're not on that cocaine stuff, are you, Saoirse?
21:47I kept them in that wooden box of my room.
21:50They're all at that cocaine stuff now.
21:53We turned your room into a gym.
21:54Well, you put a cross trainer in there, which you now use as a clothes horse.
21:57Well, we don't always get the weather to dry things on the line, Saoirse.
22:01Where's the box?
22:01I fire that stuff up into the attic.
22:03Okay, great.
22:06We need to cure that alley.
22:07Oh, will you stop, Eileen?
22:09It's going to come down in us one of these days.
22:11Give over, woman.
22:12What is that?
22:29There is no cure here.
22:29I don't have to cure anything.
22:42There is no cure here.
22:43I know, it's a cure.
22:45There is no cure here.
22:46I care for you.
22:51I know.
22:52Then you can chew it down.
22:55I know.
22:55How am I?
22:55The water is definitely in your mouth.
22:55I do or am I?
23:07I don't believe it.
23:09Maybe it's just a shot.
23:13Maybe it'll stop soon.
23:20Time for plan B, then?
23:22What's plan B?
23:26We bury him?
23:56We bury him?
24:09Why'd we bury him?
24:12I'm not saying anything.
24:12If you leave him, just be able to let him get to the place.
24:13If not, be able to let him die.
24:16It's too late to let him fight.
24:16It's too late to pull him out.
24:38Who was she?
24:44Stop it, stop it, stop it!
24:46What are you doing here?
24:48What?
24:48I don't really know.
24:51I got this weird ladder and I just find myself walking and walking.
24:58Wait, what are you doing here?
25:06It's not...
25:12And when you called, I realised I had one to you.
25:15It was amongst some van mail.
25:23It says the same thing.
25:25Please find me.
25:27What the fuck is going on?
25:29It's Greta.
25:30I'm sure of it.
25:31Jesus Christ, Saoirse.
25:32It's Greta.
25:33She sent us these and she sent us that email too.
25:35What?
25:35So, earlier, I'm on the red carpet.
25:38God, the Oscars, is that the night?
25:39Fuck it.
25:40Yeah, yeah, yeah.
25:41We won an Oscar.
25:42Close.
25:43Well done.
25:44Thanks.
25:44Anyway, so I was talking about the show and I realised that I sometimes...
25:48Well, I do this thing just to amuse myself.
25:52Really, I bury a clue in a character name.
25:54Which character?
25:54The baddie, usually.
25:56What's the clue?
25:56Well, that would be a spoiler.
25:57Don't watch it.
25:59Then it would be meaningless.
26:00Look, this isn't the point.
26:00So, what is the fucking point?
26:02Well, I started thinking, where did I get that idea?
26:04And then I remembered we'd do this thing in school.
26:06So, look at this list of names.
26:09This first one, Rosie Conbay.
26:11That's you.
26:12Robin O'Casey.
26:12And then the next one, Rhea Dorfel.
26:14That's you.
26:15That's Dara Freel.
26:16We'd do this.
26:17Remember?
26:18We'd like anagram or names.
26:20We were bored, I guess.
26:22Not like the kids today.
26:23No Twitter.
26:24Kids don't use Twitter.
26:25Whatever.
26:25It's not even called Twitter.
26:26Grant, this one here, this is me.
26:28Saoirse Shaw.
26:28But look at the last one.
26:38Greta Heaney!
26:39Greta sent that email, girls.
26:42She wanted us to go to that wake to see that something was wrong.
26:45I think...
26:47She needs our help.
26:49I'm not sure I can help Greta again.
26:54The thing is, Greta didn't do you anything wrong.
26:57None of us did.
27:01We've become so afraid we've lost sight of the truth.
27:05Jason Meadows...
27:06Stop it, Saoirse, please.
27:07No, I will say this.
27:08I will say his name.
27:10I will say these words.
27:12Jason Meadows deserved what happened to him.
27:17Do you know what I realised tonight?
27:20There was nothing we could have done differently.
27:23There was...
27:24No other way.
27:38What happened that night, it binds all of us together.
27:41Forever.
27:48Jesus.
27:50Greta needs us.
27:59She's obviously scared.
28:05She could be in real danger.
28:10What can we do?
28:11Like, we're not the fucking A-team, Saoirse.
28:14Yeah, where would we even start?
28:16We would start with the body.
28:19If that body isn't Greta's, it proves something really fucked up is going on here.
28:24It's the one piece of evidence we have.
28:27I'm not sure we should get involved.
28:29We're already involved.
28:32She's made sure of that.
28:34She wants us to shine a light on this.
28:37Come on, girls.
28:38We put a bad guy in the ground once.
28:40What's become of us?
28:42We grew up.
28:44We grew afraid.
28:50Okay, say...
28:53Say we do this, right?
28:55Say we prove that the body isn't Greta.
28:57That is it.
28:59That's our bit done.
29:00It has to be.
29:01Okay.
29:02That is it over.
29:03Sure.
29:03You promise?
29:04No promise.
29:13Fuck it.
29:20We do a different theme every month.
29:22The young ones come from Letterkenny and Donegal Town by the busload.
29:26It's mad crack altogether.
29:28How thrilling.
29:28Now, you've just missed one, unfortunately.
29:30Oh, say it isn't so.
29:32But don't you worry.
29:32We'll keep you entertained.
29:34We have a country and western night this evening.
29:37Hmm.
29:38Standard room okay?
29:39Yes.
29:40Just yourself, is it?
29:42Why is that relevant?
29:47Now, it's not so much an official night as a kind of memorial.
29:51A memorial?
29:52Fell over in Ballyvunion.
29:53A Kenny Rogers impersonator, I believe he was.
29:56Didn't he only go and get himself killed on one of them, whatchamacallits, one of them bucking broncos.
30:01Thrown to his death, John Boots Gutenboogie.
30:04Some friends of his, are having a bit of a do in his honour.
30:09It'll be Gans.
30:09Well, at least poor Kenny didn't die in vain.
30:12Every cloud, as they say.
30:14You're only back from Donegal.
30:16Yeah, but we have business to attend to.
30:18What sort of business?
30:19I can't tell you, but you trust me, don't you?
30:21Not really, no.
30:22And it's Jack's party tomorrow, love.
30:23I'll be back in town for the party.
30:24I'm hardly going to miss my son's birthday party.
30:27Well, you have so much to do.
30:28There's nothing in.
30:29Why is that her problem?
30:30For God's sake, Saoirse, will you stay out of this?
30:32I'm not going to ask you again.
30:33Don't you speak to her like that.
30:35We can grab the party stuff on right, Jim.
30:37There's no trouble.
30:38You can handle it.
30:42And when I do come back, you're going to be really glad I didn't die in that car crash.
30:47Let's go, girls.
30:48Why'd you come in here looking like that?
30:51In your high-heeled boots and your painted own teeth.
30:54All decked down like a cowgirl's knee.
30:56Why'd you come in here looking like that?
31:01Here comes my baby.
31:05Dragging my heart behind.
31:07He's driving me crazy.
31:10And he says hello.
31:12How do we prove the body isn't Greta, though?
31:15We need a plan.
31:17Why don't we have a plan?
31:18Well, I called Noctara Parochial House.
31:21The funeral's first thing.
31:22So her coffin won't have left home yet.
31:25Well, you can't go back there.
31:28I remember when I was a lad from my arms apart.
31:32And we were back.
31:33Woo-hoo!
31:34There's a silver lining behind every cloud.
31:38And just poor people, that's all we were.
31:40Trying to make a living out of black man third.
31:43We meet again, Inspector O'Neil.
31:46Here.
31:47Everything okay with your food?
31:50Everything as much as it was when you last asked.
31:52Not five minutes ago.
31:54The manager makes a say.
31:56I don't actually care.
31:59Too many Dolly Partons, if you ask me.
32:02Dolly Parton is one of the greatest artists ever they've graced this planet.
32:06A musical icon.
32:09Storyteller.
32:10A philanthropist.
32:11I didn't mean...
32:14I like Dolly Parton.
32:16Hmm.
32:23Such an interesting case.
32:26Where is she now?
32:27It's better if you don't know.
32:29You brought what I asked for.
32:31Uh-huh.
32:33And?
32:42Very good.
32:45It's better work, Booker.
32:48Oh, I don't think I appreciate your tone.
32:50I'm sorry.
32:52Address me to get again and you will be.
32:54It's just all very you.
32:57Hmm.
32:57Not for me.
32:59I'm a professional.
33:02Remember?
33:04Unless...
33:04We break in, steal the body, drive it somewhere and then dump it with like an anonymous note.
33:09Drive it where?
33:10I don't know.
33:11Somewhere with a lab.
33:12Somewhere they could do tests.
33:13Like a hospital or university.
33:15Oh, dentist.
33:16Yeah, that sounds like an awful lot of hassle.
33:18Dara, what is all this shit?
33:20I grabbed some Pass the Parcel prizes.
33:22I usually just see cash.
33:24What?
33:24A few fivers, few tenners, couple of twenties.
33:27Sorry, you wrap up cash for Pass the Parcel?
33:28Kids love it.
33:29Dara?
33:33Oh, Chris, look.
33:34Just try to act normal.
33:37I thought it was you.
33:40Niamh.
33:40God.
33:42You remember Robin and Sirta?
33:45Of course, yeah.
33:48How have you been?
33:49Yeah.
33:51Good.
33:51Yeah.
33:52You?
33:53You're in London now here.
33:54Oh, really?
33:55Me too.
33:55You don't live in London.
33:57It was not there today.
33:58And now you're back here.
33:59Not now, girls.
34:01Is your mum keeping well?
34:03Yeah, she's good.
34:04Yeah.
34:04She's got water aerobics tomorrow.
34:08So...
34:09Right.
34:12Congratulations on the whole, on the wedding, on the Mars thing.
34:16Thanks.
34:17Is she here?
34:18The wife.
34:19The old ball and shame.
34:22No.
34:23It's just a flying visit, really.
34:25Someone had to stay home and mind the baby.
34:29The baby?
34:33Hmm.
34:33Oh.
34:34There's the baby.
34:36That's...
34:36Well done.
34:38Uh, Dara...
34:38Dara's just got a big, uh, promotion at work.
34:42Really?
34:42That's amazing.
34:44Yeah, and she's, uh, she's got her eye on a little place in France.
34:47My God.
34:49What an absolute dream.
34:50It certainly is that.
34:51And she's having lots of sex.
34:53Okay!
34:54Well...
34:55It was great to see.
34:59You too, Dara.
35:01Take care of yourself.
35:06Christ.
35:07She was always so far off her own home.
35:10Could we not?
35:19Looking back on where we first met
35:22I cannot escape and I cannot forget
35:28Baby, I'll look at you.
35:30Okay.
35:31Let's think.
35:33What...
35:34What if we send a message?
35:36What?
35:37The body!
35:38What if we call someone?
35:40A newspaper!
35:41Tell them it's not Greta.
35:44Too easily dismissed.
35:46No.
35:48We need something that's gonna bring it right out into the open.
35:54I have an idea.
35:59Okay, we ready?
36:00Are we absolutely sure about the mask thing?
36:02The mask thing is brilliant.
36:03The mask thing is the best bit.
36:05Can I at least be Ariel?
36:06No!
36:07You're Belle!
36:08Yeah, Belle.
36:09Belle's a dick.
36:10But she slags off her entire town like she's the only person who's ever read a book.
36:14Who are you again?
36:15Eeyore.
36:16You're so lucky, Eeyore's class.
36:17I know.
36:18Okay, so we go in there, we do the thing and then we like it.
36:21We're back in the car before they know what's hit them.
36:22I have to say, it doesn't feel foolproof.
36:24Well, it was Dara's idea and she's the one who's just found out the love of her life
36:27has had a baby with someone else, so...
36:30Fair enough.
36:39Do not be alarmed.
36:40We come in peace.
36:41We mean you no harm.
36:56Do not be alarmed.
36:57We come in peace.
36:57We mean you no harm.
36:58Oh, shit.
37:07Look, are you going to charge us for something or what?
37:09We don't know yet.
37:11You see, we're not quite sure at this present juncture if what you did was actually a bona
37:16fide crime or just something like...
37:19Really fucking weird.
37:21Exactly.
37:22Also, and furthermore, we need to wait for another one of our colleagues to be in situ,
37:27as it were.
37:29Should I call Liam?
37:30Sir, he's at the funeral.
37:31The boss's wife.
37:32They moved it to Donegal Town.
37:34His phone will be off.
37:35Whose funeral?
37:36Greta's funeral.
37:37They moved it.
37:38Call the crematorium.
37:39The crematorium?
37:41He cremated the body.
37:43He knew what I saw.
37:45He knew he had to get rid of the body.
37:52.
37:52.
37:52.
37:52.
38:29I thought someone from the station should come and pay their respects.
38:34You're very thoughtful. Thank you.
38:36It was supposed to be a private service.
38:39Family only.
38:40You understand?
38:43If I'd known, I'd never have...
38:44I'm glad you did.
38:53It was for Maria.
38:55She was finding everything so...
39:00...overwhelming.
39:02Of course.
39:04Of course, I get it.
39:16I'm so sorry.
39:18Please.
39:27We weren't really sure what to do.
39:28I'm not surprised, lads.
39:30We thought it was Greta's funeral.
39:32How does that make it better, exactly?
39:34So let's get some statements.
39:35You.
39:36Come with me.
39:42Should I call my solicitor?
39:44It's not funny.
39:45Those people were probably really scared.
39:47They probably thought it was some sort of terrorist attack.
39:50Oh, because they were from Belfast, I suppose.
39:52Jesus, like the Good Friday Agreement never happened.
39:54Because you burst in on a funeral service wearing clown masks.
39:57They weren't clown masks.
39:58They were Disney princess masks.
40:01Well, two of them were.
40:01The other one was from the Winnie the Pooh line.
40:04Is Winnie the Pooh Disney?
40:04I don't know.
40:06Probably.
40:06Most things are Disney.
40:07Was this like a pact or something?
40:09What?
40:09You said your old friends in school was this, like, a stupid prank you agreed to do if one
40:13of you died?
40:14Not really.
40:15Then what's going on?
40:17If I tell you, you'll think I'm mad.
40:20That ship sailed, Saoirse.
40:22You're quite different in this environment.
40:24Take it all quite seriously, don't you?
40:27This is my job.
40:27I don't take my job seriously.
40:29You don't have a serious job.
40:32Can I ask you something?
40:34What?
40:34What happened to Greta when she died?
40:36Where did she go?
40:38In a spiritual sense.
40:40In a physical sense.
40:42Where did her body go?
40:44First on scene where they brought her here once they realised there was nothing else they
40:46could do.
40:47To the station?
40:48To the morgue, yeah.
40:49Why?
40:49Were you, uh, working that night?
40:52Paul was on that night, one of the guards you just met.
40:55Did Paul know Greta?
40:57I don't think so, no.
40:59Why?
40:59Was anyone who knew Greta working that night?
41:01I'm not sure.
41:02Saoirse, what's all this really about?
41:11You can tell me.
41:24You were right.
41:26What?
41:27What you said about the pact, about the prank.
41:29That was it.
41:29That was right.
41:30So just, like, fine us or whatever.
41:32Saoirse.
41:35Can I go now?
41:40Or she can.
41:58All right, Greta.
41:59I just need a quick look at the lock there.
42:01Don't step on me, Floor.
42:02All right.
42:06I have to do this next.
42:08There's nobody in there.
42:09Sure there's not?
42:10No.
42:11All clear.
42:15My sister-in-law, she cleans for the medical institute in Limerick.
42:18She opened one of these things once and wasn't the fella inside only still alive.
42:22Stafford.
42:25Here, let me give you a hand.
42:30I think there's something jamming it.
42:46All great as social media is gone.
42:48I noticed that.
42:49There's no trace of her at all.
42:51Starting to feel like...
42:54Like we imagined her or something.
42:56We didn't.
42:57What the hell is going on?
42:59I have no idea.
43:02But I have an 8-year-old's birthday party to organize, so...
43:06Excuse me.
43:08Can we get the bill, please?
43:13move on next.
43:19Love the multicolored moods of love are like it's satin wings...
43:24Love makes your heart feel strange and slow
43:29But it's like soft wings and fly
43:32Love is love above all
43:35I feel it when you're with me
43:41It happens when you kiss me
43:44That rare and gentle feeling
43:47That I feel sad
43:49Hey, eh, there's no greater O'Neill diet
43:54That was supposed to be my shift, wasn't it?
43:56Before they were swapped around
43:58Yeah, what happened?
44:00The boss said you had done three nights the previous week
44:03So it was Owen's idea
44:04Love's made like a butterfly
44:09The multicoloured moods of love are like it's settling me
44:16Love makes your heart feel strange inside
44:19It flutters like soft wings and fly
44:23Love is love
44:23Now everyone's talking about what you did
44:25Right
44:26Now everyone thinks it was fucking mental
44:28OK, thank you for your feedback
44:31Can we just get the bill?
44:33Someone's already settled them
44:35What?
44:36Who?
44:38Oh, they were here a second ago
44:40Oh, wait
44:42It's so...
44:44Oh, him
44:45Over there
44:46Watch you later
44:46So the blue thing
44:47How are you?
44:53Are we, like
44:54Love is like a butterfly
44:56The sun is this side
44:59The multicoloured moods of love are like it's satin wheels
45:05Love makes your heart feel strange inside
45:09It flutters like soft wings and fly
45:11Love is like a butterfly
45:14A rare and gentle thing
45:18Love is like a butterfly
45:21A rare and gentle thing
46:06Love is like a butterfly
46:36Love is like a butterfly
47:06Love is like a butterfly
47:28Love is like a butterfly
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