- 18 hours ago
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00:00The body of a young girl was found this morning in the woods.
00:03We have good reason to believe it's Katie.
00:05You know everyone's gonna ask about it, don't you?
00:07Is this something to do with the others?
00:09Three kids go into those woods.
00:11Only one comes out alive.
00:12You two get across that Peter Jermaine and Adam case.
00:15Any detail, any connection.
00:17I don't care how tiny or random it is.
00:19Hound it down.
00:21Peter! Jamie!
00:23Oh, we're evil.
00:24Oh, it's you, me and Jonathan, the three of us.
00:26There's no escape. We can't escape.
00:29Mr. Johnson may be in prison, but his associates will do the work for him.
00:33We can't do this. Not this one.
00:35Say yes, Rob, because we absolutely cannot do this one.
00:39Adam! Adam, where are we?
00:41Leave him alone!
00:43My middle name's Robert.
00:46I want to be Robert now.
01:10Where's Peter?
01:13Where's Jamie?
01:15What did you do to them?
01:23Where are they, Adam?
01:29Where's Peter?
01:30Stop!
01:31I don't know where they are!
01:32Tell us where they are!
01:35Sir!
01:36The Paddy boy's shouting again!
01:39Robert, wake up.
01:42Wake up.
01:44You were shouting.
01:56Get a move on, you charity boy!
02:00Dear Peter and Jamie, please come back.
02:05Please.
02:06If you come back, I can go home.
02:11I really want to go home.
02:17Come on!
02:18If you've got a stitch, then breathe through it!
02:21I'm gonna go!
02:22Knees up!
02:23Keep the pace!
02:49Dear Peter and Jamie, I'm sorry I wasn't fast enough.
02:53Dear Peter and Jamie, I tried to keep him on my own here.
02:55Please come back.
02:56Why didn't you wait?
02:56I don't even stand anyone here.
02:58Next time, I'll keep up.
03:23ечent.
03:29I'll keep telling you to hold you in his house.
03:33I'm here.
03:37I'm here.
03:47Let us go.
03:48You can't wait.
03:48You're right.
03:50Cool.
03:51You're right.
03:52You're right.
03:52You're right.
03:52You're right.
03:52You're right.
04:02The bacon.
04:29I thought that you loved me, I think I was wrong, cause you've broken my heart now, didn't take you
04:44too long, I loved I'm just that bad, now I know.
05:08Something different.
05:30I don't know.
05:56Hey! Hey!
06:14The train now approaching Central 1, 845 Anaheim, calling at all stations.
06:29The train now approaching Central 1, 546 Anaheim.
06:40They are in a distance from city doors, station.
06:42The station here on Central 1, 845 Anaheim, calling at East East East East,
06:42the train at East East East, 850 Anaheim, calling at East East East.
06:45The train at West East East, 760 Anaheim, calling at East East East, 880 Anaheim, calling at East East East
06:51East.
06:54This train is from Alahai, Volokhia. Do not put your feet on your feet.
07:39I don't know how I'm going to pay for a coffin. I lost my job. Funerals are expensive. I don't
07:46want a cheap coffin.
07:50Are you ready, Mr. Delvin?
07:58It's not working. I'm so sorry about that, Mr. Delvin.
08:06You think that they test her? Don't they care enough to test her and this bloody music?!
08:22Mr. Delvin, is this your daughter Catherine?
08:29Yes.
08:53Let me talk to him.
09:06Is there anyone, anyone you could think of who would want to do this to Katie?
09:09Not to Katie, to me. They'd want to hurt me. Because of the campaign.
09:14Move to motorway?
09:16That motorway has got nothing to do with jobs and infrastructure. It's about buying up land. And you'll never find
09:24out he's buying it.
09:26I got phone calls. Threats.
09:31What sort of threats?
09:33Watch your back. We'll break your legs. I told them to send our best lads because I would be ready.
09:42Him?
09:43Same voice every time.
09:46A few weeks ago, Katie picked the phone up.
09:50I thought she was talking to Simone, her teacher.
09:52But then she came in and she said it's for you.
09:55And off she went out to practice.
09:56I took the phone and he said that this man, the same man, the same voice.
10:04That's a lovely little girl you got there, Jonathan.
10:07Talented too.
10:09Be a shame if anything happened to her.
10:12A few weeks.
10:15You didn't report it.
10:19I thought, now I'm really getting to them.
10:21They're getting desperate now.
10:24I was pleased about it.
10:26Happy.
10:28Go forgive me.
10:29I felt like a king.
11:06Mr. Devlin, I want you to know that we're going to do everything to find the person
11:10that did this to Katie, to your family.
11:12We're going to find them.
11:20You want to tell me what that was about?
11:21I want to show you something.
11:22I want you to know that we're going to find the person to find the person to find the person
11:46whoo!
11:46Woo!
11:49Go higher!
11:50Woo!
11:51I'm trying.
11:51I'm trying.
11:53Come on, Adam.
11:55Woo!
11:56Come on, Adam.
11:57Higher.
11:57Come on.
11:58Woo!
11:58Woo!
11:59Woo!
11:59Woo!
12:02Wow!
12:09Wow!
12:12Thank you!
12:28that was our swing Peter's dad Joe put it up for us on the 10th anniversary of
12:37his son's disappearance he hanged himself from it after that Peter's family moved away to Glasgow
12:47Jamie's mum Alicia Rowan still lives in the same house she's gonna need protecting
12:52we'll pass it on to whoever takes over from us we're not passing on this we have to do it
12:56Rob we agreed I wanted Jonathan Devlin to look right into my face to see if he recognized me
13:05he doesn't but then again I didn't recognize him either not his face not his name you know him
13:12him and his mate we call them hairball headbanger and the other one wannabe bikers without a bike
13:19and money for petrol Jonathan Devlin's initial interview taken two days after the disappearance
13:37shit what do you reckon any detective working Katie Devlin's murder is gonna do handed a lead
13:43like this find Adam Riley find Adam Riley and his family initial interview there's others there's
13:53boxes and boxes of evidence months worth years so I'd have thought so somewhere in there they
13:57interview again because I would I'd be pushing on his alibi who worked at originally Emmett and McCabe
14:04Emmett had a massive heart attack in 97 dead before he hit the ground McCabe died of pancreatic cancer in
14:092003 yeah we just saw our futures I failed to disclose Cassie of course I did I'd never have
14:17been able to work murder if they knew who I was you failed to disclose of course you did you're
14:22my
14:22friend do you think anyone is gonna believe you didn't know about me no I shouldn't have told you
14:33I compromised you it's not like we planned this you know things about me no one else knows not even
14:41some we stay on this we can control it hide in plain sight you could be recognized who's gonna make
14:53the association between skinny little Irish Adam and English Rob and my surname oh Christ throw a stick
15:00seconded O'Reilly there's two in fraud you shouldn't be doing this why not because it's about you
15:15I remember every inch of that estate and every inch of these woods this round here is where it stops
15:24I don't remember from chasing my friends to being found there's nothing it's 10 hours approximately
15:32and nothing's like running into a fist I've had psychiatrists and therapists and hypnosis for fuck's
15:38sake and nothing what happened to us and Katie's murder they're connected
15:50who do you want to bring this in Cass someone else or do you want it to be us
16:42Shane Shane
16:49Shane keep up I'm not your mommy waiting on you move
17:19I'm not your lord
17:22Mr
17:37Mr
17:38Mr
17:39Mr
17:39Mr
17:42Mr
17:42Mr
17:48Sandra, I wasn't expecting you.
17:50You didn't say not to come?
17:54I can go, if you want. I mean, as long as I get me money, I can go.
17:59Leave you in peace.
18:00I'm done. I had to let the ballet school know.
18:03All the grants, you know, the boards of all the grants.
18:07It's tragic.
18:10The poor child.
18:11I had to give the police the names and addresses of everyone who works here.
18:14They'll want to talk to you.
18:15Ask if there's been anyone hanging around looking at the girls.
18:18That's what they asked me.
18:24Miss Cameron?
18:26How long are you going to stay short?
18:29A week, at least.
18:32You won't need to come in. You'll still be paid as usual.
18:58Footage taken from the Devlin's neighbours.
19:00Somebody kept stealing the saints and angels in their garden, so they put in basic CCTV.
19:05Counting backwards from the discovery of her body. This is 12am.
19:09She's not carrying a bag, so she wasn't running away.
19:12Likely who it is, she was going to meet someone, then expecting to come home again.
19:16That door-to-door is questioned about unfamiliar vehicles.
19:19Any link between this and the three kids in 85? Even a vague one?
19:22There is.
19:22Jonathan Devlin, Cahill Mills and Shane Waters, all 18 years old, are questioned about the disappearance.
19:27Now, fair enough, all males aged 15 and over are questioned, and Devlin, Mills and Waters have an alibi.
19:32They went into town to see a film, Porky's Revenge.
19:34The cinema was rammed. None of the ushers able to identify them as being there.
19:38But they are seen by a 14-year-old Nocknery girl also in the cinema with her family to see
19:43Police Academy 2.
19:44This 14-year-old girl goes to the foyer to get popcorn and sees Devlin, Mills and Waters in the
19:49corridor.
19:50She's the only witness who can say they were there that night.
19:54Her name is Margaret Byrne.
19:56Three years later, Margaret Byrne gets married to Jonathan Devlin.
20:01Shit.
20:03Were they interviewed under caution?
20:04I don't know yet, sir. I'm working my way through it, so.
20:07Nah, Quigley can do that. As long as he's in the basement, I don't have to look at him.
20:10Quigley?
20:11Well, you're not going to have the time unless you leave Maddox to do all the heavy lifting.
20:15And Quigley's capable of reading transcripts. God almighty, you have me defending the bollocks.
20:24Who the feck are you? And why don't you knock?
20:27O'Neil, sir, from General.
20:28O'Neil was seconded to Revenue Customers for six months last year.
20:32And we want him to work on Devlin's allegations of land fraud.
20:36What did you mean?
20:37Well, that's very nice for you.
20:39A leg up the murderer from the howling abyss of General.
20:42Welcome to Operation Vestal. Do your job, we'll get on fine.
20:46Dick about. I will shred your testicles.
20:49Understood.
20:50Vestal.
20:51As in Vestal Virgin, is this a joke?
20:54If she'd been raped, it would be called something different because she wasn't a virgin.
20:58Did some middle-aged man come up with this name by any chance?
21:00Listen, you.
21:00I've got to put my face in front of the camera and deal with this he rises bullshit.
21:04And I do not need lectures on feckin' patriarchy.
21:07So good luck to you, the feminist and the English man.
21:11You poor bollocks.
21:13Quigley!
21:14Fester, though. Jesus.
21:16So, uh, thanks for this.
21:19Gives me a break from arsonists and scroats.
21:21It was Rob's idea.
21:23I appreciate it.
21:25And I'm back on the team, if I guess.
21:29Hahaha.
21:35So good.
21:46Okay.
21:53Partnerships.
21:54Who's you?
21:54What's she about?
21:57How do you see the fish?
22:20You're going to get all the boys in a few years, Jamie.
22:24What do you reckon, Cahill?
22:39Melissa, it's Cahill.
22:40Just tell them I've had to fly to Berlin for a meeting.
22:43And there's some druggy asshole being hassling people outside the office.
22:47Roadmenders jacked with the orange plastic.
22:49Get security to deal with him, but don't call the fucking guardie, okay?
22:54I want him got rid of.
22:56Text you when I've landed.
23:10Text you when I'm in.
23:35and he was late 30s or early 40s i'm not brilliant telling people's ages and it's hard because
23:40mainly i remember the tracksuit blue like a french blue french blue that's specific
23:49why i had a saturday job in the doi store years back mixing paint that's how i know
23:55very popular with the middle classes for their hallways french blue and you're the only person
23:59on the dig who saw this man well i do the tours show people around the fines tell them what's
24:04going on and that's your job giving people tours of the dig i like talking to people
24:09i don't mind answering the same questions the others get bored but i don't did you know
24:15jonathan devlin of course because of the campaign and he came to look around the dig
24:19about his family well his daughters so you knew them too well only by sight didn't talk
24:25to him he's quite um protective you can't blame a load of students and him with his daughters
24:32the one that's got the learning difficulties she got sick in herself and started crying
24:37and her sisters took her away mr devlin stayed and this man with his french blue tracksuit he
24:43was on one of the tours no no no he was in the woods doing what just looking at the
24:49dig i called
24:50him to say he could come join the tour if he wanted and he went away the other students and
24:55archaeologists were at a house party the night katie was killed but you weren't i was at home
24:59my mom she's got ms i look after she's got people going in during the day but she needs me
25:06there at night
25:07we'll get someone in here to work with you on getting a better image yeah what about my mom
25:11she gets upset if i'm late i'll drive you home after it damon it's no bother that's grand
25:18him i'll just go to the toilet i'm bursting from all the tea
25:26is this helpful it's a definite lead i'm glad because you know when we saw her on the altars
25:35i'm glad i'm able to help
25:40it's feeling isn't it yes detective field
25:47when you take him home go into the house and check what he says about his mom and be discreet
25:51say he's been a good citizen and thanks very much that sort of thing and talk to the staff
25:55at the ballet school no problems detective yeah i'll report back
26:02he's got a man crush on you someone needs to have a crush on you i'll belt off you do
26:08just fine
26:09you
26:09you
26:09you
26:09you
26:09yes
26:09you
26:09yes
26:09yes
26:09Oh, my God.
26:55Hi.
26:57Right back up at me.
27:06You look so surprised when I said it was Rob's idea to get you in.
27:08I never know quite how to take him.
27:11Well, now you'll learn.
27:13I don't hang around with twats, you know.
27:15It's one of them good ones.
27:16Are you sure this isn't too close for you?
27:18Maybe in an investigation?
27:20If I said it wise, you wouldn't do it.
27:24This is your chance to get into murder.
27:26So I'm really happy you're doing it.
27:29Really.
27:30And I know you're not some arse who goes around bragging about his girlfriend.
27:34That's why I went with you.
27:35It's one hell of a compliment.
27:38You're not an arsehole.
27:40I'm gonna get that in the badge.
27:43You know what code Katie had on her mobile?
27:46It was her twin sister's name, Jess.
27:50J-E-5-5.
27:53I don't think she gets it at all, you know, Jessica.
27:57She says the word dead, but I don't think she gets it.
28:02I don't think she gets it.
28:03See you tomorrow.
28:04Take us more compliments.
28:07Completely weird.
28:08Door closed.
28:13Going down.
28:27You know there's a Jax at one flight of stairs, don't you?
28:30I'm not that much of an animal.
28:31I'm gonna shit in the corner of the room.
28:33I'll spread my fingers so I don't get barbecue sauce on anything.
28:37You know McCabe that got the cancer?
28:40He worked on this until he was practically dead.
28:42There's a whole box of papers, diaries, whatever.
28:46All handwritten.
28:47Must have asked his family to bring it in.
28:49Don't think anyone's ever been through it.
28:50You'll be careful with all of this.
28:52There's a lot of lives here.
28:54Riley, before I fucked up I was actually pretty good at this, you know?
28:58Or do you think I bribed my way through my exams?
29:00Made detective by giving handjobs?
29:03Just let me know when you've got something.
29:04No, I'll keep it to myself, won't I?
29:09Riley.
29:10You said Jax.
29:13Normally you say the loo.
29:17I'm like an Irishman of you yet.
29:20I don't know if he's…
29:27conservating all theви that wrote their internationally.
29:29You said Jax.
29:30I was close!
29:31I was close!
29:31I wasn't close!
29:34Let's ĹIonborg now!
29:36Would you pay attention to Jax.
29:36If you let me know if I saw aоме puisque I could just check if I saw some of my
29:39nails,
29:39I hadn't said the loosphere.
29:39It was lovely and écule.
29:40Howdawire visit Jax.
29:46Điwiếu!
29:48He's a good start of this!
29:49restriction for показ and know that's what he needs.
29:50He is living.
30:06You can't be scared of the pain Katie, the pain is what makes it beautiful and hold it
30:43If there's anything that people out there want us to know, you don't have to give your name, you don't
30:48have to speak to an officer
30:49What about the graffiti? He rises? You can't be sure that there isn't some sinister, satanic aspect to this game?
30:57Got it, got yourself on, that graffiti could be correct
31:00See, wanking themselves into a frenzy, satanic me hole, alright, so talk to me
31:07Three lines of investigation, Devlin's moved the motorway campaign, it was gaining a lot of traction causing problems from Alan
31:13Davis
31:13Is that enough to get Katie killed? Possibly
31:17Tracksuit man, French blue tracksuit man, is he in the woods because this is the place where he plans to
31:22leave Katie's body
31:23Or is he scoping out the dig because he's involved with Malin Davis?
31:26We've shown Demi and Donnelly images of known offenders in the same age range and physical type
31:31He wasn't able to make a positive ID
31:33We're monitoring chat and conversation on child porn sites
31:35Jesus Christ
31:36But Katie wasn't groomed, she had no social media, and Jonathan Devlin has a computer, we checked it, nothing
31:42We checked Simone Cameron's, nothing apart from a ballet school message board
31:45Katie had a mobile, Simone Cameron got it for her so she and Katie could talk when Katie went to
31:50England
31:51The mobile was kept in the dance school with Katie's passport
31:56Rosalind Devlin is 18 but doesn't have her own phone
31:59Jonathan has one, he uses that and the landline for the campaign
32:03Daddy controls the communication
32:05You think family's the strongest line?
32:08Family and friends, which brings us all the way back again to Nock Neri, 85
32:13Jonathan, Cahill, Shane and Margaret
32:16Could be a coincidence
32:19Shitty luck but
32:20Yeah
32:22It's a big but
32:25So
32:26It begins
32:39The murder gods
32:41May they reveal their fucking secrets
32:50Sandra Scully
32:58Sandra Scully
32:59So, you knew Katie then?
33:02I wouldn't put it like that but I seen her practicing
33:06She was a polite little thing
33:09Please and thank you
33:13Not like some
33:15Had anything changed for her recently? Did you notice something different about her?
33:18She was just practicing harder every hour for that school in England she got into
33:26It's a terrible shocking thing
33:28Did you ever see anybody hanging around?
33:31Perverts you mean?
33:33Perverts you mean?
33:33Kitty Piddler spying on the girls?
33:36No
33:38If there had been
33:39The girls' daddies would have ripped them to shreds
33:42Yeah
33:45Okay
33:46What about the rest of Katie's family then her parents?
33:49Margaret and Jonathan
33:51Did you know them?
33:52Did you know them or?
33:54No?
33:55Only to see but otherwise no
33:59Never spoke in a word to her mammy or daddy
34:05Can I just check the spell on your surname actually? It's Scully, is that with an E or without?
34:09S
34:10C
34:11C
34:11C
34:11L
34:12L
34:12L
34:12E
34:12Y
34:14Sandra Scully, with an E
34:16With an E
34:18Thank you for that
34:20Thank you for your time
34:22I'll just
34:23Let myself in
34:48Do you know what I think about Damien Donnelly, the man in the French blue tracksuit?
34:51Not bullshit, he likes talking to people, being important, sense of attention
34:54Yep
34:55Bit of excitement after caring for his mammy all his life
34:59Poor guy
35:00Fuck him, he got snacks in the lift home, he had a lovely time
35:02Bet you 50 he changed his mind and never saw anyone in two weeks
35:06Three
35:07Alright
35:23What were they like? Peter and Jamie? They were great, great kids, funny
35:30Did you hang around with Jonathan and his mates back then? It's a bit of an age difference
35:36No, sometimes they'd give us cider and cigarettes, laugh and we'd cough
35:40Hairball, Jonathan, had a girlfriend
35:43I can't remember her name, but she used to put makeup on Jamie and treat her like a doll
35:48Mostly we were just spying them
35:50Spying them, doing what?
35:51Getting pissed, getting stoned, trying to get laid, the usual
35:56We thought it was hilarious
35:57And this was all in the woods?
36:00It was all in the woods
36:04Do they have a problem with you three?
36:08I don't know, Cass, not that I can remember
36:14I've gone home
36:16You wanna live?
36:17I'll decide it's hard for you
36:18I'll get a cab
36:20The girlfriend wasn't Margaret, was it?
36:22When she was 14, Jonathan would've had his cock and balls torn off by her family
36:27Maybe she kept it a secret
36:29Maybe he didn't care how old she was
36:32The old bird on a mobility scooter
36:35Mrs Fitzgerald, she'll know
36:37We'll pop it in her then
36:39In the morning
36:41To home, Rob
36:43Yeah, I'm going
37:08What do you think?
37:11I think I look gorgeous
37:14Her most girlfriend did on me
37:17You look stupid
37:19What would you know?
37:25I don't think I look gorgeous, don't you?
37:26Adam thinks I look gorgeous, don't you?
37:44It's so good
37:45Yes, I'm wrong
37:45It's been two years
37:48It's also very shallow lived
37:51I'm sure it is like
37:52When people ask me
37:54I was on the marriage team.
37:56Yeah.
37:56I was in the marriage team.
37:58And I was in the marriage team.
38:00I was in the marriage team.
38:01And you were held.
38:03Yeah, I was in the marriage team.
38:04Yes.
38:04And Mary came to the marriage team.
38:07You should have brought her up.
38:08You should have put your hand.
38:09She won it.
38:10She won it.
38:11Exactly.
38:12She has it.
38:13She keeps it.
38:14Turn it down.
38:15Well, I went before you, when you're leaving.
38:16Turn it down.
38:18Turn it fucking down.
38:19Real Catholic single.
38:20Jesus Christ, what is wrong with you?
38:22You stung fucking lump.
38:24Give me the fucking...
38:25You won your medal.
38:27You!
38:28You!
38:29You!
38:30You!
38:30You!
38:33More as flamboyant, if you like, as media or...
38:35Yeah, well, I generally find that it was either, you know, football, Man United and that type of thing.
38:43I would like to have been a goalkeeper.
38:45Genuinely.
38:46For...
38:46For County Dyer.
38:48Like, not the foreign codes.
38:50Do you know what I mean?
38:51Hey, Patrick, would you love to have been your footballer?
38:53Like a goalkeeper for me?
38:54Yeah, I don't know.
38:55Yeah.
38:56Uh, well, it didn't work.
38:57I expect that.
38:58Go watch, telly.
38:59And...
39:00I've done a lot of shows.
39:01Some of them, a lot of them rubbish.
39:03Some of them, quite good.
39:04Some of them...
39:05You know, breathe.
39:07But...
39:07I'm coming back.
39:12I'm coming back.
39:13Yeah.
39:23No, no, no.
39:24No, no.
39:25No, no, no.
39:25Ah, no.
39:28No...
39:29Ah, no!
39:30Hi...
39:33No.
39:34No, no.
39:34No, no.
39:34No, no, no.
39:49Oh, my God.
40:11You're working on that poor girl.
40:16But it's some filthy sexual pervert.
40:22Makes you ideal.
40:26Is that a thief to catch, thief?
40:29Do you think I'm a pervert, Heather?
40:34Do you think you're an Aracel?
40:41I don't even like you.
40:43Good.
40:45Never thought I'd like that.
41:13I think I'm a man.
41:14I don't want to call him a'...
41:20I don't want to be the one.
41:20I think I lost my memory.
41:20I don't want to be the one.
41:28I'm a man.
41:28I'm a man.
41:31I don't know.
41:32I'm a man.
41:33I'm a man.
41:34I'm a man.
41:39You fucking bastard, Frankie.
41:43Got him to eat.
42:08You haven't got much in.
42:10Do you know who I thought you were?
42:12Someone sent by that plastic gangster Johnston.
42:15Yeah, I know.
42:17Which begs the question,
42:19why did you sit with your back to the connecting door on the train?
42:23Could have throttled you for that, Cassandra.
42:27What do you eat this filth? It tastes like...
42:30Tastes like grass and hairspray.
42:32Feel free to put it back.
42:34No, I'm getting used to it, actually.
42:38What do you want?
42:40It's a friendly reminder not to reactivate your old identity.
42:45And a warning that reactivating your old identity
42:47brings a storm of shit down on top of you
42:49that not even I can protect you from.
42:53Frank, I haven't been Lexi since this happened.
42:56And I nearly died, remember?
42:58Yeah, but you didn't.
43:00And being stabbed doesn't make you special.
43:02Everyone's been stabbed.
43:03I mean, I nearly got gilded.
43:06I have a hole in my tie you could put your thumb in.
43:08Do you want to see?
43:08I've seen it.
43:10And it wasn't that much of a treat.
43:16Did you know I kept an alert on the name Alexandra Mangan?
43:18No, of course you didn't.
43:19But I did.
43:21And Alexandra Mangan applied for her birth certificate.
43:25And you think that was me?
43:27Why would I want Lexi's birth certificate?
43:29You can't get a passport without a birth cert.
43:31And you can't get credit cards or borrow money without a passport.
43:34Why would I do something so dumb?
43:37Well, how'd you buy this place?
43:38No one else can afford to buy.
43:40Your partner rents a room in some cardboard piece of shit apartment block
43:43and your boyfriend rents in a part of town even I don't want to live in.
43:47And yet you own this flat.
43:48You own it outright.
43:50Black rock, nice and posh.
43:52My aunt died.
43:54She left me her house.
43:55I sold it and bought this.
43:59Oh, Cass.
44:00That's tough.
44:01I'm sorry to hear it.
44:02Yeah, Frank, you know, the only family member I had and she was good to me brought me up
44:06so it's been pretty hard but just got to keep going, eh?
44:09Well, if it wasn't you, who was it then?
44:11How should I know?
44:12It could have been anyone I had contact with when I was pretending to be someone else.
44:16For you.
44:20Of course, the other reason undercovers activate old identities is they want to come back.
44:25Well, I don't.
44:27I'm happy where I am.
44:30I didn't try and get Lexi's birth certificate and I'd like you to go now.
44:34I need to sleep.
44:41But whatever you were planning, whatever you were thinking of doing,
44:45don't.
44:45For my sake.
44:54No more Lexi, okay?
44:55You've been warned.
44:56Need to do time for her, Cass.
44:58And no one to cover wants to go to prison.
45:02Bad things happened here.
45:15What?
45:19No.
45:45I don't know.
45:45I'm sorry.
45:45Don't be on prison!
46:04I'm sorry for waking you up.
46:06I'm glad you did, Rosalind.
46:09How did you get here?
46:10There's a night bus.
46:12And how can I help you?
46:22Are you sure you wouldn't like to talk to my partner?
46:25She looks at my clothes.
46:27There's nothing I can do about my clothes.
46:30She doesn't have to keep looking at them.
46:35This is going to sound strange, but I have to ask.
46:41Because I don't know.
46:44No one's saying anything.
46:46Was Katie...
46:49Did a man...
46:50Had she been raped?
46:51I'm...
46:52No, no, no.
46:57Why should that matter to me so much?
47:00Why?
47:01The worst thing that could have happened has happened.
47:04But I...
47:06I just couldn't stop thinking if she'd had to go through.
47:12Do you promise?
47:14You're not just saying that to make me feel better.
47:17You promise?
47:18I-I promise there was absolutely no sign of any sexual assault.
47:25I'm sorry.
47:26I'm...
47:27I'm really sorry for making you promise.
47:30Don't be sorry.
47:32That's what we're here for.
47:35I have to get home before anyone wakes up.
47:38The garter can drive you.
47:40Could she draw me in the next street?
47:43I don't want anyone to know where I've been.
47:45And then if someone is awake, I can just say I went for a walk.
47:49She can drop you wherever you want.
47:55Detective Riley.
47:57Will you promise me something else?
47:59If I can.
48:03Katie...
48:04was a person.
48:06You'll always think of her as a person, won't you?
48:08Not a body who had things done to her, but a person with a life.
48:14I promise.
48:16Stay in touch, Rosalind.
48:18I'll try.
49:06You don't mind that I didn't call?
49:07No, it's not.
49:08I want Rosalind to talk to us.
49:10If she trusts you, then great.
49:18Visitors!
49:19And I just made scones, too.
49:26How do you think Margaret's doing?
49:29Oh, have the big scone, young man, and plenty of butter.
49:32You want feeding, you do.
49:35Mrs Devlin's dim as you'd expect, I'm afraid.
49:38I remember when she was born.
49:41You'd never have looked at that child and think she'd turn out the way she did with her nerves and
49:46all the pills.
49:47She came from good people.
49:49The bands?
49:51Marrying into that family was certainly the making of young Jonathan, because he was a wild one.
49:56How do you mean wild, Mrs Fitzgerald?
49:58Oh, keeping bad company.
50:00And what sort of company?
50:01Friends?
50:02Oh, the lads were fine.
50:03They were just being young men.
50:06It was the girl he was with.
50:08A wee who were like her mammy before her.
50:11Going around in a dress so short you could see what she had for breakfast, lunch and tea.
50:15Time was the Magdalene's would have taken a one like Sandra Scully and straightened out her nonsense.
50:21There's a lot to be said for the old ways.
50:24Sandra Scully?
50:25What happened to her?
50:27I mean, if she was in love with Jonathan, then it must have been awful when he married someone else.
50:32Love had nothing to do with it.
50:33But she made the trip to England.
50:37You know?
50:38Got rid of it.
50:39But of course her mammy and daddy would never let Margaret do something like that.
50:44So up the aisle she went with little Rosalind already there.
50:50Oh, you mean...
50:50Oh, she had a good dress so nobody could see the bump.
50:54Margaret's daddy gets Jonathan a job, helps them out with a house and there's that beautiful baby Rosalind.
51:00But Margaret gets the nerves.
51:03And by the time the twins come along, it's poor Rosalind doing everything, even as a child.
51:10Taking on all the duties of the mother.
51:13But there's no denying young Rosalind has no life of her own.
51:18Doing everything for that poor fetch, Jessica.
51:23A fetch?
51:25A twin who isn't a twin.
51:28One comes from God, the other comes from someplace else.
51:33With a curse.
51:37The fetch.
51:42THE END
51:42THE END
51:42THE END
51:42THE END
51:49THE END
51:54THE END
52:08LIKE
52:20Help me, please.
52:59Those scones are like bricks, what are you going to do with them?
53:01Take them up to the roof, fire them at the seagulls, and kill a few for fun.
53:06Psycho.
53:06Hm.
53:07You got twitchy when she started going on about the fetch.
53:10Yeah, because it's superstitious time-wasting nonsense.
53:14I was just putting these reports out for you detectives.
53:18Very thorough.
53:19I like it.
53:20Mrs. Donnelly is very much bedridden.
53:23Really sweet lady.
53:24It's so sad.
53:25That's a great feeling.
53:26Yeah.
53:26These are for you.
53:28Yeah.
53:29Right, thanks.
53:30Oh, and I've got all the Gardie statements from the ballet school teachers,
53:34and other parents whose daughters went to the school, and the cleaner, Sandra Scully.
53:38If you need me, just text me.
53:39I'll put my number on the report.
53:41Thanks for the scones.
53:45Sandra Scully, Jonathan's old girlfriend, works at the ballet school.
53:48She's the one here putting makeup on Jamie, right?
53:51Yeah.
53:52Yeah, that was her.
53:54Rob, she lied.
53:56Said she doesn't know Jonathan and Margaret.
54:03Why would she lie?
54:11You're gonna get all the boys in a few years, Jamie.
54:15Who?
54:17Who?
54:19Who?
54:19Who?
54:20Who?
54:20Who?
54:21Who?
54:21Who?
54:22Who?
54:22Who?
54:23Who?
54:29Who?
54:34Who?
54:36Who?
54:38Who?
54:44Who?
54:44Who?
54:45Who?
54:46Who?
54:46Who?
54:47Who?
54:49Who?
54:50Who?
54:51Those children were taken as a tithe, as a reckoning to settle an account, you're never
54:55going to find them.
54:57How much longer?
54:58When are you going to be out of my way?
55:00It takes as long as it takes.
55:02Get up and get dressed.
55:03Frank?
55:06Cassie, don't.
55:09You stole my daughter.
55:10I don't want to.
55:11It's the only right to be here!
55:13Don't, don't, don't!
55:14Earth to earth, ashes to earth.
55:17Jesus, she's looking right at you.
55:19You should be looking for Adam.
55:21Ask Adam what he did in the woods.
55:50There's random things.
55:50Don't, don't, don't.
55:53Whatstar to earth.
55:53If you stockpile.
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