- 8 minutes ago
Ponies - Season 1 - Episode 06: Night Moves
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TVTranscript
00:06You
00:07Previously on ponies. I think what I'm doing is important. Your sister
00:11You know about Galina. He killed her. You think she was a prostitute? Looks that way
00:17Who murdered her?
00:19Soviet government KGB. Same organization who employs a man you want me to date?
00:23Where would an important American man go looking for some company and had some money to spend?
00:27Dr. Maria. This one I don't know.
00:29Of course I'm gonna be careful. You can trust me.
00:31Twyla can manage things with your grandmother. The best person to have on the ground is someone who's not emotionally
00:36invested.
00:38How did anybody else find out about this mate?
00:40I don't know.
00:40B, I don't know what to tell you.
00:42It doesn't fucking matter. All that matters is getting my grandmother.
00:44Caterpillar! He helped us! He gave me this!
00:47Sometimes I wonder if all is pretending. I'm gonna forget what's even real.
00:53What?
00:53We have a mole. We have a fucking mole.
01:00What about Niagara Falls?
01:02It's predictable. And what is it really? Some water rolling down a hill? A very large hill?
01:09Chris.
01:10What?
01:12Are you afraid of heights?
01:14No.
01:16You know, I grew up in a high rise. Looking out my window every day. Never scared the hell out
01:20of me. Made me want to vomit. Give me the chills. Where'd it go?
01:24Oh my god! Chris, how did I not know this? You were a pilot!
01:27Yeah, but in a plane, I'm in control.
01:29Wow.
01:31Wow.
01:33Wow.
01:33Wow, is that... is that Manya?
01:35Oh, yeah.
01:37God, she looks so much like you.
01:39Mm-hmm.
01:40Where is she?
01:41Presklav, I think.
01:42Yeah, she used to vacation there with her best friend in the summer.
01:46She said those were her most cherished memories of her time in Belarus.
01:50Well, maybe we should honeymoon there.
01:52The Soviet Union? No, you really are joking.
01:54Do we really need a honeymoon?
01:57I mean, I'm...
01:58I love being with you anywhere.
02:19Let's go, who live in a fantasy world?
02:49First you have to go with me, then you're going to die.
02:53Andra, I'm just tired.
02:55Shut up!
02:59Why did you leave me?
03:01Why did you leave me?
03:02Because I heard you.
03:05How can a man talk like a young woman?
03:08Just a man like you.
03:11I have to teach me to work.
03:15You don't know what I did and who I do.
03:19But now I know what you're a person.
03:22What did you do?
03:24I'm not a person.
03:29What did you do?
03:34I'm not a person.
03:35What did you do?
03:38You didn't need to take care of yourself?
03:39I'm not a person.
03:40I'm not a person.
03:42What did you do?
04:45Open it!
04:56Go and shoot them.
05:05so right here is where trent found it yeah just about great we need this today with the dci on
05:13his way from the airport yeah it's a bit abnormal isn't it for the director of central intelligence
05:17to fly all the way out to moscow he was only confirmed last month this is protocol but it
05:22goes without saying he doesn't need to know our fireplace was bugged oh okay
05:47has this always been here
05:53christ almighty i know they put us in a building designed to be surveilled but tunnels that's
05:59brazen even for them yeah soviets have never been known for their subtlety
06:07no footsteps the soviets didn't use these tunnels to plant the building someone must have come from
06:13our side holy smokes i want eyes and ears on all embassy staff anything suspicious i want to know
06:20about it i'm already doubling my efforts but i should let you know i think that the cafeteria
06:23workers are compromised they don't have access to this level okay never mind i think our man is
06:28closer to us or woman whoever the mole is ray i want them found
06:40uh
06:41oh
06:53wait uh maria uh no thank you maria maria wow uh you look uh different i've been a lot of
07:03uh remember me i i went to your work what are you doing here i uh simply you needed a
07:08change
07:09this is work now why uh did are you okay did something happen nothing
07:19everything what you can you can tell me i did the job i did it well i leave
07:27uh-huh but the next day the the man who hired wanted to meet and when i come i could
07:32feel that he
07:33was um preparing himself to to make me dead oh my god i was not going to wait and become
07:40another bad girl
07:41so i run i'm sorry now here i am
07:49wait do you know who the guy is or no
08:16did you know about this chris and galena tape
08:20and you didn't think to tell me it's not pertinent information my husband having an
08:24affair with a soviet with my assets murdered sister and that it is all on tape that didn't
08:30sound like pertinent information to you
08:35was this compromat was chris being blackmailed he wasn't being blackmailed he wasn't even having
08:39an affair i'm sorry do you need to watch it again you see the part where he cups her breast
08:44he only
08:45did this to prove his loyalty mrs grant your husband pretended to work for the soviets at my
08:55request in order to convince the kgb that he was trustworthy and gain their confidence he had to give them
09:00something that could ruin his life your reaction proves why this tape was effective it proves that i
09:08had absolutely no say in my marriage he was an exceptional agent but this job demands sacrifice
09:17most people are not cut out for it but the woman who marches into langley after her husband's death
09:23and demands to be sent back to moscow is not most people but it is past time you decided whether
09:32you're
09:32going to dedicate yourself fully to this job because half measures in this life will only get you killed
09:39and committing to this life won't
10:06and committing to this, that he can do it
10:10where
10:10where
10:11where
10:11where
10:11in the past, and so I wrote it all in detail.
10:16And now I can't even put them in.
10:21I'll show you, can I?
10:38Hello?
10:42What are you doing?
10:44What are you doing?
10:45I know, we haven't talked about you.
10:49Maybe it's too long.
10:54But today's evening, it's always dangerous.
10:58Listen, I don't know what to do, but it's better to go out.
11:02I know what to do.
11:05We've already been children.
11:07I can myself talk about myself, as I've already done.
11:11Hello?
11:12Hello?
11:20Hello?
11:24Hello?
11:26Hello?
11:29Hello?
11:30Hello?
11:35Hello?
11:37What's this today, Doug?
11:38Hello?
11:38Oh, thank you.
11:42What do you want me to take about it?
11:52I'm ...
11:53...no.
11:53Right here?
11:54Okay?
12:08Bea?
12:12Bea?
12:14You okay?
12:15I'm fine.
12:17I mean, I...
12:18I can hear you in there. You're not...
12:20You're not fine.
12:23What do you need?
12:25How long are you going to keep ignoring me?
12:30Is this...
12:31Is this still...
12:33About...
12:34Manya?
12:35I mean, I...
12:36That wasn't my fault. I did everything I could.
12:38Please, it's not about you.
12:40Then what is it about?
12:44I saw something here.
12:49A tape.
12:51Of Chris.
12:52With...
12:54With another woman.
12:56They were...
12:58Together.
13:00What?
13:01It was just for an operation or...
13:04For this fucking job.
13:07Oh.
13:07Okay.
13:10So then, so it was sex, you know, for...
13:13The job.
13:14I mean...
13:15You know that doesn't count.
13:18My husband slept with another woman. It counts.
13:21It fucking counts.
13:23You know how this job works.
13:25I mean, sometimes we gotta...
13:27Be other people. You know?
13:28Do things we wouldn't...
13:30Normally do in our life.
13:32And...
13:32I mean, it's just...
13:34Sex. It doesn't have to...
13:36Be a big deal.
13:38I loved my husband.
13:39And he betrayed me.
13:48Um...
13:52Chris didn't betray you.
13:57Tom did.
14:00What are you talking about?
14:02I barely even met him.
14:03What do you mean?
14:07Um...
14:07Tom was the mole.
14:09What?
14:10Vera told me.
14:11Right before she died today.
14:13I guess Tom was the one that was...
14:15You know, feeding the information to the Soviets.
14:17It's...
14:18Tom...
14:20Was the one that...
14:23He's the one who got Chris killed.
14:26What?
14:26Yeah.
14:27Well, why...
14:27Why didn't you tell me this before?
14:31I was worried it would change things between us.
14:33Well, of course it fucking changes things.
14:36You...
14:36You had information about my life that you kept from me.
14:39I should be able to decide how I feel about my life.
14:44I know.
14:44You should.
14:45I just...
14:46But see, now you're...
14:47Now you're mad.
14:48And I'm telling you something about Tom.
14:49And you're blaming me.
14:50Like it's my fault.
14:51It's not my fault.
14:51Well, because it is your fault.
14:52Okay?
14:53It is.
14:53Because you had this information and you decided to keep it.
14:56Yeah.
14:56And you didn't tell me.
14:57And now you tell me now when I'm dealing with all this stuff.
15:00When I'm dealing with fucking fixing things with Andre.
15:03And...
15:04What do you...
15:04What do you gotta fix with Andre?
15:05I have to seduce him.
15:06Which of course for you isn't a big deal.
15:07Because sex doesn't matter.
15:08But I still have feelings.
15:14Wow.
15:21I mean, I'm really trying here.
15:23And you're...
15:23What?
15:24Because I fuck guys and I don't let it bother me?
15:27I don't have feelings?
15:29That's what you think of me?
15:31I thought...
15:31I thought you were my friend, but you're just...
15:34You're just like every other girl I grew up with.
15:36You just love feeling superior to someone like me.
15:40Right?
15:57Hey.
15:58Oh, thank God.
16:02I thought I was going to die.
16:03And...
16:04And I kept trying to prepare myself until I realized there is nothing to prepare.
16:08It's...
16:08It's the end.
16:10But...
16:11It turns out I'm...
16:13More valuable.
16:14Alive.
16:15At least for now.
16:18Oh my God.
16:21I did however think that with all the foreigners in town for the Elton John concert tomorrow
16:25and all the cameras they've gathered, they must be doing an operation at that hotel tonight.
16:29You're probably right.
16:29I thought you might want to send people there, see what's going on.
16:33Well, I don't make those kind of decisions, but that's valuable.
16:44What?
16:45Nothing.
16:45I just...
16:47You had this terrifying encounter and you went out of your way to get me this intel.
16:53When my sister died, I thought there was no way I could ever get answers.
16:56Truth isn't something you have access to here.
16:59For most of my life, I accepted it.
17:03Doing this, it has ignited me.
17:05My life may be small, but in my own way I am defiant.
17:12For what if the answers you discover hurt more than not knowing?
17:20It's better than sitting in the dark.
17:31Can I use your apartment tonight?
17:34Yeah.
17:37Dane.
17:38Dane!
17:39Hi!
17:40I left three messages.
17:41Did your girl not get them to you?
17:42I don't have a girl.
17:43Really?
17:44You should.
17:45I'll get somebody to sign up there.
17:47Listen, I know you might not think much of us on the sixth floor, but I know more than you
17:50think.
17:51As office manager, I have a very valuable vantage point.
17:54I know that we are in trouble.
17:55I know about the...
18:00I'm afraid I don't know what you're referring to.
18:03No.
18:03No, so you don't get to do that actually because that thing was found on my son.
18:07And I don't take my son lightly.
18:08I take my son very serious.
18:10I'm well aware of that.
18:10First on my list, obviously, the toilet has back.
18:12She shows absolutely no interest in being a secretary.
18:15It's almost comical.
18:16At the very least, I think she should be fired and investigated.
18:21From what I was told, she had no income after her husband's death.
18:24I'm sorry, I didn't realize the State Department was a charity.
18:29Well, next, obviously, is my nanny, Evie.
18:33Dismiss me all you'd like, but her looks are a walking distraction, and she shows up out of the blue.
18:38And I've got her snooping more than once, and she has the most access to Trent.
18:43And then there's him.
18:45Do you know the chef sees a shrink once a week?
18:49Mm-hmm.
18:51Answer me this. Does that look like a man capable of introspection?
18:58Thanks to Redford, we know that tonight, at Hotel in Tourist, the KGB is running a blackmail operation.
19:05Now, our objective is to infiltrate this blackmail operation by finding one of the hidden cameras they've planted throughout the
19:11hotel rooms
19:11and replacing one of the KGB tapes with a tape of our own.
19:16The technology that Redford has been smuggling out has allowed us to create an exact duplicate tape.
19:21The only difference is that our tape has a tracking device hidden in it.
19:26Since Caterpillar was unable to provide us with the coordinates, this is going to be how we figure out the
19:32location of the Compromat facility.
19:34Right. Next slide.
19:36Uh, no, that is, that's, that's all. That's it. That's all the slides.
19:39Two slides.
19:42Raymond.
19:43The rest are still being developed by the lab, so...
19:48Okay, so, uh, how many of these blackmail videos have the Soviets collected?
19:53Well, we don't know the exact number, but we suspect thousands, if not more.
20:00There is enough material in this Compromat facility to have us under the influence of Soviets for decades to come.
20:08So that's probably why Sveta just showed up at George's door, because she was trying to get Compromat on him.
20:13That is exactly what I was thinking.
20:15Yeah, but then why, why would they kill her?
20:17I mean, they're not gonna kill every call girl that does one of these things.
20:20Whoever is doing this is doing it for a very specific reason.
20:23So how do we help? How do we infiltrate the operation?
20:27Right. So, the plan, uh, that we came up with is that I will pose as an easy mark, and
20:35you will be, or pretend to be, a, a woman of the night.
20:44A prostitute.
20:49I think I have a better idea.
21:21I'll talk this in a moment.
21:28I'm sorry, I'm sorry. My car doesn't have to load.
21:33And I told you that your husband is in the car.
21:40Andrey?
21:41My son, my son, my son.
21:43All right, all right, all right, all right, all right, all right, all right.
21:59I'm sorry, all right.
22:00Yeah, you're a bad artist.
22:04Do you come to me home?
22:07Sorry, I went to the house.
22:11But you're still here.
22:13I shouldn't have to talk to you so much.
22:17You just did everything that I should do.
22:19I know.
22:21But, at the time, I remembered my mother's dear.
22:29In my village.
22:34I don't know what you're talking about.
22:58You've been listening to me.
23:01Come on in today's evening.
23:21Ivana, I didn't know you were coming.
23:23Maria asked me to.
23:25And I don't want to stick to my work.
23:29Right.
23:31So...
23:32Yeah, okay.
23:40So, is this kind of music allowed?
23:44It's not popular enough to be a problem.
23:52You really think that what is happening in the hotel is connected to the death of my friends?
23:59I think it might, yeah.
24:02That's why, um, you know, I could use your help tonight.
24:05You know, if I'm there posing as a prostitute, then that could attract unwanted attention.
24:08But you, you're known in those circles, so...
24:12But I...
24:12I run for a reason.
24:14You want me to put myself in danger again?
24:17I know.
24:18But I'll be there.
24:19Every step of the way.
24:20I...
24:20I won't let anything bad happen.
24:22I swear.
24:23You're not just an embassy secretary, are you, Twyla?
24:29You don't actually want me to answer that, do you?
24:38What the hell were you just doing?
24:40Listen.
24:42Answer me.
24:44I was only buying hash.
24:46Here.
24:55Hash.
24:56So this is your therapy?
24:58My marriage is falling apart, right?
25:01It's the only thing that keeps my mind calm.
25:32I'm...
25:45OK.
25:47OK.
25:51Do you see her?
25:54Uh...
25:55She'll be here.
25:58I promise.
25:59Yeah.
26:00Next?
26:01Good evening. I'm Mr. Howard's secretary. We have two rooms booked for the night.
26:06Of course.
26:07Here you go.
26:07Now, I'll tell you what, Audrey. You cancel my 8.30.
26:10After that shitstorm in D.C., I'm gonna need a stiff drink. Then another one after that.
26:14Of course, sir. Yes.
26:16Just one moment.
26:19Just a mate.
26:20Okay.
26:24Oh, shit. It's her.
26:27Yeah.
26:29Her.
26:34Did you know about this?
26:38Not exactly. No.
26:45You think it's gonna work still?
26:48As long as he's buying it.
26:55Here you are, sir.
26:56You are in our suite.
26:57Floor 4, room 12 and...
26:5912?
27:00Floor 4, room 13.
27:0213, thank you.
27:03Okay. Oh, yes.
27:04But first, please, allow me to show you to the bar. We have a new American drink on the menu.
27:11Harvey Wallbanger, made with the finest Russian vodka, Galeana liquor, and fresh orange juice.
27:18I think you will enjoy it. A small taste of home.
27:20Just so long as it's got alcohol, it's good with me.
27:24Well, we have everything you could want in Russia, including the most beautiful women.
27:29Uh-huh.
27:31Oh, well, thank you, but, um, not really my, my style.
27:41You know, you might have better luck with her over there. He prefers a twiggy type, you know. Just anything
27:47to get him out of my hair for the night.
27:48All right. Thank you.
27:50I gotta get myself to bed. Don't wake me up before nine.
27:54Of course not.
28:05Bonsoir.
28:07Are you not a sight for sore eyes?
28:11And she's turned by you and a drink.
28:15How about we go to a room? More private?
28:19To my room?
28:26This way.
28:27Where are you from?
28:29Paris. Do you know?
28:30We're going to the sky.
28:32Wait, wait.
28:33Beauty.
28:35Can I join the party?
28:38C'est Noël.
28:39Yes.
28:41You want to go to Paris as well?
28:42Sure, yeah.
28:43Yeah, she can go, ma'am.
28:44Yeah.
28:45Yeah.
28:55Hi. May I come in?
29:00No.
29:02No, no, I, no, I love my wife.
29:05Well, let's keep this between us.
29:07No.
29:10Really, really.
29:10No.
29:15Please.
29:17We don't have to do anything.
29:20But if I go back downstairs, they...
29:25Please.
29:31Okay.
29:40I'm surprised you never, never tried it.
29:42It's much more popular in America, right?
29:44No, it is.
29:45It is.
29:45I was just always...
29:47too nervous.
29:49I didn't want to get in trouble.
29:51Oh.
29:53It must be the old you.
29:55The one who cared about getting in trouble.
30:03I never used to break any rules.
30:06I just waste this voice in my head telling me I shouldn't.
30:12Yeah.
30:14Could you ever foresee smoking hash with your foreign asset in Moscow while waiting for the KGB agent you're seeing?
30:24No.
30:26No.
30:29No.
30:32No.
30:34No.
30:34No.
30:40I'm...
30:46I also have voices in my head
30:51This quiets it down a bit
30:55Sometimes it's like I'm having five conversations in my head at once
31:01Who I should be
31:03Who I shouldn't be
31:06What I should say
31:07What I should not
31:12Say
31:15What language I should be speaking
31:21Hmm
31:24It would be nice to quiet that chatter
31:27Just hear the voice you are speaking
31:35You okay?
31:38I see, I see
31:40Okay, it's all right
31:43It's fine
31:44I know what to do
31:46If you're willing
32:07Just try to focus on music
32:09Nothing else
32:10That's how you'll escape
32:13Trust me
32:14Yeah
32:15Yeah
32:16It's all right
32:18I won't forget
32:20All the times I've waited patiently for you
32:27And you'll do just what you choose to do
32:33And I will be alone again tonight
32:39But you'll be alone again tonight
32:40Music, cigarettes and drinks
32:43Bienvenue
32:45Bienvenue chez moi dans mon royaume
32:49We must celebrate
32:51We must celebrate
32:52Here I am with no wife to report to
32:56No
32:56High minister to be reprimanded
32:59Thank you
33:02And half a bottle of vodka to share
33:06Yeah
33:07Yeah
33:10What's that?
33:11Is there a problem to serve you?
33:13No, no problem
33:14Salute
33:16Salute
33:34Salute
33:35Not even your food
33:35But your girls
33:39Right, right
33:40Aren't they just
33:42Delicious
33:43Something
33:44Yeah
33:47Yeah
33:48Right?
33:51Go to the bathroom
33:52Yeah
33:55Why don't we get a little comfortable?
33:58Yes
34:01Why?
34:04Where you go
34:06We will follow
34:10Why do you still wear clothes?
34:12Mmm
34:13I don't know
34:14I don't know
34:16Why do you still wear clothes?
34:19It's beautiful
34:24Woah
34:25Here I'll
34:26Yeah
34:29Look in the US
34:31This is
34:33Oh
34:33It's a bit of shock
34:38Foreigners can never hold Russian vodka
34:39It was only a matter of time
34:44So
34:46So
34:48What is next?
34:56Well
34:56I mean we're supposed to
34:58Look for that camera
35:04Yeah
35:04It ain't
35:05It really
35:07You're a ghost
35:09I'm hoping
35:10Second
35:13I can take you
35:14It's very common
35:21missing
35:21How have you come down
35:22Oh
35:22Ok
35:22Neighbors
35:23concert
35:24What you mean
35:24Please
35:28It's very common
35:30Yes
35:30Is there any information about where the lady is?
35:35What did you do? Go ahead. What did you do?
35:38There is information about her.
35:40Maybe I can help you.
35:42And I can help you.
35:44HELLO
35:46HELLO
35:46HELLO
35:53HELLO
35:56HELLO
36:01HELLO
36:05HELLO
36:06HELLO
36:09What are you doing, Andrew? What are you doing?
36:13What are you doing? What are you doing?
36:20There is a place for him.
36:23And what do you do?
36:24Or will you give him a hand?
36:28Don't kill me. Don't kill me.
36:43Don't kill me.
36:51Is it there? No.
36:52No. Okay. Okay.
36:54Down there? Yeah.
36:56Yeah. Okay.
36:58Is it in there? No. Okay.
37:00Yeah. Oh.
37:01No table? Yeah.
37:03Okay.
37:05Okay. No. Not there.
37:08Inside the drawer.
37:13Yeah. Okay.
37:17Yeah.
37:17No.
37:30Am I funny to you?
37:38No, no.
37:43No, no.
37:45No!
37:46No, no, no.
37:49No, no.
37:51No!
37:52No!
37:53It's so cute.
37:56No, no, no.
37:57No, no!
37:57No!
37:57No!
37:57No, no!
37:58No, no!
38:00No, no, no!
38:01I love you.
38:43I can't remember the last time that you know exactly what I needed it's not so hot if you
38:50see someone you see me
39:02you have to come will it be okay here with him I'll be okay
39:15I'll imagine someone else
39:20just listen to your own voice
39:22Edo
39:55Well, what do you really have to hear?
40:09I missed you.
40:12Did you miss me?
40:24I knew.
40:29This was a mistake.
40:30Oh, shit.
40:33Oh, shit.
40:38Damn.
41:03I'll take the pork chops.
41:06Yes.
41:07Unfortunately, we do not have the pork chops.
41:12Uh, then I'll have the French meat, whatever the hell that is.
41:16Yes.
41:17We are out of that, too.
41:19You can't possibly be out of the fish with gelatin, can you?
41:24In fact, the whole third page we do not have.
41:29Why don't you just bring us two of whatever it is you do have?
41:38God, I hate Moscow.
41:40It's a shell of a city, and to think it's my own men bringing me here.
41:45So, uh, how's the new job, sir?
41:47You want to do small talk?
41:50You know I am here.
41:52And it's because you...
41:54Before you continue, I should make you aware of some plain-clothed friends behind me at the bar,
42:00over there by the front door, and of course, right beside us.
42:09I thought living with my mother-in-law was oppressive.
42:12Sorry, sir, it's just the way they do things here.
42:14They're not subtle, but...
42:23Well, it's a miracle anything gets done here.
42:25But your choice of agents...
42:26Um, sir...
42:26I mean, it would make sense if they were eye candy, but you shop at a totally different candy store,
42:30so then...
42:31Sir, I'm sorry. Uh...
42:32Yeah, you should be.
42:38That's like that every day?
42:39Yes.
42:42Sir, I promise you, although our tactics may seem unconventional, we're on the verge of a major breakthrough...
42:47Unconventional's not gonna cover for you, Mr. Walter.
42:49I mean, what were you thinking?
42:51You hired two unqualified women, and then you let a grandma wander off.
42:57That was...
42:57It's a goddamn embarrassment.
42:59So one more thing winds up out of place, and I'm talking a hairnet on a cafeteria worker in the
43:04embassy.
43:05You can kiss not just Moscow, but the entire company could buy.
43:10Yes, sir.
43:33Relax, Andre. Just let me take care of you.
43:50Who did this to you?
43:56I look better this way.
44:00Better with scars.
44:05We're the same you and Mina do.
44:10When you're born in the provinces like us, you know how easy it is for life to go to waste.
44:16But there's also an advantage of once being very small.
44:21Or underestimated.
44:24That is our power.
44:27When my husband died, it would have been so easy for me to go home.
44:32I didn't want it. It felt small.
44:38I wanted a life with all its surprises.
44:44Hmm?
44:47And are you surprised...
44:49To be here...
44:52Right now with me?
44:54Yes.
44:57What's your dream, Andre?
45:06More.
45:09I dream of more.
45:13What are you willing to do, Andre?
45:16What are you willing to do, Andre?
45:22The elites...
45:26I have what I need to fuck them.
45:29Leverage.
45:33Every man has secrets.
45:36There's something.
45:38Some piece of knowledge that could ruin every life.
45:43I was never going through it.
45:48Everyone's got a weak spark.
45:52The secret's an idea.
45:53No.
45:57I find it.
46:00And they will give me the world.
46:03They'll never see you coming.
46:11I hope they'll leave.
46:23Yeah.
46:30I'm too close.
46:34I'll keep going.
46:34Try and leave me.
46:34I'll keep going.
46:34Go!
46:35Oh, oh, oh, oh.
47:10Do I scare you?
47:13Because I should.
47:23Was I good?
47:24Oh, yeah, Frenchie, you were great.
47:29C'est bien.
47:33So, the next time
47:35that he comes to you
47:36and he's apologetic,
47:37you're going to look at him in the eyes
47:39and you're going to say...
47:41I will say, no,
47:43you have had your chance.
47:45From here on out,
47:46you're only thinking of...
47:50Yourself.
47:51There you go.
47:52Look at you.
47:52See, that's a weight.
47:53That's a weight off.
47:55Oh.
47:59Oh.
48:00I'm so glad.
48:00Oh, no, shh, shh, shh.
48:01It's okay.
48:02It's okay.
48:03Here, why don't I just...
48:04I'm sorry.
48:06I just...
48:07I don't know how to thank you.
48:10Yulia, you have already done more than enough.
48:14Hmm?
48:15Come here.
48:15No.
48:17It's hard to find someone who listens.
48:21Nobody listens to me.
48:22I am listening to you right here, right now.
48:25Thank you so much.
48:26Oh, shh, shh, shh.
48:27Get it all out.
48:28There you go.
48:29There you go.
48:30Yeah.
48:30Oh, my goodness.
48:31Oh, my goodness.
48:32Here.
48:33Here.
48:34Here.
48:35Here.
48:35Here you go.
48:46Well...
48:51Well...
48:53Well...
48:57I'm sorry.
48:59we we couldn't get more answers for Maria you know Ray said we can track the
49:06tapes now so I'm confident maybe that'll help us get more information or it will
49:11lead to nowhere or that yeah she say anything about the guy that hired her
49:18anything that could you know help us find him well it did not use his real
49:22name but she said what it looks like high cheeks blonde hair deep blue eyes that
49:31look right for you
49:35oh my god
49:53yeah
50:11we need to know
50:26Oh, fuck you, Chris.
51:03Uh, I, I need an, I need an outside line.
51:14I, I, I, I need to see you.
51:27Mr. Ray?
51:29Oh.
51:30Oh, wow.
51:31You scared me.
51:32I was worried.
51:34You were out so late.
51:35Oh, sorry.
51:36I, I, I kept reheating dinner, but...
51:39You did?
51:40I'm so sorry.
51:41Uh, no.
51:42Oh, okay.
51:43Well, thank you.
51:50Oh, I'm sorry.
51:51Do you want to, do you want a plate?
51:53We can eat together if you want.
51:55Oh, don't worry.
51:56It's fine.
51:58Yeah?
52:00Okay.
52:01Okay.
52:04Okay.
52:07How was your night?
52:11Uh, it was good.
52:13It was really, um, you know, busy.
52:20Hello?
52:30Hey.
52:32Hey.
52:34I have so much to tell you.
52:37Hold on, come the fuck in.
52:39Yeah?
52:40But she'll leave you crying in the night.
52:44She will leave you crying in the night.
52:49Whoa, she's gonna leave you crying in the night.
52:53She's back in the night.
52:59She's back in the night.
52:59And she's looking around.
53:03And she's looking around.
53:07Say you needed someone to depend on.
53:12You're all alone.
53:14She's the only one.
53:17She's the only one.
53:18Hold on, take you far away.
53:22Take your breath away.
53:27But she'll leave you crying in the night.
53:31She will leave you crying in the night.
53:36Whoa, she's gonna leave you crying in the night.
53:41And she's back.
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