- 14 hours ago
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00:00Mr. Devlin, is this your daughter Catherine?
00:03Yes.
00:05I got phone calls.
00:07Threads.
00:07When can we get on with our work?
00:08Who are you?
00:09Mark Hanley, site director.
00:10Have you noticed anything unusual around the site recently?
00:13Mainly I remember the tracksuit.
00:15Blue.
00:15French.
00:16Blue.
00:16Any link between this and the three kids in 85?
00:18Even a vague one?
00:19What happened to us and Katie's murder?
00:21They're connected.
00:22Whatever you were planning,
00:23whatever you were thinking of doing, don't.
00:25Who's gonna make the association
00:27between little Irish Adam and English Rob?
00:30Mama Lexi, okay? You've been warned.
00:32Help me, please.
00:34Sandra Scully, Jonathan's old girlfriend,
00:36works at the ballet school.
00:38She said she doesn't know Jonathan and Margaret.
00:40Why would she lie?
00:47Come on, faster.
00:49Keep up, Adam.
00:53Quick, hide. They're coming.
01:09Shane!
01:11Shane!
01:16Keep up, I'm not your man.
01:18He's waiting on you.
01:19There's someone here, Johnny.
01:21There's someone laughing at us.
01:22What?
01:22Where?
01:23I don't know.
01:26Someone laughing.
01:27I can hear someone laughing.
01:29It's called.
01:30Jesus, it's called.
01:31I always have to wait for you dragging me down.
01:34Move!
01:50Let's go.
02:08Just drive.
02:09Just drive.
02:10Who cares if you're here?
02:11Just drive.
02:12Get out of the way, Alicia.
02:12Where's Jamie?
02:15Where's Jamie?
02:16Where's my daughter?
02:17Where's Peter?
02:19Where's Peter?
02:20What did you do?
02:21No!
02:22Move!
03:47It's cry to a trace.
03:48Noisy with it.
03:49Fibres, hair, skin, saliva, sweat.
03:52And what about Adam's t-shirt, socks and trainers from 85?
03:55Well, I'll be not going to hear back about them for a while.
03:57And even then, it's unlikely we'll get any DNA off them.
03:59They're completely degraded.
04:01But that's what happens if you store blood evidence in a paper bag in a damp basement for 20 years.
04:0521.
04:09Can I get some more uniforms up here for the last night?
04:11Are you getting trouble?
04:13Some dickheads.
04:15Two uniforms, we've got a pair of useless.
04:16A pair of fat arses.
04:18So, I want more while we're wrapping up the site.
04:21Well, it's probably kids.
04:22It doesn't sound like kids.
04:23It's freaking out my team and not doing that much for me.
04:25So, can I have extra uniforms, yes or no?
04:28Yes, of course, Sophie.
04:29I'll call her Kelly and get them sent up.
04:32I'm ratty.
04:34Been here way too long.
04:35It's fine.
04:39Sandra Scully's on her way home.
04:41We need to pay her a visit.
05:11How much longer?
05:12When are you going to be out of my way?
05:14It takes as long as it takes.
05:18Dr. Hanley, a little suggestion just for one day.
05:21Can you help me such a massive dick?
05:22Thanks so much.
05:26You should do a self-help book.
05:28I know, I'd be deadly.
05:59I can do it.
06:00I can do it.
06:01I know.
06:24I know.
06:25Anytime you need me, I'm here.
06:28It's because I know.
06:30Thanks, Alicia.
06:40Thanks, Alicia.
07:02All right, so I didn't tell the truth, but what was I going to say?
07:06Once upon a time, I used to wank Janet and Devlin off in the woods.
07:10I was trying to be nice for a once in my life, you know?
07:14Just scream.
07:16You clean the ballet school.
07:18How could you not have seen and spoken to him?
07:22I clean when it's closed.
07:25I don't talk to anyone, apart from Miss Cameron.
07:28Why did you and Jonathan break up?
07:30Because we were kids.
07:31You fancy each other.
07:33Then you don't.
07:34Did you know Margaret before she married Jonathan?
07:37No.
07:39Can you remember where you were the night the children disappeared in 1985?
07:43Why are you asking about those poor little bastards?
07:45Were you still going out with Jonathan at the time?
07:48We'd split by then.
07:52I was here with my man, Dad.
07:53And then he went out searching with all the other men.
07:56For all the good it did.
07:57Miss Scully, did Jonathan Devlin get you pregnant?
08:06That old bitch.
08:08Mrs Fitzgerald, right?
08:11Good Catholic woman.
08:13Me gash.
08:16She's evil.
08:18And you don't want to believe a single thing that comes out of her mouth.
08:24If that's it, I have an evening shift in the pub.
08:29We need to get changed.
08:40That was a bit direct.
08:42She didn't say she wasn't pregnant.
08:43But even if she was, what does that have to do with Katie?
08:46It's the lies, Cass.
08:48The lies have to do with Katie.
08:54God's sake.
09:05What are you doing here, Mr. Boyne?
09:07Just saw your car parked up there, wondering why you'd be talking to...
09:13Sandra Scully.
09:14What's the story?
09:15Just background information.
09:17Do you have a suspect yet?
09:19A suspect in Katie's murder?
09:21I can be a friend.
09:24Because everyone's being nice right now.
09:26But pretty soon, if you don't give them a suspect, they'll turn.
09:29You don't want this to be another 1985, do you?
09:32I mean, those two detectives got spat at in the street.
09:35Sounds like a threat to me.
09:37And me.
09:38Are you threatening us, Mr. Boyle?
09:40This is good.
09:41I like this.
09:42The way I have to keep turning my head to talk to you both.
09:44Oh, I'm dizzy.
09:46I can't concentrate.
09:47My poor neck.
09:48No.
09:50Just...
09:50Not threatening.
09:51Just laying out the way it all works.
09:54The way we all know it works.
09:56Between us.
09:58Move along, Mr. Boyle.
10:00Don't hassle these people.
10:12There's not a chance someone like that, someone really bloody-minded, could dig around long
10:18enough to...
10:18To find me?
10:20No, I made sure of that a long time ago.
10:23At least your own hasn't seen you properly yet.
10:26Not face to face.
10:28Why should her seeing me be any different than Jonathan and Sandra?
10:30Because they were teenagers.
10:33You were Jamie's best friend.
10:35And women, mothers, look at children's faces differently.
10:39It'll be alright, Cassie.
10:48This is the number that made the alleged intimidatory phone calls to Jonathan Devlin and threatened
10:53Katie.
10:54Basic mobile units purchased with the sole intention of calling that number.
10:57All day, every day.
10:59It's not like they're going to answer.
11:00The question is, who made the phone call soon?
11:05Who had a vested interest in Jonathan Devlin shutting up and fucking off?
11:09That could be anyone involved in the construction of the motorway.
11:13And that anyone could be.
11:14The man Damien Donnelly saw in the woods.
11:17Described as late 30s, early 40s.
11:19The man in the French blue tracksuit.
11:21Assuming he exists and isn't a figment of the imagination.
11:24Donnelly hasn't been able to make an identification.
11:26But maybe he isn't known to us because he isn't on a sex offender's register.
11:31But maybe people know him through the motorway.
11:33See, I don't get what this motorway is doing.
11:35It goes from Nottingry, down through Wicklow, straight through Glenskehy.
11:40Now, there's nothing in Glenskehy.
11:42It's all farms.
11:45Take a drive down to Glenskehy.
11:47Show people that drawing.
11:48See if anyone recognised it.
11:49See if he's approached anyone about selling their land.
11:52Ask if anyone's had threatening phone calls.
11:54We'll do.
11:56Quickly.
11:57You're up.
11:58OK, so, all the records from the Peter, Jamie and Adam case are out of chronological order.
12:04Proper chaos.
12:05But thanks to some stellar police work and a lot of fried chicken, we have these.
12:11Over the course of three interviews in 1985,
12:15Cahill Mills, Jonathan Devlin and Margaret Byrne, as she was then, hold their story.
12:20Shane Waters doesn't so much change his story, but he cries.
12:23And when he asks to go to the toilet, he smacks his face off the washbasin
12:26and asks to go to the hospital to get stitched.
12:29Interesting.
12:30This is during the second interview?
12:32Right, but by the 30s, back on track, sticking to the story.
12:35Someone got to him.
12:36One of the others put the pressure on.
12:37But what can they do, those two old detectives?
12:39Adam can't identify who attacked him and did God knows what to Peter and Jamie,
12:43so the three boys and Margaret get shelved.
12:46Shane Waters needed seven stitches.
12:49He wasn't playing.
12:51We'll ask Jonathan Devlin about that after the funeral.
12:55It's good work.
12:59Hey, what happened to Adam after all this?
13:01Do you know where he is?
13:04The family changed their name and moved to England.
13:07I've drawn a blank after that because they're not down here.
13:09Okay.
13:15Sorry.
13:18We're not keeping it together, Rob.
13:25Let's try this number again.
13:42Shit.
13:44Shit.
13:52PHONE RINGS
14:15Come on, get off the phone
14:29Hey
14:30Lexi, where are you?
14:32Yeah, I'm coming, nearly home
14:51Jessica
15:03What's she wearing?
15:06Our favourite practice dress
15:08The pale blue one
15:10The white cardigan
15:12They've taken such good care of her, Rosalind, haven't they?
15:16Oh, that's lovely
15:18Simone, that's so perfect
15:21So perfect
15:28You chose that
15:31I did
15:35And you chose this
15:38We did
15:42Is it lined?
15:45Of course it's lined
15:49It was pink
15:52Pale pink silk
15:54No
15:57It's dark blue velvet
16:00But that's not right
16:05I'll have to take her back
16:07And do it again
16:10Because I want pink
16:14Pale pink silk
16:17I'll have to take her back
16:18Mummy, please
16:22This is you
16:25Isn't it?
16:27Always you
16:29You stole my daughter
16:33You were stealing her
16:34To go away
16:36And now you're stealing her again
16:39I wanted pink
16:47What are you doing here?
16:51You shouldn't be here
16:54You're a teeth
16:55And a rubber
16:57And I don't want you
16:58It's every right to be here
16:59It's fine
17:01Don't touch her
17:02Simone is paid for everything
17:04And she loves Casey
17:05And Casey loved her
17:06No
17:08My name
17:13I should have been insulted
17:17Why wasn't I insulted?
17:20And why is it blue
17:22And not what I wanted
17:23Which was pink
17:25Pink
17:25Exactly
17:26I'm pink
17:28I'm pink
17:29Katie's favourite colour
17:30Is blue
17:31Stupid
17:33She's blue
17:34And I'm pink
17:35Stupid
17:40It's just your new pills
17:41She doesn't mean it
17:43It's alright, Roslyn
17:48I should have been consulted
17:49You were asleep
17:52Like you're always asleep
17:58I'm not asleep
18:02I'm ill
18:19Riley
18:21The old detective
18:23McCabe
18:23The one that kept working on knocking the re-85
18:25Pretty much up to his death
18:27I found this
18:28And I don't know what to do with it
18:30Now what is it?
18:32There's something here and it hates us
18:35It is malevolence
18:37Those children were taken as a tithe
18:39As a reckoning
18:40To settle an account
18:42We are never going to find them
18:44This place is laughing at us
18:49Well he had cancer
18:50It must have been the morphine talking
18:51He wrote this two years
18:53Under the investigation
18:53In 1987
18:57Now what do we do with this?
18:58I'm supposed to put anything new
19:00Into evidence
19:00But it's one of our own
19:01Sounding like he barks at the moon
19:04Lose it
19:06It's not going to do any good
19:08Lose it
19:15No I meant I
19:16Go on
19:17Never saw it
19:18He keeps his reputation
19:21Quickly
19:24It's a waste of your time
19:25Being down in the basement
19:26And we need you up here
19:28O'Neill could do with an extra pair of hands
19:31Italo Kelly did a good job though
19:32Five star report
19:35O'Neill
19:36Where are you
19:37You sexy bastard
19:46He'll wreck your head you know
19:47I'll have a wink
19:48Quickly he's alright
19:49It makes me laugh
19:51Listen at some point
19:52He's going to tell you that
19:53Me and Robert are at it
19:54Like non-stop
19:56Yeah it's standard bollocks
19:58Cassie
19:59I know it's bullshit
20:01I know you know
20:02I'm just
20:03Saying
20:11What
20:13I think a lot of you
20:14Like
20:15A lot
20:20I've always just all
20:21Stripping damage
20:22And what you should be thinking
20:23As well as escape
20:23Bruce
20:26Too soon
20:30Yeah I can wait
20:33Another beer
20:34Yeah
20:45Yeah
20:46Yeah
20:54Okay
20:55Next year
20:56To come on
20:58So let's see
20:59Uniform
20:59See
21:00Thank you
21:00Please proceed
21:01Let's go.
21:31Hi, Mom.
22:03Let's go.
22:55Christ, I hate the country.
22:56And the country hates you, too.
23:01But why does this place even need a motorway, huh?
23:05What the fuck?
23:19He gets a bit with his paint pot.
23:22There's one personal group of people down there.
23:24Let's go.
23:28Let's go.
23:46In sure and certain hope of the resurrection to eternal life through our Lord Jesus Christ,
23:53we commend to Almighty God our sister Catherine, and we commit her body to the ground.
24:19Earth to earth, ashes to ashes, dust to dust.
24:24The Lord bless her and keep her.
24:28The Lord make his face to shine upon her and be gracious to her.
24:33The Lord is out of order.
24:35The Lord is out of order.
24:36The Lord is out of order.
24:36The Lord is out of order.
24:37And give her peace.
24:43Jesus, she's looking right at you.
24:48No, she's not.
24:50Doesn't know me.
24:52Told you.
24:54There's plenty from the dig here.
24:57No Mark Hanley, then.
24:59No Mark Hanley, then.
25:12No Mark Hanley.
25:15Oh, my God.
25:51Who lives here?
25:55Students.
25:57According to this, they own us.
26:00Students own this?
26:03Well, if your mum was seen around here,
26:05they'd remember him.
26:07Aye, because they're students and all clever.
26:13Let's go to the pub.
26:15Buy the locals a few drinks.
26:27No one's talking to us.
26:29No one wants a drink.
26:30They'll come back another day.
26:32Early morning, farmer time.
26:34Turn up when they're starting work.
26:36Knowing my way around the dairy yard.
26:38I might drop their guard.
26:40Detective Antietugger, multi-talented.
26:42I'm a Renaissance man.
26:43Relax.
26:44Eat your crisps.
27:03Don't come in.
27:05There's a couple of detectives.
27:07They're asking about the land deals.
27:10Shit.
27:12Keeping your head down?
27:20Try and be a bit discreet, Lexi.
27:30We need to identify the man who made phone calls to you.
27:34Can you tell us anything more about his voice?
27:37Accent, age range, any distinctive vocabulary?
27:40So it was standard Dublin.
27:42Just, you know, standard.
27:47Look, that man who was seen at the dig lurking about.
27:50You have a description of him.
27:51Why isn't his face all over the news?
27:54We have to be very careful at releasing images.
27:57No one wants an innocent person beaten to a pulp
27:59because they bear a vague resemblance to a drawing.
28:01Innocent.
28:03Jesus Christ, you have nothing.
28:06You have nothing and no one.
28:08Jesus, what are you doing?
28:09What are you actually doing?
28:11Are you still in touch with Carl Mills and Shane Waters?
28:15What?
28:18No.
28:19Not for years.
28:19You remember Jamie Peter and Adam?
28:21Of course I bloody do.
28:23During Shane's second interview in 1985
28:25he smashed his face on a wash basin
28:27and had to go to hospital.
28:28Why do you think he did that?
28:29I don't know.
28:31But we'd like to ask Shane about it.
28:33Where would we find him?
28:35Dead, probably.
28:37The last I heard he was on the needle.
28:39What are you asking me about them for?
28:41It's just part of our job, Mr. Devlin.
28:43And if you think of anything, you let us know.
28:54We should go by a dig.
28:56Remind Damien Daly not to bear descriptions of tracksuit men.
28:59Especially not to journalists.
29:01I don't know how important it makes him feel.
29:03Jonathan's lying about not being in touch with Shane and Carl.
29:06I don't think so.
29:07Got a feeling he was telling the truth about that.
29:09What if his campaign against the motorway isn't about land fraud or corruption?
29:12It's because he knows bulldozers will uncover Peter and Jamie's bodies.
29:15He supports the dig.
29:17The dig's not a threat to him, it's in the wrong place.
29:25Shit, it's my mum, she wants to see me.
29:28Well, I'll text her back like a good son and tell you to meet her.
29:31And I'll come too.
29:40Jonathan?
29:49There was one fairy called Iarla.
29:52His best friend was Onya, who was a fairy princess.
30:04Iarla and Onya played every day.
30:18What did they say?
30:23They asked about the three kids.
30:45I haven't talked to any journalists.
30:47And I wouldn't, anyway.
30:49You know, you told me not to, so of course I wouldn't.
30:52OK, that's great.
30:53Thanks, Daniel.
30:54Em, do you want me to look at anyone?
30:57Like in a line-up?
30:58Not yet, but as soon as we do, we'll get you in.
31:01Well, whenever you need me, you know?
31:03Thanks.
31:03I just want to do the right thing.
31:08You didn't go to the funeral, Dr Hanley.
31:11Everyone else went.
31:12I haven't set foot in a church since I was nine years old
31:14and I worked out that it was bullshit.
31:16Power and control.
31:18Nothing more than brainwashing and keeping people in their place.
31:22Nothing changes in this country.
31:30Where did you find this?
31:32In the woods.
31:34I put it up as a sort of mascot.
31:36But we're in the woods, you must keep a record.
31:39We don't catalogue rubbish.
31:43From here on in, I decide what's rubbish.
31:46Anything you find that's not related to the dick you give to me.
31:51Found a bobble hat full of human turds.
31:53Look at that.
32:14Didn't pertain theробn
32:20alleys. We'll
32:21travel with the people alone in parts of my body. Who hasn't
32:21loved it? All right.
32:23End save us.
32:27desert we'll take
32:27them all in. We were trained alone
32:33in parts of my body. Fire And what do
32:40I don't know.
33:25I just made the front page then.
33:31Mothers of Nocknery, brave Alicia.
33:37That was always going to happen, Claire.
33:41She's going to start on you again.
33:42I know she is.
33:44She's going to start saying all of those things about you again.
33:46There's nothing I can do about that.
33:49There's nothing you can do about it either.
33:53I was thinking a letter to the paper is giving my son, our side.
33:59Jesus Christ, no.
34:02Have you lost your mind?
34:04Playing the heroine?
34:05What about what she did to us?
34:07You write some letter giving your side.
34:09You won't just fuck yourself.
34:10You will fuck me, I too.
34:13Don't curse at me, Adam.
34:16Don't call me that.
34:18What's your name?
34:19And yours is Claire O'Reilly, but you changed it to Claire Hogan so you could come home without
34:22people pointing at you.
34:24Rob?
34:25Stop.
34:30You can't do it, Claire.
34:33I'm sorry, but you just can't.
34:35She was behind everything.
34:37Fire setting, the stone throwing.
34:39All of it was her.
34:41Why should she get away with it?
34:44Because she never saw her child again.
34:46And yours is sitting right in front of you.
35:01I should go.
35:23I make him angry.
35:26No, you don't.
35:28You're a bad liar, Cassie.
35:56Why is this shit so hard?
35:59She's just been your mum, Rob.
36:06She thinks I'm a bad liar.
36:16Staying with us.
36:18The only one is to get out alive and trying to work out why.
38:03It's quite common, really, people visiting murder sites for the purposes of sexual gratification.
38:08He says people, he means men.
38:09Masturbating where bodies have been found, especially women and children.
38:12Is that supposed to shock me?
38:14It isn't what I was doing.
38:16What were you doing?
38:17You wouldn't understand.
38:19Try us, Mark.
38:20Dr. Hamley.
38:24The DNA sample you're obliged to give us when you came in.
38:28I've got the feeling it's going to match samples taken from the woods.
38:31Strands of hair found by the remains of a campfire like the one you lit tonight.
38:35Would they be yours?
38:36I slept out there a couple of nights.
38:38It's not illegal.
38:40There's also samples taken from the altar.
38:42Sweat.
38:43Saliva.
38:44Would yours be among them?
38:45Look, we eat our lunch there sometimes.
38:49And semen.
38:52Is that going to be a match with Trace taken from the clothes and hair of Katie Devlin?
38:57Sweat.
38:58Saliva.
38:59Semen.
39:01Would they be yours, Mark?
39:06I didn't touch her, I didn't.
39:08Why would I do a thing like that?
39:11I've got no idea.
39:13But you have to admit, dancing stark bollock naked covered in cut-price merlot around an altar where a murdered
39:1813-year-old girl has been found is not a good look.
39:25Do you know what Nocnery means?
39:29It means the hill of the king.
39:32What king?
39:35What we're looking for is millennia older than the trees that it's buried under.
39:40The diggers are coming in December.
39:42Time is running out.
39:46I sleep in the woods to be close to the place.
39:50To hear its heartbeat.
39:52Because it's alive.
39:53It lives and breathes.
39:56And I make an offering.
39:59An offering of what?
40:01Of myself.
40:04To the king.
40:07Whoever they are.
40:09Asking for favor.
40:12For a miracle.
40:15Because if we don't get a miracle, we're going to lose that place.
40:18The altar will end up in a museum.
40:21And the rest of it will be ripped apart.
40:24Filled up with concrete covered in tarmac.
40:28It'll all be lost.
40:29Does this offering include your ejaculate?
40:34Did you masturbate over at that girl?
40:36Christ, no.
40:37But you didn't go to Katie's funeral.
40:40Yeah, I already told you why.
40:42But you know Jonathan?
40:43Yes.
40:44Did Jonathan talk to you about what happened to the children in the woods?
40:47Did he talk to you about Nocturne in 1985?
40:50Is that why you're at the altar?
40:51Well, what are you talking about?
40:52Where were you on August the 24th between midnight and 2am?
40:57Um, I was at a house party.
40:59Everyone was.
41:00According to statements, you left at approximately 10.45pm.
41:03Where did you go?
41:04Home.
41:04Can anyone verify that?
41:07And where were you between midnight and 7.45am on the 25th of August when Katie's body was found?
41:14Home.
41:15Can you prove it?
41:19Interview suspended.
41:35You went for that.
41:37The whole offering speech.
41:40We do the same.
41:41In every new case, don't we?
41:43A glass of whiskey from O'Kelly and a toast to the murder gods.
41:46May they reveal their fucking secrets.
41:48It's not so strange.
42:05The night of the 24th and 25th of August, I was with Mark.
42:09In his house.
42:11What if you need to say that?
42:14Yes.
42:22For the benefit of the tape, we're being shown our wedding ring.
42:29I don't wear it at work.
42:33He's a really decent guy and he'd be devastated.
42:37And I have a child.
42:40That's why Mark didn't say anything.
42:43But if you took a DNA swab from him, then you should take one from me as well.
42:47Because I'd be all over that altar.
42:50It's that place that makes you wild.
42:59Is there any way this me and Mark could be kept confidential?
43:06Your evidence will go on record, but I don't see the need to interfere in your personal life.
43:14Interview terminated.
43:34Well, there we are.
43:43I guess we just did the online booking.
43:466.35 a.m. flight from Berlin, landing in Dublin, 9.05.
43:50It's our lucifer friend, Cole Mills.
43:52You want picking up?
43:53Yeah, bring coffee.
43:56Riley.
43:58Detective, it's Simone Cameron.
44:00Can you come and meet me?
44:03I haven't reopened yet.
44:05I was doing some work and Rosalind was here.
44:07She likes to help out.
44:09And we were talking about nothing, really.
44:13And, oh God, my hands are shaking.
44:17And suddenly Jessica says about this man.
44:22This man who said that Katie was pretty.
44:26And did she want to see some kittens?
44:31We put on music.
44:33It calms her.
44:34Can you and Rosalind get her to tell the story again?
44:36Put us there.
44:38She has to say it in her own words.
44:40We'll try.
44:46Look at me dancing.
44:50I'm a beautiful swan.
44:52You are very beautiful.
44:55Would you get Jessica to tell the story?
44:58Can you, too?
45:04Why are they here?
45:07They've come to watch us dancing.
45:10Like Katie.
45:12Like Katie.
45:16Jessica, darling, can you tell us the story of the man again?
45:21It wasn't a story.
45:22It happened.
45:23I know.
45:24But tell us again.
45:31Oh, Jess, please.
45:38The man said to Katie,
45:41you're pretty.
45:43Come with me, I have kittens.
45:45And Katie said we have to go now.
45:48But I wanted to see the kittens, but Katie said there aren't any kittens.
45:52We're going home.
45:54And what did the man do then?
45:56He was behind us.
46:00Katie told me not to turn around.
46:04And then he wasn't behind us anymore and we went home.
46:11Jessica, can you remember what the man looked like?
46:16Can you remember what the man looked like?
46:17Can you remember what he was wearing?
46:19Running clothes.
46:22Like, he was going on a run, but he was just walking behind us like a lazy man.
46:31Can you remember what color?
46:33Running clothes.
46:35Jess.
46:37Blue, stupid.
46:41Katie's color.
46:44They were blue.
46:57The fact that the description comes from Jessica
46:59means we can be certain this man exists.
47:02So, what happens now?
47:05We cast the net wider for potential suspects.
47:08It's a significant development, Mr Devlin.
47:11We'll show ourselves out, but we're only a phone call away
47:13if you need anything.
47:29You didn't tell me you were talking to them.
47:32I wasn't.
47:34It was Jess.
47:37It's good news.
47:39Isn't it?
47:43I'll go and check on Mummy.
48:14I'll go and check on Mummy.
48:19I'll go and check on Mummy.
48:20Test results from Adam's clothes.
48:22Slashes and t-shirt made with a very fine, sharp blade.
48:25Right-handed with a left-angled curve.
48:27That's as much as I can tell you.
48:29And the blood in the sucks and trainers?
48:30No near results.
48:31It's A-negative.
48:32Same with Adam's.
48:34Peter and Jamie were both O-positive.
48:36But it can't be Adam's blood because he didn't suffer any blood loss
48:40and he didn't have a single injury.
48:44Okay.
48:45Thanks for trying.
48:50I've been doing this a long time, but I've never seen a blade like the one you used to cut
48:53the T-shirt.
48:54And I have never seen a situation where blood comes from nowhere.
48:58Blood comes from somewhere always.
49:00From someone.
49:01Always.
49:03I can't figure this one out.
49:04I'm sorry.
49:08Sophie.
49:11The dickheads in the woods, what noises were they making?
49:13Forget I said anything.
49:14I was tired.
49:15It's important.
49:18They were laughing.
49:45They were laughing.
50:01I was trying not to wake you.
50:06I think a lot of you too, you know.
50:08I'm just rubbish at saying this.
50:12I'll take that.
50:24I think I'll make friends at Farmer's Attacker.
50:26Progress the investigation.
50:28Yes, ma'am.
50:29Drive safe.
50:31And I'll take that.
50:33I'll take that.
50:45See you later.
51:01Vodux?
51:02Cassie?
51:04Sam?
51:05What is this?
51:07You're being in an accident?
51:08Cassie.
51:09Yeah, what is this?
51:11Nothing.
51:12Nothing.
51:12Pocket color.
51:13Sorry.
51:17Jesus.
51:44Sam?
51:46Get up, get dressed.
51:48Frank?
51:50Why are you calling me?
51:52There's a car outside. Get in it.
51:54Wear something that covers your head. Do it now.
52:13Thank you for calling the Garda Line in regard to our investigation into the murder of Katie Devlin.
52:18Please leave any information you have after the tone.
52:25You should be looking for Adam.
52:28Ask Adam what he did in the woods.
52:31Yes.
52:42Yes.
52:44Yes.
52:45No.
52:54Yes.
52:55Yes.
53:10Oh, my God.
53:27You're going to get all the boys in a few years.
53:29Jamie, what do you reckon, pal?
53:32Jamie, the basement.
53:35Stop.
53:36Perverse.
53:38Jonathan.
53:40Don't lie, Ben.
53:43Stop.
53:56Don't lie.
54:06I don't know.
54:27I don't know.
54:48I don't know.
54:51Hold.
54:52The boss said.
55:11He's in there.
55:14I don't know.
55:16I don't know.
55:18I don't know.
55:41I don't know.
55:52I don't know.
55:54I don't know.
55:55I don't know.
56:06I don't know.
56:18I don't know.
56:20I don't know.
56:23I don't know.
56:36I don't know.
56:37I don't know.
56:51I don't know.
56:56I don't know.
57:15I don't know.
57:18I don't know.
57:22I don't know.
57:23I don't know.
57:24I don't know.
57:26I don't know.
57:30I don't know.
57:32I don't know.
57:41I don't know.
57:44I don't know.
57:45I don't know.
57:46I don't know.
57:47I don't know.
57:50I don't know.
57:53I don't know.
57:54I don't know.
57:55Transcription by CastingWords
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