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Igra sudbine - 1735 epizoda NOVO

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00:00The truth is the truth.
00:12I'm not sure why this is not true.
00:18I'm not sure why this is fine.
00:21I'm not sure why this is a bad person.
00:23I'm not sure why this is the truth.
00:23Why not?
00:23He's a serious businessman,
00:25but he can't hold all the ends in his hands.
00:28I understand.
00:28Do you know what is wrong with that?
00:29What?
00:30That we always see who is such a man.
00:37What is this?
00:40This is a real chance to talk without delay.
00:45Wait, you bought the whole local.
00:48It's necessary to talk about it.
00:52There is always a problem.
00:55I decided to solve all the problems.
00:58I understand, Ivana. It's not easy.
01:00You have to find good for it.
01:03I don't know what else.
01:05How will she accept it?
01:07She will accept it.
01:09Olga is strong.
01:10She is much stronger than you think.
01:13Ivana, everything will be a support.
01:16Believe me, don't care.
01:20Good day, good home.
01:22Where are you, mother?
01:23Where are you, brother?
01:26Hello, son.
01:27You remember that you have a house
01:29and your mother's house, right?
01:32What's that, mother?
01:34What do I need to do?
01:36To get up with my eyes and get up with me?
01:38Okay, I don't need to.
01:39I can just tell you...
01:44What are you doing, boss?
01:49Why are you doing so that?
01:51What are you doing?
01:52I go to the city's parks and search him.
01:54What do you want to do?
01:55I don't think you are going to go.
01:56I don't think you got to go.
01:57Where did you send him?
01:58I'm going to go there.
02:00I don't want him to go.
02:02I don't want him!
02:02I'm innocent!
02:05That's why I am told you why I wanted to be.
02:07Ah, okay.
02:11Let's give it.
02:12What to give it to you?
02:13Let me give it to you.
02:15That's our relationship,
02:17picanteries,
02:18suffering,
02:18all that is clear.
02:20That's right.
02:21That's right.
02:22That's right.
02:23That's right.
02:23You'll get money, of course.
02:25But that's not the whole conversation
02:27that we've had.
02:27We've had one more
02:29final part of the conversation.
02:31Yes, but we didn't have anything
02:32to talk about
02:32the final part of the conversation
02:34of your desires.
02:35I can't.
02:36I can't.
02:38I can't.
02:39I can't even find it.
02:40That's right.
02:43That's why
02:46light
02:47light
02:48eyes
02:50that
02:51see the reality.
02:55Do you see me
02:56in that reality?
02:57do you see?
02:58That's a right.
03:03Do you see me?
03:09In that 3 years,
03:12I know you have to hear it.
03:13what you see?
03:15For you?
03:17Do you have a voice?
03:19With the some of the questions?
03:20And I know you don't have a voice,
03:22Let me,
03:22Let me hear it.
03:35What do you want from me?
03:39You need me, but not drinking. You need me to be tired. Not only for our night games.
03:49But I really have, I mean, I have the best friend of mine.
03:53And I thought that I was born in the morning.
03:55I was in the Salašu.
03:57It was just from the city and I can't reach that meeting.
04:02I really don't understand why it's not a conviction.
04:05Did you hear about that sentence?
04:08A man is holding a word, a man is holding a rod.
04:12Vulička must say that you didn't present as a police officer.
04:19I'm sorry.
04:22Is that true?
04:23Well, I know that it's not true, but let's be true.
04:30You understand?
04:30And you have to be present and answer the whole story.
04:35But Relja must say that this thing is called a pistol.
04:39Not knowing if you're a police officer.
04:42Okay?
04:42So, yes, yes.
04:43You need me to engage.
04:45Let's go.
04:50Let's listen.
04:51Yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes.
05:11Sometimes it's better, but often it's not bad, and everything is not bad, but it's not bad, but you have
05:35one life, only one chance to become no one.
05:41You have one life, only one chance to become no one.
06:35You have one life, only one chance to become no one.
06:45I don't understand, Vito Mira, what would it mean?
06:49It would mean, Vanja, now or never.
06:53I don't like it.
06:54You have one life, only one chance to become no one.
07:45You have one life, only one chance to become no one.
07:52You have one life, only one chance to become no one.
07:55You have one life, only one chance to become no one.
07:59Well, I think he's a good friend.
08:03You have one life, only one chance to become no one.
08:04Yes, yes, but I never let him go for a long time and never let him go for a long
08:09time.
08:10Never, never.
08:12I don't know what to do.
08:13I don't know, you have to do it.
08:14You have to do it with his friend.
08:16You have to do it with his friend.
08:16Well, well, how did I do it?
08:18How did I do it?
08:19I have to do it with his friend.
08:20I am the only friend.
08:22If I ask him, I don't know anyone else.
08:24Or I do not know anything else.
08:26I?
08:26What do you do now?
08:27I don't know.
08:28I don't know.
08:29I just don't know that I can sit here with my hands and do nothing else.
08:32I don't know that I can do nothing.
08:33Well, I will take the middle of it.
08:37Well, I will take the honor.
08:38I will take the honor.
08:39I will take the honor of my husband.
08:41I will take the honor of my husband.
08:43You know what I mean?
08:44You would take the honor of my husband.
08:46I don't really see the other option.
08:50You are completely right.
08:54What? You are absolutely right.
08:57He drank, ended up in a car,
09:00the phone was removed, and that's it.
09:04What if he's not alive anymore?
09:05No, no, no. You are absolutely right.
09:08If he doesn't appear until tomorrow, I'll be back.
09:12That's it.
09:14I pray, Milana, if someone is speaking,
09:17if you know anything, just move me and tell me again.
09:19Of course.
09:20Of course.
09:24Nobody says anything until we know anything.
09:26Ok?
09:52What? You won't say anything.
09:55What?
10:01You look like you're not sure you're waiting for a long time.
10:03What?
10:04What?
10:06What?
10:16What?
10:20What?
10:22What?
10:26What?
10:34What do you mean?
10:39Listen, neither a lawyer nor a lawyer will not have any love for you when they see your document.
10:52What is the problem with your document?
10:56Why?
10:58It's different, common, like a Russian novel.
11:09I'm really surprised.
11:13It wouldn't be bad if you're a little surprised.
11:18You know what?
11:19It would be good for you, because I like to be a very unpleasant opponent and a very pleasant partner.
11:35You don't need to be a partner, you know?
11:40Maybe you should be thinking about everything.
11:43What?
11:44Well, I can give you...
11:53...some variant that would be your help.
12:14Come on.
12:46You know what?
12:47You know what?
12:50You know what?
12:51Okay?
12:52Okay.
12:55What happened with Vitomira?
13:00Vitomir changed the plot, son.
13:06He said he wouldn't wait for our physical contact after listening, but I would have to do it again.
13:25You don't need to fight.
13:28You need to fight.
13:29Not at all.
13:30Don't fight.
13:34Don't fight.
13:36Don't fight.
13:37That's it, you left with Vitomira.
13:44I'm going to leave you alone.
13:48I'm going to leave you alone.
13:49Anja.
14:06I'm going to leave you alone.
14:10I'm going to leave you alone.
14:15I'm going to leave you alone.
14:19I'm going to leave you alone.
14:21I'm going to leave you alone.
14:22What is your answer?
14:28Very clear.
14:30Very clear.
14:33You're stupid than what I expected.
14:38I'll tell you what I'm going to do.
14:40I don't know what I'm going to do.
14:40No.
14:46Your answer is probably going to look at some American film.
14:54Can you tell me what you're waiting for?
15:00I don't know what I'm waiting for.
15:02I'm going to leave you alone.
15:04We didn't understand.
15:06We didn't understand.
15:11You don't understand.
15:12You don't understand.
15:13This next fight will be something completely different than what you've experienced before.
15:19That will be a little revelation.
15:23I don't know.
15:24What happened?
15:26I don't know.
15:28I'm going to leave you alone.
15:30There are some teams.
15:30Some police officers, some police officers, who will make you a nightclub.
15:36I'm going to be angry.
15:38And tomorrow, it's bad if you understand what you want.
15:42I'm going to tell you.
15:44Daniela.
15:50I'm going to leave you alone.
15:52There are hundreds of Grkljans.
15:55No one will help you.
15:57The dogs are in the caravan and go.
16:02Yes.
16:05I have decided and took him.
16:07Petroviću!
16:12Take the gentleman and take him to the place where he is.
16:36Go, go.
16:37A man told me, bring her.
16:38Go, keep you quiet.
16:40A man told me that you refuse to cry.
16:43A man told me that you refuse to cry to the people.
16:43A man told me that you refuse to cry.
16:44What are you saying?
16:45I feel I'm wasteier.
16:47Don't do that!
16:48Stop laughing!
16:49You don't want to cry!
16:51No one wants to use it. You don't have to use it. You have to think about it.
16:53You have to use it to get what you want.
16:58No, I'm so angry.
17:00What are you?
17:01I'm so angry.
17:06Now, calm down.
17:11I just did this.
17:12I just did it.
17:15To have something else you want to think about.
17:21Let's relax.
17:24Listen to me.
17:27Vitumer will go to the firm.
17:30You need to think about it.
17:32You want to talk about it.
17:36You want to become the new director of HR.
17:43Do you understand?
17:47To.
17:49That's why you should have
17:52the moment,
17:54the moment,
17:55the moment,
17:56the moment,
17:56the moment,
17:57you never forget.
18:00What?
18:02Come on.
18:08Let's move.
18:10Come in here,
18:11let's take a step.
18:16What?
18:18I'll just ask you,
18:20when you're back,
18:21bring me a drink.
18:24Who?
18:27Go?
18:51Tell me, Petrovich, tell me!
18:54I'm a little girl!
18:55Where are you?
18:56Where are you?
18:56Where are you?
18:57Can I go?
18:58Go and sit.
19:04We have a problem.
19:06What problem?
19:08Mila is gone.
19:10Can I ask?
19:11Yes.
19:12No one sees it and we don't know where it is.
19:15Wait.
19:16What's gone?
19:17It's so nice.
19:18It's gone.
19:19I told you that you don't see it on the phone and no one sees it.
19:21It's nice.
19:22It's gone.
19:22It's gone.
19:23It's gone.
19:24It's gone.
19:26It's gone.
19:27It's gone.
19:28When did he have it?
19:30Before one day.
19:33Look, Kaja.
19:35Mila is a grown man.
19:37He is a reasonable, reasonable, accurate, real and so on.
19:39He will be speaking very quickly.
19:42He won't be speaking.
19:43He will be speaking.
19:44He will be.
19:44I have to tell you something.
19:46Tell me.
19:48I care for his life.
20:07I know.
20:07He's a man.
20:07He's a man.
20:10He's a man.
20:10He's a man.
20:12He's a man.
20:13He's a man.
20:15He's a man.
20:15He's a man.
20:17He's a man.
20:18He's a man.
20:19He's a man.
20:20He's a man.
20:20He's a man.
20:20I don't tolerate the correctness when I say, come here, come here, come here, come here.
20:26Yes.
20:28Let's go.
20:32So you don't go as your friend Max.
20:35I don't know, you don't have to repeat it.
20:39So you don't go as a bear with the city.
20:45Yes, you won't repeat it.
20:49Sorry, I'll give you some warm whiskey and two nuggets.
20:52No, no, no. You don't drink at all.
20:56For him, you can only drink milk.
21:01Man, you need a faster head.
21:07We have a problem.
21:10Okay, tell me, what is the thing?
21:15Mariela and Daniel are together.
21:19No, no, no, no, no, no, no.
21:51Good morning.
21:53Good morning.
21:54Good morning.
21:55Good morning.
22:21You're welcome.
22:23You're welcome.
22:23That's right.
22:23Yes, I'm sorry.
22:26I don't want you to...
22:26Is that something happen?
22:27Can you go straight ahead and send him that way?
22:31No, it's better to ask you instead of me and not to say that I'm coming.
22:35Why?
22:36Why?
22:37I mean, you know, you're complicated.
22:39How? How?
22:40You were there?
22:42No, I didn't have to tell you.
22:43What did you do here?
22:45Let's go.
22:46Okay.
22:54Wait a minute.
22:58They were captured.
22:59Why were they captured?
23:01Well, the children, after the end, they went to the office with the police.
23:06They were killed.
23:09In the office with the police?
23:10Mm-hmm.
23:11I mean, it was a pretty good job.
23:13Okay.
23:15But there are a lot of people around it.
23:17It's not that much.
23:18I didn't call you the other.
23:20It's not that much.
23:21So, we got into contact with Relja.
23:26Over our people.
23:27Okay.
23:28In the office.
23:29And we asked him if he needs something.
23:32Okay.
23:32What he needs.
23:33I'm here.
23:33No problem.
23:34Okay.
23:34I asked him if he needs something.
23:37What he needs?
23:38He said that he needs to be careful of a woman.
23:41Xenia.
23:42No problem.
23:43I will find someone who will do that.
23:44You won't find anyone.
23:46You will find someone who will be you.
23:48You.
23:50You.
23:51You.
23:51You.
23:51You.
23:51Wait.
23:52Wait.
23:52Wait.
23:53What are you talking about?
23:53No.
23:54I'm a mother.
23:55I'm not a home support worker.
23:59I don't care what you think.
24:01What you do.
24:02If I say you do.
24:04Then you do.
24:05What you do.
24:06Your job.
24:07To care about Relja.
24:09The girls.
24:10Xenia.
24:10To be here.
24:12For whatever you need.
24:15Food.
24:16Food.
24:17There will be plenty of care, everything.
24:20Are you still there?
24:22Come on, you can go.
24:41You told me, Kajo, why would you fear him?
24:45No, he didn't make any nonsense.
24:48I haven't thought about it yet, but when I was sitting there, I think it is.
24:57What happened?
25:02Vukashina had a situation with a criminal.
25:07Tell me exactly what happened.
25:09I think it was a problem.
25:35I think it was related to the whole situation and that kind of thing.
25:40That's it.
25:41That's it.
25:42Now it started to be a lot more serious.
25:46So, now tell me again when you saw him last time.
25:49And tell me everything you know.
25:52Vukashina, I saw him last time before.
25:55Who is that criminal?
25:58I don't know.
26:00I think he was there.
26:02He was there.
26:03He was there?
26:04He was there.
26:06He was a young man.
26:07He was called Relja.
26:08He opened it to me.
26:10I, of course, I have not had a seizure.
26:15I did not really wish him to give a sign.
26:17Is that him?
26:18Yes!
26:19Yes!
26:19That's him!
26:20Why do you know him?
26:21Where does he take his photograph?
26:22It's like this.
26:25Tell me...
26:26Is it sure that it's him?
26:28Sure?
26:42Director, the lady was looking for you.
26:44The lady...
26:46Okay, it doesn't matter.
26:47I mean, I was looking for you.
26:49I looked for you because of me.
26:51Mileta.
26:52Milena, is everything all right?
26:54Yes, it's not all right.
26:55No, I'm not.
26:57I'm working for Mileta and that's why I'm here.
27:00Okay.
27:03I know that it's been a long time for me,
27:05because of all the things I did,
27:08because of all the things I did,
27:08and because of all the things I did,
27:10and I said...
27:11Okay, it's not time to talk about such things.
27:16I know that it's not time to talk about,
27:18but I was stupid,
27:19and I think...
27:21It's not time to talk about that.
27:22Okay.
27:23What's going on then?
27:24What's the question?
27:26Mila is dying.
27:27He doesn't know.
27:28He doesn't know.
27:28It's very difficult.
27:30She doesn't know.
27:32It's very difficult.
27:39I don't know what it is.
27:40Okay, please tell me how do you know
27:42you're relating to its own.
27:42Where do you feel of a photograph?
27:44It is a criminal who was arrested yesterday at one action in Belgrade.
27:51He was arrested?
27:52Yes.
27:52Why?
27:54Well, because of the shooting of the gun, the police officers, the police officers.
28:01He doesn't care about anything.
28:02He certainly wasn't there for him.
28:05How do you know?
28:06I was arrested.
28:08I was arrested.
28:09Where is he?
28:09Where is he?
28:11If Rega has no connection with Milet, I will be aware of it today.
28:17We will be arrested.
28:19We will be arrested.
28:21Okay, Lukashine.
28:22Just ask me, what do I do now?
28:24How do I find him?
28:25I don't know anything.
28:26Come on.
28:26Come on.
28:27I would like to go home now.
28:29Come on.
28:31I will be able to take Rega from the prison.
28:35I will ask him if he has no connection with Milet.
28:38I will not be aware of it.
28:40Okay.
28:41Just to know that I have a very bad feeling.
28:43No.
28:44Don't worry.
28:44In such a dangerous situation, I'm going to judge me.
28:49I ask you, whatever you want to know, it's just me.
28:51It's true.
28:52I understand.
28:55Let's see.
29:03Let's see.
29:06I am sorry.
29:07I have to think of you.
29:09That would have been the problem.
29:24I don't have to go away with it.
29:24And at the end of the day I was going to stop.
29:27They said I'm wrong for everything and I'm going to die.
29:30No, no, no. That's not the scene in the film.
29:33They took off and took off the pistols, one of the other,
29:39and no one will die.
29:40No one will not stop the tension.
29:44It's time to stop.
29:48You were very brave.
29:50What kind of brave?
29:53I didn't get any damage or...
29:58I don't know.
29:59I don't know how to describe it.
30:02I came to the end of the day,
30:04but it was a real tough situation.
30:08It was so angry and angry.
30:11He was very angry.
30:14And his eyes were so angry.
30:17He wanted us to kill.
30:20I was very angry that I invited Vukashina to talk about this story.
30:26But, Panchi, he didn't have to be able to do it.
30:28How many of you helped us?
30:32I hope that this guy will get someone stronger later.
30:37And I hope that we will be free.
30:40I hope.
30:41I hope that you are still in shock.
30:44It's possible.
30:45It's possible.
30:46It's possible.
30:46It's possible.
30:47I don't know.
30:48I don't know.
30:49I don't know anything about myself.
30:51Sorry.
30:52I couldn't help you.
30:54I couldn't help you.
30:55What could I do before so many people?
30:58It's all happy.
30:59It's all happy.
31:00It's all happy.
31:01It's all happy.
31:02Sorry.
31:04Sorry.
31:05I had some private friends.
31:09What happened?
31:13Nothing.
31:14Don't let go.
31:16Don't let go.
31:18Don't let go.
31:18Don't let go.
31:20Don't let go.
31:22Don't let go.
31:25Don't let go.
31:30Don't let go.
31:44Don't let it be like ever.
31:45What happened?
31:51Taiji Talks
31:52In English
31:56Milano, sorry.
31:57I don't know where Mila and I expect us back on the studio noch.
31:59So, if you come, I'll show you.
32:01Thank you. Thank you.
32:03I have a lot of work.
32:05Of course. I understand.
32:08Thank you. Thank you, girls.
32:10See you.
32:12See you.
32:13I expect you in the meeting later,
32:17and then we'll finish the interview.
32:19That's right.
32:19What happened?
32:23You saw this?
32:25It's magic. What is this?
32:28I don't know what it is.
32:31I don't know what it is.
32:32What do you think?
32:33Is it going to be a little bit like
32:34a black woman looking at the show?
32:36Is it going to be some rituals?
32:38I don't know.
32:39What is it?
33:16What is it?
33:18What is it?
33:21Let's go.
33:23You're here.
33:23What is it?
33:26What?
33:27We're playing with a police officer
33:30and a criminal officer,
33:31and we know that we'll be here
33:33for a few days.
33:35Yes.
33:37You're right.
33:39But...
33:39You're right now.
33:41You're right now.
33:42You're right now.
33:45You're right now.
33:47I have to ask you a few questions.
33:50You're right now.
33:52You're right now.
33:55You're right now.
33:55What do you have to do with Miletum Kupus?
33:59Miletum?
34:00Milet Pisarov.
34:02I call him Kupus.
34:03You talked to him before.
34:04In the cafe.
34:05You're right now.
34:06Oh...
34:06That, Milet.
34:09I know him.
34:10I'm going to visit him
34:12as soon as we go out of here.
34:14As soon as I find the devil,
34:16because he escaped
34:17somewhere,
34:17and what he did.
34:22Can you tell me
34:23what exactly happened?
34:25He's in front of me.
34:28This...
34:29...fraer...
34:31...fraer...
34:31...fraer...
34:31...fraer...
34:32...fraer.
34:33Why don't you give up my wife
34:34while I'll be here if I'm in a third?
34:36Do you agree?
34:36Na'aw, man.
34:37I'm so happy, brother.
34:38We're keeping it home.
34:39No, we're no other than we.
34:40We'll see you next time.
34:42We won't be good.
34:43No, no.
34:44Let's get out of here.
34:45Go, don't go, man.
34:46Go, don't.
34:48You'll have to have a second one.
34:51Go, don't win.
34:52Go, don't win.
34:52You'll have to have a second one.
34:52Go, don't go, just let's go.
34:56Go, don't go.
34:58Go, don't work.
35:00Go, don't go, don't go.
35:01Go, don't go.
35:01Go, don't go, man.
35:02What is it?
35:03Only because of you.
35:07But you are so sweet.
35:15It could be very bad to end with him.
35:18But his happiness is because his wife is half a half.
35:23And I...
35:24I like to lie and laugh with his wife.
35:28You know what?
35:31You know what?
35:34You are so sweet.
35:36You are so sweet.
35:36You are so sweet.
35:40You are so sweet.
35:42You are so sweet.
35:42You are so sweet.
35:44But I don't expect you to be so sweet to him
35:46when we go out and find him.
35:53What do you think?
35:53You are so sweet.
35:55You are so sweet.
35:58You are so sweet.
36:00You are so sweet.
36:00You want to be like a mom?
36:04You are so sweet.
36:06You are so sweet.
36:07You are so sweet.
36:10You are so sweet.
36:21You are so sweet.
36:30You are so sweet.
36:37You are so sweet.
36:51What are you talking about, Mido?
36:56What will you do?
36:58Life?
36:59And the sadness is when you go hand under hand.
37:02It has broken the pancetta.
37:04Okay.
37:06How can we help?
37:19I don't know.
37:20Goran, later.
37:21And Mile?
37:23I did not know you.
37:25Maybe I did not know you.
37:27Why?
37:28How much you don't feel.
37:30I'm telling you that I'm going to die.
37:34Ok.
37:35That's not true.
37:35Well, from K.A., he doesn't want to get away.
37:38No, it's not.
37:39What?
37:40Well, we don't care about it. Let's focus on you.
37:43Come on, girls!
37:59Bye.
38:05Grkljen me je poslao da ti prenesem poruku.
38:19Dobro, mislim da smo dovoljno čuli i sve ovo što je rekao sami ti možemo da završimo sa ovom sagom.
38:28Gala, slobodno mogu da kažem da je sve ovo...
38:46...zva ovo što je vsi prenesem poruku.
38:49Dovro, mislim da mi kaže, znam ja da si preča.
38:56Poznaval sam tu voda.
39:12You can't do this anymore.
39:15It will be easier for you.
39:18I don't want to lie. I don't want to lie.
39:34I don't want to lie.
39:35I know you made it. You made it.
39:37You made it. You made it.
39:39You made it.
39:39I don't want to lie.
39:41I don't want you to go to the profession.
39:45You talk about the borders.
39:47You talk about the profession.
39:48You're welcome.
39:50We're here.
39:53We're here.
39:56We're here.
39:59We're here.
40:00We're here.
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