High Potential - Season 2 - Episode 18 #turkishdrama2026 #SeriesFrancaises #movies #drama #hot #hotdramas #turkish #english #gl #tvseries #newdrama #koreafilm #film #kdrama #korea
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00:01I'll punch it, I'll punch it, I'll punch it, I'll punch it, uh, uh-huh, uh-huh
00:05Kissy face, kissy face, sent to your phone, but
00:09Come give me something I can feel, oh-oh-oh
00:12Don't you own me like I want you, baby
00:15All you gotta do is just meet me ever
00:18I'll punch it, I'll punch it, I'll punch it, I'll punch it
00:23Hey, good morning.
00:24Good morning.
00:25How you doing? We good?
00:27Morning.
00:27What can I get you?
00:28Miss, are you okay?
00:34Oh, my gosh!
00:35Help!
00:36I'm sorry, please!
00:56Good morning.
00:57I can't believe I worked on that stupid thing for two weeks.
01:00Paul says Aunt hated everything he ever painted,
01:02and he's considered one of the greats.
01:04Yeah, after he died.
01:05Well, he worked on the large bathers for seven years.
01:08I don't have years.
01:10I have art school reps coming to my showcase soon,
01:12and I've literally got nothing.
01:13You have a couple days.
01:15Plus, I really like what you've done so far.
01:17You're my mom.
01:18You're supposed to love it.
01:18That is not true.
01:20That textile thing you did was boring.
01:22And a little derivative.
01:23Okay.
01:24Why don't you go and pack your bag for your dad's house?
01:27Okay.
01:29Art isn't like your job, Mom.
01:31I don't just get to look around and, like, notice things.
01:35A little more than that, but okay.
01:37I have to come up with something completely original,
01:39something so undeniable it stands out.
01:41Because if I don't, then I might not get another shot
01:44at being noticed or getting a scholarship.
01:46Hey, listen.
01:47I lived with an artist before you came along, remember?
01:50Your dad used to fill up so many garbage cans
01:52with some really beautiful stuff that he thought was trash.
01:55You know, the points where he was the most frustrated
01:57and he was about to give up?
01:59That's usually when he would come up with something very special.
02:02And you will, too.
02:05But you can't give up.
02:08Okay, okay, I got it.
02:10What if your final showcase piece
02:13is the trash can full of your art?
02:15Okie doke.
02:16Uh, I've got an idea.
02:18How about over the next couple days,
02:19you want to talk to your sister,
02:20you just run it by me first, okay?
02:21Rauschenberg would have called that a finish piece.
02:23I know.
02:23Have a wonderful day.
02:24I love you.
02:25I love you, too.
02:28No, I'm saying
02:29if you want to judge my lavender oat milk latte,
02:32you should at least try it first.
02:33No, I don't think so.
02:35Lavender is for soap, not for sipping.
02:37Oh, thank God.
02:39You know, you really didn't have to drive me.
02:41You're on the way.
02:45You're welcome.
02:51Yeah.
02:53Yeah, I can head right over.
02:54Just shoot me the address.
02:59Oh, I'm already there.
03:02Okay.
03:06Oh, what's going on here?
03:07Bring your girlfriend to work day?
03:09Lucia's one of the managers here.
03:10She handles all their VIP guests.
03:12She want to comp me a room sometime?
03:13I'll ask her.
03:14Really?
03:16Everyone's on fire this morning.
03:18Major Crime's got the call
03:19because she's high profile.
03:21She is?
03:21Who is she?
03:23Vera Hensley from The Big Fix
03:25with Vera and Frank.
03:26I've never seen it.
03:27It's a husband and wife team.
03:28They repair houses,
03:29do renovations, things like that.
03:31Oh, well, I've got three kids.
03:32I don't really have time to build my own deck.
03:35She's not exactly dressed for a pool day.
03:37What's she doing out here?
03:38I talked to a few hotel guests
03:39who said she was already laying here
03:40when they came up this morning.
03:41So you think she's been here all night?
03:42Maybe she stumbled out here drunk,
03:43fell in the pool and hit her head.
03:45No.
03:46Look at her hair.
03:47It's styled.
03:50I mean, it's frizzy.
03:51I agree it got wet,
03:52but have you ever seen a woman
03:53come out of the water?
03:55It'd be all plastered to the side of her face,
03:57not round and bouncy.
03:59It didn't rain last night.
04:00So how'd she get wet?
04:06Sprinklers.
04:08Yeah, they probably run at night
04:10when the guests aren't around,
04:11which means there was no one here
04:11to witness her attack.
04:13That's assuming that it happened here.
04:15Well, if she was killed somewhere else,
04:16we'd better find out where
04:17before Vera's killer has time to clean it up.
04:21Vera Hensley?
04:22Yes, anything you can tell us.
04:24Her room number, when she checked in.
04:25She's not staying here,
04:26but her husband, Frank Hensley,
04:31is a DNA guest.
04:32Do not announce.
04:33Very high profile.
04:35Only essential staff have access.
04:37He's been staying in the penthouse,
04:39checked in a few days ago.
04:42Okay, give us one of those master key cards.
04:44We're gonna go snoop around his room.
04:45We'll knock.
04:47Can you access cameras?
04:48We only have cameras by the pool,
04:50the elevator, and the lobby,
04:51but I...
04:52Huh.
04:53That's weird.
04:55These cameras were turned off last night.
04:57Off or erased?
04:59I wouldn't know.
05:00I'm disrelations.
05:02I'll put our IT team on it.
05:03Let's go talk to your VIP.
05:07Vera and I were never apart.
05:08We lived together.
05:10We worked together.
05:12Our show is our life.
05:14Is it true you guys met at a hardware store?
05:16You watch the show?
05:17My girlfriend and I are moving into a place
05:19that needs a bit of work,
05:21and the big fix taught me a lot.
05:23Our first place together
05:24was a two-bedroom house off Van Ness.
05:27Crooked floors, no storage, no light.
05:30Every project started as a problem
05:31that Vera and I couldn't afford to ignore.
05:34Can I ask what time the two of you
05:35went to bed last night?
05:36Vera wasn't staying here.
05:38So this isn't her bra?
05:45I invited some friends over last night.
05:47I guess it got kind of wild.
05:50Mr. Hensley, if Vera wasn't here
05:51with you last night,
05:52why was she at the hotel?
05:54I wish I knew.
05:55Okay.
05:56So where's the lamp?
05:58And the brass candle holders
06:01and the stone bookend.
06:05I don't know.
06:08So his wife dies in the same hotel
06:11he's staying in and he never saw her?
06:13Please.
06:14Sounds like Vera found out
06:15that Frank was here partying,
06:16confronted him,
06:16and things got out of hand.
06:17Okay, so why aren't we bringing him in?
06:19Because we need evidence.
06:19Right now we can't even prove
06:20that Vera came up to this floor.
06:21Whoa, whoa, whoa.
06:24Uh, that'll do it.
06:29Yeah, they're taking me in right now.
06:34Where'd you park?
06:35On the street.
06:36Like a sane person.
06:37You think I'm paying hotel prices?
06:38We reimburse.
06:39You do?
06:40Yeah, you save the receipt,
06:41fill out an expense report.
06:42Oh, God.
06:42No, forget it.
06:43You lost me.
06:43Bye.
06:50It's not too late.
06:51We can be together
06:52where there's no cities,
06:53just seasons and frosty trees.
06:57Oh, boy.
07:05I know.
07:07It's terrible.
07:08Try not to worry too much.
07:09I love you.
07:10Bye.
07:15Everything okay?
07:16Hmm?
07:17Yeah.
07:17Lucia's just having a hard time.
07:19With what?
07:20Uh, with the murder at her hotel.
07:23Most people don't show up to work
07:24expecting to see a dead body.
07:25Right.
07:26Just last week,
07:27I was watching Vera and Frank
07:28put together a banquette,
07:29and now we're trying to find out
07:30if he killed her.
07:33This is new.
07:35Oh.
07:36Yeah.
07:37It's a gift from Lucia.
07:38It's, uh, gypsum sand.
07:41She said it's rare.
07:43Like what we have.
07:47She's right.
07:48It is rare.
07:52I loved Vera.
07:53The kind of love where you rent out
07:54the penthouse suite to hook up
07:55with other women, right?
07:57No.
07:57So the bra was yours?
07:59We checked your records, right?
08:00This wasn't the first time
08:01you wanted to fly solo,
08:02was it?
08:02But you thought what she didn't know
08:03wouldn't hurt her.
08:04Only she did find out
08:05about the women,
08:06the lies,
08:07the party.
08:07You went behind her back
08:09while telling the world
08:09that you loved her.
08:10I did.
08:11Vera and I were always honest
08:12with each other.
08:13Okay?
08:14I don't know what she was doing
08:15in that hotel.
08:15I didn't even see her.
08:17Okay, so you're cheating on your wife
08:18in the same hotel.
08:19You heard Lucio works at that hotel?
08:22Small world.
08:23Yeah.
08:25I guess.
08:26Being the happy couple
08:27that you see on TV,
08:28fixing houses,
08:29that was our brand, okay?
08:31That wasn't who we were,
08:32not always.
08:33Sometimes,
08:34look,
08:35we like to do our own thing.
08:37As far as I know,
08:38having a good time
08:38is not a crime.
08:39No, it is not.
08:40But knocking your wife out
08:41when she walks in on you
08:42with another woman
08:43and then moving her dead body
08:44so you can clean up the evidence,
08:45that would be a crime.
08:47My client said enough.
08:48Call us when you actually
08:49have something.
08:55The bloody fingerprint
08:56on the elevator button
08:57matches Vera's blood and print.
09:00So we know Vera
09:01went up to the penthouse.
09:02That means Frank either
09:02wasn't there at the same time
09:03or he's lying about
09:04not having seen her.
09:05I checked the hotel records.
09:06Frank and Vera
09:06had a joint account
09:07at the Blackwell Hotel.
09:08So if one of them
09:09booked a hotel room,
09:10the other would receive
09:11a digital key
09:12on their phone automatically.
09:13Then maybe Vera
09:14saw where Frank was
09:15and wasn't as happy
09:16about his partying
09:17as he wants us to believe.
09:18Okay, and what about
09:19the items that were missing
09:20from the hotel room?
09:21Yes, found them
09:22in the hotel dumpster
09:24and pieces on the penthouse floor.
09:26Looks like there was a fight
09:27and someone tried to clean up.
09:28But there was one item
09:29we couldn't find anywhere.
09:32The Emmy says
09:33Vera's head wound
09:34is consistent with
09:35the shape and size
09:36of that bookend.
09:37So we know
09:37what the murder weapon was
09:38but we don't know
09:39where it is.
09:40Tell me the hotel camera
09:41has caught something.
09:42CCU is still working on it
09:43but we should know soon.
09:44Did you talk to the people
09:45Frank was partying with?
09:46Yeah, he gave us four names
09:48all friends.
09:49Most of them work for him.
09:50His manager,
09:51Aaron Rothman.
09:52One of his producers,
09:54Lois Mandel.
09:55His stylist,
09:56Talia Cruz.
09:57And last,
09:58his best friend from college,
09:59Boyd Hollis.
10:01Do we think
10:01they're covering for him?
10:02Well, if they work for him,
10:03they have financial motives
10:04to keep Vera
10:05from going public
10:05about Frank's
10:07indiscretions.
10:07Boyd took some photos
10:08at their party
10:09last night.
10:13Wait a second.
10:17Who's this guy?
10:21None of Frank's friends
10:21mentioned anyone else
10:22being around last night,
10:23did they?
10:24And you've never
10:25seen him before?
10:26No.
10:27You guys?
10:29Maybe someone at the hotel
10:30knows who he is?
10:31Morgan and I
10:32will go back.
10:32We can check with Lucia,
10:33maybe ask around.
10:38You gonna get that?
10:39Kinda thought
10:40it was decorative.
10:44Hello?
10:45Morgan,
10:46this is Willa Quinn.
10:48What do you want?
10:49To warn you
10:51about the danger
10:52you're headed into.
10:54Believe it or not,
10:54I'm not your enemy.
10:55I'm the person
10:56that warns you
10:57before the enemy
10:58reaches you.
10:59The way it reached
11:00Eric Hayworth?
11:01I think we both know
11:03that wasn't a suicide.
11:04There's no way
11:05to catch up
11:06when the people
11:06that are helping you
11:07are helping me too.
11:10Back off, Morgan.
11:11If you want to threaten me,
11:11I think you should come
11:12and do it to my fate.
11:13Did she just hung up on me?
11:22Willa said the people
11:23helping you
11:24are helping her too.
11:25Those were her exact words.
11:27Yep.
11:29So either she's got someone
11:30working for her
11:31in the precinct
11:32or she wants me
11:32to think that she does.
11:34What?
11:37Willa was seen
11:38leaving the Beverly Palms
11:39Country Club
11:40with Nick Wagner Sr.
11:42Captain Wagner's father.
11:44Do we know why?
11:45No.
11:46A while back,
11:47the captain flat out
11:48asked me how to get you
11:49to let him in
11:49on the Roman investigation.
11:50So I think we need
11:51to consider the possibility
11:52that both Wagners
11:53are working with Willa.
11:57Does he know
11:58we know this?
11:59Soto asked him
11:59about his involvement
12:00and he denies
12:00having any.
12:04Thank you for telling me.
12:10Does he look familiar?
12:12Yeah.
12:13He's a guest.
12:14Or was.
12:15He checked out
12:16a few minutes ago.
12:18Charles Hale.
12:20Yep.
12:21That's him.
12:22Got a phone number?
12:25Uh-huh.
12:26Thanks.
12:31You're for Detective Carraday?
12:33Charles.
12:34Thanks for coming in.
12:36Right this way.
12:38Plane leaves
12:39in a few hours.
12:41This won't take long.
12:42Please, have a seat.
12:44Just a few questions.
12:45It's my understanding
12:46you were staying
12:46at the Blackwell Hotel,
12:47correct?
12:48Yeah.
12:48Is this about
12:49Vera Hensley?
12:50It is.
12:51How do you know
12:51her husband?
12:52I don't.
12:52Met him at the hotel bar.
12:54Recognized him
12:55from the Big Fix.
12:56Figured,
12:57what the hell?
12:57Say hi.
12:59And he introduced me
13:00to all his friends.
13:02Was Vera with them?
13:03No.
13:04Did you hear or see
13:05anything that would
13:06make you think
13:06that Frank or his friends
13:08might want to hurt Vera
13:09if she were there?
13:10No.
13:11But,
13:13there was a guy,
13:1440s,
13:15white,
13:16he was on his own.
13:17He was looking for her.
13:19He gave me a bad vibe.
13:21Did you get a good look
13:21at this guy?
13:22Enough to give us
13:23a description.
13:31Hey.
13:33Hey.
13:34There you are.
13:36I was looking for you.
13:37Yeah, I figured
13:37we should
13:39probably talk.
13:41Which thing
13:42would you like
13:42to start with?
13:47Are you working
13:48with your father
13:48and Willa Quinn?
13:50No.
13:52Absolutely not.
13:55I believe you.
13:57Good.
13:59My subpoena
14:00to search
14:00Willa's office
14:01in New York
14:01got shut down.
14:02But,
14:03I'm not done
14:03trying.
14:04it.
14:05I had an idea.
14:06Only I can't do it.
14:08And you should certainly
14:09not get caught
14:10doing it.
14:16Okay.
14:17You got it.
14:20Well,
14:21circle back to the other thing
14:22later.
14:23I look forward to it.
14:31Sorry.
14:32Sorry.
14:33You burned the house down yet?
14:34Thought about it.
14:36Can't figure out
14:37what you want to do still?
14:37I actually have one idea.
14:40But you might
14:41not like it.
14:42You don't have to like it?
14:44Well,
14:44that box of all
14:45Dad's stuff
14:46that you keep
14:46in your closet.
14:48Could I use it?
14:49For what?
14:50I don't know yet.
14:51But I promise
14:52I'll take good care of it.
14:53Ava,
14:54listen,
14:54I saved all that
14:55stuff for you,
14:56okay?
14:56You do whatever
14:57you want with it.
14:58Really?
14:59Yeah.
15:00That's it.
15:00Don't touch anything
15:01else in my closet,
15:02okay?
15:02Gotta go.
15:03I'll see you soon.
15:13You think this is our guy?
15:14Well,
15:14we showed the sketch
15:15to Frank's friends
15:16but none of them saw him.
15:17So,
15:17we're sending it over
15:18to hotel staff.
15:19Maybe we get lucky.
15:20Well,
15:21wait a sec.
15:23I've seen those eyes
15:24before.
15:26As much as I'd love
15:27to put Vera's killer
15:27together piece by piece,
15:28unfortunately,
15:29Morgan,
15:29we're not playing
15:30Mr. Potato Head.
15:31Yeah?
15:33Well,
15:33maybe we should be.
15:36You're telling me
15:37that's not the exact
15:38same mouth?
15:39And her nose
15:40and beauty mark?
15:42And her eyes
15:44and ears
15:44and this guy's forehead?
15:46The reason no one's
15:47seen our mystery man
15:48is because he doesn't exist.
15:51Charles just
15:52Frankensteined
15:52a bunch of features
15:53from Frank's friends
15:54together
15:54and we drew a picture
15:55about it.
15:56Where is he?
15:57He's gone.
15:58We had no reason
15:58to hold it.
16:00He's not answering.
16:02Daphne's got something
16:02for us.
16:04CCU was able
16:04to recover some footage
16:05from the Blackwell elevators
16:07off the hotel computer.
16:08I'm just looking through it.
16:09Emmy places Vera's death
16:10between two and four
16:11in the morning.
16:12Start looking around there.
16:13If she was killed
16:14in the penthouse,
16:14I don't think he'd
16:15wait to bring her
16:15to the pool.
16:17Here's something.
16:18Okay, you could fit
16:19a body in that cart.
16:20I don't think he'd
16:50the way i told her we have some questions about the investigation i have something i need to tell
16:54you guys i probably should have mentioned it earlier what is it um this morning i saw lucia
17:02and charles hale together they were having a conversation a conversation yeah i couldn't
17:11really make out what they were saying was something about no cities just seasons and and frosty trees
17:16i don't know i couldn't make sense of it all i can tell you is it didn't make me feel
17:20good because
17:21they were very friendly well morgan lucia works for the hotel and she talks to lots of the guests
17:31you you think that lucia is involved with the man who may have killed vera hensley look i don't want
17:37to be right about this well that's good morgan because you are not lucia is not seeing this man
17:43or involved with this investigation when she comes in we can ask her adam i don't think you
17:47should be the one conducting this interview well then watch me the moment you see something you
17:52don't like pull me out
17:59i've never been in here before yeah we don't use it very often you have kids toys so nice well
18:09with
18:09kids you want them to feel comfortable safe you know try to make a bad situation a little better
18:15careful you make a great dad talking like that so how can i help you with your case
18:24you got called into work pretty late last night i did what did they call you to the hotel for
18:29apparently frank hensley's party got a little out of hand what'd you find when you got there
18:33between you and me a mess some of the items in the room were even broken i just cleaned it
18:40up took
18:41it with me and left how'd you get the stuff out i put it all in a hotel meal cart
18:45rolled it right
18:46onto the elevator adam what's going on wait are people watching us right now yeah this is a murder
18:55investigation and if i wasn't asking the questions someone else would be when you got to the penthouse
19:01who was there no one and how well do you know charles hale mr hale does a lot of business
19:09in la
19:10he stays at the black wall when he's in town what else do you know about him i don't do
19:14background
19:15checks on my guests adam well the thing is when we showed you his photo you neglected to mention that
19:20he had been there before well our guests expect discretion if i had felt there was something important
19:25i would have told you we believe vera hensley was killed in the penthouse by frank or charles and
19:30then moved to the pool and the only person that was in the elevator around her time of death
19:35was you you think i took a dead woman downstairs in a hotel meal cart no but it is my
19:45job to figure
19:45out who did well it's funny how your job seems to keep coming in between us but this this i
19:51did not
19:51see coming we're looking for charles right now do you have any idea where he might be how would i
19:57know
19:57that i don't know him then what were you guys talking about on the street this morning
20:06businessmen like charles are the type of vips we want coming back to the blackwell
20:10so that means sometimes i have to be a little friendly and sometimes a man like charles can
20:15take that the wrong way and when it happens i make sure the line is clear
20:20but charles was trying to cross that line first he asked me for restaurant recommendations
20:29then he invited me to join and i said no and i said no again
20:35and he followed me out onto the street and i told him to never come back
20:41i'm sorry that happened
20:46maybe i should have told you i just i didn't want you to worry
20:55hey i'll walk you out oh that's okay i'm on my way out
21:03charles told me he's flying out today so we're checking manifests
21:06you didn't ask about the no cities frosty trees thing that's what charles said to her
21:10that's what you thought you heard hey morgan we already know charles is lying do you have
21:14any reason to believe that lucia is lying too
21:19lying is a really strong word but yeah i think there's something she's not telling us
21:25what i saw was a woman whose boyfriend was accusing her of being involved in someone's murder
21:29i can't imagine what that must have been like for her i know what it was like for me though
21:33i'm gonna get an update from daphne and os
21:39hey you want me to be honest with you right i just think it would be smart to bring her
21:43back in
21:43and ask a couple more questions that's not your call morgan i'm sorry i know this is uncomfortable
21:48for you okay soto could talk to her or you know what i'd be happy to do you want lucia
21:52to be guilty
21:53of something what does that mean where are we at with charles hill still monitoring the cell number
22:00he gave the hotel no location yet i hope you know know what is everything okay i get that this
22:05is
22:05hard for you but you and i both know that if it was anyone else in that room you would
22:10be asking
22:10tougher questions are you accusing me of not doing my job it's not just your job this is personal i
22:15know
22:15exactly what this is and i don't need you managing me i am not one of your kids morgan so
22:22stop treating me
22:23like one
22:23you
22:25you
22:35you
22:36you
22:38you
22:59We need someone who is familiar with the levers of government and actually knows how to use them.
23:10Excuse me one minute.
23:12Ms. Quinn and I do tend to move in similar circles if that's what you're after.
23:17That job that you had me offer Morgan didn't come from you, did it?
23:20It's okay. No offense taken. It's nice to be wanted.
23:24Uh, speaking of Willa, should we hunt around, see if we can go find her here, or...
23:30Would you rather just make a phone call?
23:38I see you've decided not to take my advice.
23:41What a shame.
23:43No, a shame is my daughter losing out on 15 years with her father.
23:47And that look on your face.
23:50Okay.
23:52I'm here.
23:55What do you want to say?
23:56This will just take a minute.
23:57You know, when I was growing up, my father liked telling people he was self-made, got there on merit.
24:03Which wasn't true.
24:05There were people in your way who suddenly lost credibility, jobs, everything.
24:09Some of them even disappeared.
24:11And back then, I didn't understand.
24:14Now I do.
24:16Who?
24:17Who's you?
24:19Well, you're right.
24:20I've helped your father.
24:22I've made introductions.
24:24I've given advice.
24:24Sometimes quietly.
24:26That's what I do.
24:27I'm willing to expose all of it.
24:29Every ugly detail.
24:31You can't prove any of it.
24:32Oh, I think actually we can.
24:38Detailed logs of all of your calls, texts and emails over the last year or so.
24:43Technology really is incredible, isn't it?
24:45You would not believe how many incriminating documents you can cram onto something this tiny.
24:50Well, if it's even real.
24:52Oh, it's real.
24:53The guy we met in our last case gave us an assist.
24:56Decent bowler.
24:57Great hacker.
24:58That's fraud.
24:59Felony.
25:00Inmissible.
25:00Oh, absolutely.
25:02Highly illegal.
25:03The courts would never allow it.
25:04But the press will.
25:05You would really destroy your father's life like this?
25:08Well, I wouldn't worry so much about him.
25:10There's lots of stuff about you on this file.
25:12I find that highly doubtful.
25:14Mr. Wagner and I don't keep up much with correspondence.
25:18No, you don't.
25:18But he really loves bragging to his high-powered friends about his connections to you.
25:22You can't shut up about it.
25:23This is your leverage?
25:25Well, if it isn't, you have nothing to worry about.
25:28But if it is, you know how to stop it.
25:35Tell me what happened to Roman.
25:40I've tried very hard to keep this from reaching your life.
25:45If you're doing all of this to get answers for one child,
25:49has it even entered your brain that you're inches away from putting baby Chloe and Elliot in danger?
25:55Okay, I'm done.
25:58Mwah!
26:11Mwah!
26:12Mwah!
26:17Mwah!
26:20Mwah!
26:22Mwah!
26:22Mwah!
26:24Mwah!
26:25Mwah!
26:25Mwah!
26:26Mwah!
26:26Mwah!
26:27No, no, no, no, no, no!
26:28Come on, what are you doing?
26:29Stay away from me.
26:30Get back in the car.
26:30Okay, fine, fine, it's fine.
26:32Go, go.
26:32You don't get to say my kids' names.
26:35You have no idea what you're doing.
26:37I'm trying to warn you!
26:38Tell me what you did!
26:40Who are you protecting?
26:42Okay, you need to think very carefully about what you are asking.
26:47Oh, my God!
26:48Just answer the question!
26:50Fine, I'll give you what you want.
26:52And then we'll see how badly you want to keep digging.
27:02Did you speed through the red before or after you ran into Willa's car?
27:07If she threatened my kids, he would have done the same thing.
27:12I wouldn't have ran the red.
27:15I have something you should see.
27:17Charles Hell's employment data didn't check out.
27:20Dates overlap, one company doesn't exist, so I ran his prints federally.
27:24I got hits under three different names.
27:26These guys lived all over the place.
27:27Paloma border, New Mexico, San Angelo, Texas, Yakima, Washington.
27:32You know, I can run it in co-pilot.
27:35I'll have it categorized police reports by location, date, and name.
27:40Then color code them by location and create a summary of the findings.
27:44Okay, here we go.
27:45I'm finding reports on alleged scams in multiple cities he's lived in.
27:49Look, he posed as a start-up investor in Phoenix.
27:52A high-end real estate partner in Ojai.
27:54So he's not a businessman, he's a con man.
27:57So Frank was his next target.
27:59But why kill Vera?
28:00Well, hang on a second.
28:04Charles checked into the hotel the same day Frank did, except Frank was a do not announce.
28:10So, how did Charles know he was even there?
28:30You said Charles, or whatever his real name is, lived in Alamogordo?
28:34New Mexico, yeah, why?
28:36That's by White Sands National Park, the largest gypsum dune field in America.
28:40Gypsum?
28:40Unlike quartz sand, gypsum sand dissolves completely in water, which makes it incredibly rare.
28:45Lucia gave this to Karadek.
28:47It can't be a coincidence.
28:48I think that she and Charles were in the same city at the same time.
28:51Where's Karadek?
28:57Yeah.
28:58Charles Hale is a con man, and I think Lucia's involved.
29:01Morgan, I'm not gonna do this again.
29:02Okay, just hear me out, okay?
29:05The day that Frank checked into the Blackwell, I think Charles was tipped off.
29:08He came to the hotel to con Frank.
29:11Any idea what the con was?
29:12I mean, Frank and Vera's whole brand was that they were a happy couple, right?
29:15It made them millions.
29:16So, if Charles got evidence that Frank wasn't the devoted husband that he claimed to be,
29:21Frank would have paid anything to keep it from getting out.
29:23Charles was gonna blackmail Frank.
29:24While Frank and his friends went to the pool, Charles was in the room alone.
29:29Vera walked in and caught him planting a recording device.
29:32So, he had to take out the witness.
29:46Okay, so how did Vera end up by the pool?
29:49She snuck out and she ran.
29:51But that elevator is slow, and she was afraid that Charles would come after her.
29:54So, she took the stairs, but we didn't see it because there were no cameras there.
29:58It was dark.
29:59She was disoriented.
30:03Lucia did clean the room like she told us, but she left out one thing.
30:06I think Charles was back in that room.
30:10Unless Charles could have done all of this on his own.
30:13There were two things that Charles could not have done on his own.
30:16You think she erased the video tape?
30:22And she tipped off Charles in the first place that his next big mark just walked into her hotel lobby.
30:29That's why Lucia's been so upset.
30:31She's the one who brought Charles Hale into the Blackwell Hotel.
30:41I'm really sorry.
30:45I'll call you back.
31:14Oh, Charles, please!
31:18Lucia!
31:19You won't listen to me.
31:21It's okay.
31:22Let me handle it.
31:26Charles!
31:27I need you to put the safety on and drop it to the ground.
31:30Please!
31:31I don't think so.
31:35You know, I got a feeling that you care about Lucia as much as I do.
31:39Do not do something that she will have to live with for the rest of her life.
31:42Okay?
31:44Don't do that to her.
31:46Charles, there are some things that you and I cannot change no matter how much we want to.
31:52But what we can decide is how this ends.
31:55I can think of a bunch of ways we can turn this day around.
31:57But they all start with you dropping that gun.
32:20Watch your head.
32:24How did you know we would be here?
32:29No cities, just seasons, frosty trees.
32:33Those fans are there to keep the frost off the trees.
32:36That and Charles, or whatever his real name is, was trying to buy this place.
32:40Just an instinct, I guess.
32:41I didn't come here to run away with him, Adam.
32:46I just didn't want anyone else to get hurt.
32:53We met in New Mexico.
32:55I was still getting over you, and he seemed to understand that.
33:02Did you know what he did?
33:03Not at first.
33:06But when I found out, he said he wanted to change.
33:09He just needed, like, a couple more big paydays first.
33:13So I helped him.
33:15I pointed to a couple of high-profile guests at other hotels.
33:20But he didn't change.
33:22So I left.
33:24I came back here.
33:26I bumped into you.
33:29And then he showed up at the Blackwell and told me if I didn't find his next mark,
33:33that he was gonna make sure my cop boyfriend learned everything.
33:38But that if I did it, he would disappear for good.
33:42I didn't want him to destroy everything that we had.
33:45Adam.
33:52Where's the bookend he used to kill Vera?
33:58Adam, it's me.
34:07Yes, thank you.
34:09They got him.
34:10Charles is in custody. Everyone is safe.
34:13I just got this.
34:15What is it?
34:16Lila came through.
34:18This FBI agent, Lila Flynn, she was working undercover and she was murdered.
34:22Mm-hmm.
34:22Turns out she was dirty.
34:25Looks that way.
34:26Selling intel, laundering money.
34:29There's something else.
34:31What?
34:44They suspect that Roman was working with her and when she decided to come clean, he killed her.
34:53This was a scandal too big for the FBI and Willa helped them bury it.
34:58Security cameras caught these outside Lila's house the day she was murdered.
35:03That's Roman's car.
35:07No.
35:10I'm done.
35:11Let's be done.
35:14Can you give us a minute?
35:23What does that mean?
35:24What does that mean?
35:25Stop digging, okay?
35:27Listen, I don't know.
35:28It doesn't matter anymore.
35:29It's just not safe.
35:31It's not safe.
35:31It's never been safe.
35:33Eric Hayworth?
35:34This woman?
35:35I don't know.
35:36I don't know what's true.
35:37All I know is that if anything were to happen to any of you...
35:39Morgan, stepping away is simply not an option anymore.
35:42Oh my God.
35:43Okay?
35:43I'm scared too, but I can take care of myself.
35:48Whatever happens, we'll do it together, okay?
36:06Hey.
36:08Hey.
36:11Come in.
36:22How you doing?
36:24The Unis are taking Lucia to the precinct now.
36:26Oh God, I'm sorry.
36:28You don't have anything to be sorry for.
36:31I'm sorry.
36:32You warned me, I should have listened.
36:34She'll be charged with accessory after the fact.
36:36I care, Doc.
36:36Though with the other cons that her and Charles were involved in, the charges will increase.
36:41Adam.
36:52I can't believe this is happening.
36:57I just cannot believe it.
37:01I feel so stupid.
37:02No.
37:02Don't.
37:03Please don't do that.
37:06You did it right.
37:09You did.
37:09You opened your heart.
37:10You let her in.
37:13That's always going to be the right move.
37:18I believed her.
37:20I believed her.
37:21I believed her.
37:22I believed she wanted a life with me.
37:26Now I don't even know who this person is.
37:28Yes, you do.
37:29Yes, you do.
37:33You do.
37:34Same person.
37:34You just...
37:38You just...
37:39You just loved her too much to see the things that you didn't want to see.
37:45It's okay.
37:49It's gonna be okay.
38:02I get to go see Ava's art show.
38:05Um...
38:06You wanna come with me?
38:07I would love to, but I have some things that...
38:09I really need to take care of.
38:11You know?
38:12Okay.
38:14But I'm here if you need me.
38:18I know.
38:28See?
38:45Okay.
38:49Mom!
38:50Hi!
38:50I'm so glad you made it!
38:53Wow.
38:55Well...
38:56What do you think?
38:59Ava, this is...
39:00Boring.
39:02Yes, I just fell asleep.
39:03No, buddy.
39:04This is incredible.
39:10I am so impressed.
39:12You did this all by yourself.
39:15Well...
39:16I guess I had some help from my dad.
39:21Yeah, I guess you did.
39:26You're not gonna start crying.
39:27Are you?
39:28Please don't embarrass me.
39:29My little baby girl did this one.
39:31Oh, my God. Mom.
39:38Hey!
39:39What's going on?
39:40Hey!
39:40My father gave me a name.
39:42It's an old FBI ghost that was there when everything went down with Roman.
39:46I'm meeting him tonight.
39:47Tonight?
39:48Well...
39:48I gotta come with you.
39:49No.
39:50You need to stay away until I get eyes on this guy.
39:52I'll be fine.
39:53You'll be there.
39:54Come on.
39:55I need to talk to him.
39:58Okay.
40:009.30, Rancho Park.
40:02South side of the pond.
40:03Okay, I'll see you soon.
40:04Come on.
40:04Come on.
40:05Come on.
40:08Come on...
40:30Come on.
40:34Slip off my pretty dress
40:38Down my chest
40:40When I think of you
40:44Every night
40:47Both lips on the mirror
40:51It's ritualistic
40:56Counting lipstick
40:58Stains where you should be
41:02Oh, I need you
41:10I'm getting close now
41:15Do you picture me
41:17Like I picture you
41:20Am I in the grave
41:22From your point of view
41:24Do you feel the same
41:26I'm just gonna say
41:29High for the things I do
41:33When I picture you
41:36When I picture you
42:02Do you picture me
42:05I got a picture you
42:07I got a picture you
42:08Am I in the grave
42:09From your point of view
42:12Do you feel the same
42:14I'm too scared to see
42:17Half of the things I do
42:21When I picture you
42:24When I die
42:26When I picture you
42:54Temple Tower
42:57Ha!
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