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00:10What else was I supposed to do?
00:12He's always the photograph of the new day. He knew we forged the guard.
00:16Where's his phone?
00:17You did take his phone, didn't you?
00:19Yes, he did.
00:22Move his car around the back.
00:26And then what? What were you going to do?
00:29What I always do, Michael.
00:32I'm going to clear up your mess.
00:35You have a fan.
00:38Emma was at yoga.
00:40You were all she could talk about.
00:43Such fun, she kept saying.
00:46Usually when she says fun, she thinks someone's deranged.
00:50But in your case, I think she really...
00:53Nigel!
00:58Where are you?
01:30The number you have dialed is no longer in service.
01:33Please check and try again.
01:35The number you have dialed is no longer in...
01:57I notice you still haven't undied me.
02:02Monica.
02:06What's the plan then?
02:07Are you going to...
02:09strangle me?
02:12Are you going to suffocate me?
02:14That's up to you.
02:15What won't hurt?
02:18How about old age?
02:19Huh?
02:23Where's Alan now?
02:26If he's not in Bermuda?
02:29You're sitting on him.
02:34Wow.
02:37Okay.
02:41They were fighting about Alan leaving
02:44and Michael pushed him.
02:49Alan hit his head on the table.
02:52I came home and found them.
02:54It was an accident, but I knew how it looked
02:57and Michael wouldn't survive prison.
03:02So, we didn't tell anyone
03:06and we put Alan down here.
03:09Is that what No More Secrets meant?
03:13Did Tony know and that's what got him killed?
03:15I didn't kill Tony.
03:17That was nothing to do with me.
03:18What about Michael?
03:20Was it another argument that got out of control?
03:23It wasn't Michael either.
03:24Well, he did kill Alan.
03:29So, why isn't Michael here?
03:31Why am I having this conversation with you?
03:33I'm stronger than him.
03:36You've met him.
03:37He's just a child.
03:41Do you have any children?
03:44Yeah.
03:45Yeah, I do.
03:46I have a daughter.
03:48She's called Kim.
03:49She's actually leaving Jersey.
03:51In 24 hours, she's...
03:53She's going to this big music school, aren't they?
03:55Don't tell me about her.
03:57Sorry, but I know what you're doing.
04:15Don't you want to protect her?
04:17I want her to be brave.
04:20I want her to take responsibility for her actions.
04:23Must be lovely, loving someone like that.
04:26You're crossing a line now.
04:29Both of you are.
04:32Listen, Michael, Michael, complete manslaughter.
04:35He could just be looking at a few years,
04:37and you helping him conceal it,
04:39he or his mum, even the jury will understand that.
04:41You might even get a non-custodial,
04:42but if you kill me now,
04:43I swear to God, we're talking life.
04:46No parole, no, no early release for good behaviour.
04:48You are never, ever coming out.
04:50I don't understand why you don't understand.
04:52You've got a daughter.
04:54You'd fight bears for her.
04:55You'd fight armies.
04:58You'd kill one dangerous man.
05:01Someone will find out.
05:03The police know I'm here.
05:05Someone is going to come looking for me.
05:06You'll be long gone by then.
05:09Hey!
05:10Hey!
05:11Shush!
05:13Hi, Michael.
05:15Is Monica there?
05:16I tried her house.
05:17No.
05:17Um, is that, isn't that her car outside?
05:22Then yes.
05:23Ruth?
05:24Hi, I'm here.
05:25Hi.
05:26Michael, let Ruth in.
05:29Hello.
05:30I was just clearing out some of Alan's things.
05:32Oh.
05:34Um, I'm sorry to turn up on the house.
05:39Tony!
05:40Tony!
05:42Tony!
05:43Tony!
05:44Could you call the police?
05:46We need to get Tony's body beliced.
05:48Um, I've asked them, but, um, I just, I think it would sound better coming from you.
05:53Oh, you've cut yourself.
05:55Oh, um, I was opening a can.
05:58What with a sword?
06:00Have the police spoken to you, Ruth?
06:02Have they given you any indication of what they're thinking?
06:05Well, haven't you heard?
06:06They've arrested Nicola.
06:09What?
06:11Um, I spoke to them.
06:12Not Bergerac.
06:13A different one.
06:15About an hour ago.
06:17Well, why would they think that she had anything to do with it?
06:20She didn't even know Tony.
06:21Oh, well, they didn't say.
06:24Look, Nicola and I were in touch.
06:27She thought you killed Alan and Tony knew.
06:30And, well, that's what I thought.
06:32That's why I came to see you yesterday.
06:35Look, I'm, I'm so sorry, Monica.
06:37I just, I assumed you'd been told.
06:46Um, Mum, uh, needs to be alone.
06:50Oh, yes.
06:51No, of course.
06:52Um, sorry.
07:06And you'll speak to the police about releasing the body?
07:09Yes, sir.
07:10Leave that with us.
07:11No, Ruth.
07:11I just think it's really important.
07:33Barney.
07:33Uh-huh.
07:34Frensics have come back with a final report on the card from Alan Barton.
07:37Yeah, I've seen a report.
07:39The card is genuine.
07:40Yeah, that was the interim.
07:41This is the full file.
07:42Simon, give me the headlines.
07:44Okay, so they compared the card with three samples from friends.
07:48They said the handwriting is superficially adept, but upon further examination, there are enough
07:53inconsistencies to suggest it was not written by Alan Barton.
07:56What?
07:57It was principally in the letter formation, the pressure, slant, and the spacing.
08:00Hang on.
08:00So Michael forged the card.
08:02Does it say that?
08:02It does, yeah.
08:03Basically, in the conclusion at the end.
08:08It wasn't suicide.
08:10It wasn't Monica.
08:13It was Michael.
08:22Davey, get two cards ready.
08:24Yes, what?
08:24Kara.
08:25Fuck it.
08:27Everyone, listen up.
08:36Let's go.
09:21Why have you arrested Nicola?
09:25She was out of the way.
09:26That's a lie.
09:27No.
09:28There are pictures.
09:29There was blood on her coat.
09:32And five years ago, she said one day she was going to take away the thing you love most in
09:36the world.
09:38Monica, just listen to me.
09:40Shut up.
09:42Shut up!
09:45Monica.
09:46Shut up.
09:47Just be quiet.
09:51Because I need to think.
09:58Okay, and then, and then, and then, and then it's over, it's over, and then it's over.
10:09You never answered my question about the best way to die.
10:14What's suffocation like?
10:16It's very unpleasant, I imagine.
10:18Worse than this.
10:26Well then.
10:41What are you doing?
10:43I'm looking for a plastic bag.
11:10Mom!
11:24You, Christ, you, you have fucked my life.
11:31Do you know that?
11:33I've lost two husbands and now my daughter because of what you did.
11:37So what's next, Michael?
11:38What's the next plan?
11:39I've got some aunts and uncles.
11:41Do you want their addresses?
11:42You could set fire to their houses.
11:49You've taken everything from me.
11:54Every last scrap.
11:57You've eaten me alive.
12:04So come on, then.
12:09Where are we going?
12:11The cellar.
12:28Oh, Jesus.
12:30What the fuck?
12:31Oh, my God.
12:33Michael killed Alan.
12:34They're going to kill me, too.
12:36Oh, my God.
12:40Oh, my God.
12:58Where is he?
12:59I don't know.
13:03Oh, God.
13:07Oh, God!
13:08Michael, no!
13:09Oh!
13:13Hey, stop, stop!
13:15Michael, don't do this.
13:17Look, I spoke to your mum.
13:19She said it was an accident. I understand that.
13:20Then let me go! Let me run away!
13:23Put the knife down, and we can talk.
13:27Michael, hey.
13:29Hey.
13:30Oh, God.
13:33It's all right, Michael.
13:34Oh, God.
13:35It's all right. Come on, it's over, love.
13:38Come on, we've got to face facts.
13:39We've got to be big and brave,
13:42and we've got to say,
13:43come on, do your worst.
13:46But you know that already, though, don't you?
13:48You're so clever, I tell everyone.
13:49He runs rings around me, I say.
13:53What's your chess ranking?
13:56Two hundred?
13:57One hundred.
13:58An 88 in the world.
14:01Well, there you are, then.
14:02So, come on, let Ruth go now.
14:05Come on.
14:05Poor Ruth.
14:06Look, she's so rumpled.
14:09It's all right.
14:10Come on, it's over, love.
14:12It's over.
14:14That's it.
14:15Good boy.
14:16Good boy.
14:17There we are.
14:24There we are.
14:25That's it.
14:28There's my Michael Perry.
14:31That's it.
14:33It's all right, Mum's here.
14:36Mum's here now.
14:37Come on.
14:38It's all right.
14:39It's all right.
14:40You're all right.
14:41You're all right.
14:43It's all right, Michael.
14:45Mum's here.
14:46Yeah.
14:50You know, the most interesting thing about all this is,
14:52no Jim Bergerac.
14:53Now, I'm not saying he was holding us back,
14:55but it is funny how the whole thing resolves
14:57the minute he steps away.
15:05Can't we've found him?
15:16Lots of families around here,
15:17so you know, lots of birthdays.
15:20Sounds like a great idea.
15:22Would you excuse me one second?
15:24Have a read of that.
15:26Can I help?
15:27Yes, I'm looking for Nigel.
15:28Nigel Morton.
15:29Right.
15:30I think you've got the wrong address, so...
15:32But this is his restaurant.
15:34Um, no.
15:36This is...
15:37Well, it's not really anything right now.
15:39They want to turn it into one of those
15:41paint-your-own-portery places,
15:43but I sort of feel that's had its day.
15:45But we, um...
15:47We came here a couple of days ago.
15:50He showed me around.
15:51Wait, was this Tuesday?
15:53Because we did hire it out that day.
15:55Who to?
15:57Um, students.
15:58They were making a film, I think.
16:00We wouldn't normally do that sort of thing,
16:02but then we thought, you know what?
16:03Let's give something back.
16:05But then, well, this, um,
16:07older gentleman came in to collect the keys.
16:09He could have been a mature student, I suppose.
16:11What did he look like?
16:13Slightly balding.
16:14Late 60s.
16:15Absolutely charming, to be fair.
16:18Are you all right?
16:19Yes.
16:20Uh, thank you.
16:22I'm sorry to interrupt.
16:27You did.
16:46What is it?
16:47Yes.
17:13you should have told us you were coming here yeah it was just a spur-of-the-moment thing
17:16again this learning wolf bullshit i know this changes nothing about nicola we are charging
17:22her with tony's murder that makes sense yeah and i don't want you within 10 miles of it
17:27i won't be we had an agreement jim it's all yours bonnie
17:32we were on our way here clearly
17:37it's a little more of bullsh-t
17:39I don't know.
18:06I don't know.
18:14She's at the station.
18:16She'll be charged later today.
18:21When Tony said no more secrets, what do you think he meant?
18:27Indulge me.
18:28I don't know.
18:29Maybe he was talking about the accident.
18:31No, not Alan.
18:32Not where his body is.
18:33Tony didn't know anything about Alan.
18:35So I keep coming back to this cottage.
18:37Tony didn't have any money, so you needed to sell it.
18:39But you said no, and what, he was just fine with that?
18:42Well, it was my house.
18:43Yeah, I reckon he could be pretty persuasive, though.
18:45And what else was he going to do?
18:46He didn't have any money.
18:47Didn't have anywhere to live.
18:48And the solution to all that is right there.
18:54Look, here's what I think.
18:56Either you had to tell Tony about Alan.
18:58You can't sell a cottage with a dead body buried under it.
19:01And you know what?
19:02I think he was probably okay with that.
19:03I mean, he had secrets of his own.
19:05But then he's saved by the brother of the woman whose death he caused.
19:10He has this road to Damascus conversion.
19:12He stands up.
19:13That's it.
19:13No more secrets.
19:15And you panic.
19:17Because that means Michael goes to prison.
19:19I told you.
19:20Tony didn't know about Alan.
19:21Why was he talking to you when he said it?
19:23He was looking at you in a mirror.
19:26Just like I am now.
19:27In all the Hulapaloo, I've forgotten that.
19:30Monica, there is nothing you can do to protect Michael anymore.
19:34It's Nicola who needs you now.
19:37Don't let her go down for this.
19:53I spoke to Tony after the speech.
19:57And I said, please, don't do this.
20:01But he'd made up his mind.
20:03He was going to come clean about Alan and about the accident as well.
20:07He said that he and Michael would be liberated.
20:11Even if they went to prison, they'd be free.
20:16So when I went back to the room with the knife,
20:21he was sleeping.
20:24It was peaceful.
20:26He didn't feel a thing.
20:28I mean, I don't care if you believe me or not.
20:30I was there.
20:32It was peaceful.
20:37Tony didn't have children, so he didn't understand.
20:40You do.
20:43You'd fight armies for your child.
20:46You'd fight bears.
20:47You'd kill one dangerous man.
21:01You're you're you.
21:03You're yours.
21:21your phone it's not evidence there's a seven missed calls from Kim uh we can let Nicola go
21:28whoa whoa whoa what why Monica killed Tony she confessed I arrested her I love look sorry
21:38something happened at work I just have to go to the station and then what is it what's wrong
21:55I got worried when you didn't turn up when I rang granny I made her come here where is she
22:09Charlie
22:17hey I'm so sorry
22:21Kim says you gave him some money it was for his restaurant how much Charlie I know it's
22:29uncomfortable I need to establish if a crime has been committed
22:37120,000 pounds right
22:44um listen listen people have lost more so you know don't feel bad but um look now now we have
22:53some
22:53options okay did he did he threaten you did he did he coerce you at first he wouldn't take
23:02it I had to convince him to that's a common that's you know it's manipulation they make
23:08it seem like it was your choice it's what they do
23:10I'm not an imbecile oh some some love-struck teenager I can think I can reason I ran a business
23:21I was a magistrate I've written fucking books hey no one is blaming you Charlie took me to the
23:26restaurant he showed it to me and and he had a business plan and there was some some partner
23:32someone he was working with okay yeah well they were working together you know sometimes maybe they
23:36switch roles Nigel is is the business partner and the other guy is the the Nigel
23:46we were lovers
23:49I know
23:54like I said look we have some options now
23:58these options they will require me to press charges don't they well yeah
24:04I won't do that Charlie I won't do that
24:08I'll be humiliated I'll be a punchline I'll be Millie Favisham
24:16I'm sure you think a reputation is a quaint thing
24:21your reputation waxes and wanes you don't care anymore how lovely for you
24:29but for the rest of us
24:33it's a pile of poker chips
24:42I'll say I ended the relationship
24:46I might even throw in something vulgar and salacious
24:50it was terrible in bed
24:53people will laugh
24:55people will laugh
24:56and I'll seem powerful
25:01to the rest of the world
25:04I'll still be me
25:10so there we are
25:17what happened to you you look terrible
25:38you can't do this
25:43sue me
25:44sadly I don't have the time
25:46I'm flying back to the mainland just waiting for my taxi
25:49you know I have sympathy for some of the people I deal with
25:52yeah they're unlucky they're desperate
25:55but then there are the ones like you
25:56the ones that just have a fundamental part of their humanity missing
26:00yeah even other criminals know it
26:02that's why men like you don't do well in prison
26:04so who are you really
26:06I'm sorry Jim I'm
26:08lost
26:09men like me
26:10yeah
26:11I've done nothing wrong
26:13my girlfriend gave me some money for a business opportunity that
26:16has frustratingly gone away and now that
26:19relationship has come to an end
26:22am I missing something is any of that illegal
26:25obviously you know the law better than I do
26:29wait you don't think this was a scam
26:34oh no wonder your cross
26:37look if Charlie thinks there's been any kind of double dealing then
26:40she should press charges and we we should go to the police station right now
26:51what's that lassie she hasn't
26:55oh then I'm confused again
26:58cab firm said 10 minutes
27:02how'd you know where I was by the way
27:04on your second date you took flowers for Charlie
27:07you ordered them online from a local florist
27:10and you had them sent to this address
27:14you should be a detective
27:16yeah
27:18people have said that
27:21while I've got you here
27:24I just want to say I think you're too hard on yourself
27:28I'd be a gibbering wreck for years if I've been through what you have but you're
27:31holding yourself together
27:34solving crimes
27:37never mind what Charlie says I think you're a great father
27:41give yourself a pat on the back
27:45did you even lose a child
27:48no
27:49not as such
27:50look I'm not proud of that what can I say
27:53I was intoxicated by I wanted to find a connection so yes
27:56little white lie like
27:59inflating your income or
28:00saying your love down to nabby when it makes you want to gouge your eyes out
28:07admit it
28:10there's a part of you that thinks she deserves this
28:15she's my family
28:16oh come on
28:17you don't even like her
28:20she certainly doesn't like you
28:24in case she thought it was all just banter
28:27it raises an interesting question doesn't it
28:30about
28:30those men
28:32why they exist
28:34the people they target tend to be
28:36venal and callous
28:39they live for the schadenfreude
28:43makes their eyes roll back in their headship
28:47and these women
28:49they're cowards
28:51if they were decent or brave those men would have to rock post offices
28:57I'll convince Charlie to press charges
28:59you can still be arrested on the mainland
29:00great
29:01yeah looking forward to seeing you in court etc
29:07look I hate to ask but you couldn't give me a lift to the airport could you
29:19it's Barney Crows here can I get five minutes with him today
29:23yes it is
29:316.15 yeah that works
29:33thank you Wendy
29:55ah finally
29:56where is everyone
29:58the pub
29:58waiting for you
29:59it's not every day we solve two murders for the price of one
30:02especially not two in the same family
30:04I mean
30:06my mum and dad are naturists
30:08shut up
30:09yeah
30:09they spend half their year
30:11playing table tennis with other naked pensioners
30:14and I thought that was weird and dysfunctional but
30:18anyway great result boss
30:21yeah
30:22yeah it is
30:24tell your face
30:25sorry
30:26it's a bit of a crisis
30:30oh
30:31there's some chat about
30:32nominating Ruth Salinger for an award for bravery
30:35good idea
30:35yeah
30:37I'll pop by her office later
30:38I didn't get a chance to thank you properly
30:40did you hear
30:41that big sale of her company it just went through
30:43who told you that
30:44it's on the news
30:47has Nicola gone
30:48yeah you said release her
30:49no I know I um
30:51I just I need to talk to her
30:52what time did she leave
30:53about half an hour ago
30:55I'm sure you can catch her at a hotel
30:56Cara
30:57that's not what this
31:00we owe her an apology
31:01I believe you
31:03tell your face
31:06I'll go see her now I'll go see Ruth
31:08um this news about all this company
31:10where is it
31:11oh uh the business bit
31:21after years of building growing and learning alongside an incredible team
31:26I'm proud to announce that we have officially completed the sale of our company
31:32building this company has been my life's work
31:35we have always fought to be at the forefront of discovery and development and with this partnership
31:41we can do that
31:43huge thanks to everyone at Hobart's
31:45thank you very much
31:47well done
31:47thank you
31:53good on her I say
31:54where is everyone
31:55the pub
31:56I've been waiting for you too
31:58he wasn't here and
31:59you'd vanished
32:00I was printing something off
32:03we have a printer here
32:05how's your head
32:07uh yeah
32:11so are you coming then
32:12I can't drink I'm on these painkillers
32:15I heard that some pubs have started doing non-alcoholic drinks
32:19look it's it's not about the drinks it's about marking the winds
32:23everyone's waiting they want to do a toast
32:25oh mate I am trying my best here
32:27he's not drinking and
32:30he's
32:32we don't know
32:34oh god what
32:49sorry
32:50it's okay
32:54you haven't really had a moment just the two of us
32:58how are you feeling
32:59oh yeah it's been a day
33:01I know right
33:07I finally got a date for the cremation
33:10four weeks tomorrow
33:13why does it take so long
33:16it's like we're waiting in case his condition improves
33:21I'm sorry we have to take him back
33:23we have other tests to do
33:24I've ordered a much more detailed post-mortem
33:26I want to check for poisons
33:27poisons he was stabbed
33:29no
33:30no you can't do that
33:33he's mine now you had your chance you had days you know who did it you have to leave him
33:36alone now
33:40Ruth I think you killed him
33:46theories are like
33:49a line of dominance
33:51you're nowhere and then
33:53something happens and one topples which knocks the next one which knocks the next one on and on
33:59unstoppable and the first domino was
34:03you'd have known about those payments
34:05Tony paid Ian 50 grand for swapping the bloods
34:08and he paid Carl for changing his statement
34:11here's what I don't understand
34:12how did he sneak those payments past Ruth
34:14right so you're saying she knew about the payments
34:16I'm saying she authorized them
34:17the first time I met Ruth
34:19she said she handled the products and the finances
34:22while Tony did the networking and the schmoozing
34:25in your press release today you said you built this company
34:28you know it inside out
34:29I don't think your staff can buy a paper clip
34:33without your approval
34:34we could run a forensic audit on the company
34:36see if we can find the payment
34:37well hang on let's just play this out
34:39say she did authorize the payments
34:40I'm sure she wasn't exactly thrilled
34:41but it meant that Tony didn't go to prison
34:43the scandal didn't capsize the company
34:45but then
34:46fast forward 15 years Tony gets up and he says no more secrets
34:49and that was a second dollar
34:50he tells Monica
34:53he means her and Alan and the car accident
34:57Tony going to prison would have been bad enough
34:58but you helped cover it up
35:00that's you screwed as well
35:01that's your whole company
35:03your life's work
35:04gone
35:05and so I wanted to kill him
35:07how is that less of a risk
35:09well it was a calculated risk
35:11and paid off
35:13because look
35:14Sal went through there fine
35:15but it was Monica
35:17she confessed
35:18yeah and a confession is usually a bit of a conversation stopper
35:22then one of my colleagues said something
35:25domino number three
35:26right there was one weird thing
35:28when Ruth came in earlier she was asking about when we'd release Tony's body for cremation
35:32it's gone already hasn't it
35:34why is that weird
35:34I don't know maybe just the way she said it
35:36I mean maybe it wasn't
35:37first time I met Ruth she said the exact same thing
35:40I mean Tony's body wasn't even cold at this point
35:41and then when you came around to Michael's house and I was in the cellar I heard you
35:45telling Monica she should hurry us up and get Tony's body released
35:48yes because I wanted closure
35:51and that was the last domino
35:52when Monica was arrested she said Tony never felt a thing
35:56he was asleep she said
35:58a knife plunged through all that flesh muscle and sin you wouldn't wake up
36:04what are you saying
36:05I'm saying when Monica stabbed Tony
36:08he was already dead
36:11you don't think it's possible she said that just to distance herself from what she did
36:14and Tony had been drinking all day he could have passed out he could have taken a sleeping pill
36:19there was nothing like that in his post-mortem that's the thing with tests like that
36:22especially with such an obvious cause of death they're looking for context
36:26not cause
36:27this is
36:29no
36:29Ruth
36:30Ruth
36:31Ruth
36:34no just
36:39let me out
36:42can someone help me please
36:45um
36:45I'm locked in
36:49hello
36:51you just you leave me alone
36:55you are insane you're deluded you're not fit for purpose
37:26you're
37:26you're to be fed
37:29he wasn't going to tell the police about me
37:33we were loyal that way
37:35so why did you do it
37:38I knew if he confessed
37:41the police would want to know how he got away with it
37:45and they would look at the blood test
37:48and they would pull at that thread until they find Ian and Carl and they would keep
37:55pulling and eventually they would find me
37:59just like you did
38:02what was the poison
38:05it would help us to know what we're looking for
38:12hemlock water drop water
38:14oh and Anthony crocata
38:17I did my dissertation on natural poisons
38:20a bit macabre
38:22perhaps
38:24I had some in my car
38:26can you believe
38:28I found it in my garden last week I wanted to study it
38:33it's been used to um to treat hepatitis
38:36did you know that
38:38I thought oh my god
38:41the lives I could save
38:44oh god
38:50I thought
39:16hello welcome to the clifton
39:18uh hi this is DCI bergerac I'm trying to reach nicola barton
39:20she's not answering her phone
39:22can you put me through she's in room 410
39:24uh miss barton
39:25oh she checked out about an hour ago
39:28we ordered her a taxi to the airport
39:33oh
39:35oh
39:35oh
39:44oh
39:56Oh my god, I ran.
39:59I was jumping over the trolley things and had to show my warren card and passport control.
40:06And actually, no, I could do that.
40:08They released me two hours ago?
40:10Yeah, I'm sorry.
40:12Look, things got really...
40:15We've arrested Ruth.
40:16She did it too.
40:18It's complicated.
40:21Your mother stabbed Tony's corpse.
40:27I'm going to be in therapy for the rest of my life.
40:30Flight 3096 to Manchester is now boarding at gate number two.
40:36That's me.
40:36Please have your boarding passes ready.
40:39Well, um, thanks for letting me know that this could have been an email, albeit a long, really weird one.
40:48I wanted to tell you to your face.
40:50A Zoom, then.
40:51We could have done this on Zoom.
40:53No, I wanted to stop you leaving.
40:58In the beginning, nothing could happen because of the case, but we're not there yet, but it's different now.
41:06Well, you could be seen with me.
41:08Yeah, well, I'm not saying it would raise a few eyebrows.
41:11I've been doing that all my life.
41:17My flight's boarding.
41:20It's not the last helicopter out of Saigon.
41:22There'll be other flights.
41:23Yeah, but my luggage is on there.
41:24Well, they send it back.
41:25What do you need?
41:26What do you need?
41:26We've got shops.
41:27There's several shops in Jersey.
41:28And I've checked out of my hotel, though I think they were pleased to see me go.
41:32You know we have to pay for that door.
41:35Well, isn't it covered by their insurance?
41:37Well, that depends on the policy, you know.
41:38Sometimes in situations when there's damage, sometimes...
41:40Are you actually answering that question?
41:48Give me an hour.
41:51Just give me a week.
41:55No.
42:01There was a time when I'd be buzzing with the horror and the drama of it all, but I don't
42:09want that now.
42:11You'll say you don't want it either, but you love having your finger hovering over the self-destruct button.
42:17It's what makes you good at your job.
42:20But I can't be around that.
42:23I like myself too much.
42:28And that's the other thing.
42:31You didn't believe me.
42:33I told you about Monica and you didn't listen.
42:36You didn't trust me.
42:39And I've spent too much of my life being called crazy.
42:42You're not crazy.
42:43No.
42:45But you might be.
42:48And for once, I need to make a healthy decision.
42:54Would you describe yourself as a healthy decision?
43:04No.
43:06No.
43:08Not right now.
43:31Good luck, Jim Bergerac.
43:57Hey.
43:58Have you found Nigel?
44:00Yeah.
44:01But there's nothing I can do without Charlie.
44:05You should go.
44:06It's okay.
44:08I wasn't doing anything today.
44:09We could just watch our own shifts.
44:10Oh, to London.
44:11To the school.
44:13We've talked about this.
44:14Yeah, we did.
44:15But you weren't completely honest with me, were you?
44:17Do I need a liar?
44:19Don't get me wrong.
44:20I think you are worried about me.
44:26But, um...
44:27Charlie saw your computer.
44:29She saw you'd been looking for advice about first-year nerves.
44:34We missed all the clues.
44:36I'm really sorry.
44:40But fear can't control your life.
44:43If you could do this, then I promise you, nothing will ever be this scary again.
44:49But if you don't, if you let fear win, then nothing will ever be this easy.
44:56It's not just about you now, is it?
44:59What about Granny?
45:00Oh, I'll take care of her.
45:02Yeah, there's a lot less inheritance, so we might as well keep her around.
45:08Are you sure you can both manage?
45:11Honestly?
45:14It's not your concern.
45:22Okay.
45:24I'll tell Granny.
45:28That's a chair, Rob.
45:44I'm handing in my notes.
45:46I wanted you to be the first to know.
45:49I've really enjoyed my time on the Force, but what happened with Ian, that was a wake-up call.
45:53I've allowed the job to take precedence over other areas of my life, and I think it's time I take
46:00stock and investigate other challenges.
46:05And the non-bullshit version?
46:06Although I think I can probably guess.
46:09Jim.
46:11Nobody works with Jim.
46:13We attend.
46:14He considers rules and protocols, even the most basic precepts of policing, to be a serving suggestion that don't apply
46:20to him.
46:20But it never matters, because he keeps fucking winning.
46:23He keeps getting results.
46:26When you say he doesn't follow rules, I mean, that's hardly a shock, but is there anything specific I should
46:32know?
46:58Jim is Jim, but this dynamic is turning me into someone I don't like.
47:01I'm jealous, I'm bitter.
47:03I can't do anything about it.
47:05I tried to get a transfer.
47:05You saw how that went.
47:08If I stay, I'm cursed to spend my whole career sat opposite Jim Bajrak.
47:16There might be another option.
47:18Richard Gibbon has decided to take early retirement.
47:22Obviously, that doesn't have anything to do with wanting to limit the IPOC's investigation of Ian.
47:26I couldn't possibly comment.
47:29That means there'll be a quick game of musical chairs as people move up or sideways.
47:35So, how would you feel about switching lanes and taking a more managerial route?
47:46You mean be his boss one day?
48:05Is it too early to start drinking?
48:09I'm asking the wrong person.
48:11She seemed okay.
48:12She seemed excited.
48:14She did, didn't she?
48:15You needn't have said anything.
48:17She could have stayed, gone next year.
48:20I respect you for not doing that.
48:23Well, sometimes the best thing you can do for the people you care about is to...
48:27take yourself out of the equation.
48:32We don't have to be friends now.
48:34I'm sure you find constantly biting your tongue as exhausting as I do.
48:39All this time, you've been biting your tongue?
48:41Oh, trust me.
48:51We got on when Rachel was alive.
48:56We were different people then.
48:59The world was different with Rachel in it.
49:06All this...
49:08was fields.
49:14I'd like us to be friends again.
49:22I don't want your pity, Jim.
49:24Well, you can have my sympathy.
49:26It's different.
49:30I'm not sure I ever gave you much sympathy.
49:33I think Rachel would have been disappointed in me for that.
49:38I think she'd be disappointed in me for lots of things, not least.
49:41The example I'm setting her daughter.
49:47Did we prepare Kim for the world?
49:51We did our best.
49:55Did we prepare the world for Kim?
50:00I mean...
50:02Are we making it safer for her?
50:08What I mean is...
50:10You do.
50:11I know you do all the time.
50:14But...
50:16What am I doing?
50:22Perhaps, like you...
50:25I need to take myself out of the equation.
50:50You wanted to see me.
50:52Charlie, this is Kara, who I work with.
50:54Kara, this is my mother-in-law.
50:57Charlie Hungerford.
50:58Hi, Mrs. Hungerford.
50:59How did you?
51:00Very good.
51:00Kara will look after you.
51:02I'll be just that side.
51:03She'll explain.
51:26I want to report a crime.
51:33I want to report a crime.