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00:00He's a chief inspector.
00:02I reckon it's communist he's after.
00:04So this copper's gonna leave us alone, right?
00:06What the fuck?!
00:10I want you to see this is me introducing myself to you.
00:14He said Mr. Churchill sent him to Birmingham.
00:17Something about a robbery.
00:19Thomas, you're a bookmaker.
00:21You're not a fool.
00:22You sell those guns to anyone who has used to them.
00:24You will hang.
00:25I'm just a poor communist frog with a big mouth.
00:28I'm with you because you're the only man around here not scared of them.
00:32The only difference between you and me, Freddy,
00:34is that sometimes my horses stand a chance of winning.
00:38Tommy!
00:40You fixing rices now.
00:42I'm here about the job as a barmaid.
00:47Are you in possession?
00:49I am, sir.
00:58I am, sir.
01:03I am.
01:09Forget since that now.
01:10Like a friend.
01:13Don't talk about this dangerous property.
01:16I am.
01:16I am looking for another character.
01:25Don't take a touge.
01:27I am unreal.
01:27I read the coryo park where he is,
01:28My girlfriend stands out time.
01:47I thought you said we were going to the fair.
01:51I'm going to have business first.
01:53Come on.
01:54Bring your wits.
01:55What business?
01:56That's the Lee family.
01:58Tommy!
01:59Johnny dogs.
02:01Tommy, how the hell are you?
02:03All the better for getting the city smoke out of me lungs.
02:05I thought you became a bit too grand for us.
02:08I've been busy.
02:09I'm riding with the Lee family now.
02:12I heard.
02:13Myself would rather live among pigs.
02:15Come on, Tommy.
02:16No disputing.
02:18So your first fair since France?
02:20What do you know about France?
02:22You Warshire gypsy bastard.
02:25So this is the horse?
02:26And that's the car.
02:27You're a shrinking soul, but there won't be a single thing that you can do.
02:33He's a goat, he's a god, he's a man, he's a guru.
02:40You're one microscopic cog in his catastrophic plan.
02:43Hang on a minute.
02:44You're not swapping the family car for a bloody horse.
02:48Of course we're not swapping it.
02:50Huh?
02:51That'd be mad.
02:52We're going to play two up.
02:53Oh, my God.
03:13Yeah.
03:15I knew it. I knew it. Tommy, you bloody idiot.
03:19Shut up, Arthur. I won.
03:21I promised Johnny I'd let him have a spin in the car if he lost.
03:25All right.
03:31You league boys are laughing at my brother.
03:36Are you?
03:38Hey!
03:39Tommy! Tommy!
03:40I asked you a question.
03:42Tommy, come on. It's just a crack.
03:44Get your family out of here, go and injure yourselves at the fair before they start the war.
03:48Huh?
03:49Jamajor?
03:50Once he's shippo, she got the lingo. Papa, she's slingo. Once he likes a roma.
03:55Or likes a roma.
03:57Yeah, but his mouth was a diddy-quay-ho.
03:59Oh, my God.
04:14Oh, my God.
04:15Yeah, I got you.
04:17Yeah, I got you.
04:22Oh, my God.
04:24Oh, my God.
04:25Oh, my God.
04:28Oh, my God.
04:29What the hell?
04:29You
05:26We will take them
05:27before last night's beer
05:29turns to pests and wakes
05:31the devil's up.
05:32We will leave no stone unturned.
05:35Every gun, every bullet
05:37will be brought to me
05:38for inspection.
05:39Now,
05:41take your positions.
06:24The End
06:27Are you sure your brothers are at the fair?
06:28If it was them, they wouldn't knock.
06:30Mr. Thorne!
06:32What is it?
06:33The police are rounding up the communists.
06:37Come on, Ada.
06:38If the cops find me, we're screwed.
06:40Fuck.
06:40No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
06:45no, no, no, no, no, no, no, no, no, no, no.
07:03You have to jump, Peter.
07:04I'll catch you.
07:06Come on.
07:14Look at this.
07:16A prescription for iron tablets for Ada fucking Shelby.
07:23Mrs. Donovan, I need that favour.
07:27Come in and be quick.
07:28I'm not coming in.
07:28She is.
07:29Holy Jesus.
07:30It's the Shelby girl.
07:31You've not seen her with me, okay, Mrs. Donovan?
07:32Just give her a cup of tea and let her stand until the police are gone.
07:35She's the sister of those Peaky Blinder devils.
07:37And yet, she's an angel.
07:40Come on, Ada.
07:41What are you going to do, Freddie?
07:43Nay.
07:43I'm going to have to leave town for a bit.
07:44What?
07:48Oh.
07:48I'm going to have to leave town.
07:49What are you going to do?
07:50Oh, boy, right now.
07:52Ah!
07:53Ah!
08:03Oh, boy, right now.
08:03And the gentleman would take off his hat, put out his pipe.
08:17So you specials only dare come here
08:19when you know the boys all the way at the fair?
08:21You mean your nephews?
08:24Their guns and their razors?
08:26Is it them you're lighting candles for?
08:29No.
08:31I'm lighting candles for the boys from the garrison
08:33who lost their lives in France.
08:37There's a list there.
08:40Look.
08:46Here you didn't make it to France,
08:49Inspector Campbell.
08:54You've heard of me.
08:57I've heard of you.
09:02Is it the Holy Grail you're looking for?
09:03Oh, as a matter of fact,
09:06it is the Holy Grail I'm looking for.
09:10Something precious, something stolen.
09:13Perhaps you know what I'm talking about.
09:18Sorry.
09:19Misunderstood your intention when you pushed me against the wall.
09:35Turn the place upside down.
09:40Arthur Shelby said you people would help us.
09:43We don't know what you've lost.
09:44How can we help you find it?
09:45But I have found it subsequently that I was speaking to the wrong man.
09:48Next time, I want to talk to the boss.
09:52Lucky tea rooms.
09:54Friday, 10 o'clock.
09:56And when I say the boss, I mean Thomas.
10:04Come on.
10:05Come on.
10:19Come on.
10:20Come on.
10:21Come on.
10:32Now, what that bloody hell's been going on here?
10:37Jesus Christ.
10:38The cop has told everyone Arthur had agreed to it when he was arrested.
10:42They said the Peaky Blinders had cleared out to the fair to let them do it.
10:46No, I never said nothing to that copper about smashing up bloody asses.
10:50All right, which pubs do they do?
10:52The guns, the chain, the marquis, all the ones that pay you to protect them.
10:57The only one they didn't touch was the garrison.
11:00Make sure people think we were in on it.
11:04Smartest copper.
11:06So go on, drink your beers, get out.
11:10You better show people you're still the cocks of the walk.
11:12And now some cash to the landlords of the pubs.
11:15Pay some veterans to fix the places up.
11:17Give us the bag.
11:19So what about you, Tommy?
11:20I have to go to Charlie's to stable the horse.
11:24She looked for a sword in the box.
11:29Let them see your faces.
11:40So we both know what they were looking for?
11:48You know, I'd read the papers.
11:50Writing papers.
11:52So let me tell you the odds.
11:54I reckon it's three to one, there'll be a revolution.
11:57I wouldn't bet on that.
11:59That copper's betting on it.
12:01He's not going to let it rest till he gets those guns back.
12:11Did he talk to you, Paul?
12:15In the church.
12:17Did he try to find our aider?
12:20She was sleeping.
12:25Where was she sleeping, Paul?
12:29I thought you didn't care for women's business.
12:37Who knows you're the boss.
12:39He wants to meet you.
12:47Will you talk to him?
12:49No.
12:51You don't parley when you're on the back foot.
12:56We'll strike a blowback first.
13:14Fee, lad, what are you doing?
13:16We're having a fire.
13:20Two ball for your picture of the king.
13:22What?
13:23Bring it to Watery Lane.
13:25Hello, Fim, lad.
13:26All right, it's good.
13:27You're cooking your interest, man.
13:29Come on.
13:32Come on, boys.
13:38Come on, boys.
13:53Loyal to God, you know what you're doing.
14:15I'm a reporter with the Birmingham Evening Dispatch.
14:19I had a phone call.
14:22Someone called Thomas Shelby.
14:24Come with me.
14:28Come on, folks.
14:28There's a bit of room.
14:30Tommy.
14:32Are you back for us, please, folks?
14:34You're Mr Shelby.
14:35All the way back, please.
14:36I am.
14:40You said I would be protected?
14:42You're protected.
14:44What's going on?
14:46Well, there's some things I want you to write down.
14:50Now, first of all, it's not the people around here who are the people who are.
14:53I'm disloyal to the king.
14:55It's the opposite.
14:57You see, we don't want our beloved king looking down and seeing the things that have been
15:01done to us.
15:02So we are taking down his pictures.
15:04But why are you burning them?
15:06We went through hell for our king.
15:10Walked through the flames of war, right all this down.
15:13And now we're being attacked in our own homes.
15:16These new coppers over from Belfast, breaking into our homes and interfering with our women.
15:21We don't think our king would want to see that happening.
15:25So we are lighting fires to raise the alarm.
15:28May I ask you, in what capacity do you speak?
15:32No capacity.
15:34I'm an ordinary man.
15:35I won gallantry medals at the Somme.
15:39I want you to write in your paper what's going on here.
15:43Go on, go.
15:54Come on.
16:00Dear, there's a telephone call for you, sir, on the London line.
16:04There is? It's almost midnight.
16:06It's Mr Winston Churchill, sir.
16:22Yes, sir?
16:23Inspector Campbell, I hear there's been a bonfire in your city.
16:27There was a small fire reported around nine o'clock, watery lane.
16:31Certainly nothing to trouble you about, sir.
16:33Ah, but I'm afraid it has troubled me.
16:36Half an hour ago, I received a wire communication from the editor of the Birmingham Evening Dispatch.
16:43It seems one of his reporters was invited to the fire and discovered that they were burning pictures of the
16:50king.
16:51Of the king?
16:53Any newspaper report which may cause embarrassment to his majesty is always referred first and as a matter of routine
17:00to the home office.
17:02I will go down there immediately and arrest those involved.
17:05No, you most certainly will not make arrests.
17:09If there are arrests, there will be trials.
17:11If there are trials, there will be more newspaper reports which will necessarily mention the burning of the king's likeness.
17:19I put you in Birmingham for one very specific reason.
17:24Are you any nearer to finding those stolen guns?
17:28We are making steady progress.
17:30We need results.
17:31Good night, Mr Campbell.
17:32Sir, could I at least ask, does this report name any of those involved?
17:39It names a Mr Thomas Shelby.
17:41The report mentions he's a war hero.
17:55Good of you to join us.
17:57Where have you been all day?
17:59In bed.
18:00I couldn't sleep.
18:02Then I couldn't wake up.
18:04Then I was cold and then I had to go for a wee.
18:07Then I was with this bear on a boat.
18:10That was just a dream.
18:12I was hungry.
18:15Why are you reading the paper?
18:18Why wouldn't I be?
18:19Well, I've never seen you read the paper.
18:21I've never seen you light fires with them.
18:23The BSA are on strike.
18:26Minors are on strike.
18:28IRA are killing our boys.
18:30Ten a day.
18:35What?
18:36Stand up.
18:38Why?
18:39Just stand up.
18:47Side on.
18:50What are you doing?
18:52Ada.
18:55How late are you?
18:59One week.
19:03Five weeks.
19:05Seven, if you count weekends.
19:06I think it's a lack of iron.
19:09I got some tablets.
19:11But they didn't work.
19:16No.
19:27You can get dressed now, love.
19:30So am I or not?
19:38Keep bloody walking, Ada.
19:40If anybody sees us here, they'll know.
19:41I'm not getting rid of it, Aunt Paul.
19:43Just come home and we'll talk about it.
19:45You get off me or I'll scream at us work.
19:46Yeah, I can't do that.
19:47Are you?
19:48I'm not really sure what to do.
19:51All right, if you want to do this on the street, let's do it.
19:54Whose is it?
19:56If I tell you, you'll tell them and they'll cut him to pieces.
19:59Not if he marries you, they won't.
20:04Will he marry you?
20:07I don't know.
20:08I don't know where he is.
20:09Jesus Christ, Ada.
20:10Look, he's gone away, but he said he'd come back.
20:11Yeah, but they all say they'll come back.
20:13He's not like that.
20:14He's a good man.
20:15He promised.
20:17He will come back, Aunt Paul.
20:19I know he will.
20:28Give me down the Spanish saddle, Charlie.
20:30Yes, Tom.
20:31Spanish saddle.
20:33He's a beauty, Tom.
20:34Yeah, yeah.
20:35Beautiful.
20:36Yeah, yeah.
20:42Fine beast you got there, Thomas.
20:46But is he worth falling out with the Lee family over?
21:01Just passing it on.
21:04Declaration of War.
21:06The whole Lee clan.
21:13The guns are now this.
21:17The guns are not spoken of.
21:21Right.
21:25Tommy.
21:26Tommy.
21:30Would you mind how you speak to me?
21:33Forgive me, Uncle.
21:40Thomas Shelby against the old bloody world, right?
22:03It's Thomas Shelby against the old bloody world, right?
22:04Hey, he's up, don't rip it!
22:18Easy, boy.
22:24In France, we used to say...
22:26In France, we used to say, it's just a musical band turning up.
22:30It's just trombones and tubers, that's all.
22:32It's just noise.
22:37It's just noise.
22:38It's just noise.
22:41You get used to it.
22:43It's just noise.
22:44Good boy. Good boy.
22:59Some pain there, boy.
23:07I'm so sorry, Mr Shelby.
23:11I'm Grace, by the way.
23:13I know who you are.
23:16What's his name?
23:18He doesn't have a name.
23:20Poor boy deserves a name.
23:23You have something to say to me.
23:28The other night you gave me to the pub when I was singing.
23:32You said singing wasn't allowed.
23:36I'd like there to be one night a week when they're singing.
23:41I think it would be good for everyone.
23:44Saturday nights.
23:47Harry was.
23:48Harry was too afraid to ask you, so...
23:50But you're not.
23:55I am.
23:57But I love to sing.
24:02You sound like one of those rich girls who comes over from Dublin for the races.
24:07Do you like horses?
24:11How do you fancy earning some extra money?
24:13Doing what?
24:17Do you have a nice dress?
24:19I want to take you to the races.
24:33the horses.
24:34A couple of changes coming in, John.
24:37Knocked 30 down to 8.
24:39Why don't you?
24:39Why don't you do it, boy, you?
24:43Why don't you do it?
24:43Why don't you do it, boy?
24:44You're gonna take me to the twinger.
24:46Why don't you say the line?
24:47Why don't you do it?
24:48That's right, boy.
24:50That's my cross-paste.
24:50We're going to the twinger.
24:51OK, Fred, one of them, boys, you're going to push that, mate,
24:54because he's going to go even soon.
24:56Shut your face, boys!
24:58It's a good idea!
25:03George!
25:04Sorry, Mr Shelby.
25:06Come on.
25:14All right, Mr Shelby, how's it going?
25:17I'm Frank, how's the leg?
25:18Good, good, good, good, good, good.
25:21I'll see you, Sam.
25:23Morning, Charlie.
25:26All right, it's good, boys.
25:27How we looking?
25:28Looking good, Tommy.
25:29Tommy, Tommy, they're all here for Monaghan, boy.
25:32That's what I like to hear, Johnny boy.
25:34And I'm Paul wants to see you.
25:59We're talking guys.
26:02Come on.
26:05Fly away.
26:11Yay!
26:14Please wait.
26:14Change way.
26:15See you.
26:16Bye.
26:16Bye.
26:16Bye.
26:17Bye.
26:18Bye.
26:37MUSIC CONTINUES
26:42Tell me the man's name, Ada.
26:46Rudolf Valentino.
27:05MUSIC CONTINUES
27:06Get out!
27:09All of you!
27:10Go on, now!
27:15I said, tell me his fucking name.
27:21MUSIC CONTINUES
27:22Freddie fucking Thorne.
27:26Yeah.
27:27Your best mate since school.
27:29The man who's saved your life in France.
27:32So go on.
27:33Go on, cut him.
27:35Cut him up and chuck him in the cut.
27:40Oi!
27:41I'm a Shelby too, you know.
27:43Put my fucking film back on.
27:46Huh!
27:50I see some writing form.
27:53Huh?
28:11uh...
28:18Sir Monaghan boy finally lost.
28:23Third time unlucky.
28:26We took money from all over the city.
28:28Yeah, but you'll pay it back to people around here.
28:31Buy your popularity back.
28:33Already done.
28:35Taught you well.
28:37And you fixed this race without the permission of Billy Kimber?
28:41No.
28:43Obviously didn't teach you well enough.
28:45Rule one, you don't punch above your weight.
28:48Billy Kimber is there for the taking.
28:50Says who?
28:51Says Tom in his parliament of one.
28:53I ran this business for five years.
28:56Yeah, well, I was away fighting, remember?
28:58Where I learned some things, such as you strike when your enemy is weak.
29:03And I thought you came here to talk family business.
29:08I'll deal with it.
29:09You're too busy taking over the world.
29:11Holly, it's about Ada.
29:14I need to know.
29:23Ada wants you to give Freddie this letter.
29:26She wants Freddie to know she's having his baby.
29:29He deserves an opportunity to do the right thing.
29:32I say we give them a chance.
29:39For a woman who's had a hard life with men, you're still full of romance, eh?
29:45What do you think Freddie sees in our Ada?
29:48It's Freddie's business.
29:49No.
29:50No, I'll tell you what he sees.
29:51He sees machine guns and rifles and ammunition and some glorious revolution.
29:57What is it you really don't like about Freddie?
30:00She'll have no life with a man on the run.
30:03If you can't see that, you can't see much.
30:10Damn them for what they did to you in France!
30:15Tell Ada Freddie went to America.
30:19Oh, Russia.
30:21Paul, Ada do no good for Ada to bring a baby into the world alone.
30:25Paul, listen.
30:26The truth is, you would have hit me with that thing
30:28if it weren't for the fact that you know I'm right!
30:37I thought I heard someone knocking.
30:40Couldn't get back to sleep.
30:45The longer you leave it,
30:47the worse it gets.
30:57Believe me.
30:59I know.
31:02I was 16.
31:06And I didn't dare tell anyone.
31:10Believe it he'll come back.
31:12In the end, I did it myself.
31:16I did it to myself.
31:19And I almost died.
31:21And he didn't come back.
31:24They don't.
31:25Why should they?
31:27You know the words.
31:28You're a whore.
31:30Baby's a bastard.
31:32But there's no word for the man who doesn't come back.
31:38One day,
31:40on your wedding day,
31:42you'll have a good man on your arm.
31:46And you'll say,
31:47and you'll say,
31:47Polly,
31:48thank you
31:49for common sense.
32:00this woman's in carding.
32:03We'll take the train tomorrow.
32:08Go to the castle afterwards for a treat.
32:17yeah,
32:37hey!
32:37Let's wait.
32:38them,
32:38they'll take a seat.
32:40they'll take you through the room.
32:40Oh,
33:05I ain't yours this place because it is I'd say both of our jurisdictions.
33:12Do I tell you?
33:15Inspector, I responded to your invitation because I want us to understand each other.
33:21I'm a business man.
33:23I want to make my business successful.
33:27And I want my city run peacefully.
33:30Well, if the city is peaceful, business can thrive.
33:35So we're on the CM side.
33:38I think perhaps we could be.
33:47Night.
33:52How can we be on the CM side when I see things like this?
33:58My man found this in the bedroom of a known communist.
34:05It has your sister's name on it.
34:09It was obvious she'd been sleeping in us bed.
34:13Are you also in bed with the communists, Mr. Shelby?
34:19I do not share their fantasy.
34:22And as for my sister, I've already dealt with the situation.
34:27Freddie Thorne is at the very top of my list.
34:29I'll cross him off.
34:31He won't be returning to the city.
34:35I'll make him part of our deal.
34:39What bill?
34:45You and your specials will leave my businesses alone from now on.
34:49No more raids into our territory.
34:51No more smashing up pubs.
34:52No more lifting my runners.
34:54You will turn a blind eye to all of my gambling operations.
34:57Also, I'm planning an expansion onto the racetracks.
35:03I intend to do business with Billy Kimber.
35:06He runs most of the legal tracks I'm betting outside of London.
35:10He has policemen on his payroll.
35:12I want you to put in a word with the Chief Inspector of Gloucestershire
35:16that his men should leave me alone when I make my move.
35:24Forgive me, I don't seem to have a pen to write down this rather long list of demands.
35:33And what do I get in return?
35:36I have what you're looking for.
35:44I have the guns.
35:48What guns?
35:49We're not used to play games.
35:51Wait, wait.
36:0325 Lewis machine guns.
36:0550 carbines.
36:0710,000 rounds of ammunition.
36:09All in a crate bound for Libya.
36:11Stolen from the BSA factory proofing bay.
36:15I'm guessing they sent you to Birmingham to get those guns back.
36:18Well, to me that hasn't.
36:24I have left word with men I trust that if I am taken into police custody for whatever reason,
36:29those guns will be shipped to Liverpool.
36:32From there they will be sent directly to Belfast and sold to the Irish Republican Army.
36:38All your good work in Ireland would be undone.
36:42Each stolen weapon is numbered and marked.
36:44If I sell them to the IRA, it won't be long before Mr Churchill finds out.
36:48I imagine you've gone into enough trouble over the burning of the King's photographs.
36:53That was just a taster.
36:55If those guns reach Belfast, your life in the force is over.
37:02When I have achieved what I've set out to achieve, I will let you know where to find the guns.
37:08You'll be a hero.
37:10You'll probably get a medal.
37:14I'm a fair man.
37:16It's a fair offer.
37:20Do we have a deal?
37:30I need an answer.
37:32Right now.
37:38Very well.
37:42But I'd prefer if we don't shake hands on it.
37:58And why would I shake the hand of a man who didn't even fight for his cousin?
38:48Grace, I have new information.
39:00Thomas Shelby is now the beginning.
39:03The medal and the end of your mission.
39:18So what shall I do?
39:21It hurts me as much as it would a father sending his own daughter into a whorehouse.
39:30But no matter how repugnant it may be, you must do everything you can to get close to him.
39:41And find out where those guns are heading.
39:46Of course will I say, everything I don't mean.
39:51You underestimate me in every way.
40:03Here.
40:15You are now active on a military operation on behalf of the Crown.
40:22And I wish to God, if circumstance hadn't chosen you.
40:28It's what I'm trained for.
40:31I'm late for my shift.
40:37Grace.
40:39Grace, my heart is with you.
40:54Grace.
40:56Grace.
40:58Grace.
41:01Grace.
41:03Grace.
41:15Oh
41:40Come, come, come, come, you better come quick, come, come.
42:04Come, come, come, come.
42:14Kelly, tell me.
42:17Curse, Tom.
42:19Kelly, Kelly, Kelly.
42:24Tell me, tell me, Kelly, what's wrong with yours?
42:28Your portrait of fair and bad feeling.
42:30The Lee's put a bad seed in the hoof and got an old woman to put a spell.
42:39So those Lee bastards cursed him.
42:43Whatever it is, he says it, spread to the other feet.
42:47It's going to his heart by tomorrow, I say.
42:50Seen curses like this twice.
42:52Can't take them back, Tom.
42:53No.
42:55I told you, Tommy.
42:57Better enemies to have than black blood gypsies.
43:04Get out.
43:06Get out, Curly.
43:14I'm sorry.
43:15Yeah.
43:17I'm sorry.
43:18I'm sorry.
43:23I'll do it.
43:25I'm sorry.
43:32I'm sorry.
43:35I'm sorry.
43:37Yeah.
43:38Cheer up my pity, oh, let me tell you once again, I am the captain of my pain.
43:44Oh, my cup is empty, and I haven't got a penny, but I'll buy no more whiskey.
43:54Your place needs to shut it.
43:57Just get me a drink.
44:12Shall I leave you alone?
44:15Came here for company.
44:18Where's Harry?
44:20He took the night off.
44:24He went to the pictures.
44:33How's your beautiful heart?
44:44I just put a bullet in his head.
44:50Was he lame?
44:55He looked at me the wrong way.
44:58Not a good idea to look at Tommy Shelby the wrong way.
45:07What a waste.
45:08Yeah.
45:09A waste is what it is.
45:18You know, in France...
45:24In France, I got used to seeing men die.
45:28I never got used to seeing horses die.
45:33They die badly.
45:41I dug out a dress like you asked.
45:45Thanks.
45:48It's Cheltenham you're talking about.
45:58It's Cheltenham's Grand Affair, is it not?
46:00The king will be there.
46:02King George?
46:03No.
46:05King Billy Kimber.
46:07And all his men.
46:11What must I do?
46:13For two pounds, you'll do what I ask you to do.
46:17I want three.
46:21If I'm meeting a king, I won't be wearing a cheap dress.
46:27And I ask you to let me sing.
46:29It's part of the deal now, too.
46:33Since when?
46:36Since you nearly smiled.
46:42Saturday nights, open and easy.
46:45Everyone gets to sing their song, just like we did in Dublin.
46:48You never worked in Dublin.
46:50So don't lie to me.
46:52I asked around about that pub you said you used to work in.
46:56I have friends over there.
46:59No one has heard of you.
47:00Yeah.
47:03Yeah.
47:03Yeah.
47:04Yeah.
47:07My guess is, you're a girl from a good family, who got herself pregnant.
47:17It's not something I want known.
47:19And bringing a child into the world alone ruins your life.
47:23Right.
47:28So I'm right.
47:30And Bolly is wrong.
47:33Right about what?
47:35It doesn't matter.
47:38Looks like it matters to you.
47:41Family business.
47:47You won't tell anyone my secret.
47:50Do you think I tell people things?
47:56So what do you sing?
48:00Anything you want.
48:01Right.
48:03Get up on a chair.
48:13Happy or sad?
48:19Sad.
48:21Okay.
48:23But I warn you.
48:25I'll break your heart.
48:27Already broken.
48:33In a neat little town they call Belfast
48:39Apprentice to trade I was bound
48:43Many an hour sweet happiness
48:49Had I spent in that neat little town
48:55A sad misfortune came over me
49:01A sad misfortune came over me
49:02Which caused me to stray from the land
49:07Far away
49:09From my friends and relations
49:17Betrayed by the black velvet band
49:23Her eyes they shone like diamonds
49:28I thought her the queen of the land
49:33I thought her the queen of the land
49:34And her hair hung over her shoulder
49:40Tied up
49:42With a black velvet band
50:09I think there's more carriages over there that are going to be empty
50:14Jesus
50:17Freddy
50:19You came back?
50:23I've got a tip-off
50:25Freddy, Tommy will kill you
50:26Is Tommy who tipped me off?
50:28Maybe he's got half her heart after all
50:32Tommy got a message to me
50:34Said get out of town
50:35Take her with you
50:37So
50:43Ada Shelby
50:44Will you marry me?
50:51Yes
50:52Yes
50:55Yes
51:12Right
51:13Get on this bloody train and get out of here
51:16Come on, both of you
51:17Freddy, come on
51:18Freddy
51:19Cardiff's okay
51:20Anywhere, but here's okay
51:22We're not going anywhere, Ada
51:26We're going to stay here
51:28We're going to marry here
51:30I'm not afraid of Tommy Shelby
51:43Give me your smile
51:46The moonlight in your eyes
51:57Go play snap with Finn
51:59Did you want whisky as well?
52:01Nah, just beer
52:03Why no whisky, Tommy?
52:05You expecting trouble?
52:09Jesus Christ, Tommy
52:10What the hell made you look at them sing?
52:12You saw they're strangling cats out there
52:14All right, 20's the play, come on
52:18And what did make you change your mind though, Tommy?
52:22Yeah, I mean, it's without time, Tommy
52:25Time for what?
52:27Oh, time you took yourself a woman?
52:30Just play the bloody hands
52:32Who stay the way you are, Tommy?
52:34Remember what Dad used to say?
52:36Fast women and slow horses
52:38Will ruin your life!
52:41Coppers
52:42No
52:44Come Josephine
52:46In my flying machine
52:48He go up, she goes
52:50Up she goes
52:52Balance yourself like a bird
52:55On a peak on the air
52:57She goes
52:58Up she goes
52:59Up she goes
53:05Holy shit
53:07It's Billy Kimber
53:18Is there any man here named Shelby?
53:28I said
53:29Is there any man here named Shelby?
53:39I'd have to get these men a drink
53:41Everyone else go home
53:56You go home
53:57But Mr. Fenton said
53:59I said go home
54:03I've never approved of women in pubs
54:05But when they look like that
54:06He said you wanted men
54:08Call Shelby
54:09We've got three of them
54:11Right, I never heard of you
54:13And then I did hear of you
54:14Some little Diddy Coy Razor gang
54:16I thought to myself
54:17So what?
54:19But then you fucked me over
54:21So now you have my undivided attention
54:26By the way, which one am I talking to?
54:28Who's the boss?
54:29Well, I'm the oldest
54:32Clearly
54:33Are you laughing at my brother?
54:38Right, he's the oldest
54:39You're the thickest
54:40I'm told the boss is called Tommy
54:42And I'm guessing that's you
54:43Because you're looking me up and down
54:44Like I'm a fucking tart
54:48I want to know what you want
54:51There were suspicious betting patterns
54:52At Kempton Park
54:53A horse called Monaghan Boy
54:56He won by length twice
54:57And then finished last
54:59With £3,000 bet on him
55:01Which one am I talking to?
55:04Which one of you is the boss?
55:06I'm Mr Kimber's advisor and accountant
55:07And I'm the fucking boss, okay?
55:09Right, end of parlay
55:10You fixed the race without my permission
55:14You fucking gypsy scum
55:17What live off the war pensions
55:18Are these poor old Garrison Lane widows
55:21That's your level
55:22I am Billy Kimber
55:24I run the races
55:25And you fixed one of them
55:27So I'm going to have you shot against the post
55:31Mr Kimber
55:37Look at it
55:39That is my name, isn't it?
55:42It's from the Lee family
55:45You are also at war with the Lees, Mr Kimber
55:47Am I right?
55:52The Lees are attacking your bookies
55:54And taking your money
55:55Your men can't control them
55:57You need help
56:00Perhaps we should listen to what Mr Shelby has to say
56:03Before we make our decisions
56:06Right, the Lees
56:08Are doing a lot of talking at the fairs
56:10They have a lot of kin
56:11They are saying the racetracks are easy meat
56:14Because the police are busy with strikes
56:16Now
56:16We have connections
56:18We know how they operate
56:20You have
56:22Muscle
56:23Together we can beat them
56:24Divided
56:25Maybe not
56:28Mr Kimber
56:29Perhaps we should take some time
56:30For reflection
56:32Possibly
56:33Make arrangements for a second meeting
56:35I admire you, Mr Kimber
56:38You started with nothing
56:40And built a legitimate business
56:43It would be an honour
56:46To work with you, Mr Kimber
56:49Nobody works with me
56:51People work for me
56:57Pick it up, Pikey
57:11Sit, sit down
57:21It's for your ceiling
57:23Thank you, Mr Kimber
57:29We will be at Cheltenham
57:31As will I
57:40Well, you're in your little room
57:42And you're working on something good
57:45But if it's really good
57:47You're gonna need a bigger room
57:53So you picked a fight with the Lees on purpose
57:56Tommy
57:57We can't mess with Billy fucking Kimber
58:00Get yourself a decent haircut, man
58:03We're going to the races
58:27Take a little walk to the edge of town
58:30And go across the track
58:32And go across the track
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