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00:10Say goodbye to your old-fashioned toilet and say hello to luxury.
00:16Introducing the Luxos MT, the world's most advanced luxury commode.
00:25It's going to change the way you think about the bathroom.
00:28Am I right, Cindy?
00:29That's right.
00:30It heats, it cleans, it deodorizes, it comes standard with Luxos' triple tornado flush system and it's smart home compatible.
00:39And here to tell us more about it is Luxos brand ambassador and three-time NBA All-Star Nick Brandon.
01:04Thank you, Cindy.
01:07Thank you, Cindy.
01:17I've been in there because so far I can't argue with any of them.
01:20You have a string of successful businesses.
01:23Just tell us why toilets?
01:26Oh, instead of sneakers or tequila?
01:57Exactly.
01:58You did it!
02:01So, bottom line, the Luxos MT is going to change the game.
02:05Sitting on one of these is like a little vacation you can book for yourself every day.
02:09Nick Brandis, everybody!
02:11Oh!
02:12Oh!
02:25Hey, uh, what are you doing here?
02:29I really love toilets.
02:31Okay, I'm working.
02:33I know, look, I just...
02:36The party, it was a lot.
02:39I acted like an asshole.
02:41Yeah, no argument here.
02:42Hey.
02:46I'm so sorry.
02:48It's the last time I throw you a party.
02:55I appreciate you trying to take care of me,
02:58even if sometimes I don't know what to do with it.
03:06Well, I can't say you didn't warn me.
03:10No, you can't.
03:11Look, uh, I know this, us, we shouldn't have happened.
03:16Or at least not the way it happened.
03:19I'm sure you have your regrets.
03:21Nick, I...
03:22No, no, no, no, no.
03:23I feel them.
03:24Believe me, I wish it had gone down differently,
03:27but, uh, just because it didn't start right
03:30doesn't mean it isn't right.
03:33This is real for me, Mel.
03:35Just wish you didn't feel like you have to try so hard.
03:38Yeah, that's what happens when you fall to the second round of the draft.
03:40You spend the rest of your career and life trying to make up for it.
03:43You don't have to do that with me.
03:51Do you have, like, a, a dressing room?
03:54Yeah, a nice one.
03:57Show me.
04:02I'm coming in fast.
04:03First place, you coming in last.
04:05I'm in that, in that grass.
04:07I'm in that, in that.
04:09I'm fine.
04:10I'm coming in fast.
04:11First place, you coming in the ass.
04:13I'm in that, in that grass.
04:16I'm in that, in that.
04:17Love, we're coming out of my shit.
04:19We coming out of my shit.
06:50I'll toss you an extra 10%.
06:52You don't have to lift a finger.
06:53I just need the introduction.
06:57I will have to lift a finger.
06:59And for that, I'll take an extra 20.
07:01And if it goes sideways, I don't know you.
07:04But you have to hear me now.
07:05You do this.
07:06You do it the way I say.
07:08Pickpock.
07:09No improvising.
07:10Yeah.
07:11Can I hear you?
07:12Say it.
07:13Pickpock.
07:14Smartass.
07:15No improvising.
07:19Okay, get out of my store.
07:21I'll let you know when it's set.
07:24I'll go.
07:28So it looks like we hit a shale shelf.
07:31And what does that mean?
07:32Well, it means my guys are gonna have to spend a few weeks breaking it up, pulling it out.
07:37Well, can't you just dig around it?
07:39Yeah.
07:40Sure.
07:41If you want to move your entire house 100 feet that way.
07:44I'm kidding.
07:45But I can't dig a foundation in a solid rock.
07:48We gotta pull it out.
07:49Hey, Phil!
07:49Why do you want this loader?
07:51Yeah, I'll be there in a minute.
07:52So, just, Phil.
07:53So, how much is that gonna cost?
07:56Well, I can't give you an exact figure until we start demolition.
07:59See how far down the shelf goes.
08:01It's gonna be heavy machinery.
08:03Possibly some blasting.
08:04You're gonna blow up my backyard?
08:05Well, not me.
08:06I'm gonna bring in some specials.
08:08Ballpark, Phil.
08:11How fucked are we?
08:15200 grand, give or take.
08:18Okay.
08:20Okay, maybe we should just press pause, you know?
08:22Get a surveyor out.
08:23You're checking with the architect.
08:24We should maybe do that.
08:25No.
08:26Well, hey, that's your call.
08:27But if we stop work, I gotta move my guys to the next project in line.
08:32That won't be necessary, Phil.
08:34Email us the quote.
08:35We'll work it out.
08:37Will do.
08:47Yeah.
08:48The world is so small.
08:50Till it ain't.
08:51Till it ain't.
08:52Till it ain't.
08:53Till it ain't.
08:53Till it ain't.
08:54I'm building up a...
08:57Hey.
08:58Sorry I didn't see you.
09:00Surprise.
09:04I love this song.
09:05I don't wanna keep you right.
09:07I don't wanna keep you right.
09:08I don't wanna keep you right.
09:09I hope I never keep you.
09:19Where are you headed?
09:20Chemistry.
09:26Forget chemistry.
09:28You're coming with me.
09:38Oh, yeah.
09:40Fuck me.
09:41Harder, God.
09:41Fucking dick is safe.
09:44Harder.
09:45Harder.
09:45Harder.
09:46I'm gonna come.
09:47I'm coming.
09:49Oh.
09:50God.
09:52Ah.
09:53Yeah.
09:55Ah.
09:59Ah.
10:06It's Henry's birthday on Saturday.
10:08Oh, right. What is he? Almost six?
10:12Five.
10:13Yeah. Well, that's a fun age. Is he having a party?
10:15I'm taking him to Boston to see my parents.
10:18Nice. When will you be back?
10:20I'm not sure.
10:22I think I need to get away from everything for just a bit.
10:27Well, when you get back, if you want, we can maybe go around to the city, check in someplace, get
10:33away from everything together.
10:35It's fine. We don't have to do that.
10:39I mean, I know we don't have to do that. We don't have to do any of this.
10:42That's true. And I'm thinking maybe we shouldn't.
10:47What are you talking about?
10:49I think maybe we've taken this as far as it goes. Let's not ride it till the wheels come off.
10:54I like you, Coop. A lot.
11:00Maybe too much.
11:03The thing is, I don't always like myself when I'm with you.
11:06Hey, hey, Sam. Look, I know I've been a bit preoccupied the last few days.
11:11You're not ready for anything real. At least not with me.
11:14I just can't be some wayward bachelor's midlife fling forever.
11:17That is not what I think of you.
11:20Come on, Coop. I'm giving you a guilt-free out. Just take it.
11:25Kind of sounds like I don't have much choice.
11:27Wrong again.
11:30Sam.
11:41Hey.
11:42Oh.
11:42A little afternoon delight with Sam, huh?
11:44Uh, yeah. I'm afraid it might be the swan song for that.
11:50Oh, that's too bad.
11:53Right?
11:53I mean, it's fine.
11:55Okay, cool. Well, I will not miss the play-by-play.
12:01Oh, my God. Oh, right there.
12:02Yeah, that's the spot.
12:04Oh, fuck, yeah, Coop.
12:05Oh, ho, ho, ho, ho.
12:07Fine.
12:08What do you want to talk about?
12:11Anything else. How's your new gig?
12:12It's good.
12:14It was really good, actually.
12:16They offered me a regular slot.
12:18Four nights a week at the tap, prime time, poster in the window.
12:21I mean, the whole shebang.
12:22It's amazing. I'm so proud of you. Congratulations.
12:25Thanks.
12:25Wow, now one of us actually has a job.
12:29Well, for a guy who has no job, you, um, you sure are busy.
12:33I feel like I have this place all to myself, like, every day.
12:38Yeah, well, not today, baby.
12:42TCM beckons.
12:46Okay, excellent.
12:48Clint, can we watch something that was made after I was born?
12:52San Francisco last night?
12:55No.
12:56Who was murdered?
12:58I was.
13:05I'll let my friend live upstairs in the spare room for a minute.
13:27Look up.
13:29It's only been a year.
13:30You're still in the grief phase, you know?
13:32Imagining they'll get back together and everything will be like how it used to be.
13:35Once you let go of that little fantasy, you'll see divorce has its upsides.
13:40Like what?
13:41With two parents, you're outnumbered.
13:42But with one, it's way easier to slip under the radar.
13:45The real trick is playing them off each other to get what you want.
13:48I used to do that when they were still married.
13:52There's more to you than meets the eye hunter, Cooper.
13:55God, I hope so.
13:57Who's in there?
13:58Shit.
13:59I'm about to stop.
14:00Immediately.
14:05Skipping class and trespassing are a cause for concern as it is, but...
14:09Okay, trespassing?
14:10Come on.
14:11You make it sound like you have a ski mask and a bolt cutter.
14:14He was messing around backstage with his friends.
14:16I'm afraid this goes way beyond that.
14:18Hunter was distributing drugs to his peers.
14:21Excuse me?
14:21What?
14:22They were snorting his Adderall in the dressing room.
14:24Mayfield has a zero tolerance policy when it comes to drug dealing on campus.
14:28I cannot turn a blind eye.
14:30I'm afraid Hunter will be expelled.
14:32Wait, wait, wait, wait.
14:32Just a second, just a second, please.
14:34Look, our son is not a drug dealer, okay?
14:37He has ADHD.
14:38Now, do teenagers make bad decisions?
14:41Yes, it's baked into their DNA, but he's never gotten in trouble before.
14:44He deserves a second chance.
14:46Mr. Cooper, this isn't the first meeting we've had about Hunter's behavior this year.
14:49The absences, the missed assignments.
14:51What are you talking about?
14:52What is she...
14:53Cooper.
14:54You had meetings without me?
14:56They were in your calendar.
14:56Why wouldn't you have called me and told me what was going on in these meetings?
15:00Now, please.
15:05I understand the position our son has put you in.
15:09I see troubled kids every day in my practice.
15:12I always try to consider the mitigating circumstances.
15:15Maybe these older kids pressured him into sharing his prescription, right?
15:20He wanted to impress them.
15:21He wasn't selling drugs.
15:23He was trying to fit in.
15:25But he will be punished.
15:26We will personally guarantee nothing like this ever happens again.
15:31I'm afraid my hands are tied.
15:38Okay, Layla, I saw the big thermometer downstairs in the hallway.
15:44This year's fundraiser for the new athletic center.
15:46You're short.
15:50How much is it going to take to put you over the top?
15:52Mrs. Cooper.
15:53No, Hunter's a good kid.
15:55You know it.
15:56We know it.
15:57And the school has needs.
15:59Everybody wins.
16:00So, come on.
16:02What's the going rate for turning a blind eye these days?
16:07$240,000, Mel?
16:08Jesus Christ.
16:09Look, her son was about to get kicked out of one of the best friends in New York State.
16:14And that would have killed his chances of getting into a decent college.
16:16And you know something?
16:17I didn't see you doing anything to fix it.
16:19We could have reasoned with her.
16:20We could have appealed to her.
16:21Oh, my God, she's only known us forever.
16:23She called him a truck dealer.
16:24And you rewarded her with a quarter million dollar pledge.
16:26Sorry, I really thought she was going to say, like, $20,000 or $30,000.
16:30Maybe leave with that, instead of with a blank check.
16:32Okay, guess what?
16:33You're the big hedge fund guy.
16:35Why didn't you negotiate?
16:36Because when you negotiate, you need leverage.
16:38Leverage is what you immediately gave away when you opened your mouth.
16:41You know what?
16:41That's not fair.
16:41What is the going rate for turning a blind eye?
16:44My God.
16:45Are you done?
16:46Because I've already got one child to deal with today.
16:50You.
16:54So you're suspended.
16:55And grounded.
16:57Forever.
16:57Mom.
16:58And it would be really smart if you don't talk right now.
17:02Bowie, huh?
17:02I didn't know you were into him.
17:04He's all right.
17:06Wow.
17:07Read the room, Coop.
17:07It's not the time to play the cool dad.
17:12Good luck, buddy.
17:24Girls.
17:33It's nice to see you again, 어머니.
17:35Barney?
17:40Mr. Pak, welcome.
17:47How are your parents, Barney?
17:49About the same.
17:51Do you still drink scotch?
17:53Oh, from time to time.
18:02This one is for special occasion.
18:05Forty-year-old country gold.
18:08Thank you, sir.
18:12Hi, Papa.
18:18Girls, inside the Harabaji?
18:21Yeah.
18:22Okay, girls, do you want to show the Harmony and Harabaji the side door?
18:25Sorry about the mess.
18:26Construction's moving a little slower than we expected.
18:37So, what do you think?
18:40I don't know.
18:41I mean, with stuff like this, it seems like it's more provocative and meaningful in any real way.
18:47Who's gonna care about this stuff five years from now, right?
18:51But I'm no expert.
18:54When we're all wrong answers.
18:56That's the beauty of art.
18:58Yeah?
19:00Who told you that?
19:03When I was little, my aunt was a docent at the Villabar de Santo Domingo.
19:06I used to spend the summers with her.
19:09Watch her give it to her.
19:11Hmm.
19:15Hey, are you sure you want to do this?
19:17For what?
19:20Any of it. All of it.
19:22Are you trying to call me out of this all?
19:23No, no, not at all.
19:25Then what?
19:25Well, I'm just saying, if we get caught, I can talk my way out of it.
19:29I can lawyer up.
19:31What happens when you get caught?
19:35I don't need you to protect me.
19:36Well, good, because I'd probably be pretty shitty at it.
19:40But aren't you putting kind of everything at risk?
19:43What am I putting at risk?
19:46What do you think I actually have to lose?
19:53Okay, partner.
19:56What about this thing?
20:03It's a lot to take in, isn't it?
20:06The artist was once an altar boy in Dusendorf.
20:11Likely molested.
20:13Definitely a prick.
20:17I'm Christian Thoroson.
20:19I'm the owner of the place.
20:20For better or worse.
20:21Of course. Nice to meet you.
20:22I believe we have a mutual friend.
20:25I believe you're correct.
20:26Well, I have to say, she described you perfectly.
20:28Is that so?
20:29Yeah.
20:31And who's your date?
20:32Uh, his partner. Pleasure to meet you.
20:35Bonjour.
20:38Partner.
20:40Excellent.
20:42I saw you looking at this piece.
20:45Yes, it's provocative.
20:48Yes, most of this shit is.
20:51But is it actually any good?
20:54That feels like a trick question.
20:57Come with me. Let's talk art.
21:08This piece was difficult to acquire, especially on such short notice.
21:14You mean someone already had this sitting around?
21:17I have a lesbian in Bushwick who sources all my pop abstracts.
21:21Impressive.
21:22You see the one looking at us now?
21:26It is as close to perfect as it can be.
21:29Hmm.
21:31The Magna acrylic paint Lichtenstein used is nearly impossible to source.
21:36Most modern-day acrylic paint is water-soluble, but the Magna was miscible with turpentine.
21:42Golden artist colors comes closest to Magna's height loss finish, but is not an exact match.
21:50It'll hold up to scrutiny, but not chemical analysis.
21:53Well, it won't be analyzed.
21:56How can you be sure?
21:57You know your job, I know mine.
22:00You've never done this before, have you?
22:02I'm a quick study.
22:03You're a tourist.
22:04Tourists make me nervous.
22:06And yet, here you are.
22:07Yes, I am here.
22:10Lou believes in you, and I believe in Lou, but I'm still not convinced you can deliver.
22:15Well, the fact that you called your lesbian in Bushwick makes me think that you think I can deliver.
22:21Okay, so we swap out the fake, bring you the original, and then what?
22:27Oh, after I authenticate the piece, I have two buyers interested.
22:32One, a crypto bro who wants to move into tangible assets.
22:38And the other, his former employer.
22:41It's deliciously messy.
22:44I expect the bidding to be heated.
22:46Sounds promising.
22:51What the hell?
22:56I have decided to like you.
23:00I appreciate it.
23:03Now, if you'll excuse me, I have some psychedelics to procure for some clients.
23:10Oh.
23:13Have fun.
23:29What?
23:30Oh, yes.
23:31They're all going to practice.
23:33They're all going to take a break.
23:35All the time.
23:36They're all going to be in there.
23:40They're all going to take care of you.
23:44Oh, thank you.
23:45But I'm concerned about kids, everything.
23:48And I'm concerned about kids.
23:48All the faces, they're not confused.
23:51I don't want to wait for a couple of days.
23:54I can't wait for a couple of days.
23:55I've talked to you about your mom,
23:56but until the job ends, we'll just live in our house.
23:59Yeah.
24:03I'm grateful for you to think about it,
24:05but if you want to go to bed, it's more difficult.
24:09It's harder to go to the job.
24:14Your father needs to be a different house.
24:41Why don't I get us some whiskey?
24:54Why don't I get us some whiskey?
25:10How many?
25:12Did you need anything?
25:14Grace tells me you're having some financial challenges.
25:18I'd like to help.
25:19Well, that's not necessary.
25:22I'd feel better knowing she didn't have to worry.
25:25I don't know what Grace told you, but there's nothing to worry about.
25:29I'm just trying to encourage some financial responsibility.
25:33Um, one of the hazards of marrying a wealth manager, I guess.
25:44My daughter is not a client.
25:47She's your wife.
25:49Don't worry.
25:51This will stay just between us.
25:54I have a personal account I keep just for these little emergencies.
25:59It's very generous of you, Mrs. Park, but there is no emergency, so...
26:08You know, you would do so much better working for Mr. Park.
26:11Ah, yeah.
26:14It's a shame you don't speak Korean.
26:26Shame you're such a fucking prick.
26:41Hey, Hunter, we still need to talk about what happened at school.
26:44Why?
26:46Because you almost got expelled.
26:47Does that not concern you?
26:49Not really.
26:49Have you seen the Flaming Hots?
26:51How about something that won't rot your guts?
26:52I can whip you up a smoothie.
26:54No, thanks.
26:55Hey.
26:56I just want to understand what happened.
26:59I cut class.
27:00It's not that complicated.
27:01What about the medication?
27:03Were you selling it?
27:04No!
27:05What?
27:05It's understandable for you to want to impress your peers.
27:10But Adderall's a serious drug.
27:12You can't just hand it out.
27:13Oh, my God.
27:13Can you stop?
27:14Wait a minute.
27:15Where are you going?
27:16Hey!
27:17I'm not done talking to you!
27:40Hey, watch your prezzy.
27:49I don't understand.
27:50So, how's it feel being Mayfield's main character?
27:54Those sophomore hotties sliding into your DMs, or what?
27:57Yeah, totally.
27:58Mm-hmm.
28:14You like this?
28:16Yeah.
28:20Holy shit, Hunter, I think you might actually have a soul.
28:25Fuck off.
28:52Don't just walk.
28:55Run.
28:56Don't just talk.
28:58Talk.
28:58I need action.
29:01Uh-uh.
29:02I need more paces.
29:04Go hard.
29:06I want to see the heart racing.
29:08OK, I seen the gym in a while.
29:16Ali.
29:17Hey, I didn't know you joined.
29:20Oh, I'm just borrowing Andy's.
29:22He doesn't use it anymore.
29:23It seemed a shame to let it go to waste.
29:25Sorry, memberships aren't transferable.
29:27Neither are wives. And yet...
29:31Tell you what, why don't you take her for a test drive?
29:34If you decide to sign up, we're running a friends and family promotion all month.
29:38Thanks, Nick. I am neither.
29:59A reasonable person might have seen a close call with the police and a flesh wound from a large dog
30:04as a flashing neon sign from the universe telling them to find a new line of work.
30:09But that wasn't really an option for me.
30:11Know what you're doing?
30:12No particular.
30:14Canvas.
30:17Stretch bars.
30:18Love to get a lick of this.
30:21You just need to square the corners.
30:24Back door open.
30:34When it comes to American pop art, Roy Lichtenstein is in a dead heat with Jeff Koons
30:38as the favorite for buyers who don't actually give a shit about art, but regard it as a sexy investment.
30:43They're coins. Collectors only in name.
30:45This piece here, Square, from 1983, was most likely purchased as an appreciating asset rather than on its artistic merit.
30:52Which is a shame. I always kind of liked Lichtenstein's work. Especially the comic book paintings.
31:00It was becoming apparent that my expenses would always find a way to outpace me.
31:04So a few higher price scores, like this painting, would mean more money with fewer robberies.
31:08Higher risk, higher yield.
31:10Or maybe I was just starting to like it.
31:32Like this painting.
31:34You have to wait...
31:34You have to wait...
31:41Because of the birthday tomorrow, I get a hungry bumper.
31:46No, I get two chickens.
31:48I am not a chicken!
31:49Hey, guys, can you calm down just a little bit?
31:51We're almost to Grandma and Grandpa's.
31:53Yay!
31:54Go!
32:00Yay!
32:01I'm done!
32:03Oh, my God.
32:05Hey!
32:06Hey, honey!
32:08Hey!
32:09I hear it's someone's birthday tomorrow.
32:11You know anything about that?
32:12He's turning five!
32:13Really?
32:14We'd better go see if we could find some cake.
32:16Go see him!
32:16Look at that table right there!
32:18Whose presents?
32:24Everything okay?
32:26Oh, yeah, just a, you know, long car ride.
32:29Come on, then.
32:32Dog?
32:33Oh, hon.
32:51It's good to have you home.
32:58That's it.
32:59Okay, activate those boots.
33:00Squeeze at the top.
33:02I want to see it.
33:03Nice.
33:04Good.
33:05Great class, everybody.
33:08Don't forget to stretch.
33:10See you next week.
33:13Allie?
33:14Oh.
33:15Hey, Bruce.
33:17Uh, what are you doing here?
33:19Same as everyone else.
33:21Just trying to turn my ass into a lethal weapon.
33:27I'm not stalking you if that's what you're worried about.
33:30No.
33:31Of course.
33:32I've been staying with Andy.
33:34He had a couple of visitor passes.
33:36Hope that's not weird.
33:39You look good.
33:41Healthy.
33:42Uh, you mean, uh, not, uh...
33:47I guess the move's been good for me.
33:49I've been spending more time with Andy.
33:51I've actually been playing some gigs again.
33:53Oh, yeah?
33:54Yeah.
33:55At the tap?
33:56It's mostly just drunk locals talking over my socks.
34:01It's heavy.
34:02Hey, you're out there doing your thing, playing music.
34:04Somewhere other than my lawn.
34:06Oh.
34:07Damn.
34:07You went there.
34:09Honestly, I kind of miss it.
34:11I bet you do.
34:12I bet your wife does, too.
34:15I don't know.
34:15Maybe I should come back and take requests.
34:21Sorry.
34:21Dad duty.
34:23It's good to see you.
34:25Maybe I'll swing by the tap sometime.
34:26Yeah, cool.
34:29See you in ass class.
34:46Oh, my God.
34:47I misjudged you, my friend.
34:49Yeah, I get that a lot.
34:50This tourist has balls!
34:53Yes!
34:53I love it!
34:55Okay.
34:56So what happens now?
34:58Um...
35:00Give me a minute.
35:14What?
35:15You look really nice.
35:17That's because you're taking me to dinner, actually.
35:20No.
35:21No.
35:24Okay.
35:25Okay.
35:26It'll take my people, uh, a few hours to authenticate.
35:31In the meantime, I see you're dressed to celebrate.
35:35So let's...
35:36Shut up!
35:37Right!
35:39Don't stop the music.
35:44I can feel the fun.
35:47Don't stop the music.
35:51I can feel the fun.
35:54Don't stop the music.
35:59Don't stop the music.
36:02Don't stop the music.
36:06Hey!
36:08Woo-hoo!
36:09Here we go!
36:15Of course!
36:19Right on the table.
36:26Woo!
36:31Oh, um, maybe later.
36:34One of you Ivy League types love the nose candy.
36:37Yeah.
36:41Hey, what about you, beautiful?
36:43You in?
36:46Sure.
36:56What?
36:57We're celebrating, right?
36:58I guess so.
37:02Give it, give it, give it, give it!
37:04Oh.
37:07My goodness.
37:08Yeah, good.
37:09Yes, indeed.
37:11I think I need to dance.
37:14Sorry.
37:19What a place.
37:20It's nice, huh?
37:23I'd love to come here and chill.
37:25Huh.
37:28Yeah!
37:29I love it!
37:42Hey, so you and the girl.
37:44Oh, uh, no, we, we, we keep it professional.
37:48Ah, okay.
37:50That's probably for the best.
37:52I mean, you're a very handsome man, but maybe too old for some rides.
37:57Whatever you say.
38:02You want another bump?
38:04Oh, no, I'm good.
38:06Could always be better, though.
38:07Oh.
38:08Yeah.
38:11Oh!
38:13Oh!
38:15Oh!
38:15It's so good!
38:17Yeah, I'm gonna, I'm gonna go, uh...
38:20Oh!
38:30Oh!
38:31Oh!
38:34Oh!
38:34Oh!
38:35Oh!
38:35Oh!
38:35Oh!
38:36Oh, okay.
38:38Is it that obvious?
38:43Maybe I just know you better than you think.
38:46Yeah, maybe.
38:48Come on!
38:49Dance with me.
38:50Oh, I'm not much of a dancer.
38:52Well, a few weeks ago you were much of a thief.
38:55Maybe you're a good dancer, you just don't know yet.
38:57Okay, cool.
38:58Okay.
39:15Hey!
39:17Okay!
39:19See?
39:19You've got some moves!
39:21Yeah, I think that's pretty much the drugs talking.
39:24Oh.
39:24Aw.
39:25Don't be sad, Coop.
39:28What are you talking about?
39:29I'm not sad.
39:30And you're always sad.
39:33I see it.
39:34Behind your eyes.
39:49Hey, I'm gonna get another, uh, drink.
39:52Oh!
39:52Do you want anything else?
39:53Uh, I'm just gonna stick with the bubbles.
39:55Okay.
39:56Yeah, I'll be right back.
39:59Where's the pool?
40:14That's the only way I guess.
40:15Uh!
40:22I just thought, if you were, you'd forgotten about me.
40:25Of course not. For the whole reason we're here.
40:27I suppose I am. Yeah.
40:31But I'm thinking that maybe you and I are also here for, uh,
40:35for a different reason.
40:37Oh, yeah? Yeah. What's that?
40:39Let me show you.
40:42Oh, no. Thank you.
40:51Easy, Cha-Cha. Easy.
40:54Hey, hey. Easy is for kids. Guapa. I prefer hard.
41:05Hey. Hey. Hey. Hey.
41:06Everything okay here, guys?
41:08Yeah, we just had a private moment.
41:10You okay? Yeah, I'm fine.
41:12You sure? I got it.
41:14Okay. Asked and answered, old man.
41:16I think, uh, maybe we should all just go back upstairs.
41:21Okay.
41:22Ow.
41:24Goddamn.
41:27Okay.
41:28Fuck, you're coming good.
41:30Okay. Okay.
41:31Take a deep breath.
41:32Hey!
41:36Come on!
41:42Stop squirming!
41:43You're-you're drowning me!
41:45Ow!
41:46Okay, don't rub them. It's only gonna make it worse.
41:48Ugh.
41:49Ugh.
41:51Ugh.
41:51Is that better?
41:53Yeah, a little, I guess. I don't know.
41:54What the fuck were you thinking? Huh?
41:57You're welcome.
41:58I had him under control.
42:00Well, it didn't look like that to me.
42:01Do you know how many times I've had a guy press his dick up against me in a place like
42:04that?
42:05No, you don't. Of course not, because you're a man.
42:07Look, I was trying to help you.
42:08Okay, do me a favor. The next time you try to defend me, how about you wait until after we
42:12get paid?
42:12What? That's what you're mad at? Are you kidding me? It's not that big a deal. We can steal something
42:17else.
42:17I needed that money!
42:22You know what?
42:24You're just a rich guy who lost his money, and now you think you're fucked, but you have no idea.
42:29You've never gone hungry. Your kids will never go hungry.
42:33You just want what they took from you because all you know how to be is rich.
42:36Elena-
42:37You have no idea what real struggle is, Coop.
42:39The shit that you complain about, most people, they would kill for it.
42:47I'll make it up to you.
42:49Yeah, you fucking better.
42:52You're really just gonna leave me here?
42:54I really am.
42:55Well, I forgive you for the mace.
43:00Fuck you. It was pepper spray.
43:24I know the creake of pasaidente man's care.
43:24Happy Spectacular!
43:25All right, let me tell you a little bit of a cow and this cutting-on the wateries.
43:26You need to turn over to potatoáveis.
43:27DAV最 centerpiece is such a well for now.
43:27You want to track this?
43:27Okay.
43:29That's it?
43:32You got to play for music.
43:32Are you getting there?
43:32Yeah, Nathan?
43:35I'm on a windy path.
43:38You should look next to the far game.
43:53Sam being away left me with a choice.
43:57I could drink too much scotch and fall asleep watching the Criterion collection in my house.
44:06Or I could go make some money in hers.
44:21I could drink too much wine.
44:24This may lie on her home too.
44:24But I would like to drink a drink out of her own.
44:28Please be a little bit more.
44:30I have to drink the wine wine.
44:33I have to drink the wine wine wine.
44:35I have to drink the wine wine wine.
44:56This one is for a special location.
45:35This one is for a special location.
45:52This one is for a special location.
46:06This one is for a special location.
46:06Shit!
46:45I know that breaking into your ex-lover's house is problematic on many levels.
46:50All of them, really.
46:52But when you've done some blow for the first time in over a decade, drunk your weight in
46:56whiskey, and been pepper sprayed all in the span of an hour, it's safe to say that making
47:01good choices isn't really on the agenda.
47:04All I knew was that Sam was out of town.
47:06I was out 150 grand and change thanks to the painting snafu.
47:09And Sam's French doors never locked properly.
47:24You remember this part.
47:29There was a lot of blood on the floor, and I'd taken a pretty nasty whack to the head,
47:32so it took me a moment to realize that the dead guy next to me was Paul Levitt.
47:36Sam's ex.
47:42If there was ever a moment in all of this that I truly considered giving up, this was
47:46it.
47:46I was tired.
47:47Tired in a way I'd never been before.
47:50Tired in a way that makes you seriously consider just closing your eyes, opening your mouth,
47:53and letting the water fill your lungs.
47:55And if I'd known everything that was about to happen, I think I probably would have done
47:58just that.
48:01But the truth is, and I think this has been made painfully clear, I didn't know shit.
48:06a moment, no.
48:08I think it's a bit difficult.
48:09I think.
48:20Come on, come on.
49:18Nice one.
49:20Thanks.
49:22So what'd you get up to last night?
49:25Oh, uh, you know, not much.
49:32How about you?
49:36Same.
49:39There you go.
50:17There you go.
50:19There you go.
50:48Transcription by CastingWords
50:56CastingWords
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