- 52 minutes ago
Alibi Season 01 - Ep 13 [Full Movie] [Full Episodes]Full EP - Full
Category
🎥
Short filmTranscript
00:01Let's go.
00:56Wait, wait, wait. I'm not ready to hear this.
01:00Vosquitительную тайну.
01:05Вот теперь давай, жги.
01:08Я не доживу до апокалипсиса.
01:10Или что?
01:14Ну что, потрахаемся?
01:19Так не бывает.
01:22Юля.
01:23Да?
01:23Я ужасно рад тебя видеть.
01:25Но мне сегодня нужно побыть одному.
01:31Слушай, ну это же какая-то ерунда.
01:32Зачем ты тогда сюда пришел?
01:34Ты же ищешь встречи со мной подсознательно.
01:37Да ладно?
01:37Да?
01:38Это правда?
01:38Да бред какой.
01:40А вот мой приятель считает, что ты ошибаешься.
01:46А, прости, я вас не представил.
01:50Юля?
01:51Федор Михайлович Достоевский.
01:53Мой воображаемый друг.
01:55Ладно, я здесь еще буду полчаса.
01:57Ты подумай, хорошо?
01:58Подожди.
01:59Скажи, а тебе кажется, во мне есть что-то особенное?
02:04Ты так ко мне подходишь?
02:06Или ты так ко всем мужчинам подходишь?
02:10Ты дурак?
02:11Я учительница начальных классов.
02:14Да ладно?
02:15Вот меня до педагогов потянуло.
02:19А ты знаешь, я могу тебя разочаровать.
02:23Ну, он отвратителен в постели.
02:26Его жена ушла от него именно из-за этого.
02:29Меня жена бросила, потому что я ее не удовлетворил.
02:38Значит, она не умела пользоваться.
02:40О, я подумаю над твоим предложением.
02:49Причем одно.
02:58Ты бы хотел рассказать что-то очень важное?
03:02Учительница начальных классов.
03:05Посмотри на меня глазами ставших вас снега.
03:13Однажды в стадионную зимнюю пору я ездил свыше.
03:18Сильный мороз.
03:20Ну?
03:21Гляжу.
03:22Что случилось?
03:22Почему задержка?
03:24Медленно в гору.
03:26Он такой красивый.
03:28Лошадка.
03:29Ты серьезно?
03:30Нет, правда.
03:31У меня врожденное чувство эстетики.
03:35И прям Давид.
03:38Лешедников, у Давида очень маленький член.
03:40Я даже не знаю, как тебя отблагодарить.
03:43Если не сложно, ты можешь назвать меня Юлией Владимировной?
03:46Юлия Владимировна!
03:47Простите меня, пожалуйста.
03:49Я не выучил урока.
03:51Это не школьное, это личное.
03:54Да, конечно.
03:55Юлия Владимировна.
04:01Юлия Владимировна.
04:02Юлия Владимировна.
04:02Юлия Владимировна.
04:03А ты действительно хочешь знать, чем все закончится, если ты не напишешь роман?
04:08Ну, давай, удиви меня.
04:10I'll do it.
04:11No, no, it's not you. I'm talking with my dream.
04:16Dostoevsky, talk about it.
04:19You've never thought about why you're all like, how you're all like?
04:25Maybe because...
04:28Because I'm an interesting character.
04:32If it's a fan, if it's a rock,
04:35a rock, a rock, a rock, a rock, a rock...
04:38Like, what a man, a rock, a rock, a rock, a rock...
04:46That's what we're all like.
04:47I'll do it.
04:48So, I'm not sure you're all like.
04:49To me, I'll do it.
04:51You know him, he's on the earth.
04:54He's on the earth.
04:54He's on the earth.
04:56I've heard it.
04:58I know, why he's on the earth.
05:01I don't know, the king didn't let him?
05:03No, not the king.
05:05The высший раз.
05:05I like your mind.
05:08Because the высший mind understood,
05:10that if Puskyi will go to the border,
05:11he will kill there and die.
05:14Well, then.
05:15Russia needs to be Puskyi.
05:16I don't care about Russia.
05:18I don't care about Russia.
05:20I don't care about Russia.
05:22I'm so happy that you have a guide.
05:24It's me.
05:25You're a idiot.
05:26You're a idiot.
05:30I wanted to blame you.
05:32What do you want me to do?
05:39What's happening?
05:44No, no.
05:45It's okay.
05:46I need to be alone.
05:49I'll be here.
05:50I'll be here.
06:05The nail on the roof
06:06was möchte.
06:10He's over here.
06:12He took his mind from the Crew of a Lot.
06:14That's What is happening?
06:19It's the film?
06:21That's not in your office at Rep people.
06:23No!
06:24I'm gonna be able to meet it again.
06:26All right, wait.
06:29Now, the last thing.
06:33The last thing is, just to just leave him,
06:35just to leave.
06:38And all of that.
06:41Hello?
06:42Good morning.
06:43Good morning, come on.
06:44We're going to be late now.
06:50Hello?
06:53C'mon.
06:54C'mon.
06:57We're going to get married.
07:01We're going to get married.
07:02I'm not sure what?
07:04We're going to invite you and Stasio to come on.
07:08I'll come.
07:09Stasio will decide.
07:10Will these stars?
07:13I'll be the director.
07:15You know him.
07:16How are you?
07:18Ma.
07:20Можно ложечку?
07:23А давай я тебя не устраиваю?
07:25Устраиваю.
07:26Просто сейчас меня терзает вопрос,
07:28мои ли вы настоящие родители.
07:39Саш.
07:40Да?
07:41Скажи, пожалуйста, только честно.
07:44Ты что-нибудь употребляешь?
07:48Ты что творишь, Сань?
07:51Мам, да все в порядке, честно.
07:53Если ты моя настоящая мама.
07:56Ладно.
07:57Мне еще надо взять биологический материал у Решетникова,
08:02Петра Сергеевича,
08:04моего предполагаемого отца.
08:14А почему ты себя так ведешь, как будто я действительно не его мать?
08:18Ну а что он себе позволяет?
08:20Мам, ну ты же не пошла на срогатное материнство.
08:23Лучше сразу признайся, анализы не дешевые.
08:25Саш, ты совсем охренел, да?
08:27Все, я понял.
08:28Лучше перепроверю.
08:39Петр Сергеевич, дело специфическое и требует особого подхода.
08:45Да, конечно, я понимаю.
08:48Я слушаю, чем я могу быть полезен.
08:51Ситуация чрезвычайно неприятная.
08:54Давай...
08:55Давай я расскажу.
08:57Давай.
08:59Так, значит,
09:01примерно год назад
09:03ко мне обратились
09:05мои друзья
09:07из корпорации
09:09РУСМОС.
09:11РУСМОР ГАСНЕФТЬ.
09:12Да, из этой корпорации.
09:14Чтобы я записал для них гимн.
09:17Поскольку, по их мнению,
09:19мой голос
09:20наилучшим образом
09:22олицетворяет величие компании,
09:24ассоциируется,
09:26так сказать, и с Россией,
09:29и с народом.
09:32Это...
09:32Вот.
09:34И...
09:36Вот поэтому, собственно,
09:37был выбран...
09:40Я?
09:41Правильно?
09:42Да.
09:42Ну вот.
09:45Скажите, пожалуйста,
09:46можно?
09:46А в том клипе
09:48с русалками
09:49вы сами на себя катались?
09:51СМЕХ
09:52СМЕХ
09:53СМЕХ
09:54Да.
09:55СМЕХ
09:55Я катался.
09:57СМЕХ
09:57Простите, а...
09:58а вы...
10:00э...
10:00певец?
10:02СМЕХ
10:03СМЕХ
10:05СМЕХ
10:15СМЕХ
10:16Ну, очень приятно.
10:17А-а-а...
10:18А, ну, конечно, простите, э...
10:20э...
10:21Да, давай.
10:22Мне Даша много о вас рассказывала.
10:24Даша ваш поклонница.
10:26СМЕХ
10:27Ну...
10:27Ну, это закономерно.
10:29М-м...
10:30Ну что ж, послушаем гимн.
10:32Это что, необходимо?
10:33Конечно, необходимо.
10:35Это ведь имеет прямое отношение к нашему делу.
10:37Ну...
10:38Давайте...
10:39Давайте послушаем.
10:41Давайте.
10:47ДИНАМИЧНАЯ МУЗЫКА
10:55Профессия отважная, пробуренная скважина.
10:59Пьется злато-черное, как море непокорное.
11:03И газ мы добываем из недр земли свободной.
11:07И не погаснет пламя любви к земле...
11:10Даша?
11:10Ты же хотела взять автограф.
11:12Ты что, пользуйся моментом?
11:15Синий белый огонек нам домой ее придет.
11:18Ну, здесь хорошо.
11:19Мы просто придуманы хорошо, по-моему.
11:21Да?
11:22Хорошо. Местный.
11:23Вкусно.
11:24Ну, ладно.
11:24Да.
11:26Возьму автограф все-таки.
11:28Так...
11:29Ну, а что?
11:30По-моему...
11:31По-моему, прекрасный гимн.
11:33Хочется встать и плакать.
11:36Не знаю.
11:36А что с ней, дорогой?
11:37Дело в том, что примерно месяц назад
11:40нам обратился некий итальянский продюсер
11:43с обвинениями в плагиате.
11:45А, да-да-да.
11:46Точно.
11:47И требует он не больше, не меньше, как один миллион долларов.
11:49Угу.
11:50Грозится поднять шумиху, скандал.
11:52Как вы понимаете, нам это совершенно ни к чему.
11:55Это удар по имиджу компании.
11:57Сейчас этот гимн звучит везде.
11:59И, как вы понимаете, обратной дороги у нас нет.
12:03Ага.
12:04Ну, теперь ситуация, в общем, стала ясна.
12:08Завтра этот парень приезжает в Москву.
12:10Послезавтра будет суд.
12:13Нужно полюбовно решить вопрос.
12:15Тихо.
12:16Угу.
12:17То есть, собственно, Федор, вы украли песню?
12:22Что значит украл?
12:23Почему украл?
12:24Ну, как…
12:25А, плагиат это воровство.
12:27Воровство интеллектуальной собственности.
12:28А, разница не велика.
12:30Не волнуйтесь, мы все решим.
12:55How can you be so false? You are who?
12:57I am the lead of the general управ of the government. And you are not a good person.
13:06Sorry, I have a little bit of a swiss.
13:10What happened?
13:12What happened?
13:13I am not a criminal.
13:15I am not a criminal.
13:18You probably heard about the crime of businessmen of the Frolowa Nikolai Gennady?
13:25Frolowa, I don't know.
13:26I don't know, maybe I heard.
13:28And what?
13:28The deal is that everything was like a normal crime.
13:32I would like to listen, but time is not.
13:35I can't wait for you.
13:37I can't wait for you.
13:37I would like to talk about it.
13:38I would like to talk to you.
13:43Yeah, let's go.
13:45I would like to come.
13:47I wouldn't like to turn it off.
13:49I will take you off.
13:51I would like to talk about the car and the car is broken.
13:54I would like to turn it off.
13:56The car is broken.
14:00It is clear.
14:05It is and the blocks are broken.
14:12I will listen to you.
14:14Yes, so, situation is interesting.
14:18On the request of the murder of the murder of the murder of the murder,
14:20and on the murder of the murder of the murder of the murder.
14:22We started to find out who is good for the murder of the murder.
14:27On the other hand.
14:28Yes, yes.
14:29And we immediately found a companion of his friend, Mesa.
14:35You know what I mean?
14:36Mesa, not, I don't know.
14:39So, there were serious serious concerns.
14:43They had even conflicted.
14:45He wanted to go out and take part of the business.
14:48What is that?
14:50It is a steel motive.
14:52A Mesa...
14:54You certainly didn't know Mesa?
14:57I have a great memory.
14:59I unfortunately didn't know Mesa.
15:01You want coffee?
15:03Coffee.
15:06Dasha, make two coffee.
15:08Dasha, make two coffee.
15:08Dasha, make two coffee.
15:09Well, so, Mesa also gave an alibi.
15:14And also, to say, a
15:16in Kittany.
15:17We decided to check out Mesa.
15:22And then...
15:24And...
15:24And...
15:25And...
15:26That's the one.
15:28Dr. Sergei, you have a meeting with a Swedish in 10 minutes.
15:33Tell me, I'll take a minute to 10 minutes.
15:40I'm sorry.
15:41Yes, I'm sorry.
15:43We went to his day and realized his day.
15:46You know what?
15:47I can't tell you exactly what it is, but we,
15:51no evidence of any evidence,
15:55that he didn't let in China.
15:57He made him an alibi.
15:59And so you came to me?
16:01Yes.
16:02We've got our Chinese colleagues,
16:04and they sent us a video,
16:06in which he was there,
16:08in the restaurant,
16:09in the restaurant,
16:11and even the stamps in the grand passport
16:13are also real.
16:15You know, I think,
16:16that he could make only the only professional.
16:20Well, first of all,
16:22I'm not a criminal.
16:23Yeah, I already heard.
16:25Well, maybe,
16:26he asked you to do an alibi for a wife,
16:30for example.
16:31He could be an alibi for a wife?
16:34He could be an alibi?
16:35He could be an alibi.
16:36He could be an alibi,
16:36but I didn't make an alibi for a while.
16:39It's a second.
16:40I understand, right?
16:41Yes.
16:41Well,
16:53you know what?
17:06Well,
17:07you know what?
17:09Well,
17:09you think,
17:10you know,
17:12you think,
17:13and you will have to tell me.
17:15Do you know.
17:16See you.
17:17Good luck.
17:18Good luck.
17:26Yes.
17:27Yes.
17:27You're welcome.
17:29Yes.
17:32Yes.
17:33Yes.
17:35Yes.
17:38Yes.
17:38Yes.
17:43Yes.
17:44They didn't know anything. They used to tell them everything.
17:47Work like work, and you don't have to call them.
17:50Work like work?
17:52You don't have to call them.
17:54You don't have to call them.
17:54You don't have to call them.
17:55I'll call them between the kids and the kids and the kids.
18:08Because they didn't have a job because they saw other people.
18:10They were able to call them.
18:10I can't believe that.
18:11I'm a lawyer at the house.
18:14I'd like to call them.
18:14You can have a being of home.
18:16From the experts, you've got the Janet Casaptions.
18:17You'd have to call them.
18:17You'd have to call them.
18:18I would call everyone.
18:18I would call them somebody for a Crimea the whole life.
18:23.
18:25.
18:29.
18:30.
18:30.
18:30.
18:31.
18:31.
18:31.
18:31.
18:31.
18:32.
18:32.
18:32.
18:33.
18:33.
18:34.
18:34.
18:34.
18:34.
18:34.
18:34.
18:35.
18:36.
18:36.
18:36.
18:36.
18:37.
18:37.
18:37.
18:37.
18:38.
18:38.
18:38.
18:38.
18:39.
18:39.
18:40.
18:40.
18:40.
18:40.
18:40.
18:41.
18:41.
18:42.
18:43.
18:43.
18:43.
18:43.
18:44.
18:44.
18:44.
18:45.
18:45.
18:45.
18:45.
18:46.
18:46.
18:46.
18:47.
18:47I don't remember. I mean, I don't know.
18:50That really was like a song?
18:52No, I haven't heard of it.
18:55But it could be.
18:57You're a crazy guy.
19:00So, write a song about it?
19:02It'll be fun.
19:05Write a song about it.
19:06Well, it was like a national song.
19:08And he sang it.
19:09And he's an Italian man.
19:11He wants all the best to us.
19:13It's national destiny.
19:19Why do you help me?
19:21I need to finish my last thing.
19:26What are you watching?
19:28I don't know. I think you're really a hallucination.
19:31No.
19:32We have Napoleon, Alexander Makedon,
19:34and I'm a great Russian writer.
19:36I'm for motivation.
19:37I'll see you.
19:47I'll see you.
19:55What?
19:56What?
19:59What?
20:00What?
20:04What?
20:05Let's go.
20:10Stop, please.
20:14He wants to see you.
20:17He wants to talk to me. He wants to talk to you directly.
20:20He wants to talk to you about a film, in which you will perform the role of your role.
20:26I don't want to shoot you. Even in home-video.
20:32I'll tell you about yourself. If you're in the car, your life will change to the best.
20:38I'll go.
20:40I have a request to you.
20:43And what? You're going to be able to see me?
20:46Why are you who you are? You're who?
20:49I'm going to call you.
20:51I'll go.
20:56You have a close friend?
20:57You have a close friend, mom, dad.
21:02So you'll be in the car.
21:05Let's go.
21:09Let's go.
21:11They will kill me, but you will be with me.
21:20My dear friend, my dear friend...
21:25Get out of my way!
21:29Let's go.
21:31For what kind?
21:32I mean?
21:33I was born in the car.
21:37For the car.
21:39To go.
21:42Back to the car.
21:43Back to the car.
21:45I loved you.
21:49You were the one who put the
22:01It's a rare Russian name.
22:03Parade.
22:07Dasha, come to me first.
22:11Yeah.
22:12Look, this song needs to be placed in the networks.
22:17It needs to be a kind of dissertation of a philologist.
22:22And in the old series of songs of the 70s, 80s.
22:27It's a song of Rekro Tamarati.
22:29Okay, I understand.
22:31If someone knows?
22:33Who knows?
22:34No one knows.
22:35This song doesn't exist.
22:37It's rare.
22:38But the philologist discovered it and used it in his dissertation.
22:42It's very well done.
22:44It's not enough.
22:46Why?
22:48It's very well done.
22:50What?
22:51I didn't understand.
22:51I don't know.
22:53What about this song?
22:54It's important.
22:55I need a visual proof.
22:56How did he know this song?
22:58He was a school.
23:00He even had a school.
23:01He even sang it.
23:01He was a school concert.
23:02He left the video.
23:05It was a recorded film.
23:06It was a year 1986.
23:12Dasha.
23:13Let's see, we need a new video camera, a star camera, 8-16mm, 8mm, a full-professional camera.
23:24And another, we need an active room, a little bit of a school, a little bit of a holiday, and
23:32a mass of 30-40 children, children and pedagogy.
23:36And a young F. B. B. 12-13.
23:40I'll find it.
23:46You're a genius.
23:56You're a genius.
23:57You're a genius.
23:58You're a genius.
23:59Look at her.
24:01Thank you, Dasha.
24:12You're a genius.
24:15You're a genius.
24:16You're a genius.
24:18You're a genius.
24:19You're a genius.
24:20You're a genius.
24:35You're a genius.
24:48You're a genius.
24:49You're a genius.
24:50You're a genius.
24:51You're a genius.
24:53You're a genius.
24:55You're a genius.
24:56You're a genius.
24:59You're a genius.
25:08You're a genius.
25:10You're a genius.
25:11You're a genius.
25:22You're a genius.
25:26You're a genius.
25:31You're a genius.
25:34You're a genius.
25:37You're a genius.
25:38You're a genius.
25:40You're a genius.
25:42You're a genius,
25:45You're a genius.
25:46You're a genius.
25:48You're a genius.
25:49You're a genius.
25:53You can take it.
25:55You can take it.
26:12Yes.
26:13Yes.
26:14Hello.
26:14Hey, come on.
26:16Hey, come on.
26:18Come on.
26:18Come on.
26:19Yeah, I know.
26:24But I want to,
26:25just let them know.
26:27Just let them know.
26:30Okay.
26:30You met him?
26:33No.
26:34He's a bad guy.
26:37What happened?
26:40We're not his parents.
26:42He wants to do a genetic analysis
26:44on the familys
26:44and the parents.
26:45So,
26:46So, you're not a problem.
26:48You're not a problem.
26:50Wait.
26:52I should be worried about this?
26:55What?
26:59I'm your father, right?
27:01You're a problem.
27:03There's a statistic,
27:06that 10% of people
27:09are not children.
27:11They're not children.
27:13They're not their children.
27:16I don't know.
27:17I don't know where they are.
27:20You're his father.
27:22Yes, I understand.
27:24Don't forget.
27:26Call me when I talk to you.
27:28Tell me,
27:31we're going to get married.
27:34You're still waiting for me?
27:35You're still waiting for me?
27:40I don't know.
27:40You're still waiting for me.
27:44You're still waiting for me?
27:45I'm not going to get married.
27:47I'm going to get married.
27:47I'll do the money.
27:49I'll give you a lot.
27:50I'll give you a lot.
27:50Well, it's fine.
27:51You're like I'm going to call me.
27:53I don't have a question.
27:54Not a good answer.
27:55Not a bad answer.
27:56Not a bad answer.
27:57Not a bad answer.
27:57I'm just a bad answer.
28:01You're like,
28:02Hey, tell me, do you like my, well, my genitalia?
28:10Well, as an art.
28:12With the aesthetic.
28:15Well, because you don't break the tube,
28:17you think I'm completely gone,
28:21or...
28:22I really like it.
28:24Do you remember?
28:26Do you remember yourself?
28:27Yeah.
28:28Or every time, when you open your eyes,
28:30he will be right in front of you.
28:32I really like you.
28:36Come on, I'll be waiting for you.
28:39Okay.
28:41I understand, I'll be right back.
28:43I'll be right back.
28:43Bye.
29:08Hello, my dad.
29:09Hey, my God.
29:10Hurry, my dad.
29:13No, don't worry. I'm not your son.
29:20Dad, hello.
29:23You're what?
29:25I'm coming to you.
29:28Hello.
29:32Why don't you call me?
29:34I'd say that my home is not.
29:37I'm not at all for you.
29:40I'm not at all for you.
29:41It's not at all.
29:44You're not at all.
29:49I'm not at all.
29:51We'll take care of someone who is here.
29:52I'm not at all.
29:55Don't worry about it.
29:57I can take your genji.
30:02Is she hungry?
30:03Who's drinking?
30:04No, he's not.
30:05What's your shirt?
30:06Give me a stick.
30:09It's all about the science.
30:12Let's go.
30:34...
30:40...
30:41...
30:43...
30:43...
30:43...
30:59You are coming?
31:00...
31:00Yes.
31:12You have to go to bed?
31:16Listen, Sany, this is a girl, Stasia.
31:20She really loves you.
31:23What did you do?
31:26Well, first, there is a lot of experience.
31:28And, in other words, there is a very young woman, who is responsible for her, who is looking for her
31:36life.
31:37She is ready to change her life, she is looking for her.
31:41I can't imagine what she would be in you, if you are my son.
31:44You are so confused?
31:47No, that's not my thing. You are like a long time ago.
31:51What if not you are not?
31:53Well, then, then, then, that's what she's going to do with her.
31:56Because I definitely didn't think about her.
32:00Give me a word, that you don't sleep with her.
32:04You're a jerk, that's it?
32:05Give me a word.
32:08Give me a word, that it's hard.
32:09Give me a word.
32:12I'll tell you the results of the test.
32:15PHONE RINGS
32:18I'm your father.
32:19I'm not sure how I'm going to be happy with her.
32:22I'm going to be a fan of this.
32:24Who, Brayda Pitta?
32:26I'm happy that you're my son.
32:29Take care of her, pap.
32:36That's my 좋아.
32:43Tell her.
32:48Скажи, где ты живешь?
32:50Не, не важно, я хочу, чтоб ты уехала.
32:52What happened?
32:54No, nothing happened.
32:56I need to be alone.
32:58I want to stay alone.
33:00What's happening?
33:02You're not talking about it?
33:04I don't care.
33:05What did he say?
33:06Please leave, you don't need it.
33:07Please leave, you don't need it.
33:10You'll listen to my guests then, Dorothy.
33:12DING
33:13Nomi
33:17No, don't take any right away.
33:19I'll leave.
33:21I didn't want to leave.
33:23Run unremarked to you.
33:25Get in a «Brit»
33:28KATE EVENT
33:39PLEASE
33:40KATE EVENT
33:40KATE EVENT
33:41KATE EVENT
33:42KATE EVENT
33:54KATE EVENT
34:03Oh
34:46I don't understand what's happening with you.
34:48What's going on?
34:51You do?
34:55Why do I do?
34:57I hit you, it's not normal, it's not me.
35:01I...
35:02Petya, I understand you.
35:06It's dangerous.
35:12Sorry.
35:13I'm sorry.
35:14I'm sorry.
35:21I'm sorry.
35:22So, the music is coming.
35:24The kids are applauding.
35:26You're coming.
35:28Let's go, let's go, as a teacher taught me.
35:30Yes, in the other direction, yes.
35:32And closer to the microphone, yes.
35:33And let's go, let's go, let's go.
35:36Afrika, we gotta take a shot in the chamber.
35:40Let's go.
35:41We have linfot, so we utilize on our computer.
35:45What direction?
35:45How did you do?
35:48Stop, stop, stop, how did you learn?
35:52What's that?
35:54Let's take a look at the card.
35:56Why?
35:57I don't know.
35:57I think it should be a little bit of a teacher.
36:01It should be a little bit of a teacher.
36:03It's a yellow, yellow, and a great quality.
36:08It's a great quality.
36:09Let's take a look at the card.
36:11Let's take a look at the card.
36:12And music.
36:16And music.
36:18Let's take a look at the card.
36:22Let's take a look at the card.
36:24Tell me, did you all sign the contract?
36:27Yes?
36:28Yes.
36:30I'm not sure.
36:32What do you think?
36:33Let's talk about the card.
36:3420 minutes, yes.
36:3620 minutes.
36:3620 minutes?
36:37Come on.
36:42Tетр Сергеевич,
36:44you look like a young girl.
36:45He looks like a young girl.
36:48Is your sister, you look like a young girl.
36:50I think she's from a young girl.
36:50And what?
36:51What can you do for yourself?
36:56Do you want to use this other way?
36:58Do you forget it?
36:59Do you know?
37:00Let's give a look at the card.
37:05I don't know.
37:05You're a little bit of a hit.
37:06Let me look at the card.
37:10I don't know you.
37:10Let's take a look at the card.
37:15It's a dream.
37:19It's a dream.
37:19I'd love it.
37:22Just say, what happened?
37:28Did I kill her?
37:30I love her?
37:32It's a shit!
37:34What a shit?
37:35You forgot about it?
37:38I forgot about the secret of the connection of the friend.
37:40You did it!
37:41Come on, son!
37:43How do you live with this?
37:44Get out of the way!
37:49Okay, guys, don't stop.
37:52It's okay.
37:54You're doing everything like Tia Dasha is showing.
37:57Then I'm just going to play.
37:59I'm just going to play.
38:00I'm just going to play.
38:02Let's do it again.
38:04Guys, time, time!
38:07Piotr Sergeyevich, Italianist,
38:08I'm just going to play.
38:10Two more episodes.
38:12Two more episodes.
38:14Two more episodes.
38:15Well, what?
38:19I love you?
38:22I helped you make an alibi.
38:25You also hold your word.
38:27How much left?
38:29I wanted to know the time.
38:30You don't need to know.
38:32You need to work.
38:35No, but
38:37I used to know.
38:38I used to know when Deadline is.
38:40And then...
38:42I think it would be nice if I would write it and in this same day
38:46to me.
38:48Well, and for the book.
38:49Good PR.
38:50My name is my name.
38:53My name is my name.
38:55I am God.
38:55But my record is a debt.
38:57I did not pay.
38:59I could not pay.
39:00There are enemies who kill me.
39:01But you will be with me.
39:04My name is my name.
39:06You are my name.
39:07You are my name.
39:19You are my name.
39:20I am your name.
39:22I am my name.
39:23I am a man.
39:24I am a man.
39:25Oh, yes, everything in the порядке.
39:28I'm so sorry.
39:30You're so scary? You're so scared?
39:32No, you're not scary. You're...
39:34You're so amazing.
39:38You're so amazing.
39:40You're amazing.
39:40You're so amazing.
39:42You're beautiful.
39:44You're beautiful.
39:46No, you're beautiful.
39:55You just got to put a book to book?
39:59Yeah...
40:00Yeah, you're right?
40:01You're white and you're a writer.
40:03Well, I'm sorry.
40:07Hmm...
40:07I don't want to say anything, right?
40:13It's an exhilarating perfume but just to see you.
40:16What's that?
40:18Oh, what are you doing?
40:19What's that?
40:22I'm going to ask you to be in the court, so you wouldn't be able to bring it to me.
40:29So, do you have to be with whom?
40:32Are you with secretaries?
40:36No.
40:36You're gay?
40:38You saw her?
40:39Can I see her?
40:42I don't know how much she has to kill you.
40:44You're a strange guy.
40:45So, you read the scenario?
40:46You read it?
40:48Yes.
40:48I read it.
40:49There's everything in the case.
40:50I'll give you the details.
40:53So, secretaries, you don't sleep.
40:55You're with whom you live?
40:56You're with whom you're going to be?
41:03I'm going to be with you with an English teacher.
41:06It's Anne Николаевна Красовская.
41:25You're a celebrity, right?
41:28You are a bully.
41:29Do you have to criticize her?
41:35Yes.
41:35Well, you know her.
41:36Do you know her?
41:37Yes.
41:38I know, and you're protecting me.
41:46I'm sorry.
41:52I was happy to see you.
42:15Let's go.
42:41ЛИРИЧЕСКАЯ МУЗЫКА
42:45Привет.
42:57Будем работать?
43:00Нет, я сам.
43:02Мне нужно одному поработать, некоторые.
43:04Спи, читай.
43:27ЛИРИЧЕСКАЯ МУЗЫКА
43:31Я тут подумал, вы не хотите после свадьбы вдвоем побыть?
43:36Ты намекаешь, что я вам в Астасе путевки купил?
43:40Ну да, не хотим вам мешать.
43:43Купим путевки в пансионат Восток-6.
43:46Солист уже делал погромче от про Белого.
43:48...газ нефтью Федором Белым,
43:50автором гимнокорпорации и Луиджи Дзамбротто, исчерпан.
44:00Сегодня утром Луиджи прилетел в Москву,
44:03они встретились с Федором,
44:04и Белый предъявил доказательство того,
44:07что гимн корпорации – это всего лишь перепевка
44:10русской народной песни «Маратик»,
44:13что еще больше подчеркивает служение корпорации народу России.
44:22На записи, которую продемонстрировал Федор,
44:24видно, что он исполнял эту песню еще в школе
44:27и уже потом решил положить на нее новые слова,
44:30которые мы так хорошо знаем и любим.
44:33Конфликт полностью исчерпан.
44:35Мони, но! Но! Но! Но!
44:39Папа постарался?
44:42Да, ну!
44:43Я эту песню еще в детстве слушал.
44:45Дед, напил.
44:58Ну что?
45:00Все?
45:01Доволен?
45:09Оля!
45:11Отличная работа!
45:13Белый в восторге!
45:15Можешь написать еще пару куплетов?
45:17Он бы исполнил эту песню в оригинале.
45:19Нет, не думаю, не стоит.
45:21Мне кажется, лучше, чтобы все про это забыли,
45:23как про страшный сон, чем скорее тем лучше.
45:26Может, это и правильно.
45:28Послушай, еще один вопрос.
45:31Этот Карпов проявляет нездоровый интерес к актрисе,
45:36которая изображала девушку ее сына.
45:38Они же вроде расстались.
45:39Нет, ну, конечно, расстались.
45:41Но, ну, короче говоря, Карпов теперь начинает ее доставать.
45:45Нужно с этим что-то сделать.
45:47Он отмороженный.
45:48Девке проще дать.
45:49Если он что захочет, проще дать.
45:52Послушай, это вообще не варианты.
45:53Это девушка моего сына.
45:55Проще дать.
46:07Здравствуйте.
46:08Это следователь Витязев вас беспокоит.
46:10Да, я узнал вас.
46:12А вы не могли бы подъехать к нам?
46:15Полюбоваться плодами нашей работы.
46:17Нам?
46:17Что ж такое-то?
46:19А сколько костей.
46:20А, извините, это я не вам.
46:21Это тут косточки лимон режу.
46:23Да, подъедьте к нам.
46:24Хорошо работаем, как мне кажется.
46:27Угу, вам будет интересно.
46:29Я смс-кой вам адрес скину.
46:31Ага.
46:41Наши китайские коллеги прислали нам это видео.
46:47Вот что мы тут видим?
46:52Не знаю.
46:53Китайский ресторан.
46:54Какой-то мужчина сидит, ест, пьет.
46:57Именно.
46:58Мезин сидит и пьет, ест явно в Китайской народной республике.
47:05Чайку?
47:06Нет, спасибо.
47:07А я все равно налив.
47:10Пожалуйста.
47:12А вы для чего меня вызвали?
47:14Мы, когда начали подозревать Мезина, мы вот про него, прям как по учебнику, пожалуйста, лимончик, все-все-все вот разузнали.
47:22Ну, что можно, конечно.
47:23И кое-что выяснили.
47:25Оказывается, у Мезина серьезная проблема с поджелудочной железой.
47:30Три месяца тому назад у него был острый приступ к панкреатиту, поэтому у него сейчас жесточайшая диета.
47:35А как вы правильно заметили, человек на экране ест и пьет, ну, прям как не в себя.
47:41Как будто бы на всю оставшуюся жизнь напивается.
47:45С виду Мезин.
47:47Но не Мезин.
47:49Ну, и какое это ко мне имеет отношение?
47:54А мы просим помощи у населения.
47:57Вы же население тоже.
47:58Значит, стало быть, и у вас.
48:00Ну, вот вспомните, может быть, у вас такой большой поток был, что вы просто забыли.
48:04Ну, а что, с кем не бывает?
48:05Ну, просто забыли, и все про этого Мезина.
48:07А ваши сценаристы с режиссерами взяли и все сделали без вас.
48:11Вы же не можете следить за каждым своим делом.
48:15А?
48:15Могу.
48:17Могу и слежу за каждым делом лично.
48:20Поэтому всех, с кем работал, прекрасно помню.
48:24А Мезина этого никогда не видел.
48:28Поэтому вам стоит посмотреть в других фирмах.
48:31Их сейчас много.
48:32Я вот что хотел вам сказать, кстати, да.
48:35Выписан ордер на его арест.
48:38Ну, скорее всего, Мезина уже арестовали.
48:41Он заговорит.
48:43Ну, и прекрасно.
48:44Ну, слушайте, ну, зря вы криминалом вознялись, а.
48:48Ну, честное слово.
48:49Ну, вот с этим артистом, ну, отличное жалеби ему сделали.
48:53Ну, правда.
48:54Я так порадовался за вас.
48:55А с этими людьми вы заигрываетесь, понимаете?
48:59И мы вас спасаем.
49:01Хотя вы мне очень симпатичны.
49:02Очень.
49:06А я могу идти?
49:09А, Петр Сергеевич, и самое обидное, что я ничего не смогу сделать для вас.
49:13Вы все сами портите.
49:17Вы же теперь соучастник убийства, получается.
49:24Вы мне очень симпатичны, Петр Сергеевич.
49:28Я вас посажу.
49:29Я вас посажу.
50:02Transcription by CastingWords
Comments