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Watch PONIES Season 1 Episode 4 online in HD on Dailymotion (2026).
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00:11Transcription by CastingWords
00:30All of them murdered, all of them prostitutes
00:32And you think they are connected?
00:34Some of these were my friends
00:35They're all gone
00:36Not this one, though
00:37This one I don't know
00:39Andre, привет
00:40I need to borrow your place for like an hour, maybe two
00:44Could you just go someplace else?
00:46You're here because you want answers
00:47It's for that reason that it is worth pushing past this fear
00:51To get one step closer to what you really want
01:02When I wake up
01:04In the morning light
01:06I pull on my jeans and I feel alright
01:12I pull my blue jeans on
01:14I pull my old blue jeans on
01:17I pull my blue jeans on
01:20I think these were bad shoes
01:23Yeah, I'm sure it's the shoes
01:26How are you so fast?
01:27State champion in track
01:28I'm surprised
01:29Well, I'm surprising
01:31Wait, what was that?
01:33What's what?
01:34Her
01:36The old lady?
01:37What do you think she wants?
01:39I don't know
01:39Some knitting needles
01:41A little cane
01:41A sweet relief of death
01:42I don't like how she's looking at us
01:45Oh, look at you go
01:47Okay, even with the bad shoes
01:48Wow!
01:51Did you be a loser?
01:56No, she's keeping up
01:58Impressive
02:12I'm called Vera
02:14I'm not KGB
02:15Give the information to your Mr. Dan Walter
02:19The facility has moved
02:21I'll get him the new location
02:32What in the shit?
03:11I can't know
03:13I've been learning
03:13I don't like
03:23so she's not kgp does that mean she works for us no but she is someone useful to know on
03:28both
03:29sides there are things an american officer cannot get in the ussr someone like vera can help
03:34facilitate these things well things like what like poison forged travel papers foreign currency
03:41stolen art airplanes what did she offer you she wouldn't have sent you back here without offering
03:47you something uh she didn't offer us anything she's offering you information the thing you
03:53desperately want and would do anything for you think she's lying people in her line of work do
03:57not get returned customers if they lie but they also know how to tell you things you want to hear
04:01well i mean we want to hear it so how do we get in touch with her check your pockets
04:13oh wow
04:19okay twyla you're up me i get to i get to run this up
04:31what does this even mean
04:33uh well it's pretty clever actually people in vera's line of work they use these symbols to
04:39communicate so there's a man they call caterpillar he works in the kgb compromise facility he's fed us
04:46information through various channels if there's anyone who's going to know where the facility is
04:49all right what's the uh big knife for that's probably pavel the butcher he's vera's contact
04:55see caterpillar is so deep in cover in the kgb system that vera probably doesn't know who he is so
05:01the butcher is going to reach out to caterpillar set up the meeting who's she
05:07that's vera really yeah i mean maybe 20 years ago 20 really okay where am i supposed to meet her
05:15the yaravoy violin factory 1 p.m friday which symbol means that that she wrote on the back
05:20oh
05:22hey um you should know vera knew tom and chris
05:26right yeah you said she could get airplanes you think maybe she knows something about the crash
05:32it's pretty likely yes even if she did know something i mean would she even tell me if you
05:36do everything she tells you to maybe okay why'd dane pick me for this mission well because i told him
05:49to why'd you do that because i know how much you care about the women in moscow that no one
05:54else cares
05:54about that's vera
06:00oh
06:00oh
06:01oh
06:01oh
06:01oh
06:01oh
06:01oh
06:16oh
06:19oh
06:23God
06:26There's no one here, there's no one here.
06:30I know.
06:33You were in a bar then with her.
06:36Yeah.
06:37You know her?
06:39You're in her house.
06:42I'm her friend.
06:44Her friend?
06:48When I asked her who she was, she said no.
06:51No one is.
06:52Ты есть?
06:54Никто.
06:55Она так сказала просто.
06:57Потому что мы поругались с ней.
06:59Поругались.
07:00А за чего?
07:02Из-за ее неверности.
07:18You think you're a guy?
07:20For me, it's just Bukashka.
07:24I can't call her.
07:32Spокойной ночи, Bukashka.
07:58Good morning, I am Evie.
08:04I am your nanny.
08:06I took the night train in from Helsinki.
08:09No, no, you are not the woman that I hired.
08:12The woman I hired had experience, you know, have to, so.
08:18The agency sent me all this way.
08:20It was a 13-hour journey.
08:23I assure you, I have years of experience.
08:26I don't see how that's possible, because you don't have years of anything.
08:30Hello.
08:31Hey, who are you?
08:32She says she's the nanny.
08:33Evie.
08:33Oh!
08:35It's very nice to meet you.
08:36I'm Ray.
08:37This is Cheryl.
08:38Here, let me take your bag.
08:39No, no, no.
08:40We're going to leave the bag, because I'm going to call the agency, because this was a mistake.
08:43Do you want anything to drink?
08:43The coffee's bad.
08:44Tea's even worse.
08:45Why don't I introduce you to Trent?
08:46Trent!
08:47Buddy!
08:47Come in here, I got something for you to meet.
08:49Sir, we're going to get this sorted out soon, so stay close, please.
08:51Don't unpack, and we're not going to unpack, okay?
08:54Just...
08:54One second.
08:56Down a tiny bit?
08:57Is that...
08:58That let go?
08:59That's perfect.
09:00I knew it was a little off.
09:04It's Amalievich.
09:05Are you familiar?
09:06Actually, I am, yeah.
09:08Art history minor.
09:09Hmm?
09:10You sure that's okay?
09:11Yeah, that's great.
09:12Yeah?
09:14Hmm.
09:15Yeah.
09:16One of the perks of this job?
09:19Access to the desperate and formerly rich.
09:22I got this for a song from a high-level Politburo member with a gambling addiction.
09:27Someday it'll be worth millions.
09:30He'll be pretty sour he made that deal.
09:33I have an eye for these things.
09:34When I served in Berlin in the 50s, I bought a Degas.
09:38Really?
09:40Was it stolen Nazi art?
09:43Well, not when I got my hands on it.
09:46I paid for it, which makes it no longer stolen.
09:59I saw the signal in your window.
10:02Andres showed up.
10:03What did you say?
10:05I said that I was your boyfriend.
10:08Oh.
10:09I know it was the first idea I thought of.
10:12I said I knew about your infidelity.
10:14I'm so sorry.
10:15I'm putting you in this position, this risk.
10:17Well, it's already risky, given secrets to the Americans if they catch me.
10:23I know.
10:23I know it's scary and risky, but you have to know that the intelligence that you're bringing
10:30us...
10:30What intelligence am I bringing?
10:32The photos.
10:33And, and, and, uh, the technology.
10:36Uh, you don't know, do you?
10:39If what I do matters, they don't tell you what I'm bringing them today.
10:48I think what I'm doing is important, but you don't have to lie to me for me to help you.
10:54I have to lie to everyone.
10:55I'm Nadia Melnikova, the schoolteacher.
10:57And you are my boyfriend, apparently.
11:03Though you're cheating on me.
11:05Oh, small hiccup in an otherwise very strong relationship.
11:09Okay, so what's our story, hmm?
11:10How did we meet?
11:11You don't remember?
11:13Well, I...
11:14My, my umbrella broke, and I asked if I could walk under yours.
11:17Of course.
11:18I walked seven blocks out of my way to stay near you.
11:20And, and, and I thought I'd never see you again.
11:22And then one day at the market, there you were.
11:25It was fate.
11:30I really am sorry.
11:34Nadia.
11:35Love.
11:38Love means never having to say you're sorry.
11:42Oh my God.
11:45You got a copy of Love Story in Moscow?
11:49Yeah, movie and book.
11:51How did you get a copy of the movie?
11:52My work is with video technology.
11:55It's the technology the Americans want me to steal.
11:58Did, did you know it?
12:03What do I do if it comes back?
12:06What you're doing believes a lie.
12:17I mean, he never had a wife, so that must be his sister.
12:20I mean, she, she kind of looks like him.
12:21If you say so.
12:22Well, no, but you know so.
12:24You know everything.
12:25You know about Twyla's high school track career.
12:27You know, I don't take cream in my coffee.
12:28And you know that our Soviet acid sister was murdered.
12:31I didn't know about the cream.
12:33We were just out of cream.
12:34Why do you want to know more about your agent?
12:37You've already almost gotten him blown by the KGB.
12:39Well, I don't know.
12:40He's putting his life on the line.
12:42I just want to understand why.
12:43I need him to trust me.
12:45He already trusts you.
12:46And you trust him.
12:47Which, by the way, you shouldn't.
12:49Wait, why are we doing this if we don't trust him?
12:52In many ways, you are extremely ill-suited for this job.
12:55But you have your reasons for being here.
12:57As does Redford.
12:58And his reason is his sister.
13:00You think she was a prostitute?
13:02Looks that way.
13:03Who murdered her?
13:05Soviet government.
13:06KGB.
13:07Same organization who employs a man you want me to date.
13:10It's a sensitive undercover operation to infiltrate a high-level KGB agent.
13:14Oh, you know what I mean.
13:15Of course he's dangerous.
13:16Otherwise, we wouldn't want you to spy on him.
13:19How dangerous is he, Andre?
13:23Has he killed a lot of people?
13:27You've looked him through his eyes.
13:30What do you think?
13:51Well, first off, it's Carl, not Curl.
13:55Why don't you go ahead and work off of that one?
13:59Oh, Cheryl.
14:00You did such a great job with that.
14:02Why don't you just take over?
14:03Oh, I did not do that.
14:04Bea did.
14:04So.
14:05No.
14:06Right?
14:07Hey, put that down.
14:08You paint?
14:09Uh, yeah.
14:10Wow.
14:11A woman of many talents.
14:12That involves sitting down.
14:13Sure.
14:17It's time.
14:24Okay.
14:29I thought they would send the other girl.
14:32Why?
14:33She spoke Russian.
14:35Well, uh, you're speaking English and, uh, they sent me.
14:38So, what do you need me to do?
14:42Pavel, the butcher, took a great risk contacting Caterpillar.
14:47For that, he needs money.
14:50One hundred thousand dollars in American currency by tomorrow night.
14:54That's a lot of money.
14:55To the American government, it shouldn't be too difficult.
14:59Okay.
15:00I'll try.
15:00Yeah.
15:01I'll work on it.
15:02I just, you know, we don't keep that kind of cash lying around at the embassy.
15:05And I need a passport.
15:06For who?
15:07Pavel?
15:08Passport is for me.
15:11This is the cost of my help to you.
15:13I can't hide in this country forever.
15:16I want to die free.
15:19Okay.
15:21I'll, uh, I'll get you the passport.
15:23But when I do, you're gonna get your guide, the butcher, to contact Caterpillar and get the location of this
15:29facility for Dane.
15:30Yes.
15:31That's our deal.
15:35I'll get you to the hotel.
15:37But, first of all, I'll get you to the layout of this facility.
15:46I'll get you and see if my wife comes in.
15:47I'll get you.
15:49I'll get you to the hotel.
15:52Who's going to get me?
15:56I'm going to get you to the hotel.
16:02What's going to be?
16:06Can I take you?
16:08I'm sorry, I'm sorry.
16:13I'm sorry, I'm sorry.
16:15I'm sorry.
16:27One minute.
16:32Градок, найдет Садзужка позвонить по телефону?
16:36А... да, конечно.
16:39Сейчас я...
16:39ВЫСТРЕЛ
16:41ВЫСТРЕЛ
16:47НАПРЯЖЕННАЯ МУЗЫКА
16:50НАПРЯЖЕННАЯ МУЗЫКА
16:51НАПРЯЖЕННАЯ МУЗЫКА
17:07НАПРЯЖЕННАЯ МУЗЫКА
17:14Джейсус.
17:15$100,000.
17:17НЕМАРА НЭТ.
17:18НЕМАРА НИТ.
17:19А, КАТЬ ЭТОВАЦАННОВАЮТ!
17:20РАНТЬ ВЕРОЕ, РИЧ?
17:22We have to fill out forms to get thumbtacks.
17:24But she's negotiating, I think, which is a good thing.
17:27We just have to keep her hungry.
17:29Tell her that we can get her a visa to a friendly nation
17:33where the KGB won't kill her.
17:35Get me a visa to America, then.
17:37Get her a visa to America, then.
17:39We can go to Turkey.
17:40How about Greece?
17:41She'll still need an American passport, though.
17:43What about a Greek passport?
17:45American.
17:45I can only do with an American.
17:48Fine.
17:49Is that it?
17:51Is that it?
17:53Pavel still wants the money.
17:55I can get you something extremely valuable
17:57that you can sell for a large amount of cash.
18:00More than a hundred grand, even.
18:01What is that?
18:03I'll tell you tonight.
18:04If you're not satisfied, we'll call the whole operation off.
18:07You'll call the whole operation off?
18:09What were you planning on giving her?
18:10I don't know.
18:11I was just trying to buy us time, okay?
18:12Think with me.
18:13You need this, I need this.
18:14What about your car?
18:15I'm sure she'd love a car.
18:16I don't own a car.
18:17I drive a West German sedan owned by the embassy.
18:19Right.
18:20What about watches?
18:21You got a Rolex or something?
18:22No.
18:23Okay.
18:25Okay.
18:25Just, uh, just let me think.
18:28Let me, uh, let me think.
18:33He's trying to screw with your head.
18:35Yeah, that's working.
18:37My head is screwed.
18:39He must have sent the man who robbed me.
18:43Whoever robbed me didn't find this.
18:51Although he could have, and that would have been the end for me.
18:54So this is the last thing I'll steal.
18:55I'm sorry I can't do this anymore.
18:58They're gonna torture me.
19:00They're gonna make me wish I was dead.
19:02They're going to let me live just enough so I feel pain every hour of my life.
19:05I feel fear I've never felt before.
19:06Do you understand what is at stake for me?
19:08I'm sorry.
19:09I'm sorry.
19:10I don't think I can still do this for you.
19:16You and I both know you're not doing this for me.
19:21Your sister.
19:24They killed her.
19:26You know, but Galina.
19:29You know they killed her.
19:31The KGB.
19:33I do know they killed a lot of women.
19:39A man.
19:41KGB.
19:42He came to me one night after she died.
19:45He said that there were some KGB agents who were murdering prostitutes.
19:52And Galina was one of them.
19:56I didn't know.
19:59We came from Kiev to Moscow when we were 13.
20:03She was my only friend.
20:05She was so excited to be here.
20:08But then they killed her.
20:11This country.
20:14Our country.
20:17Police believe me when I say I understand.
20:23If you walk away.
20:27No one in this world will ever fight for her again.
20:41I need something.
20:42Anything.
20:45I need to know that if they're going to torture me, there's another option.
20:50We thought about this.
20:51I need an L pill.
20:52I don't know what that is.
20:53A lethal pill?
20:54A cyanide pill?
20:55I don't understand.
20:56Why do you want a cyanide pill?
20:57So I could bite down on it if they come from me?
21:01I'm not going to give you a pill so you can kill yourself.
21:05I don't want you to die.
21:08I don't want to die either.
21:13I will only take it if there is no other option.
21:17I will continue helping you with please.
21:21Understand there are some things worse than death.
21:40So what the fuck happened?
21:42Well, I fucked up, is what happened.
21:44He almost quit and I think he still might.
21:46Oh, and fuck, Andre knows about him and he thinks that he's my boyfriend that I'm cheating on.
21:50Well, we can work with that.
21:51What?
21:51He just likes knowing someone else is fucking you.
21:54I think the KGB sent a goon to beat him up.
21:56Well, is he okay?
21:57No, he's not okay.
21:58He wants me to get him an L pill.
22:00And there is no way that Dane is going to give me a pill that's going to kill our asset.
22:04I think I can get you one of those.
22:05Really?
22:06Well, from who?
22:08How?
22:09Vera.
22:10Poison.
22:10It's one of the things she can procure.
22:12So she would just give it to you or?
22:14Maybe.
22:14If I can sweeten the deal, we're in the middle of a negotiation.
22:18Actually, you know when you were making fun of Alan for his stupid painting earlier?
22:22Yeah.
22:22Could I borrow it?
22:24What do you mean borrow it?
22:26Steal it?
22:27What?
22:27Yeah.
22:28Would you mind just, uh, breaking into his office really quick and just stealing it from
22:32me?
22:33What the fuck?
22:34Please?
22:59I think about this every single day.
23:03I think about this.
23:04You're all joking.
23:06Yes.
23:06Oh, come on.
23:07Okay.
23:08Come on.
23:08Come on.
23:11Please?
23:12Yes.
23:13You're fat.
23:14Oh, okay.
23:15Ah.
23:16Oh, I'm sorry.
23:18You're okay?
23:19Okay.
23:20You're okay.
23:21You're okay.
23:21Woo.
23:22Ah, ah.
23:24Ah.
23:24Oh, you're so big.
23:31she's perfect really amazing job truly
23:43oh it's so not it's awful it's fine no but nobody's gonna notice these things alan will notice
23:48he looks at this painting all the time we didn't notice when you stole it in the first place yeah
23:53that's because he was busy having sex with lily shep's wife yeah wow i mean i get it i mean
24:03if you
24:03had to fuck shep you know but alan i know why did you do the head just like i don't
24:09know
24:09no no don't worry don't think about it don't think about it i tried okay
24:44пересчитай
24:50There's a newspaper.
25:15And the tape got out.
25:17That's a lie.
25:18You're over your skis, Vasilyev.
25:21You act like you run things, but we both know you're just mid-level KGB.
25:27I don't negotiate down.
25:29Come back when we can talk like equals.
25:31I may not run an embassy, but you won't either.
25:35I will send an anonymous dispatch to CIA at the head of Moscow Station.
25:41Oh.
25:42As a ferry.
25:44Tell whoever you like.
25:46My mother's dead.
25:47I don't have a priest.
25:49I don't have a wife anymore.
25:52Washington already knows.
25:53I mean, how'd you think I ended up in Moscow?
25:57The worst assignment in the whole of the fucking CIA.
26:00If this item you claim to have is a tape of me fucking other men,
26:05then you really don't have it.
26:08I'll see you around.
26:14Wait, wait, wait, wait.
26:14You stole this?
26:16No, no, of course not.
26:17No.
26:18Me stole it.
26:19Are you kidding?
26:20Look, how else was I supposed to find someone worth a hundred grand?
26:23Okay?
26:23Your life's not even worth that.
26:24Oh, you're too kind.
26:26Look, you're the one that said to give Vera everything she wants if I want answers.
26:29So that's what I'm doing.
26:30Come on.
26:30You're assuming that Pavel is going to accept this as a payment?
26:33Yeah, he will.
26:35I can convince anyone anything.
26:40What does that mean?
26:42He wants to know what the painting means.
26:44Okay.
26:46I don't know what it means, but I do know that it is worth a lot of money.
26:51You know, it's one of the big main guy at the embassies.
26:54It's his, and he's a big art collector, so tell him that.
27:09Tell him a little something, sell it a little more.
27:13What do you mean?
27:15What do you think it's about?
27:26What is the meaning of this painting?
27:30I think it's about feeling like you're part of the world and other times like you're not.
27:37You feel like you're part of the universe, but on the other hand, the other way, the other way, the
27:43other way.
27:45There is something there.
28:14Then he will set the meat with Caterpillar.
28:22You owe me a passport.
28:24I know, yeah.
28:26Wait, wait, actually, I hate to ask you for another favor,
28:30but do you have a suicide pill?
28:33You know, one of the L-pills, the thing you bite down on
28:35and you die in two seconds?
28:37Why?
28:38It's not for me, but I'm in the middle of another negotiation.
28:41I don't have any more paintings to steal, but I do need one.
28:45I have one of those.
28:47Really?
28:48Wow.
28:49Just get me a passport.
29:10Here it is.
29:14So, that's me now.
29:18Pamela Wilson.
29:19Yep, that's you.
29:21From Illinois.
29:23Close enough, yeah.
29:26And here is the pill.
29:28Oh, what are you doing?
29:30Oh, my God.
29:34Okay.
29:35Wow.
29:37Uh, you don't need it?
29:39I did once.
29:40Now I've since learned it's only a fool who thinks they can control death.
29:45Death takes you whenever it wants.
29:48I kinda wanna bite it.
29:49You ever just wanna bite it?
29:50No.
29:54I got you everything you wanted.
29:57Could you, uh...
29:58Could you tell me what really happened to them, to Tom and Chris?
30:01It was the compromise facility.
30:06They were looking for it when they were killed.
30:10Caterpillar is giving us the new coordinates.
30:14But was there ever really a crash, or...?
30:19There was a plane.
30:21Not a crash.
30:24Fucking hell, Tom.
30:25Give me a break.
30:26I'm landing blind.
30:36Think anyone was close enough to Arrow's command?
30:39We are still ten kilometers from the coordinates you broadcast to me.
30:44Well, we better start walking.
30:46If Caterpillar even gave you the right fucking coordinates.
30:50Stay here.
30:50We'll be fast.
30:52It's Christmas Eve.
30:54The wives are expecting us.
31:05There were soldiers waiting for us when we landed.
31:09I watched them die.
31:11I escaped before the soldiers got to the plane.
31:15Wow, so there were soldiers, though?
31:17They were waiting for you?
31:18They knew you were coming?
31:19Somebody told them.
31:21Who?
31:22Who would tell the Russians?
31:23Your husband.
31:25He was feeding the information to the Soviets.
31:27What?
31:28Your husband was a mole.
31:31I mean, are you sure?
31:34He was a lot of things, but, I mean, working with the Soviets?
31:38I mean, how do you know?
31:39How do you know this?
31:40For this information, I need something else.
31:46What?
31:48No.
31:50No, no.
31:51You're gonna tell me.
31:52Look, I gave...
31:53They're so...
31:57Oh!
31:58Oh!
32:00Oh!
32:01God...
32:02Oh!
32:05Oh!
32:07Oh!
32:14You're going to get that fire!
32:20Oh!
32:25yeah yeah that's good it's kind of good oh my god you almost gave me a heart attack
32:31twilight let's get out let's get out let's get out let's get out uh something um yeah uh what
32:37wait wait wait why are you wet vera fell into the river oh jesus christ well you gotta be careful
32:45she's an old woman no no no she fell in the river and she died what yeah i don't know
32:50i don't know
32:51the bridge she was she was standing just a bridge crumbled and then she fell well you just left
32:54her there yes what was i supposed to do drag her body through the streets of moscow what are you
33:00shit this is bad yeah it's bad yeah but um but you know you know it's not all that bad
33:05because i
33:05already got the uh the painting to the butcher so he's gonna set the meeting and you know we're
33:09gonna get that location for dane still so oh god that's good yeah that's good before vera died did
33:14she did she say anything you know you know that might be relevant for us actually uh
33:25yeah she uh she said she was there when tom and chris died she said that
33:36yeah she saw them die that's what she said and he believed her okay
33:54oh god oh i'm sorry this is so stupid no i don't know i thought maybe there was a chance
34:04maybe they were still alive yeah that doesn't make any sense it's just i don't know it
34:11i got it because there were no witnesses that maybe maybe this wasn't real but oh god it is
34:33i don't know if this is helping just uh let me know if you want me to stop okay
34:54sorry i just i just miss him
35:00okay um did she just say anything else
35:08no no no nothing else
35:13okay yeah
35:17we should probably let someone know that our asset is dead dead yeah
35:22okay okay
35:35i uh i didn't push her if that's what you're thinking no i wasn't thinking that yeah because
35:40because it was an accident so if anyone you know were to find her it would uh it would look
35:43like one
35:43right right if the russians find the body they can come to whatever conclusions they want
35:50jesus okay i gotta get ready for the show but could i get the passport that we made vera so
35:56i can destroy
35:57it the passport yes please i don't have it where is it
36:06she has it because i gave it to her if an american passport is found on the body that ties
36:11us in
36:11to all of this okay this is a big fucking problem and we have very little time i'm gonna need
36:15you to
36:16act quickly okay so uh so how are we gonna do this uh i i guess we just uh walk
36:34out there and uh and and reach in her pockets and get the passport yeah okay okay so so so
36:41do that what what about you what are you gonna do well i'm gonna i'm gonna look out
36:45this is your operation so this is your operation so you know i should probably just right yeah okay yeah
36:50okay yeah okay
36:58yeah
36:59yeah
37:00yeah
37:01oh
37:03okay
37:05just checking in her coat
37:10okay
37:12okay
37:12okay
37:13do we take this with us or uh
37:15i i i think so
37:16can i toss it to you no no no don't don't throw a gun at me even if it's been
37:21underwater you can just come over hand it to me
37:23yeah yeah
37:27all right good job okay don't touch that no no i'm not gonna okay touch it at all
37:31okay
37:33okay
37:33okay
37:33okay yeah i think i feel it
37:36oh thank god
37:37yeah
37:37okay let's go
37:39yeah i got it
37:39found a
37:40found a knife too
37:43okay
37:43yeah
37:47i hate to say this cause i uh
37:51i really do want to get out of here but
37:54she's kind of just exposed you know
37:58i mean
37:59maybe we should just
38:02ray kind of said
38:03you know if the passport wasn't on her then
38:06sort of
38:06doesn't matter
38:08that's fucked up
38:11it matters
38:13yeah
38:13i mean maybe not to the russians but it should
38:15it should still matter
38:18i mean look at her she's
38:21she's just gonna rot here i mean
38:23no one's gonna move her no
38:24no one cares about her she should
38:28she was completely alone
38:32she just lived this life and uh
38:35did all this wild shit and now
38:41now she's dead and
38:44no one's gonna even remember she existed
38:52that's really sad
39:01tell me if you want me to stop
39:05no
39:14you have to promise me
39:16only if it's absolutely necessary
39:19i know
39:21there's this russian saying you may know it
39:23she's
39:24she's
39:24and
39:24what's this for
39:32there instructions inside for something that we need if
39:35you're still willing to do that
39:43thank you for trusting me
39:45you know i'm doing this for my sister
39:49why are you doing this
39:52my husband
39:54i don't know if you knew i was married
39:56you almost said you had a husband
39:58i
40:00don't anymore
40:03he was killed
40:06does that make me not married now
40:09he
40:09feels
40:10so
40:11far away
40:12you know my sister we
40:14we were twins
40:16am i still a twin if there's no other twin
40:21maybe
40:21or we're both something in between of
40:23who we were with them and who we are without them
40:27hmm
40:34yeah
40:36goodnight
40:38take care
41:02how are you
41:03it's
41:03they
41:03you
41:03he
41:03yeah
41:04yeah
41:18yeah
41:19yeah
41:30Jerry?
41:31You may call me Mrs. Zemanski.
41:33Oh, Mrs. She's...
41:35She's a smog... monkey.
41:37I was wondering
41:38if it would be okay
41:41if I came to the performance tonight.
41:43Absolutely not.
41:46Who would look after Trent?
41:47Oh, I would bring him.
41:50He's been talking all day
41:52about watching his father sing.
41:54He has to go to bed.
41:57Where have you been?
42:00I just... I need the...
42:02Of course.
42:17I have to go to bed.
42:22I need the best time.
42:25I need to go to bed.
42:27I need it.
42:33I need the best time.
42:39Go to bed.
42:41And we're going to bed.
42:42I need the best time.
42:43I need the best time.
42:45It's a nice day.
42:45You're all in bed.
42:46I need the best time.
42:50Wow, well then Cheryl, huh?
42:56Twyla, if you don't cheer really, really loud when I sing my song, you are fired.
43:01Well, in that case...
43:02I really should be singing more songs, though.
43:04You know, people say that I really, I own the stage.
43:07Did you ever think maybe the problem isn't your voice?
43:11Bea.
43:12Yeah, yeah, yeah.
43:14Hi, Alan.
43:14You mind coming up to my office? I need to talk to you.
43:18Of course. But, you know, the show's about to start.
43:21I'll have you back in time.
43:26I was wrong about you, Bea.
43:34When I first met you, I thought you were just another secretary.
43:39But it turns out you're a compassionate person.
43:44That's why I'm letting you in on a secret.
43:46Gretchen and I are having some problems.
43:49Oh, Alan.
43:50I'm going to be sleeping in the office for a while.
43:52I'm letting you in on that so that you can help me keep that, you know, discreet.
43:56Of course.
43:58On the bright side, the couch in here is very comfortable.
44:02Yeah.
44:02And, and, and, and there's nothing like sleeping in front of truly fine art.
44:10That I would give everything I own.
44:17I give up my life, my heart, my home.
44:23Yeah, I would give everything I own.
44:29Everything okay?
44:30For now.
44:32I'm going to go.
44:33Once again.
44:36Yeah.
44:37Just a touch.
44:40Once again.
44:41Once again.
44:41It's pretty good.
44:42Yeah.
44:46Wow.
44:47Woo.
44:47Okay.
44:48Woo.
44:49Wow.
44:49Woo.
44:50Wow.
44:51Wow.
44:54Wow.
44:59Um, for this song, I would like to invite up the newest member of our embassy family,
45:04straight from Helsinki, with a great set of pipes.
45:07It's Evie!
45:08Come on, Evie!
45:09Everybody give a round of applause.
45:11Come on, Evie.
45:11Come on, Frank.
45:12Let's go, Frank.
45:14It'll be okay.
45:14No.
45:15Okay, ready?
45:16Five, six, five, six, seven, eight.
45:20Don't break in my heart.
45:23I couldn't if I tried.
45:27Oh, honey, if I get restless.
45:31We should dance.
45:32I thought you'd never ask.
45:37Ooh, but nobody knows it.
45:42But when I was down, I was your pound.
45:46Ooh, but nobody knows it.
45:51Nobody knows the world.
45:53Say you're right from the start.
45:55I gave you my heart.
45:57Oh, oh, oh.
45:59I gave you my heart.
46:05Oh!
46:07Sorry.
46:10Why didn't you ask me to do a duet?
46:14Because I didn't know you wanted to sing.
46:18Every time I put on music in the apartment,
46:20you tell me it gives you a headache.
46:21Yeah, well, I don't like music, per se,
46:23but I might if you asked.
46:26Hey, hey.
46:30Next time, I will ask.
46:32Yeah.
46:32Yeah.
46:33Yeah.
46:33Trent?
46:34Okay.
46:35Okay.
46:36Trent?
46:38Trent?
46:38Okay.
46:40See, she cannot control him.
46:42No, he's fine.
46:44Trent?
46:46There are you.
46:50Come on, Trent.
46:55Trent!
46:57Come here.
46:59Careful.
47:04When were you planning on telling me
47:06that Vera is dead?
47:10Now?
47:14Well, fuck.
47:20Uh, where are you going?
47:23To bed.
47:25We tried.
47:26Not every mission is a success.
47:28No, no.
47:30No.
47:31I mean, this was a successful mission, though.
47:36I mean, come on.
47:37I did all the stuff I was supposed to do, you know?
47:39Vera wanted to pay the butcher.
47:41He's paid, okay?
47:43And so he's setting the meeting with Caterpillar,
47:45and he's going to get you the coordinates
47:46for the facility you want,
47:48the facility that Tom and Chris were looking for
47:50when they died.
47:50And he's their contact, by the way,
47:52so he's going to know what happened to them.
47:54Caterpillar is key to finding out what happened.
47:57We're really close here.
47:57And yet the person he was expecting to meet is dead.
48:01Wait, no.
48:03Caterpillar's never met Vera.
48:05Ray, right?
48:06That's what you said?
48:07He's never seen her.
48:08He doesn't know what she looks like.
48:09He just knows her based off her reputation.
48:11So let's just find a different old Russian woman
48:13and throw her into this meeting.
48:14I mean, he would never know the difference.
48:16I could do it.
48:17I could...
48:17You don't speak Russian.
48:19She does?
48:21Just...
48:21Just put up a bushconer and...
48:23I could get the wig master.
48:24He got a wig master?
48:25This is a life and death situation,
48:28not a high school production of Bye Bye Birdie.
48:31Caterpillar will see this woman up close.
48:33So she has to be Vera's age, Vera's profile, Russian,
48:37but on our side,
48:38which means we have to already know her
48:39and she has to already know us.
48:41So unless any of you have another elderly Russian woman
48:44who you'd trust with your life...
48:51I do.
48:55All over the world,
48:56little guys are standing up to tyrants,
48:58but not me.
48:59Well, I hate violence.
49:01In fact, my father always told us in his sermons,
49:03he who lives by the soul...
49:05You are the woman that I've always dreamed of.
49:09I knew it from the start.
49:13I saw your face and that's the last I've seen.
49:16of my heart.
49:20It's not so much the things you say to me.
49:24It's not the things you do.
49:28It's how I feel each time you're close to me
49:32that keeps me close to you.
49:38You are the woman that I've always dreamed of.
49:43I knew it from the start.
49:46I saw your face and that's the last I've seen.
49:50of my heart.
49:55I saw your face and that's the last I've seen.
49:58of my heart.
50:00I saw your face and that's the last I've seen.
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