- hace 1 día
Reparto: Alfredo Landa, Mari Carmen Prendes, Mirta Miller, Manuel Summers, José Luis López Vázquez, Josele Román, Rafaela Aparicio, Adolfo Arlés, Fernando de la Riva, Vicente Roca, Emilio Mellado, Beni Deus, Pepe Fernán
Dirección: Pedro Lazaga
Sinopsis: Sabino Gurupe (Alfredo Landa) trabaja como contable y lleva una vida tranquila. Su máxima diversión es ir los domingos a pescar con su compañero de trabajo Porriño (Summers). Un día conoce a Elisa (Mirta Miller), una guapa modelo de alta costura que acaba casándose con Sabino y dejando su trabajo debido a los celos de él. Empieza entonces una vorágine de modernidad y consumo desaforado alentado por su esposa y su suegra Ramona (Mari Carmen Prendes), lo que provoca que Sabino deba pluriemplearse para hacer frente a tanto gasto. La situación anímica y económica de Sabino se hace cada vez más angustiosa e insoportable.
Dirección: Pedro Lazaga
Sinopsis: Sabino Gurupe (Alfredo Landa) trabaja como contable y lleva una vida tranquila. Su máxima diversión es ir los domingos a pescar con su compañero de trabajo Porriño (Summers). Un día conoce a Elisa (Mirta Miller), una guapa modelo de alta costura que acaba casándose con Sabino y dejando su trabajo debido a los celos de él. Empieza entonces una vorágine de modernidad y consumo desaforado alentado por su esposa y su suegra Ramona (Mari Carmen Prendes), lo que provoca que Sabino deba pluriemplearse para hacer frente a tanto gasto. La situación anímica y económica de Sabino se hace cada vez más angustiosa e insoportable.
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CortometrajesTranscripción
00:00:28Thank you!
00:00:58Thank you!
00:01:28Thank you!
00:01:44This man, no matter what anyone tells you, is your father.
00:01:48Since surnames had not yet been invented in his time
00:01:51We will call him Adam 00
00:01:55And to her, Eva, with two zeros too
00:01:58They're so pale because they've just learned two terrible things.
00:02:02They won't be able to go anywhere decent anymore if they're naked.
00:02:05And that the pill is a huge sin
00:02:08Because children have to be born without tricks and also with pain
00:02:13Eva thought the idea of being naked was fine because she immediately thought of a fur coat.
00:02:17He, on the other hand, thought about how many bison he would have to kill to pay for the coat.
00:02:22The fact is that, because of the snake, the apple
00:02:26And other complications that are irrelevant
00:02:28The man remained forever at the gates of paradise
00:02:32And there he still is.
00:02:34Now it's called Sabino Gurupé
00:02:36The dreaded biblical curse has also fallen upon him.
00:02:40Works!
00:02:42But sure
00:02:44Before this happened, he was a happy man
00:02:47I worked at Le Papillon, a French insurance company
00:02:51He was single, not because he didn't like women, because he did, very much so.
00:02:56But only for a little while
00:02:57He earned enough to pay for his room and board, save a little, and go to the mountains on Sundays.
00:03:03But to the mountains, mountains
00:03:05Not like those who say they're going to the mountains, and where are they going, like Dr. Fleming, to see Mariloli?
00:03:11He went to the mountains because what excited him most in this world was fishing.
00:03:16His friend Porriño had infected him with that vice
00:03:19That for 20 years, he had dreamed of fishing for the Saldelinus fontinalis
00:03:22Which is what the experts call the Fontana trout
00:03:26But Porriño proposes and...
00:03:36No, that wasn't a Saldelinus fontinalis.
00:03:40He was Eva's magic crusader 00
00:03:42Because back then he didn't yet know her name, her surname, or the mess he had just gotten himself into.
00:03:47Her name was Elisa Balbuena
00:03:49And I worked in this boutique.
00:03:58They started dating.
00:04:00He said that Elisita was a plan
00:04:03And that if they get married, nothing.
00:04:05Yes, they went to the movies, and to dance.
00:04:08But nothing more
00:04:09What you might call a plan
00:04:12Of course, with time, the pace and the social environment
00:04:16That became a development plan
00:04:19And indeed, it was a plan
00:04:22Plan
00:04:23Plan
00:04:25Plan
00:04:26Plan
00:04:27Plan
00:04:27Plan
00:04:30Plan
00:04:30They got married three months later
00:04:33They rented a modest apartment
00:04:34He brought the furniture from the village
00:04:36And the portrait of his late father
00:04:39And there they built their paradise
00:04:42Again, Adam and Eve
00:04:45And the snake
00:04:46Because the mother-in-law came to live with them
00:04:48He didn't know then that the serpent in paradise was called Ramona.
00:04:52But he found out soon enough.
00:04:53So, to be complete
00:04:55All that was missing was the apple.
00:04:58And there it is.
00:04:59You see what a silly thing the drama started with
00:05:02With a blender
00:05:03But you should see how they advertised that blender!
00:05:06Turn the intimate and turbulent rumor of a Hamilton
00:05:12Immerse yourself in the sensual taste of the tropics
00:05:14Let the whirlwind of the great sin of the palate come
00:05:18It's a Hamilton blender.
00:05:21It is very complete
00:05:23Absolutely.
00:05:24She was referring to the blender, naturally.
00:05:27And he to the lady with the blender
00:05:29The bad thing is that it was Doña Ramona who asked for it.
00:05:35Of course there are other ways to ask for things
00:05:38Pinto, pinto, gorgorito
00:05:40Take your leg out of the testicle
00:05:42The eye is coming
00:05:43Be quiet
00:05:44Women
00:05:45If you're going to get so worked up over a blender
00:05:47The first thing I ask of you
00:05:49Or am I like one of those people who are always asking for things?
00:05:50No, it's not that.
00:05:51You're right
00:05:52Go on, turn around and we'll talk
00:05:54I don't feel like talking
00:05:55No, I said talk
00:05:58Let me
00:06:00Don't get like that, Lisita
00:06:01I'll buy you the blender
00:06:03But turn around
00:06:04Leaves
00:06:05And if you want a washing machine
00:06:07Washing machine
00:06:10Yeah?
00:06:12Of course, honey
00:06:13Whatever you want
00:06:16Who's going to eat those little ears?
00:06:18I don't know
00:06:19Yeah
00:06:20Yes, you know it, you little rascal.
00:06:22Yes, you know it.
00:06:23Who's going to eat that little mouth?
00:06:26Hey?
00:06:28That's it!
00:06:29The neighbor!
00:06:30Just like every night!
00:06:33Let him play
00:06:34I'm the one who has to play here.
00:06:36Be quiet, we can hear everything!
00:06:37I don't want to!
00:06:38It takes me out of the situation!
00:06:44Wow!
00:06:45He's blind!
00:06:48Now you'll see?
00:06:48Where are you going?
00:06:49Okay
00:06:54Yes! Excuse me!
00:06:55Man!
00:06:59Well
00:07:02We were talking about the little ear, weren't we?
00:07:05No, my love
00:07:06We were in the washing machine
00:07:13Is it very loud?
00:07:16That night
00:07:17Sabino Gurupe
00:07:18He didn't eat the little ears
00:07:20What he ate was an apple
00:07:22That fat
00:07:23You will be served with payment for this first exchange
00:07:26Not having done so for the second time
00:07:27At the order of Banco Popular
00:07:29The amount of
00:07:30Sign here!
00:07:31And he signed
00:07:34This is how Sabino Gurupe entered consumer society
00:07:36He was now a man like any other.
00:07:38That is to say
00:07:40It was fried
00:07:50Goodbye, good morning
00:07:55But he wasn't American.
00:07:57American?
00:07:58If he wanted to pay me with a promissory note from the Daimiel agricultural cooperative
00:08:01Wow!
00:08:16You give the old radio
00:08:17Yeah
00:08:18They pay you 500 pesetas and give you a new one worth 3,000.
00:08:20But before you even pay for it, they buy it back from you.
00:08:23The one where you lose your place in line
00:08:24Ah, of course.
00:08:24What a portal!
00:08:28"Mini Rafael"
00:08:28Subscribe to the channel!
00:08:30Dad!
00:08:51Subscribe to the channel!
00:08:54You're wearing socks!
00:09:10Is this the final clearance sale?
00:09:11Yes sir.
00:09:13Is it correct?
00:09:14Yes sir.
00:09:15No, sir. There is a difference of 6.3 in the second column.
00:09:18It just can't be.
00:09:19Of course it's possible. You're here to make mistakes, and I'm here to prove you're wrong.
00:09:24Let's review.
00:09:32The balance sheets?
00:09:33What balance sheets or dead child? A National Heritage pass to fish in Balsaín.
00:09:38The other day the minister pulled out a trout this big.
00:09:41Of course he was a minister, but on Sunday you and I made a fortune.
00:09:44No, I can't on Sunday.
00:09:46What do you mean you can't?
00:09:47It's just that now I get up late on Sundays.
00:09:49Oh no. Well, get up early because I swear it's worth it.
00:09:52Well, it's also because Elisita likes to take naps.
00:09:56Yes, yes.
00:09:57What you're attracted to now is a different kind of salvelinus fontinalis.
00:10:00Colio, you shameless person!
00:10:01Go on, leave.
00:10:02It's not what you think.
00:10:04Group, come immediately.
00:10:06Yes, Mr. Director.
00:10:14Something wrong?
00:10:15I'm going to introduce you to the new inspector general.
00:10:18Come on, come on.
00:10:30Here it is.
00:10:36Good morning.
00:10:38Excuse me, good morning.
00:10:39Sabino, Grupe, myself and a friend.
00:10:42How is it done?
00:10:43What are you sneaking into, Grupe?
00:10:45Hey?
00:10:46The inspector is all of this.
00:10:50This?
00:10:51The electronic marvel.
00:10:53A brain that can solve in one second what would take hundreds of men years.
00:10:58Do you remember the last Christmas Eve?
00:11:01Did you spend all your time looking for those seventy-three pesetas from the balance sheet?
00:11:04Yes, sir, I believe so.
00:11:06Well, that's over for good.
00:11:09You can feed this monster all the data you want and it will organize it, classify it, and...
00:11:15He subtracts, divides, calculates the percentage, taxes, social security, and gets the balance
00:11:21round.
00:11:22Isn't that right, Mr. Klein?
00:11:23Okay, just learn from these books.
00:11:26When you put all this American technique into your body, you're ready to run the machine, okay?
00:11:35Well, but I...
00:11:36And you didn't get a pineapple?
00:11:37No no.
00:11:40You just put your finger here.
00:11:43And it's already working.
00:11:45See how easy that is?
00:11:46A baby can handle it.
00:11:48Look, Lissita, how wonderful.
00:11:50Well, this is nothing.
00:11:52Second phase.
00:11:53The pre-wash.
00:11:54Now the machine starts, the real biochemical cycle.
00:12:02I'm not reading now.
00:12:04Now look at the machine.
00:12:07You always have your eyes on the machine.
00:12:10She works for you.
00:12:12And while she works, you can dedicate yourself to other activities.
00:12:18Cooking, going to the movies, playing sports.
00:12:22Here is the book with the instructions and the contract.
00:12:2522 months of credit.
00:12:27No down payment or guarantor required.
00:12:30I just don't know if my husband will want to.
00:12:31Why wouldn't she want to?
00:12:33More facilities that this gentleman offers.
00:12:35Don't worry.
00:12:36You choose the model.
00:12:38We will install it in your home for a trial period and without any obligation.
00:12:42Look, son, I understand why your father, may he rest in peace, left; he didn't want any more machines in the house.
00:12:47than those for making churros.
00:12:48But to tell me you don't like this marvel.
00:12:50I didn't say I didn't like it, ma'am.
00:12:52Naturally, that was as far as we could go.
00:12:54A device that descales, bioregenerates, rinses and on top of that, spins.
00:13:00Come on, all it needs is the music.
00:13:02I don't know if the brochure mentioned anything about music.
00:13:06See if you can find it on the last few pages...
00:13:07No, no, no, no more technical brochures or I'll raise hell.
00:13:09Well, don't get like that.
00:13:10He's ranting because he hasn't seen it work.
00:13:13Let's do a test.
00:13:15Take off your shirt.
00:13:17I don't do strinity, ma'am.
00:13:18Bring it.
00:13:19I don't feel like it.
00:13:20Leave it, Mom.
00:13:21The washing machine is returned and that's that.
00:13:25But you told me to buy it.
00:13:26No, no, no, what I said was...
00:13:28You, Mr. Gurupe, what you said in the privacy of the bedroom in a syrupy voice...
00:13:33...that was exactly it.
00:13:35I don't want those little hands of yours to get ruined, sweetheart.
00:13:38I...
00:13:39Yes, that's how corny he said it.
00:13:41I heard it through the partition.
00:13:45You see that I am.
00:13:50First rule.
00:13:53You'll see.
00:13:54The pre-wash begins.
00:13:59Let's see.
00:14:00Let's see.
00:14:29Thank you!
00:14:48Don't let them fool you, son
00:14:50That your mother always washed with lizard soap
00:14:53And it was so clean
00:14:55That's what they called her in the village
00:14:56The Double White
00:15:00It's already been spun.
00:15:02Now it's taken out
00:15:05And like jets of gold
00:15:12What is this?
00:15:13A blunder
00:15:14I pressed another button and washed it hippie style.
00:15:17If it doesn't look the same
00:15:18Mr. said that too
00:15:20You won't recognize your clothes when you take them out of the washing machine.
00:15:29Where am I going to get 22,000 pesetas from?
00:15:32Because buying with the four extra payments
00:15:35And the bonus of the agreement
00:15:38Morronguín
00:15:39That?
00:15:40What are you thinking about?
00:15:41How am I going to pay for the washing machine?
00:15:43Oh, son, you're always thinking about money
00:15:45If I were a sister, I'd think of Jacqueline
00:15:47So I have to think about the washing machine.
00:15:48Then sleep peacefully
00:15:50Everything will be returned tomorrow.
00:15:51Yes, it is refundable.
00:15:52But nobody can take away the fright I've already experienced.
00:15:57What a night it's been!
00:16:05Hey, are you there?
00:16:06Do not compress!
00:16:07Keep going, keep going!
00:16:09Excuse me, I'm from Carcajete, you know?
00:16:11I've come to take the entrance exams for the municipal band
00:16:14That's why I rehearse all the time.
00:16:16Okay, see you two.
00:16:18Then I'm going to play in Pasapoga
00:16:20Do you happen to know a councilman named Molino?
00:16:26Did he say that he knows him or that he doesn't know him?
00:16:29No way! I don't know anyone!
00:16:31Don't get angry, mate
00:16:31I understand that I'm bothering him.
00:16:34But take responsibility
00:16:35Hey man, why don't you get dressed and come with me to Pasapoga?
00:16:38I'll explain it to him in person.
00:16:40No, sir!
00:16:42Hey, there are some lionesses around.
00:16:44But a superior genre, huh?
00:16:46Thanks, but my wife won't let me.
00:16:48Ah, but his wife is there
00:16:50Yeah!
00:16:51Well then, no
00:16:53I'll have to stop by one day to say hello.
00:16:55We chat every night
00:16:57And we don't know each other.
00:16:58Well, one night this guy gets into bed with us
00:17:01Listen!
00:17:03Hey!
00:17:04I'm going to play the serenade of the song of oblivion for his wife.
00:17:15This one's for the lady!
00:17:19Is this for you, daughter?
00:17:27And look at that terrace!
00:17:28Oh!
00:17:31On clear days you can see
00:17:33To Guadalajara
00:17:33Yeah
00:17:34It's beautiful, isn't it, Sabino?
00:17:35Well, this is nothing more than the node
00:17:36Come in, come in and we'll give the suite a rundown
00:17:38Come!
00:17:39Come in, come in!
00:17:40Come in, Sabino!
00:17:41I'm a stickler for this.
00:17:43Hey, all the amenities
00:17:45Dutch Park
00:17:45Walls made of vitrofil
00:17:47Brand paintings
00:17:49Recessed installation with automatic fuse
00:17:52Altiplano dining room
00:17:54Huh?
00:17:55And electronic goalkeeper
00:17:56Electronic door entry system?
00:17:57Japanese
00:17:58An invention that gives you goosebumps
00:18:00Look, they're calling you from downstairs.
00:18:02Questions
00:18:02They answer you
00:18:03You press a button
00:18:04And the gentleman or lady enters
00:18:06If interested
00:18:07Is he a debt collector?
00:18:08You don't touch the button
00:18:09And he's left on the street
00:18:10Screaming
00:18:11But on the street
00:18:12Clear
00:18:12And you save on the uniform
00:18:14The base salary
00:18:15And the gossip
00:18:16But you hear, Sabino
00:18:17Yeah, yeah
00:18:17Come and see what she cooks.
00:18:19Yeah
00:18:19What do you prefer?
00:18:21Symphonic music
00:18:22Pop, cam, in
00:18:23Oh, relaxing melody
00:18:24Hey?
00:18:26Hey?
00:18:27Sabino, Sabino
00:18:28Wake up
00:18:29Well, you have to be out in the world
00:18:31No, if he's clever
00:18:32I'm awake now
00:18:33But all this
00:18:35It must have cost a fortune
00:18:36If I tell you what I paid for the apartment
00:18:38You get cold
00:18:39Hey?
00:18:40One hundred thousand pesetas
00:18:41One hundred thousand pesetas
00:18:43To begin with
00:18:44The rest in letters
00:18:45Ten years
00:18:46More bank
00:18:47Nobody can get Sabino to sign anything.
00:18:49He wants to pay for everything like his father did.
00:18:50And how does his father pay?
00:18:52Ah, he doesn't pay anymore.
00:18:52He died eight years ago
00:18:53Oh, oh, oh
00:18:54I think your husband is very old-fashioned, huh?
00:18:57That one needs to be put facing Cartagena
00:18:59But quickly
00:19:00Ah, he gets scared of everything.
00:19:01As it is accountable
00:19:03Look, cutie
00:19:04Men, no matter how skilled they are at accounting.
00:19:06As soon as you mention paying to them
00:19:07They always stand hand in hand.
00:19:09But we have that crazy half hour
00:19:11What if you tell them
00:19:13I'm sleepy, honey.
00:19:14They give you a blank check
00:19:16No, that's how I got the washing machine out.
00:19:18Oh, and in six months
00:19:19She's only used a washing machine.
00:19:21Nothing
00:19:25Special dam
00:19:26Eight-year reserve
00:19:27Pure nectar
00:19:28Souk butter shops
00:19:30Payment facilities
00:19:30Ninety and one hundred and eighty days
00:19:32But anyway, Valentin
00:19:36You pay for everything like this.
00:19:38Naturally
00:19:39But what's your concept?
00:19:41From the modern economy
00:19:43Water?
00:19:44No, no, no
00:19:45Money is useless now.
00:19:47What do you mean it doesn't work?
00:19:49No, sir
00:19:50Well, yes
00:19:51You need to have some cash on hand.
00:19:53Well, I don't know.
00:19:53For the taxi
00:19:54The cup
00:19:55And Sunday football
00:19:56But that too will end
00:19:57Collecting it in writing
00:19:59Bah
00:19:59You haven't seen those ads.
00:20:01From the banks that say
00:20:02Buy without money
00:20:03Hey?
00:20:03Or do you think the banks
00:20:04They're sucking their thumbs, aren't they?
00:20:06One moment
00:20:07One moment
00:20:07One moment
00:20:08I'm no fool.
00:20:10OK
00:20:11But those letters
00:20:12You'll have to pay for them sometime.
00:20:14According to
00:20:14Yes, yes
00:20:15According to
00:20:16According to
00:20:17That?
00:20:17That?
00:20:18Clear
00:20:18It can also happen
00:20:19The Milan thing
00:20:20What about Milan?
00:20:22What's going on in Milan?
00:20:23Look
00:20:25If you don't pay a bill
00:20:27First
00:20:28Here comes Puparle
00:20:29The Ten with Ten
00:20:31That if they renew it completely
00:20:32What if they break it in two?
00:20:34Or in three
00:20:34Yes, or in four
00:20:35Or in four
00:20:36Or they pass it to you at the end of the batch
00:20:37And so the ball keeps rolling
00:20:39Yes, yes
00:20:39That's how the ball keeps rolling
00:20:41But in the end
00:20:41You pay
00:20:42You pay
00:20:42You pay, you pay
00:20:43It depends
00:20:44Pay
00:20:44If you don't pay
00:20:46Maybe they'll brush you off
00:20:47But what if nobody pays?
00:20:48Then it can be formed
00:20:49What is called
00:20:50A conflictive situation
00:20:51And in one of those
00:20:52The government pays the bills.
00:20:54Man
00:20:54The government?
00:20:56Yes, yes
00:20:56Of course
00:20:58What about the floods?
00:20:59And the hail?
00:21:00What's happening?
00:21:01I've already convinced Elisa
00:21:02You need to find them an apartment like this.
00:21:04That's done.
00:21:05That's all that matters.
00:21:06There is still
00:21:07One apartment in this house
00:21:09Perfect for you guys
00:21:11For us
00:21:13But what have you said, you foolish woman?
00:21:15Let Valentin explain it to you
00:21:16No, no, no, no
00:21:17Don't explain it to me.
00:21:18The apartment suits me perfectly.
00:21:19We'll discuss that tonight.
00:21:21Making Madrid by night
00:21:22What am I inviting you to?
00:21:23If I have to get up early tomorrow
00:21:25Did you have to get up early?
00:21:26No, no, no
00:21:26I have, I have
00:21:27Sabine
00:21:28I'm going to put you in orbit
00:21:30Come on, let's go
00:21:31Get ready, beautiful
00:21:31We're already on it
00:21:32Come on
00:21:32Hey Valentin
00:21:34For your mother
00:21:34Don't get me into any more trouble
00:21:36Because I can't take the ones I have anymore.
00:21:37It's because you don't like the apartment
00:21:39Man, of course I like it
00:21:40But even if you fix it for me
00:21:41That I don't want to know
00:21:42How are you going to fix it for me?
00:21:43Don't worry
00:21:44Where do I get the money?
00:21:46No matter how many deadlines they give me
00:21:47And despite the many conflictive situations
00:21:49Bring on the one that comes
00:21:50And the hail
00:21:51And what about Milan?
00:21:52Because what I don't understand
00:21:57Hey
00:21:58These partitions
00:21:59They seem solid
00:22:03Vitrofilados
00:22:03I told you.
00:22:05Vitrofilados
00:22:05Clear
00:22:05Vitrofilados
00:22:06So
00:22:08Nothing will be heard
00:22:09From the house next door
00:22:11Nothing
00:22:11As if they didn't exist
00:22:13Sure?
00:22:15Man
00:22:16Now you'll see
00:22:24Sabine
00:22:31Sabine
00:22:38That?
00:22:39Did you hear anything?
00:22:41No
00:22:41Ah, well I shouted
00:22:42Man
00:22:43Sabine!
00:22:57Sabine!
00:22:58One, two, three
00:22:59One, two, three
00:23:00Testing microphones
00:23:01Testing microphones
00:23:02Okay
00:23:30Adruat
00:23:32The commander speaks
00:23:32Fleet Chief
00:23:34Valentín Palomino
00:23:35Always at your service
00:23:36Enjubri
00:23:36And you go to all
00:23:41Take
00:23:41Take the tickets
00:23:42Yeah
00:23:43But this will have to be paid for.
00:23:44But you're always thinking
00:23:45In paying
00:23:46What should I treat you to?
00:23:47Well
00:23:47Travel, Menéndez
00:23:48For three cups
00:23:49More or less
00:23:49He's not going to go bankrupt either.
00:23:50The company
00:23:51Come on, I say.
00:23:52He's not going to go bankrupt either.
00:23:52I don't know
00:23:53Look at me, look at me
00:23:55Always pay attention to the overall picture
00:23:56Typical Hispanic
00:24:23He's not going to go bankrupt either.
00:24:55He's not going to go bankrupt either.
00:25:08He's not going to go bankrupt either.
00:25:08He's not going to go bankrupt either.
00:25:09He's not going to go bankrupt either.
00:25:09He's not going to go bankrupt either.
00:25:10He's not going to go bankrupt either.
00:25:10He's not going to go bankrupt either.
00:25:10He's not going to go bankrupt either.
00:25:10He's not going to go bankrupt either.
00:25:10He's not going to go bankrupt either.
00:25:10He's not going to go bankrupt either.
00:25:11He's not going to go bankrupt either.
00:25:14He's not going to go bankrupt either.
00:25:16He's not going to go bankrupt either.
00:25:45Thank you!
00:25:47Oh dear! Why are you upset, Valentin? Couldn't we have taken a taxi?
00:25:53Home delivery service. I'm a gentleman. We'll drop you off at home.
00:25:59So, how was the excursion?
00:26:01Fantastic! Hey, I really liked it, Elisa.
00:26:04Did you want to go fishing?
00:26:05Go fishing with what your hands will smell like afterwards?
00:26:08On a yacht in Acapulco, okay? The rest? Misery, I'm telling you.
00:26:13Oh, Valentín! You're a genius.
00:26:17The thing is, this country feels too small for me.
00:26:20Haven't you heard of toll highways?
00:26:22Yeah.
00:26:23It was my idea. They stole it from me, and there they are.
00:26:25And about the bird, they think, I told a friend in a bar and look at the fuss they've made.
00:26:29And what about the paella in a can?
00:26:32As for the football pools, the idea just occurred to me one day while I was in the office, by chance.
00:26:36And what about the Costa del Sol?
00:26:38Yes, once this one gets going, there's no stopping it.
00:26:40The thing is, he's shy.
00:26:42And friends take advantage.
00:26:43Yes, yes.
00:26:44Friends come first for me, man.
00:26:46You'll see how long it takes me to sort out your apartment.
00:26:49Yes, sir. Yes, sir.
00:26:51That is.
00:26:51And you know what?
00:26:52That you are a Nobel Prize winner.
00:26:59Valentine!
00:27:00Valentine!
00:27:01The floor is not being thrown away.
00:27:02Valentine!
00:27:06Soldier of Naples, going to war.
00:27:10Look, your mom, just like I'm coming here drunk...
00:27:13Well, you're starting to understand me.
00:27:21What you've missed.
00:27:22I'm leaving you the albelinus fontinales, Porriño.
00:27:26Fontinals to me.
00:27:27He'll be an idiot after what I've learned tonight.
00:27:31Unfortunate!
00:27:32Morronguín to the limeneo.
00:27:34If I die loving you, what a beautiful death!
00:27:40Sabino, are you alone?
00:27:42What's happening?
00:27:45They just threw Don Aurelio out onto the street.
00:27:47The position of head of personnel then becomes vacant.
00:27:49And how am I following Don Aurelio?
00:27:51Not at all, Tobarich.
00:27:52With the next machine they bring in, they'll fire you.
00:27:55As?
00:27:56But don't you realize that this daughter of Satan does the work of 20 and doesn't charge points or anything?
00:28:01nothing?
00:28:01Well, someone has to stay, I guess.
00:28:04Why stay?
00:28:04What do you mean, "what for?"
00:28:05To operate the machine?
00:28:06The goalkeeper, if anyone can press a button.
00:28:09I bet you anything that these machines will put us all out on the street within a year.
00:28:15What happens during the hour?
00:28:16The balance sheet.
00:28:18Take that, chestnut.
00:28:19Corriño, the delivery notes.
00:28:21Delivery notes are coming right up!
00:28:24Have a good day, buddy.
00:28:50Impossible.
00:28:51These machines have been used to go to the moon.
00:28:53He might go to the moon, but here he's swallowed 62,557 pesetas.
00:28:58No, I don't understand.
00:28:59The holes match up exactly.
00:29:01Yes, yes, yes, sir.
00:29:03Everything is OK, as the booklet says.
00:29:05Of course, a machine is a machine and a man is a man.
00:29:09Improving the present.
00:29:14Put me through to Mr. Klein.
00:29:16Fast.
00:29:42What are you doing?
00:29:43Sings.
00:29:46I can't explain it.
00:29:58Eh, eh.
00:29:59Hey?
00:30:00What is that?
00:30:01Electronic brain.
00:30:03He says where Averria is and how it happened.
00:30:08Well, well, that's how it happened.
00:30:17He'll answer now.
00:30:18And what does it say?
00:30:20One moment.
00:30:23Well, that's clear.
00:30:24I think it was a screw.
00:30:26Yes, yes.
00:30:32Mr. Jurupe has put a Celt in the roller.
00:30:432B, third section.
00:30:47Are they coming in such bad shape?
00:30:49Mr. Jurupe has put a Celt in the roller.
00:31:012B, third section.
00:31:06I understand, Jurupe.
00:31:08If you were an anarchist, you would have planted a bomb.
00:31:12But since you are a good man, you have put a Celt.
00:31:16I swear I have nothing against that machine or against Americans.
00:31:19Don't lie.
00:31:21Since they brought her here, you've been thinner.
00:31:24More nervous.
00:31:25And with dark circles under her eyes that reached the floor.
00:31:28Well, that's not from the machine.
00:31:30You see.
00:31:32However, Don Aurelio took it very well.
00:31:37He understood that his time had come,
00:31:39He collected the compensation and left as calm as could be.
00:31:42But I don't want to leave.
00:31:44Jurupe, the misfortune of this country is that nobody wants to leave the places.
00:31:49The company would pay him compensation and eliminate his position.
00:31:53You have already reached the ceiling.
00:31:55And with the years he has been there, the compensation could be around 350,000 pesetas.
00:32:03And what did you answer him?
00:32:05What was I going to answer?
00:32:06You ask some silly questions.
00:32:08My son!
00:32:09I didn't think you were capable of such a feat, I swear.
00:32:11You'll see how much we care for those 300-odd thousand pesetas.
00:32:15But what does it say?
00:32:16You're an angel.
00:32:17I knew you were going to buy me an apartment like Valentín's.
00:32:20Stop, stop, stop, stop.
00:32:21What I said was no.
00:32:23No?
00:32:24Clear?
00:32:25Unfortunate.
00:32:26Hey?
00:32:26They put 350,000 pesetas in your hand and you say no?
00:32:31Naturally, because I'm not going to be left on the street.
00:32:32But they're exploiting you there.
00:32:34With the hours you work at that company, Papillon, distributed across other jobs,
00:32:38You would earn five or six times more.
00:32:40My father always said, "He who rolls up his sleeves too much, soon his buttocks will be exposed."
00:32:45Look, shove your father's proverbs where the sun don't shine, enough with this Manchegan folklore already.
00:32:50My father has no one missing.
00:32:52Leave him alone, Mom.
00:32:52What do you mean, quit?
00:32:53You are a remarkable woman.
00:32:55And when a man like this marries a stunning woman,
00:33:00He should break his heart and give him what he deserves.
00:33:03I give all I can give, ma'am.
00:33:05Very little.
00:33:06Very little?
00:33:06You like the good life, coming home to find everything ready.
00:33:10The table, the bed, and two maids to serve him.
00:33:13Elisa, be quiet.
00:33:14Please, Mom.
00:33:15She had the matches like this, like this.
00:33:18But of course, she became infatuated with Mr. Grupe, I don't know what it is about Mr. Grupe.
00:33:24Would you like me to explain what Mr. Grupe has?
00:33:28Rude!
00:33:28Mom, I can't take it anymore.
00:33:30Yes, my daughter.
00:33:31It was a bad day when we fell into the hands of this satyr.
00:33:33I'll kill her, I swear I'll kill her.
00:33:34She came, for God's sake!
00:33:37Don Sabino, don't get lost!
00:33:39I remember that there was once a notary in Carcajete.
00:33:42Shut up!
00:33:43Even the walls can talk!
00:33:45Let them talk.
00:33:46I am like my father, and when I am right, neither he nor I have ever been swayed by anyone.
00:33:50place.
00:34:00Here.
00:34:01Operator, come this way.
00:34:02Here?
00:34:03Yeah.
00:34:05Put it there, right in the center of the wall, so we can take in the view.
00:34:12Mom, does the game console go in the hallway or in the bedroom?
00:34:14In the room.
00:34:15Now that we have the space, we're not going to deprive ourselves.
00:34:19Where do they want this?
00:34:21Wherever the gentleman says.
00:34:24Don't you think it would look good on the terrace?
00:34:26It goes there.
00:34:27Whatever you want, son.
00:34:29I said it because, since it has that country feel, it would get more sun on the terrace.
00:34:33The portrait goes there, above the sofa.
00:34:36Can you hear it now?
00:34:37Hang it up.
00:34:40I'll pass, I'll give it up.
00:34:42That goes to the bedroom.
00:34:53Well, look, it looks good.
00:34:56The room gives off a certain tone...
00:34:58...regional.
00:35:00No teasing, ma'am.
00:35:01God forbid.
00:35:03The pity is that here these pieces of furniture turn out to be...
00:35:07...like they've shrunk down, right?
00:35:08Let's not start.
00:35:09Whatever you think is best, son.
00:35:11You are the head of the family.
00:35:13Home sweet home, ma'am.
00:35:16Congratulations, Sabino.
00:35:18Take a look at your new neighbors.
00:35:22Authentic skull.
00:35:24Let's see, let's see.
00:35:27God bless every corner of this house.
00:35:29Beautiful, beautiful.
00:35:30She bought him merchandise this morning.
00:35:31It's clear he's into ceramic tiles.
00:35:33Hello, Valentin.
00:35:35Hello, Molina.
00:35:37You see, everything comes, everything comes.
00:35:40This is the little nest you needed.
00:35:43And you're going to be left with...
00:35:45...sensational.
00:35:45Isn't that right?
00:35:48I have too many things.
00:35:49The three-piece suite, the man in the cap...
00:35:52The man in the cap is my father.
00:35:54Oh, well, no, then let him stay.
00:35:56But the three-piece set...
00:35:57I was just telling him that.
00:35:58No, no, you just don't understand.
00:36:00Look, leave it to me, you'll see.
00:36:01Do you think I...?
00:36:01Nothing, listen, leave it to me,
00:36:03I'm going to provide you with new furniture, come in, come in.
00:36:06Did I tell you that I'm going to provide you with new furniture?
00:36:08under certain payment terms?
00:36:10Fabulous!
00:36:11Nothing is bought here.
00:36:12Where do we install the phone?
00:36:14Who asked me for a phone number?
00:36:16Two with the supplementary one.
00:36:17At least.
00:36:17Come on, come this way.
00:36:20Follow me, follow me.
00:36:21What is this?
00:36:23This means you've entered the consumer society.
00:36:27And in style!
00:36:32Pinto, pinto, gorrito, morronguín.
00:36:36That?
00:36:38I love you.
00:36:40Don't bother me, the situation isn't right.
00:36:42Don't you want to eat a little ear?
00:36:44I'm the one who listens to ears.
00:36:45Well, I feel like it.
00:36:49Can?
00:36:49No!
00:36:52Morronguín.
00:36:53You make me so proud tonight.
00:36:56Don't run away from me.
00:36:58That I have the most handsome husband in the world.
00:37:02Big eyes, you have big eyes.
00:37:05I?
00:37:06Yes, you.
00:37:09Don't act tough, you're a softie.
00:37:11He gives his little wife everything she wants.
00:37:15You see.
00:37:17I dreamed of an apartment like this, and bam, apartment.
00:37:20And without asking you.
00:37:24Without asking me?
00:37:25You guessed it, Abby.
00:37:27You guessed it.
00:37:29That's what drives me crazy about you.
00:37:31Go on, you little rascal.
00:37:34What is the first night?
00:37:37It's just the two of us.
00:37:39Notice how silent it is.
00:37:41You can't hear anything here.
00:37:45What is this?
00:37:48What's the matter?
00:37:50What's the matter?
00:37:52What's the matter?
00:38:00Say.
00:38:01Valentine.
00:38:02What is this?
00:38:04The Jumbo.
00:38:08If it's 1.45, it can only be the New York Jumbo.
00:38:13The caravel passes at 3.
00:38:15But planes are flying over all night.
00:38:18The house had to have some flaw.
00:38:20But there are some Japanese rubber stoppers.
00:38:23Valentine.
00:38:25Can you hear me okay, Valentin?
00:38:26Yes, yes, yes.
00:38:28Go do it!
00:38:48What's happening?
00:38:49What bothers you about air traffic?
00:38:52What do you think?
00:38:53I already told you to give him the earplugs.
00:38:55Clear.
00:38:56And he backs out and we lose the commission on the apartment.
00:39:00Come on!
00:39:26I'm going to be late to the office.
00:39:34Which office?
00:39:35If I no longer have to go to any office.
00:39:39Well, that's not the Jumbo.
00:39:59Yes, Valentín, they're already installing it.
00:40:02Thank you, if it weren't for you.
00:40:05Very good, very good, thank you.
00:40:08Okay, see you later.
00:40:13Good morning, son, how's the house coming along?
00:40:16I see it now.
00:40:18The kitchen is at the back, please, on the left.
00:40:20Listen, you're going to have to take this away because I'm not signing anything else.
00:40:23Of course not, son.
00:40:25Elisita has already gone to sign everything.
00:40:27The poor thing.
00:40:28He's had a morning of banks and financial institutions.
00:40:31What do you mean he went to sign it?
00:40:32Don't be alarmed.
00:40:33Valentín said it doesn't matter because they are marital property...
00:40:37My God.
00:40:38From here we all go to Carabancher.
00:40:41Ignore him.
00:40:42We're going to Torremolinos.
00:40:45Look at that, how colorful!
00:40:48Bull's Blood Capitoné.
00:40:50You're not too keen on the Bull's Blood Capitoné this morning, are you?
00:40:55But what is that?
00:40:56Oh!
00:40:57The dishwasher, my only indulgence.
00:41:00Come on, come this way.
00:41:02Leave the man alone.
00:41:03This is here to stay.
00:41:05He's staying.
00:41:06Well.
00:41:07Neither good nor anything.
00:41:09Do you want to sign here?
00:41:11No.
00:41:13Oh ok.
00:41:14They'll send it to you by mail.
00:41:16The heater warranty.
00:41:18If you need anything.
00:41:19I don't need anything.
00:41:21Well, I'll leave it at that.
00:41:29Where is this going?
00:41:30Where would you put it?
00:41:32Man, wherever you have to play.
00:41:34I don't play anything, least of all the violin.
00:41:36Hey, Urtain, that's for the antique dealer on the ninth floor.
00:41:39Oh, excuse me.
00:41:41Get out of here, get out.
00:41:42They are unclear.
00:41:47Am I late?
00:41:48Hey?
00:41:49Too late for what?
00:41:50Does it already have background music?
00:41:51No.
00:41:52Fantastic, one customer every three minutes.
00:41:54Functional music, no clutter, high fidelity, CIF, firm here.
00:41:59No, ma'am.
00:42:00Listen, we'll install the full range for you.
00:42:01Eight channels plus a language course.
00:42:03No, ma'am.
00:42:04No, ma'am.
00:42:05That?
00:42:05To the channels, to the parasites, to the full range, to the language course?
00:42:08To everything.
00:42:09Already.
00:42:10Do you prefer something more personal?
00:42:12A record player.
00:42:13Leave me alone.
00:42:14Listen.
00:42:15Out!
00:42:16Listen.
00:42:16Out!
00:42:18Out!
00:42:19Get out, Edithio!
00:42:20Out!
00:42:21Out!
00:42:21Out!
00:42:22Out!
00:42:23Don Sabino.
00:42:24Where is Don Sabino?
00:42:25What did you bring?
00:42:26The complete solution to your problems.
00:42:28The El Corte Inglés card.
00:42:31Sign today and rest in peace forever.
00:42:34Get out of here!
00:42:35That's not fair!
00:42:51Give yourself up, son.
00:42:53Surrender.
00:42:54He who goes against the current loses his hair and his teeth.
00:43:09Yay!
00:43:10Yay!
00:43:11Hey, he's really enjoying the chaos.
00:43:14Didn't you say that life scared him?
00:43:15It'll be the other one, because this one...
00:43:17It worries me.
00:43:18Oh, really?
00:43:19Because?
00:43:20Because now he wants to pay for everything, even the newspaper, in installments.
00:43:23These kittens when they jump in for a swim.
00:43:25Shall we rest?
00:43:26Yeah.
00:43:33Doll plus champagne.
00:43:34Yes sir.
00:43:35Don't go too far, don't go too far.
00:43:37Pass me, alligator, you're an alligator.
00:43:39Thanks to you, I go through life like a gentleman.
00:43:42Girl, who will return.
00:43:44A gift from a wise man.
00:43:45Asure Jewelry.
00:43:46One of our own.
00:43:46If this was Columbus's egg.
00:43:48Buy today and we'll see when you pay.
00:43:50But you'll have some loose change for a snack, I'd say.
00:43:53Loose?
00:43:55Look at that accordion.
00:43:58Credit cards in all languages.
00:44:00American Express, Diners Club, Unicuenta, Unipago, Banco de Bilbao, Sears, El Corte Inglés,
00:44:04in national currency and in foreign currency.
00:44:06Which organization would you like to invite us tonight?
00:44:08Hey?
00:44:09But you do have liquidity in your account.
00:44:10I have everything: liquid, hydrous, and gaseous.
00:44:13No, there's no turning off the gas on this one.
00:44:15Ah, of course!
00:44:17I left the heater on.
00:44:18Hey?
00:44:19Mom, we don't want a tragedy to happen.
00:44:21Well, not so much a misfortune.
00:44:23Sabine.
00:44:24Bye, bye.
00:44:25You're such a pain, Elisita.
00:44:31Nena, a Winston.
00:44:32Soft or hard?
00:44:33What are you saying, my love?
00:44:34The superfilter uses.
00:44:36Put it on my account.
00:44:37Yeah.
00:44:40Let's dance.
00:44:50Hello, little one.
00:44:52Oh, nothing's happened to him.
00:44:54Of course, what was going to happen to him?
00:44:55There's no gas that can kill you.
00:44:57Very funny, man from La Mancha.
00:44:59Very funny.
00:45:00But if you wouldn't leave me alone at home every night,
00:45:02There would be no danger of accidents.
00:45:04It's for your health, Mom.
00:45:06You have to stay home because you're old.
00:45:08seeing the Sevillian's guest,
00:45:10which they are premiering again today.
00:45:11Yes, yes.
00:45:12Have fun, you little rascal.
00:45:14I'll tell you when you come.
00:45:15Who's going to eat your ears today?
00:45:19Oh.
00:45:33I'm actually looking for a girl like you right now.
00:45:36Well, there are many like me.
00:45:38Now you're on the right track.
00:45:40Soft, enticing, with not very aggressive shapes.
00:45:45What is this guy saying?
00:45:46I'll punch you in the mouth.
00:45:48But, Sabino, it's Messier Maurice, the owner of the boutique.
00:45:50Your husband?
00:45:52Yeah.
00:45:53One hundred percent Spanish set.
00:45:54Why are you saying one hundred percent like that, with that sarcasm?
00:45:57Because you can see the license plate, right, darling?
00:46:00And why are you being so machéry?
00:46:01But, Sabino, don't be ridiculous.
00:46:02I'm ridiculous.
00:46:04Okay, chéry, you know.
00:46:06If you need anything, you can find me at the boutique.
00:46:08She doesn't need anything.
00:46:11He has an international accordion.
00:46:14Goodbye.
00:46:16Come on!
00:46:17Sabine.
00:46:19But how does that guy know if you have aggressive mannerisms or not?
00:46:23You weren't there as a cashier.
00:46:24That's enough, Sabino.
00:46:25Don't waste your energy, Mr. Grupe, because you're going to need it.
00:46:30The one that was missing.
00:46:31Mom, please, what are you still doing up?
00:46:34Wait for the gentleman to give him this slip of paper from the bank.
00:46:46Another letter?
00:46:47Clear.
00:46:48While you anchor the yacht, pray pasapoga.
00:46:51Now, in the Moorish courtyard, the letters are falling like ripe figs.
00:46:55But it didn't expire on the 15th.
00:46:57That's the one for the washing machine.
00:46:58My God.
00:46:59I assume you have money in the bank.
00:47:0240,000 pesetas.
00:47:03Miracle.
00:47:04Because between this one and the one on the 15th, it's exactly 40,000 pesetas.
00:47:07So, we have nothing left?
00:47:09What do you mean no, daughter?
00:47:10We still have the man of the house.
00:47:12The one who has to take the helm with a firm and steady hand.
00:47:16Elisa, bring me the baking soda.
00:47:18I don't know.
00:47:19What do I need to get, ma'am?
00:47:21Look, son.
00:47:23I understand that the Dolce Vita has a lot of appeal.
00:47:27Especially for you, used to living, let's say, on an accounting level.
00:47:31But now, now we have to work.
00:47:34In what?
00:47:35I only know how to keep accounts.
00:47:37And I've already had two.
00:47:38And which ones are you going to take?
00:47:41Don't be scared.
00:47:42You won't be alone on the job.
00:47:46Elisa and I will collaborate.
00:47:49Mushrooms will be grown at home.
00:47:52Chinchillas will be raised.
00:47:54Whatever is needed will be raised.
00:47:57But you have to give it your all.
00:47:59I?
00:48:00The high C?
00:48:02And how does that happen?
00:48:03Don't worry.
00:48:05Everything is in order.
00:48:09Classified and scheduled.
00:48:12Let's start with the ABCs.
00:48:14Aristocratic jobs.
00:48:16We need...
00:48:28Polite person, friendly manner, with knowledge of English.
00:48:32But I don't know English.
00:48:34It says "knowledge" here.
00:48:36You don't know how to say, ok, goodbye.
00:48:38Stop, Sheffield.
00:48:40Maybe he's not asking for more.
00:48:42Half an hour of work in the morning, half an hour at night, and two thousand pesetas a month.
00:48:47So what should be done?
00:48:49Sightseeing.
00:48:50Come on, Billy.
00:48:52Come on, chicken.
00:48:53Come on, come on.
00:48:55Billy, chicken, quick.
00:48:57Quick for me, quick for me.
00:48:58Yes, yes, the way these beasts of English do.
00:49:01Come on, dogs.
00:49:02Expert accountant needed for part-time work.
00:49:22I earned 10,000 pesetas a month.
00:49:24Sales agents needed for state-of-the-art slimming device.
00:49:40So, do you like it?
00:49:42Go on, go on.
00:49:48Accountant three days a week.
00:49:50Compatible with any other job.
00:50:07Fantastic opportunity.
00:50:09Expert discus thrower.
00:50:10Three thousand pesetas per hour.
00:50:24It's over.
00:50:53Group.
00:50:56Hey, buddy, what's up?
00:50:57I know, I know things are going very well for you.
00:51:00I saw you the other day with the dogs.
00:51:01They must have cost you a fortune.
00:51:03Well, don't think so.
00:51:06You don't have to pretend with me, I'm not going to ask you for anything.
00:51:08I've already been told that you have a scary apartment, all electrified.
00:51:11That's it.
00:51:12Yes, that's right.
00:51:13Hey, I'm glad you succeeded.
00:51:15The only thing I feel sorry for is Sundays.
00:51:18You've devastated me.
00:51:20Yeah, hey, who are you going fishing with now?
00:51:22With Galíndez, the one from the accidents, but that guy's a real downer.
00:51:26You won't believe it, but I think of you every Sunday.
00:51:28Yeah.
00:51:29Yes, because we weren't catching any fish.
00:51:31But we'll have a laugh, right?
00:51:32No, laugh.
00:51:33Everything we wanted, brother.
00:51:36Hey, hey, do you remember that day we went with the daughters and I went to pick paint?
00:51:40That chubby girl, huh?
00:51:41What did it say?
00:51:42He said something very long, I don't remember.
00:51:44Yes, yes, yes.
00:51:46Berbote, berbote!
00:51:47Yes, yes, yes.
00:51:48And I was pulling you along and the three of us fell into the water.
00:51:51Yes, yes, yes.
00:51:52Today, today.
00:51:54And on top of that, she was saying "berbote" to the aunt.
00:51:59We had a good time back then, huh?
00:52:01Hey, why don't we go again on Sunday?
00:52:05No, I can't on Sunday.
00:52:06You have a big commitment.
00:52:09Yes, and I can't fix it.
00:52:12Too bad.
00:52:14Well, Porriño, I'm very glad to have seen you.
00:52:18Me too.
00:52:19Forgive me, but I'm in a great hurry.
00:52:21Goodbye, Sabino.
00:52:22Bye bye.
00:52:23Taxi! Taxi!
00:52:38Good evening, sir.
00:52:40Excuse me, I've come to the wrong floor.
00:52:44Doesn't Sabino Gurupé live here?
00:52:46Yes sir.
00:52:47But he's not at home.
00:52:49Ah!
00:52:49Hello, son.
00:52:50Ah, let me introduce you to Florita, the new housekeeper.
00:52:53Your servant, good evening, it's a pleasure.
00:52:55Ah, ah, wait a minute.
00:52:58One moment!
00:52:59One moment.
00:53:00Hey?
00:53:01One moment!
00:53:02What? What?
00:53:03They didn't make me buy all the machines in Spain to save us the maid.
00:53:07Listen, if this turns out to be a point of contention, I'm leaving.
00:53:10Because that's how I have my houses.
00:53:11No, don't worry, Florita.
00:53:13Keep going, keep cleaning.
00:53:14Ha!
00:53:15Ha ha ha!
00:53:17You have set out to destroy me.
00:53:19And that's it.
00:53:20Yes, what we want is to surround you with comforts.
00:53:23I'm fed up with comforts.
00:53:25I want my seven hours of work, my game of dominoes, and to go fishing on Sundays.
00:53:29I don't know what you're complaining about.
00:53:31You work like a bricklayer, only more comfortably.
00:53:34As?
00:53:34Comfortable.
00:53:37Look!
00:53:38What's that?
00:53:39That's a dog bite; it's a miracle it didn't rip my leg off.
00:53:42But you don't speak English.
00:53:43Of course!
00:53:45So they haven't picked up your accent.
00:53:47The accent?
00:53:48Okay, okay.
00:53:52Tell me, Sabino.
00:53:54Sabino, is that you?
00:53:55Yes, it's me.
00:53:56Hey, I've got a project in the works to make them pay.
00:54:00Yes, I can't. I'm completely full.
00:54:02How can I not leave the dogs?
00:54:03No, no. You don't have to leave anything.
00:54:05It's from eleven at night to six in the morning.
00:54:07Look, Valentín, don't mess with me, okay?
00:54:09I'm not messing with you, man. I'm not messing with you.
00:54:11It's a very serious business, and you're coming as an industrial partner.
00:54:15Yeah?
00:54:16Yes, yes. We're going to pull off the heist.
00:54:19When the idea came to me, I thought...
00:54:21This is perfect for Mr. Anselmo.
00:54:23Because I know that what you're interested in is development.
00:54:26Did I tell you or didn't I tell you?
00:54:27Yes, yes.
00:54:28The thing is, I don't know anything about tourism.
00:54:31But I do.
00:54:32Yeah.
00:54:32Listen, I've been walking Swedish women around the country for ten years.
00:54:36And it tastes like the conclusion I've reached, huh?
00:54:38We're in our underwear.
00:54:40Here, lots of Prado Museum, lots of Escorial, lots of Segovia aqueduct.
00:54:46But out of morbid curiosity.
00:54:48Morbid curiosity?
00:54:48Nothing.
00:54:49And that's what we need to get to.
00:54:51That's it.
00:54:53So, what do they teach tourists in Miami?
00:54:56Historical monuments?
00:55:00Some 19-year-old monuments that are a real turn-off.
00:55:03And in Acapulco?
00:55:03What do they teach them in Acapulco?
00:55:05All.
00:55:06All.
00:55:07And in Hawaii?
00:55:08And in Paris?
00:55:09Do you see where I'm going with this?
00:55:10Mmm, you've left me speechless.
00:55:13Go ahead, don't hold back, go ahead, go ahead.
00:55:15Listen, I'm just going to tell you one compound word.
00:55:18Sexy, script, suspense.
00:55:22Well, you have to give the tourists the racial aspect.
00:55:25Well.
00:55:26And the other one?
00:55:27And what role does this gentleman play in the business?
00:55:30But, man, this guy is the Celtiberian hook, with that manly face he has.
00:55:35He is left unshaven for a few days, and rubbed with chamomile and thyme so that he flies Spanish.
00:55:40And we filled the bus with Swedish girls.
00:55:42And how much would I have to contribute?
00:55:44Well, nothing, nothing at all, a pittance.
00:55:47The bus, an advance for initial expenses, the country house you have abandoned.
00:55:55Listen, and go for it!
00:56:22The bus, an advance for initial expenses, the country house you have abandoned.
00:56:22Listen, and go for it!
00:57:06The bus, an advance for initial expenses, the country house you have abandoned.
00:57:09Attention, attention, attention, please, madame, ladies, silence, silence, silence, silence, silence, silence, silence, look at me, look at me always.
00:57:18Take each one your carnation, carnation, flowers, flowers, così, ah.
00:57:28Flowers, così, mordidas, perfecto, perfecto.
00:57:37What is a bandit?
00:57:42Bandit?
00:57:43Oh, hispanish gaster, hispanish gaster.
00:57:46Okay, and don't interrupt me anymore, each of you bite your carnation, yes, good girls, very good girls.
00:57:52Manolo the Tough, alias Ronquillo, died here.
00:57:57Beautiful bullfighter in the round.
00:57:59Very well, very good, very much.
00:58:02There he is, with the rite of death in his eyes.
00:58:04And this bull, the killer, killers.
00:58:09Azazan, azazan, azazan, azazan, azazan, azazan.
00:58:12I didn't buy, boo, no, nothing.
00:58:14Rian, rian, rian, rian.
00:58:15Well, I'll explain it, I'll explain it, it's perfectly clear.
00:58:18Bull, bull, this is the bull.
00:58:20Bull kills bullfighter.
00:58:22Bull kills bullfighter.
00:58:23Oh, oh, oh, oh, oh, oh, oh, oh.
00:58:53Bull kills bullfighter.
00:59:00Here is the woman of Puerto Rican mourning.
00:59:06Argument and songs, argument and songs.
00:59:09One, two, three.
00:59:26I am Juana, a lost woman, on the black path of evil
00:59:34I am Juana, the ill-born one, by a sensational sea
00:59:41Forty nights, fat as fat, and the little cape of the slaughtered man
00:59:49Thirty-seven, like a fool, I lost my honor, blinded by love
01:00:06Manuel, you hoarse-voiced one, why did you make me a woman?
01:00:17Manuel, hoarse one, I got lost because of your love
01:00:22And so Juana goes on her way, suffering through the little square of Ronda
01:00:32Where does that misfortune go, Juana, menu chokes
01:00:46What? Is everything ready?
01:00:49Yes sir, the amplifier won't fail like the other night.
01:00:52No, sir, don't worry
01:00:55Ah, remember the neighing
01:00:59That bull came out, a brave bull
01:01:03Blood bull, bull of sorrow
01:01:06And the cry of an employee was heard
01:01:09Manuel, hoarse, palm in the sand
01:01:20Manuel, you hoarse-voiced one, why did you make me a woman?
01:01:28Manuel, you hoarse boy, you won't be able to love me anymore.
01:01:36And so Juana goes on her sorrowful wandering through the little squares of Ronda.
01:01:44While the boys are shouting at him
01:01:49And that's Juanita, the cake.
01:02:09Attention, attention
01:02:10Wait a minute, wait a minute please
01:02:12Danger, danger, danger
01:02:14Danger, danger
01:02:16Attention, please
01:02:17Radio Corporation Madrid announces tragic news
01:02:19For you, bandit
01:02:21Spanish man killer
01:02:22Escaped from prison
01:02:25Hidden in these mountains
01:02:26He's coming this way
01:02:27Terrible killer
01:02:31Silence
01:02:32Quiet
01:02:34Quiet, relax, relax
01:02:36What is going to happen to us?
01:02:37Silence, please
01:02:54There's the uncle
01:02:57I've done it now, the door, it's open
01:03:02Open
01:03:19Nobody move
01:03:22Quiet, girls
01:03:23All against the clay pots
01:03:25Please
01:03:26Mr. O'Hales
01:03:27Don't be so cruel, the ladies are foreigners.
01:03:29Innocents
01:03:30Very dangerous
01:03:31Gallant!
01:03:32Sayonara
01:03:35Get all of you out of here
01:03:37I want to be alone
01:03:38Come on, get out!
01:03:39Mr. Bandit
01:03:40Come on!
01:03:41Come on, listen to him.
01:03:42Listen to him
01:03:43Go, go
01:03:44Go!
01:03:45Come on!
01:03:57Mr. Bandit
01:03:58Mr. Bandit
01:04:00We don't have it tonight
01:04:01But ma'am
01:04:01Are you still thinking
01:04:02At dinner
01:04:02Eat, eat
01:04:04Lock yourselves inside
01:04:05In his room
01:04:06With the bolt
01:04:06Troc, troc, troc, troc
01:04:07All troc, troc, troc, troc
01:04:09What a Spanish bandit
01:04:10Generous
01:04:11Mandolero beautiful
01:04:12But Canada
01:04:15Mother, what a balance!
01:04:26Hey kid, take care, man
01:04:41I'm scared to death
01:04:43But, Pepe, do you think he'll come?
01:04:48That's it
01:04:48Already
01:04:49Come on
01:04:50Wait, the knife
01:04:57Hold the ladder securely
01:04:58I almost broke my neck the other day.
01:04:59No, because you don't sleep enough.
01:05:01How little?
01:05:02Nothing
01:05:02I'm with the dogs by eight o'clock.
01:05:03Don't grumble
01:05:05This is the deal of the century, Sabino.
01:05:07Wait until Elisa finds out and...
01:05:08Let's see
01:05:08On top of that, he doesn't cooperate.
01:05:10Hey
01:05:11Why don't I dedicate myself to suspense?
01:05:12And you, sexy?
01:05:13Because?
01:05:14Because I don't look Spanish.
01:05:16But of European
01:05:17Come on, let's go!
01:05:21Hold on tight
01:05:22That moves a lot
01:05:35Ten years in prison without love
01:05:46Beautiful bandit
01:05:49For me
01:05:52Good!
01:05:53Music
01:06:32I'm waiting for you, morronguín
01:06:35Me? Why?
01:06:38You can't imagine
01:06:40Well no
01:06:41Oh, shit
01:06:42Since I came asleep
01:06:43I'll wake you up
01:06:47Who's going to eat my little ears?
01:06:50The cat, because of what I've done tonight
01:06:52I can't get a single thing going on.
01:07:07That sale wasn't closed.
01:07:09I think so
01:07:12Stop! Stop!
01:07:14You're late, the issue is already sold out
01:07:16Get down from there!
01:07:18But...
01:07:18But seriously, what's with all this nonsense?
01:07:20If you want to get paid, the chicken seller is inside.
01:07:22Get down or I'll shoot!
01:07:24But Valentin didn't hire you.
01:07:26Obey!
01:07:28Oh!
01:07:29They're real!
01:07:31Oh, oh, oh!
01:07:32Oh!
01:07:37Goodbye, good morning
01:07:38Thank you, days!
01:07:51They've come to get them!
01:07:53Ah!
01:07:54Hey!
01:07:54Hey!
01:07:55Damn!
01:07:55Elisa!
01:07:56Faithful!
01:07:57And the Panther too
01:07:58Oh no!
01:08:26Music
01:08:29Don't cry, my daughter. What's past is past, no matter how recent it may seem. Now it's a clean slate.
01:08:36That's why you didn't want to eat the little ears.
01:08:39Valentín really confused me. He said it was the deal of the century, that we were going to get a...
01:08:43diploma from the ministry, stating that we would settle the bills in three months.
01:08:47But I swear to you, those ladies, well, to me, it's like someone who's hungry and is given baking soda.
01:08:52Let's not go into details, Mr. Grupe. You've already paid your debt to society. Now we need to pay what...
01:08:58other.
01:09:00The other thing?
01:09:01And certainly in more home-based activities and without nighttime excursions.
01:09:17At one hundred points, it diminishes.
01:09:20I have already diminished.
01:09:21Now from the armhole, continue to the shoulder.
01:09:24Yeah.
01:09:31What are you looking at?
01:09:33Nothing.
01:09:34One day, as it wanes, wanes, the armhole will twist and it will be beyond repair.
01:09:38Okay, that's enough. Get out of here and go to the kitchen.
01:09:39Yes sir.
01:09:41No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:09:47no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
01:09:52Say.
01:09:54Wait a minute, Porriño, I'm losing my stitches.
01:10:00Already.
01:10:05Tell me, tell me.
01:10:06How are you, Sabino? Are you feeling better? How are you feeling?
01:10:09Fatal.
01:10:09Well, man, it's not like it needs to be this bad, everyone makes mistakes.
01:10:12Hey Tobarís, I've found you another phenomenal accounting.
01:10:16But I've already got six.
01:10:17This one's a good fit for you because they pay really well. Find a little time where you can.
01:10:21If I don't have any left, except on Sunday mornings.
01:10:24Well, they don't care about that, they've got a huge problem with the tax authorities.
01:10:29Ah, yes, yes, yes.
01:10:30Hey, by the way, do you need the fishing rod?
01:10:33No.
01:10:33You see, Vázquez, the reinsurance guy, wants to come on Sunday.
01:10:38But the big one?
01:10:39No, man, that one with the little one will sort itself out.
01:10:41I've discovered a place that's the best.
01:10:44We made a killing last Sunday.
01:10:46Trout were popping up like mushrooms, a real treat, salbelinus galore, as many as you could want.
01:10:51Yeah?
01:10:52That's incredible.
01:10:53We caught twenty-five.
01:10:54But all of us together.
01:10:55That's incredible.
01:10:55Each.
01:10:56Each?
01:10:58Hey, are the three of you going alone?
01:11:00Well, for now, yes.
01:11:01No, I say it because if I were to get up the courage...
01:11:03But they let you.
01:11:04Why won't they let me?
01:11:05Yes, yes, yes.
01:11:06Count me in.
01:11:07At six o'clock under the station clock.
01:11:10Yes, yes, yes.
01:11:11I'm going to get everything ready.
01:11:13Bye bye.
01:11:13Until Sunday.
01:11:14Goodbye, Sabinito.
01:11:19Soldier of Naples, going to war, if I die loving you, the most beautiful death.
01:11:28Soldier of Naples, if you go to war, my voice remembering you, singing to you, waits.
01:11:35Hey, what's he singing?
01:11:37How odd.
01:11:39And does she have a good voice?
01:11:41You wouldn't want to send him to the Benidorm festival.
01:11:43That wasn't the way I was going, but rather a less frivolous path.
01:12:13White, white, like chance.
01:12:17White, white, white wife like chance.
01:12:22White, white, like chance.
01:12:25White, white, white, white wife like chance.
01:12:38And how many are these?
01:12:39Not cheap at all, 50,000 pesetas entry fee.
01:12:41Nothing else.
01:12:42And at five years old?
01:12:44Ah, well, if that's the case.
01:12:45Hey, you have one empty one left.
01:12:49Excuse me, are these pieces of furniture from the sixth floor?
01:12:53Yes sir.
01:12:54And why are they taking them away?
01:12:55Due to non-payment.
01:12:57Wait a minute.
01:12:58What's happening?
01:13:00Ah, if you are the owner.
01:13:03The one who didn't want to sign the delivery note.
01:13:05No, no, no, no, no, no, sir.
01:13:12Okay, Pepe, let's go, we're in a hurry.
01:13:27I told you.
01:13:28Pay the bill due on the 15th.
01:13:30What a disgrace, my God.
01:13:32But you know I don't have a penny.
01:13:34Well son, when you don't have money, you don't have vices.
01:13:38Oh, what a crazy aunt.
01:13:39Calm down, calm down, calm down, nothing's wrong, everything's sorted out, man.
01:13:43Some furniture leaves and other furniture arrives.
01:13:46There are my friends from Art and Furniture.
01:13:48One day to choose them and a hundred years to enjoy them.
01:13:52And, hey, I've got a knack for deadlines there.
01:13:54But it's not just the furniture.
01:13:58Oh, no?
01:13:58Of course not.
01:13:59Let's see.
01:14:00How much is the ball?
01:14:02I don't know, nobody's going to swallow that line anymore.
01:14:04Then the system will have to be restructured, seeking new employment opportunities.
01:14:09Let's not start, eh, let's not start.
01:14:11Look, Sabino, when you married this woman, they didn't tell you, in good times and bad, in
01:14:17in fortune and in adversity.
01:14:20Are you going to read me the letter?
01:14:22No.
01:14:23I just want to tell you that if you work, she has to work too.
01:14:28Work?
01:14:31In what?
01:14:32Man, you tell me, with that face, that figure, those legs.
01:14:39Those too...
01:14:39Stop, I can't swallow it.
01:14:40Hey, he's not going to be strict.
01:14:42Me, me...
01:14:43I said I won't swallow it, and I won't swallow it.
01:14:45You find those jobs for your wife.
01:14:47No, I've already looked it up.
01:14:49Hey?
01:14:49Of course, he's been working since Monday, he begged me on his knees.
01:14:53Well, this one, that leg base and all that, isn't going to work, you understand?
01:14:57No!
01:15:23Where is Elisa?
01:15:24She went shopping.
01:15:26Again?
01:15:27Don't get nervous.
01:15:28He pays for it with his own money.
01:15:30With your money?
01:15:31Ah, it's there.
01:15:35I don't think so.
01:15:36Yes sir, ask for whatever you want, but hold the bugs back.
01:15:38What's happening?
01:15:39Mr. Ambassador, please go outside.
01:15:41He wants dogs at your house.
01:15:43Not a chance here.
01:15:45Mr. Ambassador, he gave a check for you and dog food.
01:15:48Bring it, bring it.
01:15:52That's outrageous!
01:15:54Of course he's staying, that goes without saying.
01:15:57My children!
01:15:58But where?
01:15:58On the terrace.
01:15:59What a terrace we have!
01:16:01Tell the ambassador that we will treat them as if they were family.
01:16:05Bring it here, bring it here.
01:16:06Oh!
01:16:07How cute they are!
01:16:08Watch out, watch out, sir!
01:16:10Careful!
01:16:14They've already ruined the mushroom industry.
01:16:24Am I late?
01:16:25You arrive very early, because there is no wedding.
01:16:27What do you mean there's no wedding?
01:16:28No, sir.
01:16:29The groom appeared, knelt down very seriously, looked at the bride, and said something like...
01:16:33...they can't pull the wool over my eyes, they can't pull the wool over my eyes, and the jerk left.
01:16:36So, as for the chaste wife thing, if you don't sing it to your wife, you'll see.
01:16:39Well, that's perfect for me, because I haven't been to the movies with her for two months, she's going to be in for a shock.
01:16:42surprise.
01:16:43See you later!
01:16:48Say.
01:16:50Ah, it's you again!
01:16:52No, he hasn't come yet.
01:16:54But he didn't tell her where he was going.
01:16:56The node must be finishing up now.
01:16:58Look, forget about knots and come knit.
01:17:00Your father is going to knit.
01:17:03Don't yell at me, Ramona.
01:17:05Listen, you'll have to tell me that to my face, because I'm fed up.
01:17:14Beautiful, gorgeous.
01:17:17You shut up, okay?
01:17:21Where are you coming from at this hour?
01:17:23Sabino, you didn't have a wedding.
01:17:25What I had were these movie tickets, which I'm going to eat.
01:17:27If you had warned me, you would have found me at home right now.
01:17:30Lie!
01:17:30I've been calling all afternoon and you weren't there.
01:17:32Answer me!
01:17:33Sabino, please.
01:17:34And that hat?
01:17:35And that outfit?
01:17:36Where did they come from?
01:17:37I bought them at some corner stores.
01:17:38Didn't you see them?
01:17:39Look, Elisita.
01:17:40You're going to explain to me right now what those mysterious departures are about.
01:17:43And those inhibitions of your mother.
01:17:46And that virgin wool is so oppressive, it feels like you're going to explode.
01:17:49Please don't make a scene in the street.
01:17:50Tell me where you come from.
01:17:51I don't feel like it.
01:17:54Did you say you didn't feel like it?
01:17:56That is.
01:17:56I said I don't feel like it.
01:17:59Hey, little dwarf.
01:18:00You want a solo, huh?
01:18:01Because the lady here explains things terribly.
01:18:03Man!
01:18:04You're going to put out the broken glass!
01:18:05Bye!
01:18:06Still!
01:18:07Still!
01:18:07I'm going to a male!
01:18:08Ah!
01:18:08Ah!
01:18:11Sabine!
01:18:14I make two and eat one.
01:18:17I make two and eat one.
01:18:21Amount two.
01:18:22Oh!
01:18:22Hello?
01:18:23Oh no, I'm losing my eyesight!
01:18:25But it's not there.
01:18:27No, sir.
01:18:28It's been over an hour since he left.
01:18:30Who is it?
01:18:31Nobody.
01:18:32What do you mean, nobody?
01:18:33I tell him he's dialed the wrong number.
01:18:36Bring it.
01:18:36Bring it.
01:18:37What do you want?
01:18:38Sorry.
01:18:39He was asking for Mademoiselle Elisa.
01:18:41Are you French?
01:18:43And why does he have to call my wife for nothing?
01:18:45Let's see.
01:18:46You are the most shameless guy I have ever seen in my life.
01:18:48And you piece of...
01:18:49Listen!
01:18:50Listen!
01:18:51Well, that's as far as we've come.
01:18:54Florita!
01:18:54Florita!
01:18:57Florita!
01:18:58Man!
01:18:59Doña Ramona.
01:19:01Where are you going all dressed up?
01:19:03To a wedding.
01:19:04And is that model also from a discount store?
01:19:06Group.
01:19:07I don't have time to listen to nonsense.
01:19:10One moment!
01:19:11Stop!
01:19:11Can you explain to me why Elisa leaves home every afternoon?
01:19:14And why is that Frenchman calling her?
01:19:15And why has the mushroom dried up?
01:19:17Speak!
01:19:18My daughter is very decent.
01:19:19That's what you say.
01:19:21Naturally.
01:19:21I'm telling you.
01:19:23And that's enough!
01:19:24But...
01:19:25But...
01:19:57Okay, so what do we do now?
01:20:01Son, the proverbs I would tell you are not suitable even for people over 18 years old.
01:20:12What they are doing to you is an outrage.
01:20:15Yeah.
01:20:19You come from knitting.
01:20:20And while you're knitting, they're going to put you in a situation.
01:20:25Because it's not the first time the Frenchman has called.
01:20:28Do you know where the young lady is going?
01:20:31Not sure, sir.
01:20:33But more or less between one hundred and one hundred and twenty of Velázquez.
01:20:37This won't give you much guidance, but...
01:21:00Model number six.
01:21:02Evasion.
01:21:03Carrusel presents this original creation in white crepe with a pallet.
01:21:08Gathered at one shoulder and open at the side.
01:21:12It is inspired by a classic line.
01:21:18This is Ketty, right?
01:21:20Yes, daughter. He goes out every day.
01:21:22Like ABC.
01:21:24Chéri, this one is beautiful.
01:21:26You're going to have a sensational success.
01:21:29Then off to Monte Carlo to exhibit the collection.
01:21:32Then Paris.
01:21:34It also happens in Paris.
01:21:35Well.
01:21:35Come on.
01:21:37Yes, yes.
01:21:40To Paris.
01:21:42OK.
01:21:42You and I will go alone to celebrate your triumph.
01:21:45You always forget that I'm married.
01:21:47Oh, naturally.
01:21:48That's your biggest flaw.
01:21:51Come on?
01:21:57Seeks.
01:21:58Find my lady.
01:22:0198.
01:22:05100.
01:22:06Come on, Billy.
01:22:07Come on, chicken.
01:22:11Find my lady.
01:22:12Come on.
01:22:13Find my lady for me.
01:22:15Come on, chicken.
01:22:16Come on, Billy.
01:22:18Seeks.
01:22:19Seeks.
01:22:20Find my lady.
01:22:21Model number 10.
01:22:23Spanish Nocturne.
01:22:24Clearly inspired by Goya,
01:22:26This model was created in Craig last night.
01:22:29with a chiffon overtunic of the same color,
01:22:32dotted with yellow strawberry trees.
01:22:36Bravo!
01:22:36Jesus, how corny.
01:22:38Calm down, Valentine!
01:22:40Model number 11.
01:22:42Temptation.
01:22:44In fashionable colors,
01:22:46Carousel presents this dress,
01:22:48which is a curious mix of the old...
01:22:50Gorgeous, gorgeous!
01:22:52...with the modern, bold style of his wife.
01:22:55Pretty!
01:22:57It must be the parents.
01:22:59Yes, ma'am.
01:23:00I am the mother who conceived her.
01:23:02How awful!
01:23:04Check out the versatility of the model.
01:23:06They are practically two dresses in one.
01:23:09To prove it,
01:23:10The young lady will remove her top piece.
01:23:12The young lady will not back down!
01:23:16To the!
01:23:17Let's get the bus!
01:23:19He's not crazy!
01:23:21How dangerous, extremely dangerous!
01:23:25How awful!
01:23:26He's crazy!
01:23:27It's an abyss, don't be a beast!
01:23:28Come here!
01:23:29Saldaje!
01:23:30Tango dancer!
01:23:31You're a tango dancer!
01:23:41Police, police!
01:23:42Stop everyone!
01:23:44Oh no!
01:23:45Let me go!
01:23:45Let me go!
01:23:46He's my husband!
01:23:47Leave him alone!
01:23:47No, he was your husband!
01:23:48Your husband is an idiot!
01:23:49But it's over!
01:23:50You can keep your charí!
01:23:52With such a cute outfit!
01:23:53With the mushroom and your witch of a mother!
01:23:55Delinquent!
01:23:56You're a petty criminal!
01:23:57Sabine!
01:23:58Lady!
01:23:58Lady!
01:23:59What a man!
01:23:59Calm down, Sabino!
01:24:00Everything is for your own good!
01:24:02Get out of here!
01:24:02I don't want to see you anymore!
01:24:03Don't worry!
01:24:04I'm going now!
01:24:04When these gentlemen finally let me go!
01:24:06But forever!
01:24:07No!
01:24:08You're not leaving!
01:24:09You have to pay damages!
01:24:11Yes sir!
01:24:12Where is he going?
01:24:13Hey!
01:24:14There's nothing left!
01:24:15Here's the bill!
01:24:16Oh!
01:24:16Montie, my girl!
01:24:18No!
01:24:19Sabine!
01:24:20Poor Messie Moritz!
01:24:21A short one!
01:24:23Montie!
01:24:24Montie!
01:24:25Montie!
01:24:26Montie!
01:24:27Montie!
01:24:37Montie!
01:25:10Montie!
01:25:34What are you doing here?
01:25:39I've come to find you, since you haven't come home.
01:25:40I already told you
01:25:41For me, life's anguish is over.
01:25:43Bills of exchange, installment purchases
01:25:45Continuous motion
01:25:46And your mother
01:25:47Look, ever since I've been living alone I've been happy
01:25:49I've even gained two kilos
01:25:51But I love you
01:25:52Yes, you want to kill me
01:25:54Naturally, you idiot
01:25:56Please, Sabino
01:25:57I will do as you command.
01:25:59But he comes back
01:26:01What I ordered?
01:26:03There will be no more lyrics, I swear.
01:26:05We will return everything
01:26:07Even the knitting machine?
01:26:08He's back
01:26:11What henpecked husbands!
01:26:14Believe me, Sabino
01:26:15Everything you say will be done.
01:26:19We won't start like last time.
01:26:21No, morrongui
01:26:23If you don't want a washing machine
01:26:25We will return the washing machine
01:26:26And the blender
01:26:27I'll wash your shirts myself.
01:26:29As your father used to say
01:26:30With lizard soap and bluing
01:26:32Yeah
01:26:33Yes, honey
01:26:36The voices of the peasants
01:26:41They are no longer heard in the mountains
01:26:45There's no need to take things to that extreme.
01:26:49Put an anumancia washing machine in your house
01:26:53And the problems were over forever.
01:27:04What is this?
01:27:05Don't get excited, son
01:27:06It is a service from the House of Anumancia
01:27:07Because you do such a great job on TV
01:27:09It won't cost you a hundred.
01:27:12Well
01:27:12We'll have to buy
01:27:14A reducer elevator
01:27:16No way
01:27:16Nothing is bought here
01:27:18If it's only two thousand pesetas, morrongui
01:27:22Well
01:27:22If it's only two thousand pesetas
01:27:28Again, Sabino
01:27:30What a woman who asks for incest without an ass
01:27:33They leave the man down to the bare bone.
01:27:36Watch out, you wretch!
01:27:37I see you with me on the wall
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