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Igra sudbine Epizoda 1736,Igra sudbine 1736,Igra sudbine 1737,Igra sudbine Epizoda 1736, Igra sudbine Epizoda 1737,Epizoda 1736 Igra sudbine ,Epizoda 1737 Igra sudbine
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00:00The End
00:14What? I won't talk about it.
00:18No, what?
00:23You look like you're not sure you're waiting for a long time.
00:31Potezanje, pištolje, na policajci, to je ozbiljno krivično, ozbiljno.
00:45Did you hear him?
00:47With who?
00:48With Milena?
00:48Not with my dad, Milena.
00:50With who you hear?
00:51Well, of course you hear him. Did you hear him or didn't you?
00:55Didn't you?
00:56Yes, and I, too. I'm unable to do this all the time.
01:01That you're not going to do this all.
01:03It's not going to be your friend, Maximo.
01:05I don't know. You don't have to repeat it.
01:08And you don't have to be like a miss in town.
01:13Not to be like a miss.
01:13You may have to be on the town.
01:15Yes, you can't repeat it.
01:19Sorry, you'll give me a special whiskey and two balls.
01:22I don't know anything about this camera.
01:24I don't need to work with you.
01:26Why?
01:29Maybe you should think about everything else.
01:33And what?
01:36I can give you...
01:43...some option for help.
01:53Go ahead.
02:01What do you think?
02:04Did you see someone else?
02:06I don't know.
02:07I was...
02:08I was...
02:10I was wrong.
02:11God, I'm going to be nervous today.
02:17Good day.
02:18Good day.
02:20Do you have Alex here?
02:21I'm the director.
02:22You're the director.
02:23You're the director.
02:23I'm the Milena Pisarov.
02:26I don't want to meet you with Alex.
02:28I don't understand.
02:30Are you going to go to the director or not?
02:32What are you doing?
02:34I'm so crazy.
02:35What are you doing?
02:36I'm so crazy.
02:39I'm so crazy.
02:41Come on.
02:46I'm so crazy.
02:47I'm just doing it to...
02:50...to you have something else to do.
02:56I'll try.
02:58And listen to me.
03:01The one who will go to the hotel today.
03:04You need to be able to do so.
03:07He will tell you everything against him.
03:14And you will become the new director of HR.
03:18Do you understand that?
03:21Hello, Lukashina.
03:22Where are you? Where are you?
03:24Can I go?
03:25Go and sit.
03:30We have a problem.
03:32What problem?
03:35You were very brave.
03:38What kind of brave?
03:40I got some damage or a nerve loss.
03:45I don't know. I don't know how to describe it.
03:49I came back a lot later,
03:51but it was a real tough situation.
03:55It was a miserable situation.
03:58A lot of pain.
03:59It was a terrible situation.
04:01And his eyes were so angry.
04:04He really wanted to kill us.
04:07I was very scared that Lukashina was involved in this story.
04:11I don't have a problem. I will find someone who will do it.
04:13You won't find someone who will find it.
04:15You won't find someone who will find it.
04:17You won't find it.
04:17You won't find it.
04:19You won't find it.
04:21You won't find it.
04:22You won't find it.
04:22You won't find it twice.
04:28I don't care what you think of it.
04:31If I say you do it,
04:33you will do it,
04:34you will do it too.
04:35You can tell him what happened.
04:37You won't find it.
04:38He was so angry.
04:40It was very bad for me to end with him.
04:43His joy is that
04:44his wife is half a half.
04:47And I
04:47I want to lie
04:50with the girl's funeral.
04:52I don't care.
04:53I don't know.
05:23I don't care.
05:52I don't care.
06:39I don't care.
06:52I don't care.
07:00I don't care.
07:03I don't care.
07:08I don't care.
07:38I don't care.
07:41I don't care.
07:41I don't care.
08:11I don't care.
08:15I don't care.
08:39I don't care.
08:42I don't care.
09:09I don't care.
09:19I don't care.
09:40I don't care.
09:57I don't care.
09:57I don't care.
09:59I don't care.
10:01I don't care.
10:02I don't care.
10:05I don't care.
10:15I don't care.
10:18I don't care.
10:31I don't care.
10:43I don't care.
10:58I don't care.
10:59I don't care.
11:10I don't care.
11:13I don't care.
11:14I don't care.
11:15I don't care.
11:17I don't care.
11:19I don't care.
11:23I don't care.
11:24I don't care.
11:26I don't care.
11:27I don't care.
11:27I don't care.
11:28I don't care.
11:30I don't care.
11:31Okay.
11:32Let's go.
11:33Let's go.
11:33Let's go.
11:48Let's go.
11:50That's a long story, dear.
11:53I don't care.
11:54I don't care.
11:55That's a long story in the world.
11:58Tell me.
11:59I know what happens.
12:06That's a long story.
12:10I don't care.
12:11It's not a long story.
12:11We are suffering from her most close friends.
12:13I can't ask you.
12:16I can't ask.
12:16I can't ask you about it.
12:17Where is she?
12:20They did some work there in the Dominican Republic.
12:25They came there and said,
12:27a little bit of a speech, a little bit of a speech,
12:29a little bit of a speech,
12:31and it became a war.
12:34They killed them.
12:36What are you talking about, Mido?
12:42What will you do?
12:43You know, life.
12:44And sometimes it's a shame to go hand by hand.
12:47Okay.
12:51How can we help?
12:54No.
12:55No time.
12:57Time will be able to get rid of it.
12:59Certainly there is something that we can do.
13:04Yes.
13:05You can find it.
13:07You can help you a little bit with your work.
13:09Not in the same way, but in the same way.
13:11You don't want to remember
13:12that you are supposed to do it because of it.
13:17You will be able to get rid of it on your heart.
13:22That is understood.
13:23That's why we are here, one for the other.
13:26All for our country.
13:29Do you know how much we are happy
13:31and how happy are you
13:33that you are in our lives.
13:36You are here.
13:43I'm going to take care of it.
13:45Let's go.
13:46Let's go.
13:47Let's go.
13:49Let's go.
14:17Let's go.
14:21Let's go.
14:26Let's go.
14:28Let's go.
14:53Let's go.
15:01Let's go.
15:05Let's go.
15:08Let's go.
15:12Let's go.
15:15Let's go.
15:16Let's go.
15:16Let's go.
15:17Let's go.
15:18Let's go.
15:19Let's go.
15:22Let's go.
15:24Let's go.
15:25Let's go.
15:35Let's go.
15:39Let's go.
15:41Let's go.
15:43Let's go.
15:44Let's go.
15:45Let's go.
15:46Let's go.
15:47Let's go.
15:49Let's go.
15:50Let's go.
15:52something special, something that will help you all who are free,
15:57and God, and you who are not, for what is said, never know.
16:02So, the topic of my today's live is how to convince you,
16:08how to use all your women's hatred so that he is totally stupid.
16:15The first step to this is to focus on
16:22a little girl, it has to be enough, so don't mess with you.
16:25No, no, no, don't stay from your phone,
16:27because I'll be back to you,
16:29and I'll find you the secret of the great maestro.
16:33I'll be back to you.
16:35I'm coming, little girl!
16:41Hey.
16:42Hi.
16:47Grkljen me sent to you to ask me.
16:49I'll call you, Relia is kidnapped and nothing from that
16:54can be completed on social networks, is it clear?
16:58How is she kidnapped my baby?
17:00I don't know, I don't have any more information.
17:02I know I'm working on the way to get him out of the way.
17:04I'm going to get him out of the way.
17:07How do you need to let him quickly?
17:10I'm sure.
17:12Wait, wait, wait. Where are you going?
17:15You don't see how hard it is?
17:17Sit down a little to me.
17:20Come on.
17:22Sit down.
17:26Come on, come on.
17:29Let's go.
17:30Let's go.
17:30Let's go.
17:33Let's go.
17:35Let's go.
17:43Dear friends, here we are again with you.
17:48So, this list I mentioned was more interesting.
17:54I prepared a surprise.
17:57The question of a statistic with a task
18:01that will help me today to explain all my tricks.
18:09No, you don't shoot me.
18:11Let's go quietly.
18:13Breathe, breathe, breathe, breathe.
18:16There is no reason for fear
18:18because you are, dear dear,
18:21in your hands.
18:47What about you?
18:52I thought we were expecting someone else, not to you.
18:52My pleasure, I'm here again.
18:53of the company.
18:55What do you do?
18:58I was talking about myself
19:01and I was talking about some things
19:04that I've been deeply
19:05and I was thinking about
19:08that I've been doing
19:09a lot of mobbing.
19:11What kind of mobbing?
19:12I was talking about
19:14a lot of mobbing.
19:15I was talking about
19:16a lot of mobbing.
19:18I was talking about
19:20a lot of mobbing.
19:21I was talking about
19:23a lot of mobbing.
19:23I was talking about
19:25what you're talking about.
19:27If you can,
19:29if you can,
19:30if you can,
19:31I'm here to tell you what I have.
19:34Of course.
19:37As you know,
19:38before this company,
19:39I worked in the magazine
19:41as a writer,
19:43as a writer,
19:44and as a writer.
19:45I was a writer
19:47and at that time,
19:49I suffered a lot of mobbing
19:51from this lady
19:52and the constantly
19:53of the young lady.
19:56It wasn't an ordinary mobbing.
19:58It was a mobbing
19:59of sexual nature.
20:01You can say that
20:02I was a sexual mobbing.
20:03It was a sexual mobbing.
20:04I was a male
20:06and I was looking at
20:06a corner of my eyes
20:08and why I was no longer
20:11taking the attention
20:12but I decided
20:15to come here
20:16and talk to me.
20:17Get it!
20:19I'm not going to kill you.
20:20I'm not going to kill you.
20:29Tell me, tell me what you do.
20:35Do you want to tell me?
20:38Do you want to play with the chef girl?
20:43I pray.
20:44Do you want to play with the chef girl?
21:23Do you want to play with the chef girl?
21:41Do you want to play with the chef girl?
21:44Do you want to play with the chef girl?
21:46Do you want to play with the chef girl?
21:50Do you want to play with the chef girl?
21:52Drage dame,
21:54kao što smo rekle,
21:57lepo se sredite,
21:59obucite,
22:00našminkajte i
22:02direktnom linijom ka vašem muškarcu.
22:05Vidimo se uskoro,
22:07vaša Ksenđa.
22:09Jožiša Ksenđa.
22:23I want to play with the chef girl.
22:24I want to play with the chef girl.
22:24Tada se smirim!
22:25Kako te sramota nije!
22:26Džubre jedno!
22:27Sedi,
22:28molim te.
22:28Gala, sedi!
22:33I know. You made it. You made it. You made it. You made it all. You made it all.
22:37I'm sorry. I'm sorry, Gala. I'm sorry. You don't go to the edge of the profession.
22:44You talk about the edge of the profession. You talk about the profession.
22:48You look at what you're doing. You put me on sex affairs.
22:53You look at the company. You look at what you're doing.
22:55That's not true.
22:58You know it very well.
23:00You're right. You're right.
23:02Who's paying? Who's paying?
23:04I'm sorry.
23:06I have to tell you that I have money for this.
23:10I'm not able to do this.
23:12I'm just able to get enough of it to get it out of me.
23:16I've had a lot of problems.
23:23I'm a lot of problems.
23:28Listen to me. There are no drugs that will help you when I get out of me.
23:32I'm sorry.
23:34Okay.
23:34I'm sorry.
23:35I'm sorry.
23:36I'm sorry.
23:38I'm sorry.
23:38I'm sorry.
23:38I'm sorry.
23:39I'm sorry.
23:39I'm sorry.
23:40I'm sorry.
24:04I'm sorry.
24:08You can't do anything you can do anything more.
24:12You can't do anything, it'll be easier.
24:15I don't know how to get rid of it.
24:18I don't know how to get rid of it.
24:21Just keep it, I ask you something.
24:23Is it possible you can't do anything you want to do anything?
24:26No.
24:27You see, it's a story.
24:30There's no reason for it, there's no place to go, you understand?
24:34What did you say to me?
24:37What did you say to me?
24:38Only then, there's no place to go.
24:41Do you understand what you've tried to tell?
24:44I understand.
24:46You're always trying to be remembered.
24:49No.
24:50Sorry.
24:52I know you want to help.
24:55I know, but...
24:57But?
24:59You don't want to.
25:01You don't want to.
25:03It's not a bad thing.
25:06I don't want to let me go.
25:09How do I go?
25:11Let me go.
25:12Yes.
25:12Let's just let me go.
25:14What do you say?
25:17What do you say?
25:19What do you say?
25:20What do you say?
25:25What do you say, I feel like it's no kind of sad.
25:27What do you say?
25:29I'm sorry, I don't want to go.
25:30There he is.
25:32And he is a pain.
25:34Yes, he is a pain.
25:38And he was crying and playing around me.
25:44And I had to leave him.
25:47Oh my God.
25:50Oh my God.
25:57Here he is.
26:13He is coming.
26:15He is coming.
26:15I understand.
26:16The impression of the company is a lot of questions.
26:19What are you talking about?
26:20My impression is my impression.
26:22My impression.
26:24I pray.
26:26Your attack is very narrow.
26:29I have to tell you.
26:30I have to tell you.
26:32Two partners were your own partner.
26:34They were told you.
26:35I have to tell you.
26:39two of us very well know each other, and I think that we are very well aware of him.
26:43What did Vito say, these are the most ordinary people.
26:47The man is instruistic.
26:49That's what I mean by the first one,
26:51I've seen him in that moment in my life.
26:54I don't see him.
26:55I don't know who he is.
26:56I don't know who he is.
26:57I don't know who he is.
26:58I don't know who he is.
27:01I don't know who he is.
27:03My experience with Vito is completely different.
27:05He had his own problems.
27:06He had his own problems.
27:08Okay?
27:10Did you understand that?
27:11What's up to me?
27:12He was correct, he was professional.
27:14You got paid for it.
27:16I know you.
27:16I know you.
27:17I am 100%.
27:19How do you say that?
27:21What do you want now?
27:22You want me to do it?
27:23You want me to do it?
27:24You want me to do it?
27:24What do you want to do it?
27:27I don't have anything to do it.
27:29I don't have anything to do it.
27:31I don't have any issues.
27:35I don't do it.
27:37I don't do it.
27:37Listen, good.
27:38Good.
27:39This is the last time I can tell you.
27:42You can't talk like that.
27:43You can't talk like that.
27:44You're the same.
27:45You're the same.
27:45Okay, enough.
27:46This really needs to be here.
27:50I'm sorry.
27:51apa mi je Gala,
27:52ali…
27:54moram da te sklonim sa …
27:56pozicije HR-a.
27:58I ostaješ, naravno, na mesto direktorke marketinga.
28:06What is it, Alexa?
28:09You mean you give me a gift now?
28:13No, it's not a gift, but I have to do it because of the company.
28:17I'm sorry.
28:22I'm sorry.
28:22I'm sorry.
28:24I'm sorry.
28:25I'll give you a hint.
28:27I'm sorry.
28:28I'm sorry.
28:29I'm sorry.
28:29No, that's all.
28:29a company where they are toxic, where they have a lot of nuclear damage.
28:35Well, I'm sorry if you think so, but I would ask you to think about it.
28:39Nothing. That's it.
28:49You're welcome, Alex.
28:51I'm really telling you, this is the only thing you can do to save the company.
28:56If you go to the public, you won't be able to save the company.
29:17What will I get from this piece of paper?
29:21This piece of paper.
29:22I'm sorry to read this piece of paper.
29:28Gorane, I was looking for you.
29:32I'm waiting for you.
29:34You see Mileta?
29:36Yeah, no.
29:37I thought he was going to be with me.
29:39I thought he was going to be with me.
29:41I thought he was going to be with me.
29:42I didn't see you tomorrow on the show for Galu?
29:46He won't be able to hide his face.
29:47I didn't see him?
29:48I didn't.
29:49I didn't.
29:50What do you mean?
29:52I don't know. I don't know.
29:55I don't know.
29:56That's not what you think.
30:01What is it?
30:04I think that Mile was going to be with some criminals.
30:08I know.
30:11I know.
30:13I know.
30:15I don't know what to do.
30:17Oh, Mile, Mile.
30:19I pray, I tell you what to do.
30:36I know.
30:39They are in the stars of the whole home, but they are.
30:43I'm going to get her.
30:54Come on, Mile.
30:55Come on, Mile.
30:57Come on, Mile.
30:58Come on.
30:58If you're not gonna be asking me what is going to say.
31:01Come on, Mile.
31:01I don't know what to say, but it's better to see myself.
31:06I think that these words are sufficient.
31:10Where is the Mancheta?
31:13It's in there.
31:15She's sleeping.
31:17She's not sleeping.
31:19She's crying.
31:21She's crying, she's crying.
31:24When I think that she's gone, she's crying again.
31:28I don't understand what she's crying.
31:30I understand.
31:32I can't believe this.
31:35I can't believe this.
31:37This is not true.
31:41What do you start with?
31:43Can you kiss me?
31:44No, no, no.
31:45No, no.
31:46I don't know.
31:47Nothing.
31:48I see how much you're crying.
31:56What will you say, Ivane?
31:59Life is it.
32:01We have to do this.
32:03Procleti.
32:06I don't know what you think.
32:09I don't know.
32:11Maybe I'm so crying.
32:14I don't know.
32:16But now it's time for the comments.
32:18Excuse me, Olga, excuse me. We have to ask you a little bit.
32:36Have you got pictures, huh?
32:39Do you have to tell me some new pictures? These are old pictures.
32:44You told me.
32:48I don't know how to tell you.
32:53I've known your father.
32:59Yes.
33:02He's always smart to avoid the public, for the difference between you.
33:09It's the most important thing to hear, that you're a dangerous man, that you're a criminal,
33:13that you go out and take pictures in newspapers.
33:17And what are you doing now?
33:20Nothing. Your father would do it differently.
33:22What are you doing now?
33:25I'm not talking about my father.
33:27Okay, okay.
33:28But you need to have a little paper, you understand?
33:31You know what?
33:32You understand that these things are not just stupidly, clearly, but the gospel-like and discreetly.
33:40I don't know who you are, who you are.
33:46I'm not a villain. I'm not a villain.
33:49Remember that. I'm not a villain.
33:53Did you understand me?
33:55I understand.
34:03But still,
34:06how do you ever think about it?
34:10You know where I am, you can come to any time.
34:14You know where I find you.
34:17In any time.
34:25Petrovic, see you in the smile.
34:28I'll bring him to his home.
34:55I hope you're aware that you didn't have a choice. I know how you value Galu, but the reality is
35:00different.
35:00I'm not a villain.
35:11I'm not a villain.
35:25I know.
35:27But everything will be fine.
35:28The collective knows the culture of this company.
35:31What a black culture of this company.
35:33We have a sexual scandal in Tokyo.
35:34You know how this can affect the brand that is.
35:37It's important to get the scandal to the origin.
35:41It's important to decide you for professionalism instead of emotions and friendship.
35:46We have another problem.
35:48Who?
35:54Let's go.
35:54It's not yet time to sleep.
35:57Did you hear it?
35:59Here we go.
36:00Here we go.
36:04Here we go.
36:07Here we go.
36:09We'll get away.
36:10But Ivan is there too.
36:17How is that?
36:29I don't know. It happened to me.
36:33Sorry.
36:34Sorry, we have to do this.
36:36I'm really sorry.
36:37I'm sorry.
36:38I'm sorry.
36:39I'm sorry.
36:40I'm sorry.
36:42I understand.
36:54What do you want to say?
36:55I want to tell you, Kajla.
36:56You want to talk about your own behavior
36:59because you're hurting your love.
37:01What do you want to say?
37:03You're hurting your love.
37:05You're hurting your love.
37:07You're hurting your love.
37:08You're hurting your love.
37:20You're hurting your love.
37:33There's another example of where we have been sent to you.
37:35We have all the good things we've talked about after this inquisition.
37:39You're right, you're right.
37:50Hey, people, as long as you can, do whatever you want.
37:54Just so you don't be dead.
37:55No, of course.
37:56And so we'll be able to get out of the radar.
38:00No, of course.
38:02We don't want to be able to get out of the radar.
38:05It's a lot of bad stuff.
38:19I'm not sure.
38:20For me!
38:27I can't see you!
38:30I can't see you!
38:32I can't see you!
38:54Pa, kako su mi momci?
39:00Pa šta ste se to ućutali?
39:02Ja došla da čujem vesti.
39:04Nadam se lepe.
39:18Nisam za to.
39:19E pa vidiš ja baš ja sam i mislim da treba da idemo šansu.
39:24To.
39:25Minim da si jednako već odluči.
39:37Ne ste još rekli?
39:39Ne još.
39:41Molim vas Ivone, reci to ja više ne mogu da čumam tajnu iz jedame.
39:45Marijana nije sad trenutak.
39:48Bi je uži sam tajna žena.
39:51Muzika.
39:53Muzika.
39:54Muzika.
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