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مسلسل Art Detectives مترجم - Episode 1
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00:15TING TING TING
00:17Congratulations, everyone.
00:2018 months of hard work, isn't that right, Brendan?
00:23You don't need me for anything else, do you?
00:25All work and no play, that one.
00:28But we have got there.
00:31The Astley family collection, all under one roof, just as it should be.
00:37You're very good health.
00:39So exciting.
00:40Now, you two are going to be there at the grand opening on Friday, aren't you?
00:43I mean, we couldn't have done it without you.
00:45Restoring my family portraits.
00:47Much appreciated, sir, isn't it, Dunstan?
00:50Jolly good. We're absolutely thrilled, aren't we, darling?
00:53Oh, and everyone, a big thank you to Francis Crozier here from the National Gallery,
00:58who brought the fourth and fifth earls here to complete the set.
01:02And apparently, he's also going to give us a bit of a presentation.
01:07Let's just say I should be sharing something quite explosive.
01:15So, what do you think of this thing?
01:16Oh, it's fabulous indeed.
01:18See, they've done something very clever, haven't they?
01:20With the daylight coming through.
01:25Uh, Helena?
01:27I just wondered if you'd given any more thought to my offer.
01:30Uh, yes, of course.
01:33It's very tempting.
01:34Well, perhaps we can discuss it later.
01:38Why don't you pop by the coach out?
01:41Francis, could I possibly have a word with you in my study?
01:46Now?
01:48If I must.
02:21What are you doing here?
02:23What are you doing here?
02:25What are you doing here?
02:27What are you doing here?
03:05What are you doing here?
03:08What are you doing here?
03:12What are you doing here?
03:37English breakfast?
03:39Oh, wonderful.
03:40It's hot, careful.
03:42I like this.
03:44It's my mum, painted by my dad.
03:48Gave it to me just before he disappeared.
03:52First dates, eh?
03:56Was the sofa bed all right?
03:59Fine.
04:01You should have let me stay, all right?
04:03Yes, I should.
04:06I should...
04:07Yeah.
04:09I need to...
04:11Right.
04:19Hello?
04:20Rosa, we should do...
04:25D.I. Palmer?
04:26Yes.
04:49Is that him?
04:51That is D.I. Palmer.
04:53He makes up the entire workforce of the Heritage Crime Unit.
04:57God help us.
04:59Oh.
05:00What?
05:01Not having him and his ridiculous painting squad show up my force.
05:06Stick to him.
05:07Tell me what he's up to.
05:08What?
05:08Spy on him, sir.
05:11Don't be so dramatic, Malik.
05:12Just keep me posted.
05:15Amazing house.
05:17This is the perfect example of a Victorian Italianate palazzo.
05:21It's like a doll's house on steroids.
05:25Yeah.
05:27Um, dear, Hollis.
05:28Welcome to Yorkshire.
05:29God's own country.
05:31Mick Palmer.
05:33Sorry about taking the case from under you, but, um, delicate situation with the National
05:38Gallery.
05:38No, no, it's, uh, it's no problem.
05:41I, uh, I'm sure you Londoners can teach us country folk a thing or two.
05:46We're here to offer every assistance, including one of my finest constables, PC Shazier Malik.
05:51Looking forward to working with you, sir.
05:53Pleasure to meet you, PC Malik.
05:56All right.
05:57Well, that's your team.
05:59Anything else I can help you with?
06:00Uh, no?
06:01I was just wondering.
06:06Right, so, where should we start?
06:08Crime scene, sir.
06:09Great shout.
06:10Shall we?
06:12Can I take your back?
06:13Yeah, sure.
06:26So, what?
06:28You investigate paintings, then?
06:29All sorts, really.
06:31Art theft, illegal trafficking, forgery, fraud.
06:34And murder.
06:35Yes.
06:38The victim is Francis Crozier, who was attached to the National Gallery.
06:42What else do we know?
06:43He was staying in the coach house, overseeing the loan of two new paintings in the gallery.
06:49Yes, the fourth and the fifth earls, 18th century artists undetributed.
06:52Right.
06:53His body was discovered here this morning by the owner of the house, Lord Astley, Earl of
06:58Halesby.
07:00Is that it?
07:01Anything else to add?
07:03Those are the established facts.
07:05Facts are good, but interpretation is more important.
07:09So, take, for example, your boss, Hollis.
07:12He said he wanted to help.
07:15Fact.
07:16But my interpretation is that he's a bit of a dick and he wanted to send me packing back
07:20to London.
07:21Am I close?
07:23Bang on, sir.
07:24Ah.
07:26Shall we?
07:27Cool.
07:38D.I. Palmer?
07:39Yes.
07:40Dr. Naoko Yoshida.
07:42The victim was found at ten past seven this morning by Lord Astley, formerly identified as
07:47Francis Crozier, 43 years old.
07:50Rigor mortis was still present, so I'd estimate time of death between 12 and 18 hours.
07:57Cause of death?
07:58A traumatic brain injury caused by a series of blows to the side of the head.
08:02A curvilinear laceration, most likely caused by a hammer.
08:07Very meditated.
08:08Don't see many hammers lying around.
08:11Um, any sign of the murder weapon yet?
08:14Still searching, sir.
08:15Nothing yet.
08:17It's wine.
08:19And blood.
08:21I see we're missing a laptop.
08:24Any sign of a mobile?
08:26Victim had no defensive injuries.
08:28No bruises or scratches on the arms or hands.
08:31So Crozier knew his attacker?
08:33No bruises.
08:34I don't know.
08:35I don't know.
08:39I don't know.
08:41I don't know.
08:43I don't know.
08:44I don't know.
08:49banging about it could be a robbery but then his wallet was right there on the desk
08:54yeah get me his phone records everyone's a critic what do you reckon local kids it's hardly banksy
09:06look at the side of it don't know if i should go in through the front door or find the
09:11gift shop
09:21good afternoon good afternoon my name is detective inspector palmer from the heritage crime unit
09:28the heritage what heritage crime this is pc malik where the proper police and you are brendan
09:37kennedy estate manager a proper one presumably i'm asking that nobody leave the house without
09:45permission and i will need you to make a statement well you're not suggesting it's one of us are you
09:50i'm just trying to get a sense of events how well did you know mr crozier not very well at
09:57all he'd
09:57only been here a few days a week perhaps had he been here a week helena sorry this is helena
10:02mcguigan
10:02my assistant he was writing a guide to the gallery plus the information panels on the wall did he know
10:09anyone else from around here not that i'm aware look i i think we're all a bit shaken inspector
10:16but i'm sure i speak for everyone when i say that we owe it to mr crozier to push ahead
10:20with the grand
10:21opening of the exhibition well yes i have done a great deal of work to get us this i wonder
10:26if we
10:26could start with the cctv oh uh yes of course helena could you um could you expedite yes happy to
10:34take your stuff isn't really my forte i'm afraid i'm sure you have other strengths
10:50okay
10:53so uh this is the system this is cover the coach house uh no only the main house and the
11:02drive
11:05there's no recording of last night someone's disconnected the camera feed but they didn't
11:10want to be seen heading over there who has access to the system anyone in the house really but there
11:16was nobody else here last night um the restorers stayed for a drink but they left straight after
11:22but they wouldn't have had access to this no absolutely not
11:27can you think of anyone who had anything against crozier
11:31uh i mean um
11:37i did hear francis mr crozier and lord astley having a row in the study over what i'm not sure
11:46but lord
11:46asked he sounded very upset it was a minor disagreement over the interpretation of one
11:54of the pictures that's all where were you last night no uh well um i'd had a glass of wine
12:00too
12:00many i took myself off to bed popped a sleeping pin and was out for the count
12:07so you found the body yes yes that's right horribly shocking
12:13that's seven in the morning that's an early start
12:15uh yes i popped in while i was out walking the dog what happened here oh that um kids
12:26uh graffitied the statue on the lawn broke a window and and uh vandalized one of the portraits
12:31with a with a paint gun the restorers came to pick it up it's going to be fine apparently
12:37is that an important piece of work important it's the first earl percy astley he made the family
12:45fortune member of parliament major philanthropist patron of the arts a bit of a hero of mine actually
12:53did you report it well no uh i i i was going to but you didn't want the national gallery
13:00to take
13:01their two pictures back it is taking enormous amount of effort to get this collection together
13:08i really wanted to show it to the world on friday's grand opening
13:15i won't be able to return any of that either not that arabella will mine
13:19she has very expensive tastes that girl
13:25if there's nothing else inspector
13:28i think we're good thank you thank you
13:49she looks well miserable
13:52she's got a face like a wet weekend women at table could have spent five more minutes on the
13:59title should have spent five more minutes painting it school of the mere johannes vermire 17th century
14:07dutch girl with a pearl earring exactly he would have done the hands and the face and his students
14:16would have done the rest sounds like a bit of a scam although unattributed the work demonstrates
14:22for me his characteristic use of light and his ability to create an intimate sense of mood crozier wrote
14:28that it's nonsense look at it it's leaden it's it's flat it's the compositions are wonky there's
14:39there's no signature it's just wrong so it's not worth anything then well the real vermeer would be worth
14:45millions and school of thousands but this is
14:51this is a dud
14:52soko's finished at the crime scene sir any sign of the murder weapon no sir
14:57this is
15:27this is
15:27this is
15:34looks like a phone number bank account i don't think so
15:51take away
15:55all right 20 sagaloo 54 pashwari 9 37 chicken korma what is the point of a korma 16 850 12
16:10.50 16 pounds
16:13it's pretty decent actually not bad hello i thought there was something written on the
16:23one in the bag triumph equals desire does that mean anything to you no
16:38so crozier had company last night whoever it was took more than his laptop and his phone
16:47there was some paper on the table
16:53i know exactly who it was
16:57lipstick on the wine glass cadmium red francis bacon's trademark
17:06he said he could get me a job at the national gallery said he could pull some strings for
17:13me
17:17he tried to kiss me
17:22i managed to push him away and told him i wasn't interested
17:26last night someone smashed cosia over the head with a hammer and you lied about being with
17:30him doesn't look good does it
17:35don't blame yourself for crozier's behavior
17:39i don't
17:42crozier's laptop is missing
17:44did you see it when you were there
17:46yeah he was working when i arrived
17:49creep
17:50you wouldn't even be here if it wasn't for me
17:54you didn't even like him
17:56do the words triumph and desire mean anything to you
17:59i don't
18:01think so
18:02how long does the house hold on to the cctv recordings
18:05seven days
18:07why
18:07i'd like to review the footage from the night the painting was vandalized
18:12okay
18:14the camera's not great but you can see the gallery window
18:22is there any more footage
18:23yeah just one
18:25so why use a paintball
18:27and why shoot that painting
18:32there's a paintball center just down the road
18:35let's pay them a visit
18:37you
18:38wanna get that
18:39yeah
18:40i'll um
18:41wait in the car
18:42okay
18:45shit
18:46malik
18:46got an update for me
18:49it's like downtown abbey here boss
18:51how's palma doing
18:53he's a bit random
18:55he keeps going on about the paintings and that
18:58and he leads
18:58so lord astley had a big row with crozier the night he died
19:01he'd be my bet
19:03right well
19:04keep me in the loop
19:06i wanna be the one who makes the arrest
19:08remember who you were for
19:10never in doubt boss
19:33help you
19:35maybe
19:43p.c malik east yorkshire police di palmer just inquiring about an incident at astley estate
19:49i heard the murder in hailsby nasty for bella
19:53bella
19:54bella hartley lady arabella now
19:56she used to work here then she hooked up with astley that's the last we heard from her
20:01still
20:02that's her business
20:04what can i do you for
20:05whoever have any equipment go missing
20:07don't think so
20:08i mean
20:08it's not fort knox
20:10we'll need a list of members
20:11nah no members
20:12we've got some regulars
20:14but anyone can book a session
20:15well
20:16get me a list of bookings then
20:18i'll see what i can find
20:23look who loves his paintball
20:25our proper estate manager
20:30i'll follow back to your wall
20:31come on
20:33come on
20:45hello
20:47it's derek
20:48i've just had the police here
20:49dive in
20:56the
21:18once
21:19and
21:43Front door's open.
21:45Check the window.
21:50Mr. Kennedy?
22:25Mr. Kennedy?
22:26Mr. Kennedy?us
22:55Manny!
22:58Mr. Kennedy!
23:01Get off me!
23:03No! I'm coming! Quietly!
23:09What were you thinking?
23:12Thought you jumped to conclusions.
23:14Why would we do that?
23:17Because of your conviction for assault?
23:24Just a bunch of lads letting off a bit of steam.
23:29Why did you vandalise Lord Astley's painting?
23:32What? What are you talking about?
23:34It was damaged with a paintball gun.
23:36You're a paintballer, aren't you?
23:38You got a problem with Lord Astley?
23:42Well, he's my boss.
23:44So, are you stealing champagne from your boss?
23:47Or are you sleeping with his wife?
23:51Bravo, Constable.
23:54Yeah.
23:55I do occasionally see Brendan.
23:58Because it's better than hanging around here, bored out of my mind.
24:02And you knew Brendan from the paintball centre?
24:05Him and his mates running around like they're on call of duty.
24:08Do you think he'd shoot one of the paintings in the gallery?
24:11He's not stupid.
24:13Well, not that stupid.
24:15And the CCTV, that was you as well, wasn't it?
24:18Bravo, Sherlock.
24:20I usually reconnect it in the morning, so no one's any wiser.
24:23So, had Crozier discovered what was happening between you?
24:28Was he blackmailing you?
24:29I'm pretty sure Crozier had no interest in me in all my activities.
24:33He looked down on us.
24:34The bloke in the paintball centre said the same thing about you.
24:37You've not spoken to them since you got the keys to this castle?
24:39The keys to this decrepit, debt-ridden castle.
24:42What a prize.
24:45I, er...
24:46Apologise for my colleague's directness.
24:49What we're trying to pinpoint is what Crozier was working on before his death.
24:54All Crozier wanted was to hide away in archives.
24:58At least he didn't have to sit through his lecture.
25:00And his explosive announcement.
25:02What announcement was that?
25:05I don't know.
25:06I expect he found something in ledgers.
25:10Do you know if it included the phrase, triumph equals desire?
25:14God knows.
25:15Crozier barely said two words to me.
25:17Which beats Hugh banging on about his family history.
25:22So, unless you intend to arrest me for cheating on him,
25:26I've got better things to do.
25:32And they all lived happily ever after.
25:40Crozier had found something in these archives.
25:43And the answer is in one of these books.
25:47Or ledgers.
25:49Good luck finding which one.
25:51Yeah.
26:03I'm...
26:05I'm...
26:07I'm...
26:08I'm...
26:14I'm...
26:17I'm...
26:28Um.
26:32Sir?
26:32Sir.
26:39Bingo.
26:46Chicken Korma.
26:48He found something in here that he was excited about.
26:51Something that might be worth silencing him for.
26:56And something connects Crozier with the damaged painting.
27:01A lot of somethings. Have a smell.
27:07The title page has been ripped out.
27:10Have you had Crozier's phone record yet?
27:13Oh, mobile company are dragging their heels.
27:15I'll give them a kick.
27:16Okay, sir.
27:18Right. Let's call it a day.
27:20Good work today, Malik.
27:23Must be hard with Hollis on your back.
27:32Could I get a lift to the hotel?
27:35Got some bedtime reading to do.
27:40Oh, yeah.
27:51Yeah.
27:53Yeah.
27:54Yeah.
28:01Yeah.
28:19Then he's talking about lipstick colours
28:21and the girl with the pearl earring.
28:23What, the film?
28:26What's that got to do with anything?
28:28Search me, boss.
28:29Five minutes later he's sniffing some old book
28:31and he's obsessing about this vandalised painting
28:34when we're trying to solve the murder.
28:35You've heard the rumour about him and his dad.
28:38Oh, Palmer.
28:39Just talking about you.
28:41Made any arrests yet?
28:43Early days.
28:46So, what's the plan?
28:48I want to speak to the restorer,
28:50the person who's fixing the damaged painting.
28:52You do realise this is a homicide investigation, Palmer?
28:55Yes, I think they're connected.
28:57And then, of course, there's the note.
28:59Triumph equals desire.
29:03Yeah, of course.
29:05Well, I'm glad you know what you're doing.
29:08Good.
29:35PC Malick and D.I. Palmer.
29:40Sorry for the interruption
29:42That's no trouble
29:44Tea
29:45Love one
29:46Dunstan, put the kettle on, there's a good lad
29:52Colorful
29:54Duran
29:56One of the wild beasts, 20th century
29:58Le Fauve
30:00Matisse and his mates
30:01That, that's by one of the greats
30:04That is, an original Dunstan Fisher
30:07Dad
30:08All right, son
30:09Parents can be allowed to be proud of their kid, aren't they?
30:12Not in my experience
30:13You got a place at art school
30:15We didn't see the point, did we, Dunst?
30:17Because you can't teach talent
30:20Besides
30:21We wanted to concentrate on building up the family business
30:24Not much work around
30:26Back in the 90s, we had four people working here full-time
30:30You hear about the murder?
30:34I'd like to inspect the vandalised painting
30:37Well, the damage was very localised
30:39So the repairs have been pretty straightforward
30:42May I?
30:43Yeah, go ahead
31:02Priyamph
31:04This must be what Crozier was talking about
31:12The ship's bow's been overpainted
31:23I need to see what's underneath that paint
31:27Phone records have come through
31:29Text messages from the night of the murder
31:32All from Lord Astley
31:33And?
31:34Not very friendly
31:37We need to talk
31:38I'm sure we can come to some arrangement
31:41I'll make sure you regret this
31:43Anything that shows what they're rowing about?
31:46Er, no, nothing specific
31:51Crozier must have found something in here
31:54This lists the inventories of everything from Astley's shipping warehouses
32:00Ships going backwards and forwards from the Caribbean
32:02I mean, listen to this
32:073rd of March, 1772
32:09Bristol docks, cargo
32:11Sacks of coffee, bales of tobacco
32:13Spices, tortoises
32:15Tortoises?
32:16They'd stack them upside down like bowls
32:18Apparently it was delicious
32:19You're joking?
32:20Afraid not
32:22There's pages and pages of this stuff
32:24But I can't see anything that would get someone killed
32:27Right
32:28That's all done
32:30Is that what you were expecting?
32:33Triumph equals desire
32:36Lord Astley's little secret
32:39Nice work
32:48Boss
32:50I think Palmer's about to make an arrest
33:02Ah, the first earl
33:04All cleaned up and restored
33:06Good as new
33:10The artist wasn't much of a portrait painter
33:13But he knew his ships
33:14You recognise it?
33:16It's just a merchant ship, isn't it?
33:18It's a guineaman
33:22They were called that because they travelled to the West Indies
33:25Down the Guinea coast from West Africa
33:27It's a slave ship
33:29Specifically
33:31The Desire
33:33Somebody tried to cover that up a century ago
33:36Because it was toxic even then
33:37But I reckon you already knew that, didn't you?
33:40My ancestors did trade all over the world
33:42Slave trading was very lucrative
33:45There were different times
33:46Everyone was doing it
33:48Police
33:52Made a packet, old Percy, didn't he?
33:56Built a family fortune
33:57Bought the land you still own
33:59These are the shipping records
34:03You tore out the first page
34:05But you should have torn out the back
34:07The Desire blew up in 1789
34:10And it was recorded as an accident
34:11But it wasn't, was it?
34:12It was deliberate
34:13But worse than that
34:14It was carrying 580 enslaved Africans on board
34:18They weren't listed as people
34:21They were classed as property
34:23So in insurance terms
34:25They were worth more dead
34:26Than they were alive
34:29Crozier's explosive revelation
34:30Not great for PR, is it?
34:33Was Crozier blackmailing you?
34:35No, no, of course not
34:37There was some papers taken from his desk
34:39Was that you?
34:40Thank you, Palmer
34:42I'll take it from here
34:44This is now an East Yorkshire case
34:49What's going on?
34:50Lord Astley
34:51I'm arresting you for the murder
34:53Of Francis Crozier
34:54You can't do that
34:56If you can come with us, sir
34:57Read him as right, Hawthorne
34:59This is a disgrace
35:01Arabella
35:01Call the solicitors
35:02Get them to come down to the police station
35:04As fast as you can
35:06And get some money out of the safe
35:08Immediately
35:08They might be bailed
35:12Sorry, Palmer
35:12Early bird and all that
35:14Be my guest
35:15Why, you can go back to your museum
35:19Or whatever you call it
35:22Malick
35:22With me
35:32I think you did it
35:34I can't believe that
35:36Well, it doesn't make sense, does it?
35:40Doesn't explain the vandalism
35:45Why would somebody shoot a painting?
36:16You don't think it was Astley, do you?
36:20Don't I?
36:22Hollis seems to think so
36:24Okay, yeah
36:26That did come from me
36:28Not my finest moment
36:34Don't worry
36:36I get it
36:38It isn't him, is it?
36:40I tried to tell Hollis
36:41But he wasn't interested
36:44Go on
36:45So Astley took the notes
36:46From Crozier's desk
36:48But
36:48The paper had dried
36:50And stuck to the table
36:51Which means
36:51He took it in the morning
36:52When he found the body
36:53The murderer would have
36:54Taken it there, wouldn't they?
36:55Exactly
36:58Good work, Malick
37:00Really
37:03And Astley definitely didn't shoot the painting
37:05So
37:06Who did?
37:07And how did Crozier
37:08Manage to spot
37:09The renamed slave ship
37:12But not see
37:13How bad that was?
37:27Amir's characteristic
37:28Use of light
37:35It's like he's talking about
37:36A different painting
37:53Not Calma again
37:58Malick
38:00Let's go
38:08Oh
38:08Hello, officers
38:09How can I help?
38:15When did you realise what it was?
38:18What?
38:19That it was worth millions
38:20What was?
38:22The Vermeer
38:23What, at the gallery?
38:24That's a copy
38:26Easy for someone of Dunstan's skill, though
38:29Right?
38:31I don't know what you're talking about
38:33I think you noticed
38:35When you were restoring the painting
38:37For the gallery
38:38You saw the little tear
38:39That was on the canvas
38:41And then you realised
38:42That it was one half
38:44Of an entirely different painting
38:47The other half of this
38:52That's why the composition's all wonky
38:54And why there's no signature
38:56And then you got lucky
38:59A few weeks later
39:00That Vermeer came up for auction
39:03And you knew it was the other half
39:05Of Astley's painting
39:07What a moment that must have been
39:10To know that you had been holding
39:12A genuine Vermeer
39:15And all you had to do
39:16Was reunite the two halves
39:18And what would it be worth?
39:21Millions
39:22You just needed to make a copy
39:24And get it into the gallery
39:26Before it opened
39:30It was the smell
39:31That was the giveaway
39:34It's very hard
39:35To fake the whiff
39:37Of 300 year old varnish
39:39Oh come on
39:41Dunstan wouldn't do a thing like that
39:43In order to do the swap
39:45You needed a reason
39:45To get back into the gallery
39:48So why not restore a painting?
39:50I mean that's what you do
39:51And one
39:53That was damaged
39:55With a paintball
40:04You chose one of Astley's
40:06Worthless old paintings
40:09And when you went to collect it
40:10You did the switch
40:36Where's the Vermeer?
40:38Where's the real Vermeer?
40:40Is it up in the loft
40:42Away from your dad?
40:44Dunstan!
40:44Stop it!
40:45Put that down!
40:46Now why should
40:46Lord Astley get to have it?
40:48It's wasted on him
40:49Or Crozer
40:50Is that what you killed him with?
40:52What are you doing here?
40:56Oh my god
40:57He found out about it
40:59He was so pleased with himself
41:01It was his big surprise
41:03No
41:04No it wasn't
41:05He had discovered
41:06That the family
41:07Had a history of slave trading
41:09That was his big announcement
41:11You'd have seen that
41:12If you'd looked on the laptop
41:12But I
41:13I suppose you just got rid of it right?
41:15No you're lying
41:16You're lying
41:17I'm not
41:19You killed him for nothing
41:23Dunstan
41:24What have you done?
41:27What have I done?
41:30I've wasted my life
41:33I tried to do the right thing
41:35But this
41:38Of course
41:40Stuck here
41:41Scraping a living
41:42Waiting for crumbs
41:44I thought this was what you wanted
41:46I wanted more than this
41:47I didn't want to end up like
41:51Like me
42:06Dunstan Fisher
42:06I'm arresting you for the murder of Francis Crozier
42:09You do not have to say anything
42:10But it may harm your defense
42:11If you do not say something when questioned
42:12Which you later rely on in court
42:14Anything you do say may be given in evidence
42:21Lord Astley has been released without charge
42:24Which begs the question
42:25Why did you let me arrest him?
42:27It was a fast moving situation sir
42:29Withheld information pertinent to an arrest?
42:32I tried to tell you
42:33It's just
42:34Well
42:35D.I. Palmer
42:37He listened to me
42:38You have some nerve
42:39Malick
42:40From tomorrow morning
42:40You're on traffic duty
42:43Actually sir
42:44D.I. Palmer's requested I join his department
42:49And so six weeks later
42:51Woman at table
42:53Becomes woman
42:54In national gallery
42:56Look at that
42:57Pride of place
42:58Love it
43:00Characteristic use of lights
43:02Indeed
43:03So for the piece of resistance
43:05Look at this
43:06There
43:07Together at last
43:09They look almost as unhappy as the Astley's
43:15T.K. Ma
43:16R.T. Hu
43:18Right
43:18Got to go
43:19Lots to sort before the big move
43:21Mainly stuff from my parents coming with me
43:23Alright
43:24Well
43:25See you in a month
43:26The heritage crime unit is expanding
43:29And Hollis is fuming
43:32Really looking forward to it boss
43:34See ya
43:35See ya
44:03See ya
44:09Hello, you son?
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