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Watch PONIES Season 1 Episode 6 online in HD on Dailymotion (2026).
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00:06You
00:07Previously on ponies. I think what I'm doing is important. Your sister
00:11You know about Galina. He killed her. You think she was a prostitute? Looks that way. Who murdered her?
00:19Soviet government KGB. Same organization who employs a man you want me to date?
00:23Where would an important American man go looking for some company and had some money to spend?
00:27Dr. Maria. This one I don't know. Of course I'm gonna be careful. You can trust me.
00:31Twyla can manage things with your grandmother. The best person to have on the ground is someone who's not emotionally
00:36invested.
00:38How did anybody else find out about this mate? I don't know.
00:40B, I don't know what to tell you. It doesn't fucking matter. All that matters is getting my grandmother.
00:45Caterpillar! He helped us! He gave me this!
00:47Sometimes I wonder if all is pretending. I'm gonna forget what's even real.
00:53What? We have a mole. We have a fucking mole.
01:00What about Niagara Falls?
01:02Well, it's predictable. And what is it really? Some water rolling down a hill? A very large hill?
01:09Chris.
01:10What?
01:12Are you afraid of heights?
01:14No.
01:16You know, I grew up in a high-rise. Looking out my window every day never scared the hell out
01:20of me.
01:20Made me want to vomit. Give me the chills.
01:23Where'd it go?
01:24Oh my god! Chris, how did I not know this? You were a pilot!
01:27Yeah, but in a plane, I'm in control.
01:29Wow.
01:31Wow.
01:33Wow, is that... is that Mania?
01:35Oh, yeah.
01:37God, she looks so much like you.
01:39Mm-hmm.
01:40Where is she?
01:41Presklav, I think.
01:42Yeah, she used to vacation there with her best friend in the summer.
01:46She said those were her most cherished memories of her time in Belarus.
01:50Well, maybe we should honeymoon there.
01:52The Soviet Union? No, you really are joking.
01:54Do we really need a honeymoon?
01:57I mean, I'm...
01:58I love being with you anywhere.
02:00I love being with my daughter.
02:01I love being with her.
02:08Even news was aisha.
02:19Bye.
02:19Bye.
02:21Bye.
02:22Bye.
02:22Bye.
02:23Bye.
02:25Bye.
02:38Sigh.
02:47What is this?
02:49You already have to get up with me and then you're dead.
02:53Andra, I'm just tired.
02:55Don't be afraid!
02:59Why did you leave me?
03:01Why did you leave?
03:02Because I heard you.
03:05How can a man talk like a young woman?
03:08Just a man like you!
03:11I have to teach you to work.
03:15You don't know what I did and who I protected.
03:19But now I know what you're a man.
03:51I don't know what you're a man who said.
03:54I love you.
04:07I love you!
04:33Open the door!
04:46Open the door!
05:05So, right here is where Trent found it.
05:07Yeah, just about.
05:09Great.
05:10We need this today with the DCI on his way from the airport.
05:14Yeah, it's a bit abnormal, isn't it?
05:16For the Director of Central Intelligence to fly all the way out to Moscow?
05:19He was only confirmed last month. This is protocol.
05:22But it goes without saying he doesn't need to know our fireplace was bugged.
05:25Oh?
05:29Okay.
05:36Oh.
05:47Has this always been here?
05:53Christ almighty.
05:55I know, they put us in a building designed to be surveilled, but tunnels, that's brazen even for them.
06:01Yep. The Soviets have never been known for their subtlety.
06:07No footsteps. The Soviets didn't use these tunnels to plant the bug. Someone must have come from our side.
06:13Holy smokes.
06:14I want eyes and ears on all Embassy staff. Anything suspicious? I want to know about it.
06:21I'm already doubling my efforts, but I should let you know, I think that the cafeteria workers are compromised.
06:25They don't have access to this level.
06:27Okay, never mind.
06:27I think our man is closer to us.
06:29Or woman.
06:32Whoever the moon is, Ray, I want them found.
06:41Ugh.
06:54Wait.
06:55Uh, Maria?
06:55Uh.
06:57No, thank you.
06:58Maria.
06:59Maria.
07:01Wow.
07:02Uh, you look, uh, different.
07:03I remember me.
07:04I went to your work.
07:06What are you doing here?
07:07I, uh, simply needed a change.
07:09This is work now.
07:11Why?
07:12Uh, did...
07:13Are you okay?
07:14Did something happen?
07:15Nothing.
07:18Everything.
07:19What?
07:21You can...
07:22You can tell me.
07:24I, uh...
07:25I did the job.
07:26I did it well.
07:27I leave.
07:27Uh-huh.
07:28But, uh, next day, uh, the man who hired wanted to meet.
07:31And when I come, I could feel that he was, um, preparing himself to, uh, to make me dead.
07:38Oh, my God.
07:39I was not going to wait and become another dead girl.
07:41That's why I run.
07:43I'm sorry.
07:45Now, here I am.
07:49Wait.
07:50Do you know who the guy is, or...
07:52No?
08:16Did you know about this Chris and Galena tape?
08:20And you didn't think to tell me?
08:22It's not pertinent information.
08:23My husband having an affair with a Soviet, with my assets, murdered sister, and that it
08:28is all on tape, that didn't sound like pertinent information to you?
08:35Well, was this compromat?
08:36Was Chris being blackmailed?
08:37He wasn't being blackmailed.
08:38He wasn't even having an affair.
08:40I'm sorry.
08:41Do you need to watch it again?
08:43You see the part where he cups her breast?
08:44He only did this to prove his loyalty.
08:49Mrs. Grant, your husband pretended to work for the Soviets, at my request.
08:56In order to convince the KGB that he was trustworthy and gain their confidence, he had to give them
09:00something that could ruin his life.
09:03Your reaction proves why this tape was effective.
09:07It proves that I had absolutely no say in my marriage.
09:11He was an exceptional agent.
09:14But this job demands sacrifice.
09:17Most people are not cut out for it.
09:20But the woman who marches into Langley after her husband's death and demands to be sent back to Moscow is
09:26not most people.
09:29But it is past time you decided whether you're going to dedicate yourself fully to this job.
09:34Because half measures in this life will only get you killed.
09:39And committing to this life won't.
10:06And committing to this life won't.
10:07To activate the camera, which you did.
10:10You were in this office last time.
10:11You were in this office in the last time.
10:12And so I wrote it all in detail.
10:16And now I can even turn it off.
10:21I can even turn it off.
10:22I can show you.
10:23Can I show you?
10:37Hello?
10:40Hello?
10:41Hello?
10:42Hello?
10:42What are you doing?
10:44What are you doing?
10:44What are you doing?
10:45What are you doing?
10:46I...
10:47I know, we haven't talked to you with you.
10:50Maybe too long.
10:53But...
10:55Today evening there will be something dangerous.
10:58Listen.
10:59Listen.
10:59Listen.
10:59I don't know what to do.
11:01It's better to go out.
11:01Listen.
11:03Listen.
11:03I know what to do.
11:05We are already not kids.
11:07And I can tell myself about myself.
11:09Like I have already done.
11:11Gala.
11:13Gala.
11:20Gala!
11:21Hello there.
11:21Hello there.
11:24Thanks.
11:25Hi.
11:26They are amazing.
11:28I don't know.
12:03I don't know.
12:07Bea?
12:12Bea?
12:14You okay?
12:15I'm fine.
12:17I mean, I can hear you in there.
12:20You're not... you're not fine.
12:23What do you need?
12:26How long are you going to keep ignoring me?
12:30Is this... is this still about...
12:34Manya?
12:35I mean, that wasn't my fault.
12:37I did everything I could.
12:38It's not about you.
12:40Then what is it about?
12:43I saw something here.
12:48A tape.
12:51Chris with...
12:54with another woman.
12:56They were...
12:58together.
13:00What?
13:01I mean, just if it was for an operation or for this fucking job.
13:07Oh.
13:08Okay.
13:10So then, so it was sex, you know, for the job.
13:14I mean, you know that doesn't count.
13:18My husband slept with another woman.
13:20It counts.
13:21It fucking counts.
13:23You know how this job works.
13:25I mean, sometimes we gotta...
13:27be other people.
13:28You know?
13:29Do things we wouldn't normally do in our life.
13:32And...
13:32I mean, it's just...
13:35sex.
13:35It doesn't have to be a big deal.
13:38I loved my husband.
13:39And he betrayed me.
13:49Um...
13:49B?
13:52Chris didn't betray you.
13:57Tom did.
14:00What are you talking about?
14:02I barely even met him.
14:03What do you mean?
14:05Um...
14:07Tom was the mole.
14:09What?
14:10Vera...
14:10Vera told me.
14:11Right before she died.
14:13She...
14:13I guess Tom was the one that was...
14:15you know,
14:16feeding the information to the Soviets.
14:18So...
14:18Tom...
14:20was the one that...
14:23He's the one who...
14:24got Chris killed.
14:26What?
14:26Yeah.
14:27Well, why...
14:28why...
14:28why didn't you tell me this before?
14:31I was worried it would change things between us.
14:33Well, of course it fucking changes things!
14:35You...
14:36you had information about my life that you kept from me.
14:39I should be able to decide...
14:41I know.
14:42How I feel about my life.
14:44I know.
14:44You should.
14:45I just...
14:46But see, now you're...
14:47now you're mad.
14:48And I'm telling you something about Tom,
14:49and you're blaming me.
14:50Like, it's my fault.
14:51It's not my fault.
14:51Well, because it is your fault, okay?
14:53It is.
14:54Because you had this information,
14:55and you decided to keep it.
14:56Yeah.
14:56And you didn't tell me,
14:57and now you tell me now,
14:58when I'm dealing with all this stuff,
15:00when I'm dealing with fucking fixing things with Andre,
15:04and...
15:04What do you gotta fix with Andre?
15:05I have to seduce him,
15:06which of course for you isn't a big deal,
15:07because sex doesn't matter,
15:08but I still have feelings.
15:14Wow.
15:20Wow.
15:20I'm...
15:21I mean, I'm really trying here,
15:23and you're...
15:23What?
15:24Because I...
15:25I fuck guys,
15:26and I don't let it bother me?
15:27I...
15:27I don't have feelings?
15:29That's what you think of me?
15:31I thought...
15:31I thought you were my friend,
15:33but you're just...
15:34You're just like every other girl I grew up with.
15:36You just love feeling superior
15:38to someone like me.
15:40Right?
15:57Hey.
15:58Oh, thank God.
16:02I thought I was going to die,
16:03and I kept trying to prepare myself
16:06until I realized there is nothing to prepare.
16:08It's...
16:08It's the end.
16:10But...
16:11It turns out I'm...
16:13more valuable.
16:14Alive.
16:15At least for now.
16:18Oh my God.
16:21I did however think that
16:22with all the foreigners in town
16:24for the Elton John concert tomorrow,
16:25and all the cameras they've gathered,
16:27they must be doing an operation
16:28at that hotel tonight.
16:29You're probably right.
16:30I thought you might want to send people there,
16:32see what's going on.
16:33Well, I don't make those kind of decisions,
16:35but that's valuable.
16:44What?
16:45Nothing.
16:45I just...
16:48You had this terrifying encounter,
16:49and you went out of your way
16:50to get me this intel.
16:53When my sister died,
16:54I thought there was no way
16:55I could ever get answers.
16:56Truth isn't something
16:57you have access to here.
17:00For most of my life,
17:01I accepted it.
17:03Doing this,
17:03it has ignited me.
17:05My life may be small,
17:06but in my own way,
17:07I am defiant.
17:12What if the answers you discover
17:14hurt more than not knowing?
17:20It's better than sitting in the dark.
17:31Can I use your apartment tonight?
17:34Yeah.
17:37Dane.
17:38Dane, hi.
17:40I left three messages.
17:41Did your girl not get them to you?
17:42I don't have a girl.
17:43Really?
17:44You should.
17:45I'll get somebody to sign up there.
17:47Listen, I know you might not think
17:48much of us on the sixth floor,
17:50but I know more than you think.
17:51As office manager,
17:52I have a very valuable vantage point.
17:54I know that we are in trouble.
17:55I know about the...
18:00I'm afraid I don't know
18:01what you're referring to.
18:03No.
18:03No, so you don't get to do that,
18:05actually, because that thing
18:05was found on my son.
18:07And I don't take my son lightly.
18:08I take my son very serious.
18:09I'm well aware of that.
18:11First on my list, obviously,
18:11the toilet has back.
18:12She shows absolutely no interest
18:14in being a secretary.
18:15It's almost comical.
18:16At the very least,
18:17I think she should be fired
18:19and investigated.
18:21From what I was told,
18:22she had no income
18:23after her husband's death.
18:24I'm sorry,
18:25I didn't realize the State Department
18:26was a charity.
18:29Well, next, obviously,
18:30is my nanny, Evie.
18:33Dismiss me all you'd like,
18:34but her looks are a walking distraction,
18:36and she shows up out of the blue.
18:38And I've got her snooping
18:39more than once,
18:39and she has the most access to Trent.
18:43And then there's him.
18:46Do you know the chef
18:46sees a shrink once a week?
18:49Mm-hmm.
18:51Answer me this.
18:52Does that look like a man
18:52capable of introspection?
18:58Thanks to Redford,
19:00we know that tonight
19:00at Hotel in Tourist,
19:02the KGB is running
19:03a blackmail operation.
19:05Now, our objective
19:06is to infiltrate
19:07this blackmail operation
19:08by finding one of the hidden cameras
19:10they've planted
19:10throughout the hotel rooms
19:11and replacing one of the KGB tapes
19:14with a tape of our own.
19:16The technology that Redford
19:17has been smuggling out
19:18has allowed us to create
19:19an exact duplicate tape.
19:22The only difference is
19:22that our tape
19:23has a tracking device
19:25hidden in it.
19:26Since Caterpillar was unable
19:28to provide us with the coordinates,
19:29this is going to be
19:31how we figure out
19:31the location
19:32of the Compromat facility.
19:34Right.
19:35Next slide.
19:36Uh, no, that is...
19:37That's...
19:38That's all.
19:38That's it.
19:39That's all the slides.
19:40Two slides.
19:42Raymond.
19:43The rest are still
19:44being developed by the lab,
19:45so...
19:48Okay, so, uh,
19:49how many of these
19:51blackmail videos
19:52have the Soviets collected?
19:53Well, we don't know the exact number,
19:55but we...
19:57suspect...
19:58thousands,
19:59if not more.
20:00There is enough material
20:02in this Compromat facility
20:03to have us under the influence
20:05of Soviets
20:06for decades to come.
20:08So that's probably why
20:09Sveta just showed up
20:10at George's door
20:11because she was trying
20:12to get Compromat on him.
20:13That is exactly
20:14what I was thinking.
20:15Yeah, but then why...
20:16why would they kill her?
20:17I mean, they're not gonna
20:17kill every call girl
20:19that does one of these things.
20:20Whoever is doing this
20:21is doing it for a very
20:22specific reason.
20:23So how do we help?
20:25How do we infiltrate
20:26the operation?
20:28Right.
20:28Ahem.
20:29So, the plan, uh,
20:31that we came up with
20:33is that I will pose
20:33as an easy mark,
20:34and you will be,
20:38or pretend to be,
20:39a...
20:41a...
20:43woman of the night.
20:44A prostitute.
20:49I think I have a better idea.
21:28Because I just got a chance
21:31to get theと思います,
21:31she will rise
21:32in her car.
21:33They will get away
21:33and you have said
21:34that your mother
21:35will get away
21:35from the car.
21:40Andrei.
21:41Oh, my!
21:42My!
21:42My!
21:43My!
21:44My!
21:44My!
21:44My!
21:44My!
21:44Alright, alright, alright, alright.
22:00Yeah, you're a bad artist.
22:04You come to me home?
22:06Sorry, I went for a break.
22:10But you're here.
22:13I shouldn't be talking to you so much.
22:17You just did what you should do.
22:21But listening to that lady,
22:25I remember her beloved grandmother
22:29in my village.
22:49I was here.
22:53I was here.
23:01I was here.
23:03I was here.
23:04I'm here.
23:06It's a gladi, it's vajovino.
23:21Ivana, I didn't know you were coming.
23:23What do you ask me to?
23:25And I don't want to stick to my work.
23:29Right.
23:31So...
23:32Yeah, okay.
23:40So, is this kind of music allowed, or...
23:44It's not popular enough to be a problem.
23:52You really think that what is happening in the hotel is...
23:55is connected to the death of my friends?
23:59I... I think it might. Yeah.
24:02That's why, um...
24:03You know, I could use your help tonight, you know,
24:05if I'm there posing as a prostitute,
24:07then that could attract unwanted attention,
24:09but you, you're... you're known in those circles, so...
24:12But I... I run for a reason.
24:14You want me to put myself in danger again?
24:17I know.
24:18But I'll be there.
24:19Every step of the way.
24:20I... I won't let anything bad happen.
24:22I swear.
24:23You're not just an embassy secretary, are you, Twyla?
24:29You don't actually want me to answer that, do you?
24:38What the hell were you just doing?
24:40Listen.
24:41Answer me.
24:44I was only buying hash.
24:46Here.
24:55Hash.
24:56So this is your therapy?
24:58My marriage is falling apart, right?
25:00It's...
25:00It's the only thing that keeps my mind calm.
25:28It's the only thing that keeps my mind calm.
25:45Alright.
25:47Okay.
25:51Do you see her?
25:55She'll be here.
25:58I promise.
25:59Yeah.
26:00Next.
26:01Good evening.
26:02I'm Mr. Howard's secretary.
26:04We have two rooms booked for the night.
26:06Of course.
26:07Here you go.
26:07Now, I'll tell you what, Audrey.
26:08You cancel my 8.30.
26:10After that shit storm in D.C., I'm gonna need a stiff drink.
26:13Then another one after that.
26:14Of course, sir.
26:15Yes.
26:16Just one moment.
26:19Just a mate.
26:20Okay.
26:25Oh, shit.
26:25It's her.
26:27Yeah.
26:29Her.
26:34Did you know about this?
26:37Not exactly.
26:39No.
26:45You think it's gonna work still?
26:48As long as he's buying it.
26:55Here you are, sir.
26:56You are in our suite.
26:58Floor 4, room 12 and...
26:5912?
27:00Floor 4, room 13.
27:0213, thank you.
27:03Okay.
27:04Oh, yes.
27:04But first, please, allow me to show you to the bar.
27:07Oh.
27:07We have a new American drink on the menu.
27:11Harvey Wallbanger made with the finest Russian vodka.
27:15Oh.
27:15Galiana liquor and fresh orange juice.
27:18I think you will enjoy it.
27:19A small taste of home.
27:20Just so long as it's got alcohol, it's good with me.
27:24Well, we have everything you could want in Russia, including the most beautiful women.
27:29Uh-huh.
27:31Oh.
27:31Oh.
27:33Oh.
27:33Well, uh, thank you.
27:35But, um, not really my, my style.
27:41You know, you might have better luck with her over there.
27:44He prefers the twiggy type, you know.
27:46Just anything to get him out of my hair for the night.
27:48All right.
27:50I gotta get myself to bed.
27:52Don't wake me up before nine.
27:54Ah, of course not.
28:05Bonsoir.
28:07Are you not a sight for sore eyes?
28:11I insist on buying a drink.
28:15How about we go to a room?
28:17More private?
28:19To my room.
28:26This way.
28:27Where are you from?
28:29Paris.
28:30Do you know?
28:30We're going to the sky.
28:32Wait.
28:33Oh.
28:35Can I join the party?
28:38C'est Noël.
28:40Yes.
28:41You want to go to Paris as well?
28:42Sure, yeah.
28:43Yeah?
28:43She can come, huh?
28:44Yeah.
28:55Hi.
28:56May I come in?
29:00No.
29:02No, no.
29:03I love my wife.
29:05Well, let's keep this between us.
29:07No.
29:09Really, really.
29:12No.
29:15Please.
29:17We don't have to do anything.
29:20But if I go back downstairs, say...
29:25Please.
29:32Okay.
29:40I'm surprised you never tried it.
29:42It's much more popular in America, right?
29:44No, it is.
29:45It is.
29:45I was just always too nervous.
29:49I didn't want to get in trouble.
29:51Oh.
29:53It must be the old you.
29:55The one who cared about getting in trouble.
30:03I never used to break any rules.
30:06Just waste this voice in my head telling me I shouldn't.
30:12Yeah.
30:14Could you ever foresee smoking hash with your foreign acid in Moscow while waiting for the KGB agent you're seeing?
30:26No.
30:26No.
30:30No.
30:32No.
30:41I'm...
30:46I also have voices in my head.
30:51This quiets it down a bit.
30:55Sometimes it's like I'm having five conversations in my head at once.
31:01Who I should be.
31:03Who I shouldn't be.
31:06What I should say.
31:08What...
31:10What I should not say.
31:15What language I should be speaking.
31:18Mm-hmm.
31:22Hmm.
31:24It would be nice to quiet that chatter.
31:27Just hear the voice you're speaking.
31:35You okay?
31:38I see, I see.
31:40Okay.
31:40It's all right.
31:43It's fine.
31:44I...
31:44I know...
31:45I know what to do.
31:46If you're willing.
31:47Mm-hmm.
32:07Just try to focus on music.
32:09Nothing else.
32:10That's how you'll escape.
32:13Trust me.
32:15Yeah.
32:16Said it's all right.
32:19I won't forget.
32:21All the times I've waited patiently for you.
32:28And you'll do just what you choose to do.
32:34And I will be alone again tonight.
32:39Ha ha ha.
32:42Cigarettes and drinks.
32:44Yes.
32:44Bienvenue.
32:45Bienvenue chez moi, dans mon royaume.
32:49We must celebrate.
32:51We must celebrate.
32:53Here I am with no wife to report to.
32:56No.
32:57Prime Minister to be happy-minded ban.
33:03And half a bottle of vodka to share.
33:06Yeah.
33:07Mmm.
33:10Qu'est-ce qu'il y'a?
33:11Is there a problem or something?
33:13No, no problem.
33:15Salut.
33:16Salut.
33:18Salut.
33:18Un autre.
33:19Au revoir.
33:22Ah, merci.
33:24Oh, whoa, whoa, whoa, whoa.
33:25Oh, putain.
33:27Putain.
33:28Your music.
33:29Your music is shit.
33:30The food is.
33:33Oopah.
33:34The music is shit and your food, but your girls.
33:39Right, right.
33:40Aren't they just...
33:42Delicious.
33:44Something, yeah.
33:47Yeah.
33:48Right?
33:51Go to the bathroom.
33:53Yeah.
33:55Why don't we get a little comfortable?
33:59Yes?
34:02Okay.
34:04Where are you going?
34:06We will follow.
34:10Why do you still wear clothes?
34:12Mmm.
34:14Je sais pas.
34:15Okay.
34:15I don't know.
34:19I want to shake you.
34:21I want to shake you.
34:23I want to shake you.
34:24Wow.
34:26Here I'll...
34:27Yeah.
34:29Look in the U.S.
34:33Oh, it's a bitch.
34:37Foreigners can never hold Russian vodka.
34:40It was only a matter of time.
34:45So.
34:45So.
34:48What is next?
34:56Well, I mean, we're supposed to look for that camera.
35:04I don't know.
35:05Oh, you're not.
35:07You're waiting for me.
35:09Let's go.
35:11Let's go.
35:14Let's go.
35:19Let's go.
35:20I brought your wine.
35:21Yeah, I understand.
35:23You didn't see my wife?
35:31Is there any information about where the lady is?
35:35Well, why don't you stay here?
35:37Why are you smiling?
35:38The lady has information.
35:40Maybe I can help you.
35:42I can help you.
35:57I can help you.
35:57I can help you.
36:07I can help you.
36:10I can help you.
36:14I can help you.
36:14Yeah, that's what you're doing.
36:15Well, what do you want?
36:19What do you mean?
36:21Oh, that's what you're doing.
36:28Oh, that's what you're doing.
36:30I can't breathe.
36:31I can breathe.
36:32I can breathe.
36:35OK.
36:36OK.
36:37OK.
36:39OK.
36:42We heard the painting.
36:45Turn around.
36:46OK.
36:47Yeah.
36:50Is it there? No.
36:53OK.
36:54Is it in there?
36:59No. OK.
37:01Open the table.
37:02Yeah.
37:03OK.
37:06No. Not there.
37:08Inside the drawer.
37:12Good.
37:13OK.
37:29No.
37:30Am I funny to you?
37:37No.
37:47No.
37:49No.
37:49No.
37:52No.
38:09No.
38:10No.
38:11No.
38:12No.
38:12No.
38:12No.
38:20No.
38:28I'm sorry.
38:30Is it good?
38:32Yes.
38:33In a dark pill,
38:36no.
38:37Yes.
38:37No.
38:43I can't remember the last time, but you knew exactly what I needed.
38:48It's not so hot if you see someone.
38:52You see me.
39:02You have to go.
39:07Will it be okay here with him?
39:10He'll be okay.
39:14I'll imagine someone else.
39:20Just listen to your own voice.
39:24Idu!
39:24Idu!
39:25Idu!
39:26Idu!
39:27Idu!
39:54What are you really?
39:57What did you have to hear?
40:09I missed you.
40:12Did you miss me?
40:13I missed you, didn't you?
40:25Henry.
40:28I missed you.
40:31I missed you.
40:32I missed you.
41:04I'll take the pork chops.
41:06Yes.
41:07Unfortunately, we do not have the pork chops.
41:12Uh, then I'll have the French meat, whatever the hell that is.
41:16Yes.
41:17We are out of that too.
41:19You can't possibly be out of the fish with gelatin, can you?
41:24In fact, the whole third page we do not have.
41:29Why don't you just bring us two of whatever it is you do have.
41:38God, I hate Moscow.
41:40It's a shell of a city.
41:42And to think it's my own men bringing me here.
41:45So, uh, how's the new job, sir?
41:47You want to do small talk?
41:50You know I am here.
41:52And it's because you-
41:53Sir, um, before you continue, I should make you aware of some plain clothed friends.
41:59Behind me, at the bar, over there by the front door.
42:02And, of course, right beside us.
42:09I thought living with my mother-in-law was oppressive.
42:12Sorry, sir, it's just the way they do things here.
42:14They're not subtle of it.
42:23Well, it's a miracle anything gets done here.
42:25It's your choice of agents.
42:26Um, sir-
42:27I mean, it would make sense if they were eye candy,
42:28but you shop at a totally different candy store, so that-
42:31Sir, I'm sorry.
42:31Uh, you shouldn't-
42:38That's like that every day?
42:39Yes.
42:41Sir, I promise you, although our tactics may seem unconventional,
42:46we're on the verge of a major breakthrough-
42:47Unconventional's not gonna cover for you, Mr. Walter.
42:50I mean, what were you thinking?
42:51You hired two unqualified women,
42:54and then you let a grandma wander off.
42:57That was-
42:57It's a goddamn embarrassment.
42:59So if one more thing winds up out of place,
43:01and I'm talking a hairnet on a cafeteria worker in the embassy,
43:05you can kiss not just Moscow,
43:07but the entire company could buy.
43:10Yes, sir.
43:14No.
43:15Um, thanks a lot.
43:36No, one, uh.
43:37No, one, uh.
43:37I don't know.
43:37No, that's a lot of things.
43:38No, I don't know.
43:40No, it's a party-
43:50Who did this to you?
43:56I look better this way.
44:00Better with scars.
44:05We're the same you and Mina did.
44:10When you're born in the provinces like us,
44:12you know how easy it is for life to go to waste.
44:16But there's also an advantage of once being very small.
44:21We're underestimated.
44:24That is our power.
44:27When my husband died, it would have been so easy for me to go home.
44:32I didn't want it.
44:34It felt small.
44:37I wanted a life full of surprises.
44:47And are you surprised to be here right now with me?
44:54Yes.
44:57What's your dream, Andre?
45:08I dream of more.
45:12What are you willing to do, Andre?
45:22The elites.
45:26I have what I need to fuck them.
45:29Leverage.
45:33Every man has secrets.
45:36There's something.
45:38Some piece of knowledge that could ruin every life.
45:43I was never going through it.
45:47Everyone has got a weak spark.
45:52Their secrets, Nadia.
45:57I find it.
46:00And they will give me the world.
46:03They'll never see you come home.
46:11I'll go.
46:17Come on.
46:19Come on.
46:24Come on.
46:26Come on.
46:27Come on.
46:27Come on.
46:28Come on.
46:30Come on.
46:31Come on.
46:36Oh, my God.
47:10Do I scare you?
47:13Because I should.
47:23Was I good?
47:24Oh, yeah, Frenchie, you were great.
47:29C'est bien.
47:33So, the next time that he comes to you and he's apologetic, you're going to look at him in the
47:38eyes and you're going to say...
47:41I will say, no, you have had your chance.
47:45From here on out, you're only thinking of...
47:50Yourself.
47:51Oh, look at you. See, that's a weight. That's a weight off.
47:56Oh...
48:00I'm sorry.
48:00Oh, no, shh, shh, shh. It's okay. It's okay.
48:03Here, why don't I just...
48:04I'm sorry.
48:06I just...
48:08I don't know how to thank you.
48:10Yulia, you have already done more than enough.
48:14Come here.
48:15No.
48:17It's hard to find someone who listens.
48:20Nobody listens to me.
48:22I am listening to you right here, right now.
48:25Thank you so much.
48:26Oh, shh, shh, shh.
48:27Get it all out. There you go.
48:30Yeah. Oh, my goodness.
48:32Here.
48:34There you go.
48:47Well...
48:53Well...
48:58I'm sorry.
49:00We couldn't get more answers from Maria.
49:03Yeah, yeah.
49:04You know, Ray said, uh, we can track the tapes now, so I'm confident maybe that'll help us get more
49:09information.
49:10Or it will lead to nowhere.
49:12Or that, yeah.
49:14Did she say anything about the guy that hired her? Anything that could, you know, help us find him?
49:21Oh, it did not use his real name.
49:23But she said what he looks like.
49:26High cheeks, blonde hair, deep blue eyes.
49:31That look right for you.
49:36Oh, my God.
49:38Oh, my God.
50:11We'll see you, Nadia.
50:26Oh, fuck you, Chris.
51:03Uh, I need an outside line.
51:14I, I, I, I need to see you.
51:27Mr. Ray?
51:30Oh, wow.
51:31You scared me.
51:32I was worried.
51:34You were out so late.
51:35Oh, sorry.
51:37I, I, I get through heating dinner, but...
51:39You did?
51:40I'm so sorry.
51:41Uh, no.
51:42Oh, okay.
51:43Well, thank you.
51:49Okay.
51:50Oh, I'm sorry.
51:51Do you want to, do you want a plate?
51:54We can eat together if you want.
51:55Oh, don't worry.
51:56It's fine.
51:58Yeah?
52:00Okay.
52:00Hi.
52:01Hi.
52:04Okay.
52:07How was your night?
52:11Uh, it was good.
52:13It was really, um, you know, busy.
52:20Hello?
52:31Hey.
52:32Hey.
52:34I have so much to tell you.
52:37Well then, come the fuck in.
52:40Yeah?
52:40She'll leave you crying in the night.
52:44She will leave you crying in the night.
52:49Oh, she's gonna leave you crying in the night.
52:54She's back in town.
52:59And she's looking around.
53:06Say you needed someone to depend on.
53:12You're all alone.
53:15She's the only one.
53:17Ooh, come take you far away.
53:22Take your breath away.
53:26But she'll leave you crying in the night.
53:31She will leave you crying in the night.
53:36Oh, she's gonna leave you crying in the night.
53:41And she's back.
53:42Yeah.
53:47You doesn't have to laugh.
53:50Closed Captioning PS.
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