- hace 3 meses
Reparto: Tony Leblanc, Lina Morgan, Tony Leblanc Jr., Manolo Gómez Bur, George Rigaud, Fernando Sancho, José María Rodero, Luis Peña, Rafael Durán, Manolo Morán, Jesús Tordesillas, Omán de Bengala
Reparto: Tony Leblanc
García trabaja de publicitario en una fábrica de cuchillas de afeitar y sale en secreto con Conchita, la hija del director. Un día, aprovechando la vuelta ciclista a España, García pone en práctica un nuevo y arriesgado sistema de hacer publicidad, pero a Raúl, el director, no le ha gustado nada la idea y lo despide. A partir de entonces, se ganará la vida en los más variados trabajos: barbero, limpiabotas y guía del Museo del Prado. Una situación difícil para que su antiguo jefe acepte la relación que mantiene con su hija.
Reparto: Tony Leblanc
García trabaja de publicitario en una fábrica de cuchillas de afeitar y sale en secreto con Conchita, la hija del director. Un día, aprovechando la vuelta ciclista a España, García pone en práctica un nuevo y arriesgado sistema de hacer publicidad, pero a Raúl, el director, no le ha gustado nada la idea y lo despide. A partir de entonces, se ganará la vida en los más variados trabajos: barbero, limpiabotas y guía del Museo del Prado. Una situación difícil para que su antiguo jefe acepte la relación que mantiene con su hija.
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CortometrajesTranscripción
00:00:00Music
00:00:01Yes, it's getting close to 9 in the morning.
00:00:30We must hurry, we must hurry
00:00:32In these hours it is difficult to find a person whose coming and going is not primarily motivated by work.
00:00:39This kid thinks he's selling his fortune
00:00:43Ah, if luck could be bought
00:00:47Of course you know, as I do, that there are people who have always been lucky in their occupations.
00:00:53For example, here you have this taxi driver
00:00:55From being an employee who worked himself to death, he became the owner of his vehicle.
00:00:59However, there are drivers who will never own their vehicle.
00:01:04For example, this one
00:01:06Others want to make a profession of their, let's call it, manual skills.
00:01:13This man has no luck
00:01:18The same thing always happens to him
00:01:20Of course, he has chosen a difficult job to get ahead in life.
00:01:25However, there are people who never tried to improve themselves in their work.
00:01:32There you have poor Adolfo.
00:01:3540 years without changing jobs and living poorly
00:01:37No, I don't mean you, please, which one do you want to get out of?
00:01:40Thank you
00:01:40This is Adolfo
00:01:4240 years as a street vendor
00:01:44And there has not been and there will not be anyone who can convince him that his profession is not the best in the world.
00:01:49This is the eternal struggle
00:01:51Occupations, work
00:01:53For the lucky one, congratulations
00:01:56But he who fights and achieves nothing
00:01:59Poor man
00:02:00Poor
00:02:02Thank you!
00:02:04Thank you!
00:02:05Thank you!
00:02:06Thank you!
00:02:07Thank you!
00:02:37Thank you!
00:03:07Thank you!
00:03:08Thank you!
00:03:09Thank you!
00:03:39Thank you!
00:04:09Thank you!
00:04:39No, Don Godofredo, no.
00:04:46That my honor will be tarnished
00:04:48Nobody kisses my girlfriend
00:04:50And even less a jogger on roads like that
00:04:52But, Zechariah, by God
00:04:55What's wrong with me giving the bouquet of flowers to the winner?
00:04:58What's wrong with a kiss on the cheek?
00:05:00My daughter, Zacarías, is right.
00:05:01How important is a kiss on the cheek?
00:05:03You speak like this because it is about your daughter.
00:05:05But I wouldn't think the same if it were his wife.
00:05:07I met her at a flying goal
00:05:08Well, whatever you want
00:05:10But nobody kisses my girlfriend, that's it.
00:05:11What a situation mine is!
00:05:13Why would you think I would do this?
00:05:16You know I'm one of the directors of this tour.
00:05:18No one better suited than you to deliver the bouquet of flowers
00:05:21Please, miss, come up to the podium.
00:05:23The runners are coming
00:05:24For God's sake, Zechariah
00:05:25Understand my situation
00:05:26I understand everything except the kiss
00:05:38The large crystals on the buttonhole
00:05:40And then I must
00:05:42No, no, no, no.
00:06:12No, no, no, no.
00:06:42No, no, no, no.
00:07:12No, no, no, no.
00:07:42No, no, no, no.
00:08:13Let's go, kid, they're going to skin us here.
00:08:17That was an amount.
00:08:18Here, this is the real one.
00:08:20Oh, and don't forget the kiss.
00:08:22And now I can't see anything.
00:08:32I don't see anything.
00:08:35I don't see anything.
00:09:02You don't have to stop the thing.
00:09:20It didn't take long.
00:09:24Luis, here's your bike.
00:09:26I'll trade it for my clothes.
00:09:28That?
00:09:28Has it been useful to you?
00:09:29Freak.
00:09:29If your bike is driven by a brain like mine, it will always be first.
00:09:32Come on, kid, hurry up.
00:09:33I'll be right there.
00:09:34Fast!
00:09:34Fast!
00:09:34That's the cambrero who crossed the finish line first.
00:09:50Sure, that's it.
00:09:53Take.
00:09:54And you know that when you need it, it's here.
00:09:56Thanks, but I don't want to be lynched one day.
00:09:58I understand you.
00:09:59Doing the things I have done today, there are few who understand me.
00:10:02Goodbye, Luis.
00:10:07Thank you.
00:10:09That?
00:10:10Did you have a lot of fun fooling us?
00:10:11Cambarros!
00:10:12Cambarros!
00:10:13Cambarros!
00:10:15One moment!
00:10:16I know that to you I am a scoundrel, but to myself I am a wretch.
00:10:20A man who stumbles through life, not knowing where to fall or where to get up.
00:10:25I never met my parents.
00:10:27My life is marked by hunger.
00:10:28And to make matters worse, a month ago I was bitten by a rabid dog.
00:10:33The first few days I was completely normal.
00:10:35But then...
00:10:37I don't want to worry you, but I feel the urge to bite.
00:10:39Come on, son, he has no voice at all...
00:10:41Ago pulls that they kill us!
00:10:49We have been spared a lucky escape.
00:10:51Yeah.
00:10:58If I don't come with you, you'll have a terrible time.
00:11:01Nothing can happen to me, Paco.
00:11:03Because?
00:11:03Because I am a well-behaved dog.
00:11:05Stop messing around.
00:11:07If it weren't for my motorcycle, I have the best salt motorcycle.
00:11:15Why do you tell me to be quiet?
00:11:17If it wasn't me, it was the motorcycle that was yelled at.
00:11:21A cold in this weather?
00:11:23If it is that he has it very abandoned.
00:11:25If you don't take care of her, Paco.
00:11:26Man, that's good.
00:11:27And why don't you start taking care of yourself?
00:11:29If they get you hooked today, they'll leave you with nothing but the pedals.
00:11:33Don't you think your advertising system is very risky?
00:11:36Come on, in my modest, humble and sincere opinion.
00:11:40It's very effective, Paco.
00:11:41And that's all I care about.
00:11:44I have to show Don Raúl that I am a great publicist.
00:11:47Become a section chief.
00:11:49I can't trust luck.
00:11:52But what am I going to tell you?
00:11:53I've already heard that you're calling me in the neighborhood.
00:11:56Poor Garcia.
00:11:57If you can't last two days in a job.
00:12:00But this time it's going to be different.
00:12:02You know, fortunen Fortunetum, audaces Ayudatum.
00:12:06As?
00:12:07Well, that's boldness and moving forward.
00:12:10Well, here it is and let's see if you can loosen it.
00:12:12Bold.
00:12:13But you have to fix things, Paquillo.
00:12:15You'll see how everything goes, where this one goes.
00:12:18Yeah?
00:12:24For God's sake, Zacharias, don't bend down anymore.
00:12:27Your mouth is going to be filled with dirt.
00:12:28Don't be ironic, Elvira, don't be ironic.
00:12:30You are to blame for this situation I find myself in.
00:12:32Or rather, that I don't see.
00:12:33I?
00:12:34You, if you don't deliver the bouquet.
00:12:36If you don't give the kiss, I won't break the glasses and you'll see...
00:12:40You see?
00:12:40You'll see how we lose track of the curb, the crash we're going to take.
00:12:43Come on, take it.
00:12:44Let's see if you can get that rod in there.
00:12:46Come on, come on.
00:12:47What did you say?
00:12:48Put the rod in!
00:12:49Goal, of the goal.
00:12:50I already know her from the goal, Paco.
00:12:53There comes a signpost.
00:12:54Let me know when we arrive.
00:12:56There it is.
00:12:56The sign is in front of you.
00:13:18There comes a sign.
00:13:26Hey, Elvira, are they going to tow us with their car?
00:13:37But, Zacarias, they also ride motorcycles.
00:13:40I just don't see, Elvira, I just don't see.
00:13:42Oh, if only I could meet the one with the kiss.
00:13:45Well, have a good time, okay?
00:13:48Bye bye.
00:13:49Who took the baton from me?
00:13:51We're leaving now.
00:13:54Make a tuner.
00:13:56Zacharias, why don't you start now?
00:14:08Woman, do you want me to run over a poor child?
00:14:11For God's sake, Zacharias, if it isn't a child.
00:14:13Remedies, there is food.
00:14:23He's been waiting for a while.
00:14:24I'm going up there because I'm hungry, I'll have a bite to eat and make a box office.
00:14:28How exaggerated.
00:14:29And won by exaggeration.
00:14:30You are standing in front of the winner of today's cycling race.
00:14:33Until now.
00:14:34But it is true that he has won.
00:14:35At what speed must he have entered Alto de los Leones?
00:14:38That braking has not been able to stop until San Rafael.
00:14:41He's back, he's grabbed the bouquet, he's extended a kiss, he's smoked a cigar and the second one hasn't arrived yet.
00:14:47What a barbarity.
00:14:48As if it were jet-propelled.
00:14:50Speaking of the stream, I'm going to wash myself, Mr. Remedios.
00:14:53See you later.
00:14:54Bye bye.
00:14:54Bye bye.
00:14:55Dad!
00:15:06Hello, son.
00:15:08Hello, Dad.
00:15:09Have you won the race?
00:15:10No, not the race.
00:15:12What I will have gained is some positions in the office.
00:15:17Are you really looking forward to it?
00:15:19A lot, dad.
00:15:20Well, go on, I...
00:15:21Here I am.
00:15:21Let's eat, it's time.
00:15:23Today you even have dessert.
00:15:26Let's eat, let's eat.
00:15:28Let's eat.
00:15:32Oh.
00:15:34When you're done, I'll go upstairs and wash the dishes.
00:15:36And tell me more stories.
00:15:38You promised them to me.
00:15:39You already know it all, son.
00:15:41I'll start again with the first one, since you'll have forgotten that one.
00:15:44I'll think of a new one, because I'm the one who doesn't remember the first one.
00:15:47See you later.
00:15:48Goodbye, Remedios.
00:15:49Lord, bless the food we are about to eat.
00:15:57Save my father and, above all, remember my legs.
00:16:02I wish I could walk so much.
00:16:06And you will walk, son.
00:16:08Mom from heaven also asks God for it.
00:16:13Dad.
00:16:13What was my mother like?
00:16:18Wonderful, son.
00:16:20An angelic creature.
00:16:23You and her, the best in the world.
00:16:25You loved her very much, didn't you?
00:16:27I loved her and I love her.
00:16:29But why are you asking me that?
00:16:31Go on, eat.
00:16:35And do you love Conchita?
00:16:39Conchita is my boss's daughter.
00:16:41We are good friends.
00:16:43I feel for Conchita...
00:16:45...what she feels for me.
00:16:50Nieves, what do you want?
00:16:52Have you lost something?
00:16:53Have you seen a letter that was on this table addressed to Ignacio?
00:16:57I'm sure I left it here.
00:16:59Was it yours?
00:17:00Clear.
00:17:01And how does my father find her?
00:17:02But he doesn't know anything yet because you don't tell him.
00:17:04Why do you throw it in?
00:17:05No.
00:17:06Dad would never let me marry a man with no future.
00:17:09But Ignacio has promised me that he will soon be indispensable.
00:17:12And that my father will know everything he is worth.
00:17:15He has many projects.
00:17:16I trust him.
00:17:17Excuse me.
00:17:18Don't you think there's someone else here who's interested in marrying you?
00:17:23Who?
00:17:24That?
00:17:25Well.
00:17:26Look how wonderful it is.
00:17:28Here is the invention of the century.
00:17:30Millions, my dear Matías, millions.
00:17:32A revolutionary razor.
00:17:35Imagine.
00:17:35About the size of a fountain pen.
00:17:37Transistors.
00:17:38You carry it with you in your pocket.
00:17:40And at any time, shave, shave, shave.
00:17:44Hey?
00:17:44What do you think?
00:17:45Perfect, Mr. Raúl.
00:17:47Perfect.
00:17:48Exactly what our company needed to beat the competition.
00:17:55Will you ever know the combination to this box?
00:17:58Ah, of course.
00:18:00For now, not a word about this to anyone.
00:18:02It is not yet patented and the invention would be the first to present it.
00:18:06No, don't worry, Mr. Director.
00:18:07You know you can trust me completely.
00:18:10Thank you, Matías.
00:18:11Of course.
00:18:13At your service, Mr. Director.
00:18:15Conchita, would you like to come to my office for a moment?
00:18:32Sit down, Conchita.
00:18:46Please sit down.
00:18:50You were looking for something before, right?
00:18:54But how do you know?
00:18:55Yes, you were looking for something I have there, in the drawer of that table.
00:19:04A letter that I warn you I have read.
00:19:08How dare you?
00:19:11I could tell you that I thought it was a business letter.
00:19:14But a letter from you, daughter of Don Raúl, addressed to Ignacio García.
00:19:19No, Conchita, no.
00:19:21What you are doing is not logical.
00:19:24It's crazy, it's childish.
00:19:27You should think of a more educated, more intelligent person.
00:19:31Think, think about this company.
00:19:33You're going to need someone to help you.
00:19:35Someone responsible.
00:19:38Yes, someone who entertains themselves by opening other people's letters.
00:19:42Yeah.
00:19:43And he learns the unloving phrases.
00:19:46Almost contemptuous.
00:19:48What can a daughter say about her father?
00:19:50That's not true.
00:19:51I have never said anything bad about my father.
00:19:54Never.
00:19:54Give me that letter, please.
00:20:00Give it to me.
00:20:01Don't worry.
00:20:03Your father will not see that letter.
00:20:05Unless you force me to give it to you.
00:20:08But that will never happen.
00:20:10Because you're going to be good to me.
00:20:12TRUE?
00:20:24Hello, Dad.
00:20:46Hello, queen.
00:20:47You hadn't come in to see me yet today.
00:20:49I've had a lot of work, Dad.
00:20:51Also, I've been worried.
00:20:54Because?
00:20:55For a friend of mine.
00:20:56It's nonsense.
00:20:58And what nonsense is that?
00:21:00You see, a friend of mine wrote a letter to her boyfriend,
00:21:03with whom she was in love.
00:21:05And in it he told her that his love was so great that...
00:21:08That?
00:21:09That she put her boyfriend's affection before that of her father.
00:21:12Naturally, what he said is not true.
00:21:15Although she is in love with her boyfriend.
00:21:17Dad, I assure you she's very sorry for what she did.
00:21:21What do you mean you didn't do well, daughter?
00:21:23I put myself in your father's shoes and I think I would die of grief if that happened to you.
00:21:29But it's not true, Dad.
00:21:30She wrote it without thinking about what she said.
00:21:33You always have to measure what you say.
00:21:36Well, daughter.
00:21:37Let's leave your friend to her problems.
00:21:40Did you make the change in the games I told you about?
00:21:41Yes, dad.
00:21:44No, no, no, no.
00:21:46Come.
00:21:48Is something wrong with you?
00:21:50What is it?
00:21:51Nothing, dad.
00:21:52That's what I told you about my friend.
00:21:54Stop worrying.
00:21:57Your friend will be very good,
00:21:59but he is not the same as you.
00:22:02You are neither in love nor do you have a boyfriend.
00:22:04Besides, you would never underestimate your father.
00:22:07Sure, Dad.
00:22:12To the.
00:22:12Oh.
00:22:25We have a visitor.
00:22:28Hello.
00:22:29Come in, man.
00:22:30And your father.
00:22:31Now go down.
00:22:35You come to play.
00:22:37There's a great game.
00:22:39So that?
00:22:40If I can't play.
00:22:41But you can watch it if you like.
00:22:44Of course, if he's not going to play,
00:22:46It's better not to go down.
00:22:48My father says that when I grow up,
00:22:51I will be a great soccer player.
00:22:52I have very strong legs.
00:22:54If your father says so, it's probably nonsense.
00:22:57Okay.
00:22:58See you later.
00:22:59Goodbye, remedies.
00:23:06Hello, family.
00:23:08Hello, Elias.
00:23:09That?
00:23:09Aren't you coming down to play?
00:23:10No, the kid doesn't feel like it.
00:23:12Then you'll buy me a glass of wine.
00:23:14Look, I'm sorry, man, but I don't even drink wine at meals.
00:23:17It's strange that a man like you doesn't drink anything, not even wine.
00:23:20Don't think I haven't been drinking.
00:23:21I've had a lot to drink.
00:23:22So.
00:23:25Tony, go outside.
00:23:26Because of wine, I lost my wife.
00:23:32I don't understand.
00:23:33Because of the wine?
00:23:34Yeah.
00:23:36We were invited to a friends' wedding.
00:23:40I drank too much and made my wife drink.
00:23:43I asked a friend for his car keys
00:23:44and I sat my wife behind the wheel, who had done so very few times.
00:23:48I made him push the accelerator harder and harder, until we crashed into a tree.
00:23:57I fractured my collarbone and she died instantly.
00:24:04Do you understand now why I don't drink?
00:24:08That's nonsense.
00:24:09It would be written that it would have to happen like this.
00:24:12I will never drink again in my life.
00:24:13So don't worry.
00:24:15I'll do it for you.
00:24:16When I drink, I feel like someone else.
00:24:18Hey, are you coming to the motorcycle races tomorrow?
00:24:22Yes, I would like to.
00:24:23But I promised the boy I would come down to hear mass with him.
00:24:28To hear mass?
00:24:29But after what happened to your wife and your son, you believe in God.
00:24:40Yes, Elias.
00:24:42Now is when I need to believe in God the most.
00:24:44Come on, kid.
00:24:47This family is crazy.
00:24:58Dad.
00:24:59Is Elias a friend of yours?
00:25:00I only have one friend, son.
00:25:02Who?
00:25:03You.
00:25:04I am your son.
00:25:05And you love me?
00:25:06Clear.
00:25:07Is that why you're my best friend?
00:25:08So Conchita is your best friend.
00:25:11Why do you ask me?
00:25:12Because she says she loves you very much.
00:25:15You know I'm getting a bit nosy?
00:25:19A little nosy?
00:25:20A little nosy?
00:25:20The propaganda is certainly sensational, but a bit daring.
00:25:29We need to make original propaganda, Mr. Raúl.
00:25:31And besides, since this one doesn't cost us a cent...
00:25:35In the long run it would cost us more.
00:25:36And don't think that because of that it would have more solidity.
00:25:39No, no, I appreciate the intention.
00:25:41But I beg you not to do anything like that again.
00:25:44You are my propaganda agent, not what the newspapers here say.
00:25:47What do they say?
00:25:48Thug!
00:25:49They call you a hooligan.
00:25:51Well, it's not that bad.
00:25:54In that case, you little rascal...
00:25:56In any case, please refrain from this kind of propaganda.
00:26:00Don Matías and I would be deeply saddened if we failed to obey our orders...
00:26:04...we would have to dispense with their services.
00:26:07Don't forget it.
00:26:08And put yourself at the disposal of Don Matías.
00:26:10Don't worry, Mr. Raúl.
00:26:12I won't forget it.
00:26:17Come on, Ignacio.
00:26:22I need to talk to you.
00:26:27Good.
00:26:28What did you think of Don Raúl's sermon?
00:26:30You've heard it before.
00:26:31That if I do it again he'll be forced to fire me.
00:26:33You are naive, Ignacio.
00:26:35Why me?
00:26:35Because Don Raúl has lied to him.
00:26:38What he has tried to do is stimulate him.
00:26:40Derid his self-love.
00:26:42So that you can undertake larger-scale propaganda campaigns.
00:26:45Do you believe?
00:26:46I believe it and I assure you.
00:26:48He saw in you a great advertising manager.
00:26:51The thing is that commercially he has been forced to act this way with you.
00:26:55But the boss expects great propaganda successes from you.
00:27:00And what do you advise me?
00:27:01I?
00:27:03He will return.
00:27:04I have an idea.
00:27:05What do you think?
00:27:23That you are a true friend.
00:27:25And friends are for occasions.
00:27:27And none better than this one.
00:27:29Thank you very much, Mr. Matías.
00:27:31You are welcome.
00:27:31Thank you so much.
00:27:39Ignacio.
00:27:41Ignacio.
00:27:42Don Javier's file, please.
00:27:52Thank you.
00:27:53Ignacio.
00:27:54Hi my love.
00:27:56If you only knew what I was thinking, I love you, Conchita, and I have a feeling that this time I'm going to succeed.
00:28:01You're right, sir...
00:28:02Well, you're right.
00:28:04Don Matías?
00:28:05What did Don Matías tell you?
00:28:06I can't tell you.
00:28:07It's a secret.
00:28:08But are you going to have secrets from your girlfriend?
00:28:10Tell him again, Conchita.
00:28:11Your boyfriend.
00:28:12Your boyfriend.
00:28:13That's it, Conchita.
00:28:14Now I do want the right to be your boyfriend.
00:28:16I feel the publicity in me.
00:28:18Am...
00:28:18How would I tell you?
00:28:19I am a sui generis publicist.
00:28:22That is.
00:28:23Ignacio García, a sui generis publicist.
00:28:26He who does not despise any memorable occasion.
00:28:29And you won't despise her when they ask you.
00:28:31Do you want to...
00:28:32By...
00:28:34Yes I want.
00:28:36And I will say.
00:28:36Do you know how I won over this hottie?
00:28:40Shaving with hinge blades.
00:28:44Please, Conchita.
00:28:45What was the step you taught me yesterday?
00:28:48Because that's not how it was, was it?
00:28:49No, look.
00:29:00Just so.
00:29:01Look.
00:29:02Mambi.
00:29:03Mambi.
00:29:03Mambi to frutti cha cha cha.
00:29:06Mambi.
00:29:06Mambi to frutti cha cha cha.
00:29:09Mambi.
00:29:10Mambi to frutti cha cha cha.
00:29:12Mambi.
00:29:13Mambi.
00:29:14Mambi to frutti cha cha cha.
00:29:16Mambi.
00:29:17Mambi to frutti cha cha cha.
00:29:19Mambi.
00:29:20Mambi to frutti cha cha cha.
00:29:23Mambi.
00:29:24Mambi to frutti cha cha cha.
00:29:26Mambi.
00:29:27Mambi to frutti cha cha cha.
00:29:30Mambi.
00:29:31Mambi to frutti cha cha cha.
00:29:33Mambi.
00:29:34Mambi to frutti cha cha cha.
00:29:37Mambi.
00:29:38Mambi to frutti cha cha cha.
00:29:41Mambi.
00:29:41This can't be.
00:29:43This is so.
00:29:44Mambi.
00:29:45Mambi to frutti cha cha cha.
00:29:47Mambi.
00:29:48Mambi to frutti cha cha cha.
00:29:50Mambi.
00:29:51Mambi to frutti cha cha cha.
00:29:53Mambi.
00:29:54Mambi to frutti cha cha cha.
00:29:56But what's going on?
00:29:59I would like to remind you that this is not a party room, but an office.
00:30:04It would be very convenient if you did not forget it.
00:30:06It was my fault, Dad. Forgive me.
00:30:07You have to move your hips, dad.
00:30:37You are not allowed to go to the locker room.
00:30:50We're from the press. Well, I'm the journalist and this is the photographer.
00:30:54That's it, I'm the one with Rolly Flesh.
00:30:56That doesn't matter to me.
00:30:57Because you are not familiar with the photograph.
00:31:00He is not familiar with photography and does not know that now he does it with the Rolly Flesh and before he did it with the Contax.
00:31:06And what's it to me?
00:31:06That by doing it with Contax, at the same time it counted.
00:31:10For example.
00:31:11I count, you count, he counts.
00:31:14We'll pass, you don't tell us and we'll see you later.
00:31:18But it does happen.
00:31:20And it didn't count?
00:31:36My mother.
00:31:46What a beast.
00:31:47Go on, put the camera in front and see what happens.
00:31:53Press, sir, dude.
00:31:55Press.
00:31:55That's it, that's it. Journalists.
00:31:58Excuse me, may I come in?
00:31:59Of course it is.
00:32:01They're coming to give me a trillú.
00:32:02Yes, yes.
00:32:03That, and some photos.
00:32:05Very good, man, very good.
00:32:06I am very pleased to meet you.
00:32:07The pleasure is mine.
00:32:09Give it a go, Paco.
00:32:10It weighs a lot.
00:32:11Paco, take another picture.
00:32:14That is.
00:32:15So, very good.
00:32:17And now, a little bit about his sporting life for the readers.
00:32:20Let's see.
00:32:21Since when have you been on the loose?
00:32:22Well, I mean, so loose-armed.
00:32:26Oh, what was a puppy?
00:32:28Yes, gentlemen.
00:32:30One day I got into a fight with my father's ox.
00:32:33That is, an ox that we had at home.
00:32:36Improving the presents.
00:32:37Clear.
00:32:38When they took it away from me, it wasn't even good for sausages.
00:32:45A lot, ox, a lot, a lot.
00:32:47Yes, gentlemen.
00:32:48And since then, the only ox in the village, a servant.
00:32:53Below, take another photo.
00:32:55It will hit while taking air.
00:32:56Get ready, air.
00:33:04The weather is going to change.
00:33:05Yeah.
00:33:08What's that?
00:33:09He is the Andalusian who is fighting against the tooth.
00:33:12The public has a view.
00:33:13The Andalusian is sure to deliver his favorite hit.
00:33:18Yeah.
00:33:19Oh, ho, ho, ho, ho, ho, ho, ho, ho, ho.
00:33:20Come on, let's go!
00:33:50I told you, he's already let it out. He's a lot of Andalusian.
00:33:55Mr. Ox, what is your favorite hit?
00:33:57What's it going to be? Attacking?
00:34:01Hey, Mr. Ox, couldn't we take another photo of you in action?
00:34:04That.
00:34:05Right now.
00:34:07What an obsession he has with me!
00:34:09Why don't you do it by attacking the bag from the door?
00:34:12I grab you, you come and boom!
00:34:14Very well, you'll see what kind of headbutt I give you.
00:34:16That.
00:34:18Come on, come on.
00:34:19Forewarned, huh?
00:34:21One, two, three.
00:34:26It has been skinned.
00:34:35Oh, how strange!
00:34:36Referee, more biting.
00:34:41More bitten, more bitten, more bitten.
00:34:44You see.
00:34:47There!
00:34:50Get in, Marano!
00:34:52Malano, out!
00:34:53Eight, nine, ten.
00:34:55The evening's biggest fight is about to begin.
00:35:08To my right, Barbas, the fiercest bearded of our figures.
00:35:12Well, a lot!
00:35:13And to my left, the introduction of a new fighter in this ring.
00:35:21The stupid ox!
00:35:22Good!
00:35:24Well, amen!
00:35:40I hope he loses!
00:35:41I'll be glad!
00:35:42Clean fight and no low blows.
00:35:49Nothing.
00:35:49No fish tugs.
00:35:50Oh, less.
00:35:51No biting.
00:35:52Don't even think about it.
00:35:53Nothing of...
00:35:54Oh, and for the fight, when the opponent is on the ropes.
00:35:58Let's see if you tell the other guy the same thing, because I'm new, just in case.
00:36:01Don't worry, listen.
00:36:03You've heard it before.
00:36:04Everything very clean, no violence.
00:36:06Oh, and above all, no...
00:36:09Ah!
00:36:09Groma!
00:36:10Have you seen?
00:36:10Out, out!
00:36:11You can't do this.
00:36:12Mother Rincón!
00:36:12You can't do this!
00:36:13Mother Rincón!
00:36:13See this like this!
00:36:14We're off to a bad start.
00:36:15We're off to a bad start.
00:36:16Look, I've already been punished.
00:36:18You know, as soon as the goal is scored, you stand up, greet him, and then...
00:36:23And then what?
00:36:24Oh?
00:36:30Come on?
00:36:34Say hello to each other.
00:36:40Ignacio Garcías, your servant.
00:36:41For what...
00:36:43High!
00:36:44Was it the strings?
00:36:45It was the strings!
00:36:47It was the strings!
00:36:47It was the strings!
00:36:48I sanction.
00:36:49You've let go of the strings!
00:36:50It was the strings!
00:36:51Come on?
00:36:52Federation, what's going on?
00:36:54Come on.
00:36:55Come on?
00:36:56Already?
00:36:57Come on!
00:36:58Come on!
00:36:58These barbarians would disappear with razor blades.
00:37:02Hinge!
00:37:03Hinge!
00:37:07Hinge!
00:37:07Hinge!
00:37:08And hinge!
00:37:09Ah!
00:37:09And abandonment.
00:37:10Should I follow him?
00:37:11Look.
00:37:11If I warn you before, or rather, forbid you from doing so, do not follow Don Raúl.
00:37:16What's done is done.
00:37:18Don't judge me wrong.
00:37:19To hell with the chest and what's done.
00:37:21If he knew you were going to fire him, why did he do it?
00:37:24Because there are circumstances in life in which we set out to succeed and we fail.
00:37:29Do you have any better placement than this?
00:37:34Because I have to fire him.
00:37:36I don't have any placement, I swear.
00:37:39I swear by my son.
00:37:43I'll be damned if I understand!
00:37:45I'll be damned!
00:37:46Your father is right, Conchita.
00:37:48According to his orders I did not obey.
00:37:50It's only natural that I say goodbye.
00:37:51It's the fault of that Don Matías who advised me to do it.
00:37:55Do you know that Don Matías has a letter from me?
00:37:57As?
00:37:58A letter from you?
00:37:59Yeah.
00:38:00In it I told you that I loved you, even more than my father.
00:38:03And he didn't give it back to you?
00:38:04No.
00:38:05He thinks that by threatening to show it to my father I'm going to accept his advances.
00:38:09That evil bug.
00:38:09Tomorrow he will give me the letter.
00:38:10Do nothing, it's better.
00:38:12Neither with that nor with a hundred letters would he get anything out of me.
00:38:15Besides the letter, it seems to me that this Don Matías is not a clean slate.
00:38:20The truth is that if your father doesn't fire me and I continue with my atomic propaganda,
00:38:23One day he would have been put in jail.
00:38:26You just wanted to help him.
00:38:27Yes, but you can't go that fast.
00:38:30Of course, it's the same.
00:38:32Quickly or slowly, I'll always be poor Garcia.
00:38:36Sometimes I think it would be much better to leave it ours.
00:38:38And maybe later, when I really am someone and can offer you something...
00:38:42Offering me something, does love seem too little to you?
00:38:45When you are someone, you are my boyfriend and you will remain so until we get married.
00:38:50And that's all that matters.
00:38:51Worries always pass.
00:38:54Do you know that I had a terrible one?
00:38:56Yes, why?
00:38:57Because I had a big mouth complex.
00:39:00And so day after day, speaking very carefully.
00:39:05Yes, of course.
00:39:07Whatever you say.
00:39:08And above all, friends.
00:39:10Good morning, good afternoon, goodbye.
00:39:12Wow, you're getting prettier every day.
00:39:14Goodbye, dear.
00:39:15A torture.
00:39:16Until I learned that the best in us is always within ourselves.
00:39:19And I started to really laugh with this little mouth that God gave me.
00:39:23And what is more beautiful than any?
00:39:27Thank you, Conchita.
00:39:30It's all over now.
00:39:31You love me and I feel like I own the world.
00:39:34Hey!
00:39:34Let's have a snack.
00:39:36What would you like to drink?
00:39:37I would like some prawns.
00:39:39Take.
00:39:40And to that one, and to that one, and to me.
00:39:44So the usual.
00:39:45That.
00:39:46The usual.
00:39:49You must talk to my father again.
00:39:54As soon as a few days pass and he calms down.
00:39:56No.
00:39:57Sir, I don't think your father is angry with me.
00:40:00He fired me because he was right.
00:40:07I'm not buying any more gum.
00:40:08Because?
00:40:11I swallowed it again.
00:40:16Hello.
00:40:17Hello.
00:40:17Hello.
00:40:19Do you have a game today?
00:40:22No.
00:40:23I'm going to train.
00:40:24What I'm going to do today is gymnastics.
00:40:26My father says that when I grow up I will be very strong.
00:40:29You do look strong?
00:40:30Especially legs.
00:40:32Legs and everything.
00:40:33Because of arms...
00:40:34...I throw every punch.
00:40:37You are a strong boy.
00:40:40What a barbarity!
00:40:41What muscles he has!
00:40:42Why don't you give the pony a try?
00:40:46Because I will beat him.
00:40:48Your son is sick.
00:40:49Yeah.
00:40:50My son is sick in his legs...
00:40:52...but not by the arms.
00:40:54Want?
00:40:55Whenever you want.
00:40:56Let's see, bring your arms.
00:41:00Put your hands like this.
00:41:01So.
00:41:04Ready?
00:41:05When I say three.
00:41:06Hey?
00:41:09A.
00:41:11Two.
00:41:15Three.
00:41:15Three.
00:41:40Three.
00:41:41Thanks for watching the video.
00:42:11Thanks for watching the video.
00:42:41And when I had almost won him over, his father hit me and smacked my arm.
00:42:48And of course, how they both were.
00:42:50So you can trust that little fly.
00:42:53I don't drink wine.
00:42:55Tomorrow, Sunday, I'm going to mass.
00:42:57He will be unhappy.
00:42:59Tell him to come down if he doesn't want me to come up and get him right now.
00:43:02He's going to remember me.
00:43:12There you have it.
00:43:18Were you calling me?
00:43:19Come in, man.
00:43:20I have to talk to you.
00:43:23Put an anise.
00:43:24You know I don't like fights here.
00:43:26You shut up!
00:43:27A glass of anise?
00:43:42Thanks, but you know I don't drink.
00:43:44Have you heard?
00:43:45That doesn't drink.
00:43:54Wait!
00:43:56Another glass!
00:43:57Anise.
00:44:01Anise.
00:44:05I don't drink.
00:44:08I don't drink.
00:44:08And give my regards to your disgusting son.
00:44:38I had intended not to scold you, but I can't help it.
00:44:46I'm going to give you the biggest beating you've ever had in your life.
00:44:50Have you heard? He says he's going to hit me.
00:44:52I'm going to break every bone you have.
00:44:57But first, take what belongs to you.
00:45:00That's not how you hit, coward.
00:45:07Please, Elia
00:45:08You don't get involved
00:45:09What did you expect? A little candy?
00:45:17You don't get involved in this.
00:45:19Wow, not bad.
00:45:30What? Is it enough?
00:46:00No
00:46:05Does anyone think that my son
00:46:35This is disgusting
00:47:05S such, no?
00:47:06Joaquin
00:47:06Thank you!
00:47:36Sorry, sir, that I got into a fight.
00:48:04But he called my son disgusting.
00:48:09Lord, why isn't my son getting better?
00:48:13I'm not asking you to walk normally.
00:48:16But at least he can do it with the help of crutches.
00:48:22That would be the greatest illusion of my life.
00:48:26Admit that I'm not asking much of you, sir.
00:48:30Well, a lot is...
00:48:34...but it doesn't cost you anything.
00:48:41It's hell to live like this.
00:48:45All children play and mine doesn't.
00:48:48I want him to be able to play.
00:48:51Even if it's with crutches.
00:48:52Don't you think you're speaking too loudly to the gentleman?
00:49:05The gentleman hears you just the same if you speak more quietly.
00:49:09Just think about it, son.
00:49:10I have unwittingly heard your plea and your anger.
00:49:16It's natural that you suffer when you see your son like this.
00:49:19I would suffer too if I were you.
00:49:21But have you ever thought that there are thousands of children in the world who are sicker than yours?
00:49:28More than mine, right?
00:49:28Yes, yes.
00:49:29More than yours, yes.
00:49:31Your child suffers from leg problems.
00:49:33And many others, besides their legs, are blind and crippled.
00:49:37And there are children who will never have the pleasure and joy of being able to call their father.
00:49:45Have faith in God, son.
00:49:47And don't despair.
00:49:48Don't be angry.
00:49:50That God does not deserve your distrust.
00:49:56Forgive me, father.
00:49:57You are forgiven on one condition.
00:50:01Which?
00:50:02May you never lose faith in God.
00:50:05Whatever happens.
00:50:06Yes, father.
00:50:10I promise.
00:50:12Thank you, son.
00:50:14May God be with you.
00:50:36Forgive me, sir, for raising my voice.
00:50:47I didn't know what I was doing.
00:50:50I know you will take care of this man.
00:50:53I would like to tell you that I would also feel very lucky if that child could walk, even with crutches.
00:51:00You shouldn't feel inferior, kid.
00:51:06Luck does not come to hand.
00:51:07You have to look for it.
00:51:08Further?
00:51:08Yes, man, more.
00:51:09And if you fail at the next job, you'll have to search harder and harder until you find it.
00:51:14I'm tired, Paco.
00:51:15And what's worse, desperate.
00:51:17You have to do it, if only for your child.
00:51:20If it weren't for him.
00:51:21That?
00:51:22I would be capable of anything.
00:51:25What are you laughing at?
00:51:27From you.
00:51:28You say you would be capable of anything if you didn't have your son.
00:51:31Even steal?
00:51:32Yes, even stealing.
00:51:34Don't fool yourself, kid.
00:51:35You could never steal.
00:51:37Because?
00:51:37Because you are not a thief.
00:51:39Because you are an honest person, or rather, a normal person.
00:51:42And those who steal are not normal.
00:51:44But not you, Ignacio.
00:51:46You are a very good person.
00:51:48Of course I think that if there were no honest people there would be no thieves.
00:51:53I don't understand you.
00:51:54It's clear.
00:51:54If we were all thieves we would steal from each other and, consequently, we would always have the same thing.
00:52:00If, on the other hand, we were all honest, can you imagine how boring it would be?
00:52:05There has to be a bit of everything because, furthermore, tell me, if everyone were decent, do you think there would be this continuous war of international politics?
00:52:12And what's worse, do you think there would be newspapers?
00:52:15No.
00:52:17And it would be a disaster.
00:52:19Because you have to see the performance that a newspaper gives.
00:52:21Especially what a newspaper must earn with ads.
00:52:25Don't know.
00:52:26You're sure?
00:52:27I'm tired of seeing it.
00:52:29It's huge.
00:52:30AND...
00:52:31Will it be worth a lot?
00:52:32It cannot be calculated.
00:52:33It is certainly fantastic.
00:52:34Millions maybe.
00:52:36Now it would be priceless.
00:52:42How wonderful!
00:52:44Do you mean the statue?
00:52:46No, I'm referring to the brilliant art of this painter.
00:52:49What's it called?
00:52:51Is it possible that you don't know this illustrious artist, Glory of Spanish Painting?
00:52:56No, I don't know him.
00:52:58I'm going to help you.
00:52:59This brilliant painter has a street in Madrid.
00:53:03Let's see, let's see, think, think.
00:53:07Knife-wielders?
00:53:08Please, Ignacio, don't say stupid things.
00:53:11This statue is by the famous Spanish painter, Goya.
00:53:15I already told you that a street in Madrid was named after him.
00:53:18There you have the king of Spanish painting, Velázquez.
00:53:26Hey, Paco, didn't you take the wrong street?
00:53:37I'm glad I came.
00:53:39Very happy.
00:53:40This is worth seeing for everyone.
00:53:42What do I owe him?
00:53:43Two hundred pesetas.
00:53:44Come, thank you.
00:53:49Bye bye.
00:53:49Bye bye.
00:53:53What job does this man have who has just earned two hundred pesetas?
00:53:56If it were only two hundred pesetas, there are days when they have up to three or four visits.
00:54:02This man has the job of a guide, so you understand.
00:54:05His obligation is to explain the museum from the inside.
00:54:07Or rather, the history of the paintings.
00:54:11How barbaric.
00:54:13Two hundred pesetas.
00:54:15Do you want me to show you the museum?
00:54:23It's just that we can't see it alone.
00:54:25Yes, but if I explain it to you, you'll understand it better.
00:54:28Besides, it's only two hundred pesetas.
00:54:29Yes, Braulio, explain it to us.
00:54:31You'll explain everything to us clearly, right?
00:54:33Madam, it's not because I'm here, but the way I explain it doesn't explain anything.
00:54:36Oh, come on, come on.
00:54:38Come on, come on.
00:54:39Come in, fatso.
00:54:45Me first, to...
00:54:47This painting is called Las Meninas.
00:54:51It is called Las Meninas because Velázquez, who painted it, named it that way.
00:54:56The Meninas.
00:54:58Now, look closely at this painting and the dog.
00:55:03Here neither the guy at the door nor the guy in the painting are important.
00:55:07What really matters here, for my mother, is the dog.
00:55:11Because a person stays still when they are painted.
00:55:14Ah, but a dog...
00:55:16And this dog didn't move at all when they painted him.
00:55:19What breed is he?
00:55:21From Angora.
00:55:21From Andorra?
00:55:23Not from Andorra, from Angora.
00:55:24Angora that is hitting Angoulême.
00:55:27Where are elvers from?
00:55:29Ah, well, let's see another one, because that one really has some serious chestnuts.
00:55:32Let's go there, okay?
00:55:37Look closely because this painting is something brilliant and extraordinary.
00:55:40Now, the spears, the spears, have their explanation.
00:55:49This painting is called the spears because it has many spears.
00:55:54OK?
00:55:55Because if I had just one spear, it would be called the spear.
00:56:00As he has many spears, he has spears.
00:56:01A racket is called the spears.
00:56:03The spears, huh?
00:56:05Look, on the right side it is not wonderful what.
00:56:12Another spear.
00:56:14Oh, Braulio, we did well to take this guide.
00:56:17If we come alone we don't see all the spears.
00:56:20And the drunks?
00:56:21That.
00:56:22And what about Velázquez's drunks?
00:56:24No, the bar is on the mezzanine.
00:56:25Hey?
00:56:26And the thanks?
00:56:27What do you say about thanks?
00:56:29No thanks, because it's two hundred pesetas.
00:56:31Yeah.
00:56:33Now I will be able to talk about painting in my town.
00:56:36And thank you.
00:56:37Well, you know where I am.
00:56:39Good.
00:56:40Bye bye.
00:56:40Bye bye.
00:56:44Damn.
00:56:46I had just finished saying.
00:56:48Do you know where I am?
00:56:50When there is a voice behind me asking me
00:56:52Do you have a guide license?
00:56:55As the one who asked me was a real guide.
00:56:58I gave him the excuse that I had done it on a bet.
00:57:02What do you have for me?
00:57:04No placement again.
00:57:11Ignacio, have you ever been affected?
00:57:14Sure, me every day?
00:57:16I mean another person, like a barber.
00:57:19Well, you'll know what's your thing.
00:57:23That's why I'm telling you.
00:57:24Because there's a vacancy at my barbershop.
00:57:27You could take that place.
00:57:29As a barber?
00:57:30Well of course, it is very easy.
00:57:32You're coming with me to the hairdresser's right now.
00:57:33And I'm going to show you that it's as easy as sewing and shaving.
00:57:42I'm not following, Paco.
00:57:43I'm getting nervous.
00:57:45I'm not following.
00:57:47Yes, you're doing very well.
00:57:50I would like to be a western cowboy.
00:57:52And I would like to be Joan of Arc.
00:57:55So that?
00:57:55To get my hair cut.
00:57:58Hey, you're very handsome.
00:57:59Will you marry me?
00:58:00I don't understand you.
00:58:02I say if you want to marry me...
00:58:04A woman doesn't have to say that.
00:58:06I'm not your girlfriend anymore.
00:58:08Take.
00:58:08Do you have to pee?
00:58:13Pee?
00:58:14Pee?
00:58:14Pee?
00:58:15Pee?
00:58:17Do you have to pee?
00:58:18Yes, pee.
00:58:19Yeah.
00:58:20Do you have to pee or not?
00:58:21Come, son, come.
00:58:22Sorry.
00:58:23You are welcome.
00:58:30Are we leaving, son?
00:58:31Yes, dad.
00:58:32It's a shame we can't come every day.
00:58:35Because?
00:58:36I love walking with you so much.
00:58:41What's that, Dad?
00:58:46Excuse me, who are you asking for an autograph?
00:58:47To a very nice artist.
00:58:49Manolo Morán.
00:58:50I've already signed it.
00:58:54Dad, I saw it in a movie and I laughed a lot.
00:58:57I would like to talk to him.
00:58:59Why don't you tell him?
00:59:01Son, I don't know him.
00:59:03You may think I'm a jerk.
00:59:04Come on, dad.
00:59:05Tell him.
00:59:08By?
00:59:22Do you also want me to sign it?
00:59:24No, sir.
00:59:25Wait, I wish my son could talk to you.
00:59:27And why doesn't he come?
00:59:28I would be delighted.
00:59:30I'll bring it to you right away.
00:59:31It's the one in the chair.
00:59:33Is he impeded?
00:59:34Yeah.
00:59:35Then don't bother.
00:59:36I'm going.
00:59:44Hello, kid.
00:59:45How are you?
00:59:46Very good.
00:59:46And you, Mr. Morán?
00:59:48Well, as you can see, ugly because he's fat.
00:59:50What is your name?
00:59:52My name is Toni.
00:59:53Well, Antonio.
00:59:54Wow, kid, that's a very nice name.
00:59:56And do you know what my name is?
00:59:58Of course.
00:59:59Your name is Manolo Morán and you are a film artist.
01:00:02Do you go to the movies often?
01:00:03No, I like it a lot, but most of them are not minutes.
01:00:08Hey, would you like to make movies?
01:00:11Sure, but I can't.
01:00:14I'm sick in the legs.
01:00:16Do you know Maria's song?
01:00:22Which Mary?
01:00:24By María Laterrones.
01:00:25Who is this María Laterrones?
01:00:27You don't know who María Laterrones is.
01:00:28Now I'm going to do it to you.
01:00:33I am María Laterrones, the one who steals hearts.
01:00:37Oh, gentlemen, what pain.
01:00:39And my mother, Pontevedra.
01:00:46And my father, Valencian.
01:00:51I am Spanish, very Spanish.
01:00:55And I also have an uncle in Huelva.
01:00:57And I dance for fandango.
01:00:59And also by taranta.
01:01:00And also for brudería.
01:01:01Did you like it?
01:01:11A lot, it made me laugh for a while.
01:01:14Oh no, no.
01:01:14This has already been done.
01:01:17One moment.
01:01:23What disease do you have?
01:01:25Poliomyelitis.
01:01:26I have operated on him twice, but without success.
01:01:29I know it will never be normal.
01:01:30But if they could give commas.
01:01:37Wait.
01:01:50This is for Dr. Lillo.
01:01:52Polio specialist.
01:01:54We went to high school together and he appreciates me a lot.
01:01:58Please go on my behalf.
01:01:59Who will attend to you with great interest.
01:02:02Thank you, Mr. Manuel.
01:02:04Manolo.
01:02:05Simply Manolo.
01:02:06Well.
01:02:07I can't guarantee the outcome, but I know you'll be well looked after.
01:02:13Well, kid.
01:02:15Will you give me your hand?
01:02:15Yes sir.
01:02:16And a kiss.
01:02:17Also.
01:02:17Goodbye, friend.
01:02:21Goodbye, Manolo.
01:02:23Without something I can serve you.
01:02:24I work as a hairdresser on Goya Street.
01:02:26Well, unless it's for a shave, because...
01:02:29Come on, I say.
01:02:29I would solve the lumps.
01:02:37Goodbye, Tony.
01:02:38Goodbye, Manolo.
01:02:41I would like to be as short as possible.
01:02:43You see, if I cut it any further it will look like zero.
01:02:46Plus, it doesn't look long this way.
01:02:48No, I mean the heat.
01:02:50And I say this because of the cold.
01:02:52If I cut it further and he gets a cold, what then?
01:02:53What a sneeze.
01:02:54And I say to him Jesus...
01:02:56No, my name is Jesus.
01:02:57My name is Tomas.
01:02:58I say Jesus to his sneeze.
01:03:00You are very attentive.
01:03:01What do I owe him?
01:03:0225 pesetas and whatever.
01:03:04Whatever.
01:03:05Whatever your will is.
01:03:06How little will he has.
01:03:14Not bad, man.
01:03:15I see you're getting the upper hand.
01:03:16Hey, there's another one.
01:03:17Take care of me, that's a good client, you know?
01:03:22Haircut and long live Atleti.
01:03:25Didn't you hear me?
01:03:27I said long live Atleti.
01:03:29Viva.
01:03:30You're new, right?
01:03:32Yeah.
01:03:33Well, you already know my motto.
01:03:34To Atleti and to César what belongs to Elche.
01:03:37Because Atleti is the best team in the world.
01:03:41And what about Madrid?
01:03:41As?
01:03:43No, nothing.
01:03:43That I was born in Madrid.
01:03:45Long live Atleti.
01:03:48And what about bulls?
01:03:50Who do you like?
01:03:51I like the cows.
01:03:52Bulls are very violent.
01:03:53I'm referring to bullfighters.
01:03:55Just one for me.
01:03:56That?
01:03:57Ordoñez.
01:04:01Between!
01:04:02Between!
01:04:03Where does it go?
01:04:05That in sight.
01:04:06I'm going to show you who's the best.
01:04:08In view of me?
01:04:09Why don't you look in the mirror and do it all for yourself?
01:04:11For lady.
01:04:12Where is Luis Miguel, face down, everyone?
01:04:16You have no idea.
01:04:18I'll bite it!
01:04:19Whom?
01:04:19Me?
01:04:20What if I cut his ears and lighten his weight?
01:04:22Oh, me.
01:04:24What's wrong with me, Paco?
01:04:26The best client at the barbershop and he has to be an Atleti fan.
01:04:29You have to be patient.
01:04:31You have to go with the flow of customers.
01:04:33Further.
01:04:34I followed the current, the alternating current, the direct current, until the fuses of patience blew.
01:04:39and the short circuit of temperament is formed.
01:04:42Total.
01:04:43Again on the same street.
01:04:45Well, it is a little piece of paper.
01:04:47Well, what now?
01:04:49What of what?
01:04:51What about working?
01:04:53Well, there is a need.
01:04:54What's there to what?
01:04:56That you have to work on whatever comes out.
01:05:05Paco.
01:05:08What do you think of that?
01:05:12Man, I don't think that's for you.
01:05:15That's for me and anyone who needs it like me.
01:05:17Look, I'd rather shine people's shoes than borrow a penny.
01:05:23I have the best business in Spain.
01:05:25Between boots and shoes he'll get me more than 15 duros tonight.
01:05:30Have I ever told you that you are the most wonderful person I have ever met?
01:05:33No, because you don't tell lies.
01:05:35You are one.
01:05:36Don't say that, Ignacio.
01:05:39Nobody would do what you do.
01:05:41No.
01:05:43You say that because you love me.
01:05:45But there are many men who make more sacrifices for their children than I do.
01:05:49The thing is, since we don't see it, we think bad luck is only for us.
01:05:58What are you looking at?
01:05:59These are the men of tomorrow.
01:06:03Of that tomorrow that my son will never have.
01:06:08You shouldn't think about that, Ignacio.
01:06:11Has the doctor that movie star recommended to you already been to the doctor?
01:06:14Yes, I hadn't told you anything because I'm afraid to talk about it.
01:06:18But what did he tell you?
01:06:19Well, he told me, I can't guarantee that I'll cure him, but I hope I can do something for him.
01:06:27Do you realize, Conchita?
01:06:29The doctor only refused to say, I have hope.
01:06:32I'm sure of it, Ignacio.
01:06:34This time you'll be lucky.
01:06:36You deserve it.
01:06:37No, not me.
01:06:42But my son does.
01:06:49No, not me.
01:07:19Do you like it?
01:07:20It's sad what happens to you.
01:07:22It's sad, but beautiful, right?
01:07:25Yes, it is beautiful.
01:07:35Ignacio, I've forbidden Elias's boy from coming in to talk to your son.
01:07:38Because?
01:07:39Because I don't like it.
01:07:49What's wrong, son?
01:07:57Elias told me that a child like me is good for nothing.
01:08:03Now, you help me, but as an adult.
01:08:07It will be embarrassing.
01:08:10You're right, Dad.
01:08:11I'm always a nuisance.
01:08:13That kid doesn't know what he's saying.
01:08:15You will never be a hindrance.
01:08:18Here I am so you don't be.
01:08:21You mustn't cry, my son.
01:08:23Not for that reason or for anything else.
01:08:26Men don't cry.
01:08:28The women and girls cry.
01:08:31You are a man.
01:08:33Quite a man.
01:08:36Do you promise me?
01:08:37Yes, dad.
01:08:41I won't cry.
01:08:43That's how I like it, son.
01:08:45And for being good, I'm going to put you on TV.
01:08:48I think there is a great program today.
01:08:51Thanks, Dad.
01:08:52How good you are.
01:08:53Thank you.
01:09:07Prepared?
01:09:16Yes, dad.
01:09:20Ladies and gentlemen viewers, and voyeurs, good evening.
01:09:26This is the famous Argentine announcer Cayetano speaking for you.
01:09:31Cayetano.
01:09:32But before we begin, it's a good idea to know that...
01:09:35Tomas watch, perfect watch.
01:09:41Now Thomas, now exactly.
01:09:47Because if the trigeminal nerve is contaminated with the suppuration of the vegetarian system,
01:09:56We deduce that the Valencian artichoke is tastier than the English one.
01:10:02Something that is clarified in the book edited by Dr. Pi.
01:10:08But as the famous Japanese researcher To is not satisfied,
01:10:14It is clear that the Pi To doctors are a flute.
01:10:20And how clean do clothes washed with that smell?
01:10:33Ladies and gentlemen, good evening.
01:10:36Today Siberia recorded its lowest temperature.
01:10:39Which is strange, because he had been pushing his own buttons for a few days.
01:10:43The highest number of deaths occurred in Alicante, where a night watchman died of heatstroke last night.
01:10:48The anticyclone that appeared in the northwest has moved east.
01:10:53And this, this is a different story because tomorrow we will have it in Andalusia.
01:10:58And in Andalusia we sing with warmth.
01:11:00It is sung with soul.
01:11:02Seville.
01:11:02Seville, Torre del Oro.
01:11:05Where the Arabs already said,
01:11:07has a handkerchief.
01:11:09The bride.
01:11:12To toast, always do so with Lozoyo cognac.
01:11:19Lozoyo Cognac is the best.
01:11:22Nothing better than this magnificent cognac.
01:11:25Don't you think it's time to sleep, son?
01:11:40Yes, dad.
01:11:46See you tomorrow.
01:11:48Take a rest.
01:11:48Come on, lie down with me for a bit.
01:11:50Well.
01:11:50Dad, Remedios told me that you're going to operate on me again.
01:11:58Why do you ask me?
01:11:59It's just that I suffer a lot, Dad.
01:12:01Well, but this time it will be less painful, you'll see.
01:12:05And will I be okay?
01:12:07Oh, perfectly.
01:12:10So much so that when you are a man, you will be much taller and stronger than me.
01:12:16Your legs will have a strength of fear.
01:12:18I'll race you down this street,
01:12:22but you'll have to give me an advantage because
01:12:24you will always beat me.
01:12:28And I will be proud
01:12:29to have the strongest son
01:12:31with the legs of an athlete.
01:12:36Everyone will say when they see you
01:12:37That is Ignacio's son
01:12:40and I will be the happiest man in the world.
01:12:46Forgive me, son.
01:12:55Forgive me.
01:12:59It'll be okay, doctor.
01:13:00Something might happen to him.
01:13:02In the worst case, it will remain as it is.
01:13:04If the operation is successful,
01:13:05will walk with crutches,
01:13:07but it will work.
01:13:08And we'll have to wait a long time to find out, doctor.
01:13:11You have to be patient, miss.
01:13:12You always have to wait.
01:13:13Calm down, man.
01:13:16God will want everything to go well.
01:13:18You wait here.
01:13:20Doctor.
01:13:24Can I see it?
01:13:26It's better not to do it.
01:13:27Your son is quite a man
01:13:28and at this moment
01:13:30I'm not interested in that little man
01:13:32becomes what it is,
01:13:33in a child.
01:13:36Cheer up, man.
01:13:37Your son is very well.
01:14:06Thank you!
01:14:36What, doctor?
01:14:44It is too early to say anything.
01:14:46But my impression is frankly optimistic.
01:14:52Good evening, Ignacio.
01:14:54How's Tony doing?
01:14:55Getting better and better, Mrs. Maria.
01:14:57Glad to hear it.
01:14:58And what about your new job?
01:14:59Are you good at shoes?
01:15:00Freak.
01:15:01I clean the park, it looks like a mirror.
01:15:04Hey, what if a foreigner calls you?
01:15:06How do you manage to charge me?
01:15:07Knowing languages has to be of some use to you.
01:15:10If he's French, I'll tell him.
01:15:11He gives me ten pesetes from B.
01:15:14If it's Russian.
01:15:15Two durof for shoe cleaningf.
01:15:19And if he's from Madrid, I'll give him a try.
01:15:22Recognize some no da guinea pig.
01:15:24Let them cut me into two pieces.
01:15:25That will be bound to me quickly without murmurs of wetness.
01:15:29So that from the palm of my shovel they pass to the depths of my solitan.
01:15:33Hey, that language is really difficult.
01:15:36Take it, it seems that it has just been invented.
01:15:37Good night.
01:15:40Okay.
01:15:41Thank you so much.
01:15:42And?
01:15:49Are you happy, Ignacio?
01:15:51Glad.
01:15:52I am the happiest man in the world.
01:15:54Tomorrow I'm going to see the doctor to get the bill.
01:15:56He has discharged him and promised me that within a week my son will be walking on crutches.
01:16:00And how is your wife doing?
01:16:02My wife?
01:16:04My wife is a wreck.
01:16:05But a ruin for what?
01:16:06Because it continues as always without explaining itself.
01:16:09Just today when I left home I don't know if he said to me, Felipe, I'm dying or Happy New Year.
01:16:15Well, who knows.
01:16:15Hey, they're calling you from that table.
01:16:17I'll be right there.
01:16:22Don't hesitate.
01:16:23They called me?
01:16:23Yes, clean me up.
01:16:28You see it very easy, Don Manuel.
01:16:29But after the last stumble, the money that this man is offering seems very little to me.
01:16:36It's no small feat considering that they are just plans.
01:16:39Furthermore, that gentleman is completely solvent.
01:16:41He is the deputy director of that company.
01:16:43And will we have to use the blowtorch?
01:16:45I think so.
01:16:47OK?
01:16:49Since this is in the middle, what are the signs?
01:16:52Peña Escales 15 at 6 in the morning.
01:16:54Don Matías will be waiting for you at the door.
01:16:56According.
01:16:58Conchita.
01:17:00Listen, I need to talk to your father.
01:17:02This morning they will try to rob his office.
01:17:05It is very urgent.
01:17:06Van, I thought you were going to ask for my hand.
01:17:08You know, I told my father about the letter.
01:17:11And what happened?
01:17:11Well, what had to happen.
01:17:13My father has come to understand that the affection I have for you does not take anything away from his.
01:17:18And he has also realized that this Don Matías is not pure wheat.
01:17:22Well, he still doesn't know the best.
01:17:24I'm going there.
01:17:24Dear Matías, these are not office hours.
01:17:46My deputy director is really jealous.
01:17:49He has to work in my office until dawn.
01:17:53I'm sorry to disappoint you.
01:17:55But those plans are no longer there.
01:17:57What should be there, I mean in his wallet, is a letter from my daughter that belongs to Ignacio.
01:18:03Do you want to give it to me?
01:18:10You should read this letter.
01:18:12There are some very interesting things.
01:18:15Everything my daughter writes is interesting, Matías.
01:18:18Very interesting.
01:18:21Gentlemen, they are at your disposal.
01:18:22Always at your service, Mr. Director.
01:18:32Always at your service.
01:18:40Don Matías, friends are for occasions.
01:18:44Thank you.
01:18:52My daughter told me that the operation went well.
01:19:00I was very happy about it.
01:19:01Thank you, Mr. Raúl.
01:19:05Conchita, why don't you tell my employee to walk you home?
01:19:10It's the least a man should do for his girlfriend, don't you think?
01:19:14Did you say employee?
01:19:16That's what I said.
01:19:18And his office is across the street from mine.
01:19:21That of your director?
01:19:22But if I am, I know, poor Garcia.
01:19:30But from now on, Mr. García will be the deputy director of this company.
01:19:36The bad thing is that over the years you will become the absolute owner of this factory.
01:19:42What are we going to do?
01:19:45Go away, children.
01:19:48You ask me for the bill for your son's operation and I'll give it to you.
01:19:52Before the operation, a lovely young lady, whom you appreciate quite a bit, came to tell me that she would pay for this with her savings.
01:20:04Yesterday, the young lady's father, her former boss, came and said that he was paying for the operation.
01:20:12But before anyone else, I was warned by my friend Manolo Morán that that bill was on him.
01:20:17I have been able to verify that there is a small dispute to see who loves them more.
01:20:25But this tournament, without being your close friend, I'm going to allow myself to win it.
01:20:30The operation is worthless.
01:20:35But doctor, I don't...
01:20:37You asked God for your son to walk with crutches and your son will walk.
01:20:43Glad?
01:20:45Yes doctor, very happy, yes.
01:20:47Doctor, I would like to show my gratitude.
01:21:06You have done so much for me and for that son.
01:21:09Thank you doctor, thank you.
01:21:18Bye bye.
01:21:39Bye bye.
01:22:09Thank you, Lord, for what you have done for me.
01:22:30I don't ask you for anything else.
01:22:35I'm happy to be able to sustain myself like this.
01:22:39Dad says you should be spoken to on your knees.
01:22:47Sorry I don't.
01:22:50But you know I can't.
01:22:54Well sir, you know how happy I am.
01:23:00Thank you very much, sir.
01:23:05Thank you.
01:23:09Have you said thank you?
01:23:26Sorry dad that I cried.
01:23:28But I couldn't stop myself.
01:23:30Son, the day I told you that men didn't cry,
01:23:38I forgot to tell you that there are moments in life
01:23:39in which it is necessary to cry no matter how much of a man you are.
01:23:45This one you did is one of the most justified.
01:23:51Let's go, son.
01:23:52You in front.
01:23:54Thank you sir.
01:24:21Let's go, son.
01:24:27Let's go, son.
01:24:27Thanks for watching the video!
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