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Ponies - Season 1 - Episode 02: Hanging on the Telephone
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00:06the
00:06previously on ponies a small single-engined aircraft crashed in a field 30 kilometers south of
00:12moscow both of your husbands were on that plane right after chris died this was in the pocket of
00:17his coat it says winged horse over the entire world what does that mean i don't think it's
00:22something we can figure out unless we go back i have experience translating and i am very
00:27experienced in foreign service now there is no reason for us to bring more americans into the
00:31country unless they're key to our intelligence work then let us do that we've been trying to
00:34turn a soviet agent mrs grant you will interact with ck solar this is what you're going to give
00:40him mrs hasbeck you'll be the lookout i guess i'm going in take off your uh wedding ring men
00:45will be more helpful if they think you're single yeah it's not a question of if there is kgb around
00:52andrei vasili there will be
01:04snow shoes dead is that him snow shoes recruit is he always like that like what like he's having a
01:14heart attack yes
01:23yeah
01:24i'm going to help moya
01:26her sister
01:27it'll show you to your leader
01:30or chat
01:31he's gonna be here
01:36you need
01:37you need
01:37you need
01:38all the way
01:43we'll do
01:46or
01:47Oh, no.
01:51I'm throwing a winged horse over the entire world.
02:12Good evening, friend.
02:13Yes.
02:14I'm sorry about this table.
02:16Please.
02:16You don't need to go.
02:18Sit down.
02:19Boris!
02:26Let's meet you.
02:28Andrei Vasily.
02:29You're not even a million people.
02:47Let's go.
02:48Let's go.
02:49Let's go.
03:17Let's go.
04:18I don't know. I ran into him when I was out with Dane.
04:20He has a whole dick measuring spy guy thing with them.
04:23I don't know. He's KGB, I think.
04:25His name's Andre. Bad guy. I tried to warn you.
04:28Winged horse, right?
04:29Over the entire world.
04:30Yeah. That bar is important.
04:31Was important. It no longer exists now.
04:34I said I was sorry.
04:35Actually, he didn't.
04:36I said I was...
04:44I said I was...
04:45I said I was...
04:48I said I was...
05:02I think she's going to die.
05:05I think she's going to die.
05:08She's going to die.
05:09You're going to die?
05:09Well, yeah.
05:11I tried to.
05:13But we didn't have to do it.
05:17Good night.
05:19You have to be in your personality?
05:21I need your help for the investigation.
05:25For...
05:26For...
05:27For the fire.
05:28For the fire.
05:28The fire следует.ati?
05:30Да.
05:32да. Сейчас иди.
05:40Я... Ты всегда
05:42с книгой
05:43в бар ходишь? Что-то знаком я со
05:46с девушками. Всегда спрашивать...
05:49Что читаешь?
06:02Good night.
06:05We'll see you soon.
06:28Mrs. Grant, if we had an officer who could follow you
06:31without being followed himself,
06:33we wouldn't need you in the first place, would we?
06:35Huh. No.
06:38We scan radios.
06:41And they said a pub was on fire in Slavyanskaya Square.
06:47You're both very lucky, do you know that?
06:50Because unless you're lying to me right now,
06:51which I doubt you're capable of,
06:54you did actually meet with the agent
06:56and give him the package, correct?
06:58Yes, correct.
06:59She did all of it.
07:01Pre-fire?
07:02Yes.
07:03Good.
07:04Ray, we need to train them.
07:07Just the bare minimum.
07:08How?
07:09Though you can't exactly shortcut the entire CIA training.
07:13He could.
07:16I'll call him in.
07:18Who? Call who in?
07:21Did you use your cover?
07:25Yes.
07:35To whom?
07:39André Verseneff?
07:42Yes.
07:53To whom?
07:56André Verseneff?
07:59What?
08:00Oh.
08:01You doesn't have to go at the time,
08:02Sing a little laugh.
08:04My life is a new完成.
08:07Tell me!
08:10Trust me.
08:15You create again at the end,
08:16you tell me everything you're present,
08:18prepare me,
08:18tell me.
08:20The amount of joy is often there'll be some hope.
08:26Tell me.
08:28the
08:28the
08:28the
08:28the
09:14What are you eating?
09:16Hmm?
09:18The train comes from Sweden with Western supplies once a month.
09:22Once a month. This box was supposed to last me the entire month.
09:25And you're not eating enough.
09:26Okay. If you have a request that you would like to add to the list,
09:29you can do so for next time.
09:31Wyla, there you are.
09:33I thought you defected on your way to get my tea.
09:36Yep, I was minutes away from getting you that tea, sir.
09:38Don't call me sir. My name is Shep.
09:40And I got a big job for you. Important.
09:42George Tallman. One of my oldest friends.
09:45He went into business. I picked a foreign service.
09:48But, you know, I could have gone into business.
09:50I mean, IBM, they recruited me.
09:52I mean, they saw what I had to offer and they practically begged me,
09:54but I just had to say no, you know?
09:56I wanted to change the world, have an impact.
09:59You have. You are.
10:00He's now a Coca-Cola VP.
10:02Their man in Europe.
10:03Everything related to Coca-Cola in the continent goes through George Tallman.
10:08Was there something you needed me to do?
10:10No, just show him a good time.
10:12A good time?
10:14Yeah.
10:15No.
10:17No, no, no. Nothing like that.
10:19You're gonna get me into trouble.
10:20It's just dinner.
10:22Tomorrow night at 7.
10:23At the Praga.
10:25Oh.
10:25I know.
10:26Amazing.
10:27Look at that face.
10:28Naughty.
10:29No, he's a married man, alright?
10:30And wear something else.
10:32Jesus.
10:32Maybe you talk to her a little bit.
10:34Something with the hair.
10:34Of course.
10:36And get more of these.
10:37You want one, doll?
10:38Here you go.
10:40I shouldn't.
10:41Regardless.
10:57natürlich.
10:58Don timing when I bought once day one is there.
11:00Okay.
11:00The pick, that must be what they need to do.
11:05Okay, sozn February 18, 20ä, 20 hours a night after I've had $500.
11:07Pig 7 purchased $2,000 from ma근 1.
11:07This man finds a little amino.
11:07How wouldal to go?
11:07As elean.
11:08Fonder amarillo the house.
11:10In the caso area.
11:41Забыл свой термос.
11:43Завтрак не пошел.
11:49Идите домой, товарищ Шевченко.
11:51Я дам знак начальнику.
11:53Все нормально.
11:56Здесь много работы, я в порядке.
12:05Субтитры создавал DimaTorzok.
12:12Субтитры создавал DimaTorzok.
12:19This is Emil.
12:21He knows everything about your arrangement with us.
12:23He's in French intelligence, and he's an expert on Moscow rules.
12:27Moscow is different from every other station in the world.
12:31Again, it's the only reason you're here.
12:32We get it. We're lucky.
12:34I mean, you are.
12:36I know. I just said that.
12:38Vous venez deux en France, Emil.
12:42Okay, so he's not French.
12:44And my name is not Emil.
12:46But to you, he will be Emil.
12:50In Moscow, they kill our men.
12:52In America, we kill theirs.
12:54So around here, we need to know how to get our hands dirty, if you know what I mean.
12:59I'm guessing you're going to teach us.
13:01Actually, this training is just for Mrs. Grant.
13:10Oh, you want me to?
13:11Yes.
13:11Yeah, okay.
13:12Mm-hmm.
13:15So?
13:16That'll be all.
13:32So, uh, if you're not training me, you're...
13:34You're what?
13:35You're going to send me home?
13:36Right?
13:37You can't.
13:39Sure, you know, I, uh, stumbled a little my first time out and everything,
13:42but I promise you that won't happen again.
13:45Yeah, if you let me stay, I...
13:47I will...
13:48I will do anything.
13:49I will...
13:49I will be a human target.
13:51I have no boundaries, so...
13:53I've noticed.
13:57Please.
13:58I, uh, would rather die here than go back.
14:03Mrs. Hasbeck, I'm not going to ask you why that's the case,
14:06because it's none of my business.
14:07But honestly, it's irrelevant.
14:09We're not sending you back.
14:14Okay.
14:17I'll try not to start any more fires.
14:20That fire was a good idea.
14:22You have good instincts for field work.
14:26Your lack of fear is your value to us.
14:30Arguably your only value.
14:36Problem is nobody likes you.
14:43Excuse me.
14:45Yeah, uh, sorry.
14:46But what are you talking about?
14:47People, people love me.
14:49They laugh at your jokes.
14:51Yes.
14:51Think you're a fun night out.
14:52Yeah.
14:52Life and soul of the party.
14:54Yeah, it doesn't mean they love you or trust you or want to be close to you.
14:59And that's what they need to feel if they're going to give you information.
15:03You need to be a version of yourself that opens up and lets other people in.
15:09You show them your softer side and they'll show you theirs.
15:13That's how it works.
15:15Yeah, I don't, uh, I don't really have that side.
15:21Then find it.
15:23That's why you're not out with Mrs. Grant tonight.
15:26She doesn't have that problem.
15:27She has to learn to shut her feelings off, get her hands dirty.
15:30But I suspect you've been doing that your entire life.
15:37This, uh, American executive you're going out with...
15:41Shep's friend?
15:42Yeah.
15:43Every American in Moscow is interesting to us.
15:46Make Shep's friend like you.
15:49That's your training.
15:52Okay.
16:00Now, you go inside.
16:04Inside where?
16:05Apartment 415.
16:07Look around, tell us what you see.
16:10We need to get to know the person who lives there.
16:12Find out if he's trustworthy.
16:14Is this a test or a...
16:21Oh, no, no, no, no, no, no, no, wait.
16:23You want to, I, I, I...
16:24Only if you need to.
16:29What, is he, is he in there, whoever lives in there?
16:32We will find out, won't we?
16:39I was in Bukingbad, and then in Auschwitz.
16:45My family was in the camps.
16:47Did they survive, your family?
16:51Oh, my, my, my grandfather didn't, but my, my grandma, my, my father did, yeah.
16:58Then they knew what to do to survive.
17:01So were you.
17:03Fourth floor, unit 15.
17:07The last one.
17:13The last one.
17:39Good evening.
17:44Good evening.
18:22Good evening.
18:33Good evening.
18:47Good evening.
18:49Good evening.
18:51Good evening.
19:01Good evening.
19:03Good evening.
19:16Good evening.
19:28Good evening.
19:32Good evening.
19:46Good evening.
20:00Good evening.
20:03Good evening.
20:05Good evening.
20:08Good evening.
20:14Good evening.
20:18Good evening.
20:21Good evening.
20:44Oh, my God.
21:00No, you are not so clean.
21:33Oh, there you are.
21:34What are you doing here?
21:36You forgot to see Chef on your way out to get the cash.
21:39To treat George to dinner tonight.
21:41So I had to drive all the way out here, and now I'm late for my plans with Ray, so
21:43thanks.
21:44Okay, give me the money.
21:47Mm, wow, how good of time does Chef want this guy to have?
21:51Good evening, did you bronzed?
21:53Uh, you only speak no Russian, do you?
22:00It is still so weird to me that they hired you at the embassy.
22:03Is it?
22:04So, how gross, bald, and sweaty is this George crack going to be, do you think?
22:08Based on my experience with Chef's Princeton friends, very.
22:11Good luck.
22:12Huh.
22:13Uh-oh.
22:15Oh.
22:17Hi.
22:19Twyla Hasbeck.
22:20George Tallman.
22:21Hmm.
22:22Cheryl Szymanski.
22:23George Tallman.
22:23Hi.
22:24Oh, uh, Chef only mentioned one secretary.
22:27Yes, it's like when the factory puts two toys in the cereal box, right?
22:30Okay.
22:30Okay.
22:31Yes.
22:56So, first of all, let's go.
23:05Oh.
23:06Oh.
23:10Okay.
23:17Oh.
23:20Oh.
23:21Oh.
23:22Oh.
23:23Oh.
23:23Oh.
23:23Oh.
23:49So she says, I won't have dinner with you here, but I would have had dinner with you in Paris.
23:53We met the year before in Paris. My buddy was eyeing her, so I didn't ask her out.
23:58So I say, if I can take you to Paris tonight, then will you have dinner with me?
24:04Wait, what? How did you know that?
24:07I grew up down the road from an Air Force base. It's every pilot's move.
24:11You know, if they can get you to a second city, they can get you into bed there.
24:15I'm that obvious. How did you know that I was a pilot?
24:18Oh, well, when I asked you how your flight into Moscow was, the first thing you mentioned was how the
24:23aeroflot pilot botched the landing.
24:25My husband would never shut up about aeroflot pilots and their landings.
24:28So your husband's a pilot, then?
24:30He was, yeah.
24:32What is he now?
24:34Dead.
24:34Dead.
24:35Dead.
24:36Dead.
24:37Dead.
24:37Dead.
24:37Dead.
24:38Dead.
24:39Dead.
24:40Dead.
24:42I hate her.
24:44Maybe don't tell Shep that I said that.
24:46You know, your secret's safe with me.
24:49Um, I'm so sorry about your husband and, you know, how are you holding up?
24:56It's fine. It's fine.
24:59Yeah.
25:02Actually, why am I always doing that? I'm always saying things are fine when they're clearly not.
25:12Yeah. Tom and I were just... we were just so...
25:19So in love?
25:22Yeah.
25:23How did you guys meet?
25:27I was going to Wellesley and, uh, he was at Harvard and we met at a party.
25:35Yeah, I wasn't even planning on going, but my roommate tracked me and, you know, thank God she did.
25:46He just... he showed me the world was so much bigger than my, um, than my parents' little bakery in
25:56Rhode Island.
25:58And now I'm...
26:03I'm worried my world's just getting small all over again, so...
26:06No. Listen, it doesn't have to be that way.
26:10You're young.
26:11Oh.
26:12And when you...
26:13You're nice. You're kind.
26:14If you need someone...
26:15I'm sorry. I'm sorry. I'm ruining the mood.
26:17You're... you wanted a fun night out.
26:19No.
26:19Listen, stop. I-I take this over polite conversation any day.
26:23All right. The bill has been taken care of courtesy of the U.S. government.
26:27Okay. Is that allowed?
26:29Oh, I don't know. I guess you're gonna have to put me in handcuffs to take me to jail.
26:33I'm gonna get my coat.
26:35Okay.
26:36I feel like I failed.
26:37Failed? At what?
26:38The assignment, you know? I was supposed to...
26:41show you a good time.
26:42I had a great time.
26:44You're very easy to talk to, Twyla.
26:55Good evening. Or good morning, rather.
26:57You put a phone in my apartment without telling me?
26:59So he called you.
27:00Why did you do that?
27:02Because if Nadia Melnikova is supposed to exist, she needs a phone number and a phone.
27:05We gave her a paper trail, but...
27:07you need to be the one to answer the phone, so we connected a few wires and here we are.
27:11So, what did he say?
27:12He asked me out!
27:14And you said?
27:15That I was busy.
27:18You were busy.
27:19You have time. You found time to come here in the middle of the night.
27:21Oh, no. No, no, no, no. I'm not doing that. I am not going out with...
27:26What did you think this job was?
27:28Do you realize how important this relationship could be to us?
27:32No, no, no. I'm not doing that.
27:34I did not sign up for this and I did not sign up to break into someone's apartment that you
27:38told me was on our side.
27:39I never said that CK Solar was on our side.
27:42Sometimes you may never know that. Sometimes that's exactly what this job is.
27:46Look, I can see that you're an emotional person.
27:48But if we ask you to spy on your own mother, you do it.
27:50Your emotions do not matter here. Your relationships do not matter here.
27:53Oh, oh, oh, I'm emotional. I'm emotional. When did you clock that at my husband's fucking funeral?
28:02I'm not emotional.
28:03I don't care why you're emotional.
28:07Incidentally, we're not just testing you. We're testing Andrei Vasiliev, too.
28:11We test everyone. All the time. There's no getting comfortable here.
28:16Do you know when people get killed?
28:18No.
28:19When they relax.
28:22So we called you. Good work. I'll have a dead drop ready for you and Mrs. Hasbeck in a few
28:26days.
28:27I'll give you the details when I have them. Get some sleep.
28:29No, I...
28:31Okay, I'm not going to use the word seduce.
28:34Because, you know, that implies that there was something sexual about the interaction.
28:37That's the thing. There wasn't.
28:39Okay.
28:39He didn't even want to fuck me. He just liked me.
28:43Yeah.
28:43As a person.
28:45Twyla, I...
28:46It's just a shame I don't speak Russian.
28:48You know? So I can't interact with the locals.
28:50Right.
28:51Maybe I should just learn a little. Just a...
28:52Like a phrase or two.
28:54So if we want to do a tag team, you know, something involving the KGB.
28:57Uh-huh.
28:57You know, obviously he'll do most of the talking.
28:59He might be like, well, why isn't she talking?
29:01Uh-huh.
29:01And then we can just tell him I'm a little touched in the head.
29:05Or...
29:05Twyla, I'm leaving.
29:08What do you mean?
29:09I mean, I'm going home.
29:10I-I-I can't...
29:11I can't keep doing this.
29:12They made me break into our agent's apartment last night.
29:16C.K. Sola.
29:17Oh.
29:19Wow.
29:19I thought that, uh, Emil guy was just gonna take you out shooting or something.
29:23He was there.
29:24He didn't see me, but he knew someone was in his apartment.
29:28He might have had a gun.
29:29We don't know.
29:30And neither do they, because they don't know him.
29:33No one knows anyone here.
29:34He might have stabbed me with a kitchen knife before he saw it was me.
29:37It might have happened.
29:38It could have happened.
29:38It was so close to happening.
29:40I-I just...
29:41I can't...
29:42Look, B, I-I don't know what to tell you.
29:44No one said this was gonna be safe.
29:46I mean...
29:47No, I didn't say...
29:47They're just trying to push us, you know?
29:49Make us better.
29:50Well, they pushed me too far.
29:52Look, I'm not like you, okay?
29:53I can't...
29:55You can't what?
29:56Do it.
29:57Huh.
30:00I thought it was worth it to you, to find out what happened to Chris.
30:03But I guess...
30:04Maybe you're happy not knowing?
30:06Maybe...
30:07You can just live with that?
30:08Well, maybe if it means I get to live at all.
30:10Huh.
30:12Look, I just...
30:14I just know that Chris wouldn't want me to die trying to figure out why he died.
30:19He would want me to move on.
30:21So I'm gonna talk to Dane...
30:23See if I can fly out tomorrow.
30:26Great.
30:28Great, so I guess this is my last day too then.
30:31Considering I'm useless here without you, so...
30:33I'm sorry.
30:34What about the dead drop?
30:36Yeah, that's tomorrow.
30:37Well...
30:37They-they can-they can just find someone else to do it.
30:39Yeah, they're just gonna find two other women by tomorrow.
30:42That'll be easy for them.
30:43Yeah, that won't ruin the whole operation, will it?
30:45No.
30:47Come on, B.
30:48You're really gonna do this to me?
30:50I'm sorry.
30:51Fuck!
30:51I'm sorry.
30:52Okay, no, you know what?
30:53You're gonna do it.
30:54You're gonna do the dead drop, and then you can go home.
30:57Yeah.
30:58That's what you're gonna do.
30:59Or else you're gonna be fucking everyone over.
31:01You like that?
31:02No.
31:03So you'll do it.
31:07It's just a dead drop?
31:09It's just picking something up, dropping something off, not interacting with anyone, no surprises,
31:14no nothing else, just literally just that.
31:18Yeah.
31:19You can do it.
31:21Then you can go.
31:23Oh.
31:24Okay, so I'll do the dead drop.
31:26You'll do it.
31:26Then you can go.
31:26I'll just do not to leave everyone in the lurch.
31:28That's why I'm doing it.
31:32Since you clearly have a gnat for entertaining men, I'd like you to do it again tonight.
31:37This time, no fancy dinners.
31:39Apparently he's had the tourist experience and wants to see the real Moscow.
31:43Meaning?
31:44I don't know.
31:45Take him where the locals go.
31:46Where is that?
31:47I really wish I knew.
31:49Chef.
31:50Cheryl.
31:51It's so much fun meeting your friend last night.
31:53George actually invited me to join him and Twyla for dinner.
31:56Yeah?
31:56Yeah.
31:56He didn't mention it.
31:58Actually, ladies, I would love to tell the guys back home that I corrupted George Tomlin,
32:03so bonus points if you ladies get him drunk enough to break some rules, right?
32:06Ah, okay.
32:07I'm looking at you.
32:08Maybe the number from the Christmas party?
32:17Hey!
32:18Remember me?
32:20No English.
32:21Look, you can cut the shit.
32:23I know you speak English.
32:25What do you want?
32:26Very busy.
32:28Just some information.
32:29You always want that.
32:31Yeah.
32:31Well, I'm just wondering what someone does for fun around here.
32:34You know, like a local.
32:35I'm looking for a nightclub or a discotheque.
32:38You calling that here?
32:39For what?
32:41Dancing?
32:42No.
32:42For what will you give me for the address of discotheque?
32:44Wow.
32:45You really cut right to the chase.
32:47Okay.
32:51You're welcome.
32:53Yeah.
32:53I don't like these.
32:55No, I like Hostess ding-dongs.
32:56It's all the same ingredients.
32:58Ding-dongs are dipped in chocolate.
33:00Cupcakes as chocolate top.
33:02Yet different.
33:02Come on.
33:03I think we can both agree.
33:04This is gonna be better than whatever, I don't know, boiled turnip you're gonna be
33:07eating later.
33:12Yeah.
33:13That's what I thought.
33:17You're welcome.
33:19Ding-dong.
33:21They're cupcakes.
33:22No, I mean you.
33:24You're the ding-dong.
33:25Ding-dong.
33:26Ding-dong.
33:29Ding-dong.
33:30Ding-dong.
33:31Ding-dong.
33:31Ding-dong.
33:31He looked through the screen at the back porch door, and he saw Andy lying on the
33:36floor in a puddle of blood, and he started to shake.
33:42Well the Georgia Patrol wasn't making their rounds, so he fired a shot just to flag them
33:47down.
33:48And a big bellied sheriff grabbed his guard and said, why'd you do it?
33:53And the judge said guilty in a make-believe trial
33:56Slapped the sheriff on the back with a smile
33:59Said supper's waiting at home
34:01And man, I gotta get to it
34:05That's the night that the lights went out in Georgia
34:10That's the night that they haunt an innocent man
34:15Well, don't trust your soul
34:17To no blackwoods, southern lawyer
34:21Cause the judge in the town's got bloodstains on his hands
34:25Well, they hugged my brother before I could sing
34:29The tracks he saw while on his way to Andy's house
34:33And back that night were mine
34:38That's the night that the lights went out in Georgia
34:43That's the night that they haunt an innocent man
34:47Oh, oh, oh
34:49Well, don't trust your soul
35:07Oh, oh, oh
35:10This is it!
35:11Thanks.
35:12Wow.
35:12Amazing.
35:14I love you here.
35:15Wow.
35:16Yeah.
35:16I knew you'd show up.
35:18I didn't.
35:22Why is the music so quiet?
35:23It is always quiet so people can listen to you.
35:26What if I don't want people to listen to me?
35:28Then you must be quieter.
35:32Cool place.
35:33Yeah, I feel overdressed.
35:34You must.
35:36Sure don't want to dance, just loosen up.
35:38Yeah, maybe in a moment.
35:39You know, I'm just enjoying being here and just taking it all in.
35:43Oh, uh...
35:45Sorry, my friend just walked in so I'm gonna, uh...
35:49I'll be right back.
35:50I'll be back.
35:51Yeah.
35:52Yeah.
35:54So this is the cool spot, huh?
35:58What are you doing here?
35:59The dead drop.
35:59It's now.
36:00Now, now?
36:01Uh-huh, right now.
36:02Okay, I'm supposed to be entertaining this guy.
36:04Again?
36:04I know.
36:05Well, just let Cheryl do it.
36:07Poor guy.
36:07Okay, what do I tell him?
36:09Make an excuse.
36:10We really have to go.
36:11Okay.
36:11Big sip.
36:12You have to.
36:13B vodka.
36:14It's so sweet.
36:15This is B.
36:16Oh, wow.
36:17This is quite the welcome wagon.
36:19I'm so sorry.
36:20I can't stay.
36:20We can't stay.
36:21Yeah, we, uh...
36:22We really have to go.
36:23Before we go, George is a pilot.
36:25Yeah, we've been talking aeronautics.
36:27Yeah.
36:27He's kind of an expert when it comes to flights and flight paths.
36:31Expert is a stretch.
36:33I, I, I fly.
36:34I have a license.
36:35Oh, come on.
36:36You could ask this man anything.
36:37For example, here's something.
36:38Do you ever just get on your plane and go nowhere in particular?
36:42Huh.
36:42Just don't tell a soul where you're going.
36:44No broadcasting the flight plans.
36:46No latitude, longitude, nothing.
36:48Uh, I've been, I've been spontaneous.
36:50Oh, okay.
36:51Okay.
36:53Um, but there comes a certain point in every flight where you need to broadcast your plans.
36:58Uh, you know, if you're gonna land somewhere, you need lighting, uh, runways, somewhere
37:01to put the plane.
37:02Uh, every flight has a paper trail.
37:04Yes.
37:05I don't know if that's interesting.
37:06Paper trail.
37:06See, I never would've known this if we hadn't met Moscow.
37:10I learn something new here every day.
37:12It is just amazing, the information you can get when you're in the right place at the
37:17right time.
37:19What was all that about with the flight plans?
37:20Did you find something out about the plane crash?
37:22Maybe.
37:23If there even was a plane crash.
37:25Wait, you think there wasn't?
37:27I don't know.
37:28I'm just asking questions.
37:29I mean, that's why we came back.
37:32Oh.
37:33Mm-hmm.
37:34They're looking for a bin?
37:35Yeah.
37:36Huh.
37:37There's a bin.
37:38Uh-huh.
37:39Yeah.
37:39Okay.
37:40So you're gonna wait here?
37:41And then if anyone you know comes in out of nowhere, just whistle twice.
37:44I can't whistle.
37:46What do you mean you can't whistle?
37:49No, stop.
37:51How did you never learn how to whistle?
37:53It's a very basic skill.
37:54My parents were immigrants.
37:55They didn't teach me how to whistle.
37:56Immigrants whistle?
37:57B?
37:57How else do they round up all the animals on the farm?
38:00What farm?
38:01I don't know.
38:01It was old world.
38:02I'm assuming there was a farm.
38:04Huh.
38:07I'm gonna go in cold then.
38:08Mm-hmm.
38:08Uh-huh.
38:09Okay.
38:10Okay.
38:10Yeah.
38:11Yeah.
38:32Did you get it?
38:33No.
38:33I got gum.
38:38What if they meant the towel bin?
38:40I think that's just a trash can.
38:41What if they were expecting us to find the towel bin in the men's changing room?
38:48Moscow rules, B.
38:51Moscow rules.
38:51All right, girls.
38:54Hang on.
38:58Four close.
39:00Just four, nice.
39:01All right.
39:11We got a two?
39:12What if you get what you like?
39:15I got the music in me.
39:20I got the music in me.
39:22I got the music in me.
39:25I got the music in me.
39:26I got the music in me.
39:28I got the music in me.
39:30I got the music in me.
39:35Good job.
39:37The camera didn't work.
39:39What camera?
39:40The camera we gave the agent that you picked up last night.
39:43It had a light leak.
39:45We risked a lot to get that package.
39:46You're saying it was just broken the whole time?
39:48Langley sometimes screws up when it comes to technology.
39:50Well, great.
39:51It's nice to know that Langley is hit or miss
39:54when it comes to the stuff we risk our lives for.
39:58Tell the agent that the exact focal distance on this camera
40:02is 18.3 inches, any more or less,
40:04and the pictures will not be in focus.
40:06Okay. And where am I meeting him?
40:08The Novo de Vici Cemetery.
40:10Got it.
40:11I'm not sure B's going to be available.
40:13I'm available.
40:15Um, so does he know to meet me there?
40:17Yeah.
40:19She's going to tell him.
40:24What's this?
40:25It's a Kit Kat, Mrs. Hasbeck.
40:28What is it, really?
40:31It is a Kit Kat, Mrs. Hasbeck.
40:35Really.
40:36When the agent sees you eating the Kit Kat
40:38in front of the Goom department store,
40:40he will know to go to the cemetery.
40:42How long do I have to stand there for?
40:45Until he sees you.
40:46What if I finish the Kit Kat before then?
40:49Eat slowly.
40:52Slowly.
40:52Anyway.
40:53I don't know.
40:54I do.
40:55I do.
41:13It's like, can you find me?
41:18I know.
41:45Hi.
41:47Hi.
41:49I'm sorry to bother.
41:51I'm in the room next to you.
41:53Oh, uh, the smoking.
41:56Yeah, I'm...
41:56No, no, no.
41:57I saw you got a room service.
41:59You are eating alone?
42:01Yes, I'm eating alone.
42:02Maybe we eat together?
42:04Because we're both alone.
42:07And it is lonely in this hotel, no?
42:11That's a very kind offer.
42:14What's your name?
42:15Svieta.
42:18But I have a flight in the morning, so...
42:22Oh.
42:22Yeah.
42:23All right, then.
42:24Are you sure?
42:27Okay.
42:27Yeah.
42:27So, uh...
42:30What?
42:31Sorry?
42:34Goodbye.
42:35Bye.
42:36Goodbye.
42:37Bye.
42:42Bye.
42:48Bye.
42:50Bye.
42:52Bye.
42:53Bye.
43:05Bye.
43:17Bye.
43:18Bye.
43:23Bye.
43:23Bye.
43:23Bye.
43:24Bye.
43:26Bye.
43:27Bye.
43:28Bye.
43:29The American technologies and Soviet technologies have that in common.
43:34You have to set it about 18 inches above what you're taking a picture of.
43:38About 18 inches. Great.
43:42You can use this to measure the distance,
43:46memorize it, and then burn the string.
43:48You understand?
43:51Huh.
43:52My name is Sasha, by the way.
43:54We're not supposed to share names.
43:55Well, can I call you something? Pretty sure your name isn't Nadia.
44:01Do they have a codename?
44:04Yes.
44:07Nadia.
44:11Right.
44:14What is my codename?
44:18Um...
44:21They...
44:22They call you CK Solo.
44:25Can I choose something better?
44:27What do you want your codename to be?
44:30Radford.
44:33As in Robert?
44:34Uh-huh.
44:35Clearly I don't make the rules, but...
44:38I mean, I can... I can ask.
44:45Okay.
44:46Wait.
44:47At the pub where we met?
44:50The pub that burned down?
44:51Yeah, that one.
44:52Did you ever meet anyone else there?
44:56No, I'm asking.
44:58Did you ever meet a man about your age?
45:01Tall, dark hair?
45:04He was with another man?
45:06Uh-huh.
45:07And a woman?
45:07A woman?
45:10We...
45:11I have to go.
45:15Who was in my house yesterday?
45:19Or did you think?
45:21You were in my house yesterday?
45:22Your people said they were protecting me.
45:23So, I'll be right back.
45:24And I'll be right back.
45:25I'll be right back.
45:26I'll be right back.
45:27I'll be right back.
45:30I'll be right back.
45:47Time was drifting.
45:50This rocket got to roll.
45:52So I hit the road and made my getaway.
45:57Restless feeling
45:59Really got a hold
46:01I started searching
46:04All that bad away
46:08And I couldn't tell you
46:10For the sound of the night
46:12Couldn't see the light
46:15Couldn't see the light
46:17I couldn't tell you
46:19The way to take it through the night
46:21I couldn't get it right
46:24I couldn't get it right
46:27I couldn't feel a fever
46:34I couldn't feel a ride
46:36I must admit it
46:39It's nice to me
46:42Getting down
46:43So deep you're gonna drown
46:46Now I can't get back
46:48The way I used to be
46:53But I got on looking for a sign
46:55In the middle of the night
46:57But I couldn't see the light
47:00No, I couldn't see the light
47:03I got on looking for a way
47:05To take it through the night
47:07Couldn't get it right
47:09I couldn't get it right
47:32Problems?
47:34No
47:35I don't
47:55What the man said?
47:58What the man did?
48:24What the man did?
48:35No.
48:40Oh my god.
48:47Ah.
48:49Ah.
48:50Ah.
48:51Ah.
48:52Ah.
48:53Ah.
48:55Ah.
48:57Go.
49:13Let's go.
49:29I'm out of curiosity so I can, you know, plan my life.
49:32When are you telling Dane you're leaving?
49:34Why do you think there wasn't a plane crash?
49:37I don't know. I found this thing. It was suspicious.
49:40Wait, what thing? Tell me what the thing was.
49:44Oh, I probably shouldn't. Since you're leaving anyway, it'll just make things harder.
49:48Violet?
49:49Hmm?
49:50Tell me.
49:55I found a tape in my apartment.
49:58That was broadcasting a code.
50:01A code that could have been flight plans or, I think, something to make someone think Tom was broadcasting flight
50:06plans.
50:06Okay, stop. Stop, stop, stop. We should not be having this conversation in the hall.
50:09You're right.
50:11Do you have wine?
50:14Who do you think I am?
50:15Okay.
50:16Okay. So go get it.
50:19Put it to my place.
50:21See you in a sec.
50:22Okay.
50:22Okay.
50:23Okay.
50:23Okay.
50:24All right.
50:24All right.
50:25All righty.
50:35All righty.
50:37All righty.
50:38All righty.
50:50All righty.
50:51All righty.
50:51All righty.
50:51All righty.
50:52All righty.
50:53All righty.
50:54All righty.
50:55All righty.
50:55All righty.
50:55All righty.
50:55What's with your face?
50:59And now.
51:25If he was hiding something?
51:27Or if he was a double agent?
51:29Double agent?
51:30She's a spy.
51:32Well, no, that's what they...
51:32Isn't that what they say?
51:33Don't they say double agent?
51:35No, I think that's right.
51:37We should probably know.
51:45Is that coming from the closet or am I losing my mind?
51:48Yeah.
51:48Uh-huh, so I was gonna tell you about that.
51:50Uh-huh.
51:50Could you just give me one...
51:51Give me one second, hold that thought.
51:53Sure.
51:56PHONE RINGS
51:57Hello?
51:59Hello?
52:00It's Andrey.
52:02Hello?
52:03I was hoping for a phone call.
52:06I was hoping for a phone call.
52:08I was waiting for a phone call,
52:08because I didn't know where to call.
52:10Well, yeah, that's right.
52:12Do you see us tomorrow?
52:14Yeah, I'm free tomorrow.
52:17Great.
52:19So...
52:20Where do we go, Andrey?
52:23And then you're ready to start by.
52:23You can start back again.
52:25Don't leave me hanging on the telephone.
52:31Don't leave me hanging on the telephone.
52:32Don't leave me hangin' on the telephone.
52:52Don't leave me hanging on the telephone.
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