- 5 hours ago
Love story Season
Category
😹
FunTranscript
00:11You
00:30The more you talk, the more they sound the same.
00:31How good was going on?
00:32I told you.
00:35I need the updated book for the Melanjo.
00:38Working on it.
00:38Okay, bring it to my desk. Thank you.
00:41Good bad girl.
00:42Morning, guys.
00:44I just sit back and watch you make a fool of yourself.
00:49Cause you're just wasting your time.
00:52Oh.
00:53No, you're never gonna get it.
00:55Not this time.
00:59Well, can you call her Moscow rep?
01:01She can't close the show for us from Russia.
01:03Hi, I'm her assistant.
01:04She doesn't want the flowers.
01:06Will you take a mug?
01:07No, she told me at the casting there were no problems with her visa.
01:12Never gonna get it.
01:13Never gonna get it.
01:14Never gonna get it.
01:16Never gonna get it.
01:17Never gonna get it.
01:18Never gonna get it.
01:19Never gonna get it.
01:20Never gonna get it.
01:23Never gonna get it.
01:24Never gonna get it.
01:25Never gonna get it.
01:26Never gonna get it.
01:29Never gonna get it.
01:30Navigate it
01:32Ooh, bop, bop, bop, bop
01:44Why does she dress like a pilgrim?
01:47It's an officer's uniform from the Continental Army.
01:49You know what I mean. Colonial times.
01:51It's an homage to the birth of our democracy, but it's chic.
01:56We would obviously be featuring A-list celebrities,
01:59and, uh, think of the access.
02:02I mean, John's just about the only person on the planet
02:05who could pick up the phone and call anyone
02:06from Saddam Hussein to Heather Locklear.
02:09I don't know about that.
02:11Maybe even Daryl Hannah.
02:13Huh? Yeah?
02:15She looked pretty good as a mermaid.
02:16Maybe we could put her in a sexy Salem witch outfit.
02:21That'd bank some ad dollars.
02:22So you can see it then, right?
02:25All the fun and innovative ways that we could market this.
02:28I mean, the options in Rolodex are endless.
02:33Look, it's one thing for people to be sitting at home,
02:36watching the news, reading the paper,
02:38but I just don't see a world in which they're going out of their way
02:41to buy a magazine about politics.
02:43But that's because politics has always been presented the same way,
02:47which is just a bunch of old guys falling asleep on C-SPAN.
02:51I genuinely believe that with the right marketing,
02:54we can get people as engaged with politics as they are pop culture or the NFL.
03:02Where are you in all this?
03:03I mean, let's be honest here.
03:05That's the real selling point.
03:08If you did this magazine like Martha Stewart Living,
03:10you put yourself on every cover,
03:12or that's a different story.
03:14And some free advice from people actually in the business?
03:17Your brand's only as strong as its name.
03:20Calling the magazine George after George Washington
03:23makes it feel like homework.
03:27I'm going to do another Malbec.
03:28Oh, there she is.
03:31My wife was in the neighborhood.
03:32I told her I'd pop five.
03:33Hope that's all right.
03:35In the neighborhood.
03:37They live in Rye.
03:39You know, it was just so obvious
03:40that these guys had already made up their minds
03:42before they even stepped foot in the restaurant.
03:44It's like, why waste everybody's time?
03:46Because they want to be seen having lunch with you.
03:48You could have pitched them a magazine about hot dogs,
03:51and they would have taken the meeting,
03:52and a part of you has to be okay with that,
03:54because, no offense,
03:56this magazine does not come to fruition
03:58without your celebrity.
04:00Oh, really? I haven't heard.
04:02Look, I get it.
04:04You want to be taken seriously.
04:06You want to make your mark for you.
04:09Before what?
04:12I hadn't thought that far ahead.
04:13That's all you think about.
04:14That's why you never know where anything is.
04:17It's just the hand cream or the soap.
04:18You know, I just want to create something of my own.
04:21From the ground up.
04:22I just think that if anyone can bridge the divide
04:25between politics and pop culture, it's me.
04:28I know, speaking of things coming together...
04:32You're not proposing, are you?
04:34What?
04:35To Daryl?
04:37I forgot I have to be more specific
04:38when it comes to your love life.
04:40Daryl was seen buying a wedding dress
04:43in a thrift shop in Santa Monica.
04:44I just thought it seemed weirdly specific.
04:51You know, you're supposed to be a refuge
04:53from all this noise and bullshit.
04:54Oh, my God.
04:55I'm sorry, I didn't know that was my role.
04:56Fuck off.
04:57No, no, no, please.
04:58Let me try again.
04:59Mr. Kennedy?
04:59I have your sister on the phone from Cornell Hospital.
05:09Calvin has to push the meeting with Creative to two.
05:12Apparently there's some kind of emergency.
05:19Do you think you should be reading tablets
05:20while you're at work?
05:21It's people.
05:23Honey, I know you don't care,
05:25but my astrologer did see John and Daryl
05:27fighting at a Halloween store in the village,
05:29like, screaming at each other.
05:31And she also said they're both Sagittariuses,
05:33which is like, Jesus, take the wheel.
05:34Yeah, well, I'm a Capricorn,
05:36so we probably wouldn't have fared much better.
05:38Also, maybe it's people like your astrologer
05:40peddling gossip about them that's a problem.
05:42Maybe if people left them alone, they'd thrive.
05:46You know, I know you're trying to take the high road,
05:48but I don't want to.
05:51Is that the press packet?
05:52Yeah.
05:53I love having to compile favorable press clippings
05:56from each beak in order to justify the entirety
05:58of the publicity department.
05:59I know he increased your clothing allowance
06:01when he got that promotion.
06:02I do not feel bad for you.
06:04Black paper clips.
06:05I couldn't find any.
06:07There's a Staples on 57th and 3rd.
06:10Serious?
06:10He's fired people for a whole lot less,
06:12and I would rather not lose you as an assistant.
06:15Okay, let's scrap this.
06:17He hates full body shots.
06:18He thinks he has chicken legs,
06:19and let's ditch the New York magazine piece.
06:21He doesn't like being compared to Raw.
06:23Lauren?
06:24No, Machio.
06:27A karate kid?
06:30You know what my dad told your father
06:32before we got married?
06:33Mm.
06:34Keep her riding,
06:35and she'll always be in a good mood.
06:37See, I wish we would have known that.
06:39We would have installed a riding ring
06:40in your apartment.
06:42Still, I recommend you stay on two feet for a while.
06:45You said you had a headache
06:45before you were thrown from the horse.
06:47Were you experiencing any other symptoms?
06:49No, I was just tired.
06:51I didn't have much of an appetite,
06:53so I didn't eat breakfast,
06:54which is probably where all of this started
06:56in the first place.
06:57And as far as lifestyle?
06:59I'm as healthy as can be.
07:00I don't eat sweets.
07:02I exercise every day,
07:04sometimes twice a day.
07:06Mom.
07:06She smokes.
07:07This is just retribution
07:08for making her meet with a nutritionist
07:10during recess.
07:11Yes, thank you again
07:12for neutralizing my sweet tooth
07:14at such a young and impressionable age.
07:16We'll need to keep you overnight
07:17as a precaution.
07:19Monitor your vitals.
07:20No, thank you.
07:21I will not sleep a wink in this place,
07:23and what I need is a good night's rest.
07:26If you do insist on leaving,
07:28you'll need to sign discharge papers
07:30stating that you left against the medical...
07:32I've spent my fair share of time in hospitals.
07:34I know how it works.
07:37Of course.
07:38I'll be back to check on you in a bit.
07:40Thank you, Dr. Moore.
07:48Why don't you and Maurice head
07:50to the cafeteria,
07:51I'd love a cup of tea.
07:53You think that'll be enough time
07:54for him to relay all your reservations
07:56about the magazine?
08:00Why don't you and I go get some tea?
08:01Unless the fireworks...
08:05Please try to maintain inside voices.
08:14Well, I'm just trying to understand
08:16why you'd want to join the ranks
08:18of an industry that's profited
08:20off our family's misfortune for years.
08:23Generations, actually.
08:24Why is it any different
08:25from you working at Doubleday
08:26or Caroline writing books?
08:27Those are genuine interests of ours
08:29that we've cultivated over years.
08:31And this idea of seemingly out of nowhere
08:35and you finally pass the bar exam.
08:38I mean, I just think you should...
08:39Dad wanted to be a journalist.
08:40I mean, before Grandpa
08:41roped him into politics.
08:44Is that what all this is about?
08:46Wanting to feel closer to your dad?
08:48Come here.
08:51No.
08:52I'm just saying that, like,
08:55my interest isn't entirely out of nowhere.
08:58If Caroline wanted to start a magazine,
09:00no one would bat an eye at it.
09:03I'm just...
09:04I can't stand by waiting for my life to start.
09:07I'm 33 years old.
09:09When Dad was my age, he was a father,
09:11a best-selling author, a congressman,
09:13and a war hero.
09:14Yeah.
09:16It's like you said,
09:17he didn't really have a choice.
09:19And I can tell you,
09:21success isn't all that triumphant
09:23when it's expected of you.
09:31Now, will you please
09:33break me out of this place?
09:36The brawl culminated in blows being exchanged.
09:40Marky Mark was said to have punched
09:42maverick record-labeled talent scout
09:44Guy Ossiri.
09:46The fight spilled off onto the streets,
09:47but was eventually broken up
09:49by party work.
09:50Who picks a fight with Madonna?
09:52Well, he also allegedly called a member
09:56of her entourage a homophobic slur.
09:58Well, wait a sec.
09:59He only called the guy a homo.
10:02I'm just saying,
10:03I think we all assumed he meant faggot.
10:07Yeah, he's practically Harvey Milk.
10:08All right, settle down.
10:09You know what I meant.
10:10He's a loudmouth rapper from Boston.
10:12People don't give a shit
10:13if he's politically correct or not.
10:15And therefore neither should we.
10:17That's a hell of a mission statement.
10:19The campaign is a cultural phenomenon,
10:22and we're just getting out of the red.
10:24I don't think we can afford
10:25to kick him out of bed
10:26over a drunken indiscretion.
10:28Careful there, Todd.
10:28You're sounding a little guy.
10:30It might not be our call.
10:32According to his team,
10:33Mark feels the underwear campaign
10:35has overshadowed his burgeoning rap career.
10:40I didn't realize Marky Mark
10:42and the funky bunch
10:43were plotting global domination.
10:45They also said that
10:47he doesn't like all the attention
10:49that the campaign has brought him
10:51from gay men.
10:54Are you kidding me?
10:55I mean, he did everything
10:56short of dry-humping the runway
10:58at the L.A. show.
10:58What, did he think
10:59all those men in the crowd
11:00were just huge fans
11:00of shitty hip-hop?
11:02Well, the partnership
11:03has clearly become untenable,
11:06so we need to replace him
11:09quickly and seamlessly,
11:10and let's also issue a statement
11:11condemning his bullshit.
11:15Will you be issuing
11:16that statement personally, or...?
11:21No.
11:25So, who do we like
11:27to replace him?
11:28We have Brad Pitt,
11:30Jason Priestley,
11:31Keanu Reeves...
11:33No, no, no, no, no, no,
11:34no, no, no, no, no.
11:36I don't want to get involved
11:37with another established celebrity.
11:39I want someone
11:40who our customers
11:42can bestow
11:43their fantasies onto.
11:44I want a fresh face
11:47that will instantly
11:48ingrain itself
11:50into the public consciousness.
11:51You pluck Kate Moss
11:53from obscurity.
11:55If anyone
11:56can mint a star,
11:58it's you.
12:02You catch that little dig?
12:04He knows full well
12:05that I'm known
12:06that fought for Kate
12:07who we compared
12:07to a teenage boy.
12:08I know,
12:09but you can't
12:10let him rattle you.
12:11In fact,
12:11I think it probably
12:12turns him off.
12:13Telling me to settle down,
12:14go fuck yourself.
12:15Can you imagine
12:15if Kate called someone
12:16a faggot
12:17and assaulted them,
12:17she'd be crucified?
12:18That, or young girls
12:20everywhere would be
12:21committing hate crimes.
12:22Anyway,
12:23I'll see you tonight?
12:24Yes, I'll be peddling
12:25your book with
12:26My Life Depends On It.
12:29I'm going to have to go
12:29smuggle a model
12:30out of Moscow.
12:30Ah, you're doing
12:31God's work.
12:33Amen.
12:38Welcome to
12:39Heart of the City.
12:40I'm John Kennedy.
12:41Clean air,
12:42less traffic,
12:43adequate housing.
12:44Those are some
12:45of the things
12:45that New Yorkers
12:46only dream about.
12:47But some New Yorkers
12:48aren't allowed to-
12:48Get the fuck out of the way,
12:49asshole!
12:51Cut!
12:53Let's take five,
12:54everybody.
12:55Get out of the street.
12:59Sorry about that, John.
13:00Sure you don't want
13:01to use that?
13:02We are highlighting
13:03the wonders of the city.
13:04You're doing great,
13:04by the way.
13:05Really?
13:05I feel like I'm
13:06in my head.
13:07No, no.
13:08I will tell you.
13:10Okay, guys.
13:11On to the next-
13:12Hey, superstar.
13:15What are you doing here?
13:17The table read
13:18got postponed,
13:18so I thought
13:19I could see you in action.
13:20I have a camera for once.
13:23Excuse me.
13:24Can I get you anything,
13:26Miss Hannah?
13:26A coffee or tea?
13:28I'd love some candy,
13:29actually.
13:30Anything sour.
13:31Huge fan.
13:35Is this the whole crew?
13:37Yeah, we're just
13:38shooting a thing for PBS.
13:39I love it.
13:40It reminds me of my early days
13:41doing guerrilla shoots
13:42and no permits.
13:44Sound guys also
13:44doing the lighting.
13:45It's what real filmmaking
13:47should feel like.
13:48Community.
13:51What are you writing?
13:53I am just tinkering
13:54with the script.
13:55Can I hear it?
13:57Well, it's not like
13:58a monologue or anything.
13:59I'm just talking
14:00about the city.
14:01I know, but you're
14:02still on camera
14:03delivering lines.
14:04You still have to
14:05emote.
14:06I'm fine.
14:10You mad at me
14:11or something?
14:12No.
14:13No.
14:14I'm just trying to focus.
14:16I just thought
14:16you might want my input
14:17since I'm an actual actor.
14:19What the fuck?
14:21Yeah?
14:23Did they follow you here?
14:25No.
14:25Maybe it was
14:26the giant film crew
14:27that tipped them off.
14:28You just said
14:29how small it was.
14:30All right.
14:31I'm going to go.
14:32Listen, I'm sorry.
14:33All right?
14:34Yeah.
14:35I'm just trying to focus
14:35and do a good job.
14:36You're incapable
14:37of doing a bad one.
14:39Come here.
14:40See you back at home?
14:42Yeah.
14:42I have an event tonight.
14:44It's a work thing.
14:45Tear your hair out,
14:45but I'll see you after.
14:47Maybe, um,
14:49just give them
14:49a couple good shots
14:50on your way out.
14:50See if they'll fuck off.
14:52Okay.
14:56Bye.
14:57Bye.
15:19If you ever
15:21get close to a human
15:23and human
15:27behavior
15:29be ready,
15:30be ready
15:30to get confused
15:32and me
15:34and my
15:36and after
15:38there's definitely,
15:39definitely,
15:39definitely no logic
15:41to human
15:44behavior
15:46but let's
15:47so let's
15:48be resistible
15:50and me
15:52and my
15:54and there
15:56and there is
15:58no
15:59more
16:03uncertainty
16:10okay
16:16Is that for me?
16:21You know,
16:22I was hoping
16:22you wouldn't notice me.
16:25It's hard not to.
16:32This feels like
16:33one of those nightmares
16:33when you show up to school
16:34and realize you're naked.
16:35Except you're getting paid
16:36because unlike everybody else
16:38people actually want to see you naked.
16:40We should all be so lucky.
16:44Why didn't you tell me
16:45you were working this?
16:48They don't really tell us
16:49what the events are.
16:50They just give us a time
16:51and an address
16:51and a pair of underwear.
16:53Plus,
16:54I try not to make it a habit
16:55to call someone
16:55after I've left them
16:56like 50 voicemails.
16:57No, I'm sorry.
17:00I am.
17:00Work's been crazy.
17:01No, you know what?
17:03It's fine.
17:04You should get back
17:04to the party.
17:06Hey, I'm working too.
17:07Really?
17:08Mm.
17:08Then why don't you
17:08take up all of your clothes
17:10and grab a tray?
17:12For what it's worth,
17:13I think there's about
17:14five men in this city
17:15that can pull up that uniform.
17:21I'll see you later, yeah?
17:24Have you seen the book?
17:26She did this all by herself.
17:28I have nothing to do with it.
17:29Thank you for having me here.
17:31I'm not going to show you
17:31what she's doing with the book.
17:33She did it all by herself.
17:39I have nothing to do with it.
17:40No?
17:41I'm not going to do it.
17:43Relax, John.
17:44He's here.
17:56Hi.
17:57Hey.
17:59How are you?
18:01Good.
18:02It's nice to see you.
18:03Yeah, you too.
18:06I didn't realize Kelly
18:07was a photographer as well.
18:10Yeah, you know,
18:11I don't think she actually
18:12took any of the photos.
18:13I think she more, um,
18:15curated them.
18:17Sorry, I wanted to come over earlier,
18:19but I had to.
18:19No, it's fine.
18:20I'm sure you have a lot of
18:21hands to shake.
18:25You really know how to make
18:26an entrance, by the way.
18:27Although, I'm not going to lie,
18:28I was sort of hoping
18:29it was Prince.
18:30Oh, is Prince supposed
18:31to show tonight?
18:32Do you think Prince
18:33are SVPs?
18:34That's a good point.
18:41Did you get my flowers?
18:43Which ones?
18:44Well, you wouldn't call me back.
18:46There wasn't much to say.
18:47It was one date.
18:48I know.
18:48I just, um,
18:50I feel terrible about
18:51how everything transpired.
18:52multiple bouquets of flowers
18:54to my office
18:55was really not necessary.
18:58Did you like them, at least?
19:01Calvin only allows
19:02white orchids in the office,
19:03and my apartment's
19:04basically death row
19:04for vegetation.
19:09I just, um,
19:11I can't seem to function
19:12knowing that you hate me.
19:14I don't know you
19:15well enough to hate you.
19:16Daryl and I were not together
19:17when you and I met him.
19:18You really,
19:18you don't have to do this, seriously.
19:20It's not like you bamboozled me.
19:21I knew what I was
19:22signing up for.
19:22Well, what does that mean?
19:24It means there's your world,
19:26and then there's mine,
19:28that I inhabit
19:29with everyone else.
19:29Look, I'm gonna...
19:31It was nice to see you.
19:33Daryl and I look pretty.
19:35Wait a second.
19:58Carolyn.
20:01Hey, and I don't have to
20:04turn on the TV
20:05or open up a newspaper
20:06to know that you two
20:07are everywhere.
20:07It's like we're all living
20:08in the John and Daryl fun house.
20:10Look, she came back
20:11into my life
20:12in this very weird time,
20:13and we have a lot of history together.
20:15You don't...
20:17You don't have to defend
20:18your relationship to me.
20:19I get it.
20:20There's obviously a reason
20:22you two keep finding
20:22your way back to each other.
20:24Plus, she understands
20:25this weird fishbowl
20:26that you live in.
20:27If I were you,
20:28I wouldn't want to
20:29throw that away either.
20:30So let's just be friends.
20:32Whatever stress or guilt
20:33you're feeling,
20:34you're absolved.
20:35Do you know how even...
20:37The simplest things
20:38can become so complicated
20:39for me.
20:41How badly I wish
20:42I was someone else
20:43when I met you.
20:48It is what it is.
20:52I'll see you now.
21:20May I?
21:22Just ask me for a cigarette.
21:24Oh, absolutely not.
21:26It's disgusting.
21:28You scared your husband
21:29is going to catch you?
21:32Please, look at him.
21:36I swear to God,
21:37they need a program
21:37for the partners
21:38of recovering addicts
21:40on how to cope
21:41with their newfound
21:42sanctimony.
21:43The other day,
21:43he lectured me
21:44on the pitfalls
21:44of a Diet Coke.
21:47I saw you talking
21:48to John earlier.
21:49How was that?
21:51It was fine.
21:52What, do I need
21:53to hand you out the window?
21:54Give me some details.
21:56We're just going to be friends.
21:58Which we should have done
21:59from the beginning.
22:00You don't want
22:00to be his friend.
22:02Either way,
22:02that ship has sailed.
22:04And I don't blame him.
22:05He's dating a beautiful
22:06movie star.
22:07What's not to love?
22:09Well, look,
22:10I love John.
22:13But there's a lot
22:14of trade-offs
22:15being with someone
22:15like that.
22:16I mean, there's a rush
22:17walking into a room
22:18with someone
22:19everyone wants
22:20to talk to,
22:21feeling like,
22:22of all the people
22:23they could have
22:23on their arm,
22:24they chose me.
22:24I must be fascinating
22:26too, but at the end
22:27of the day,
22:28they may never
22:30really choose you,
22:32you know,
22:33not in the way
22:34that you wish
22:35they would.
22:36Shiny people like that,
22:38they belong
22:38to everyone.
22:40All I'm saying is,
22:42it's better
22:43to be adored
22:46than enamored.
22:50I was going out
22:51because you could
22:52imagine,
22:53I, um,
22:54I had some lessons
22:55at the very first
22:57lesson.
23:04Hey.
23:06I'm just grabbing
23:07some more rolling
23:08papers.
23:08You need anything?
23:12Hey.
23:14I'm just grabbing
23:22a ton of gas.
23:26Come on, Nick.
23:29Maybe turn off
23:30the stove first?
23:31Right.
23:31Good looking out.
23:32I'm fucking
23:33sucked the blow up.
23:41Oh!
23:44Hey.
23:45You're here.
23:46I think you know
23:47everyone.
23:48Um, oh wait,
23:49this is my friend
23:49Chandra from the
23:50retreat I did in Peru.
23:51She's the one who
23:52knows your cousin Bobby.
23:53How do you know
23:53him again?
23:54Uh, I guess
23:55technically Riverkeeper.
23:56You guys mind
23:57not?
23:59Oh, sorry.
24:13Well, is it like
24:14a family thing,
24:15the event tonight?
24:16No.
24:17Why?
24:19I just didn't know
24:19if maybe your mom
24:20and sister were there
24:21and that's why
24:21you didn't invite me.
24:23You have to stop
24:23with this narrative
24:24that you're like
24:25persona non grata,
24:26okay?
24:26It's not true.
24:30Babe, you have
24:30Kennedy memorabilia
24:31everywhere.
24:32It's not memorabilia,
24:33Daryl.
24:34These are not
24:35baseball cards.
24:36They're family heirlooms.
24:40Well, can you hang out
24:41for a little?
24:42You've been out all night.
24:43Exactly.
24:45I'm exhausted.
24:45From your work event,
24:46you don't even have
24:47a job right now.
24:53Now, maybe give me
24:54a heads up the next time
24:55you want to have people
24:56over at my place.
24:56Your place?
24:57I live here too, John.
24:59Do you ever notice
24:59how quickly it becomes
25:00your place anytime
25:01anything remotely
25:02inconvenient happens?
25:03Remotely inconvenient?
25:04I don't even know
25:04who half these people are.
25:06Yeah, because you don't
25:06even make an effort
25:07to get to know them.
25:08Oh, I'm sorry.
25:09Why don't we get
25:09Chandra over here
25:10and we can blow some lines
25:11off my dad's
25:11inaugural address.
25:18I'm gonna crash?
25:20It was nice to see you,
25:21all of you.
25:25Hi.
25:25Should we go?
25:26No, no, stay.
25:28Are you sure?
25:29Yeah, I mean,
25:29he's just tired, you know?
25:31No, stay.
25:37That was so rude.
25:39You're right.
25:39Please, apologize to the
25:40coke den in my living room
25:41for my behavior.
25:42I'm not sleeping here tonight
25:43if you're just gonna act
25:44like a fucking asshole.
25:45Well, apparently,
25:46I won't be sleeping here
25:47tonight either,
25:47so please, let me know
25:48where you're gonna go.
25:50Why did you want to get
25:51back together again
25:52if you're just gonna
25:52act like this?
25:54You came back to me.
25:55On the condition
25:56of a clean slate
25:57which you agreed to.
26:00And yet, every time
26:01I look at you,
26:01your mind is clearly
26:02someplace else.
26:04All I want is for you
26:06to need me
26:06as much as I need you.
26:09I don't even know
26:10what that means.
26:13That's because
26:13you're repressed, John.
26:15Like, I say this with love,
26:16but between your lineage
26:17and your heritage,
26:18you're like the poster child
26:20for emotional avoidance.
26:22Between my lineage
26:23and my heritage?
26:24Yes.
26:25Oh, my God, this,
26:26this, what we're doing
26:26in front of your friends
26:27right now is exactly
26:28how we end up on the cover
26:29of People magazine
26:30every week.
26:30Who cares?
26:31I'm trying to talk
26:32to you about real life.
26:34Our relationship
26:34becoming a global punchline
26:36is real life, Daryl.
26:37And if you can't see that,
26:38then I don't really know
26:39what to tell you.
26:40Oh, my God.
27:18I let you keep that uniform.
27:22Ow.
27:24That didn't hurt.
27:26Didn't you play football
27:27in high school?
27:29So?
27:31So you're supposed to be tough.
27:39How do you always like
27:41to do that?
27:41What, pinch you?
27:43Mm-hmm.
27:44I don't know.
27:44Do I do that often?
27:45Uh, yeah.
27:46I guess I didn't really notice.
27:49No, that's not, that's not true.
27:51I, um, when I was little,
27:57I was playing hide-and-go-seek
27:58with my sister and her friends,
28:00and I was hiding
28:01in this little compartment
28:02in my stepdad's
28:03entertainment unit,
28:04you know, by the TV,
28:07and all of a sudden,
28:10and I started having
28:11all these really dark thoughts
28:13that something bad
28:13had happened to them.
28:16And I got scared,
28:18so I climbed out,
28:19and they were all just sitting there
28:23making friendship bracelets.
28:24They all just stopped looking for me,
28:29and no one said anything,
28:31and I just, I lost it.
28:35And I started hyperventilating,
28:36and my mom was trying
28:37to calm me down,
28:37and she just kept telling me
28:40to pinch her arm.
28:42I think she wanted to have me
28:44focus on something else.
28:46Eventually I stopped crying.
28:52Well, if that was me,
28:55I would have never stopped
28:56looking for you.
29:04I'm gonna get a water.
29:06I can get it for you.
29:07No, no.
29:08It's fine, thank you.
29:22I'm gonna get it for you.
29:28You okay?
29:30Yeah.
29:48John, tell me what it was
29:50about Governor Florio
29:51and his record
29:52that seemed to
29:53resulted in his winning
29:54the award this year.
29:55Well, for this year,
29:56the award was given
29:57on the basis of the governor's
29:59stand on...
30:01Yep.
30:07What?
30:10What if we did
30:11a little shopping?
30:15So, uh,
30:17are we allowed
30:18to be in here
30:18on the weekends?
30:22No, I'm serious.
30:23What happens
30:24if somebody walks
30:25through that door
30:25and then what are we
30:25gonna do?
30:26Uh, we split up
30:28and run like hell.
30:31What shoe size are you?
30:34Thirteen?
30:36Yeah.
30:39Why are you doing this
30:40for me?
30:41Hmm?
30:42Because you're
30:42a good person.
30:44And you deserve more
30:45than you think you do.
30:51Plus, you gotta dress
30:52for the part you want
30:52not the part you have,
30:54right?
30:55I still know
30:56a few of their moods.
31:00Oh, Jesus.
31:03Don't act like
31:04you're not impressed.
31:08What's the opposite
31:09of an aphrodisiac?
31:10I don't know.
31:11What is it?
31:14Come on.
31:36I read in the trade
31:38you're gonna be
31:38working with
31:39Ann-Margaret?
31:42Yeah.
31:43How cool.
31:52Your mother
31:53isn't feeling well.
31:55She'll be taking
31:56dinner in her room
31:57but she sends
31:59her regrets.
32:09John.
32:10John.
32:25Daryl!
32:29Daryl!
32:39Daryl!
33:00Daryl, come on!
33:17Thank you, Il- שנ.
33:23Is she gone yet?
33:34what are you doing i can't stick around anymore hoping you're to change or start to give a shit
33:39give a shit what do you think i'm doing here it's not enough to just show up john
33:43you have to actually be with me when we're together
33:50what is it that you're waiting for what is it that i haven't proved to you yet
33:57no one is gonna love you the way that i love you john okay no one is gonna be able
34:03to put up with
34:03all the cameras and the tabloids in your family and i mean say what you will but there's a reason
34:10the public is so invested in us it's because they know we have something worth paying attention to
34:16and you know we've talked about how i feel like work has been kind of drying up for me
34:22maybe that's just the universe making space for us
34:25for me to be more to you in this next chapter of your life
34:32are you even still in love with me
34:36of course i love you
34:46i'm done
34:48because i won't accept your marriage proposal when we're at each other's throats
34:52this has been five years john if you wanted to marry me you would have
34:56you really believe that why'd your friends tell the press our engagement was imminent
34:59what are you talking about
35:00the convenient details of your wedding dress
35:03what did you think you could get through to me via the tabloids
35:06see this is where your family is fucked with your head
35:10not everything is a ploy john or an angle or some machination of the kennedy court
35:23where are you going
35:25back to la
35:28i don't want you to leave i want to work through this
35:33we'll be back in a few days
35:35what are you just going to leave them
35:41you need to ask yourself what it is you really want
35:44not your family
35:45not what you think people want
35:47what you want
35:52you
36:02can you confirm he's been submitted
36:03it's the biggest modeling campaign in the world
36:06my dad
36:06okay just um
36:07do me a favor and flag his headshot for calvin
36:10wow really done a 180 on this relationship huh
36:14i just think you'd be right for it
36:16i mean
36:17you said it yourself
36:17he's gorgeous
36:18so this is just strictly professional
36:22jules
36:23what are you doing with this guy
36:31you look very familiar
36:34where would i know you from
36:36uh
36:40i'm not sure
36:49wow looks like you have quite a few notes there
36:52hi
36:54oh some of them are just words of encouragement
36:57hmm
36:58i don't recall getting any of those when you gave me notes on my book
37:01oh that's because praise makes you horribly uncomfortable
37:09have you ever thought about writing one
37:11a memoir
37:14no
37:16absolutely not
37:17well don't you tell the authors you work with
37:18it's an opportunity to make sense of the past and reclaim the narrative
37:24some of them yes but
37:26not everyone's past should be
37:29revisited
37:30do you ever think about what your life might have looked like if you married somebody else
37:35i did marry somebody else
37:37i know you still have his last name
37:40i wasn't talking about ori
37:44you know you never called him that until after he died
37:47bro nassus
37:48well i already had a father
37:49who didn't parade us around the greek islands like he won us at an auction
37:53that was because i think we needed it
37:56whether you or the rest of the world liked it or not
37:59do you ever think about what if you had married somebody other than dad
38:03just lived a normal life
38:05i think we both know if anyone had offered me anything normal i would have been bored to death
38:12even knowing what you know now
38:16about some of the choices he made
38:22all relationships have their disappointments
38:27it's just a matter of
38:28how you're let down
38:30what you
38:31you don't think your relationship has drawbacks
38:35no i don't
38:37you might
38:38but i didn't need the same things that you did
38:40you've been nothing but supportive of your relationship
38:43you acquiesced to my relationship
38:45what that was because i wanted to make sure you were marrying for the right reason
38:51what possible ulterior motive could i have had marrying ed
38:54well exactly
38:57you made a stable choice
39:00god forbid i choose a man i could actually depend on
39:03at any rate
39:05your brother
39:07he was more overt at pressing my buttons
39:10but you
39:13you weren't exactly an apple polisher
39:16not everything we do is in reaction to you
39:18the same way your varied love life wasn't only a reaction to your mother
39:25at the end of the day
39:27your wounds informed your choices just as mine did
39:30and once i realized that ed was the right one for you
39:34i shut my mouth didn't i
39:38i think you failed to contextualize who i was raised by
39:42i mean you know your grandmother but you don't know my mother
39:46her only dream for me was
39:50to become the most beautiful accessory to the most coveted man
39:55and i think
39:56and i think
39:57well i think i exceeded those expectations
40:07but i do realize that i've
40:11might have gone about it in the wrong way at times
40:17but i did have your best interests in mind sweetheart
40:22i know
40:26do you
40:30i know mom
40:39i do need notes on my latest draft by the way
41:01tell every guy i didn't want them
41:06white orchids
41:12hi
41:13hey
41:14are we still good for lunch
41:15yeah
41:16no i'm starving
41:20those kids stay on my desk
41:26come on hey
41:27come this way
41:29can i get your autograph
41:29oh um
41:31sure
41:33thanks john
41:34hey
41:35hey
41:36hank
41:38hank
41:41hank
41:42hank
41:42hank
41:50hank
41:50i'm so sorry
41:51i understand
41:54i
41:58i'm on the next flight out
42:00well i had to
42:02wait for the ashes
42:05all right
42:06my car's downstairs
42:07okay
42:08i'll see you soon
42:30oh hello sweetheart
42:32it's mommy
42:34oh hello sweetheart
42:37it's mommy
42:39Well, I haven't spoken to you since you left so abruptly the other night.
42:49Anyways, call me, all right?
42:54Very good.
42:56Bye.
43:06Bye.
43:28Bye.
44:06Bye.
44:29Bye.
44:58Bye.
Comments