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Ponies - Season 1 - Episode 04: Don't Go Breaking My Heart
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02:19The facility has moved
02:21I'll get him the new location
02:32What in the shit?
03:02I'll get him the new location
03:23So she's not KGB, does that mean she works for us?
03:26No, but she is someone useful to know on both sides
03:30There are things an American officer cannot get in the USSR
03:33Someone like Vera can help facilitate these things
03:36Well, things like what?
03:37Like poison?
03:38Forged travel papers, foreign currency, stolen art
03:42Airplanes
03:44What did she offer you?
03:45She wouldn't have sent you back here without offering you something
03:48She didn't offer us anything
03:50She's offering you information
03:52The thing you desperately want and would do anything for
03:54You think she's lying?
03:56People in her line of work do not get returned customers if they lie
03:59But they also know how to tell you things you want to hear
04:01Well, I mean, we want to hear it
04:03So how do we get in touch with her?
04:06Check your pockets
04:13Oh, wow
04:20Okay, Twyla, you're up
04:21Me?
04:22I get to run this up?
04:31What does this even mean?
04:34Well, it's pretty clever, actually
04:36People in Vera's line of work, they use these symbols to communicate
04:39So there's a man they call Caterpillar
04:42He works in the KGB Compromat facility
04:44He's fed us information through various channels
04:47If there's anyone who's going to know where the facility is, it's him
04:50Right, what's the big night for?
04:53That's probably Pavel, the Butcher
04:54He's Vera's contact
04:55See, Caterpillar is so deep in cover in the KGB system
04:59That Vera probably doesn't know who he is
05:01So the Butcher is going to reach out to Caterpillar
05:04Set up the meeting
05:05Who's she?
05:07That's Vera
05:08Really?
05:09Yeah, I mean, maybe 20 years ago
05:1120? Really?
05:13Okay, where am I supposed to meet her?
05:15The Yerevoy Violin Factory, 1pm, Friday
05:18Which symbol means that?
05:19That she wrote on the back
05:20Oh
05:22Hey, um, you should know
05:24Vera knew Tom and Chris
05:26Right
05:27Yeah, you said she could get airplanes
05:29You think maybe she knows something about the crash?
05:32It's pretty likely, yes
05:33Even if she did know something, I mean, would she even tell me?
05:36If you do everything she tells you to, maybe
05:41Okay
05:46Why'd Dane pick me for this mission?
05:48Well, because I told him to
05:50Why'd you do that?
05:51Because I know how much you care about the women in Moscow that no one else cares about
05:55That's Vera
05:56I know how much you care about the women in Moscow?
06:13That's a good idea
06:13What the hell?
06:19Where is she?
06:21What the hell?
06:24I...
06:26She's not here, she's in her house.
06:30I know you.
06:33You were in a bar then, with her.
06:36Yes.
06:37You know her?
06:39You're in her house.
06:42I'm your face.
06:44Your face?
06:48My face?
06:48When I asked her who he was, she was not here.
06:52She was not here.
06:53She is not here?
06:55She was like, because we were par Sir?
06:59We were paring?
07:00Of course.
07:02It was because of her?
07:03It was because of her service.
07:05It's not fair enough.
07:17You think you're a guy?
07:20For me, it's just Bukashka.
07:24I'm going to call her to you.
07:31Good night, Bukashka.
07:59Good morning.
08:00I am Evie.
08:04I am your nanny.
08:06I took the night train in from Helsinki.
08:09No.
08:10No, you are not the woman that I hired.
08:12The woman I hired had...
08:15...experience, you know, haft.
08:17So...
08:18The agency sent me all this way.
08:20It was a 13-hour journey.
08:23I assure you, I have years of experience.
08:26I don't see how that's possible,
08:28because you don't have years of anything.
08:30Hello.
08:31Hey, who are you?
08:32She says she's the nanny.
08:33Evie.
08:34Oh!
08:35It's very nice to meet you.
08:36I'm Ray.
08:37This is Cheryl.
08:38Here, let me take your bag.
08:39No, no, no.
08:40We're going to leave the bag,
08:41because I'm going to call the agency,
08:42because this was a mistake.
08:43Do you want anything to drink?
08:43The coffee's bad, tea's even worse.
08:45Why don't I introduce you to Trent?
08:46Trent, buddy!
08:47Come in here, I got someone for you to meet.
08:49Sir, we're going to get this sorted out soon,
08:50so stay close, please.
08:51Don't unpack, and we're not going to unpack, okay?
08:53Just a second.
08:56Down a tiny bit?
08:57Is that...
08:58I think that let go?
08:59That's perfect.
09:00I knew it was a little off.
09:04It's Amalievich.
09:05Are you familiar?
09:06Actually, I am, yeah.
09:08Art history minor.
09:10You sure that's okay?
09:11Yeah, looks great.
09:12Yeah?
09:15Yeah.
09:17One of the perks of this job?
09:19Access to the desperate and formerly rich.
09:22I got this for a song from a high-level Politburo member
09:26with a gambling addiction.
09:27Someday it'll be worth millions.
09:30He'll be pretty sour he made that deal.
09:33I have an eye for these things.
09:34When I served in Berlin in the 50s,
09:36I bought a Degas.
09:38Really?
09:40Was it stolen Nazi art?
09:43Well, not when I got my hands on it.
09:46I paid for it, which makes it no longer stolen.
09:59I saw the signal in your window.
10:02Andres showed up?
10:03What did you say?
10:05I said that I was your boyfriend.
10:08Oh.
10:09I know.
10:10It was the first idea I thought of.
10:12I said I knew about your infidelity.
10:14I'm so sorry I'm putting you in this position, this risk.
10:17Well, it's already risky.
10:20Giving secrets to the Americans if they catch me.
10:23I know.
10:23I know.
10:23I know it's scary and risky,
10:26but you have to know that the intelligence that you're bringing us...
10:30What intelligence am I bringing?
10:32The photos.
10:34And the technology.
10:37You don't know, do you?
10:39If what I do matters,
10:41they don't tell you what I'm bringing them today.
10:48I think what I'm doing is important.
10:51But you don't have to lie to me for me to help you.
10:53I have to lie to everyone.
10:55I'm Nadia Melnikova, the school teacher.
10:57And you are my boyfriend, apparently.
11:03Though you're cheating on me.
11:05Oh, small hiccup in an otherwise very strong relationship.
11:09Okay, so what's our story, hmm?
11:10How did we meet?
11:11You don't remember?
11:13Well, I...
11:14My umbrella broke, and I asked if I could walk under yours.
11:17Of course.
11:18I walked seven blocks out of my way to stay near you.
11:20And I thought I'd never see you again.
11:22And then one day at the market, there you were.
11:25It was fate.
11:30I really am sorry.
11:33No, I did.
11:36Love...
11:38Love means never having to say you're sorry.
11:42Oh, my God!
11:45You got a copy of Love Story in Moscow?
11:49Yeah, movie and book.
11:51How did you get a copy of the movie?
11:52My work is with video technology.
11:55It's the technology the Americans want me to steal.
11:58Did...
11:58Did you know it?
12:04What do I do if it comes back?
12:06What you're doing...
12:10Believes a lie.
12:16I mean, he never had a wife, so...
12:18That must be his sister.
12:20I mean, she...
12:20She kind of looks like him.
12:21If you say so.
12:22Well, no, but you know so.
12:24You know everything.
12:25You know about Twyla's high school track career.
12:26You know I don't take cream in my coffee.
12:28And you know that our Soviet acid sister was murdered.
12:31I didn't know about the cream.
12:33We were just out of cream.
12:34Why do you want to know more about your agent?
12:37You've already almost gotten him blown by the KGB.
12:39Well, I don't know.
12:40He's putting his life on the line.
12:42I just want to understand why.
12:43I need him to trust me.
12:45He already trusts you.
12:46And you trust him.
12:48Which, by the way, you shouldn't.
12:49Wait, why are we doing this if we don't trust him?
12:51In many ways, you were extremely ill-suited for this job.
12:55But you have your reasons for being here.
12:57As does Redford.
12:58And his reason is his sister.
13:00You think she was a prostitute?
13:02Looks that way.
13:03Who murdered her?
13:05Soviet government, KGB.
13:07Same organization who employs a man you want me to date.
13:10It's a sensitive undercover operation to infiltrate a high-level KGB agent.
13:14Oh, you know what I mean.
13:15Of course he's dangerous.
13:16Otherwise, we wouldn't want you to spy on him.
13:18How dangerous is he?
13:21Andre?
13:23Has he killed a lot of people?
13:27You've looked him through his eyes.
13:30What do you think?
13:51Well, first off, it's Carl, not Curl.
13:55Why don't you go ahead and work off of that one?
13:59Oh, Cheryl.
14:00You did such a great job with that.
14:02Why don't you just take over?
14:03Oh, I did not do that.
14:04Bea did.
14:04So.
14:05No.
14:06Right?
14:07Paint.
14:07Put that down.
14:08You paint?
14:09Uh, yeah.
14:10Wow.
14:10A woman of many talents.
14:12That involves sitting down.
14:13Sure.
14:17It's time.
14:24Okay.
14:29I thought they would send the other girl.
14:32Why?
14:33She spoke Russian.
14:35Well, uh, you're speaking English and they sent me.
14:38So, what do you need me to do?
14:42Pavel, the butcher, took a great risk contacting Caterpillar.
14:47For that, he needs money.
14:50$100,000 in American currency by tomorrow night.
14:54That's a lot of money.
14:55To the American government.
14:57It shouldn't be too difficult.
14:59Okay.
15:00I'll try.
15:00Yeah.
15:01I'll work on it.
15:02I just, you know, we don't keep that kind of cash lying around at the embassy.
15:05And I need a passport.
15:06For who?
15:07Pavel?
15:08Passport is for me.
15:11This is the cost of my help to you.
15:13I can't hide in this country forever.
15:16I want to die free.
15:19Okay.
15:21I'll, uh, I'll get you the passport.
15:23But when I do, you're gonna get your guide, the butcher, to contact Caterpillar
15:27and get the location of this facility for Dane.
15:30Yes.
15:31That's our deal.
15:48Yes.
15:51Yes.
15:54Yes.
16:07Yes.
16:08Yes.
16:08Yes.
16:09Yes.
16:09Yes.
16:09Yes.
16:12Yes.
16:14Yes.
16:15Yes.
16:27Yes.
16:32Yes.
16:33It's not a while.
16:35It's not a while.
16:35Oh, no.
16:36Ah, yeah, yeah, of course.
16:39I'm going to go.
16:41I'm going to go.
16:54I'm going to go.
17:06Oh, my God.
17:08Sure.
17:14Jesus.
17:16$100,000 in cash by tomorrow night.
17:18We couldn't get that in a month.
17:20Don't we work for the American government, aren't we, Rich?
17:22We have to fill out forms to get thumbtacks.
17:24But she's negotiating, I think, which is a good thing.
17:27We just have to keep her hungry.
17:29Tell her that we can get her a visa to a friendly nation
17:33where the KGB won't kill her.
17:35Get me a visa to America, then.
17:37Get her a visa to America, then.
17:39We can get Turkey.
17:40How about Greece?
17:41She'll still need an American passport, though.
17:43What about a Greek passport?
17:44American.
17:45I can only do with an American.
17:48Fine.
17:49Is that it?
17:51Is that it?
17:53Pavel still wants the money.
17:54I can get you something extremely valuable
17:57that you can sell for a large amount of cash.
18:00More than a hundred grand, even.
18:01What is that?
18:03I'll tell you tonight.
18:04If you're not satisfied, we'll call the whole operation off.
18:07You'll call the whole operation off?
18:09What were you planning on giving her?
18:10I don't know.
18:11I was just trying to buy us time, okay?
18:12Think with me.
18:13You need this, I need this.
18:14What about your car?
18:15I'm sure she'd love a car.
18:16I don't own a car.
18:17I drive a West German sedan owned by the embassy.
18:19Right.
18:20What about watches?
18:21You got a Rolex or something?
18:22No.
18:23Okay.
18:25Okay.
18:25Just, uh, just let me think.
18:28Let me, uh, let me think.
18:33He's trying to screw with your head.
18:36Yeah, that's working.
18:37My head is screwed.
18:39He must have sent the man who robbed me.
18:43Whoever robbed me didn't find this.
18:51Although he could have, and that would have been the end for me.
18:54So this is the last thing I'll steal.
18:55I'm sorry I can't do this anymore.
18:58They're gonna torture me.
19:00They're gonna make me wish I was dead.
19:02They're going to let me live just enough so I feel pain every hour of my life.
19:05I feel fear I've never felt before.
19:06Do you understand what is at stake for me?
19:08I'm sorry.
19:09I'm sorry, I don't think I can still do this for you.
19:16You and I both know you're not doing this for me.
19:21Your sister.
19:24They killed her.
19:26You know, but Galina...
19:29You know they killed her.
19:31The KGB.
19:33I do know they killed a lot of women.
19:39A man...
19:41KGB.
19:42He came to me one night after she died.
19:45He said that there were some...
19:46KGB agents who were murdering...
19:50prostitutes.
19:52And Galina was one of them.
19:56I didn't know.
19:59We came from Kiev to Moscow when we were 13.
20:03She was my only friend.
20:05She was so excited to be here.
20:08But then they killed her.
20:11This country.
20:14Our country.
20:17Please believe me when I say I understand.
20:23If you walk away...
20:27No one in this world will ever fight for her again.
20:41I need something.
20:42Anything.
20:45I need to know that if they're going to torture me there's another option.
20:50We thought about this. I need an L pill.
20:52I don't know what that is.
20:53A lethal pill? A cyanide pill?
20:55I don't understand.
20:56Why do you want a cyanide pill?
20:57So I could bite down on it if they come from me?
21:01I'm not going to give you a pill so you can kill yourself.
21:05I don't want you to die.
21:08I don't want to die either.
21:13I will only take it if there is no other option.
21:17I will continue helping you with please.
21:21Understand there are some things worse than death.
21:40So what the fuck happened?
21:42Well I fucked up is what happened.
21:44He almost quit and I think he still might.
21:46Oh and fuck Andre knows about him and he thinks that he's my boyfriend that I'm cheating on.
21:50Well we can work with that.
21:51What?
21:51He just likes knowing someone else is fucking you.
21:54I think the KGB sent a goon to beat him up.
21:56Well is he okay?
21:57No he's not okay.
21:58He wants me to get him an L pill.
22:00And there is no way that Dane is going to give me a pill that's going to kill our asset.
22:03I think I can get you one of those.
22:05Really?
22:06Well from who?
22:07How?
22:09Vera.
22:10Poison.
22:10It's one of the things she can procure.
22:12So she would just give it to you or?
22:14Maybe.
22:14If I can sweeten the deal.
22:15We're in the middle of a negotiation.
22:18Actually.
22:19You know when you were making fun of Alan for his stupid painting earlier?
22:22Yeah.
22:22Could I borrow it?
22:24What do you mean borrow it?
22:26Steal it.
22:27What?
22:27Yeah.
22:28Would you mind just breaking into his office really quick and just stealing it from me?
22:32What the fuck?
22:34Please?
22:35In the mornings are all sliding.
22:39As they drag you by your feet.
22:43But the hangman isn't hanging.
22:47And they put you on the screen.
22:51Yeah.
22:52Go back.
22:53Jack.
22:54Do it again.
22:59I think about this every single day.
23:03I think about this every single day.
23:04I think about this every single day.
23:04I think about this every single day.
23:05Oh, yes.
23:06Jack!
23:07Jack!
23:08Can I go here?
23:09Oh, okay.
23:10Oh, yeah, I'm okay.
23:11Oh.
23:12Sleeve?
23:12Yeah.
23:13Oh, God.
23:14Oh, my...
23:15Oh, my...
23:16Oh, sorry, Lucy.
23:18Are you okay?
23:19Just...
23:19Yeah.
23:20Oh, shit.
23:21Oh!
23:31She's perfect. Really, amazing job, truly.
23:43Oh, it's so not. It's awful.
23:45It's fine. Nobody is going to notice these things.
23:47Alan will notice. He looks at this painting all the time.
23:51Well, he didn't notice when you stole it in the first place.
23:53Yeah, that's because he was busy having sex with Lily.
23:57Shep's wife.
23:58Yeah.
24:00Wow.
24:00Mm-hmm.
24:02I mean, I get it. I mean, if you had to fuck Shep, you know, but...
24:04Mm-hmm.
24:05Alan.
24:06I know.
24:06Why did you do the head just like...
24:08I don't know.
24:09No, no, don't worry. Don't think about it. Don't think about it.
24:11I tried.
24:12Okay.
24:18No, no, don't think about it.
24:56Well, you're blackmailing me.
25:00I pay you to stop a tape from getting out, but you claim will be very damaging to me.
25:05A tape you claim to have.
25:06I do have it.
25:08Really?
25:10Because I heard chatter that you didn't.
25:13That the facility was compromised.
25:15And the tape got out.
25:17That's a lie.
25:18You're over your skis, Vasilyev.
25:21You act like you run things, but we both know you're just mid-level KGB.
25:27I don't negotiate down.
25:29Come back when we can talk like equals.
25:31I may not run an embassy, but you won't either.
25:35I will send an anonymous dispatch to CIA, the head of Moscow station.
25:42It's a ferry.
25:44Tell whoever you like.
25:46My mother's dead.
25:47I don't have a priest.
25:49I don't have a wife anymore.
25:52Washington already knows.
25:53I mean, how'd you think I ended up in Moscow?
25:57The worst assignment in the whole of the fucking CIA.
26:00If this item you claim to have is a tape of me fucking other men, then you really don't have
26:07it.
26:08I'll see you around.
26:14Wait, wait, wait, wait.
26:14You stole this?
26:16No, no, of course not.
26:17No.
26:18Me stole it.
26:19Are you kidding?
26:20Look, how else was I supposed to find someone worth a hundred grand?
26:23Okay?
26:23Your life's not even worth that.
26:24Oh, you're too kind.
26:26Look, you're the one that said to give Vera everything she wants if I want answers.
26:29So that's what I'm doing.
26:30You're assuming that Pavel is going to accept this as payment?
26:33Yeah, he will.
26:35I can convince anyone anything.
26:41He wants to know what the painting means.
26:45I don't know what it means, but I do know that it is worth a lot of money.
26:51You know, it's one of the big main guy at the embassies.
26:54It's his, and he's a big art collector, so tell him that.
27:09Tell him a little something.
27:11Sell it a little more.
27:13What do you mean?
27:15What do you think it's about?
27:16What do you think it's about?
27:26Loneliness?
27:28It's about feeling like you're part of the world, and other times like you're not.
27:36You feel like you're part of the world, and on the other side, on the other side, on the other
27:43side.
27:46There's something there.
27:49Actually, you know what?
27:50Never mind.
27:51I think I'm going to find another buyer.
27:53Yeah, this is a very significant work, and it's wasted on a moron like yourself.
28:09No, don't take it.
28:10He will accept this.
28:12Oh.
28:14Then he will set the meat with Caterpillar.
28:23You owe me a passport.
28:25I know, yeah.
28:26Uh, wait, wait.
28:27Actually, uh, I hate to ask you for another favor, but, um, do you have a suicide pill?
28:33You know, one of the L-pills, the thing you bite down on and you die in two seconds?
28:37Why?
28:38It's not for me, but I'm in the middle of another negotiation.
28:41I don't have any more paintings to steal, but, uh, I do need one.
28:45I have one of those.
28:47Really?
28:48Wow.
28:49Just get me a passport.
29:10Here it is.
29:14So, that's me now.
29:18Pamela Wilson.
29:19Yep, that's you.
29:21From Illinois.
29:23Close enough.
29:25Yeah.
29:26And here is the pill.
29:28Oh, what are you doing?
29:30Oh, my God.
29:34Okay.
29:35Wow.
29:37Uh, you don't need it?
29:39I did once.
29:40Now, I've since learned, it's only a fool who thinks they can't control death.
29:45Death takes you whenever it wants.
29:48I kind of want to bite it.
29:49You ever just want to bite it?
29:50No.
29:54I got you everything you wanted.
29:57Could you, uh, could you tell me what really happened to them, to Tom and Chris?
30:01It was the compromise facility.
30:05It was the compromise facility.
30:06They were looking for it when they were killed.
30:12Caterpillar is giving us.
30:40Caterpillar is giving us the new coordinates.
30:40Still ten kilometers from the coordinates you broadcast to me.
30:44Well, then we better start walking.
30:46If Caterpillar even gave you the right fucking coordinates.
30:49Stay here.
30:51We'll be fast.
30:52It's Christmas Eve.
30:54Your wives are expecting us.
31:05They were soldiers waiting for us when we landed.
31:09I watched them die.
31:11I escaped before the soldiers got to the plane.
31:15Wow.
31:15So there were soldiers, though?
31:17They were waiting for you?
31:18They knew you were coming?
31:19Somebody told them.
31:21Who?
31:22Who would tell the Russians?
31:23Your husband, he was feeding the information to the Soviets.
31:27What?
31:28Your husband was a mole.
31:31I mean, are you sure?
31:34He was a lot of things, but, I mean, working with the Soviets, I mean, how do you know?
31:39How do you know this?
31:41For this information, I need something else.
31:46What?
31:48No.
31:50No, no.
31:51You're going to tell me.
31:52Look, I gave...
31:57Oh!
31:58Oh!
32:15Okay.
32:18That's...
32:19That's good.
32:20Oh, yeah.
32:21Let's go.
32:22That's good.
32:22Okay.
32:22Okay.
32:25yeah yeah that's good that's kind of good oh my god you almost gave me a heart attack
32:31twilight let's get out let's get out let's get out let's get out let's get out something um
32:35yeah uh what wait wait wait why are you wet vera fell into the river oh jesus christ well you
32:44got
32:44to be careful she's an old woman no no no she fell in the river and she died what yeah
32:50i don't know
32:50i don't know the bridge she was she was standing just a bridge crumbled and then she fell well you
32:54just left her there yes what was i supposed to do drag her body through the streets of moscow what
32:59are you shit this is bad yeah it's bad yeah but um but you know you know it's not all
33:05that bad because
33:05i already got the uh the painting to the butcher so he's gonna set the meeting and you know we're
33:09gonna get that location for dane still so oh god that's good yeah that's good before vera died did
33:14she did she say anything you know you know that might be relevant for us actually uh
33:25yeah she uh she said she was there when tom and chris died she said that yeah she saw them
33:38die
33:40that's what she said and he believed her okay
33:54oh god
33:58i'm sorry this is so stupid no i don't know i thought maybe there was a chance maybe they
34:04were still alive yeah that doesn't make any sense i just i don't know it i got it because
34:14there were no witnesses that maybe maybe this wasn't real but oh god it is
34:33i don't know if this is helping just uh let me know if you want me to stop okay
34:54sorry i just
34:57i just miss him
35:00okay um did she did she say anything else
35:08no no nothing else
35:13okay yeah
35:17we should probably let someone know that our asset is dead dad yeah
35:21okay
35:31i uh i i didn't push her if that's what you're thinking
35:38no i wasn't thinking that yeah because because it was an accident so if anyone you know were to find
35:42her it would uh it would look like one right
35:46right if the russians find the body they can come to whatever conclusions they want
35:50jesus
35:50okay i gotta get ready for the show but could i get the passport that we made vera so i
35:56can destroy it
35:57the passport
35:59yes please
36:00i don't have it
36:03where is it
36:06she has it because i gave it to her
36:08if an american passport is found on the body that ties us in to all of this okay this is
36:13a big
36:13fucking problem and we have very little time i'm gonna need you to act quickly
36:17yeah
36:19doing what
36:29okay so uh so how are we gonna do this
36:32uh i i guess we just uh walk out there and uh and and reach in her pockets and and
36:38get the
36:38passport yeah okay okay so so so do that
36:42what what about you what are you gonna do
36:44well i'm gonna i'm gonna look out this is your operation so you know i should probably just
36:48right yeah okay yeah okay
37:05just checking in her coat
37:10okay
37:12okay
37:12do we take this with us or
37:14i i i think so
37:16can i toss it to you
37:17nope nope don't don't throw a gun at me
37:20even if it's been underwater
37:21just you can just come over hand it to me
37:23yeah yeah
37:26all right good job
37:28okay don't touch the
37:29nope no i'm not gonna
37:30okay touch it at all
37:31okay
37:33heavy
37:34yeah
37:34i think i feel it
37:36oh thank god
37:37yeah
37:37okay let's go
37:39yeah god
37:39found a
37:40found a knife too
37:43okay
37:47i hate to say this because i uh
37:51i really do want to get out of here but
37:54she's kind of just exposed you know
37:58i mean
37:59maybe we should just
38:02ray kind of said
38:03you know if the passport wasn't on her then
38:06sort of doesn't matter
38:08that's fucked up
38:11it matters
38:13yeah
38:13i mean maybe not to the russians but it should
38:15it should still matter
38:18i mean look at her she's
38:21she's just gonna rot here
38:22i mean
38:23no one's gonna move her
38:24no one
38:25no one cares about her
38:26she's just
38:28she was completely alone
38:32she just lived this life and uh
38:35did all this wild shit and now
38:41now she's dead and
38:44no one's gonna even remember she existed
38:51that's really sad
39:00tell me if you want me to stop
39:14you have to promise me
39:16only if it's absolutely necessary
39:19i know
39:21there's this russian saying you may know it
39:24and
39:31what is this for
39:32there are instructions inside
39:34for something that we need if
39:35you're still willing to
39:37do that
39:43thank you for trusting me
39:45you know i'm doing this for my sister
39:49why are you doing this
39:52my husband
39:54i don't know if he knew i was married
39:56you almost said you had a husband
39:58i
40:00don't anymore
40:03he was killed
40:06does that make me not married now
40:09he feels so far away
40:12you know my sister we
40:14we were twins
40:16am i still a twin if there's no other twin
40:21maybe or we're both something in between of
40:23who we were with them and who we are without them
40:35yeah
40:37goodnight
40:38take care
40:39i
40:40go
40:40go
40:40go
40:54go
40:57go
40:58go
40:58go
41:00Oh, my God.
41:30Jerry?
41:31You may call me Mrs. Zemanski.
41:33Oh, Mrs. She's...
41:35She's a sman...monkey.
41:37I was wondering
41:38if it would be okay
41:41if I came to the performance tonight.
41:43Absolutely not.
41:46Who would look after Trent?
41:48Oh, I would bring him.
41:50He's been talking all day
41:52about watching his father sing.
41:54He has to go to bed.
41:57Where have you been?
41:59I just...I need the...
42:02Of course.
42:49Wow, yeah. Well then, Cheryl, huh?
42:55Twyla, if you don't cheer really, really loud when I sing my song, you are fired.
43:01Well, in that case...
43:02I really should be singing more songs, though.
43:04You know, people say that I really... I own the stage.
43:07Did you ever think maybe the problem isn't your voice?
43:11B.
43:12Yeah, yeah, yeah.
43:14Hi, Alan.
43:14You mind coming up to my office? I need to talk to you.
43:18Of course. But, you know, the show's about to start.
43:21I'll have you back in time.
43:26I was wrong about you, B.
43:34When I first met you, I thought you were just another secretary. But it turns out you're a compassionate person.
43:44That's why I'm letting you in on a secret. Gretchen and I are having some problems.
43:48Oh, Alan.
43:50I'm going to be sleeping in the office for a while. I'm letting you in on that so that you
43:54can help me keep that, you know, discreet.
43:56Of course.
43:58On the bright side, the couch in here is very comfortable.
44:02And, and, and, and. There's nothing like sleeping in front of truly fine art.
44:11That I would give everything I own. I'd give up my life, my heart, my home. Yeah, I would give
44:25everything I own.
44:29Everything okay?
44:30Just to have you once again.
44:36Yeah, just to touch you once again.
44:41It's pretty good.
44:42Yeah.
44:45Wow.
44:47Woo!
44:47Okay.
44:48Woo!
44:49Wow.
44:50Wow.
44:51Wow.
44:53Wow.
44:55Wow.
44:55Wow.
44:56Wow.
44:58Wow.
44:59Oh.
45:00For this song, I would like to invite up the newest member of our embassy family.
45:04It's straight from Helsinki with a great set of pipes.
45:07It's Evie!
45:08Come on up, Evie!
45:09Everybody give a loud applause.
45:11Come on, Evie.
45:14No.
45:15Okay, ready?
45:16Five, six, five, six, seven, eight.
45:30We can dance.
45:32I thought you'd never ask.
45:45I was your hand.
45:48And nobody knows, ain't nobody knows.
45:52Say you're right from the start.
45:55I gave you my heart.
45:57Oh!
46:07Sorry.
46:09Why didn't you ask me to do a duet?
46:13Well, because I didn't know you wanted to sing.
46:18Every time I put on music in the apartment,
46:20you tell me it gives you a headache.
46:21No, I don't like music per se,
46:23but I might if you asked.
46:26Hey, hey.
46:30Next time I will ask.
46:32Yeah.
46:33Yeah.
46:34Trent?
46:34Okay, okay.
46:36Trent!
46:37Trent?
46:38Okay.
46:40See, she cannot control him.
46:42No, he's fine.
46:45Trent?
46:46There are you.
46:50Come on, Trent.
46:55Trent!
46:57Come here.
46:59Careful.
46:59I'll kill you.
47:04When were you planning on telling me that Vera is dead?
47:10Now?
47:14Well, fuck.
47:20Uh, where are you going?
47:23To bed.
47:25We tried.
47:26Not every mission is a success.
47:28No.
47:29No.
47:30No.
47:31I mean, this was a successful mission, though.
47:36I mean, come on.
47:37I did all the stuff I was supposed to do, you know?
47:39Vera wanted to pay the butcher.
47:41He's paid.
47:42Okay?
47:42And so he's setting the meeting with Caterpillar.
47:45And he's gonna get you the coordinates for the facility you want.
47:48The facility that Tom and Chris were looking for when they died.
47:50And he's their contact, by the way, so he's gonna know what happened to him.
47:54Caterpillar is key to finding out what happened.
47:56We're really close here.
47:57And yet the person he was expecting to meet is dead.
48:01Wait.
48:01No.
48:03Caterpillar's never met Vera.
48:05Ray, right? That's what you said?
48:07He's never seen her.
48:08He doesn't know what she looks like.
48:09He just knows her based off her reputation.
48:11So let's just find a different old Russian woman and throw her into this meeting.
48:14I mean, he would never know the difference.
48:16I could do it.
48:16I could...
48:17You don't speak Russian.
48:19She does?
48:21Just...
48:21Just put up a bush goner and...
48:23I could get the wig master.
48:24You got a wig master?
48:25This is a life and death situation.
48:28Not a high school production of Bye Bye Birdie.
48:31Caterpillar will see this woman up close.
48:33So she has to be Vera's age, Vera's profile.
48:36Russian, but on our side.
48:38Which means we have to already know her and she has to already know us.
48:41So unless any of you have another elderly Russian woman who you'd trust with your life...
48:46Dame.
48:51I do.
48:55All over the world, little guys are standing up to tyrants, but not me.
48:59Well, I hate violence.
49:01In fact, my father always told us in his sermon,
49:03Let's see who lives by the storm.
49:05You are the woman that I've always dreamed of.
49:09I knew it from the start.
49:12I saw your face and that's the last I've seen of my heart.
49:21It's not so much the things you say to me.
49:25It's not the things you do.
49:29It's how I feel each time you're close to me.
49:33It keeps me close to you.
49:53It's how I feel each time you're close to me.
49:57It keeps me close to you.
49:57Of my heart.
50:00Of my heart.
50:05Of my heart.
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