- 21 hours ago
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00:03You've gone to a trip to the coast?
00:16How's things with your daughter?
00:19Uh, yeah, she's not speaking to me.
00:23Nope, she won't be.
00:25She's gonna punish you about 50 times before she eventually gives you the time of day.
00:31What do I do until then?
00:34Keep showing up, regardless of how much she tries to push you away.
00:38And eventually those 50 punishments will run down to zero.
00:43She's leaving soon.
00:45You'd better get cracking then.
00:55This car was found over there, with the keys still in it and the suicide note on the dashboard.
01:02I want to know a bit more about Alan.
01:06This incident with Monica and the knife, when was it?
01:10A few days before he died.
01:11But you didn't see it?
01:12No, I told you, I was at uni. He told me about it.
01:17Thanks.
01:18But in the years before I left, Monica and Dad would argue a lot.
01:23Not blazing rows, just sort of tense, small, sort of snipings.
01:28Do you remember what about?
01:30Michael, mostly.
01:32How Monica and Molly cuddled him, how Dad wanted him out from underneath them.
01:36And me.
01:38How Dad was easier on me, at least according to her.
01:42How that was giving Michael a complex.
01:45Dad wanted out.
01:48I know he did, but not like this.
02:05Why are you looking into all this again?
02:08Well, it's possible that when Tony said no more secrets, he was talking to Monica.
02:13And do you think that my Dad is the secret?
02:16I think...
02:21I'm late for work.
02:31I'm late for work.
02:33The laptop only opened to the public two months before Alan Barton was reported missing.
02:37I presume dead. Thank you.
02:38Since then, we've sadly had one further suicide and an accidental death there.
02:42Now, the tide is very predictable, even in extreme weather.
02:46And both of those times, the body washed up in the bay half a mile down the coast.
02:50Alan's body didn't.
02:51And no one questioned it at the time because, I guess, no one knew about the tide patterns.
02:55Cara and I have been back to the hotel to check on Tony's sightlines.
02:58When Tony said no more secrets, he was looking in a mirror at Monica.
03:04So, what was the secret?
03:06We've got two theories.
03:08Either Monica killed Alan, Tony knew and was threatening to expose her.
03:12But what was Monica's motive for killing Alan?
03:14I mean, he had a couple of grander savings, but that was about it.
03:16Like, the cottage maybe?
03:18That's what we need to find out.
03:19The bit I don't get is why she'd then tell Tony.
03:22I mean, you'd keep that to yourself, right?
03:24Again, that's what we need to find out.
03:26The other theory is that Tony was summoning up the courage to tell Monica that he lied about his job
03:31and his money.
03:32Now, Monica says that Tony told her the week before the wedding.
03:36What if he didn't?
03:37What if he told her that night?
03:38Well, and then she killed him.
03:40That's quite a reaction, isn't it?
03:42Yeah, well, even if she didn't kill her first husband, Alan, the daughter said that Monica once threatened him with
03:46a knife.
03:47So we're dealing with someone potentially prone to aggression, violent outbursts.
03:51Cara, Sally, Dan, go back through the reports into Alan's suicide.
03:56We need to see if there's anything that they missed.
03:57Simon, Liam, Katie, talk to Monica's friends.
03:59Did she mention Tony's financial situation to anyone?
04:02And crucially, when did he tell her?
04:05And we still haven't figured out who this figure in the coat is.
04:11Bonnie.
04:12All right, all right, all right, all right, all right.
04:14Yeah, yeah, yeah.
04:15Good to see you.
04:16All right.
04:17They've discharged you from hospital?
04:18I mean, not technically.
04:19I thought you'd all be missing me by now.
04:22Are you okay?
04:23Oh, yeah.
04:24Doctor said it's a scratch.
04:26Sorry, Jim.
04:26You carry on.
04:27No, it's okay.
04:28We were just finishing.
04:29Uh, thank you.
04:43Good to have you back.
04:44How are you feeling?
04:45Like I just got stabbed.
04:47So now you shouldn't be here.
04:48What am I supposed to do?
04:48I can't go to the gym.
04:51Let me bring you up to speed.
04:53Yeah, all right.
04:55Um...
04:56Lost the Philly we're not.
05:20Uh, Ian has confessed to killing Carl and to swapping the bloods and, uh, obviously,
05:24to the attack on you.
05:26He's at him and he did kill Tony.
05:28You believe him?
05:30I do.
05:33Wish I didn't.
05:56So, yeah, the current focus is Monica.
05:58And, uh, well, there's a possibility that her first husband's suicide was actually staged.
06:03Yeah, and Tony knew and threatened to expose her.
06:05That's what Nicola said, right?
06:06Yeah.
06:06The other theory is that Tony told her about his financial situation.
06:09And she lost her shit, yeah.
06:14Uh, about what you said at the hospital.
06:17I just...
06:18What happened was really shit.
06:19I'd like to put it behind me, okay?
06:21We're good.
06:29What happened there?
06:32I've no idea.
06:33Barney.
06:34I didn't expect to see you back so soon.
06:37Discharged this morning.
06:38That's...
06:39surprising, after such a close shave.
06:41I got Jim arrived when he did.
06:44Take it steady, Barney.
06:45Understood, Mum.
06:47That time some of the others did some work, eh?
07:33Boss, have you got a minute?
07:35I... yeah.
07:36So the footage from the night of Tony's murder came in?
07:39What footage?
07:40Costello's, the restaurant.
07:41The footage of you and Nicola Barton.
07:44When you disclosed you had contact with Nicola the night of,
07:46you said it was a two-minute conversation.
07:49It wasn't.
07:50It was longer.
07:51Really?
07:52Way longer.
07:54It was 43 minutes.
07:5543 minutes?
07:58Wow, okay, yeah.
07:59You do understand I need to put this on the CMS, don't you?
08:01Yeah, of course.
08:03Which means that everyone in here can access that footage.
08:05Yeah, I know how the CMS works, Karen.
08:07And see that your two-minute conversation with the person connected to the case
08:10was actually much longer and much more cosy than you initially let...
08:13Cosy is a... it's subjective.
08:16Maybe.
08:16But the timestamp isn't.
08:19Look.
08:20Maybe you lost track of time.
08:23Or maybe you thought it was inconsequential.
08:26But please, get your fucking story straight.
08:29Sir.
08:33Sir.
09:00I thought you'd gone back to Manchester.
09:03I decided to stick around.
09:06Visit some old haunts?
09:07Like the cliff.
09:10A friend saw you there this morning.
09:12Sorry, that sounds like...
09:13I mean, you can do what you like.
09:15I just mean that I wish I'd known you were still here.
09:19We could spend a bit of time together.
09:23I don't know what.
09:25I thought we'd made some progress, Nick.
09:27I explained how your father was.
09:29I know that it must have been difficult for you to...
09:32But...
09:32You know...
09:33I thought it might have answered some questions for you.
09:37No.
09:38It did.
09:40It's just being back in Jersey...
09:43It's harder than I thought it would be.
09:46Being back around me, you mean.
09:56Have you heard about love languages?
10:00People have different ways of demonstrating their love.
10:04And I think that I had a way of showing you that I loved you...
10:07Because I did.
10:10I do.
10:12And I think it's something that I learned from my mum.
10:15She was...
10:17She was practical.
10:19She was endlessly practical.
10:21So the house was clean and we were clean...
10:24And there was food and...
10:26You know?
10:27I think that that's what I associate with love.
10:30And it's just as deep as something more demonstrative.
10:34But maybe it's not how you needed to be loved.
10:41Yeah.
10:43That would make a lot of sense if I hadn't seen you do it with Michael.
10:49You weren't practical with him.
10:53You engaged with him.
10:56You gave him energy.
10:58And time.
11:00And love.
11:01And I got...
11:04What was left.
11:06Well, Michael just demanded more.
11:08He needed more.
11:09You didn't have to give it to him.
11:10You could have said no.
11:12You can't say no to a child like that.
11:14So I'm left with this impossible choice of what to believe.
11:19Yeah?
11:19That, oh, you couldn't love me because of some...
11:24Flaw?
11:25Flaw in you, some bit in you that's missing.
11:29Or that ultimately because I'm just too hard to love.
11:33What?
11:34No.
11:35That's not Christ.
11:36No.
11:37It is a...
11:47This is why I didn't want to see you because these conversations are too hard.
11:59I'm sorry about Tony, but I want you to leave now.
12:13Have kids.
12:16Then we'll talk.
12:28Kim, I know you're furious with me, and you have every right to be.
12:32But you're leaving soon, you know, and I would just...
12:35Love it, if you would just consider forgiving me just a bit quicker than you would normally.
12:42Yeah, I have forgiven you.
12:44Yeah, I mean, it just doesn't feel like that.
12:46I'm just tired.
12:50Uh, thanks for the lift.
12:55Forty-nine to go.
13:07Jim.
13:08Um, Nigel, um, I'm sorry.
13:12It doesn't even come close.
13:14It's okay, Jim, really.
13:16It was, uh, it was an accident.
13:17No, it's not okay.
13:18It's, it was, it was out of line, and, uh, look, I'm sorry.
13:23Apology unnecessary, but accepted.
13:26Uh, it's, it's Charlie in.
13:29Um, Christ, uh, well, if you're sure.
13:47Hi, Charlie.
13:50I just wanted to say, um, how, how sorry I am about the party.
13:57Is that it?
13:59Well, yeah, uh, I don't know what else there is to say.
14:08When Rachel died, you were devastated, as was I.
14:13As was everyone.
14:15In many ways, we will never fully recover.
14:18I appreciate that.
14:21But the rest of us, even her daughter, are managing.
14:25To function now.
14:27And so for you, to still be spreading such Olympic standard chaos, would suggest an element of choice.
14:35Of choice?
14:37At the risk of sounding condescending, Charlie, you do know that I'm an alcoholic.
14:41Really?
14:42Oh, you should have mentioned that.
14:43Oh, wait.
14:44You do.
14:46Endlessly.
14:48You know, Rachel was exquisite.
14:50She was, she was perfect.
14:53She was better than me in every single way, but she never made me feel like I didn't deserve her.
14:59But from the moment we met, I have spent every single day trying to prove myself worthy to you.
15:09I have lowered the bar as far as I can for you, Jim.
15:12Any lower, it'll be in the cellar.
15:15Not getting drunk at Kim's leaving party was all that was required of you.
15:21I'm sorry, even that proved too much.
15:28Jim, that actually went better than I expected.
15:32How do you deal with her?
15:34Well, when you get to my age and you've been through some, some stuff.
15:41Not to suggest you haven't had your own share of stuff, but...
15:49I lost a child.
15:53My first wife and I.
15:56When he was only two.
15:58God.
16:00Nigel, I'm sorry.
16:02And obviously, that's something Charlie and I have in common.
16:07And...
16:08The one thing about something so...
16:11unfair, so...
16:14so savage...
16:17is...
16:19it gives you some perspective.
16:23And some patience.
16:27I'll talk to her.
16:29All shall be well.
16:31And all manner of things shall be well.
16:37I'm sorry again.
16:38Oh, you should see the other guy.
16:59Simon, talk to me.
17:02Monica was telling the truth.
17:04I spoke to one of her bridesmaids, and according to her, Tony had told Monica about his financial situation a
17:10week before the wedding.
17:11Okay, did you say how Monica responded?
17:12Well, I'm not thrilled, but not filled with murderous rage either.
17:16Okay, and I take it we still know where we're with the figure in the coat?
17:18Yeah.
17:20But, yeah, we're...
17:21we aren't...
17:22Uh, Cara?
17:23I had a look at Alan's phone records, and I found some calls that the original investigation must have missed.
17:29Who are Phillips and Hawthorne?
17:30Solicitors on the mainland who happen to specialize in divorce.
17:33I spoke to them.
17:34They dug out the notes.
17:36They said Alan Barton spoke to them about divorcing Monica two weeks before you died.
17:41Monica didn't mention it in either investigation.
17:43Which means she didn't know.
17:44Or she concealed it.
17:45Yeah.
17:46Read the third paragraph.
17:53Okay, well, there we go.
17:55Uh, I'm gonna put this to Monica.
17:58And, yeah, obviously you can come too, Bonnie.
18:02She'll come too, yeah, if you're for it.
18:05I think I can manage sitting in the car and then sitting in a chair in her living room.
18:10Good.
18:12Yeah, brilliant.
18:13Let's go.
18:15Thanks.
18:17Yeah, see you in the car.
18:24If they get divorced, you're going into foster care.
18:27Oh, don't say that.
18:29Listen, I thought you should know.
18:31I was with Jim Bergerac today.
18:34I finally got him to look into my dad's death again.
18:37Right.
18:39So, you're still looping all this back to Monica, then?
18:42She threatened my dad with a knife.
18:43I'd call that a red flag.
18:47I'm confused.
18:49I thought you thought Monica did it too.
18:54When I saw her, Michael was there.
18:57And he got into an argument with his neighbor.
19:00He was out of control.
19:02Just the rage.
19:03Monica actually had to hold him back.
19:05I just think maybe we're looking in the wrong place.
19:08You think Michael might have killed Tony?
19:11Maybe.
19:14And maybe not just Tony.
19:17My dad too?
19:19Oh, come on.
19:20Well, we've talked a lot about whether Monica did it, but never how.
19:23How did she overpower two husbands, two fully grown men who would have fought back?
19:40Don't we just have a couple more things we'd like to run by you?
19:43How would you describe your relationship with Alan around the time of his death?
19:48Well, what's this got to do with Tony's death?
19:50I was still trying to establish what Tony meant when he said, no more secrets.
19:55You described Alan as in a dark place before his death?
19:59Well, he killed himself.
20:02Unless I've read too much into that.
20:06You said that he was erratic and unpredictable, yet we found no evidence to corroborate that.
20:12If anything, Mrs. Salinger, we found that he was making plans for his future.
20:17You've been talking to Nicola.
20:20I don't know why she's dredging all this up again.
20:23I thought we'd settle this.
20:24Were you aware that shortly before his death, Alan contacted a divorce lawyer?
20:29What?
20:29Um, no.
20:31No, I didn't know that.
20:33They had two conversations.
20:35The solicitor described him as buoyed by their discussions and hopeful for his future.
20:41He said the final straw was a fight the two of you had where you threatened him with a knife.
20:45No, that never happened.
20:49I know this is hard, Monica, but we're still exactly where we were on the night of Tony's death.
20:54And look, no more secrets meant something, okay?
20:56You don't upend your wedding day for a joke.
20:59Now, there are people who love Tony.
21:00You loved Tony, and so we owe it to all of you to explore every lead, answer every question.
21:05I'm really sorry, but that's led us to Alan's death.
21:08And look, look, if there is nothing, if there is no relevance, then I swear to you we will move
21:12on.
21:14Well, we won't know until we ask.
21:25Okay.
21:26What?
21:28It's true, the knife.
21:31It's true.
21:33But when Alan spoke to Nicola and this solicitor, he left out some pretty crucial context.
21:40He did change.
21:42His behavior did change.
21:44And I hid it too, because I didn't want people to think ill of this beautiful, kind man that I
21:53loved.
21:58One night, he hit me.
22:02And I grabbed a knife, because he kept coming towards me.
22:07And I told him to get out of the house.
22:11And I didn't see him for a few days, so that must have been when he spoke to Nicola and
22:15this lawyer.
22:16Anyway, after a while, he came home, and he was full of this indignation.
22:24And he said that I had attacked him.
22:27And I said, no, Alan, you hit me.
22:31Because I still had the bruise.
22:36And he was devastated, because his father was abusive towards his mother and him and his brother.
22:42And there he was, completing the cycle.
22:48Becoming the thing that he swore he'd never be.
22:52I see it in Michael, too, sometimes.
22:57And a few days later, he died.
23:00I couldn't tell the kids.
23:02I mean, Nicola would never believe me.
23:04She will never let this go.
23:08Michael!
23:16Michael!
23:17Michael, please!
23:18Michael!
23:19No!
23:20Please!
23:21Come back!
23:23Oh, my God!
23:25You've got to go after him.
23:26What?
23:26Well, he must have heard everything I said about Alan.
23:29He didn't know any of that.
23:30Actually, we'll be fine.
23:30No, no, no.
23:31Look, you don't understand.
23:32He's fragile.
23:33He's been going to the cliffs where Alan died.
23:35When he's like this, I have no idea what he's capable of.
23:38Please.
23:39Please.
23:46Need all available units dispatched to the Marbury cliffside and a polo put out for Michael
23:51Bart, driving a blue VW polo.
24:20Yeah, he's dead.
24:29Oh shit.
24:31Hey!
24:32Is he?
24:33No sign.
24:34No sign of his car either.
24:37We've got a visual on Michael's car.
24:38Where?
24:39We're going into the Clifton Hotel.
24:41Jesus.
24:43What?
24:44We need a unit at the Clifton immediately.
24:46Quiet approach.
24:47We're in 401.
24:48We do not want him spooked.
24:49Wait.
24:50What is in 401?
24:51It's Nicola Button's room.
24:52We don't know what Michael's capable of.
24:54He's not the one in danger.
24:55Nicola is.
24:58Come on!
24:58Come on!
25:37Come on!
26:02Come on!
26:04Hello, welcome to Clifton.
26:06Do you have a room 401?
26:08A 4-4, but you'll need a key card.
26:15Hey, we need a room pass from room 401.
26:18Okay, I just need a credit card to activate the room pass.
26:22Thank you so much.
26:24Okay, just 401, yeah.
26:26Please, please, can you just hurry?
26:29All righty, there we go.
26:31There's your room card.
26:32Oh, sorry, the lift's undergoing maintenance at this present moment in time.
26:36Of course it is.
26:52You all right?
26:53I'm fine.
26:54Just go.
27:03Wait, wait.
27:04Wait, wait, wait, wait.
27:05Wait, wait, wait, wait.
27:07Stop doing this.
27:09I mean, I don't understand.
27:11You're in the possibility.
27:13You're in state Manchester.
27:14Drunk yourself in the dead front.
27:16Michael, no!
27:17No!
27:17No!
27:17Well, enough is enough!
27:19Go, go, go!
27:20Lee!
27:21Lee!
27:21I didn't do anything!
27:24I didn't do anything!
27:25I didn't do anything, I swear!
27:26Are you okay?
27:28Nicola?
27:28What is it?
27:30Nicola!
27:32What, what, what, what is this?
27:35I'm your dad.
27:38I can't believe it.
27:40Well, it's true.
27:41So you can stop now.
27:43You can finally leave us alone.
27:45I don't understand.
27:45What is this?
27:46What's the confusing bit, huh?
27:48It's from him.
27:50Alan, my father.
27:58He's not dead.
28:14It arrived the day before my, er, 30th birthday.
28:19Er, a few months earlier, Dad had been officially declared dead, and Mum had arranged a little
28:25gathering for us to say goodbye.
28:28And Nicola came.
28:30I mean, reeking off for Gazper.
28:32And that's when she first suggested that our mother, a woman who has to literally ask
28:37me to open jars for her, killed our father.
28:39I mean, it's ludicrous.
28:43Anyway, that's when the card arrived.
28:46At first I thought it was Nicola playing some sort of joke.
28:49But then, postmark.
28:53The date.
28:54And you didn't tell Monica?
28:56Oh, Mum, by the way, Dad's alive.
28:58He'd just rather you think he was dead than ever talk to you again.
29:04No.
29:05I didn't.
29:06I didn't tell anyone.
29:08The police had ruled it a suicide for the second time.
29:10Nicola had been extradited back up to her northern town.
29:13I didn't think that there was any point in exhuming it all again.
29:16But then, Tony died.
29:19And when Nicola reappeared and started trotting out her greatest hits, I didn't think about
29:24telling her then.
29:26But the next minute she was leaving, so I didn't bother.
29:31Except, she didn't.
29:34Did she?
29:36Hmm?
29:41I saw you with her.
29:44At the cliffs.
29:47And sure enough, you descended on my mother, parroting Nicola's slurred fantasies like they
29:53were facts.
29:54Right.
29:55I thought enough is enough.
29:58Didn't quite a big risk there, your father.
30:00How did he know that you wouldn't tell your mother and Nicola straight away?
30:04Nicola likes to tell everyone about this special relationship she had with Dad.
30:10But I was the son.
30:12I was his blood.
30:14He could trust me.
30:17Now, don't get me wrong.
30:20I mean, I feel sorry for her.
30:25It must be quite a shock.
30:27No, to find out that someone would literally fake their own death rather than...
30:34spend time with you.
30:36I mean, that's bound to smart little.
30:47Forensics have checked the postmark.
30:49It's authentic.
30:51Definitely sent from Bermuda.
30:53What about the handwriting?
30:54They've only been able to do a preliminary analysis.
30:56They still need to do four bells and whistles.
30:57But they compared the card with confirmed examples of Alan's handwriting.
31:01And it's a match.
31:05Right, so Monica didn't kill Tony because of the money.
31:08She didn't kill him because he was about to tell the world that she killed Alan.
31:11Which would suggest she didn't kill Tony.
31:14Okay, so we keep looking.
31:16We keep digging.
31:17Jim, I'd like a word with you.
31:22Can someone tell Monica Salinger her first husband is alive and well and living in Bermuda?
31:26I'll call their family liaison.
31:28Cara, did the footage come back from the bar of Nicola Barton?
31:31Yeah, it's on the CMS.
31:32Yeah, and?
31:34It's deemed irrelevant.
32:02What's your next move?
32:04I have absolutely no idea.
32:07Well, whatever it is, it won't involve Barney.
32:08You need to send him home.
32:10He's practically green.
32:11Yeah, that's my fault.
32:13We're allowing him to accompany me to interview Monica.
32:16I'll make sure he stays behind his desk from now on.
32:18You seem uncharacteristically eager to keep him here.
32:20Normally I have to sit you two as far apart as possible.
32:22Well, he's an exceptional officer and an integral part of the team.
32:25Now I'm really suspicious.
32:28Why did he go and see Ian Monkford without backup?
32:30We were working in parallel and we both uncovered different strands of evidence against him.
32:36That's not what I asked.
32:38He went without telling his colleagues, specifically you, suggesting a troubling and in this case
32:42potentially fatal breakdown in communication.
32:46Something's going on and it's becoming a problem.
32:49Sort it out, Jim.
32:51Redraw some boundaries.
32:52Redraw some boundaries.
33:14Er, listen.
33:15Don't start, I'm fine.
33:16You're not.
33:17You need to go home.
33:18Does that come from Uma?
33:19Me.
33:20It's coming from me.
33:20Take your time.
33:21Get better.
33:22Christ.
33:23At this rate, when you come back...
33:24I'm just in the middle of something here.
33:25Do you need me to leave this second or can I finish?
33:27Do you need me to leave this other side?
33:49Do you need me to leave this other side?
33:50I need me to leave this second.
33:50I need him to be able to leave this other eye on time.
34:13you all right absolutely sensational good
34:18well i know that despite your best efforts to conceal it kim leaving is challenging for you
34:24so it'd be all right if things weren't all right yes it is challenging for me and i think it's
34:29important kim isn't privy to that the last thing she needs is to feel guilty about what she's
34:33leaving behind that would be selfish and i'll leave that to her father what was jim like before
34:42rachel died very different capable besotted with the two girls steady reliable right so
34:54this isn't him he's still hijacked by the grief he's a man possessed
35:02did you become a functioning adult again how long did it take it's a work in progress
35:11i'm saying be patient with him i'm not making any promises that's my goal
35:25i'd like to give you the money for the restaurant it would be alone obviously but
35:30seems rather silly you need the money and i've got it sitting in my bank account um right that's very
35:39kind
35:39of you but no no what no thank you but why not
35:48because it would be emasculating and utterly humiliating
35:52for god's sake so this is about pride is it it's all i have charlie i i don't have any
35:57property i i
36:00i don't even have a family my pride is the one thing i've been able to cling on to so
36:04no
36:05but again thank you
36:10where are you going i need to pee i don't need any help with that either
36:19good night
36:20good night
36:20good night
36:20good night
36:35I don't know.
37:08Hey.
37:10I'm in here.
37:16Free upgrade.
37:17Due to the door.
37:19So thank you.
37:26It's Monica.
37:27She keeps calling.
37:28Uh, that will, uh, yeah.
37:30Someone would have just told her.
37:31I'm sorry.
37:31It's looking like the card is genuine.
37:34It can't be.
37:36I'm sorry.
37:38Because my dad is dead.
37:41He wouldn't do this to me.
37:48He wouldn't do this to me.
37:52Hey, it's...
37:54It's okay.
38:06It's okay.
38:08It's okay.
38:19It's okay.
38:21It's okay again.
38:22Oh, it's Kim.
38:24Um, I'll take this outside.
38:28Hi.
38:28Hey, sweetheart.
38:30I'm seeing another night at Granny's.
38:32Yeah, okay.
38:33Yeah.
38:34Uh, that's, that's fine.
38:35Uh, will I, I'll pick you up tomorrow?
38:37I'll text you.
38:42I didn't even make it to the door.
38:44She rang you, though.
38:46She could have just texted.
38:49She wants a dialogue.
38:51Yeah, you really think so?
38:54Is this what being a parent is like?
38:57Your kid becomes like someone you have a crush on at school, and you're constantly trying
39:00to decipher every single interaction.
39:04Oh, she asked me earlier for a lift.
39:10I think she likes you, Jim.
39:13Yeah, you see, now you've made it weird.
39:18She's just, she's trying to keep the channels open.
39:20She just wants to run it down from 50 to zero, as much as you.
39:32What are you doing, Jim?
39:34In what sense?
39:35In any sense, the case.
39:40Us.
39:43There can't be any us.
39:45So stop showing up at my hotel.
39:48I know, I'm sorry.
40:06Just, um, hold that thought.
40:09I, um, I just, I gotta pee.
40:25Uh, where's the minibar?
40:29Uh, you're kidding, right?
40:31I thought we could share a sparkling water.
40:34Yeah, and push the boat out.
40:36It's in the wardrobe.
40:37It's in the shop.
41:04I'm sorry.
41:11We found it!
41:15Jim?