- 23 hours ago
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00:01Tonight on Wiseguy
00:02Like all fast-moving objects, she's good to look at but hazardous to your health.
00:08Everything is choices, darling. Love, hatred, and betrayal.
00:13You are bright light. There are many moths that are fascinated by the flame.
00:19But with the moth comes the beetle that have pinchers and are hard to kill.
00:25Do you like roulette?
00:30Gunshot
00:31Orbeez
00:45Orbeez
00:46need lots of silver
00:54cook
00:56Food
02:50Tell me the truth.
02:50Let me taste it.
02:58Leave us, please.
03:06Don't you understand, Susan?
03:08It would be so easy.
03:11It would end it all.
03:12They'd be rid of me.
03:14Marlo, Palmieri, and Sandy.
03:16All of them.
03:17So damn easy.
03:19But why, Mel?
03:20Why?
03:21Without you, there is no business.
03:23I mean, they only run a part of it.
03:26You have the master plan.
03:28It just happened too fast, that's all.
03:32You see, they haven't learned what will happen if they try to stop me.
03:36The death, the bloodshed, they haven't taken that into account.
03:41You remember Tony Bonaventure?
03:43I proved he had no mother in Virginia.
03:45You remember how sure they all were he was telling the truth?
03:47You remember that?
03:49You need to get some sleep, Mel.
03:51I can't sleep.
03:54I close my eyes.
03:58My heart starts pounding.
04:04I should have somebody testing all the food!
04:13How about if I make the security people test it on a random schedule?
04:18That way they'll have to be even more careful about the food.
04:21Not knowing when it's their turn to taste it first.
04:24What would I do without you, Susie?
04:26How could I manage?
04:28You have all the best ideas.
04:31Damn!
04:34Paco Bazo's getting married tomorrow.
04:36You should be there, Mel.
04:38It would mean a lot to him.
04:49You want me to give this to you?
04:51I have something special.
04:53Something with a little extra surprise.
04:58You're the nurse, kid.
05:18You know, the girl he's gonna marry.
05:20You know, the girl he's gonna marry.
05:23She poses for pornographic magazines.
05:27I think she just models swimsuits, Mel.
05:30For catalogs.
05:39Maybe we should go, huh?
05:43Paco's done a good job.
05:45He's an okay man.
05:46I think you'll be really nice.
05:51You'll arrange security.
05:56Yes.
05:58I'll take care of it.
06:00I'll call and tell him we're coming.
06:12I need to get some sleep, Al.
06:17Please try.
06:21You're the only one that cares.
06:27You're the only one.
06:31And the armies, which are in heaven,
06:34we're following him on white horses.
06:37When from his mouth comes a sharp sword,
06:41so that with it he may smite the nations
06:44and rule them with a rod of iron.
06:46And the beast was seized.
06:49And it is to this day, this day, my friends,
06:52that I let the one, the one of the Lord be known.
06:56I have my family here.
06:58I have Lisa's family here.
07:00He arrives two hours ago.
07:02He goes to his hotel.
07:03No call.
07:03Nothing.
07:05Start the wedding.
07:07I'll tell Mrs. Clerk.
07:08Mr. Fazos.
07:09They're on their way.
07:10They'll be here in minutes.
07:11Your employer takes a very big risk with me.
07:14Can I quote you?
07:18You think I'm afraid?
07:35Going our way?
07:37Yeah.
07:38Come on.
07:39Get in.
07:49Tell me, this woman, Miss Lisa Clark,
07:54does she seem authentic?
07:56I don't know, sir.
07:57I only met her for a second.
07:59She's very pretty.
08:01They use pretty women.
08:05That's our weak link.
08:09You watch out for me, okay, Vince?
08:11You do that, right?
08:12That's why I'm here, sir.
08:31Fuck.
08:34Who is this lovely woman?
08:37Allow me to present the mother of my bride, Karen Clark.
08:40This is my business associate, Mel Prophet, and his sister, Susan.
08:45Well, it's very nice to meet you.
08:47Tell me, are you from around here?
08:49No.
08:50We're from Minnesota originally.
08:53Really?
08:54I thought somebody told me you were from Virginia.
08:57No, we're from Minnesota.
09:00Well, we must have held things up.
09:01I'm terribly sorry, but our hotel is all the way down the road in Seaport.
09:05Con su permiso.
09:15You got it, sweetheart.
09:16You got it, sweetheart.
09:44They hoped Paco was a real hot one.
09:48I knew she'd look like that.
10:00Dearly beloved, we are gathered together here today in the sight of God
10:04and in the face of this congregation
10:06to join together this man and this woman.
10:09In holy matrimony, this state of the damn art eavesdropper keeps cutting out on me.
10:14Which is an unrealistic, if there is any man here who can say
10:17why this man and this woman should not enter into the state of holy matrimony.
10:22Let them speak now or forever hold their peace.
10:28Paco.
10:28Who is that?
10:31We have to talk.
10:33For God's sake.
10:34I will wait for you inside.
10:40I'm sorry, Caranusa.
10:41One moment.
10:45Just pack it up, Buckwheat.
10:46It's over.
10:47I've seen this before.
10:52How much just to wait?
10:55How can a few weeks to check hurt anything?
10:57For God's sake, it's my wedding day.
10:59You and I have a lot of business together.
11:02Suppose I give you an edge on the next deal.
11:04A bonus for seeing it my way.
11:07An extra million dollars to take some time and find out who she really is.
11:16Otherwise, I'm afraid.
11:18Get out of here.
11:19Leave now and take all your people with you.
11:23You handle all my business from Argentina.
11:26Now, you don't think that the government of this country would do anything to infiltrate us?
11:34Check her out, Paco.
11:36There's no reason not to.
11:38We have too much at stake.
11:40I'm asking you as a friend.
11:42You insult me.
11:44Get out of here.
11:45Now!
11:52I'm real sorry you feel that way, Paco.
12:04Grab a helmet, Buckwheat.
12:05The chili peppers are on the warpath.
12:07This is nuts.
12:09Let's get out of here before they eat us for dessert.
12:15Call Tito in Sao Paulo.
12:17Tell him I need people up here immediately.
12:19I want them dead.
12:21Kill them all.
12:30It's a rush job, Buckwheat, but we're willing to do business.
12:33You understand?
12:35Buckwheat?
12:36Hey, whoa, relax.
12:37Everybody's Buckwheat to me.
12:40Then we understand each other, Gomer.
12:43What do you need?
12:45All right.
12:46I want to cut it here and here.
12:48I want to lower the roof six or seven inches.
12:50I want you to put leaded glass in the front and the sides.
12:52Now, I'm going to fly it in for you, but you've got to cut it and fit it.
12:55You mean bulletproof glass?
12:56What you going to use this car for?
12:58Movies.
12:59Yeah, we're movie producers.
13:00We've got a lot of cash and no time.
13:02Ain't that always the way it is, Roger?
13:03No kidding.
13:04You're going to make a movie here in Seaport?
13:05That's right.
13:06Movies.
13:07Think of us as sort of dumb children with lots of cash and short tempers.
13:11You make the price, we give you the dough.
13:13You miss our deadline, we stamp our feet and call our lawyers and generally become a pain
13:18in the ass.
13:19Hey, Monty.
13:20This dentist on C Street, you any good or what?
13:22Okay.
13:22He pulled my kid's teeth.
13:24Guy's had me on hold for three minutes here.
13:27Of course, my agent is gasped.
13:29Agents.
13:29They should all be shot.
13:31How about it, Monty?
13:32You want to entertain America?
13:34Can you have it by Tuesday?
13:36That's 52 hours.
13:38You don't care about this back end being messed up?
13:41Oh, I love it.
13:42Gives the car personality.
13:44Oh, yeah.
13:44It's fab.
13:45Yeah, yeah, I'm still here.
13:47What happened to you?
13:48You can do that?
13:50All right.
13:50Yeah, thank you.
13:53Yeah, they're going to squeeze me in.
13:55How about it, Monty?
13:57Babe, can you squeeze us in, too?
14:11Why don't you get a hand out of my mouth?
14:13Hey, I didn't put the glass doors in this place.
14:16Now, if we're going to live in a fishbowl, we've got to make it look good.
14:18Now, open your mouth.
14:19Yeah, this used to be a real estate office.
14:22Dr. Stevens is having to redecorate it next summer.
14:24Charles Segras, the CIA, is coming in in a few days.
14:27CIA got a positive kickback on Paco Bozos.
14:29He's the middleman for the Argentine underworld.
14:32He handles the U.S. dope pipeline for the five major families down there.
14:36Now, we didn't get any readout on Mel or Susan Proffitt.
14:38This guy is too big to be slipping through the cracks.
14:41I figure we're looking under the wrong column.
14:43So you want me to get a set of prints?
14:45The man's reading my mail, Kenny.
14:47The Yenta.
14:48I want to know what went on after you left the wedding.
14:51My electronic gear had wax in its ear.
14:54Well, Mel stopped the wedding.
14:55He wanted the bride checked out.
14:57He's got this fixation with Virginia.
15:00Like, anybody from Virginia is automatically dirty.
15:03Now, the only connection I can make is that the FBI is headquartered in Quantico and the CIA is in
15:07Langley.
15:08I admit, it's kind of far-fetched, but Mel may have a few cars off the track.
15:11You know what I mean?
15:12Sum it up.
15:13Give me your hunches.
15:15I don't like it.
15:17I've got a real bad feeling about Mel Proffitt.
15:20I think Lococo's worried, too.
15:23He's got his eye in the back door.
15:24He may take off.
15:27He's still afraid of Mel, but he's losing confidence in him.
15:31Anything else?
15:32Yeah, I want you to give me a prescription.
15:34Now, once I get their prints, I'll refill it at the drugstore and put the prints inside the old bottle.
15:39Good idea.
15:41All right, you can get out of here.
15:42But first, you open your mouth.
15:50And rinse.
15:58Got the whole floor here, or what?
16:00You only have to worry about the two elevators and the fire escape.
16:03That's the only way in.
16:05No, Susan, that is not the only way in.
16:08There's a couple of easy ways and a couple of tougher ones, too.
16:13Okay.
16:14Let's hear the easy ways.
16:15All right.
16:21Parachute drop.
16:22Guy could hit the roof, rappel down.
16:25Somebody could start a fire in the elevator shaft, smoke you out onto the balcony, hit you with a sculpted
16:30rifle.
16:31You take the top floor, it's real showy, but it's not secure.
16:35You're right, of course.
16:37Roger should have said that.
16:39You know, I think Roger's bored.
16:43He seems to be spending less time worrying about what we're paying him for.
16:47Listen, if you got a problem with Roger, take it up with him, not me.
16:52But I'm taking it up with you, Vince.
16:55We employ you.
16:58And I'm asking you for an opinion.
17:02What's going on here?
17:04An interview, maybe a promotion.
17:06Conduct all your interviews with champagne.
17:09Opportunity comes dressed in many colors.
17:12Sometimes one has to make difficult choices, see things for what they really are, take a risk to realize a
17:19gain.
17:19You may have not noticed this, but Roger LaCocca was a half-dead soulless killer who sleeps with his eyes
17:25open.
17:26No, I'm not about to give him a hot foot.
17:28Like I said before, you got a problem with him, take it up with him.
17:32Don't tell me you're afraid of him.
17:33You're damn right I'm afraid of him.
17:35That doesn't mean I couldn't take him, but I'm not going to volunteer for the job.
17:39If I were to ask you to walk with me, could you guarantee my safety, sir?
17:47I'll give it my best shot.
17:52Most people are intrigued by my brother and me.
17:54I know a lot about intrigue.
17:56I intrigue everyone.
18:01But they hold their distance.
18:05How can it bring you closer, Vinnie?
18:08I think you're doing just fine.
18:12Mel needs a friend.
18:14Someone who doesn't work for money.
18:18Someone who really cares for him.
18:23Another opportunity dressed in a strange color, right?
18:25I sense something different about you, Vinnie.
18:29And that, my friend, intrigues me.
18:50Everything is choices, darling.
18:53Love.
18:56Intrigue.
18:58Hatred.
19:00And betrayal.
19:26Tell me.
19:54Everything is choices, darling.
19:59Love, intrigue, hatred, and betrayal.
20:21Yeah?
20:23It's Mel.
20:24Mr. Prophet?
20:25The very one, kiddo.
20:27Hey, what do you say you and I get better acquainted, huh?
20:30What, you mean right now?
20:31Yeah, I got a fridge full of beers.
20:33Why don't you blast on up here, guy?
20:47I was sleeping.
20:49Well, I figured.
21:01Geez, this is a sleepy little town, isn't it?
21:04You getting any around here?
21:05Are you?
21:08Damn Paco.
21:10I got a guy in Sao Paulo who tells me that he sent up a bunch of greasers to get
21:16me.
21:18Death squads.
21:21Doesn't that bother you?
21:22Yeah, sure, it bothers me, Vinnie, but there's nothing I can do about it, right?
21:25So I stay here.
21:35So you could hit this place from the roof with a parachute?
21:41Is that the drill?
21:43Theoretically, yeah.
21:45Okay.
21:47So I got Stern and Pruitt on the roof.
21:50They're up there right now.
21:51They're cursing your soul.
21:57Fire in the elevator shaft.
21:59We're out the windows.
22:00They pick us off with scope rifles, something like that?
22:05It's been done before.
22:09Something wrong with that beer?
22:11No, no, it's fine.
22:16You know, my sister likes you.
22:20She says that she thinks you're special.
22:23Glad to hear it.
22:25Do you like games, Vince?
22:29Do you like roulette?
22:38One round, six chambers.
22:42Come on, Mr. Prophet, I think maybe you got a nose full.
22:44Don't do this.
22:45Not cocaine.
22:46Rule one, don't inhale the retail.
22:49What I take is medicine, Jack.
22:50Prescribed PX formulas.
22:52Dr. Feelgood's number nine.
22:54It doesn't put me to sleep, but it makes me feel a whole lot better.
22:58Round and round she goes.
23:00Where she stops, nobody knows.
23:08The idle rich are hard to entertain.
23:15You like my sister, Vince?
23:18You wouldn't hurt her, would you, cowboy?
23:20No.
23:21Because you see, she's all I got.
23:23You step into that circle, you gotta play by rules you'll never understand.
23:28One in the knee, one in the stomach, one in the elbow, one in the forehead.
23:35Vinnie, there's no bullets.
23:36I guess it's your lucky day.
23:41You want another beer?
23:42No.
23:47It's my turn now.
23:52I always keep one chamber empty under the hammer.
23:55So your odds are really lousy.
23:59Now let's get one thing straight.
24:01I work for you.
24:03You pay me, I do what you say.
24:05But if you ever, ever point a gun at me again, you're history.
24:10You got it?
24:11Well, go ahead, Vinnie, and pull it.
24:15I want to see how good my luck is today.
24:19It's okay, it's alright, it's okay.
24:24We're just playing around.
24:26Right, Vince?
25:02I've got a note in here.
25:03What does it say?
25:10I hope you can find out who this guy is, because he sure doesn't know.
25:19What kind of dentist office is this?
25:21Looks like a showroom in here.
25:23Alright, Mr. Grass, let's hear what you got.
25:26Gentlemen, this is Special Agent John Gordy.
25:29And the head of covert operations, all hemispheres, would like him to honcho this thing.
25:33Well, he can honcho whatever he wants, as long as he reports to me first.
25:38Let's hear about the readouts. I got a serious situation here.
25:41We got a positive matchup on the prints.
25:43You were right.
25:44Mel and Susan Proffitt are really Mel and Susan Martin, a couple of real cuties.
25:49John, why don't you handle the 1020s?
25:51Sure.
25:51Mel and Susan were found in an alley trash dumpster in Shreveport.
25:55He was around two.
25:56She was an infant.
25:57Parents were never located.
25:58By the time Mel was six, they'd been in three foster homes in three different states.
26:02Mel is the loose wire.
26:05The trouble, right from the cradle.
26:06Mel is a diagnosed manic depressive.
26:08He has an IQ that's well into the genius range, and he suffers from acute paranoia.
26:13When Mel was 12, he and Susan were adopted by Jennifer and Todd Martin.
26:17At the time of the adoption, the Martins already had a son, Tommy, age 13.
26:21Mel and Susan were arrested for the homicide of Tommy Martin on July 14th, 1969.
26:26They apparently hung him by his neck until he was unconscious.
26:30Then they threw his body in the swimming pool, tried to make it look like a drowning.
26:34Now, the motive for the crime was cute.
26:37Apparently, he told his parents he had caught them kissing each other.
26:42Juvie booked it.
26:42They did a couple of years at the youth offenders camp.
26:45They were cut loose and then, uh, disappeared.
26:49Tell them a little bit about Susan.
26:50Susan Martin, AKA Susan Proffitt, is a borderline genius.
26:55According to the psychiatrists at the youth camp, the two of them together were more dangerous than any one of
27:00them alone.
27:01Some sort of psychotic critical mass.
27:04She keeps him steady, he keeps them moving forward.
27:08Psychotic critical mass.
27:09Come on, guys, get off my foot.
27:12All right, here's your prescription.
27:16Get out of here.
27:25Susan, I know how your brother can be, but it is important we at least talk once before we end
27:31what has been such a profitable alliance.
27:33How could we, Paco?
27:35You've brought killers.
27:37How could Mel trust you?
27:38You have killers.
27:40I have killers.
27:42If we are to talk, it must be tonight.
27:44I have business that will take me when morning.
27:49Go to O'Doul's restaurant on Ocean Avenue.
27:52It's on the corner.
27:54Sit in the window and be there at eight.
27:57If my brother agrees to see you, he will meet you there.
28:02You must think me a fool.
28:04I will not sit in the window so you can shoot me from across the street.
28:08If our business together is so valuable, why would we kill you?
28:13Sometimes this is a very tough occupation.
28:16No crees que es verdad?
28:20That's it.
28:22Goodbye.
28:30What do you think?
28:35Only the toes knows.
28:57Good evening, Mr. Bazzos.
29:00Mr. Stone will stay with your friend.
29:03Mr. Proff is at the table by the wall if you care to join him.
29:06You're very careful.
29:07I sit by the window.
29:09He sits with his back to the wall.
29:11We're gonna be out of here in four minutes, so you're gonna have to talk fast.
29:13Let's go.
29:33I thought we should speak.
29:36My partners in Argentina feel we should try and come to an accommodation.
29:42Okay, Paco.
29:44You got my message.
29:46I'm being pushed in on from everywhere.
29:48The bigger we get, the easier we are to hit.
29:51I got guys that have been trying to tear little pieces off of me for the last two years.
29:54I've been infiltrated.
29:56I've been lied to.
29:57I've been stolen from.
29:58You are the bright light flickering in the darkness.
30:03There are many moths that are fascinated by the flame.
30:08Some fly too close and are burned.
30:12But with moth comes the beetle.
30:16Hard, shiny bugs that have pinchers.
30:22And are hard to kill.
30:25The brighter you burn, the more they come.
30:30It's a fascinating problem, no?
30:32Why don't we cut the crap, Chico?
30:33I think your new wife is a federal plant.
30:35This woman has got you sitting on your brains.
30:37I want her out.
30:39She's from Virginia.
30:40I checked it out.
30:41Ah, yes.
30:42The fascination with Virginia.
30:46Tony Bonaventure.
30:47His mother lives there.
30:49You pull him out of bed.
30:51You ask him the address.
30:53The poor man transposes two numbers.
30:55You can't find his mother.
30:56You kill him.
30:58I've been checking.
31:00Lisa Clark is not from Minnesota.
31:03She went to the University of Texas.
31:05Then she had a job in a law office in Virginia,
31:07six miles from Quantico.
31:09So what?
31:10I want her checked out.
31:12Go!
31:19I think you have many beetles around flame, my friend.
31:23You see that man sitting at that table?
31:26With your bodyguard.
31:27His name is Hellos Romanos.
31:30You have a man, a bodyguard, named Romanos.
31:34Is this not correct?
31:37So?
31:38It's a common Latin name, Romanos.
31:42Hellos Romanos has been with me for many years.
31:45He's Cuban.
31:47I believe Marcos Romanos is a Cuban.
31:51So what?
31:52Phone call for you, Mr. Prophet.
31:58Go ahead.
32:00I have plenty of time.
32:04Yes.
32:06Mel!
32:06Mel!
32:07Whatever they do, tell them to stick it!
32:13We were saying about the Romanos name.
32:16It's a very common name in Cuba.
32:18But this is no coincidence.
32:20Marcos and Hellos are cousins.
32:29I will stay in town one day to discuss how you will turn over your distribution to me.
32:36You will give me the route, warehousing points, and the personnel.
32:42In one month, when I'm in control, I will decide where you will get your sister back.
32:49Or perhaps, as you chose with my wife on a whim, I may ask that she be eliminated.
33:05It's a nice restaurant.
33:08Good night.
33:24Good night!
33:31Good night.
33:37Good night.
33:50I want her back!
33:52I need her!
33:55Susie!
33:57You get out of here!
34:04What is going on in there?
34:05What's wrong with you?
34:07He's been in a rage all night.
34:09Where the hell have you been?
34:10Locked himself in the bathroom.
34:12He started throwing things, screaming.
34:14I can't even get in there.
34:15I want her back!
34:17I need her!
34:19He wants her back.
34:20I guess we should get her back.
34:21Oh, that's a very good idea, Buckwheat.
34:23Do you have any suggestions about how to do that?
34:25Paco's no rookie.
34:26He's been down this track for years.
34:28He's going to be impossible to find.
34:30Nothing's impossible, Roger.
34:32You ought to know that by now.
34:33Got an idea?
34:33Yeah, I do.
34:34Well, look, these guys got to eat, right?
34:38Yeah.
34:38Now, most of the South Americans that I know about,
34:40they can't eat the same stuff that we do.
34:42They got this thing about killing their meat and poultry
34:44and eating it fresh.
34:45Now, there's a dozen of these guys.
34:47That's a lot of meat and poultry.
34:48I think we should stake out the food supply
34:50and see what we come up with.
34:51It's not a bad idea, Buckwheat.
34:54You're showing signs and becoming very helpful.
34:57Oh, gee, Roger.
34:58Thanks a lot.
35:01You got any ideas about how to get Napoleon
35:03out of the bathroom?
35:04Yeah, I think so.
35:05Let's give it a shot.
35:10Wake up, you guys!
35:12What are you looking for?
35:13It's drugs.
35:14You should find the stash and throw them a little party.
35:17Vinny, Vinny, Vinny.
35:18I got it.
35:28Go away!
35:29You go away!
35:30I want Susie!
35:31I want Susie!
35:33Mr. Prophet, I've got something for you.
35:35You!
35:36You're dead, LaCocco!
35:37It's because of you this whole thing happened.
35:39I'm gonna kill you, you dirty, incompetent, son of a bitch!
35:43Mr. Prophet, I've got your works here.
35:47I'm just gonna leave it outside the door.
35:50All right?
35:51Go away!
35:53I need Susie!
35:56I want Susie!
35:57Come on, give him some room.
36:06It's been a long night, Buckwheat.
36:16I talked to all our security people.
36:18Marcus Romanos shifted their posts.
36:21That's how they got Susan out of the hotel.
36:23I hired Marcus Romanos.
36:25I'm gonna get trash for it.
36:27Forget about it, man.
36:28Anybody could have made that mistake.
36:29You're not listening, Vince.
36:31This is supposed to be an error-free environment.
36:34You get one mistake, it's your last.
36:38Well, what if we find her?
36:39What happens then?
36:40I don't know.
36:56If she's lost, Roger,
37:00I will take your skin off
37:02and strips.
37:22Susie had all the best ideas.
37:30We could talk without saying anything.
37:35She always knew what I meant.
37:38We could look at something
37:41and we could look at each other
37:43and we'd know exactly the same thing.
37:49We could laugh without even telling the joke.
37:55Those bastards like Tommy Martin,
37:58that little toad,
38:00were kissing in the backyard
38:01and the little bastard he's spying on us.
38:06Well, Susie knew what to do.
38:09Two years in the IYA,
38:11it was nothing.
38:11It was worth it.
38:15She knew.
38:19I want my sister back.
38:25I want my sister back.
38:29Mr. Prophet,
38:32Roger's got an idea.
38:35I think it might work.
38:37A way to track Basel's.
38:40Well, here's the drill.
38:43If she's dead, you're dead.
38:45If they torture her, I torture you.
38:48It's biblical justice, Roger.
38:50Get out and go get her.
39:03Thanks, Buckwheat.
39:05We've got to find her first.
39:06Then you can thank me.
39:07Okay, we'll cover this food angle.
39:08There are only two markets in town.
39:10How many poultry farms can there be, right?
39:12Get the door.
39:14Only the Toes knows.
39:19Only the Toes knows.
39:47This is Pruitt Chinaman's pulling out.
39:49It's tearing over.
39:51I'll take the first position.
40:07I'll fall back.
40:08You take the lead.
40:28Chinese houseboy just arrived.
40:30One, six, three, three, four Ocean Road.
40:33It's about two miles north of Seaport.
40:35You take the East Fork near the service station.
40:38Bare left along the coast.
40:40It's a big cedar box of a house.
40:43Lots of windows.
40:45Okay, stay on it.
40:46We'll get back to you.
40:54Sailor Hardware, Mike Taranova speaking.
40:56Day code, USA Entertainment.
40:58Gone, Malibu, high-rise.
41:00Vinny, how's things?
41:02No good.
41:03Tell McPike we lost Susan.
41:04Mel's gone wacko.
41:06Bazos has Susan at a house at 163-34 Ocean Road,
41:09two miles north of Seaport.
41:11Listen, this thing's going to get ugly fast.
41:14Everybody's under pressure.
41:15Lococo's jammed up.
41:17Tell McPike there's going to be a shootout
41:18unless he can fall on it fast.
41:20I can't do anything but play along.
41:21I'll call you later.
41:22I'm gone, Vinny.
41:34Let's do it quick and fast.
41:36Tell Moses to start preaching.
41:39Have the Lord spoken to the children of Israel?
41:44If you do not obey my commandment,
41:47if you're so opposed by ordinance,
41:50I will appoint over you a sudden terror.
41:54There's something and fear
41:55that will cause your eyes to waste the way
41:59and all of you.
42:03You will know you'll see it uselessly
42:05for your enemies shall eat it up.
42:08Father, you shall eat the flesh of your sons
42:12and the flesh of your daughters you shall eat.
42:15I will cut down your incense ovens.
42:18I will not sell your soothing ovens.
42:23and your enemies will consume you.
42:26And they, otherwise,
42:29the Lord spoke upon me
42:31to the children of Israel.
42:32Come on, get out of here.
42:33Move it.
42:34And they obey.
42:35For they do,
42:36but they almost obey.
42:38Otherwise,
42:39they'll come in line.
42:40Get in there.
42:42No, no, no, no, no, no, no.
42:50Oh.
42:58Oh.
43:02Oh.
43:04Let's go.
43:49Let's go.
44:07Let's go.
44:32Let's go.
44:34Let's go.
44:34Let's go.
44:35Let's go.
44:37Let's go.
44:37Let's go.
44:50Let's go.
44:52Let's go.
44:56Let's go.
45:05Let's go.
45:07It looks like the drip pan under my car.
45:09Would you like to make a formal complaint?
45:12Chuck, Chuck, Chuck, Chuck.
45:13It's just an observation.
45:15Oh.
45:16So what's so important.
45:17So what's so darned important I had to drop everything and fly out here?
45:20We got a positive idea?
45:21We got a positive ID on the late, you know, we got a positive ID on the late Lisa Bozos.
45:23You flew me all the way to Virginia just to tell me that, where your phone is, is it bugged
45:27or broken or what?
45:29Well, I thought that as agent in charge, you'd like to handle all the flap personally.
45:33What flap?
45:34Lisa Bozos, you know what?
45:37Lisa Bozos, alias Lisa Clark, was positively identified by the CID.
45:45What's all this nay stuff?
45:47It's legalese, Frank.
45:48It means born.
45:50And you better get used to using it, too, because you're going to be filing an awful
45:53lot of paperwork on this one as agent in charge.
45:57Okay.
45:59I'm breathless.
46:00Who is she?
46:01Lisa Bozos was an operative that the Argentinian covert operations bureau placed next to Paco Bozos.
46:07She was one of ours, Frank.
46:11Deep cover for the CIA.
46:16Surprise, surprise.
46:52Why do you give them drugs like that when you know they send them into orbit?
46:56Do they, darling?
46:58Or do they just release them from the pain his mind inflicts on his body?
47:06Have you noticed that some things are not as they seem and others are exactly?
47:13And the trick in life is knowing which is which.
47:34Only the toes knows.
47:43That you can Force.
47:50Yes, please.
47:51porque sĆ
47:52LIES
47:522
48:12Luego
48:13ts
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