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00:25A minute ago, you had a real fight.
00:29Well, of course I did, you know me.
00:31Just the everyday life of humble publican.
00:37Listen, I can't talk properly.
00:42No, not tonight.
00:44What about tomorrow?
00:47No, tonight's...
00:47Well, it's our wedding anniversary, would you believe?
00:53Oh, yeah.
00:54Look, I've got to see you soon, too.
00:56So, listen, if you want to get in touch with a brewery direct, that'll be your best bet.
01:00I'm sorry I can't help you.
01:02Bloody reps.
01:03I have a knock-off.
01:05I hope somebody's cleared up that broken glass down there.
01:07Yeah, I'll put a bit of plywood over the window.
01:09I'll get tone on it first thing.
01:11Which one of them broke it?
01:12Nick.
01:13Nick.
01:14Hmm.
01:15Well, that just goes to prove my point, that does.
01:18It's useless spending money on this place, useless.
01:20Oh, come on, Angie.
01:21It was a one-off thing.
01:21It's always happening.
01:23Fighting, aggro.
01:24We're in the wrong district, we are.
01:26Look, it was just Nick having a go at Ali about red cocks.
01:28That's all.
01:29Yeah, and Kathy having a go at Sue Ali, getting all uptight there.
01:31Mad.
01:32Yes, but it was all sorted out.
01:33About as mad as we are, spending a fortune on improvements just to see them smashed up when
01:36we've done them.
01:37Look, all I want to do is to knock two bars into one like Sonny and Riav.
01:40And look at them.
01:40They're coining it in these days.
01:41Oh, yeah.
01:43In Austerly.
01:44So?
01:45Well, if you can't see the difference, I can.
01:48For a start, people there have got more money to spend.
01:51Okay.
01:52There's a recession on.
01:53Business has been down.
01:55Down?
01:55It's the worst it's been for years.
01:57Oh, shut up, you two.
01:58Don't start on about money again, please.
02:00You wouldn't like it if we didn't have any.
02:03Don't argue about it.
02:04We're not arguing, darling.
02:06We're just having a business discussion.
02:08Well, it don't sound like it from where I'm sitting.
02:10Yeah, Sharon, you've got my earrings on.
02:12No.
02:13You haven't, aren't you?
02:14I never said you could borrow them.
02:15Get them off.
02:16They're not yours.
02:17Then, you're going to do something about her.
02:18She's lying.
02:19Give your mum back her earrings, love.
02:21That's a good girl.
02:22She's got millions.
02:23She ain't wearing them, is she?
02:25Oh, come on.
02:25This might have any ructions tonight of all nights.
02:29Seventeen years ago.
02:31And I'll tell you something else, Sharon.
02:35Your mum looks as smashing tonight as she did then.
02:38Oh, rubbish.
02:39Honest.
02:41Go on, Sharon.
02:42Keep them.
02:43You can always have what you want if you ask.
02:45You know that?
02:46Here's a necklace to match.
02:48Might as well have that too, I suppose.
02:49Oh, come on, before she swipes something else.
02:54That girl.
02:56Did we spoil her, do you think?
02:57I don't know.
03:01She's going to be a bit of a cracker, that.
03:03Have you noticed the way Lofty's been giving her the eye lately?
03:06No, not really.
03:09Very nice.
03:11Don't.
03:12All right, all right.
03:12Sorry.
03:14I don't like pretense.
03:17What would you prefer, a boy or a girl?
03:20Shhh.
03:21Come on, a boy or a girl?
03:23I don't mind.
03:24No, me neither.
03:26They can tell with these new tests now, you know.
03:29But I shall say I don't want to know.
03:31Well, it doesn't seem natural to know beforehand, do it?
03:36Promise me you really are pleased.
03:40Oi, you can cut that out.
03:42That's our prerogative.
03:43Hello, Dan.
03:45All right, Angie.
03:46Well, where is she?
03:47Jumping down here.
03:48She's just a woman to be late, eh?
03:50I haven't seen her all night.
03:51Oh, she hasn't been dead yet.
03:54Come on.
03:55Oh, here she is.
03:56Oh, here she is.
03:57Hooray!
03:59Hooray!
03:59Hooray!
04:00Hooray!
04:01Hooray!
04:02Look, Peter takes a good picture.
04:04Oh, give us a...
04:05Oh, come on, Peter.
04:06Oh, this is special account.
04:08Come on, then, then.
04:09Close together.
04:10Nice and romantic.
04:11Come on, Sharon.
04:13Come on, darling.
04:14Darling, bring Roly with you.
04:15Oh, good boy.
04:16Come on, Pete.
04:17Come on, up on the pants.
04:20Hooray!
04:20Hooray!
04:21Hooray!
04:22Hooray!
04:23Get Willie in.
04:24Go on, then.
04:25Come on, go on.
04:26Come on, go on.
04:27Come on.
04:30Come on.
04:31Come on.
04:32Come on.
04:35Come on.
04:37Hooray!
04:38Hooray!
04:39Come on.
04:40Drink up, everybody.
04:41All right.
04:42Come on, yes.
04:43It's Willie.
04:44Here, Arthur.
04:45What?
04:45I'm going to get you tiddly tonight.
04:47It's a long time since I've seen you tiddly.
04:49Oh, yeah?
04:50You just try.
04:51No problem.
04:52And I'll tell you something else.
04:53Hey!
04:54Before I get you smashed, I am going to beat you at dark.
04:57Oh, yeah?
04:57So walk this way, Arthur.
04:58Hey, hang on, Andy.
04:59Hey, pull him.
05:01We're going to...
05:01We're going to dance.
05:02Wait a minute, please.
05:04Come on.
05:06Come on.
05:07Come on.
05:09Come on.
05:10Hooray!
05:15Hooray!
05:19Oh, Arthur's got a glint in his eye tonight, Paulie.
05:21You'll have to watch him.
05:22Well, he's drowning in his sorrows, isn't he?
05:25Yeah?
05:26Yeah, well, Mum's having a go at him again.
05:28You know, usual ruptures.
05:30He'll be coming here for a bit of peace as much as anything.
05:34Honestly, Cathy, what I wouldn't give for a quiet life.
05:37What's it about this tonight?
05:41Oh, it's one of those nights, isn't it?
05:42I ain't been so hot in here, either, with that soup.
05:45I don't know what I'm supposed to have done to her, but she's really got it in for me.
05:48You should have heard her.
05:49Well, I'm glad I didn't.
05:51I'll, er, leave, Arthur.
05:53He seems to be enjoying himself.
05:58Arthur!
05:59Hello.
05:59I'm just off.
06:00Are we all right?
06:01No, no, you stay.
06:02Are you sure?
06:03Of course.
06:04All right, I'll walk you only.
06:05Don't be silly.
06:06It's only over the road.
06:07Night, Dan.
06:08Thanks for the drink.
06:09Here, Kath, keep an eye on Arthur for us, will you?
06:12He seems a bit, er, all ready.
06:14I'm watching for you, Pauline.
06:16Yeah.
06:16No, don't worry.
06:17I'll make sure he gets home in one piece.
06:18Good night.
06:19Bye, darling.
06:21Oh, good night, Pauline.
06:27Oh, good night, Pauline.
06:30Arthur!
06:31Sorry.
06:32But you think I'm going to let my wife walk about at night?
06:35With this Ridgecock's business not sorted out, it might be all sorts about.
06:39Oh, don't be dafty.
06:40He had a stroke, didn't he?
06:42I don't know about that, Pauline.
06:43Anything might happen, might happen.
06:45Oh!
06:46Am I holding you up?
06:47Or are you holding me?
06:48Now, stop it.
06:49All right, come on.
06:50That's insane, isn't it?
06:51I do.
06:52It can't be that bad.
06:54No, I'm just kidding.
06:56Look, I'll show you.
06:57Look, here.
06:58Here.
06:58This is not bad, is it?
07:00Hey?
07:00Here.
07:01Wait!
07:02Shh!
07:04Don't hurry up, do you?
07:06Don't want to see her anymore today, do I?
07:09Tell you what.
07:11When I get back, I'll tell you what I'm going to do.
07:13What?
07:14I'm going to tell Kathy and Pete about the baby.
07:17Because they'll be pleased, won't they?
07:20I ain't telling her it was horrible, wasn't it?
07:22Enough to drive a man to drink.
07:23From the look of you, it already has.
07:26Now, don't be late.
07:30Pauline!
07:31Shh!
07:32I don't know.
07:39Hello, Mum.
07:40Having an early night?
07:42I would be, if I could get into the bathroom.
07:45Oh dear, it's not Mark again, is it?
07:48Wallowing in it he's been for at least an hour.
07:50He'll be like a boiled lobster when he gets out.
07:56Mark!
07:57Mark!
07:58Turn that radio off at once and come out of there, do you hear me?
08:01My day, we wouldn't have stood for it.
08:07Why you want to bring more children into the world
08:09when you can't even manage the ones you've got, I can't think.
08:12I'll, er, make us a nice cup of tea, shall I?
08:15No, thank you.
08:16Please don't let's have an atmosphere.
08:18We've all got to live in the same house.
08:21At least let's be friendly.
08:26Arthur's still down at the pub.
08:29Is he?
08:30Yeah.
08:31He wants to tell Pete and Kathy about the baby.
08:34We'd like them to know.
08:36I see.
08:42Look Mum, why can't you just accept what's happened and be glad for us, eh?
08:48You know, you really upset Arthur today.
08:51He can't take that sort of aggro.
08:53One thing I will say for Pete and Kathy, at least they've got a bit of sense.
08:58Yes, well I wouldn't have dreamt of just having an only child like they've got.
09:02And neither would you, Ivor, in your day.
09:04And as a result, look at them.
09:06Nice flat, smart clothes, TV recorders, gadgets everywhere.
09:12Are you?
09:13Yeah, well I'd rather have a baby than things any day.
09:19Now come along please, ladies and gents.
09:22Some of us have got beds to go and even if you haven't.
09:24This had their glasses.
09:26Come on, boys.
09:27Chop, chop.
09:28We've got to get cleaned up.
09:29Hey, sit down a minute, Kev.
09:30Oh, what?
09:31I was supposed to be keeping an eye on him.
09:33Look at the stadiums.
09:34Now, shut up a minute.
09:35This is in port both of you.
09:36I want to tell you something.
09:37Well, hurry up.
09:38They're not supposed to be clearing out.
09:40I'm...
09:44I am...
09:47I am...
09:48I am...
09:48He is.
09:49Give over a minute, Pete.
09:51Now, I am...
09:53going to be a father, that's what.
09:55Well, you've only been one for 16 years, Harper.
09:57I suppose it was about time the penny dropped.
09:59No, no, no, no, Peter.
10:01Again.
10:03Again, being the operative word.
10:05Pauline's in the club.
10:07Is that what you're trying to say?
10:08Yeah, that's it.
10:09That's fantastic, mate.
10:10That's fantastic.
10:11I thought something was up with Pauline.
10:13And I'll tell you something else, Pete, old son.
10:15I feel like a new man.
10:17A new man.
10:18Oh, it's going to be a bit of a shock to the system, though, isn't it?
10:20After all this time.
10:22All that business all over again.
10:24Just think of it.
10:26Dirty nappies.
10:26Broken nights.
10:28Here, have you told Mum yet?
10:30Oh, don't.
10:31He has.
10:32And she's going bananas.
10:34She's probably waiting for me now.
10:36Behind the door with her rolling looking.
10:38She thinks it's my fault.
10:40She's blaming me.
10:42No, I'm not having it.
10:44I don't see why I should have to put up with it.
10:46Oh, look, Arthur, you don't want to do anything silly.
10:48No, no, no, no.
10:48I'm going to have it out with her right now, once and fall.
10:52Oh, you're not thinking of going, are you?
10:55I was, yeah.
10:56Oh, don't go yet, eh?
10:58Well...
10:58Oh, that's better.
10:59Come on.
11:00It's not very often we get you on your own, is it, Arthur?
11:03You know, you've got to take advantage of life's little opportunities.
11:07So come on, Arthur, and give us a kiss.
11:09No, no.
11:10Hang on, Angie, hang on.
11:11Look, no, look.
11:12I'll tell you what we'll do.
11:13We'll wait till everyone's gone.
11:14Then we'll open the bar and we'll have a laugh, eh?
11:16Yeah, Arthur, Arthur.
11:18I think it's best if you come back with us tonight.
11:20Keep down on the side.
11:20No, no.
11:21We've got a nice sofa and all.
11:23And anyway, I asked him first, didn't I, Arthur?
11:25I shouldn't have to struggle in my condition, Angie.
11:29Well, don't you?
11:29No, no.
11:29I'm expecting.
11:32Anything you're expecting, Arthur, Angie can deliver.
11:35Oh, come on.
11:36Off we go, then.
11:37Come on, off we go.
11:37Now, Arthur.
11:38Then, she's yours.
11:40Arthur, come on.
11:41I was just having a little word with Arthur.
11:44No, you weren't.
11:45You were coming to bed.
11:46Oh, was I?
11:47Yes.
11:47So say night-night to everyone.
11:49Come on.
11:50Just a minute.
11:57Off you go, then, folks.
11:59I'm up to my brother's suite.
12:02After all, it is my anniversary, you know.
12:12He loves me.
12:14He loves me not.
12:15He loves me.
12:16He loves me not.
12:17Then he doesn't love me.
12:20Oh, come on.
12:24I'm not drunk.
12:26I know when I'm drunk and when I'm not.
12:28And I'm not.
12:31Giddy up there.
12:32What's the matter with you?
12:33Can't you take a joke, anyway?
12:35Oh, Den.
12:37I've dropped me flour.
12:38Angie's dropped her flour.
12:40Get me flour.
12:41I've dropped her.
12:44I've dropped her.
12:46I've dropped her.
12:46Anyway, how old am I supposed to enjoy meself except by getting smashed out of me brain?
12:54Anyway, all I wanted to do was have a bit of fun with Arthur.
12:57He's all right for a bit of fun, he's Arthur.
12:59Oh, where you going?
13:01Anyway, what's wrong with having a bit of fun?
13:04That's what I want to know.
13:05What's the point of staying stone cold sober all night?
13:08Here, Den.
13:11You wasn't saving yourself for anything, was you?
13:14Oh, naughty, naughty, naughty, naughty, naughty.
13:25I'm James, and don't spare the horses.
13:30Oh, I'll give him a bit of fun.
13:34I don't care if I want to.
13:36I'll give him a bit more food.
13:36Up!
13:38Up!
13:41Up!
13:43Up!
13:44Up!
13:45Oh, Aly!
13:47It looks as though you got the worst of it.
13:49Just look at your eye and your lip!
13:51Let's see your hand!
13:53Whip!
13:54My one.
13:56That's what comes a far too far.
13:58yes up doubt if the other fella's got so much as a scratch on him cause he ain't got the
14:06foggiest
14:08so you don't think it needs an x-ray no no it's just a sprain it's strapped up and you
14:13can keep
14:14it in this sling for a day or so rest is the main thing what about work i drive a
14:19cab no driving
14:21you'll have to take a bit of sick leave i'm afraid nothing much i can do about your eye or
14:26your lip
14:27they're just a matter of time that must have been quite a door you walked into
14:35have you heard our reg cox is at all not today no ah only the police were around yesterday
14:42they've locked his room up oh yeah could i ask you something what if he had been found straight
14:48away would he have had to go into hospital and in intensive care and all that if we'd found him
14:53sooner would he be so ill or would he have been ill anyway what's it our fault i can't know
14:58ali fault doesn't come into it well it does well it might do i just wish you'd tell me i
15:04can't ali
15:04because i haven't seen a medical report on him yet so i really don't know but there's no point in
15:11feeling guilty is there well i waited and waited and it got later and later you might have said you
15:19wasn't coming home last night i was plastered pauline pete and kathy took me back to their place
15:24i know i've already seen pete got a hangover no well a bit if you must have here why don't
15:33you go home
15:34and drink a couple of pints of water that usually helps is she at home afraid so
15:43simmer down the talk no chance and your not coming home last night didn't help matters either
15:50she had a field day with that one oh god look
15:58you've got to make it up with us sometime so why don't you go out and buy a nice box
16:02of chocolates
16:03and get it over and done with what for well it's never been known to fail go on just for
16:09me
16:12right um have you got any uh no no you weren't really worried about me last night were you
16:23of course not i always know where you are and what you'll be up to
16:31for reg we're having a quick round for some flowers for him oh yeah and we thought you might
16:37like to contribute not really oh but he's not a friend of mine or anything nobody lived in the
16:44same house as you look you can't choose your neighbours when you're in a council flat now can
16:48you ethel no i know that but i did think i don't like him do i and neither do a
16:54lot of other people
16:55around here now suddenly it's poor old reg and let's buy him some flowers well i don't care for
17:00hypocrisy we thought daffodils what daffodils and irises because pete and kath can get them
17:08cheap through the train so that definitely decides it i certainly don't want nothing to do with it
17:12if she's involved
17:17she's involved in the scene
17:19so
17:19yes
17:19yes
17:20yes
17:20yes
17:30To be continued...
17:53No, that's much too much. You can buy a box for a couple of quid or so, can't you?
17:58I'll have a big one. I'll pay you back when a jarro comes in.
18:01No rush, mate. No rush.
18:04Hey, Arthur, whatever you do, don't get a one with nuts or toffee in.
18:10Huh?
18:11Because of her teeth.
18:13What's happening, babe? Nice bit of white?
18:18This is a pretty one.
18:20Mmm.
18:22How much do you want to spend?
18:24I don't know quite.
18:26Well, this one's only ÂŁ4.99. Cheap.
18:31She's keen on horses, is she?
18:33I don't think so.
18:35We've got this nice ballo picture. Only ÂŁ3.99.
18:38Does she like dancing?
18:40What, her?
18:41What sort of person is it?
18:43My mother-in-law.
18:45Oh.
18:46I've got just the sort of thing that would interest you.
18:49It's got a pretty picture, see?
18:50Nice little puppies.
18:52It's knocked down to ÂŁ1.99.
18:55ÂŁ1.99.
18:59We need all the customers we can get to make this place pay.
19:03And the Fowlers and the Beals are a big family around it.
19:05It's going to make a difference to us if we lose them.
19:08And you mustn't go round making any of these, Sue.
19:10But you're a fine one to talk. Look at the state of you.
19:14My roll's ready, yeah?
19:16Yes.
19:22Okay.
19:23Done.
19:25And you're lucky I ain't sending you a bill for all that broken glass.
19:30All this started.
19:31My fight with Nick, my aunt, being banned from the pub, being off work.
19:35You having a row with Cathy?
19:37It all comes from us not checking up on old Reg, doesn't it?
19:42Well, Reg is really ill, isn't he?
19:44I don't know.
19:46I asked the doctor this morning, but he wouldn't say much.
19:49So, I mean, if he is, and he's old, he's really old, isn't he?
19:52I mean, do you think they might decide not to send him back here again?
19:54Put him in a home or something like that?
19:57I don't know.
20:02Because if so, do you think we could put him for his room?
20:07I mean, an extra room made all the difference to us, wouldn't it?
20:11I want to be Bobby's girl.
20:15Do you mind?
20:17You've got a date, love?
20:18No.
20:19How's the hangover range?
20:20Feeling better?
20:22I've got you some more of these for the head.
20:24And I phoned the brewery this morning.
20:26They were very interested in my ideas about the conversion.
20:28Come here.
20:33If I was to knock this wall down, instead of having two pubs...
20:38I've got a thousand little men with hammers inside my head.
20:42And hearing about your crackpot schemes is about the last thing I feel like doing right now.
20:46Right?
20:47Okay.
20:48Guess I didn't pick the right moment.
20:50I'll get out your way.
20:51Yeah, you do that.
20:53I'll go and run a few errands.
20:56I think I've located some more of that scotch.
20:58Which scotch?
20:59You know.
21:01Well, we need at least two cases.
21:03I'll see what I can manage.
21:08I've been on the shelf some time by the look of it.
21:10You must admit, it's a nice picture, though.
21:13Apart from the dogs.
21:15Well, anyway, it's by way of a peace offering.
21:19To say I'm sorry we gave you a shock yesterday with our news.
21:23Here, you can keep your peace offering.
21:26Look, Mum.
21:27There'll be no peace between us till you see sense.
21:30But it's happened.
21:32The baby's there.
21:33I'm sorry, but you just have to get used to it.
21:36Oh, will I?
21:37I beg your pardon, Arthur, but who says so?
21:39Well, nobody.
21:40It's just that there ain't any alternative.
21:42Oh, I ain't there.
21:43We'll see about that.
21:44What do you mean?
21:46You mentioned alternatives, right?
21:48Right.
21:49Right.
21:50Well, the way I look at it, you've got free, see?
21:53Either you can do the sensible thing and get it seen till now.
21:57No.
21:58Or you can go ahead and have it and get it adopted.
22:01Oh, come on.
22:02Or free, you can have it and keep it.
22:05But not here.
22:07Not here?
22:08That's what I'm saying, Arthur.
22:10Not here.
22:11Have that baby and you can clear out the lot of you.
22:15You, Pauline, Mark, Michelle, every man jack of you.
22:19Put it another way.
22:22That baby don't come into this house.
22:25Either you get rid of it, or I get rid of you.
22:29You, Pauline.
22:31This is my world.
22:35I've lost beautiful days.
22:40Lost in her eyes.
22:43But then the whole world lies.
22:48We can't.
23:04God almighty, that's all we need.
23:07Here, Ethel, you're going to have to stick around a bit.
23:11Hello, Mr. Chumley.
23:17Morning, Mrs. Watts.
23:18It's a long time since you paid us a visit. What a nice surprise.
23:21Not a surprise, I hope. They only made the appointment this morning.
23:24Oh, yes, of course.
23:26Well, would you like a drink on the house, naturally?
23:29Thanks. Scotch?
23:30Tonic, please.
23:32Are you sure?
23:34Tonic's fine.
23:35I've just got to get some ice, Mr. Chumley. I won't keep your moment.
23:40Here, Ethel, you're going to have to post yourself outside and stop then.
23:44Stop then?
23:45Shh! From bringing in the whiskey.
23:48Why?
23:49Because it's the wrong whiskey, isn't it? We're supposed to get our whiskey from the brewery.
23:53Are we?
23:54Yeah, but sometimes, you know, if something sort of lands in our laps, so to speak, well,
23:59we fiddle things, you know what I mean?
24:01Then who's this, then?
24:02Shh!
24:04He's the man from the brewery.
24:07Oh, I see.
24:08When you see Dean, tell him to leave the whiskey in the car, right?
24:11Right.
24:12You got that?
24:13Yes.
24:17I'm sure my husband won't be long, Mr. Chumley.
24:19I hope not. He's sounding in quite a hurry to discuss these alterations.
24:22Oh, yes, he is.
24:25Would you, uh, care for a roll?
24:29He's a lovely little thing.
24:32Eh?
24:34Oh!
24:36Here, Ethel. Want a box of chocs?
24:39Eh?
24:40No, I'd take the bloody things. I don't want them, do I?
24:43God almighty.
24:44Any more of her, and I think I'll go bonkers.
24:47Stop raving up the whole bonkers.
24:48What?
24:49How long has it you've known her?
24:51Who?
24:51My precious mother-in-law, who else?
24:53Oh, you mean Lou.
24:54Well, now, let's think.
24:56Well, however long it is, I take my hat off to you.
24:58I don't know how you've done it.
25:00How anyone can manage to stay friendly with that cantankerous old cow, I don't know.
25:04Let alone for 40 years or whatever it is.
25:06What's she done now?
25:08Never you mind what she's done.
25:09You just hang on to them chocs, all right?
25:14Here.
25:15Just a minute.
25:16Where are you off to?
25:18Don't you do anything silly.
25:19I'm only going to see my wife, all right?
25:21Well, I can tell you how to get along with Lou.
25:24Stand up to her, that's what.
25:26Don't let her get away with things.
25:28Give her as good as you get.
25:30Fight back.
25:31Trouble with you-ish or too nice?
25:34Too easygoing?
25:35All right, Eth.
25:36When I want a character reference, I'll ask.
25:38Yeah.
25:39Don't you start on me.
25:42I ain't done nothing wrong.
25:44Come on, we'll lift it.
26:01Come on.
26:03Come on.
26:04Come on.
26:06Come on.
26:08Come on.
26:08Come on.
26:09Come on, Rowley. In you go.
26:16Rowley.
26:21Rowley.
26:27Top up, Mr. Chumley.
26:28No, I must be making a move.
26:29Oh, go on, be a devil.
26:31No, I really must be, thank you.
26:32Ah, how are you?
26:34Miss Chumley, nice to see you.
26:37Could I hear you come?
26:39Er, Angie, has Mr. Chumley had a drink?
26:41Yes.
26:42We'll get him another one.
26:45Oh, Angie, stick that out of the back before some joker gets it mixed up with the bar stock.
26:51It's her own stuff, that. Private party.
26:54As it happens, we're hoping you can make it.
26:56Well, we'll see.
26:57Well, you're a good lady, of course.
26:58Well, that's very nice of you. When is it exactly?
27:02Wednesday, eight o'clock-ish.
27:04Not down here, of course. Upstairs.
27:06Yes. Angie, look after Mr. Chumley.
27:14Here, come in.
27:18Dr. Harold Lake?
27:19Yes?
27:24Detective Inspector Marsh.
27:26Sorry to disturb you.
27:27Well, please sit down.
27:29Thanks.
27:30You're the doctor who went to the assistance of Mr. Cox yesterday?
27:34Yeah.
27:34I'm in charge of the murder inquiry.
27:36I wonder if I could ask you a few questions.
27:38Did you say murder inquiry?
27:41Yes, I did.
27:50I wonder if I could ask you a few questions.
28:00I do not know what to ask.
28:01I can't wait.
28:01I can't wait.
28:02I can't wait.

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