- 9 hours ago
Your Friends and Neighbors S01 Episode 5 Engsub
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TVTranscript
00:10Say goodbye to your old-fashioned toilet and say hello to luxury.
00:16Introducing the Luxos MT, the world's most advanced luxury commode.
00:25It's going to change the way you think about the bathroom.
00:28Am I right, Cindy?
00:29That's right.
00:30It heats, it cleans, it deodorizes, it comes standard with Luxos' triple tornado flush system
00:37and it's smart home compatible.
00:39And here to tell us more about it is Luxos brand ambassador and three-time NBA All-Star Nick Brandon.
01:04Thank you, Cindy.
01:17Have you been in there? Because so far I can't argue with any of them.
01:20You have a string of successful businesses. Just tell us why toilets?
01:26Oh, instead of sneakers or tequila?
01:28Exactly.
01:29Because they've been done before.
01:30See, I always say why be late to the party when you can throw your own.
01:38Oh, speaking of party.
01:40Is that coming from there?
01:41It is.
01:42That's right. It's coming from the built-in Bluetooth speakers.
01:46Oh, no.
01:49Hey, hey, hey, hey.
01:51Hey, hey, hey.
01:52Show me what you got.
01:54Oh, no.
01:56Oh, no.
01:57Oh, no.
01:58See?
01:58Get it.
01:59Oh, no.
02:02So bottom line, the Luxos MT is going to change the game.
02:05Sitting on one of these is like a little vacation you can book for yourself every day.
02:09Nick Brandes, everybody.
02:11Oh, no.
02:17Oh, no.
02:18Oh, no.
02:19Oh, no.
02:19Oh, no.
02:19Oh, no.
02:22Oh, no.
02:22Oh, no.
02:23Oh, no.
02:24Oh.
02:25Uh.
02:27What are you doing here?
02:29I really love toilets.
02:32I'm working.
02:33I know.
02:33Look, I just...
02:36The party...
02:38It was a lot.
02:39I acted like an asshole.
02:41Yeah, no argument here.
02:43Hey.
02:46I'm so sorry.
02:49It's the last time I throw you a party.
02:49It's the last time I throw you a party.
02:55I appreciate you trying to take care of me, even if sometimes I don't know what to do with it.
03:06Well, I can't say you didn't warn me.
03:10No, you can't.
03:11Look, uh...
03:12I know this...
03:14Us, we shouldn't have happened.
03:16Or at least not the way it happened.
03:19I'm sure you have your regrets.
03:21Nick, I...
03:22No, no, no, no, no.
03:23I feel them.
03:24Believe me, I wish it had gone down differently, but, uh, just because it didn't start right
03:30doesn't mean it isn't right.
03:33This is real for me, Mel.
03:35Just wish you didn't feel like you have to try so hard.
03:38Yeah, that's what happens when you fall to the second round of the draft.
03:40You spend the rest of your career and life trying to make up for it.
03:44You don't have to do that with me.
03:51Do you have, like, a dressing room?
03:54Yeah, a nice one.
03:57Show me.
04:03Wait a minute.
04:16Oh.
04:18We're commotion, we're comming out commotion
04:29A paper shadow in a house of stone
04:35The wooden flag of a drifting dreamboat
04:40I never knew how far the ride was gonna go
04:44Till I look back at the smoke
04:48You can't keep up with the Joneses
04:53Don't wanna run for the roses
04:58I got my pocket opposing
05:03Sometimes I wonder why
05:06Sometimes I wonder why
05:08I just don't have the Joneses
05:13Don't wanna smell their dying roses
05:18I got my pocket full of pulses
05:23I don't keep up with the Joneses
05:45What am I looking at?
05:47I know it looks like somebody wiping off their brushes
05:50But this is a Lichtenstein
05:52I know who Lichtenstein is, you baron
05:54What I meant is why am I looking at a bad photo of it?
05:57Cause I wanna steal it
05:58I don't mess with art, neither do you
06:00Come on, jewelry and watches can only get me so far
06:03A score like this?
06:04Way more upside for the exact same risk
06:06Score? Who are you?
06:08James Caan all of a sudden?
06:10I'm sure you know someone that can move it
06:12Rocco, what's my policy on paintings?
06:15No paintings!
06:16These art guys, they're a different breed
06:18I'm telling you, they're savages
06:21The last time this sold at auction
06:24It went for over one million dollars
06:27That was seven years ago
06:29I've already been inside the house where it is
06:30I steal it, I replace it with a forgery
06:32Nobody knows the difference, easy
06:33How do you know it isn't already a fake?
06:35Because the guy that owns it probably bought it from Larry Gagosian personally
06:39He's an insecure narcissist
06:40His entire self-worth is wrapped up in what he owns
06:43He doesn't care that it's beautiful, he cares that it's real
06:46I know the type
06:49Come on
06:50I'll toss you an extra 10%
06:52You don't have to lift a finger, I just need the introduction
06:58I will have to lift a finger
06:59And for that I'll take an extra 20
07:01And if it goes sideways, I don't know you
07:04But you have to hear me now, you do this
07:06You do it the way I say
07:08Pickpock
07:09No improvising
07:10Yeah
07:11I hear you
07:12Say it
07:13Pickpock
07:14Smartass
07:15No improvising
07:19Okay, get out of my store
07:21I'll let you know when it's set
07:25I'll go
07:28So, it looks like we hit a shale shelf
07:31And what does that mean?
07:33Well, it means my guys are going to have to spend a few weeks breaking it up, pulling it out
07:37Well, can't you just dig around it?
07:40Yeah, sure
07:41If you want to move your entire house a hundred feet that way
07:44I'm kidding
07:45But I can't dig a foundation in a solid rock, we gotta pull it out
07:49Hey, Phil, where do you want this loader?
07:51Yeah, I'll be there in a minute
07:52So, just, Phil
07:53So, how much is that going to cost?
07:56Well, I can't give you an exact figure until we start demolition, see how far down the shelf goes
08:01Oh
08:02It's gonna be heavy machinery, possibly some blasting
08:04You're gonna blow up my backyard
08:05Well, not me, I'm gonna bring in some specials
08:08Ballpark, Phil
08:11How fucked are we?
08:15200 grand, give or take
08:18Okay
08:20Okay, maybe we should just press pause, you know, get a surveyor out, be checking with the architect
08:24We should maybe do that
08:25Well, hey, that's your call
08:27But if we stop work, I gotta move my guys to the next project in line
08:32That won't be necessary, Phil
08:34Email us the quote, we'll work it out
08:38Will do
08:47Yeah
08:48The world is so small
08:50Till the night, till the night, till the night, till the night, till the night
08:54I'm building up a w-
08:57Hey
08:58Sorry, I didn't see you
09:00Surprise
09:02And it's like
09:04And it's like
09:04I love this song
09:05I don't wanna keep you waiting
09:07I don't wanna keep you waiting
09:08I hope I never keep you
09:10I hope I never keep you
09:19Where you headed?
09:20Chemistry
09:21Hmm
09:26Forget chemistry
09:28You're coming with me
09:38Ah, ah, yeah. Fuck me. Harder. Harder. Harder. Harder. I'm gonna come. I'm coming.
09:49Ah, God. Ah, yeah.
10:06It's Henry's birthday on Saturday. Oh, right. What is he? I don't know, six?
10:12Five. Yeah. Well, that's a fun age. Is he having a party?
10:15I'm taking him to Boston to see my parents. Nice. When will you be back?
10:20I'm not sure. I think I need to get away from everything for just a bit.
10:27Well, when you get back, if you want, we can maybe go around to the city, check in someplace, get
10:33away from everything together.
10:35It's fine. We don't have to do that.
10:39I mean, I know we don't have to do that. We don't have to do any of this.
10:42That's true. And I'm thinking maybe we shouldn't.
10:47What are you talking about?
10:49I think maybe we've taken this as far as it goes. Let's not ride it till the wheels come off.
10:54I like you, Coop. A lot.
11:00Maybe too much.
11:03The thing is, I don't always like myself when I'm with you.
11:06Hey, hey, Sam. Look, I know I've been a bit preoccupied the last few days.
11:11You're not ready for anything real. At least not with me.
11:14I just can't be some wayward bachelor's midlife fling forever.
11:18That's not what I think of you.
11:20Come on, Coop. I'm giving you a guilt-free out. Just take it.
11:25God, sounds like I don't have much choice.
11:27Wrong again.
11:30Sam.
11:41Hey.
11:42Oh.
11:42A little afternoon delight with Sam, huh?
11:44Uh, yeah. I'm afraid it might be the swan song for that.
11:50Oh, that's too bad.
11:53Right?
11:53I mean, it's fine.
11:56Okay, cool. Well, I will not miss the play-by-play.
12:01Oh, my God. Oh, right there.
12:02Okay, can we talk about something else, please?
12:03Yeah, that's the spot. Oh, fuck yeah, Coop!
12:07Fine. What do you want to talk about?
12:11Anything else. How's your new gig?
12:12It's good. It was really good, actually.
12:16They offered me a regular slot.
12:18Four nights a week at the tap.
12:19Prime time. Poster in the window.
12:21I mean, the whole shebang.
12:22That's amazing. I'm so proud of you. Congratulations.
12:25Thanks.
12:25Wow, now one of us actually has a job.
12:29Well, for a guy who has no job, you, um...
12:31You sure are busy.
12:33I feel like...
12:34I feel like I have this place all to myself, like, every day.
12:38Yeah, well, not today, baby.
12:42TCM beckons.
12:45Okay, excellent.
12:48Can we watch something that was made after I was born?
12:52San Francisco last night?
12:55No.
12:56Who was murdered?
12:58I was.
13:05I let my friend live upstairs
13:07In the spare room for a minute
13:27Look up.
13:29It's only been a year.
13:30We're still in the grief phase, you know?
13:32Imagining they'll get back together and everything will be like how it used to be.
13:36Once you let go of that little fantasy, you'll see divorce has its upsides.
13:40Like what?
13:41With two parents, you're outnumbered.
13:42But with one, it's way easier to slip under the radar.
13:45The real trick is playing them off each other to get what you want.
13:48I used to do that when they were still married.
13:52There's more to you than meets the eye, Hunter Cooper.
13:55God, I hope so.
13:57Who's in there?
13:58Shit.
13:59Unlock this door.
14:00Immediately.
14:05Skipping class and trespassing are cause for concern as it is, but...
14:09Okay, trespassing.
14:10Come on.
14:11You make it sound like you have a ski mask and a bolt cutter.
14:14He was messing around backstage with his friends.
14:16I'm afraid this goes way beyond that.
14:19Hunter was distributing drugs to his peers.
14:21Excuse me?
14:21What?
14:22They were snorting his Adderall in the dressing room.
14:24Mayfield has a zero tolerance policy when it comes to drug dealing on campus.
14:28I cannot turn a blind eye.
14:30I'm afraid Hunter will be expelled.
14:32Wait, wait, wait.
14:32Just a second.
14:33Just a second.
14:34Please.
14:34Look.
14:35Our son is not a drug dealer.
14:37Okay?
14:37He has ADHD.
14:38Now, do teenagers make bad decisions?
14:41Yes, it's baked into their DNA, but he's never gotten in trouble before.
14:44He deserves a second chance.
14:46Mr. Cooper, this isn't the first meeting we've had about Hunter's behavior this year.
14:49The absences, the missed assignments...
14:51What are you talking about?
14:52What is she...?
14:53Cooper.
14:54You had meetings without me?
14:56They were in your calendar.
14:57Why wouldn't you have called me and told me what was going on in these meetings?
15:00Okay, now.
15:00Please.
15:05I understand the position our son has put you in.
15:09I see troubled kids every day in my practice.
15:12I always try to consider the mitigating circumstances.
15:15Maybe these older kids pressured him into sharing his prescription.
15:20Right?
15:20He wanted to impress them.
15:21He wasn't selling drugs.
15:22He was trying to fit in.
15:25But he will be punished.
15:27We will personally guarantee nothing like this ever happens again.
15:31I'm afraid my hands are tied.
15:38Okay, Leila, I saw the big thermometer downstairs in the hallway.
15:44This year's fundraiser for the new athletic center.
15:46You're short.
15:50How much is it going to take to put you over the top?
15:52Mel?
15:52Mrs. Cooper.
15:53No, Hunter's a good kid.
15:55You know it.
15:56We know it.
15:58And the school has needs.
15:59Everybody wins.
16:00So, come on.
16:02What's the going rate for turning a blind eye these days?
16:07$240,000, Mel?
16:08Jesus Christ.
16:09Look, her son was about to get kicked out of one of the best fees in New York State.
16:14And that would've killed his chances of getting into a decent college.
16:16And you know something?
16:17I didn't see you doing anything to fix it.
16:19We could've reasoned with her.
16:20We could've appealed to her.
16:21My God, she's only known us forever.
16:23She called him a truck dealer.
16:25And you rewarded her with a quarter-million-dollar pledge.
16:27Sorry, I really thought she was gonna say, like, 20 or 30.
16:30Maybe leave with that.
16:31Instead of with a blank check.
16:32Hey, guess what?
16:33You're the big hedge fund guy.
16:35Why didn't you negotiate?
16:37Because when you negotiate, you need leverage.
16:38Leverage is what you immediately gave away when you opened your mouth.
16:41You know what? That's not fair.
16:41What is the going rate for turning a blind eye?
16:44My God.
16:45Are you done?
16:47Because I've already got one child to deal with today.
16:50You.
16:54So you're suspended.
16:56And grounded.
16:57Forever.
16:58Mom.
16:58And it would be really smart if you don't talk right now.
17:02Bowie, huh?
17:02I didn't know you were into him.
17:04He's all right.
17:06Wow.
17:07Read the room, Coop.
17:08Is that the time to play the cool dad?
17:11Good luck, buddy.
17:24Girls.
17:25Good luck.
17:27Good luck.
17:28Good luck.
17:32Good luck.
17:33Good luck.
17:33It's nice to see you again, Momoni.
17:35Barney?
17:35Mm-hmm.
17:37So he's still eating Korean.
17:40But he's sleeping a little bit.
17:44Mr. Park, welcome.
17:46Of course.
17:47How are your parents, Barney?
17:50About the same, sir.
17:51Do you still drink scotch?
17:53Oh, from time to time.
18:02This one is for special occasion.
18:05Forty-year-old country gold.
18:08Well, thank you, sir.
18:13Papa.
18:18Girls?
18:19Inside the Harabaji?
18:21Yeah.
18:22Okay, girls.
18:23Do you want to show the Harmony and Harabaji the side door?
18:25Sorry about the mess.
18:27Construction's moving a little slower than we expected.
18:37So what do you think?
18:40I don't know.
18:41I mean, with stuff like this, it seems like it's more provocative and meaningful in any real way.
18:47Who's gonna care about this stuff five years from now, right?
18:52I'm no expert.
18:54Well, we're all wrong answers.
18:56That's the beauty of art.
18:58Yeah?
19:00Who told you that?
19:03When I was little, my aunt was a docent at the Villaparte in Santo Domingo.
19:06Well, I used to spend the summers with her.
19:09Why'd you give it to us?
19:12Well.
19:15Hey, are you sure you want to do this?
19:17For what?
19:20Any of it.
19:20All of it.
19:22Are you trying to call me out of this, all right?
19:23No, no.
19:24Not at all.
19:25Then what?
19:25Well, I'm just saying, if we get caught, I can talk my way out of it.
19:29I can lawyer up.
19:31What happens when you get caught?
19:35I don't need you to protect me.
19:36Well, good, because I'd probably be pretty shitty at it.
19:40But aren't you putting kind of everything at risk?
19:43What are we putting at risk?
19:46What do you think I actually have to lose?
19:53Okay, partner.
19:56What about this thing?
20:03It's a lot to take in, isn't it?
20:06The artist was once an altar boy in Dusendorf.
20:11Likely molested.
20:13Definitely a prick.
20:17I'm Christian Thoroson.
20:19I'm the owner of the place.
20:20Oh.
20:20For better or worse.
20:21Of course.
20:22Nice to meet you.
20:22I believe we have a mutual friend.
20:25I believe you're correct.
20:26Yeah.
20:26Well, I have to say, she described you perfectly.
20:28Is that so?
20:29Yeah.
20:31And who's your date?
20:32Uh, his partner.
20:34Pleasure to meet you.
20:35Partner.
20:40Excellent.
20:42I saw you looking at this piece.
20:45Yes.
20:45It's provocative.
20:48Yes.
20:49Most of this shit is.
20:51But is it actually any good?
20:54That feels like a trick question.
20:57Come with me.
20:58Let's talk arts.
21:08This piece was difficult to acquire.
21:12Especially on such short notice.
21:14You mean someone already had this sitting around?
21:17I have a lesbian in Bushwick who sources all my pop abstracts.
21:21Impressive.
21:22Is she the one looking at us now?
21:23Ha, ha, ha, ha, ha, ha, ha, ha, ha.
21:26It is as close to perfect as it can be.
21:30Hm.
21:31The magna acrylic paint Lichtenstein used is nearly impossible to source.
21:36Most modern day acrylic paint is water soluble, but the magna was miscible with turpentine.
21:42Golden artist colors comes closest to magna's high gloss finish, but it's not an exact match.
21:50It'll hold up to scrutiny, but not chemical analysis.
21:54Well, it won't be analyzed.
21:56How can you be sure?
21:57You know your job, I know mine.
21:59Ha, ha, ha, ha.
22:00You've never done this before, have you?
22:02I'm a quick study.
22:03You're a tourist.
22:04Tourists make me nervous.
22:06And yet here you are.
22:07Yes.
22:08I am here.
22:10Lou believes in you and I believe in Lou, but I'm still not convinced you can deliver.
22:15Well, the fact that you called your lesbian in Bushwick makes me think that you think I can deliver.
22:21Okay.
22:22So, we swap out the fake, bring you the original, and then what?
22:27Well, after I authenticate the piece, I have two buyers interested.
22:32One, a crypto bro who wants to move into tangible assets.
22:38And the other is former employer.
22:42It's deliciously messy.
22:44I expect the bidding to be heated.
22:46Sounds promising.
22:52What the hell?
22:57I have decided to like you.
22:59Ha, ha, ha, ha, ha.
23:00I appreciate it.
23:03Now, if you'll excuse me, I have some psychedelics to procure for some clients.
23:10Oh.
23:12Have fun.
23:15Have fun.
23:30I've been out of here.
23:32Look, I've been out of here.
23:34I've been out of here.
23:35And so you can find a beauty in your life.
23:40I've been out of here.
23:42I've been out here.
23:45I've been out of here.
23:52I've been out of here.
23:55I've talked to you about your mom, but we'll just go to our house.
24:02Thank you so much for thinking about it, but if you're sleeping, it's harder.
24:09If you're sleeping, it's harder than you're going to go to school.
24:14Your father has a different house.
24:18You and your child are thinking about it, right?
24:21Hmm?
24:22Let's have a good time.
24:25Is this good?
24:27Do you have dinner at Greenhouse?
24:41Why don't I get us some whiskey?
25:11Oh, my name. Um, did you need anything?
25:14Grace tells me you're having some financial challenges. I'd like to help.
25:19Well, that's not necessary.
25:22I'd feel better knowing she didn't have to worry.
25:26I don't know what Grace told you, but there's nothing to worry about.
25:30I'm just trying to encourage some financial responsibility.
25:33Um, one of the hazards of marrying a wealth manager, I guess.
25:44My daughter is not a client. She's your wife.
25:49Don't worry.
25:51This will stay just between us.
25:55I have a personal account I keep just for these little emergencies.
25:59It's very generous of you, Mrs. Park, but there is no emergency, so...
26:08You know, you would do so much better working for Mr. Park.
26:12Ah, yeah.
26:14It's a shame you don't speak Korean.
26:26It's a shame you're such a fucking prick.
26:41Hey, Hunter, we still need to talk about what happened at school.
26:44Why?
26:46Because you almost got expelled. Does that not concern you?
26:49Not really.
26:50Have you seen the Flaming Hots?
26:51How about something that won't rot your guts?
26:52I can whip you up a smoothie.
26:54No, thanks.
26:55Hey, I just want to understand what happened.
26:59I cut class. It's not that complicated.
27:01What about the medication? Were you selling it?
27:04No. What?
27:05It's understandable for you to want to impress your peers.
27:10But Adderall's a serious drug. You can't just hand it out.
27:13Oh, my God. Can you stop?
27:14Wait a minute. Where are you going?
27:16Hey! I'm not done talking to you!
27:27I'm not done talking to you, I'm not done talking to you.
27:31I'm not done talking to you, I'm not done talking to you anymore.
27:31Oh, my God. How big are you?
27:49So, uh, how's it feel being Mayfield's main character?
27:54Those sophomore hotties sliding into your DMs or what?
27:57Yeah, totally.
28:14You like this?
28:16Yeah.
28:20Holy shit, Hunter. I think he might actually have a soul.
28:26Fuck off.
28:49Can you feel the blame? Can you feel the blame?
28:53Don't just walk.
28:55Run.
28:56Don't just talk.
28:59I need action.
29:01Uh-huh.
29:02I need more peace.
29:04Go hard.
29:06I want to see the heart racing.
29:09Okay.
29:10I ain't seen a dim in a while.
29:11Joy's over.
29:16Allie.
29:17Hey.
29:18I didn't know you joined.
29:20Oh, I'm just borrowing Andy's.
29:22He doesn't use it anymore.
29:23It seemed a shame to let it go to waste.
29:25Sorry.
29:25Memberships aren't transferable.
29:27Neither are wives.
29:28And yet.
29:31I'll tell you what, why don't you take it for a test drive.
29:34If you decide to sign up, we're running a friends and family promotion all month.
29:38Thanks, Nick.
29:39I am neither.
29:59A reasonable person might have seen a close call with the police and a flesh wound from a large dog
30:04as a flashing neon sign from the universe telling them to find a new one.
30:08line of work.
30:09But that wasn't really an option for me.
30:11Know what you're doing?
30:12No particular.
30:14Canvas.
30:16All right.
30:18Stretch bars.
30:19I'll have to get like this.
30:21I usually just square the corners.
30:24Back door open.
30:34When it comes to American pop art, Roy Lichtenstein is in a dead heat with the
30:38Jeff Koons as the favorite for buyers who don't actually give a shit about art, but regarded as a sexy
30:42investment.
30:43They're coins.
30:44Collectors only in name.
30:46This piece here, Square from 1983, was most likely purchased as an appreciating asset rather than on its artistic merit.
30:52Which is a shame.
30:53I always kind of liked Lichtenstein's work, especially the comic book paintings.
31:00It was becoming apparent that my expenses would always find a way to outpace me, so a few higher price
31:05scores like this painting would mean more money with fewer robberies.
31:08Higher risk, higher yield.
31:11Or maybe I was just starting to like it.
31:12Or maybe I was just starting to like it.
31:39Or maybe I was just starting to like it.
31:41Or maybe I was just starting to like it.
31:43So I get a hundred bucks.
31:46No, I get to eat chicken.
31:48I am not a chicken.
31:50Hey guys, can you calm down just a little bit?
31:51We're almost to grandma and grandpa's.
31:53Yay!
31:54Let's go!
32:00Yay!
32:01I'm done!
32:03Oh my God.
32:09Hey, I hear it's someone's birthday tomorrow.
32:11You know anything about that?
32:12He's turning five.
32:13Really?
32:14We better go see him.
32:15We can find some cake.
32:16Look at that table right there.
32:18Who's present?
32:25Everything OK?
32:26Oh, yeah, just a long car ride.
32:30Come on, then.
32:31Oh, yeah, just a long car ride.
32:31Come on, then.
32:32Dog?
32:33Yeah.
32:38Han.
32:43Hey, don't.
32:51It's good to have you home.
32:58That's it?
32:59OK, activate those boots.
33:01Squeeze at the top.
33:02I want to see it.
33:02Nice.
33:04Good.
33:05Great class, everybody.
33:08Don't forget to stretch.
33:10See you next week.
33:13Ali?
33:14Oh, hey, Bruce.
33:17Uh, what are you doing here?
33:19Same as everyone else.
33:21Just trying to turn my ass into a legal weapon.
33:27I'm not stalking you if that's what you're worried about.
33:30No, of course.
33:32I've been staying with Andy.
33:34He had a couple of visitor passes.
33:36Hope that's not weird.
33:39You look good.
33:41Healthy.
33:42Uh, you mean, uh, not, uh, I guess the move's been good for me.
33:49I've been spending more time with Andy.
33:51I've actually been playing some gigs again.
33:53Oh, yeah?
33:54Yeah.
33:55At the tap.
33:56It's mostly just drunk locals talking over my socks.
34:01Heavy.
34:02Hey, you're out there doing your thing, playing music somewhere other than my lawn.
34:06Oh.
34:07Damn.
34:07You went there.
34:09Honestly, I kind of miss it.
34:11I bet you do.
34:13I bet your wife does, too.
34:15I don't know.
34:15Maybe I should come back and take requests.
34:21Sorry.
34:22Dad duty.
34:23It's good to see you.
34:25Maybe I'll swing by to tap sometime.
34:27Cool.
34:29See you in ass class.
34:46Oh, my God, I misjudged you, my friend.
34:49Yeah, I get that a lot.
34:50This tourist has balls!
34:53Yes!
34:53I love it!
34:56So what happens now?
34:58Uh...
35:00Give me a minute.
35:14What?
35:15You look really nice.
35:17That's because you're taking me to dinner after this.
35:20No.
35:24Okay.
35:25Okay.
35:26It'll take my people, uh...
35:28a few hours to authenticate.
35:31But in the meantime...
35:33I see you're dressed to celebrate.
35:35See you.
35:36So let's...
35:36Shut a bit!
35:40Don't stop the music.
35:44I can feel the vibe.
35:48Don't stop the music.
35:51I can feel the vibe.
35:55Don't stop the music.
35:56Don't stop the music.
35:58Don't stop the music.
35:59Yeah!
36:06Hey.
36:08Woohoo.
36:09Here we go!
36:15Of course!
36:18Right on the table.
36:30Oh, um, maybe later.
36:34I thought you Ivy League types loved the nose candy.
36:37Yeah.
36:41Hey, what about you, beautiful?
36:43You in?
36:46Sure.
36:56What?
36:57We're celebrating, right?
36:58I guess so.
37:02Give it, give it, give it!
37:05Oh.
37:07My goodness.
37:08Yeah, good.
37:10Yes, indeed.
37:11I think I need to dance.
37:14Sorry.
37:19What a place.
37:20It's nice, huh?
37:23I'd love to come here, too.
37:26Huh.
37:28Yeah!
37:29I love it!
37:42Hey, so you and the girl.
37:44Oh, uh, no, we...
37:47We keep it professional.
37:48Ah, okay.
37:50That's probably for the best.
37:52I mean, you're a very handsome man, but maybe too old for some rides.
37:57Whatever you say.
38:01Ah.
38:03You want another bump?
38:04Oh, no, I'm good.
38:06Could always be better, though.
38:09Yeah.
38:11Woo!
38:14Oh, it's so good.
38:17Yeah, I'm gonna, I'm gonna go, uh...
38:20Here, put me here.
38:27Woo!
38:31You doing good?
38:32Perfect.
38:34Hey!
38:35Oh, okay.
38:36Looks like you needed a break.
38:38Is it that obvious?
38:43Maybe I just know you better than you think.
38:47Yeah, maybe.
38:48Come on!
38:49Dance with me.
38:50Oh, I'm not much of a dancer.
38:52Well, a few weeks ago, you were much of a thief.
38:55Maybe you're a good dancer, you just don't know yet.
38:57Mm, okay.
38:59Okay.
39:00If you don't, I'm not much of a job, here.
39:28What are you talking about?
39:29I'm not sad.
39:30You're always sad.
39:33I see it.
39:35Behind your eyes.
39:49Hey, I'm going to get another drink.
39:52Do you want anything else?
39:54I'm just going to stick with the bubbles.
39:55Okay.
39:56Yeah, I'll be right back.
40:09Yeah.
40:19Hey, I started to worry you'd forgotten about me.
40:25Of course not.
40:26the whole reason we're here I suppose I am yeah but I'm thinking that maybe you
40:32and I are also here for for a different reason oh yeah let me show you oh no
40:43thank you
40:51easy
40:51hey easy it's for kids guapa I prefer hard
41:04hey hey hey hey are we okay here cuz yeah we just had a private moment you okay yeah I'm
41:11fine
41:12you sure I got it okay asked and answered old man I think maybe we should all just go back
41:18upstairs
41:19ow ow
41:23god damn
41:27okay
41:28fuck you look on me good
41:30okay
41:31take a deep breath
41:32hey
41:33ah
41:35ah
41:36ah
41:37come on
41:37ah
41:38ah
41:40ah
41:41ah
41:42stop squaring me
41:44you're drowning me
41:45oh
41:46okay don't rub them it's only gonna make it worse
41:48oh
41:49ah
41:51that better
41:53yeah a little I guess I don't know what the fuck were you thinking huh
41:57you're welcome
41:58I had him under control
42:00well it didn't look like that to me
42:01do you know how many times I've had a guy press his dick up against me in a place like
42:04that
42:05no you don't of course not because you're a man
42:07I was trying to help you
42:08okay do me a favor the next time you try to defend me how about you wait until after we
42:12get paid
42:12what that's what you're mad at are you kidding me it's not that big a deal we can steal something
42:17else
42:17I needed that money
42:22you know what you're just a rich guy who lost his money and now you think you're fucked but you
42:28have no idea
42:29you've never gone hungry your kids will never go hungry you just want what they took from you because all
42:35you know how to be is rich
42:36Elena you have no idea what real struggle is cool the shit that you complain about
42:44most people would they would kill for it
42:47I'll make it up to you
42:49yeah you fucking better
42:52you're really just gonna leave me here
42:54I really am
42:55well I forgive you
42:58for the mace
43:00fuck you it was pepper spray
43:54sam being away left me with a choice
43:57I could drink too much scotch and fall asleep
43:59sleep watching the Criterion collection in my house.
44:06Or I could go make some money in hers.
44:56This one is for a special occasion.
45:03Oh, my God.
45:29Let's go.
46:07Let's go.
46:29Let's go.
46:31Let's go.
46:59It's safe to say that making good choices isn't really on the agenda.
47:04All I knew was that Sam was out of town.
47:06I was out 150 grand and changed thanks to the painting snafu.
47:09And Sam's French doors never locked properly.
47:24You remember this part.
47:29There was a lot of blood on the floor and I'd taken a pretty nasty whack to the head,
47:32so it took me a moment to realize that the dead guy next to me was Paul Levitt, Sam's ex.
47:42If there was ever a moment in all of this that I truly considered giving up, this was it.
47:46I was tired.
47:47Tired in a way I'd never been before.
47:50Tired in a way that makes you seriously consider just closing your eyes, opening your mouth, and letting the water
47:54fill your lungs.
47:55And if I'd known everything that was about to happen, I think I probably would have done just that.
48:01But the truth is, and I think this has been made painfully clear, I didn't know shit.
48:30Tired in a way that was about to do it.
49:04Tired in a way that was about to do it.
49:06It was about to do it.
49:19Nice one.
49:20Thanks.
49:22So what did you get up to last night?
49:26Oh, uh, you know, not much.
49:32How about you?
49:37Same there you go
50:20You go
50:40You go
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