- 38 minutes ago
مسلسل Ludwig مترجم - Episode 1
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00:29Transcribed by ESO. Translated by —
00:41I'm sorry, it's just the way it is.
01:06I'm sorry, it's just the way it is.
01:28I'm sorry, it's just the way it is.
02:15I'm sorry, it's just the way it is.
02:55I'm sorry, it's just the way it is.
03:26It's just the way it is.
03:54It's just the way it is.
04:12It's just the way it is.
04:27That's ridiculous, Lucy, I can't just...
04:29I'll match whatever you're making for dinner, like for like.
04:33Given that it's Sunday, I am assuming pasta.
04:39Carbonara.
04:41John?
04:42No, Lucy, I'm not...
04:45Please.
04:49See you soon.
05:15John Saylor?
05:18Yes.
05:19Hi, I'm Chris.
05:21Cambridge, yeah?
05:22It's a long drive.
05:24You the kind of guy who likes to talk?
05:25Or shall I stick on the radio?
05:27There you go.
05:30Radio it is.
05:34Can you turn that off, please?
05:36Yes.
05:36Yes.
05:38Yes.
06:05Anything else?
06:36Don't get mud on your dad's new car.
06:39Where is that?
06:40He's been called into the office.
06:43Again.
06:45But then he's off for Christmas and New Year.
06:51Why are you so dirty?
06:53Pee.
06:54Well, then why St. James?
06:55Because he didn't get deliberately pushed over.
07:06Hello.
07:07Elvis Presley of puzzle setters.
07:11See, you've survived a taxi trip.
07:13Well done.
07:14Henry!
07:18The spare bedroom's all made up.
07:19Three pillows, just how you like it.
07:22Goodness, you travel light.
07:24Yes, well, my packing time was somewhat limited.
07:28It really is good to see you, John.
07:31Uncle John.
07:34Henry!
07:35You're taller.
07:38Yes, well, teenagers do tend to grow over the course of a year.
07:43Dinner in ten minutes, or five, if you're willing to set the table.
07:47Off you go.
07:50Right, now you've popped your bag down, maybe a good next step is to take your jacket off.
07:54Where's James?
07:55That's away.
07:56He's working a case.
08:00Lucy, what's all this about?
08:02Maybe we should talk after dinner.
08:04I think I'd be more comfortable knowing now.
08:06Oh, come on, John.
08:07When have you ever felt comfortable?
08:11Before you ask, no, I haven't sold any.
08:13And yes, I am still doing endless weddings and bonnet of babies.
08:17And no, I most certainly am not artistically satisfied.
08:23I wasn't actually going to ask you any of those things.
08:25John, I need your help.
08:28Henry doesn't know anything about why you're here.
08:31I've told him you're on a work thingy.
08:33A convention.
08:35So, a puzzle convention?
08:37Yes.
08:38No, I don't know.
08:39I had to tell him something.
08:42Maybe, um, maybe you should sit down.
08:47Don't worry, I won't give you tetanus.
08:49So, it started a couple of months ago.
08:51James was on some case or other.
08:53I don't know.
08:54I didn't ask.
08:55I never asked.
08:55It was like some unwritten rule.
08:57You know, your brother spent day in and day out at some grisly murder scene or other.
09:02But when he came home to us, then DCI Taylor ceased to exist and he was just James.
09:08Our James.
09:09Lucy, why are you talking in the past tense?
09:14Oh, I didn't realise that I was.
09:18Er, well, maybe it's because for the last two months, our James wasn't the one coming home to us.
09:29What do you mean?
09:29I mean, he changed.
09:31Something about that last case changed him.
09:34He'd come in, he'd barely communicate, he'd lock himself away.
09:37I'd be asleep by the time he came upstairs.
09:39Er, he'd be gone by the time I woke up.
09:43Until three nights ago.
09:46When he didn't come home at all.
09:51And then the next day, I received this.
09:56It's from him.
09:58B.A.R.
10:00Burn after reading.
10:02Sweet, isn't it?
10:03Do you remember when we were kids, the three of us, we used to pass those notes through the fence?
10:11D.C.S. Shaw.
10:13It's his boss.
10:14It's a letter of resignation.
10:31What does any of this mean?
10:33Well, exactly what it says.
10:34It's a list of instructions.
10:36So, post the letter of resignation and then get Henry and just leave.
10:41I mean, as you can see, he doesn't feel the need to tell me why or where we're supposed to
10:43go.
10:43Just that I am to do it.
10:45And that if anyone from his department tries to contact me, then...
10:49Don't talk to them.
10:51Don't meet with them.
10:52Don't believe them.
10:56That's it.
10:58Now, does anything about that letter strike you as odd?
11:03Yes.
11:04Everything.
11:05It's the single most terrifying thing I've ever read in my life.
11:08No, John.
11:09That's not what I mean.
11:11I mean, look, John, you know me.
11:14In fact, the only person that knows me better is him.
11:15Would either of you expect me to read that and then just go, oh, I know, I'll do what I'm
11:20told.
11:20And I won't think any further on it.
11:22I'll just pop off.
11:24Does that even remotely sound like me?
11:27Not right now.
11:27It doesn't know.
11:28And he knows that.
11:31Which brings me to the big favour.
11:33Lucy, I'm not sure.
11:35All right.
11:35Just...
11:36Okay.
11:37So I went into his home office looking for clues as to what he might have been working on.
11:43And there's nothing.
11:44He's been hidden in there for two months, nothing to show for it.
11:47Now, either he took his files and tatty orange notebook with him, or it's in his other office.
11:53The one at the police station.
11:55Now, I can't access that.
11:57In fact, the only person that can is James.
11:59Or somebody who looks remarkably like him.
12:12No!
12:15It's nothing.
12:16It's easy.
12:16It is in and out.
12:17Are you...
12:19No!
12:20Absolutely not!
12:21I've been there.
12:21I know the layout.
12:22You won't have to talk to anybody.
12:23Really?
12:23And if they talk to me?
12:25Just stick to small talk.
12:26Just keep walking.
12:26What small talk?
12:28Have you heard my small talk?
12:30This, right now, is about as good as it gets.
12:32Look, I've met most of his colleagues.
12:34I mean, I can brief you on all of them.
12:36Certainly enough to get you through a piddly little visit to the office.
12:39Just there and back.
12:40Lucy, stop.
12:41That would be illegal.
12:44James couldn't just abandon his family without reason.
12:49He knows what that feels like.
12:52If he's not telling you everything, it's because he's trying to keep you safe.
12:57This is how he does it.
13:01You don't get it.
13:04That isn't a letter that a husband of 20 years sends his wife.
13:07No matter how much he's trying to protect her.
13:10There's nothing personal in it.
13:13There's no comfort.
13:17No feeling.
13:19It's more like the type of letter that...
13:22That's true.
13:25True, I shouldn't have involved you.
13:29I don't know.
13:30I should, um...
13:32I love you.
13:36Always have.
13:39Oh.
13:41I-L-O-V-E.
13:46It's an acrostic.
13:47It's the same one we used as kids.
13:50It's the same one every kid learns.
13:53Oh, right!
13:54Right, yes, was.
13:55First letter of each sentence.
14:13I'll just be in and out, right?
14:18Oh, thank you.
14:21Thank you, John.
14:34How's this?
14:36Yes, you do look like him.
14:40Something's different.
14:41Of course something's different.
14:43I'm literally a different person.
14:46These pens will have to go.
14:48I might need them.
14:49Not in there.
14:51Not a school prefect.
14:53You'll need his car.
14:55James still has your dad's.
14:59Do you drive much these days?
15:00Do you drive much this?
15:55I've got his work phone.
15:57He left it.
15:58It's locked.
15:58I've got every date I can think of.
16:02My birthday.
16:03Henry's birthday.
16:05Too obvious.
16:06Try your first date.
16:07I'm supposed to remember when...
16:0923rd July 1991.
16:11You went to the village fair.
16:12Right.
16:15Nope.
16:16Historical dates, then.
16:18Battle of Hastings.
16:19Signing of the Magna Carter.
16:20James always liked trains.
16:22Try the invention of the steam locomotive.
16:24Oh, well, I'm locked out for an hour now.
16:27When you get there, just look for his notebook.
16:28Tati, orange.
16:29I'll keep trying the pin on this thing.
16:32Listen, we're going to have to keep in contact.
16:34Do you even own a mobile phone?
16:36Of course I do.
16:37You know I do.
16:38You bought it me for Christmas.
16:40No, I didn't.
16:41You...
16:42What?
16:43Wait.
16:44That was 20 years ago.
16:47What?
17:12Oh, my God.
17:12Oh, my God.
17:29No, I don't.
17:30No, I don't.
17:30I don't know.
17:31I don't know.
17:35No.
17:36No, I don't know.
17:54Detective Chief Superintendent Carol Shaw.
17:56I've never liked touching eyeballs, especially mine.
18:00James doesn't wear glasses, so you're going to have to suck it up, I'm afraid.
18:04She's the one that I was supposed to have sent the resignation letter to.
18:08James' boss.
18:09Everybody's boss.
18:11Probably best to avoid.
18:27Hold! Hold!
18:40Oh, yes. Hello.
18:44You.
18:47How's Henry?
18:50Oh, you know, kids today with their skateboards.
18:59Doors opening.
19:01Second floor.
19:08His team are on the second floor in front of the stairs.
19:12It's a large open plan room with shared desks and workspaces.
19:17They'll probably be manned, but don't worry about that.
19:19Just walk straight through.
19:43James' office is at the back on the left.
19:46Don't talk to anyone.
19:50Oh, James, hello.
19:52James' office.
19:54Oh, yes.
20:08Yeah, yeah, yeah.
20:10Yeah, yeah, yeah, yeah.
20:15The IMAT Neville.
20:16They've worked together for ten years.
20:17James is his best man.
20:18He knows him better than anybody else.
20:21Memorise this face.
20:23He's the only one you can trust.
20:24But be careful.
20:30Oh, there you are, Gav.
20:38New pens.
20:42Looking sharp.
20:44Anyway, here's a good one.
20:46Some big shot solicitor guy found in his office this morning with an antique letter opener stuck in his chest.
20:52Been there all weekend, apparently.
20:53Rest of the team already down there.
20:59Oh, yes.
21:04I need to get something from my office.
21:08Oh, yes.
21:18I just...
21:19I need to get something from my office.
21:20Oh, come on.
21:21Come on.
21:21Come on, let's go.
21:26There's only like ten people in the whole building.
21:28No CCTV but security on the door.
21:31You have to sign in when you arrive, sign out when you leave, which, according to the sheet, they all
21:37did, including the victim.
21:38Is there something in your eye, Gav?
21:41Sorry, new context.
21:42But for some reason, I don't wear glasses, you see.
21:45Oh, okay.
21:47Well, I guess that explains the parking.
21:56Are you all right?
21:59Yeah, good, great.
22:01I just...
22:01I need to make a quick phone call on my mobile telephone.
22:06Okay.
22:30John.
22:31I didn't get to the office.
22:33There's no Matt Neville.
22:34I'm back outside, and I'm supposed to be attending a crime scene.
22:37What?
22:38I didn't get to the office.
22:39There's no Matt Neville.
22:40I'm back outside.
22:41Yes, no, I heard you the first time, John.
22:42What do you mean there's no Matt Neville?
22:44I mean James has a completely different partner from the one you told me about.
22:47That's what I mean.
22:48One that sat waiting for me to go and look at a dead solicitor with him.
22:54No, that doesn't make any sense.
22:55I'm sure he would have told me if Matt had left, or if he had a new partner, or...
23:00I mean...
23:02wouldn't he?
23:03He's looking at me.
23:05Yes, it's probably not helped by the fact that you're standing there holding a phone that's
23:07older than the Bible.
23:08Oh God, I'm going to prison, aren't I?
23:10No, you're not going to prison.
23:12I'm impersonating a police officer.
23:14Yes, but he's your brother.
23:15That's really not the legal loophole.
23:17You think it is?
23:20Oh, Henry's school is calling.
23:22What?
23:23So?
23:25Lucy, what am I going to do?
23:26Look, you've got no choice.
23:27She's going to have to wing it.
23:28I mean, it's easy.
23:29You're lead detective, so just, um, delegate.
23:32Delegate?
23:33Yes, let them do their jobs.
23:34Maybe gauge their reactions, see if they're acting sus.
23:38Look, the main thing is you need to get back to the station and into that office.
23:42John, you can do this.
23:43Lucy, you can't still think.
23:45Please, John, look, if nobody's noticed so far, you'll be fine.
23:47Call me if you need me.
23:48What?
23:49Wait!
23:49Lucy!
23:52Okay, bye.
23:53Bye!
24:30Bye!
24:31Bye!
24:34Bye!
24:35Bye!
24:45Bye!
24:48Bye!
24:48Bye!
24:51Bye!
24:52Bye!
24:57What are you doing?
24:59Nothing.
25:00Making notes.
25:06Morning.
25:08Morning.
25:20You're doing a fine job.
25:22Well done.
25:23What's that?
25:24We're taking the stairs.
25:38Morning.
25:39Morning.
25:39Morning.
25:40I'll let you know if you just feel free.
25:43Oh, there you are.
25:46Detective Constable Simon Evans, youngest member of the team.
25:49I think he's into his graphic novels.
25:53I don't know much about superheroes.
25:56Well, I do know that he still lives with his mother, so if you get stuck, then just ask
26:00after her.
26:04Oh, that's a nice selection of pens, sir.
26:10Yeah.
26:12Right.
26:12Okay.
26:13Yes.
26:13So, uh, we've come and did the biggest conference room in the building.
26:15I've got them all gathered in there.
26:17Everyone who was here Friday.
26:18I haven't questioned them as such, but I have taken a detailed statement of their movements
26:22at the time.
26:23Now, I mean, it all gets a bit, uh, ah.
26:26Well, uh, no, they were in and out, up and down, all over the place, really, but, um,
26:30I figured you'd want to talk to them all separately anyway, so...
26:34No, I'm all right, thanks.
26:37Oh.
26:41Yeah, DCR Taylor's right.
26:42We're not talking to anybody until we visited...
26:45You weren't kidding, were you?
26:47Must have a dance number.
26:48Uh, no, we're not talking to anybody until we visited the scene.
26:50So, uh, just try and keep them entertained for now.
26:53Sir.
27:01How's your mum?
27:03Oh, very well, thank you, sir, yeah.
27:05Good.
27:08Well, uh, she has actually started dating her.
27:11I'll, I'll, I'll see you in there.
27:21Morning.
27:27No, there's not.
27:29Okay.
27:30Morning, sir.
27:31Detective Sergeant Alice Finch, Shaw's protégé.
27:34Ambitious.
27:36Very letter of the law.
27:38Probably spent her teenage years dobbing in fellow students to the head.
27:42Lives for the job.
27:43Rule of thumb with her.
27:45Don't attempt to witty repartee.
27:49Actually, just be you.
27:54This feels big.
27:56Really big.
27:57Like, six-part docudrama big.
28:00Phone records.
28:01Had the provider emailed them through.
28:03So, there was an incoming call Friday afternoon at 1706 hours.
28:07It was page go, unregistered, and it connected.
28:09There's no answer service set up on the office phone.
28:12If nobody's here, it just rings out.
28:14So, somebody was definitely here at 1706 hours.
28:17Although, according to the security book,
28:20both the assistant and the victim signed out at 1703 and 1705, respectively.
28:26Yes, but it's pretty safe to assume he was here, Sergeant, given the fact that, you know, he still is.
28:32Do you want to come take a look at this?
28:34Yeah, thank you.
28:37So, nobody reported a missing over the whole weekend?
28:39No.
28:40Divorced.
28:41No children.
28:42I'm just going to come out and say this.
28:44Yeah?
28:45This feels professional.
28:47Like, organised crime professional.
28:49Someone trying to send a message.
28:50I think that we need to look if he was working any big criminal trials.
28:53You know, people that might have the reason, the resources, or the connections, just put the brakes on.
28:58He did conveyancing law.
29:03Sir?
29:04Probably not too many big criminal trials then, Sergeant.
29:07But hey, maybe a disgruntled estate agent.
29:10Well then, I think it's about time that we introduced ourselves to the chorus line, don't you?
29:32Right, how long are we going to be here?
29:34Until we've ascertained everybody's whereabouts at the time of the incident.
29:37And how long will that be?
29:39We've already been through all this with him.
29:41Calm down, Brian.
29:42What?
29:43I'm just saying, I never knew the guy.
29:44I barely even spoke to him.
29:46I couldn't even tell you his name.
29:47Alan Howells.
29:52All right.
29:54All right, I'm sorry.
29:55But I honestly never knew the guy.
29:58None of us did.
29:59It's three different companies, three different floors.
30:01We share the same building, that's all.
30:02I've never even been on this floor before.
30:05It's nice though.
30:07Go over, do you want to?
30:11Hmm?
30:12Do I want to what?
30:16Okay, well, in that case, regardless of floors or companies, you were the only people in the building on that
30:22Friday.
30:23How do you know that?
30:24It's not Fort Knox.
30:25Um, I don't just let people walk in.
30:27You're not always there though, are you?
30:30Well, you said earlier you went to check a fire door.
30:33Well, yeah.
30:34The alarm was going off.
30:35Right, there you have it.
30:36Somebody broke in in the back.
30:37Well, if they did, then they walked straight back out again.
30:40You got to go through another set of fire doors to get into the main building.
30:44None of those went off.
30:45Okay, fine.
30:46Somebody came in the front when you were out back.
30:48Brilliant.
30:48What?
30:48I'm just saying, it's not rocket science, is it?
30:50Your alarm went off at three minutes past five.
30:54That was, um, just after the phone call.
30:58Are you okay, sir?
30:59Is it hot in here?
31:01Not especially, no.
31:03Excuse me.
31:05Sorry, what phone call?
31:07Someone called your office off an unregistered number.
31:09I take it you're not the one who answered it.
31:11No.
31:12And I would back behind my desk by then?
31:13By which point, anybody could waltz in.
31:15That's all I'm saying.
31:16Well, did any of you see anybody?
31:18Waltzing in, waltzing up to the third floor and waltzing down again,
31:21during the three-minute window where everybody seemed to be either on the stairs or inside the lift?
31:32In that case, let me ask this.
31:34Did any of you, throughout the whole of Friday,
31:36see anyone in this building who isn't currently sat around this table?
31:40I didn't see anything, but I don't know half the people sat around here, right?
31:44How can you not have seen me?
31:45What was right there?
31:46Don't you dare think that I don't know the piece that most left?
31:49I'm a pirate.
31:50I was just behind you.
31:51I know, I follow the water.
31:52Why am I still sat here in this room having to prove?
31:55I don't know.
31:56After the fire alarm, I'll try to get out of my head.
31:58I said so.
32:00Do your job.
32:02Go.
32:03Do you see how, Taylor?
32:05Are you all right?
32:07I think I need some hair.
32:13It's a push, sir.
32:18No, no, it's almost found out.
32:21Hello, my.
32:26Hello, my.
33:00I want to go home, my home, my house, my life.
33:04I can't do this, Lucy. I don't know how anybody can. I don't know how James ever did.
33:11Look, I know it's not easy, but James chose to do this job because...
33:19I'm not talking about his job. I'm talking about all of it.
33:22I'm talking about just getting up in the morning and leaving the house, coming out here to...
33:29This or this. Crowds and noise and buildings and offices and computers and people.
33:38Nobody seeing each other and everybody talking at once.
33:41Alarms going off, phones ringing. Everybody moving around, up and down and in and out.
33:47And no order to any of it. No structure, no purpose.
33:51You do realise that in many ways, James was as intimidated by the world as you.
33:57It was easier for him. He had you.
34:05Look, you and James, you're so alike, but...
34:13John, I remember the day that your father left.
34:17Night. Nighty left.
34:20New Year's Eve, 1989.
34:22Yes.
34:23But it changed you both.
34:25James, it pushed him forward, gave him drive, made him want to take on the whole world.
34:32Whereas it made you...
34:35Just want to hide from it. Yes, I know. And I'd quite like to go back to that now, please.
34:39And you can, tomorrow.
34:41But first, I just need you to get back to the station and find his notebook.
34:45It's just one day. One day in a life.
34:47I mean, if you think about it logically, you can get through one day.
34:50Logic doesn't come into it.
34:52If it were up to me, everything would be logical.
34:54The whole world.
34:55But it isn't, is it?
34:56It doesn't work that way.
34:58Things don't always fit neatly into some ordered, structured, 15 by 15 grid,
35:05like some sort of...
35:08puzzle.
35:10I know it's difficult. It is.
35:12But I really do have...
35:13I've got to go.
35:14Sorry?
35:16Bit awkward, really.
35:17I think I might just have solved a murder.
35:19I'll call you back.
35:21You think you've what...
35:44Please, please, please, please, please.
35:48Yes!
36:09Is it okay if I use this?
36:11Um, yeah, sure.
36:22Okay, so, what we're looking at here is a concatenation of syllogisms, obviously.
36:28A series of statements and propositions, one of which will be false,
36:31but which we can weed out via a process of cross-reference and deductive reason.
36:36It's a logic puzzle.
36:38In this room, we have seven subjects, or suspects.
36:42I will label you A to G for simplicity.
36:45Three definitive facts, presumably connected.
36:48The fire door alarm, the phone call, and the murder itself.
36:51Unlabeled, then, one to three.
36:54Plus, of course, the alleged movements of everyone in this column
36:57within the timescale of the factual events contained in this one,
37:00which we'll put into a third column of seven, T to Z.
37:08So, C was exiting the elevator in the foyer at the same time as D was leaving by the front.
37:14Both statements confirm the other, which means that neither C nor D could have been present
37:18at factual events one and two, so we can cross those off,
37:21which naturally means we can also put crosses here and here and here,
37:26since this dictates that A and E could not have been present at that location at that time,
37:30or else they would have crossed with C or D.
37:32Do you follow?
37:34No.
37:38Hello, hello, hello.
37:40Listen, we're going to have to do the legwork on this one.
37:42And we know that E was still in the office at the time of factual event one,
37:45which was verified by A, who left immediately afterwards.
37:48Alice, you're going to want to see this.
37:50A signed out just after G, who had left the building between factual events one and two.
37:55F left the building last and locked it up, leaving no one inside but Mr. Howell,
38:01which in turn locks off the rest of everything for A in this column and this column,
38:07meaning that F must be movement Y in this column, locking off all of these ones.
38:15And there we go.
38:18Only one subject remains that could possibly have been at events one, two and three.
38:23Opening the fire door to create a distraction, an opportunity to forge Mr. Howell's signature,
38:28making the telephone call to delay his departure,
38:30and finally making their way up the stairwell to his office,
38:34just as the last of the other subjects was leaving.
38:36Therefore, we have our killer.
38:47And that person is?
38:50Well, Bea.
38:52Bea?
38:54Oh, sorry.
38:55Um, Sarah Gilmarsh.
39:01Are you joking?
39:02What the hell are you talking about?
39:04Why would Sarah want to murder some solicitor bloke she barely even knew?
39:08I have absolutely no idea.
39:09Right, I think it's best if we, um, you know,
39:11we'll just take a beat, take time to think a bit more about this
39:15and regroup, relax, you know, everybody.
39:19I'm sorry.
39:29I'm so, so sorry.
39:34I didn't plan any of this, I swear.
39:37No, you definitely did.
39:38You set off a fire alarm, faked a telephone call,
39:41and forged a signature.
39:42Yeah, but, uh, uh,
39:44I never wanted any of this to happen.
39:48Well, you probably shouldn't have done it then.
39:57Uh, uh, Sergeant, would you like to do the honours?
40:06Sarah Gilmarsh, I am arresting you on suspicion of murder.
40:09You do not have to say anything, but it may help me defence.
40:11If you do not mention my question,
40:12something we should later rely on in court.
40:14Anything you do say may be given an evidence.
40:16Cool.
40:25Is it okay if we go back to the police station now?
40:27Is it okay if we go back to the police station now?
40:52Well, well, well.
40:53If there's anything I'm taking from today,
40:55it's that maybe I should start making notes
40:57before attending a crime scene too.
40:59I mean, they told me you were brilliant when I transferred,
41:02but I did not expect something of this level
41:05in my second week.
41:07You've only been here two weeks.
41:09Oh, you're going to tell me it feels like a lot longer, are you?
41:11Well, you know what?
41:11I choose to take that as a compliment.
41:31I'll be in my office if you need me, bub.
41:33Oh, great.
41:34Yes, me too.
41:37There it is.
41:37I'm going to tell you what I have.
41:40Okay.
42:01I'm going to tell you.
43:08Gov.
43:12DCI Taylor.
43:33Congratulations, sir!
43:36Full confession.
43:37Crime of passion, would you believe it?
43:39Yeah.
43:39They're having an affair for six years.
43:41He chose to end it.
43:42She chose to end him.
43:45Sorry, we do realise that if she hadn't confessed, we'd have nothing.
43:49Like, there was no actual evidence.
43:51Yes, well, fortunately for us, Sergeant Finch, she did.
43:56I'm reliably informed you went slightly unorthodox on this one, DCI Taylor.
44:02Nonetheless, results speak for themselves, so I suppose congratulations are in order.
44:09Thank you very much.
44:15Ma'am.
44:17This here, sir?
44:18Chief Constable Ziegler.
44:19I wasn't aware you were in the station today.
44:21No, it's just a flying visit, although I would like a quick word if you're not too busy.
44:25Yes.
44:25Of course, sir.
44:27Two minutes.
44:34Good to see you.
44:37Settling in okay, are we?
44:38Yes, yes.
44:39Thank you, sir.
44:40Good.
44:41Good.
44:42I'll be in your office.
44:46Right then, another 90 seconds of celebrating, and then on to the paperwork, please.
44:51Let's see if we can get that wrapped up as quickly as the case.
45:01This is something of a new look for you, isn't it, Detective Chief Inspector?
45:05Hmm?
45:07Oh, well, yes.
45:09Thank you for noticing.
45:15Um, ma'am.
45:24Um, well, no, no, no.
45:27But, over here, no, no.
45:32Well, well, my-
45:36Ah.
45:37Oh, my God.
46:20Oh, my God.
46:56I thought you were resting.
46:57My phone charge is not working.
46:59Oh, you need your phone to rest.
47:01Hello.
47:05That was quite the puzzle convention.
47:10I think there's a charger in my studio.
47:13Just care for what you're unplugging.
47:18So, the pens are back.
47:20For easy access.
47:21Yes.
47:21And I'll have you know I've been getting compliments on my attire all day.
47:25What was it you were saying?
47:27Follow me.
47:29What were you saying about a murder?
47:31Oh, that.
47:32Yes, I solved it.
47:35Everyone seemed very pleased.
47:37You solved a murder.
47:40But...
47:42I don't care.
47:43I need to show you something.
47:44I cracked the code on the phone.
47:46It was a significant date.
47:48One only he, and of course you, would never forget.
47:51New Year's Eve 1989.
47:54Oh, the night Dad left.
47:57He'd cleared the calls and texts, and he'd attempted to delete a photo, which I've restored.
48:02I'm not sure that James quite understands how the cloud works.
48:06What cloud?
48:08Yes.
48:09Look at this.
48:12That's nice.
48:14Hmm?
48:15No, not that.
48:15Sorry, I've gone too far back.
48:17Er, not that.
48:19No.
48:20Not that.
48:22No, no, no.
48:23You know we do invite you every year.
48:25You do.
48:26He doesn't.
48:27Would you come if you did?
48:30Oh, here it is.
48:35No clue who this chap is.
48:36That's Chief Constable Ziegler.
48:39Who?
48:40Who's Chief Constable Ziegler?
48:42Someone else at the station you didn't warn me about.
48:44That's who.
48:45Yeah, sorry about that, John.
48:46I may have slightly exaggerated my knowledge of that place.
48:51Well, you wouldn't have gone there otherwise, would you?
48:53No, obviously not.
48:55But since I did...
48:57Oh, you found it.
49:03Looks like a cipher.
49:05Polyalphabetic.
49:05Numbers and symbols substituting for letters.
49:08Most likely a pretty advanced one.
49:10He was obviously using this to take notes about whatever he was investigating.
49:14Notes that nobody else could read.
49:16What does it mean?
49:17I presume it answers every single question we have.
49:21You presume?
49:23Well, I haven't actually been able to solve it.
49:26But you're Ludwig.
49:27I'm sure even Elvis had his off days.
49:30I will solve it.
49:31Just need more data, that's all.
49:33A keyword to search for that might unlock the rest.
49:38Need to find out what he's been doing, what he's been working on, who he's been working with.
49:43I'll start tomorrow.
49:48You're going back in there?
49:50I have to.
49:51It's a puzzle.
49:53Puzzles are meant to be solved.
49:57Oh, Don.
50:04Henry!
50:05Your uncle's going to be staying with us for a few days.
50:16Oh, Henry.
50:24Dad's gone.
50:27Dad's gone.
50:39What's mum reading?
50:55Why is she crying?
50:57It's alright.
50:58I'll talk to her.
50:59Just give us a few minutes, okay?
51:03Okay.
51:07Okay.
51:38Let's go.
52:07Let's go.
55:09John, you are the only person that can do this, just to focus and no more distractions.
55:17That wasn't a distraction, it was a murder.
55:19What if there's another one today?
55:21How often do people get murdered around here?
55:27May I ask what this is all about, detective?
55:30He's completely vanished.
55:32What is it?
55:34What is it I can do to you, gentlemen?
55:35I'm glad to believe that you've been performing miracles recently, D.C.I. Taylor.
55:39I'm certainly keen to witness it.
55:41The puzzle is impossible.
55:44Can we go back down now?
55:45Something is very, very wrong here, and none of them seem able to see it.
55:50What if I can't solve the cipher?
55:52What if I actually can't do any of this?
55:55James is cleverer than me.
55:57James is cleverer than me.
55:57He always has been.
55:58He's always been better than me at everything.
56:01Oh, yeah, I've got one of those as well.
56:05There it is.
56:08Oh, it's got sugar in.
56:09Yeah, there is.
56:11Which, as you know, is exactly how I like it.
56:14I don't think you can leave, can they?
56:17You're all suspects, aren't they?
56:22His disappearance was prepared in advance by him.
56:27I had a feeling about you, Taylor.
56:31I'm really good at this.
56:32Don't you read the paper?
56:40Don't you read the paper?
57:00I had a feeling about you, Taylor.
57:03Yeah, I'd try to read the paper.
57:05Do you read the paper?
57:06I had a feeling about you, Taylor.
57:06Do you read the paper?
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