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Watch These Sacred Vows Season 1 Episode 3 online in HD on Dailymotion (2026).
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00:00I
00:50Jerry.
02:38There you are.
02:40All the supplies needed for your fun little day trip.
02:43Karen, have you put on factor?
02:44Yeah, cool, cool.
02:46Well, but hey, why do we have to go to this idiotic water park?
02:49It's Niamh's hen, love, and you're both far too young to go to a hen.
02:53Yeah, but why can't we just, like, chill by the pool?
02:55Well, unsupervised, because your dad's playing golf.
02:58And, you know, even if he wasn't, Elodie did not come all the way from France just to chill
03:02by the pool, you know, in deafening silence.
03:05She could well be doing that at home.
03:07You know, she needs to hear words.
03:10I mean, there'll be kids your age at the water park.
03:12You know, you'll meet people, learn to say things with your mouths as opposed to with those phones.
03:17Yeah, well, I'm afraid this place is for literal babies.
03:20Choo-choo, ladies.
03:21The train is leaving the station.
03:23Ah, here is your chauffeur.
03:26Oh, Karen, Karen, please, for the last time before you go, will you please, please, please
03:31give me your dress?
03:32You know, everything needs to be pinned and ready before the big day.
03:35We're all getting dressed across the way with Niamhie.
03:37Ah, yeah, I'll give it to you tomorrow.
03:39No, no, give it to me now.
03:40Quick question.
03:41Are we ready to rock?
03:43Yeah, we're ready.
03:46Good luck for today.
03:47What's happening here?
03:48I've read a few times that the hotel room can help.
03:50She's constantly on her phone.
03:52She's really proud of you.
03:53She's really proud of you.
03:53I'm going to get rid of my phone.
03:54So you won't be able to complain about it anymore.
03:57A très vite.
03:57Bisous.
03:58And then you don't, let me see.
03:59You don't have anything.
04:02Everything...
04:02Bon.
04:03Oui.
04:04Um, yes, everything bon.
04:07Great.
04:08All right, Elodie, let's go.
04:10Bye.
04:11Salon.
04:16Oh, that looks a lot like my beloved sobbing.
04:25I promise.
04:26Oh, my God.
04:28I love your love.
04:29Oh, my God.
04:30I love the whole story you're telling here.
04:33I hope you don't mind me saying it, but you remind me of a young me.
04:38So am I.
04:39Oh, no, go on out into the garden, yeah.
04:42Thank you, Margot.
04:44Hi, Sandra.
04:45So I didn't sleep all wink last night.
04:46I was so energised by our chat about art and patronage.
04:49She's not exaggerating.
04:51We're sharing a bed and she literally did not sleep all night.
04:53Why are you sharing a bed?
04:55Two single women at a wedding.
04:57Don't have the same rights as everyone else.
04:59Everyone assumes we'll sleep anywhere because we're just so grateful not to be left behind
05:03with our haunted uteruses.
05:04We're toxic matter.
05:06A woman said to me in our last one,
05:07are you having fun chatting at my husband?
05:09And he was gross.
05:10The last wedding we went to, we were sleeping in a kind of airing cupboard.
05:13Yeah, at least it's a double bed this time.
05:15Although it is in the shape of a racing car.
05:17And the pillowcases say pit stop.
05:19Oh, God.
05:20Well, that doesn't sound very restful.
05:22Like Claire says, we've had worse.
05:25So I was thinking about what I might show you and sketching and thinking some more.
05:31And then, light bulb moment, I remembered Niamh's wedding gift.
05:35Oh.
05:35I, oh, OK, I wasn't going to do this, but...
05:42Oh, is this something you've made?
05:44Mm-hmm.
05:44Oh, are you sure you want to open it now?
05:46Yeah, I mean, I think it's a really good illustration of where I'm at in my practice.
05:50Let's do it.
05:51Can I open the...
05:52I love opening things.
05:53Oh, my God, can I get it?
05:54I love opening things.
05:56Thanks for the big reveal.
05:57Oh, my goodness.
05:58Oh, my goodness.
06:02Oh, my goodness.
06:05Oh, my goodness me.
06:07I love, I love, I love it.
06:08I love it.
06:08Oh, my goodness me.
06:09And look, I don't want to be all like,
06:11this is actually a very generous wedding gift,
06:12but, you know, just so you know, this would go...
06:15I don't want to do that.
06:18And, you know, in case she wants to ensure it, or...
06:21You are so talented, Claire.
06:23I am.
06:24I mean, thank you, thank you, obviously.
06:29Do you do bigger work?
06:31Oh, yeah, well, yeah, of course, yeah.
06:33I think it's just a matter of scaling up, really,
06:36because the idea is always the same, the vision.
06:38But I suppose, yeah, if you're thinking about a much larger project,
06:43then you might want to consider a bigger animal.
06:46Yeah.
06:46Maybe something that represents who we are,
06:49or who you are.
06:54Oh, what animal am I, I wonder?
07:01You could be a deer.
07:03A deer is a little bit Lady Di, to be honest.
07:06I agree.
07:06I agree.
07:07Or a dolphin, like a porpoise.
07:10Like any graceful animal, I think.
07:12I don't know if we need to be locked into the animal kingdom so intensely.
07:16I think I might bring this along to Councillor Barbera
07:19as proof of your work,
07:21and discuss some of the practicalities with him.
07:24He's been waiting on my submission,
07:26and, you know, his office is only ten minutes away,
07:28and he is the loveliest man.
07:30You know, he's very Spanish aesthetic,
07:33you know, bright, splashy colours,
07:34and with this I'll be guiding him towards a more...
07:37Northern European aesthetic, you know, something cooler.
07:42What about Caroline's son?
07:44I just think, I just think the best idea has to win.
07:46You know, this sculpture's going to be there forever,
07:49and I like the idea of it being a female artist.
07:52You know, it's time.
07:53Hello.
07:54Yeah, but won't she be mad?
07:57Not everyone thinks like you do, Margot.
07:58So yeah, absolutely, hold on to the bird, no worries.
08:02I think we should visit the site.
08:16I think it's going to have to be, what, like 30 feet tall, minimum.
08:24Mm, yeah.
08:25That shit's got a loom.
08:27Let's look at it from the sculpture's point of view.
08:41Oh, yeah.
08:43Yeah.
08:44Yeah, yeah.
08:46Oh, yeah.
08:48Something that flows?
08:50Yeah, yeah.
08:51I'm hearing you.
08:51Yeah, something that flows and also looms.
08:56Something that's feminine, but also powerful, yeah?
09:00Yeah, and fierce, right?
09:01Yeah.
09:01An Irish contemporary.
09:03Yeah.
09:05And you'll also need to consider for shortening.
09:08Of course.
09:09Yeah.
09:09Carrie, you're getting something under your neck.
09:12And also on your arms.
09:14You'll also be needing an engineer.
09:17And, you know, some kind of poured concrete base, I'm assuming.
09:22Absolutely.
09:23Yeah.
09:24Yeah, poured concrete.
09:26What kind of budget, just in terms of raw materials?
09:30I think that's what I'd have to do up on the laptop and then come back to you on.
09:35Right.
09:36Yeah.
09:38Oh.
09:39Right, so that's Barbera.
09:41He's free.
09:42Oh, OK.
09:42Oh, God.
09:43I'll see you girls at the hen.
09:44All right, good luck.
09:53I believe in you, I believe in you, I believe in you, I believe in you, I believe in you,
09:57I believe in you.
09:57You're the best, you're the best, you're the best.
10:00Caroline.
10:00Princess Caroline of Monaco.
10:03I'm just joking.
10:04No, Caroline.
10:05Caroline?
10:07Why is Caroline?
10:08Who is Caroline?
10:09What is Caroline?
10:14You're so funny.
10:15That's very funny.
10:17Oh, that's very good.
10:19Yeah, yeah.
10:20She's female.
10:21She's Irish.
10:22She's young.
10:23She's an artist, obviously, because that's why I'm here.
10:26And she's also bisexual.
10:28I think she's bisexual.
10:33Why are we here?
10:34Why are we staring at her pocket?
10:36I feel like a mound of dirt.
10:55It's like a Christmas ornament, like something you put on a Christmas tree.
11:03Oh, uh, oh, I don't know about a Christmas tree.
11:07But yeah, yeah, it is, it is ornamental.
11:11Um, it's a wedding gift by a young female Irish artist called Claire Cassidy.
11:15She's very exciting, making a lot of noise back home.
11:17And I really think we have found the creative lead for this project.
11:24Does she have any work on a bigger scale?
11:26I just think it's a matter of scaling up, do you know?
11:30You know, the most important thing is that she is a woman.
11:32She is Irish, and she really understands the brief.
11:35We toured the site this morning, and she, you know, she took measurements and that.
11:39Good.
11:39And what does Carolyn think?
11:42I'm not sure.
11:47Uy, parece que drama aquÃ.
11:50I think we just consider the work on its own terms.
11:54I mean, isn't that the best way to decide?
11:57The gift to the town from your golf club is very generous.
12:01Has the golf club approved the proposal?
12:04Well, they will.
12:05My husband, Gerry, as you know, is on the board,
12:08and Caroline's husband, Fergal, is not.
12:13Then I'll do some due diligence in order to ratify the 30% that will come from the local council.
12:19Yeah, that sounds proper.
12:21We need a full proposal.
12:23Yeah.
12:23What I like the proposal to contain along the drawing, of course,
12:27is a structural report for the roundabout,
12:30budget for raw materials, insurance details,
12:32local subcontracted details, and references,
12:35and a realistic time scale.
12:38Yeah.
12:40Great.
12:40I'm excited.
12:42Oh, me too.
12:50Sandra, aren't you forgetting something?
12:55Go, go, go, go.
12:56Go, go, go.
13:08Go, go!
13:20Out for a walk?
13:22Yes.
13:24You don't usually like to walk along the golf course.
13:26Did you lose something?
13:28I was just trying to get my distances sorted for the tournament this week.
13:33Tita Green, bunker placement and so on.
13:36I've done so much work since last winter.
13:38It's like a different course out there.
13:39Mmm. Oh, I see.
13:41Yeah, it's like how they change everything at super value, you know?
13:44One week the eggs are here, next week they're three aisles away,
13:47and where are the effing baked beans now?
13:49Like...
13:50Yeah, I suppose the club captain has to know about these things.
13:54Yes.
13:56Appearances and all that, yeah.
13:58Yeah, yeah, yeah.
13:59Yeah.
14:02So, I went to see Councillor Barbera this morning about the sculpture.
14:08I thought that was Caroline's gig.
14:10Well, it's anyone's gig, really.
14:12You know, Caroline is just one of a group of people who have interesting ideas.
14:17You know, I have an idea too.
14:20You do?
14:21I do.
14:22Yeah.
14:25My interesting idea is young Clare Cassidy.
14:31With the big blazer and the mad curly hair.
14:35Yeah, the fascinating young female artist, yeah.
14:38What kind of experience does she have?
14:40We had a great meeting and she has some wonderful ideas.
14:43Wait now, what about Caroline's son, Finbar?
14:46Fintan.
14:46Fintan.
14:47See, I want a woman.
14:48We are a quarter of the way through the 21st century.
14:53Okay.
14:53Well, have you seen Clare's work?
14:55I have.
14:56Yeah, of course I have.
14:57And?
14:57What's it like?
14:58It's delicate.
14:59It's beautiful.
15:00It's Irish.
15:02Can you be more specific?
15:04Yes.
15:24It's fucking tiny.
15:26Everything can be scaled up by a man with a calculator and a hard hat.
15:29We're not looking for engineers, we're looking for artists.
15:32That's the most important thing.
15:34All right, this will all have to be put into the proposal for the golf club.
15:38Yeah, yeah, and you'll get it all.
15:40Good.
15:42I trust you.
15:44Yeah, I know.
15:46Okay.
15:47Yeah, great.
15:49You ready?
15:51Yeah.
15:54Well, you'll see.
15:55You'll see the problem.
15:56I don't mind need naming tables after gap year destinations she and Derek visited.
16:00I think that's fun, actually.
16:03But how can she sit a bunch of her friends at a table called Amsterdam and not expect her
16:07granny to think it's a drug thing?
16:08Meanwhile, your mother is all the way over in Vietnam with Stephen Carr, both of whom,
16:12it is fair to say, are terrific racists.
16:14They won't be happy.
16:15Shouldn't they be in, I don't know, Berlin?
16:18Look at Naomi and Alwani all the way over there in the corner in Mumbai.
16:22Yeah.
16:22I mean, won't she think that's because she's half Indian?
16:25Lamb of Jesus.
16:27Also, I think the furthest we should be sending Catherine Bain to is Athens.
16:30Yes, yes.
16:31Is there a city called Single?
16:32What?
16:33Over by the water fountain, there's a table called Single.
16:36Is that in Hungary or something?
16:38Single is the singles table.
16:41Oh, hi, guys.
16:43Hiya.
16:43Hey, Caroline.
16:44Yeah, Nevie wants to keep them all together.
16:47By all accounts, it is a nightmare trying to blend them with the couples.
16:51They never fit.
16:52Well, I gave you one point of nose, Gina, and you touched on it there.
16:56Like, if two litres of milk is too far...
16:59Fergal's after finding porn on his browser history.
17:03It seems that when Fintan was down here last month taking pictures of the roundabout,
17:08he was spending his evenings on Pornhub on the computer.
17:11Look, you know, Fintan is a grown man.
17:12It's perfectly natural.
17:13Although you would worry about messaging in terms of consent, but, you know...
17:18Yes, but, um, well, Fergal is freaking out because, well, because some of it's men.
17:25Well, they do play a part, Caroline.
17:29Yes, but...
17:30Oh, my, Fergal is freaking out because his son is not watching exclusively woman-on-woman porn.
17:36No, no, Fergal's freaking out because some of the porn itself is scary.
17:41Well, some of it, but not all of it.
17:43Yeah.
17:44So, in addition to everything else that's going on, Fergal now thinks Fintan might be me.
17:49Well, can't he be bisexual?
17:52Jerry.
17:54Jerry.
17:54Yeah, what?
17:56Can't a man, you know, be bisexual?
17:59I don't...
18:00How would I know?
18:02Well, I don't know.
18:03Well, I'm just wondering if you have, um, you know, an insight, any opinion.
18:07No, I don't. I do not.
18:08No, no, no.
18:09Oh, no, no.
18:11Well, bisexual's hardly better, though, isn't it?
18:15Oh, pick a lane, would you?
18:18Oh.
18:36Jerry, are you staying?
18:38Are you mad?
18:38Don't just drop it off my credit card.
18:42Jerry, Jerry, Jerry.
18:44No.
18:45Oh, you'll stay for this one, won't you?
18:47Yeah.
18:47Hey, Jerry.
18:48Yeah.
18:50Yeah.
18:53Oh.
18:54Yeah.
19:03Oh, so you are mine, and I'm a pray now.
19:07It's me.
19:08I can't believe I can't believe or I can't believe you.
19:12I can't believe.
19:13I can't believe.
19:19you two smoke
19:25oh okay i had that meeting with councillor barbara
19:30you did i did yeah along with the drawings we'll need a structural report for the roundabout
19:39a budget for raw materials insurance details local subcontractor details and references
19:45and a realistic time scale whoa
19:51is that funny sandra we just smoked the joint
19:57would you believe i've never done that
20:17i can provide all those things you said
20:20you know the numbers and the details and you're going to go from a five-inch bird
20:26to a 40-foot wrought iron sculpture
20:29uh yeah i can't feel anything
20:46sandra tell us about yourself where did you get your interest in art
20:49oh god where to begin um i mean we've got all day
20:52um just uh keep sketch because uh navy will skim me alive if she catches me smoking
21:04um gorgeous um where to begin yeah uh let's see
21:09uh born in a small town in mayo in the early 1970s uh convent educated brothers on the farm
21:20brunch was an ice cream you had after mass on a sunday
21:23you know i always liked art at school
21:31and there was a boy danny barrett who liked art too
21:37and uh he wanted to go to dublin to ncad
21:41he was two years older than me and i watched him put his portfolio together and he got in
21:52and he left and much to the horror of my parents i followed suit two years later
22:00you got into ncad good for you
22:08only when i got there
22:12danny had dropped out and moved to london with a new girlfriend
22:16and i didn't know us all
22:20yeah i struggled to be honest i mean nobody from my county was there
22:24you know let alone my school
22:27and the rest of the year they were all artists you know
22:30i was on this is the sea and they were on venus and furs
22:34and i didn't know what i wanted to say
22:39and then it dawned on me
22:42i had moved to dublin to be with a boy
22:46and not to make art
22:50and so there i was freezing cold in a bed sitting kilmainham
22:54drinking snakebite and wearing dresses
22:57jumpers and woolen tights all at the same
23:00and i was catching you
23:05so what then
23:06there was an end of year show
23:08it's pure disaster for me
23:10but a group of guys had come along
23:13fans of art or fans of young female artists will never know
23:17i suspect the latter
23:19a certain jerry burn among them
23:21did you drop out
23:22well no not there and then no
23:24and i i began second year all right
23:27but if you're
23:30ever wondering
23:33if you have something you have to say
23:35and you're hit with a life altering change of circumstances say you know
23:41falling pregnant in dublin in the 1990s then you
23:46you find out fairly quickly if you're an artist to your boots
23:54the road not taken
23:55and all that
24:02did you always want to be a mother
24:05i have no earthly clue
24:08do you
24:11i don't know
24:12see i i don't know how anyone knows
24:14i know i don't
24:23isn't this lovely
24:27a mother sending her daughter out into the world
24:36i remember being down here at this resort
24:40when i was nia's age
24:43and the way me and karen fight now you'd think i was never young
24:48but i was
24:52that's just the mother wound
24:55your mother can never be perfect in the way you want her to be
24:58she will inevitably fall short and hurt you in a way that reflects your own self-loathing
25:05all mothers occurs with that one
25:09my granny used to refer to my mother to me
25:11as the common enemy
25:13truly we are the worst
25:15i feel like we need another round of drinks now
25:19oh yeah
25:20yes
25:42we should be doing this every day
25:45we should
25:50now tell me to mind my own business caroline but about the sculpture
25:56well what about it
25:57well don't you think it'd be amazing if we got a female artist for the roundabout
26:01but i've already told fentany can do it
26:05well why'd you do that caroline
26:08if it's an open tender
26:11i wanted to give him something to work towards you know
26:15to live for
26:16if i take it away from him now you'd worry you'd relapse you know that kind of way
26:21i'm sure he's stronger than you give him credit for
26:26it's more him and fergal really
26:30what about him and fergal
26:35fergal gives him such a hard time you know
26:38because i've gone easy on him down the years
26:40but i only do that because fergal is so awful to him
26:46toughening him up
26:47apparently
26:56you know what men are like
27:03i do
27:22oh
27:23you drained your bags
27:25it's a hate crime
27:28the fags are so bad for me
27:33how's your week going?
27:34grand
27:35yeah
27:35having the chats
27:37few drinks
27:38the usual
27:38yeah
27:40only nice men
27:43at a hen
27:45or boys
27:47don't know what you like
27:49how your tastes go
27:51maybe they're just like mine
27:54or
27:55maybe you'd just like to flirt with everyone
27:59are you a flirt?
28:01don't we all like a harmless flirt?
28:03that's that key
28:04isn't it?
28:14i'm sorry
28:15i'm just not that good at chatting
28:19i'm in a weird place in my life right now
28:22weird?
28:23how?
28:25you know
28:26i mean i told you at the lunch
28:31i don't know what you're talking about
28:31about the beating up
28:34yes
28:35about the beating up
28:40it's terrible when bad things happen to good people
28:43not even remotely good
28:46i'm sure you are
28:49you don't know me
28:50you don't know me
28:55do you know me?
28:56hmm?
28:57i don't
28:58i mean
28:59i'm a bit
29:02am i a good person?
29:04do you think?
29:05yeah
29:05i think so
29:07why do you think that?
29:09you're neve's mother
29:12and you've been so nice to me
29:14to all of us
29:16finding us a house
29:19having us over dinner
29:22neve's mother
29:26why don't i get you a refill
29:27and find you a dry fag
29:29or the mother
29:30or the mother
29:43neve's mother
29:53you seem different today
29:55i do
29:57you do, yeah
29:59distant
30:00i think that's just neve
30:02and the wedding
30:03and stuff
30:07sorry about fergal
30:08going on about the golf
30:09the whole way here
30:10i'm delighted for him
30:12he never wins
30:15men are so transparent
30:18hmm?
30:19what's that?
30:20oh you know
30:20look at fergal there
30:21he probably thinks
30:23he's playing it real cool
30:25god if they knew
30:26what we knew about them
30:28they'd never live with themselves
30:29i'll listen
30:33oh god
30:34if they knew
30:36how clearly
30:36they were showing everything
30:37and at the same time
30:38thinking it's all so hidden away
30:41they'd bash our heads in
30:42with a rock
30:46and the night before i got married
30:49my mother said to me
30:51it's much much better in the long run
30:52to let them think we're stupid
30:54because it makes them happier
30:55and that you know
30:57makes life easier for us
30:58absolutely
31:02you know
31:02you don't want to be memorialising that do you
31:08i mean you don't want to be building a monument to that state of mind do you
31:12because did you know
31:13that in dublin
31:16there is not one statue
31:18of a female public figure
31:21you know
31:21in this day and age
31:22where's molly malone
31:23no she
31:24she's a fable
31:25she's made up
31:27you know
31:27she's a projection
31:28from the male imagination
31:30she's a sex worker
31:31whose breasts
31:33visitors fondle
31:34for luck
31:37are you on something sandra
31:40am i on something
31:42am i
31:48no
31:49no
31:50no
32:00he's a family man
32:01so is joseph fritzel
32:19karen
32:29oh god
32:32oh jeez
32:33oh
32:34jesus
32:35how did this
32:37happen
32:37oh
32:38how do you think
32:39it happened
32:41well um
32:42you didn't put on factor
32:44that's not why it happened
32:45it happened
32:46because you sent us to a fucking water park
32:49please please please
32:49don't eff
32:50aunt jeff at me
32:52you know
32:52elodie
32:52elodie doesn't swear
32:53yeah elodie doesn't swear
32:55because elodie is perfect
32:56why don't you just swap elodie for me permanently
32:58well i just don't
32:59i don't think elodie's mum
33:00would like that deal
33:02and listen
33:03you'll be fine
33:05you'll be
33:06you'll be fine
33:07you'll be
33:07look the yoghurt will help
33:09and look i have
33:10i've got these
33:14why are your eyes so bloodshot
33:18i'm going somewhere
33:19are we
33:19it's it's neve's dinner
33:21love we've got steak and a hot stone
33:23whatever that means
33:24in uh 30 minutes
33:25and it's just
33:26it's just a little sunburn
33:28i'll be back
33:29i'll be back later
33:30it's your sister's big night
33:34go
33:36where's jerry
33:37he went to buy us pizza
33:40and more yoghurt
33:48excuse me
33:51plates are hot
33:53plates are stones
33:54actually
33:57ow
33:58that stone is hot
34:00yeah it's hot
34:03she really wants to support my work
34:05she said
34:05she knew i had to win the bid
34:06she said
34:07don't worry about the competition
34:08the golf club
34:09barbera
34:09she said
34:10don't worry about any of it
34:11they're so excited
34:13it's such a big opportunity for her
34:15yeah
34:17wait
34:18do you not know any of this
34:19whoops
34:21blabbermouth over here
34:32it's fine
34:36what is it
34:38MDMA
34:44is it interesting
34:46i mean it's very interesting
34:50you can do some standard
34:52but you have to promise
34:53you won't die
34:57lick your finger
34:59dip it in
35:07oh no
35:10that must
35:16nothing's happening
35:18i'm not eating anything
35:27it's the night time
35:28it is
35:29and you were in there for 45 minutes
35:32you okay
35:33i'm fine
35:35i just want to put my fist in my mouth
35:39i feel wise
35:43who is the bride
35:47i need music
35:49i have been thinking long and hard about this
35:52Cormac
35:53i don't want to eat meat
35:54off a rock
35:57oh my god that music is so iconic
36:04is it still hot?
36:05okay so that's now the third time
36:07you've touched the incredibly hot stone
36:08do you want to be in this restaurant
36:10food?
36:11yuck
36:11i don't want to be in any restaurant
36:13we'll maybe go somewhere
36:14somewhere else
36:15without food
36:16yes
36:17and this
36:18is for dinner
36:22okay let's go
36:26mom's on eat
36:30box
36:30thanks
36:31it doesn't
36:38it's actually
36:38it's actually
36:39it's actually
36:39it's actually
36:42Sandra
36:42Sandra
36:42Sandra
36:45this is my husband Lucho
36:53and this is Cormac
36:55and yet he is also from Ireland
36:58oh
36:59i was telling Lucho about the bird
37:00declared casi the bird
37:02he thinks the statue should be a peacock
37:04the feathers spread white
37:08como la reina del carnaval
37:09no cariño
37:11esos son los pavos reales
37:12que tienen las plumas de colores
37:13en serio
37:14she pensaba que era una pava
37:16no
37:17seguro que no son las hembras
37:18so where are you going
37:21we're both going
37:22home now
37:23i'm feeling sick
37:24and Sandra's very kind
37:26taking me home
37:27looking after me
37:28a very good night
37:29to you both
37:30oh
37:31that was brusque
37:32they do not need to be seeing you
37:33right now
37:33specifically your eyes
37:35this looks fun
37:36oh
37:50i remember all the early days
37:55i tried to think of the right things to say
38:00i didn't want you to think i was love the rose
38:05you'll think they own you just because you play with them
38:09it didn't matter
38:13really didn't matter
38:17oh
38:19it didn't matter
38:20now we are together
38:43when you play with them
39:49You and I both know the trouble you've had following through on commitments like this in the past.
39:54You and I both know I've never had a chance like this in the past.
40:00I want to ask you something.
40:03Oh, yeah.
40:06Claire.
40:09Claire.
40:10What about Claire?
40:11I think you think that she's not able for this project I have proposed.
40:17I don't want to be disloyal.
40:19No, no.
40:20I need to know what you think, and I think you know that.
40:28Claire has had some trouble finishing projects in the past.
40:32She has mental health issues, and they can be managed, but she can get high and then very low.
40:37Yeah, but that's the risk you take, yeah?
40:39For years, I have had to pick up the pieces after Claire's emotional fallout from more than one project that
40:46she promised, and then failed to deliver.
40:49Claire is an over-committer.
40:52And when she had her breakdown and had to move back into her parents, it was me who had to
40:57pick her up, dust her off, and get her back in the game.
41:02I love her like a sister, and she is incredibly talented, but you need to factor in extra time or
41:10fake deadlines, and you need to find a way to keep enough pressure off her so that she can make
41:16this thing work.
41:18Because if you don't, it'll all be landing back at my door.
41:23And I'm kind of tired of being a professional friend to my friend.
41:55And I'm kind of tired of being a professional friend.
42:18Vincent, what are you doing here?
42:20Just not a church.
42:22Are you okay?
42:23Am I okay?
42:24Yeah, never better.
42:26How are you?
42:27Look a little shook, shall we say.
42:31And listen, I'm, I'm, I'm sorry if what I told you caused you to, you know, spin out in the
42:40way it clearly has done.
42:42Spin out?
42:43The fuck does that mean?
42:46It's gobbledygook.
42:47It's fucking Bikram.
42:49It's holding space.
42:52I fucking had it.
42:53I'm, you know, I'm just, I'm just saying you must be processing a lot, and maybe I was a bit
42:58blunt or, or something, but you had to know.
43:01Yeah.
43:02This is what me knowing looks like.
43:04Are you happy?
43:05No, I'm not, I'm not happy, because I told you that in confidence, and the way you're behaving, everyone can
43:12tell that something is going on with you.
43:14No, no, the kids at the village, they say you've gone fuck wild.
43:17I mean, these are, these are Niamh's friends.
43:20Vincent, can't you see?
43:21That's, that's really dangerous.
43:22Weren't on a confession boat, Sandra.
43:28I wasn't confessing a sin.
43:30No.
43:31No.
43:32No, I wasn't looking to be absolved by the fucking church, Vincent.
43:36I was, I, I was, I was talking to a man who once upon a time fucked me.
43:45Yeah, a, a man who ghosted me, you know, as the kids say, the morning afterward, and, you know, disappeared
43:51out of my life, leaving me to figure out what the fuck to do.
44:01So, I am asking you, if I can rely on you in your current state, to, to keep this to
44:11yourself.
44:13Do I owe you that?
44:15I mean, what, what are you, what are you going to do?
44:17Are you going to, you're going to shout it down from, from, from the pulpit, like, like, like it's an
44:20episode of Dallas, like it's the fucking Thornburn.
44:23I don't fucking know, Sandra!
45:09I don't know, I don't know, I don't know.
45:36Who's so fucking controlling?
45:38Hey!
46:20I was so worried about you this evening, my baby.
46:27Listen, I know you're scared to be all on your own
46:30when I go to boarding school.
46:34It's not really my responsibility.
46:36Well, we still have to discuss that
46:39and, technically, it won't be on my own.
46:43No, I'm not sure about that.
46:47Darling.
46:50You are here with us.
46:52And you are safe.
46:55And your father and our...
46:57We love you to pieces.
46:59And we will always be here for you.
47:02And you never have to worry about that.
47:07No, I'm not worried, Mom.
47:12But maybe you should be.
47:36Yeah.
47:57OK, wait.
48:18Take me where are you, you bastards.
48:22Please, please, please.
48:27Thundra Byrne, how the mighty have fallen.
48:35Oh, my God.
48:37Oh, my God.
48:41Oh, my God.
49:03That cold north wind they call lobbies
49:07Is swirling round about my knees
49:10Trees are crying leaves into the river
49:16I'm huddled in this French cafe
49:18I never thought I'd see the day
49:22But winter's here and summer
49:24Wheelie over
49:26Even the birds
49:29They're packed up and gone
49:32They're flying south
49:35With their song
49:38And my love
49:41She too has gone
49:43She had to fly
49:46Take care
49:49It's such a lovely sky
49:54They'll trap your wings my love
49:57And hold your flight
50:00They'll build a cage
50:03And steal your only sky
50:06Fly away, fly to me
50:08Fly when the wind is high
50:11I'm sailing beside you in your lovely sky
50:32The old cathedral lights are low
50:36She and I
50:37She and I
50:37We'd often go there
50:39To admire
50:40Sometime
50:41Kneeling friends
50:45Lords and ladies
50:46Lying stone
50:48Hand in hand
50:49From long ago
50:50Though their hands are cold
50:53Their love forever
50:54Even the fire
50:57Even the fire
50:58Rehearses those songs
51:01For Christmas
51:03Oh Christmas
51:05Is not mine
51:06And the moon
51:09Is in my song
51:12She had to fly
51:16Out there
51:18It's such a lovely sky
51:22They'll trap your wings my love
51:26And hold your flight
51:29They'll build a cage
51:31They'll build a cage
51:31You
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