- 38 minutes ago
Bridgerton S03 - Episode 4
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00:26Gracias por ver el video.
00:30Move more slowly.
00:31I must not rush as I am with a child.
00:33We did not know that for certain.
00:35I threw up all night.
00:36Is pregnancy sickness not associated with the morning?
00:39What is it?
00:40My housekeeper said that Varley said it was urgent.
00:42I was sleeping.
00:43Shh.
00:43Look.
00:44This has a corner.
00:47I have bought you a plant
00:50so that you might continue to enjoy nature
00:52from your windowsill.
00:54Thank you.
00:56What is it?
00:58Um.
00:59Why her?
01:01She must have blackmailed him.
01:02Or trapped him in a closet.
01:04She thinks she used a potion like the one Varley gave us.
01:07You know what she did?
01:08She used Colin Bridgerton's help.
01:10Many people do much worse to be connected to the Bridgertons.
01:13I shall have to pick up Mr. Bridgerton's mantle of assistance.
01:20Lord Dabling, my other daughters just happened to drop by and they wish to say good day.
01:27Good day.
01:30Good day.
01:33We're so pleased to have you.
01:35So often my Penelope is sat at that window reading and now here she is in the room and we
01:41have you to thank for that.
01:43Is that so?
01:44Is there a reason you like that window so much?
01:47Is the settee particularly comfortable?
01:49Not particularly.
01:51I suppose I mostly just enjoy the view.
01:55But I have grown rather tired of it.
01:58And I'm very glad to be here with you.
02:17Oh, I thought I might find you in here.
02:19I am found.
02:22We are expecting the Marquis Samadani to call on Francesca this morning.
02:26Can I count on your presence?
02:27I think it may be best if I absent myself from this round.
02:32Well, if I am there, I will surely eat all of the biscuits and leave none for the Marquis.
02:40Dear, at last night's ball, when you were asking about friendship and whether it can blossom into love,
02:47is there something you wished to discuss with me?
02:52That is kind of you, Mother.
02:54But it was purely a speculative question.
02:57I simply want the best for Francesca.
03:02I shall calm down later.
03:07Very well.
03:22Dearest gentle reader, a question.
03:26What is the primary force that guides us along our paths?
03:32You are my solicitor.
03:33Although whether you remain so depends on what you say next.
03:36I shall return when things in order.
03:44Are you here to overcharge me as well?
03:47I am not.
03:48I have come to call on you.
03:51Mr. Bridgerton, I do not wish to be called on.
03:56Is it our minds?
04:00Or our hearts?
04:03Your poor cousin says.
04:05Well, I ought not dispute it, for I have heard you claim so these past ten years.
04:16Splendid.
04:17But before you consume all the math in the room, you must tell us.
04:21To what do we owe the pleasure of your return to London?
04:25You must forgive me for performing for the room.
04:28Hmm.
04:29I am accustomed to the staff at my country estate being my only company.
04:33It is that very lack of society that has brought me back.
04:37Not to mention the lack of ladies.
04:39Well, then all shall work out perfectly.
04:41I am occupied a good while.
04:43And thus, you are free to meet with as many ladies as you might like.
04:51When heart and head are in conflict, every choice may feel like agony.
04:59One person in whom thought and feeling are united is Her Majesty Queen Charlotte.
05:05After their meeting at the Hawkins Ball, it seems the Queen's sparkler, Miss Francesca Bridgerton,
05:12may indeed be poised to become the new Marcus Samadani.
05:17She lavishes you with praise, Your Majesty.
05:20You can read from all the way back there.
05:22With much practice, anything is possible.
05:25Then I am pleased we are so well practiced in hosting the most exquisite gatherings.
05:30We shall arrange one promptly.
05:33A celebration of our good standing.
05:35And a chance, perhaps, to secure our match for Miss Francesca.
05:43Step another pace backwards.
05:46You read me too well.
05:50Of course, whatever maketh our collective hearts swell may yet make them break.
05:57The season is still early and oft has a mind of its own.
06:01That is the cake.
06:03I believe it is called Mil Foy.
06:05Our cook has spoken with Lord Samadani's kitchen.
06:08This should be exactly to his standard.
06:11I hope we have not put our cook to too much trouble for nothing.
06:14Lord Samadani may not choose to call upon me.
06:16Oh, shh.
06:18There is a caller here.
06:20Yes, bring him in.
06:35Lord Samadani, welcome.
06:37Our cook has prepared some Mil Foy in anticipation of your arrival.
06:41Hyacinth, this is not Lord Samadani.
06:43Please forgive us for the error.
06:45The error is mine, I am certain.
06:47I am here to call upon one of your daughters, if I may.
06:55My daughter Francesca?
06:58Miss Francesca.
07:00John Sterling.
07:01Earl of Kilmartin.
07:03It is a pleasure to meet you.
07:05Pleasure is mine.
07:08Lord Kilmartin and I met briefly at the Hawkins Ball,
07:12but have not had the opportunity for a formal introduction.
07:16I see.
07:17May I join you a moment?
07:19I should like that.
07:20There.
07:25Gracias.
07:52She does not speak to him.
07:54I am in awe.
07:56I thought one had to use wit or banter to dissuade a suitor, but simple silence.
08:00It's radically more effective.
08:01Perhaps they are enjoying themselves.
08:03But how will they know each other if they do not speak?
08:06And he comes to call without having had a formal introduction first.
08:11There is another caller here, my lady.
08:15Lord Samadani for Miss Francesca.
08:17Lady Bridgerton, good day.
08:19Good day, Lord Samadani. I shall fetch you a pastry.
08:23Mr. Bridgerton, Miss Bridgerton, and you must be Miss Hyacinth, I presume?
08:28How touching.
08:30Miss Francesca, it is a pleasure to see you.
08:35Good day, Lord Samadani.
08:39I do not believe we are known to each other, Lord Cure Martin.
08:42But I was just leaving. I do not wish to interfere.
08:46Good day.
08:50Good day, Lord.
08:51Thank you.
08:57Oh.
08:58Oh.
09:03And he is the third Lord to suggest that you must give up the club.
09:06It seems that every member of the town has had something to say on the matter all out of alleged
09:12concern.
09:13Their concern is insincere at best, but once it is done, they will surely find something else on which to
09:19fixate.
09:21You believe I should do as they would wish.
09:24Give up all that we have built.
09:27Was it not you who proclaimed that we should embrace all that we have now?
09:30Why burden yourself with a business that will only cause further confusion?
09:35I am not the one who is confused.
09:39I am keeping my club.
09:55I have been building my collection since 1790 and thought it only fitting to share it after all these years.
10:04Can you hear me if I was just right?
10:06I am not.
10:06I am not.
10:14I am not.
10:18Look at that.
10:19Look at that.
10:33I am not.
10:33I am not.
10:35¡Mamá, estamos en la biblioteca!
10:37¡Mamá, por una vez que me pude mirar a un libro!
10:39¡No puedo tener que estar distraído!
10:41¡Puedes pensar solo de Lord Debling hoy!
10:45¡This libro es en viajes para el norte,
10:47donde Lord Debling intends a viajar!
10:49¡Well, déjame decirte de ti!
10:50Los hombres prefieren explicar el mundo a nosotros.
10:53Si hemos explicado esto a nosotros por leerlo,
10:55se sentirán superfluos y unman.
11:00¡Gracias!
11:01Good afternoon, ladies.
11:05Ms. Petherington, are you reading about the fabled Northwest Passage?
11:09I was. I find it so...
11:10Terribly confusing.
11:11We cannot make head nor tail of it.
11:15Would you be so kind as to explain?
11:28I find books so captivating.
11:30I have a collection of over a thousand myself.
11:33Nothing a book loves more than to be collected.
11:36Yes, quite.
11:45I do not know that anyone in this entire library
11:47has in fact read a book through to the end.
11:50Perhaps mine will be in the collection soon.
11:52The tragedy of a spinster whose father is now promising to marry her
11:56to one of his aged friends.
11:58Sounds like German literature.
12:03I aided you with that balloon,
12:05and yet all the fan fluttering seems to be markedly in your direction.
12:10Perhaps you might grace us tomorrow night with your presence
12:12if you are not busy fending off admirers.
12:15We are in pursuit of some revelry.
12:22I think I shall accompany you.
12:24I could use a little revelry myself.
12:32Are you looking for someone, Miss Featherington?
12:35No.
12:36Only...
12:38taking in all the books.
12:40What is it you prefer to read?
12:42I do not mind a starring tale or a book of fact,
12:45but in truth I find myself drawn back time and time again
12:49to stories of love.
12:53And what is it about those stories that interests you?
12:57They are histories of connection.
13:00Of hope for a better life.
13:03Does that make me sound terribly vapid?
13:05Miss Featherington, I am happy to learn that you have a passion.
13:08One that brings you such joy as my research brings me.
13:12We are alike in that way.
13:16Are there any novels
13:17in which the man goes travelling for a very long time
13:20and his wife is happy to stay behind tending the estate?
13:24I suppose that would not be a book with much sentiment, would it?
13:28Not necessarily.
13:31But if the wife
13:33did have her own interests in life then
13:37perhaps they could both be very happy.
13:38A practical match.
13:40But a happy one?
13:42I like the sound of that.
13:46And...
13:46how dare I ask Mike this fictional gentleman
13:50ask for the young lady's hand?
13:53Especially if she had no male relative.
13:56If you were writing the book, that is.
13:59Well, I suppose he would have to ask her mother.
14:01I see.
14:03And if her mother gave her blessing.
14:06Do you think she would say yes?
14:14I think you would have to read the book.
14:17Who was writing her with her?
14:23Let's walk.
14:23That's a good thing, girl.
14:27Here we have.
14:30Or her anak.
14:31So what?
14:32If she ever asks her for you.
14:32No but no.
14:33Hmmm.
14:54¡Suscríbete al canal!
15:07¡Suscríbete al canal!
15:40¡Suscríbete al canal!
16:33¡Suscríbete al canal!
17:05¡Suscríbete al canal!
17:06¡Suscríbete al canal!
17:12¡Suscríbete al canal!
17:15¡Suscríbete al canal!
17:26¡Suscríbete al canal!
17:28¡Suscríbete al canal!
17:29¡Suscríbete al canal!
17:47¡Suscríbete al canal!
17:56¡Suscríbete al canal!
17:59¡Suscríbete al canal!
18:01¡Suscríbete al canal!
18:07¡Suscríbete al canal!
18:09¡Suscríbete al canal!
18:09¡Suscríbete al canal!
18:11¡Suscríbete al canal!
18:21¡Suscríbete al canal!
18:23¡Suscríbete al canal!
18:25¡Suscríbete al canal!
18:29¡Suscríbete al canal!
18:41¡Suscríbete al canal!
18:44¿Está bien?
18:46¿Está bien?
18:48No, no.
18:51Miss Bridgerton, si me puede hablar con mi hija.
18:56¿Algo?
18:57Claro.
19:03No se ha visto con esa chica de Bridgerton.
19:08¿Tú no hay una entidad?
19:22¿Estás seguro que no pueden venir con nosotros a la mañana?
19:25Dos de los dos de los que han cerrado sus cuentas.
19:28No puedo dejarme un extranjero de un extranjero para resolver este problema.
19:33Quizás un nuevo decorador o un coche.
19:39Estoy seguro que las respuestas vienen a ti.
20:03No, no, no, no, no, no, no.
20:21No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
20:39no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
20:43no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
20:43no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
20:43no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
20:43no, no, no, no, no, no, no, no, no, no, no, no
20:43Oh, forgive me, but it is tiring, is it not?
20:49A necessity imposed on us to remain cavalier about the one thing in life that holds genuine meaning.
20:55Do you not find it lonely?
21:13Oh, oh, oh, oh, oh, oh, oh.
21:43Oh, oh, oh, oh, oh, oh, oh.
21:57Lord Devling has requested my permission to propose.
22:03Did you give it?
22:04Of course I did.
22:07You have done very well.
22:10No, no, no, no, no, no, no, no.
22:43No, no, no, no, no, no, no, no.
23:09Oh, do you not tell me you are holding out for love?
23:13Oh, this is the very reason why I discourage you from reading.
23:17Love is make-believe.
23:19It is only in your storybooks.
23:21Do you know what is?
23:23Romantic.
23:24Security.
23:26Be smart, Penelope.
23:28And if you will not be, then I will be for you.
23:59You ready for me, miss?
24:00Yes.
24:13Your gloves, Mum.
24:14Thank you, Mrs. Wilson.
24:15Oh, Colin, everyone is in the carriage.
24:16Are you not dressed?
24:18No.
24:18I wanted to tell you.
24:20I should like to stay home tonight.
24:27Oh, you do not look well.
24:30Was it you I heard lumbering in the hallway late last night?
24:33I am well.
24:39You know, you have always been one of my most sensitive children, always aware of what others
24:47need, always trying to be helpful or offering a joke to lighten the mood.
24:52And you so rarely put yourself first.
24:56I am proud of your sensitivity.
24:59But living to please others?
25:04I imagine it can be wearying at times, painful, perhaps.
25:08So I do not blame you for putting on armor lately.
25:12But you must be careful that the armor does not rust and set so that you might never be able
25:19to take it off.
25:40If it is only a shame that you might miss the fruits of your labors, I hear Penelope may
25:48be getting a proposal tonight.
25:50Lady Featherington will not stop telling anyone who will listen.
25:53Tonight?
25:56And it's rather quick.
25:58Likely because of your help.
26:02I do hope you feel better.
26:19I do not hope you feel better.
26:24I do not know you, because of the love.
26:35Maybe, please do not done.
26:38But...
27:07¡Gracias!
27:12Perhaps this little love play will inspire my lovers tonight.
28:07¡Gracias!
28:19¡Gracias!
28:29Miss Featherington, Lady Featherington.
28:32Good evening.
28:34Have you come to steal away my daughter for a dance, Lord Dabbling?
28:37Creo que tiene al menos una spot en su cartón.
28:40Muchas, en fact.
28:41En este caso, me tengo el honor de tomar una de tus spots.
29:07¿Lady Bridgerton?
29:08No, no.
29:10Gracias, pero no tengo apetite.
29:13¿Estás disfrutando tu noche?
29:15Muy mucho.
29:17No he pasado mucho tiempo en May 1 desde los días de mi marido.
29:21En el país, uno puede mirar, mirar a árbol y mirar a un lado.
29:27Me hace que uno pase en la ciudad.
29:30Me ha miedo que la mayoría de nosotros pasamos mediendo en los niños de nuestros hijos.
29:33A menos, es mi hermosa pasada.
29:35Mi hermosa me gusta medir.
29:38En la verdad, no hace que la justicia.
29:40Ella molde la sociedad a suerte, y es muy bueno.
29:44¿No sabía eso de ella?
29:48Estamos...
29:50...como reacquainted.
29:52¿Y quién es el objetivo de la molde?
29:55Mi hija, Francesca.
29:59Ah.
30:00No estoy seguro que ella ha encontrado esa luz.
30:05Bueno, por lo que es cierto,
30:36...como reacquen.
30:41You have my deepest sympathies
30:47But I am envious
30:49You have the chance to experience a love match
30:52That is something I myself
30:54Have not given up on finding
30:55In my second act
31:03It looks as if your sparkler
31:05Is shining brightly for you
31:08Indeed she is
31:10Even Lady Whistledown could not disagree
31:12With the brilliance of my match
31:15Perhaps this has opened the door
31:17To a friendlier alliance
31:19Between the gossiper and the crown
31:22I dare say it very much has
31:27I am grateful to you
31:29For keeping me company
31:31I did not want to miss another ball
31:33But I also was not looking forward
31:35To coming here alone
31:36Your husband should be here with you
31:41Mr. Mondrich seems to be having a difficult time
31:44Relinquishing our old life
31:45No matter how hard I tug at him
31:47He's quite attached to his bar
31:49The queen will not smile favorably on a man of rank working in a club
31:56You must show Mr. Mondrich that this new life is worth his sacrifice
32:04Past lives are dangerous places to revisit
32:14Did you enjoy the ballet, Mr. Bridgerton?
32:17Very much
32:18So much so I wonder if I've missed my calling
32:20As a dancer
32:28Lady Arnold, you must join us
32:32Lord Fuller, Lady Fuller
32:34Pleasure seeing you both
32:35Have you met Mr. Bridgerton?
32:37Indeed
32:37Briefly
32:39Quite so
32:40It is a pleasure
32:41There
32:42We were just sharing our thoughts on the ballet
32:44I must say
32:46I do not know that the male dancer
32:48Needed to be in such a state of undress
32:50He certainly could have put on a shirt
32:52Could not agree more
32:54Nothing worse than a state of undress
33:03Louise, there you are
33:05I've been searching for you all evening
33:07Should you not be careful talking to me?
33:10I am that Bridgerton girl, after all
33:12You heard that
33:15I apologise for my father
33:17And I apologise that he is a bloody fool
33:20Louise
33:26If you need to keep your distance from me a while
33:29I understand
33:33No, my father will have to endure it
33:36Besides
33:37He is a fool
33:41You are unlike many people, Louise
33:44How is it you have the courage to be so different?
33:46It is not courage
33:47I simply cannot understand why others do not see things the way I do
33:50How do you see things exactly?
33:53Well
33:56Since you have asked
34:15Come
34:15Let me
34:34Sister, where are you off to?
34:38I am retiring early
34:39The ballet has been danced
34:41The Queen is satisfied by her sparkler
34:43And I should like to take a little time
34:45For myself
34:46If you've finished your meddling elsewhere
34:48Perhaps I can offer myself
34:50As your new target
34:52I hear you're something of a moulder of society
34:55And I keep meeting the most intriguing woman
34:57I do not know what you have heard
34:59But I ask that you leave me out of your raking about town
35:02I am not interested
35:06I understand how my activities may appear rather rakish
35:10But I assure you they are pure of heart
35:12And is your heart located in your britches?
35:30Miss Francesca
35:34Look Kilmartin
35:36I am afraid I am rather parched
35:38From dancing the pulled samadani
35:39So much so that I do not feel much like talking
35:42Is that not in fact our preferred form of communication?
35:50You must forgive me for rushing off abruptly
35:52Last time you met
35:53Es solo que quería que le damos esto.
36:00No soy un hombre de muchas palabras.
36:02Las palabras que tengo, no son muy buenos.
36:06Pero creo que en la poder de la gestión.
36:11Señor Francesca, te he dado un laminado.
36:15Forgive me, Lord Samadani.
36:17Mamá, estoy en el camino de volver a la tarde, si está bien.
36:21Bueno, yo...
36:24Let's find you your brother and your sister first.
36:27Of course.
36:29Lord Samadani.
36:32Lord Kilmartin.
36:38What is happening?
36:39I believe Lord Samadani was fetching Miss Francesca lemonade.
36:43And now she is...
36:45Not drinking the lemonade.
36:47Precisely, Your Majesty.
36:49She is not drinking the lemonade.
36:51What is the lemonade?
36:57Perhaps it is for the best.
37:00Children do take up so much time and drain one's beauty.
37:05Of course we both have much to spare.
37:08Are you suggesting we give up?
37:09Ow, you're giving me a pain in my chest.
37:12Oh, no.
37:13Uh, forgive me.
37:15In fact, I have been tender all week.
37:18Are you mocking me?
37:20My chest has been sore non-stop.
37:22And that is not dropsy of the pancreas.
37:25Mamá said it is a clear pregnancy sign.
37:29Is it?
37:30Thank you, Bridgerton.
37:47Bridgerton, passionately late.
37:49In truth, it is not worth it.
37:51Come out with us.
37:53Though this time we are going drinking at White's
37:55instead of that dreadful Mondritch bar.
37:57Excuse me.
38:05Is everything all right, Miss Featherington?
38:08Everything is wonderful.
38:09I'm glad to hear it.
38:12May I ask you a question, my lord?
38:14Anything.
38:16Considering how often you travel,
38:18it makes a great deal of sense to me
38:19that you seek a practical match.
38:20But do you imagine that, with time,
38:27love may one day grow?
38:30I do not know.
38:32To be honest, my work has such a large portion of my heart,
38:34it may be difficult to make more space.
38:39But I am very glad
38:41that you are someone who seems to have such a full life.
38:48You look especially beautiful tonight, Miss Featherington.
38:53And can you imagine all the spare time there would be
38:55if we did not always have to think about marriage?
38:57The time we would have to read or exchange ideas
39:00or do anything that isn't entirely for the purpose
39:02of ensnaring a husband.
39:04That is interesting, isn't it?
39:05No, I meant your brother is walking right up
39:08to Penelope and Lord Debling.
39:09Do you mind if I'm to run?
39:11Oh, I...
39:11You should only take a moment.
39:16It appears you two have something to resolve.
39:19She'll leave you to it.
39:24We shall return to this conversation another time.
39:26Yes?
39:32Lord Debling,
39:34you are much too handsome for social ruin.
39:36I would be more than happy
39:37to finish your dance with you
39:38if we need a partner.
39:48Colin, you are going to ruin things
39:49between me and Debling.
39:50Well, perhaps that is for the best.
39:51What do you mean?
39:52Pen?
39:54You cannot marry him.
39:55You hardly know him.
39:56I know him well enough.
39:57And I think he is leaving
39:59for three years.
39:59I know that already, Colin.
40:01It takes a year alone
40:02to get where he is going.
40:08They do seem upset, do they not?
40:10Eros and Psyche battling it out.
40:13What are you trying to say, Miss Cowper?
40:15Are they not all friends?
40:18The oldest of friends, really.
40:20Ever since the Featheringtons
40:22moved in across the street.
40:26Across the street from the Bridgerton house?
40:28Directly.
40:29I see.
40:31I've made my peace
40:32with what Lord Debling has to offer.
40:35I'm going to accept his proposal.
40:42Thank you for the dance, Miss Cowper.
40:49I said I would help you find a husband,
40:50but I cannot stand by
40:51and would you make a mistake?
40:53The only mistake
40:55was me ever asking for your help
40:56in the first place.
41:00Lord Debling!
41:02I'm so sorry we interrupted.
41:04I know the ball is ending,
41:04but shall we return to our conversation?
41:07Miss Featherington,
41:08why is it you sit
41:08at your drawing room window so often?
41:10I...
41:11All week I've watched you search for someone.
41:13I thought you might have had a
41:15falling out with Mr. Bridgerton.
41:17But now I suspect
41:18you may have been searching for him
41:19for a very different reason.
41:21For the same reason
41:22you prefer your drawing room window
41:23and the view it affords
41:25out towards the house
41:25across the square.
41:26I do not know of what you speak.
41:28I'm speaking of Mr. Bridgerton
41:31and the feelings
41:32between the two of you.
41:35I can assure you
41:37Colin Bridgerton
41:39would never, ever
41:40have feelings for me.
41:41It is laughable to think as much.
41:42We are friends.
41:43Nothing more.
41:44But would you like it to be more?
41:47I do not...
41:49That is not even...
41:52That is not a possibility.
41:53I did not ask if it was a possibility.
41:54I asked if you would like it to be.
42:02Miss Featherington
42:03with the amount of time
42:04I will be gone
42:06it is essential
42:07I make a match
42:07with someone whose affections
42:08are not already engaged elsewhere.
42:12Whatever it is
42:13you are searching for
42:15I do hope you find it.
42:17Good evening.
42:23Where is he going?
42:25What have you done?
42:26That is your question.
42:28Not am I well?
42:31Do I only matter to you
42:33if I have a Lord's engagement ring
42:34on my finger?
42:37Mama
42:37I am pregnant.
42:39I think.
42:44Hello.
42:45Are you not excited?
42:55It is said that the heart
42:58is forever making the head
43:00its fool.
43:26I do.
43:34Francesca.
43:36Lord Kilmartin.
43:38He had the music we heard earlier this week rearranged
43:41exactly as I imagined it.
43:51And when one chooses the heart
43:54over the head,
43:55often all reason
43:57goes out of the window.
44:01But the body has a way indeed
44:03of knowing most what it needs.
44:07And this author is not one
44:09to deny the age-old
44:11wisdom of a beating heart.
44:18Wait!
44:22Penelope!
44:25I do not wish to speak with you.
44:27Please!
44:31Let me in.
44:44We will stop at Bridgeton House first.
44:50What do you want?
44:52Did Lord Debling propose?
44:55What business is that of yours?
44:56I need to know.
44:57Did he propose?
44:59It is odd.
45:02When I asked for your help in finding a husband,
45:04I did not realize that also meant
45:06you might try to deny me one as well.
45:07It is my business because I care about you.
45:10You cannot marry that man.
45:12He will leave you
45:13and he is too particular
45:16and he is just not right for you, Ben.
45:20He did not propose.
45:23In fact, he rejected me because of you.
45:26Because the scene you caused
45:27led him to believe you had feelings for me.
45:29An idea so preposterous,
45:31I do not know what to do besides laugh.
45:33Now will you please
45:34let us ride home in silence
45:35and leave me alone?
45:37I cannot.
45:37Please!
45:38I cannot.
45:42Because...
45:47What if I did have feelings for you?
45:50What?
45:55I have spent so long
45:58trying to feel less,
46:00trying to be
46:01the kind of man society expects me to be.
46:03And for a moment,
46:04I thought I had succeeded.
46:06But these past few weeks
46:07have been full of
46:10confounding feelings.
46:12Feelings like a total inability
46:13to stop thinking about you.
46:16About that kiss.
46:19Feelings like dreaming of you
46:20when I am asleep
46:21and in fact preferring sleep
46:23because that is where I might find you.
46:24A feeling that is like torture.
46:28But one which I cannot,
46:31will not,
46:32do not want to
46:33give up.
46:36Please.
46:38Do not say things you do not mean.
46:40But I do mean it.
46:43It is everything
46:45I have wanted to say to you
46:46for weeks.
46:49Call me a friend.
46:53Yes, maybe.
46:58Forgive me.
47:00I do not know
47:01what I was thinking.
47:05But I very much like
47:06to be more than friends.
47:10So much more.
47:11I won't care.
47:13I do not know golden,
47:15but I do not know.
47:15I do not know.
47:18That was very close.
47:30Okay.
47:58Gracias por ver el video.
48:29Gracias por ver el video.
48:58Gracias por ver el video.
49:29Gracias por ver el video.
49:38Gracias por ver el video.
49:42Oh God, could the carriage driver not keep on driving?
49:54You think anyone saw us?
49:56I'm not paying much attention to anything.
50:22What are you doing?
50:35Colin?
50:43You coming with me?
50:46What?
50:48Your family will see me?
50:49For God's sake, Penelope Featherington, are you going to marry me or not?
51:22Do you say, Penelope Featherington, are you going to marry me, if you go up here?
52:13Gracias por ver el video.
52:42Gracias por ver el video.
53:12Gracias por ver el video.
53:42Gracias por ver el video.
54:12Gracias por ver el video.
54:42Gracias por ver el video.
54:45Gracias por ver el video.
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