- 2 weeks ago
Столичани В Повече 2 Епизод 9
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TVTranscript
00:00I saw you with Konstantin.
00:02Mama, tati, why are you sleeping on the couch?
00:05If you divide people, you'll be very happy.
00:08Jordan, I've seen him in the hall. Why do you like that?
00:11You look at him, as it's twisted.
00:14You have to hide it.
00:16But my name is broken.
00:17I'm staying for you.
00:18Now, after a while, they'll see you on the street.
00:21They'll get married.
00:21But you don't like the way you talk.
00:23And if you don't like the way you talk about it, you talk about it.
00:26You don't like the way you talk about it.
00:26You don't like the way you're holding.
00:27You don't like the way you talk about it.
00:30I'm not sure about it.
00:30I'm not sure about it.
00:31Hey, come on.
00:31Let's find a nice job on that nice guy.
00:34He's the man for whom I spoke to you.
00:37Giorgi.
00:39Giorgi, my Giorgi.
00:41What do you have to ensure?
00:42Just to leave Lutov from the house.
00:44I want you to go and find him.
00:46Who did you want?
00:47Maria.
00:49Maria!
00:53Who did you want?
00:54Your student, Maria.
00:56She will become world-known.
00:59I'll make a memorial memorial.
01:04Who will you make a memorial memorial?
01:06Who will you make a memorial memorial?
01:07By Boyko Borisov.
01:32BTV Predstavia.
01:34BTV Predstavia.
02:01I don't see the TV.
02:04You're welcome.
02:07You're welcome.
02:08Do you want to sell your money with Constantin or do you want to see him on the night?
02:18Once we got two of you.
02:22Do you want to tell each other one or one another and get a moment?
02:28First of all, I am sorry to tell you,
02:32that I took my money from Constantine, without telling you about it.
02:42You don't have to forgive me?
02:44For what?
02:48For passive-aggressive behavior.
02:50And that you have to kill me, as you can see on the couch.
02:53It's unimaginable.
02:58Did you say anything?
03:00How can you say that you can see this...
03:04...that you can see...
03:08We're with him.
03:10We're with him.
03:11And he's got a lot of money.
03:15And he's got a lot of money.
03:21It's the evening, when we're at home.
03:26He's got a lot of money.
03:27He's got a lot of money on the world.
03:55He's got a lot of money.
04:03He's got a lot of money.
04:04So, what?
04:07We're with him.
04:07And we're thinking about how to stop this car.
04:09How?
04:10Yes, exactly.
04:14The boy is in the end of the day.
04:17This will help us.
04:20We will have to go here.
04:22We will wait here.
04:23We will get to the end of the day.
04:27We will draw the memory of the president of Zelenica.
04:30Who will he be able to do this?
04:38Your tongue...
04:39...Kak se seti?
04:43Ty si genii.
05:11The ears are young.
05:11The sound of underneath.
05:11The breath of your mouth often can be gray.cc
05:19It is red. I
05:20believe the breath of the breath of the breath. Try
05:20to put a headache over the surface of the breath. I
05:20feel some McGregorne Ryan articles as a friend says about it.認為ef
05:32crème eines crèches
05:39Hello, my wife.
05:41Hello, Dimcho. Who are you?
05:44My father gave it to me.
05:45It's not a sport?
05:49It's a dress.
05:52The dress is in the van.
05:54Check it out.
05:55But how long do you see it?
06:17How long do you see it?
06:19I can't breathe.
06:23I can't breathe.
06:25I'm going to watch it.
06:26I'm going to watch it.
06:37I've been waiting for you.
06:42So long do you know what it means.
06:53Get out of the way.
06:54You're going to die.
06:58Tell me, do you know?
07:00Get a little bit, listen.
07:03We have a year.
07:04We have a year. We have a year.
07:06We have a year.
07:11On this date, before a year,
07:14we were together.
07:16For the first time.
07:18Where are we going?
07:19Never.
07:21In your room, in your cabin.
07:22No, no, no, no.
07:26I'm going to watch you.
07:28I'm going to go down.
07:29Tell me.
07:32Nothing.
07:34You'll drink one aspirin, and you'll go.
07:36You don't have to go anywhere.
07:40We have a reason.
07:42You don't have a problem.
07:43Come on in the evening.
08:02What if you are looking at your job?
08:04Why am I looking for a job?
08:06No, I don't want to go on phone.
08:09Let me see you in our room.
08:10Okay. But no.
08:12I don't know what to do.
08:18Hello, Mime.
08:20What's going on?
08:22I'm going to meet you in the morning.
08:24I'm going to go to work.
08:26I'm going to do something else.
08:28Do you want me to wait for a little?
08:48I'm going to go to Sting.
08:50Did you go to Sting?
08:50Yes, I have tickets.
08:52But when I came to the stadium,
08:53I told you I forgot.
08:55So I didn't see Sting.
09:12Tell me.
09:13Tell me now.
09:15From the other month, I started working.
09:33Melo Bino,
09:35give me the whole night to me.
09:45I don't know what to do.
09:47There's nothing to eat.
09:48You're going to eat.
09:49It's very useful.
09:50There are some fresh fruits.
09:52If I take this thing,
09:54if I take this thing,
09:55I don't want to go to the toilet.
09:59I want something to grow.
10:01It's heavy, heavy, heavy, heavy.
10:03It's a lot.
10:04It's a couple of two portions of potatoes.
10:06That's what I'm going to do.
10:07I'm going to get you to get it.
10:09I'm going to get it.
10:12I'm going to get it.
10:12I'm going to get it.
10:13That's not a lot of meat.
10:14That's not a lot.
10:14The whole body will get it.
10:16If you do it again,
10:18with a child,
10:20you're going to get it in the kitchen.
10:25What?
10:33I'm going to get it in the kitchen.
10:36What?
10:37That's not a lot to do.
10:39What?
10:41What is it, Ma?
10:42I'm going to go to the pedals and I'm there.
10:45Gullabino, you're going to die soon.
10:47You're going to die soon, but you're not going to die.
10:49I'm going to die soon as a young girl.
10:52That's so nice, Vranghile.
10:54If you have a balcony, look at him.
10:58I'm going to die, I'm going to die, I'm going to die.
11:02I'm going to add a little shunka, lukanka, suju, fila, elena.
11:17I'm going to die.
11:18My father, are you going to die?
11:20No, I'm going to die.
11:22How do you make a memory of the Premier League?
11:25I'm going to die.
11:27I'm going to die.
11:28The Premier League is sexy.
11:30You're going to die again, Boyko.
11:32You're going to die.
11:33You're going to die.
11:34Yes, he's going to die.
11:37He's going to die.
11:39He's going to die.
11:41You're going to die.
11:41You're going to die.
11:43You're going to die.
11:44You're going to die.
11:44I'm going to die.
11:46You're going to die.
11:46What?
11:48How do you make a memory of Rony James Dio?
11:50Rony James Dio is the Premier League?
11:53No, he's a rock musician.
11:55Rony James?
11:56Who heard Rony James?
11:57Who heard Rony?
11:57And Boyko Borisov?
11:59Everyone knows him.
12:00That's nice to not be in the third world.
12:02If a man is alive, you will get a memory of the memory.
12:04No, he's going to die.
12:05He's going to die.
12:06He's going to die.
12:06He's going to die.
12:07No, no, we're going to die.
12:09He's going to die.
12:10We'll see you in the front of us.
12:13We're going to die.
12:15We're going to die.
12:18We're going to die.
12:24We're done.
12:29We're going to die.
12:33Yes, they will ask the interviewer.
12:37It's not a lie. It will be a scandal. How do you understand?
12:41You are an artist. You don't understand politics.
12:44The name of Boyko Borisov will change his life.
12:47Can you imagine?
12:49In some days, the name of Boyko Borisov will find the statue of Boyko Borisov.
12:53Wow!
12:55Why do you have the crown of his name?
13:02Boyko Borisov.
13:05It's very original. Everyone will try to make the statue of the premiere.
13:10That's right. They all want. But no one will no one.
13:14You'll see. All the kmeters will be turned on, but the people will remember us.
13:20Because we are the first ones.
13:21Yes.
13:23We have an idea.
13:24No.
13:25One idea.
13:26No. You don't want me to stop.
13:28Please listen to me, Igor.
13:30I'm going to film.
13:32And I'm going to be the first one who will spread the top of the entire Europe.
13:39Yes, Mom.
13:40Yes?
13:41Yes, Mom.
13:47Let's go and take the camera.
13:55Here he is.
14:03That's understandable.
14:03Awesome.ana.
14:03Yes.
14:18My tired.
14:18Obviously, sir.
14:35Hey!
14:39Is this here?
14:41I don't know.
14:43How is it?
14:44When will he go?
14:45He goes to another village.
14:49Now many people die.
14:51I know.
14:53When will he go?
14:55The village of Apel.
14:57Who are you?
14:59I am my assistant.
15:02I have a phone call.
15:04I have a phone call.
15:05I have a phone call.
15:06If I have a phone call.
15:08If I have a phone call.
15:11I have a phone call.
15:15I am going to go.
15:17I am going to go.
15:18I am going to go.
15:27First, the name is the National Council of the National Council.
15:31The desire is to go to the National Council of Architecture and construction.
15:36After I and the National Council of the National Council of the National Council of Pavilion and education, education.
15:44The the 소득.
15:45I am going to go to the National Council of the National Council.
15:47The desire to include the tips and the project.
15:50The place for the new meeting.
15:51The necessary financing for the family of the state, it has no money for the pamiętion of the Republic.
15:54I don't have money.
15:58How can I work without money?
16:00I got here with my ideas, with my pleasure,
16:03but I don't have the opportunity.
16:05Angel, I'll eat everything.
16:07Let's go.
16:14The thousands of procedures,
16:16and I have to leave them.
16:19How do we leave them?
16:21Let's go and find them.
16:22We have the procedure later.
16:24How? They will find them.
16:26Premier, it doesn't allow them to fall out exactly
16:29those who have been in the future.
16:31Who will be in such a monument?
16:33Because of the procedure.
16:35The Ministry of Culture?
16:37If you learn to teach you,
16:38it will always be the idea.
16:40And it will be true.
16:42There are no money?
16:43There are no money.
16:45My foundation has money.
16:49The money on Constantin is for us.
16:50It will be out of passage.
16:54The money.
16:57So?
16:59Let's go.
17:03Good.
17:13Hello?
17:14Tate?
17:16Now we have to go to the river.
17:21I don't know how to explain it.
17:24I don't know how to explain it.
17:27Okay.
17:54Hey, where are you?
17:58What are you doing?
17:59How do you do it?
18:01Constantine, please.
18:02The place is very communicative.
18:04The river can't compare it.
18:07Two weeks.
18:10After two weeks, I go to the village and sign up for the river.
18:20I'm going to make a pen.
18:21Do two weeks, we have to make a pen.
18:45What did you say?
18:47Nothing.
18:55You're with Dimo.
19:05Everything between us is now.
19:07So it must be.
19:08It must be.
19:10We made love.
19:12We met our meetings.
19:14And when you're serious, you decide to go back to Dimo.
19:19Did you do any kind of experiment with me?
19:22And the secretary?
19:23Hey, Dev, take me with you.
19:25I pray for you to play with my feelings.
19:28What are your feelings?
19:30You're in fear. You're certainly playing.
19:33What does that mean?
19:34The money!
19:35The year of Chichumov, are you with the money?
19:37What are you doing?
19:38That's it.
19:42If you go back now, no one will be looking for you.
19:47Very important!
19:49You're dying!
19:50That's why you're with me.
19:55That's why you're with me.
19:57I'm going to see you.
19:58I'm going to see you next 10 years later.
19:59I'm going to see you.
20:01I'm going to see you.
20:02Because it will be the same.
20:03What are you doing?
20:05I'm not sure I'm going to set you all for you.
20:07All of you.
20:08All of you?
20:09You don't see, all of you are in trouble.
20:13What do you want?
20:14What do you want?
20:15What do you want?
20:16What do you want?
20:17What do you want?
20:18You too, herself?
20:20L Belle, herself and her mother, never mind her mother, never mind her mother, never mind heriden.
20:21That's all that she didn't want to catch up, never mind her mother.
20:21It's been in to her mother.
20:23It's been in to her motheratte.
20:26As that everyone, if you missed the care.
20:30who recalls me now I feel as in her bed.
20:37That is very funny.
20:38That's pretty awesome.
20:38That's it, okay.
20:41I'm coming to her in to her bed!
20:51You don't have to trade with the iconic icons.
20:53No, no, no.
20:55You don't have to find investors in the market.
20:58I have something really unique.
21:00I'm going to interest you.
21:09I'm going to make a company.
21:12It's not a good person to drink.
21:17It's not a good person to do it.
21:21So, you'll get to the 9th?
21:23In the 9th?
21:26Yes.
21:31It's a good person.
21:47Hello.
21:59For women, alcohol is a very good person to help you.
22:04Alcohol is a very healthy person.
22:08For the children?
22:08And what kind of mess are you doing?
22:11Oh…
22:12Before meeting them with Pas…
22:15..
22:46I don't know what the hell is going to be done.
22:48What?
22:50When did you tell me?
22:53When did you tell me?
22:54When did you tell me?
22:56It means time.
23:01But okay.
23:02Let's go.
23:04Now?
23:05When?
23:06Let's go.
23:26What?
23:44I have kept the crisis.
23:52What do you do now?
23:55You said that I'm wrong and you explain why.
24:00I'm wrong?
24:03Is it on God or on you?
24:06And the two of us, let's go.
24:11God, we didn't see you, but my friend, Gregory, you know.
24:16You know, I'm not a religious, I'll tell you.
24:20But soon, I'll tell you later.
24:26I've been looking for a lot of young people, but now I'm only one.
24:30I'm sure I'm wrong with you.
24:33Look at me.
24:37I'm angry.
24:40Give me a snack.
24:45I'm angry.
24:47I'm angry.
24:47I'm thinking about marriage.
24:48I love him, but he doesn't like me.
24:51I'm angry with you.
24:52I'm angry with you.
24:57I'm angry with you.
24:59I'm angry with you.
25:00I'll give you all that, but I'm not talking about them during the church.
25:30for the
25:38When we give up our wishes, we actually fulfill God's wishes.
25:52Chris! Here is Chris!
25:56I'm sorry.
25:57I'm sorry.
26:00I don't know who's up.
26:02I know who's here.
26:02I'm sorry.
26:19Oh, my
30:37Let's go!
30:38The two of them are in the bagage.
30:42They are weapons.
30:43They are now in the bagage.
30:45They are now in the bagage.
30:52The Jeep is running.
30:55The driver is your friend.
30:58Ok, Chef.
31:13What are you doing?
31:18How are you doing?
31:20That's the other one.
31:40Hey, boys!
31:43You didn't have to be done, eh?
31:45Now it's going.
31:58Let's go!
32:03I'm sorry, I'm going to die.
32:05No, no, no.
32:06Where are you going?
32:08I'm going to get a water bottle.
32:11But...
32:19We're going to talk about work.
32:21We're going to go to a cafe.
32:23What?
32:23To look at the people who think about something about us.
32:27Please?
32:28We're going to talk about two.
32:30We're going to talk about it.
32:31So...
32:34Let's go!
32:35Let's go!
32:40Let's go!
32:42Seriously!
32:43See me!
32:44See you next time.
32:46Um, one, two, one!
32:48One, two, two, one!
32:50One, two, two, one.
32:52One, two, one.
32:52One, two, three, one.
32:53Thingsует, still seems terrible cheeses?
33:00I feel...
33:01I feel that I work a lot more than it needs.
33:05Go ahead and come back.
33:09Right, right, right.
33:12Plyas, plyas, plyas, plyas, plyas, plyas, plyas, plyas, plyas, plyas, plyas, plyas, plyas.
33:16Vodno kolelo!
33:18Is it the one you're eating?
33:21Hey!
33:25I'm going to let you know how you're eating.
33:32I don't know how to say it on Rangel, but it's going to be too late.
33:37But I'm ready, if you want it now.
33:43But I'm not for that.
33:46But I'm not for that. But who are you?
33:48I'm for Dymcho and Maria.
33:50Yes, they are two.
33:53Three are.
33:55I don't know.
33:56I don't know.
33:58Then we have to go to the wedding.
34:02I'm sorry.
34:03I'm sorry, Maria.
34:06I've taken here...
34:09... bread...
34:11... tomatoes...
34:13... bread...
34:17... salad.
34:20Yeah.
34:23Why don't we get them here?
34:26He's a nice guy.
34:29He's a nice guy.
34:29He's a nice guy.
34:30He's a nice guy.
34:32I don't know.
34:33I can't believe that.
34:33Where are the bars?
34:34The bars.
34:35The bars.
34:36The bars.
34:37The bars.
34:38The bars.
34:39The bars.
34:39The bars.
34:41The bars.
34:42The bars.
34:45They are going to go to where they are going.
34:48How do you work with the new Kmeda?
34:52It's normal, Mr. Chikanov.
34:54Rangelet?
34:56Rangelet.
34:57Tell me, Dessi.
34:58I don't want to go to the water.
35:00I don't want to go.
35:04Dessi, you need to make something very important for me.
35:09I want to be a copy of all the agreements that Kmeda Lutov has signed to now.
35:12Yeah.
35:13I can't do anything like that.
35:15It's a bit of a disappointment.
35:18I'm talking about Konstantin.
35:20He is looking for a sure person.
35:24Like you.
35:26He's the manager of the project.
35:28I can't say that Kmeda Lutov.
35:30With Konstantin, there is a possibility.
35:33I don't know.
35:35But now, many of them always want to help me.
35:38But now, they just want to make sex with me.
35:43They just want to make sex with me.
35:45Just...
35:49Just...
35:50Just...
35:52Just...
35:55Just...
35:56Just...
35:56Just...
35:56Just...
35:57Just...
35:58Just...
35:59Just...
35:59Just...
36:00Just...
36:00Just...
36:01Just...
36:03Just...
36:03Just...
36:09Just...
36:11Just...
36:13Just...
36:14Just...
36:16Just...
36:16Just...
36:24Just...
36:25Just...
36:27Just...
36:38Just...
36:40Just...
36:40Dude, literally...
36:41I am also...
36:44So, yeah.
36:44Well, my son, that should leave between you!
36:48What's happening now?
36:49Did you call my wife?
36:50Yeah, I can't say anything!
36:52I don't know what to say!
36:54Go get back!
36:56Go get back!
37:10I can't wait for you.
37:13I'm not sure how to do that.
37:16I can't wait for you.
37:17I can't wait for you to see if you have clean glasses.
37:20No, no, thanks.
37:22Go to the next day.
37:24I encourage you to be friends.
37:26You are a man of art.
37:28Yes, in my free time, I work with art,
37:31and in my rest, I have to protect myself.
37:33Let me show you.
37:50They are here for sure.
37:54You know what Rangel is doing?
37:59I want to go home.
38:15Our advice is very successful.
38:18Is there any idea?
38:19I work day and night.
38:20Yes, exactly.
38:22Our community decided to make a memory of Boyko Borisov.
38:27Are you serious?
38:30The premier deserves this honor.
38:33Do you think so?
38:34I don't care about politics.
38:37And we don't care about politics,
38:39but the politics is interested in us.
38:42How long will it be?
38:43What's the difference?
38:44I don't care about it.
38:45I'm going to take a look at the premiere here.
38:47I'm going to take a silicone-off on the head and the head.
38:53It's absurd.
38:55What's the picture?
38:57Of the picture?
38:57Of the picture?
38:59Of the picture?
39:00I'm going to take a look at the picture.
39:02I'm going to take a look at the picture.
39:04The thing is important is to be aware of who you are.
39:07And how many will it be?
39:09100 000.
39:12How?
39:12100 000?
39:13We don't have more than 50.
39:18For 50, I can make a buster.
39:24Buster?
39:26He's our premier.
39:29And yours.
39:32It should be for two weeks.
39:35I can make a buster for 50, but not small.
39:42Okay, let's make a buster.
39:45But the head is not too small than 2 meters.
39:49There's no buster.
39:51That's why it's unique.
39:55Very bien.
39:57I'll do two days.
39:58Skits?
40:00Yes.
40:02The project is done and start.
40:04Yes, I just want to say that this project needs to be full of secret.
40:09Very important.
40:18And how do you do it?
40:19And what if it is?
40:21I'm just saying that it is.
40:22And if it is, and if it is not, the statue must have.
40:26But if the premier knows,
40:28that the statue is made by a sculptor,
40:30that the statue is...
40:31...
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