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We provide carefully selected series full of romance, drama, suspense, and emotional storytelling. Whether you enjoy Turkish dramas, Chinese historical series, Korean romantic dramas, Thai lakorn, or Filipino teleserye, PrimeSeries delivers high-quality episodes with accurate English subtitles for global audiences.
Watch full episodes in HD, discover trending Asian series, and enjoy daily updates from the most popular international shows.
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TVTranscript
00:00:26In the Merrymond the Dune
00:00:28I'm a little bit, but I'm a little bit
00:00:31Stay with me
00:00:32I'm a little bit, but I'm a little bit
00:00:34I'm a little bit, but I'm a little bit
00:00:35I'm a little bit, but I'm a little bit
00:00:38Where is she?
00:00:40Aldiria?
00:00:42Help me, mother
00:00:43Help me, mother
00:00:44Help me, mother
00:00:48Grabbed the door the box
00:00:50Frightened all the dogs
00:00:51On the rocky road to Dublin
00:00:54One, two, three, four, five
00:00:55On there and there and there
00:00:57On the rocky road
00:00:59All the ways to Dublin
00:01:00Whackful I'll be there
00:01:02Oh my god!
00:01:27I don't know why you're getting so agitated
00:01:28I just said you have a rather large cranium
00:01:34Mr. Holmes
00:01:36You'll have to be quicker than that, Barney
00:01:40Saw that one coming a mile off
00:01:42You need to hide your intent for Barney
00:01:49Break it off
00:01:49Break it off
00:01:50Break it off
00:01:50Break it off
00:01:50Break it off
00:01:50Break it off
00:01:50Break it off
00:02:01Break it off
00:02:02Is that you, brother dear?
00:02:03Tears, brother dear
00:02:04Put him down, Barney
00:02:05Easy
00:02:10Nice of you to pop by
00:02:12Holiday's over
00:02:13Follow me, Sherlock
00:02:18Really, I meant no offence, Barney
00:02:21Captain, Bob, Mr. Dickey
00:02:23Sherlock, your brother couldn't get us out, could he?
00:02:25Hi, Bob, you heard the question?
00:02:26I have one card to play, Sherlock
00:02:27It's either you or him
00:02:30Two years will fly by, Mr. Dickey
00:02:33What exactly landed you in prison this time?
00:02:36Reading
00:02:37Reading doesn't get you arrested
00:02:39So what did?
00:02:40Oliver Twist
00:02:42I rather took a shine to the Artful Dodger
00:02:44Ah, so sorry, sir
00:02:45I pickpocket by trade
00:02:47I thought to myself, I wonder if I could do that
00:02:48Allow me, sir
00:02:51This fell out of your pocket
00:02:53The problem is extracting a gentleman's wallet
00:02:55Isn't as challenging as returning it
00:02:56Faith!
00:02:57No, no
00:02:58Why would you be returning the wallet with its contents intact?
00:03:01It's the extraction that is the attraction
00:03:04That explains the first three months, but you sent down for six
00:03:07I am considering transportation to Australia
00:03:10I'm afraid that won't be possible, your honour
00:03:13Excuse me?
00:03:141857
00:03:14The Penal Servitude Act
00:03:16According to precedent, a court is either bound by the decisions of the court above it
00:03:19Or the decisions of a court of equivalent standing
00:03:21Thus, in this case, making it conspicuously impossible to send a man to Australia
00:03:25Two months for contempt
00:03:26As you could be in breach of the Act
00:03:28Three months
00:03:28And in an ironic turn of fate, could subsequently find yourself stood in this very dock
00:03:33Six months
00:03:33I find it astonishing that the judge didn't see your point of view
00:03:37My point exactly
00:03:40You could have got me out sooner
00:03:47Ah, there it is
00:03:49I knew there was a face underneath that nest of crows
00:03:53So, how was the food?
00:03:54The chef was often a little heavy with the weevils in the gruel
00:03:57But the claret was excellent
00:04:00You should try it sometime
00:04:01Yes, I'm quite happy where I am
00:04:03Respectable job in the civil service
00:04:05Respectable
00:04:06Or conventional
00:04:07Secure
00:04:08Predictable
00:04:08Influential
00:04:09Tedious
00:04:09Reliable
00:04:10Consistent
00:04:11Stable
00:04:12And responsible
00:04:13You should try it sometime
00:04:14And on that note
00:04:16Prepare yourself
00:04:17I come bearing
00:04:18A gift
00:04:20Apprehensive
00:04:20I've secured you a place at Oxford
00:04:22Arguably the greatest university in the world
00:04:25You have, brother dear
00:04:26I have, brother dear
00:04:27Well
00:04:27I'm surprised
00:04:29Grateful
00:04:32I've always been rather fascinated by a life dedicated to the pursuit of learning
00:04:35But I'll be there in government business
00:04:37So I'll be able to keep an eye on you
00:04:38Make sure your hair is brushed
00:04:40Teeth are clean, shoes are shiny
00:04:41When do we go?
00:04:42Imminently
00:04:42I'm touched
00:04:44Moved
00:04:44Get dressed
00:04:46We're going to pay our respects to money
00:04:56Mr. Holmes
00:04:57We've moved your mother to a bigger room
00:05:12Sherlock!
00:05:13Hello, mother
00:05:13Please don't stand
00:05:14My darling
00:05:17Were the three months hard, my darling?
00:05:20It's quite an education, really
00:05:22Does that hurt?
00:05:24Oh
00:05:25Only when I laugh
00:05:27Father wrote to me
00:05:28He's in Vienna
00:05:30Sounds well
00:05:33They're listening to me
00:05:38A whirring
00:05:40All the time
00:05:43They can hear everything I say
00:05:46And there's a man
00:05:46With a bird claw
00:05:49And he's coming back for me
00:05:54I'm sorry I haven't been able to visit much recently, mother
00:05:57It's not your fault
00:05:58But I'm in Oxford now
00:06:01So I'll be close by
00:06:03And I can visit much more often
00:06:06You have to promise me something
00:06:09Anything
00:06:09You must stay out of trouble
00:06:13Understood?
00:06:14I will
00:06:15No more trouble
00:06:17I won't lose you too
00:06:27Thank you
00:06:28University College was founded in 1249
00:06:30Making it the oldest college in Oxford
00:06:32I did try to get you in there
00:06:33I tried Balliol College 2, 1263
00:06:36Then Merton, 1264
00:06:39Sadly, dear brother
00:06:40None of the founding colleges would take you
00:06:42So I suppose I'll have to put up with the clumsy modality of 1458
00:06:45All right then
00:06:48Now I got your foot in the door
00:06:50Time to start taking advantage of your advantage
00:06:55There's something you're not telling me, isn't there?
00:06:57You'll thank me for it
00:06:59One day
00:07:01Ah, Smudger
00:07:02Mr. Holmes, sir
00:07:04Sherlock Holmes
00:07:05That'll be me, sir
00:07:07This is yours, sir
00:07:13Mycroft
00:07:14Yes
00:07:14Why is the head porter proffering an apron?
00:07:17You're a smart boy
00:07:18Work it out
00:07:20I'm to be a porter, not a student
00:07:22Oh, no, you've got to work your way up to be a porter
00:07:25You're a scout
00:07:26I'm a scout
00:07:27And the scout does
00:07:28Whatever I tell him to do
00:07:32I'm here to serve and not to learn
00:07:34Oh, no, no, you'll learn all right
00:07:36Go on, son
00:07:37The shitters aren't going to clean themselves, are they?
00:07:41Mycroft
00:07:42Bon appetit
00:07:44Mycroft
00:07:49The shitters, sir
00:08:02Mr. Chen and I appreciate your government sending you to escort us from London to Oxford
00:08:07But it wasn't necessary
00:08:09Princess, I can assure you the honor is all mine
00:08:13My government values our relationship with China very highly
00:08:17We wouldn't want anything to go wrong
00:08:19Is that why you've arranged an armed escort?
00:08:23You cooked
00:08:25Go on
00:08:27Make up
00:08:39Go on
00:08:40Go on
00:08:42Go on
00:08:42Go on
00:08:43Go on
00:08:44Go on
00:08:46Go on
00:08:46Go on
00:08:49Are we all having a lovely day?
00:08:52I said, are we all having a lovely day?
00:08:55Yes, yes.
00:08:56Good.
00:08:58I won't hold you up for long.
00:09:01I'm just here for the scrolls.
00:09:13Thank you, darling.
00:09:15What about her?
00:09:18What about her?
00:09:19Our job is to take the scrolls.
00:09:21She's a princess.
00:09:22I think it's a ransom.
00:09:30You're coming with us, princess.
00:09:32No!
00:09:34Let's go!
00:09:39Yes!
00:09:51Let's go!
00:09:52Let's go!
00:09:52Oh!
00:09:54Oh!
00:09:55Oh!
00:09:56Ah!!!
00:09:56Ah!
00:10:03Ahhh!
00:10:23Oh, my God.
00:10:45Princess?
00:10:56What tea, Scout?
00:10:59Right away, Professor.
00:11:19What are you doing with those?
00:11:22I do apologize, Professor Thompson.
00:11:25No good ever comes of poking your nose into business that does not concern you.
00:11:29I apologize, sir.
00:11:32Did you write this?
00:11:34Yes, I did.
00:11:35It's recently published.
00:11:36Rather well received, if I may say so.
00:11:38May I?
00:11:39Yes, of course.
00:11:44A Scout interested in mathematics?
00:11:47My father always instilled in me the love for reading.
00:11:50Taught me to be curious.
00:11:51Ah, curiosity.
00:11:52The greatest virtue, but not if you're a cat.
00:11:57Would you mind if I borrowed this?
00:12:00Not at all.
00:12:02Sherlock Holmes, sir.
00:12:04Sherlock?
00:12:05It's an unusual name.
00:12:24This is for the Chinese princess.
00:12:26Just arrived.
00:12:28Old court room to be.
00:12:30At your service, Mr. Smudger.
00:12:33Good lad.
00:12:49Scout!
00:12:56Your luggage, man.
00:12:58Please, place on the desk.
00:13:01You want me to wash your hands?
00:13:05I can come to myself.
00:13:08You're a New Jersey student, how can you say a lot of things?
00:13:13I was in Whitechapel.
00:13:15I gave a letter of writing.
00:13:25The shoemaker had a dependency.
00:13:27Do you mean he was a drunk?
00:13:29That was his poison of choice, yes.
00:13:30Which explained your slurred delivery.
00:13:35Your highness.
00:13:38A silence for Sir Bucephalus Hodge.
00:13:42While visiting my not inconsiderable business owner,
00:13:47his interests in this glorious empire of ours,
00:13:50it struck me that it was time to give back.
00:13:55So it is with great delight that I announce this term,
00:13:59the opening of my new science building.
00:14:02A brilliant addition to this glittering university.
00:14:06Scholars, on your feet.
00:14:12I present to you my Hodge Scholars.
00:14:19Take a good look.
00:14:21These students should be.
00:14:22Generals.
00:14:24Prime Ministers.
00:14:25Leaders who will guide our world into the 20th century.
00:14:30Enjoy learning.
00:14:31Enjoy your youth.
00:14:33Welcome.
00:14:37I came up in 23 HGV though.
00:14:41Didn't stay long.
00:14:43May I say so?
00:14:44No one has had a greater impact on expanding the British Empire than you.
00:14:47Everything to your satisfaction, sirs?
00:14:50Yes.
00:14:53You quite sure?
00:14:54Yes, fine.
00:14:55Nothing else I can get you.
00:14:56I am of course at your service.
00:14:57At your beck and call, as you well know, sir.
00:14:59And I said I'm fine.
00:15:00You notice him now?
00:15:01Yes, he does, sir.
00:15:02Very well, sir.
00:15:03How so?
00:15:04Well, I'm his lowly brother, sir.
00:15:05What?
00:15:06Brother?
00:15:07No.
00:15:08Is this true, Mycroft?
00:15:09It's not a very interesting story, sir.
00:15:11But is it true?
00:15:14Yes.
00:15:15Indeed, he is my brother.
00:15:16So how did he end up serving you?
00:15:18Redemption, sir.
00:15:19From what?
00:15:20Prison.
00:15:21Her Majesty's pleasure.
00:15:23How could you say this wasn't interesting, Mycroft?
00:15:25Do you carry on, young man?
00:15:26Well, my magnanimous brother here took pity on the black sheep of the family for which
00:15:31I am eternally grateful.
00:15:33More wine, your lordship.
00:15:35Sir, tell me, do you have the same parents?
00:15:38Yes, we do, sir.
00:15:39Although, sadly, we only really get to see each other at family funerals, court earrings,
00:15:43the like.
00:15:45Sir, today is your special day.
00:15:50Your scholars are an inspiration to us all.
00:15:53So, um, tell me, young man, what was your crime?
00:15:56Larceny.
00:15:57Thieving.
00:15:58Theft.
00:15:59Petty theft.
00:16:00Although those days are well and truly behind me, spiritually, and permanently, there we are,
00:16:07reformed.
00:16:07Was a taker, now a giver.
00:16:10Reborn to serve, sir.
00:16:12I'm sure we can take care of ourselves from now on, rather dearest.
00:16:15Very well, sir.
00:16:18I'm so sorry, sir.
00:16:20Well, no need to apologise, Mycroft, your brother's most interesting thing about you.
00:16:27One should assume here that x is greater than y, and define the powers of x and y using
00:16:33a holomorphic branch of log, defined on an open disk of radius, centred at x.
00:16:43Why?
00:16:46Why?
00:16:47Why?
00:16:47Because that is how it works.
00:16:51An open disk of radius centred at y, not x.
00:16:59My apologies.
00:17:01Why?
00:17:02Who so generously thought to correct me?
00:17:08Ah, Mr. Holmes the Scout.
00:17:11I see you've read my book.
00:17:14I did, Professor Thompson.
00:17:16Which is more than I can say for some of my students.
00:17:22Saved by the bell.
00:17:24Homework.
00:17:25Find me all the solutions of this Quintic.
00:17:50You're having trouble finding the solutions.
00:17:54Ah, don't worry about that.
00:17:57You just have to get yourself some new numbers.
00:18:01These solutions, they're not real.
00:18:04They're imaginary.
00:18:07That means even if you can't see the target, you can still shoot for it.
00:18:11So you're a mathematician now.
00:18:13A porter, a waiter, a candlestick maker.
00:18:17And a kleptomaniac.
00:18:18Was a taker.
00:18:20Now a giver.
00:18:22Does Hodgespocket watch keep good time?
00:18:24They say that it's the unconscious desire of every thief to be caught.
00:18:27That it's the fear of incarceration that gives freedom its currency.
00:18:30The fundamental fault of man is to think the enemy is external, not internal.
00:18:34Prison is in here, not out there.
00:18:38Hark at you with your art of war.
00:18:45James Moriarty.
00:18:50Sherlock Holmes.
00:18:55It's a long loin.
00:18:57I'm not a great one for waiting.
00:18:59Waiting for what?
00:19:01We're going to a party.
00:19:03We're not quite dressed for this.
00:19:04Are you even invited?
00:19:05I don't think you need to worry about that.
00:19:08You'll just follow my need.
00:19:09Good evening, ladies and gentlemen.
00:19:11May I see your invitations, please?
00:19:14Sirs, madams, please stand tight to the wall to keep the path clear for the other student.
00:19:18This is marvellous.
00:19:19I won't be moved.
00:19:21Wonderful dress, madam.
00:19:26Excuse me.
00:19:27Excuse me.
00:19:30Leave this with me.
00:19:31Sorry.
00:19:33You have a dramatic split in the back of your jacket.
00:19:42Two Sazeracs.
00:19:43There you go.
00:19:45My pleasure.
00:19:48Excuse me, sir.
00:19:49You cannot take that.
00:19:50Oh, you're absolutely right, sir.
00:19:51But I can borrow it.
00:19:52And I shall return it to its cradle.
00:19:57Well, look to this day, for it is life.
00:20:07You're the scout.
00:20:08Indeed.
00:20:09How did you get in here?
00:20:10I invited her.
00:20:11And who invited you?
00:20:12No one.
00:20:12And yet, here I am.
00:20:15If I wished to socialise with a cleaner, I'd have a party in the servants' quarters.
00:20:20So if you wouldn't mind, I'd ask you to leave.
00:20:24He might be a cleaner, but he's a very clever cleaner.
00:20:26Oh, such fun.
00:20:27At last we have characters at one of your parties, Peregrine.
00:20:30I have an idea.
00:20:32You outsmart the scout, and he'll leave without further protest.
00:20:37You take a good long look at him, and you tell us what you can glean.
00:20:40And then he'll do the same to you.
00:20:42And then I'll be the judge of who wins.
00:20:45Very well.
00:20:46Show me your hand.
00:20:49Interesting signet ring.
00:20:50I notice an absence of any type of ring.
00:20:53And no calluses.
00:20:55He's clearly not intimately acquainted with anything approaching hard labour.
00:20:59So not just a servant, but a lazy one too.
00:21:02Had you not considered that he wears gloves?
00:21:05So what else?
00:21:07Oh, that's it.
00:21:08Well, you had a promising start, but you don't follow through.
00:21:12What you made was an observation, not a deduction.
00:21:15No calluses.
00:21:16So how does he find himself in this position?
00:21:19Well, I'd say he got into a spot of bother along the way.
00:21:22He got kicked out of school, so he brought shame upon his parents and then his father
00:21:26made him take this position to teach him a lesson.
00:21:28Not quite.
00:21:29Brother.
00:21:30Yes.
00:21:31A high achiever.
00:21:32Am I correct?
00:21:33Spot on.
00:21:34Well, it wasn't so hard, was it?
00:21:37My turn.
00:21:39Your signet ring.
00:21:40The crest.
00:21:42Your ancestor was the Count of Boulogne.
00:21:44Fought at the Battle of Hastings.
00:21:45He was five foot two and he had a face like a cow's udder, but he fought like a titan.
00:21:49So ugly, yes, but magnificent nonetheless.
00:21:51Now, as is consistent with custom, a man knows he must wear his signet ring facing inward
00:21:56to represent content.
00:21:58Not outward to represent form.
00:22:00Inward for noble lion.
00:22:02Outward for tabby cat.
00:22:03Tell me, which direction does your ring point?
00:22:08Peregrine.
00:22:09That must hurt.
00:22:11Not as much as this is going to hurt.
00:22:22No!
00:22:24You're there, Issa.
00:22:27She's still there.
00:22:28I'm looking forward to that.
00:22:29Is she?
00:22:30Yes, of course.
00:22:31You can't find no way at home.
00:22:33A distant man can sympathize.
00:22:36You can't uphold his distant voice.
00:22:39The beautiful man that you see.
00:22:41I got a feeling that I hit the door, baby.
00:22:44You can't afford the man of.
00:22:47You can't afford the man of.
00:22:49You can't afford the man of.
00:22:49You can't afford the man of.
00:22:52You can't afford the man of.
00:23:03Yes.
00:23:04Well.
00:23:05I've always been more of a thinker than a fighter.
00:23:07Upstairs for thinking.
00:23:09Downstairs for dancing.
00:23:11You might want to re-strategize that philosophy.
00:23:13The two aren't mutually exclusive.
00:23:16Why do you think an emperor employs a general?
00:23:20The hand of mercy means nothing without the hand of judgment.
00:23:24Sat needs a tickle.
00:23:25Tickle needs a slap.
00:23:26There's an art to fighting.
00:23:30There's an art to war.
00:23:32These belong to the father of Princess Shuan.
00:23:35The art of war.
00:23:37Part of the original scrolls, 5th century BC.
00:23:42In order to know your enemy, you must become your enemy.
00:23:47My father had a copy of this.
00:23:51Didn't do him much good, no.
00:23:53I'd say it's worth a pound or two.
00:23:56Let's steal her.
00:23:58Better still.
00:23:59You're the expert.
00:24:00You steal her.
00:24:02I don't think that's a very good idea.
00:24:06Oh, that's a shame.
00:24:08You could do a lot with the money.
00:24:10You could do more with my freedom.
00:24:34Tell me it wasn't you.
00:24:36What wasn't me, sir?
00:24:38The police are on their way.
00:24:40Not quite sure I'm following.
00:24:41The robbery last night.
00:24:42The library.
00:24:43You had keys.
00:24:44The scrolls have been stolen and you was the last one seen going in.
00:24:49I hope for your sake it wasn't you, my boy.
00:24:52Excuse me, Mr Smudger.
00:25:03Just for clarity's sake, we didn't take those scrolls last night, did we?
00:25:06No, we didn't.
00:25:13I just think we did.
00:25:14He was just in here.
00:25:15What did he say?
00:25:16He took my scholarship.
00:25:19Oh dear.
00:25:21Yeah, so I can't stay here.
00:25:25Lucky you.
00:25:28Gets better.
00:25:29Go on.
00:25:30I can hardly wait.
00:25:33Well, you'll be gone back to prison.
00:25:35Lucky me.
00:25:39I'm going to find my brother.
00:25:42Get dressed.
00:25:44Meet me in the library.
00:25:49Mycroft.
00:25:51Stay out of trouble.
00:25:53One simple request.
00:25:56Is there any point protesting my innocence?
00:25:57Sherlock Holmes.
00:25:59What is that?
00:26:01You need my help, don't you?
00:26:03No.
00:26:03Sherlock Holmes.
00:26:04I'm arresting you in suspicion of theft.
00:26:07You won't need those.
00:26:08Sir, stop.
00:26:09I'm a constable.
00:26:10Yes, the clue is in the uniform.
00:26:12Constable Lestrade of Oxford City Police Force.
00:26:14Yes, and I am Mycroft Holmes of Her Majesty's Foreign Office.
00:26:17I'm in Oxford to assist Sir Bucephalus Hodge with the opening of this new science building.
00:26:21Surely this is more detective's work?
00:26:24I thought we'd make initial inquiries.
00:26:26Early worm catches the bird.
00:26:28Could be in trouble, yeah?
00:26:29I'm merely trying to prevent you from professional embarrassment from being reprimanded by your chief officer,
00:26:32who happens to be my bridge partner, and is, as you know, a stickler for due process.
00:26:37Yes, sir.
00:26:39Quite.
00:26:42Thank you, sir.
00:26:43Good man.
00:26:44Sir. Come on.
00:26:47I need you to get me into the library.
00:26:50You've got ten minutes?
00:26:52Don't embarrass me again.
00:26:54It's an old world looking for.
00:26:55Not really, no.
00:26:56I thank you for keeping me updated, but I would like to see the crime scene for myself.
00:27:03A hole in the window?
00:27:05Wonder what that's for?
00:27:07You should be a detective.
00:27:08Hard to escape.
00:27:09My powers of observation?
00:27:11What are these powers of observation telling you now?
00:27:13There has been, wait for it, a break-in.
00:27:18Astounding.
00:27:19How did you develop these skills of penetrating deduction?
00:27:22We've been gifted a couple of paw prints.
00:27:25There's a hook there.
00:27:25Who's missing his guest?
00:27:28I think I've caught the guest.
00:27:29Your ten minutes are up.
00:27:32Mycroft, would you mind telling me why your brother, the prime suspect,
00:27:36is standing at the scene of the crime?
00:27:37I think it's only fair he has a chance to defend himself, sir.
00:27:40No, he doesn't. Not here.
00:27:41He has a chance to defend himself in the court of law. Constable, sir.
00:27:44Right away, sir.
00:27:51I've never seen him before, sir.
00:27:54Leave him.
00:27:56Did you steal the judge?
00:27:58Not me.
00:27:59He's a judge.
00:28:00Have you come here?
00:28:02Is it not me?
00:28:04I'm a judge, sir.
00:28:05I'm a judge.
00:28:06Mycroft, what the bloody hell is going on?
00:28:08He's a brother of yours.
00:28:09Yes, sir.
00:28:09One minute he's a redeemed felon, then he's a servant, then he's a felon again,
00:28:13and now apparently he's a linguist.
00:28:15Again, it's not a very interesting story, sir.
00:28:18The thief was here at six minutes past ten.
00:28:21How can you possibly know that?
00:28:22Because when he climbed down from the window, he knocked this off.
00:28:26The clue's in the clerk.
00:28:28And she didn't notice this, constable.
00:28:30I can help you find your father's scrolls.
00:28:32Well, there's a very good reason why you can help find them.
00:28:34You stole them.
00:28:35This is not proper procedure.
00:28:36Sir, I represent the law.
00:28:38I will do the investigation.
00:28:40And they're my father's scrolls.
00:28:42Need I remind you, sir, how much of your trade with China relies on my father's goodwill?
00:28:46Well, we are running late for your appointment with the dean, sir.
00:28:50Indeed.
00:28:51Perhaps we should give the princess a chance to conduct this investigation as she sees fit.
00:28:55I must protest.
00:28:56Oh, really?
00:28:56Must you?
00:28:58Thank you, constable.
00:28:59We'll take it from here.
00:29:01According to Lestrade, the thief scaled down the side of the building and into a boat.
00:29:06Lestrade told me there's a river in the woods where the thief rode from Candlin College.
00:29:10The thief rode out from Candlin College, then get out here with the scrolls.
00:29:13Then?
00:29:14Disappeared.
00:29:15Disappeared.
00:29:16We have no idea where he went, sir.
00:29:17Footprints.
00:29:19Only one, sir.
00:29:21Only one thief.
00:29:22Head off this way.
00:29:25Footprints in here.
00:29:27Thief got into a carriage.
00:29:28Oy, oy.
00:29:31Looks like one of them wheels was a little drunk.
00:29:33And a drunk wheel would need to sober out.
00:29:36Hello.
00:29:37A coaching inn.
00:29:38Where one might get a wheel fixed.
00:29:41I wanted to ask.
00:29:42Were you trying to impress me?
00:29:45Impress you?
00:29:46At the maths lecture.
00:29:48Why?
00:29:49Were you corrected, Professor Thompson?
00:29:51Why?
00:29:52The professor's calculations were incorrect.
00:29:54That was all?
00:29:56Disappointing.
00:29:57Well, frankly, I don't know what to see in him.
00:29:59I mean, yes, he is somewhere handsome in a sort of obvious clumsy kind of way.
00:30:03But if you were ever looking for something a bit more niche, a bit more bespoke, more mysterious...
00:30:08And where might the princess find a man like that?
00:30:11As stimulating as this is, chaps, I need to return to my carriage.
00:30:15Why?
00:30:15The Gala opening.
00:30:16Or just a new science building.
00:30:18I promised him I would be there.
00:30:21For your help.
00:30:25Your Royal Highness.
00:30:26Welcome to Oasis in the parched desert of this rural wasteland.
00:30:36What can I do for you gentlemen?
00:30:38Two whiskies, my good lady.
00:30:40And whatever you'd like for your fine self.
00:30:43I know, I'm getting this.
00:30:44Your money's no good here.
00:30:45I'll get the drinks.
00:30:47You get the tip.
00:30:49And out of his pocket, he pulled Sovereign's bride.
00:30:52And the landlady's eyes open wide with delight.
00:30:57Excuse me.
00:30:58Our carriage is in need of a bit of repair.
00:31:01Is the wheelwright around?
00:31:02Might we have a word with him?
00:31:03He's down at the village, but he'll be back shortly.
00:31:07We can wait.
00:31:20Are we playing the game of getting another, or are we playing follow the fiddler?
00:31:24Well, I'll take care of the former if you take care of the latter.
00:31:28It is your round.
00:31:37Let's see.
00:32:03Watch your nuts!
00:32:13Here's the Skrulls.
00:32:15He's got the Skrulls.
00:32:28When are you gonna stop locking people's fists with your gnaws?
00:32:31It wasn't his fists, James. It was his forehead.
00:32:33Well, when you're engaged in combat, it actually helps to throw a punch from time to time.
00:32:43He pulled his punch.
00:32:53What is this place?
00:32:56Ah, you're here too.
00:32:58Welcome to my overactive imagination.
00:33:01Why pull your punch?
00:33:02He can hear you.
00:33:03Yes.
00:33:04But he can't answer you.
00:33:05No.
00:33:06Those are the rules I didn't make.
00:33:08Now he's paused.
00:33:09Yes.
00:33:09Waiting for something. What's he waiting for?
00:33:13He's waiting for me to come out.
00:33:20Oh, lovely tackle.
00:33:22Why wait for you to come out?
00:33:24Why wait for you to come out?
00:33:27Why don't you ask him?
00:33:49You can put them cannons down.
00:33:54Now, I don't know whether I should split your swede.
00:33:59Or smash your caps.
00:34:01What do you reckon?
00:34:03Hmm.
00:34:04Decisions, decisions.
00:34:06Why don't you ask my chum?
00:34:07Oh, I think they're sweet.
00:34:15Please.
00:34:16Oh, that's interesting.
00:34:17Not exactly brimming with scrolls.
00:34:22I smell alright.
00:34:23What if he pulled his punch because he wanted to lure us away?
00:34:25Well then, someone doesn't want us in Oxford.
00:34:29Not even the same tube.
00:34:33We've been gifted a couple of poor prints.
00:34:36How did you develop these skills of penetrating deduction?
00:34:40There are hand prints on either side of the window.
00:34:43Though he couldn't have been holding these rolls.
00:34:45What happens if he has them strapped to his back?
00:34:48No, that's too big a cork for too small a bottle.
00:34:50So he hands them to an accomplice.
00:34:53Only one set of tracks.
00:34:55Only one feet.
00:34:57So he leaves them on the inside ledge and he reaches back for them.
00:35:00Wouldn't put them down as a gymnast.
00:35:01Here's another possibility.
00:35:03What if they never left?
00:35:05What if the scrolls are still in the library?
00:35:08That's one hypothesis.
00:35:09You have a better one?
00:35:11In the unlikely event that you are right.
00:35:13Why make it look like there was a theft?
00:35:14If there was no theft, that's the question.
00:35:18You ever used one of these?
00:35:20Indeed I have.
00:35:21The devil will they think they're doing.
00:35:24Get back here!
00:35:26There is a special place in hell for many of them.
00:35:31We'll put them in there as fast as we can.
00:35:35Hold on, this doesn't make sense.
00:35:38The lead's cracked.
00:35:40Stress fracture.
00:35:41It's not been pushed from the outside in.
00:35:42It's been pushed from the inside out.
00:35:44And then back in again to make it look like it was pushed in from the outside.
00:35:49Well this wasn't a breaking.
00:35:51But it's been made to look like it was a breaking.
00:35:58Is that where my statues can go?
00:36:00I believe so, sir.
00:36:02I have a feeling it needs to be...
00:36:06Bigger?
00:36:06Bigger, Mycroft.
00:36:08Yes, bigger.
00:36:08Just higher than all those kings and queens and saints and whatnot.
00:36:15Princess, generous of you to find time for my humble little shindig.
00:36:19The pleasure is mine.
00:36:21So the scrolls should be in here somewhere?
00:36:23There's a thousand places to hide them.
00:36:26Yes, that does provide a challenge.
00:36:37Well maybe you were wrong.
00:36:39I was wrong.
00:36:40Yes.
00:36:40Well the scrolls being here, that was all you.
00:36:43Remind me, what was your theory?
00:36:44You can't rush, genius.
00:36:46No.
00:36:46You take your time.
00:36:48Not you who's going back to prison.
00:36:49Well maybe if you were a more accomplished pickpocket then you wouldn't be going there in the first place, would
00:36:54you?
00:36:59We've been looking for a something when we should have been looking for a someone.
00:37:03Walker.
00:37:04Who?
00:37:05Walker the porter?
00:37:07The porter who tidies the room.
00:37:10He suffers from chronic scrupulosity.
00:37:12Every night he walks around and makes sure everything in here is in order, everything straight.
00:37:17Not just straight, as an arrow straight cushion.
00:37:20He hasn't been here since the crime.
00:37:22So, something or someone is not straight.
00:37:26John Don.
00:37:30He's been to the wub.
00:37:31He's had a drink.
00:37:32A drink or two.
00:37:34He could have another.
00:37:35He should go home.
00:37:36But he doesn't know when to stop.
00:37:43Speaking of his luck.
00:37:46Our secret lies in confusing the enemy so he cannot fathom our true intent.
00:37:51What if it was a diversion?
00:37:52The library is the busiest room in college.
00:37:55Even at night, porters check on the place every 30 minutes.
00:37:57The thief makes it seem as though the scrolls were stolen to ensure the library is sealed off as a
00:38:01crime scene.
00:38:02He then squirrels himself away in here and waits for all to be quiet and clear.
00:38:07He needs to be undisturbed.
00:38:08He needs time.
00:38:09Time.
00:38:10Time for what?
00:38:16This is the case that housed the scrolls.
00:38:19Our whiskey has made its mark.
00:38:22Now, before the scrolls were stolen, this case sat on top of a cabinet.
00:38:25A cabinet which is now missing.
00:38:28Why was it taken?
00:38:29And what was inside?
00:38:30Let's focus on the how, and that will give us the what and the why.
00:38:34Now, how does a cabinet disappear when the police are at the only door?
00:38:40Through the walls.
00:38:42In its original incarnation, 400 years ago, before this was a library, what was this room?
00:38:46A medieval banqueting hall.
00:38:48Sir, there would have been five corridors.
00:38:50One for the Norman aristocracy, two for the masses, and two for the servants coming in and out from the
00:38:54kitchen.
00:38:54All bricked up and paddled over.
00:38:58Rat to tat.
00:38:59Rat to tat.
00:39:10Cat follows rat.
00:39:13Cat follows rat.
00:39:25Well, we found our cabinet.
00:39:30Now we know how it got here.
00:39:32Shall we address the what?
00:39:34Door number one.
00:39:37We have some kind of mechanical activator.
00:39:41Door number two.
00:39:46The mechanism, it's activating.
00:39:48Door number three.
00:39:50A timing device.
00:39:52Door number four.
00:39:53How's everybody guess?
00:39:58Oh dear.
00:40:00Well, now we know the what.
00:40:01So what's the why?
00:40:04Nothing has such power to broaden the mind as the ability to investigate.
00:40:10Investigate.
00:40:10Hodges Gala.
00:40:11Do you know how to defuse one of these?
00:40:14No.
00:40:15Do you?
00:40:15Can we move it?
00:40:17That wouldn't.
00:40:18Solution?
00:40:19Well, we've only got 90 seconds according to that clock.
00:40:21This building will be a cathedral to a science.
00:40:24The stone and mortar that surround us.
00:40:27If yes.
00:40:28I must now make mention of our brilliant mathematician, Professor Charles Thompson for his invaluable contribution.
00:40:36Ladies and gentlemen, I invite you to charge your glasses.
00:40:50Holmes, what the devil are you doing in my chimney?
00:40:52Sorry to bother you, sir.
00:40:54A rather pressing issue.
00:40:55Well, I hope it is for your sake.
00:40:56What is it?
00:40:56A bomb.
00:40:57What do you mean a bomb?
00:40:58A bomb is an incendiary device.
00:41:00I don't know what a bloody bomb is, Holmes.
00:41:02What's that got to do with interrupting my speech and destroy my chimney?
00:41:05Proximity, sir.
00:41:06It's likely to go off in the next 30 seconds, killing anyone within the blast radius, which
00:41:10I would assume is likely to be pretty much this whole room, sir.
00:41:12I see.
00:41:13Well, that does seem to be a sound reason.
00:41:15For God's sake, could you stop being so English?
00:41:18There's a bomb!
00:41:18No, come on!
00:41:20You're good!
00:41:21No!
00:41:23No, no, no!
00:41:25No, no, no, no!
00:41:27No!
00:41:53Whoever's behind us, I'm going to string them up, cut them down while they're still alive,
00:41:57disembowel them and burn their entrails before their eyes.
00:42:00Entrails.
00:42:01Very good, sir.
00:42:29So what exactly are we celebrating?
00:42:31We haven't solved anything.
00:42:32We don't know who planted the bomb or why.
00:42:36And that is not our concern.
00:42:38That's not our concern.
00:42:39We set out to find the scrolls.
00:42:40We found them.
00:42:41I'm not losing my scholarship and you're not going to prison.
00:42:45So I think that's worth raising a glass to.
00:42:54Why aren't you drinking?
00:42:56Not thirsty.
00:43:00Come in.
00:43:03Oh, another survivor.
00:43:05Yes, but I can't pretend I'm not shaken.
00:43:09Please sit.
00:43:13Can I have one of those?
00:43:15Yes, of course.
00:43:17Please come in.
00:43:18Close the door.
00:43:27Well, at least someone's thirsty.
00:43:29I wanted to thank you, Sherlock, for finding my father's scrolls.
00:43:35Oh, well, don't mind me.
00:43:37I'm just an Ashkenazi side dish.
00:43:41Besides, I have a previous arrangement.
00:43:44Do you?
00:43:46You're much more than chopped liver, my friend.
00:43:48You must stay.
00:43:48You're the main course.
00:43:49No, no, no, no.
00:43:52So, Romeo, Juliet, good night, good night.
00:43:56Parting is such sweet sorrow that I should say good night.
00:44:02Because I'm off the pub.
00:44:10Now, how should I reward you?
00:44:12Oh, no, that's not necessary.
00:44:15At least let me top you up.
00:44:23Your companion, James Moriarty, is quite brilliant.
00:44:28But not as brilliant as you.
00:44:36Here's to your extraordinary future.
00:44:47You missed a bit.
00:44:54Why don't you sit down over there, and I'll clean you up.
00:44:59I'm not quite sure this is all, uh...
00:45:01I insist.
00:45:18Come play with me, Sherlock.
00:45:21Where was her?
00:45:23Sherlock, why don't you play with your sister?
00:45:25Go on.
00:45:26Get up, Sherlock, Sherlock.
00:45:30They were born.
00:45:33Five.
00:45:35Where is she?
00:45:37Cordelia.
00:45:38Beatrice!
00:45:39Beatrice!
00:45:40Beatrice!
00:45:41Beatrice!
00:45:41Beatrice!
00:45:42A secret never told.
00:45:48Never heard it!
00:45:49You're thinking.
00:45:50Come on, I'm not going to get out of the pub.
00:45:52Come on, you're thinking.
00:45:54Come on.
00:45:55Get him over!
00:45:58Police!
00:45:59Open up!
00:46:00That's him.
00:46:01Get him on his feet, Max.
00:46:02On your feet.
00:46:07Sherlock Holmes.
00:46:09I'm arresting you for the murder of Professor Charles Thompson.
00:46:13Take him away.
00:46:21Hey, Sherlock!
00:46:23Sherlock, step aside!
00:46:24Wait, where were you taken?
00:46:25None of your mistakes!
00:46:26This is what?
00:46:26The murder of Professor Thompson!
00:46:29Now!
00:46:29Out of my way!
00:46:51You caught the wrong man.
00:46:52Let's not play games, Mr. Holmes.
00:46:54Professor Thompson's dead.
00:46:56Where your knife is found in his back.
00:46:57The blood in your shirt and the blood in your face.
00:47:00I was with Schumer.
00:47:01The princess?
00:47:01Yes.
00:47:04We...
00:47:05You what?
00:47:09I don't remember.
00:47:12I know all about your mother, Mr. Holmes.
00:47:15Such afflictions run in the family.
00:47:16You're...
00:47:17Obviously deranged.
00:47:18You planted the bomb so you could turn yourself into a hero by saving everyone.
00:47:22The only problem is...
00:47:23The professor saw you.
00:47:25That's what I reckon.
00:47:27Which would give you the motive to kill him.
00:47:29It's a simple enough conclusion, but unfortunately incorrect.
00:47:33Talk to the princess.
00:47:34She'll corroborate my story.
00:47:44How do you come, Mr. Holmes?
00:47:54No strip.
00:47:57How about dinner first?
00:48:20Good breakfast, Michael.
00:48:21Patrick Mare Kippers, Chef here does the most remarkable kidney.
00:48:24Thanks.
00:48:25You have already eaten.
00:48:26But I insist it's far too good to pass on.
00:48:28What have you done, Thomas?
00:48:28We have a challenge to feed you.
00:48:28So, that's it.
00:48:33In that case, sir, how can I help you?
00:48:38My brother is not responsible for the crime, sir. He is innocent.
00:48:43Tedious. Used to be such good fun.
00:48:45Can we please talk about anything else other than this?
00:48:48It's quite so it's innocent God to do with it. I can hardly interfere with police procedure now, can I?
00:48:52Well, your name does carry a certain amount of weight, sir.
00:48:53Why are you an oxford, Mr. Holmes?
00:48:56Persist you.
00:48:57Precisely.
00:48:58Not, are you?
00:48:59So, try to remember your place. You've no idea what's at stake here.
00:49:02He's my brother.
00:49:03Quick, government, you're not listening. Stay out of it. Leave it with me.
00:49:07Keeping your brother locked up suits my purposes.
00:49:13Mr. Holmes has lost his appetite.
00:49:14Very good, sir.
00:49:19Thank you for your time, sir.
00:49:34Good morning, sir.
00:49:37You think you're getting it back, don't you? Scholarship.
00:49:40That would seem appropriate.
00:49:42The scrolls were phoned and, well, I was exonerated.
00:49:44All part of your young friend's little show.
00:49:47Well, don't put a hand on me, Moriarty.
00:49:50Sorry, sir.
00:49:51Let's face it, you've always struggled to fit in here, haven't you?
00:49:55Perhaps you should find a calling better suited to your standing.
00:49:59I believe I belong here, sir.
00:50:01I believe you'd do yourself a service if you pack your bags and leave.
00:50:03Your time at Oxford is done, sir.
00:50:06Fine.
00:50:07I'll do anything.
00:50:08Dammit, man!
00:50:14I'll step out of my way.
00:50:18I want you out of your room at once.
00:50:30What are you all looking at?
00:50:34You fucking sheep.
00:50:41James!
00:50:42What?
00:50:44That was very unkind.
00:50:50This world is unkind.
00:50:54Where will you go now?
00:50:55I don't know.
00:50:56Will you go see Sherlock?
00:50:57I don't know.
00:50:58Well, I need to know what he's told the police.
00:51:01Well, I can't help you.
00:51:12I don't know.
00:51:13I don't know.
00:51:48This is right.
00:51:57Oh, Sherlock.
00:51:59Can you get me out of here?
00:52:02It won't be easy.
00:52:03Not this time.
00:52:05This is a murder charge.
00:52:07You know, you don't have to leave me here just to make a point.
00:52:09I'm not making a point.
00:52:12It seems as though there are...
00:52:14Keeping it rather locked up since my purposes.
00:52:17Are the forces at work?
00:52:19What forces?
00:52:19Not sure yet.
00:52:21You'll have to bear with me.
00:52:23My wife, Father Inby, and perhaps he can pull some strings.
00:52:28Does Mother know?
00:52:29Not yet.
00:52:31Don't tell her, please.
00:52:32Of course I won't, Sherlock.
00:52:34A case like this will hit the newspapers.
00:52:39The police need to talk to Shu-An.
00:52:41The princess?
00:52:42I was with her.
00:52:43It's the last thing I remember.
00:52:49I'll see what I can do.
00:52:54Oxford has become a theater of death.
00:52:57Well, that is admittedly unfortunate.
00:52:59I'm happy to be reporting that the situation is now in hand.
00:53:02We have the suspect in custody.
00:53:03The scout?
00:53:06Apparently he's claiming he was with you last night.
00:53:08I'm afraid that is not true.
00:53:10He's either mistaken or deluded.
00:53:12Now that's settled.
00:53:13Perhaps you'd be so kind as to send your father a wire and reassure him all as well.
00:53:17A man lies dead and your concern is for your trade with my father.
00:53:21But I don't like to wallow in the past, Princess.
00:53:24Always look ahead to the next challenge.
00:53:29Sorry?
00:53:32I pray your assurances are not just dust and shadows.
00:53:37More tea?
00:53:43Forgive me.
00:53:44Let me fetch someone.
00:53:55You do if you'd be so kind.
00:53:57Of course, sir.
00:54:01My apologies.
00:54:02Think nothing of it.
00:54:05Well, I've taken up enough of your time.
00:54:07Princess.
00:54:12Take a telegram.
00:54:14Right away, sir.
00:54:15To Sir Sidney Blewett, Minister for War.
00:54:19Here's Sidney.
00:54:21Storm clouds threaten.
00:54:22I fear our work here is no longer covert.
00:54:29Longer in the car.
00:54:30Move.
00:54:31Longer in the car.
00:54:32Pick up a claim.
00:54:33Come on.
00:54:34Move.
00:54:35Longer in the car.
00:54:37Move.
00:54:38Come on.
00:54:40Longer in the car.
00:54:41One, two, three.
00:54:42Come on.
00:54:43Come on.
00:54:43Hook this my army, please, prisoner.
00:54:44Move on.
00:54:46Off you go.
00:54:46Come on.
00:54:47Next.
00:54:52Head dog.
00:54:53Straight on.
00:54:55What exactly are we doing?
00:54:57I am rescuing you.
00:54:59So if we can save the fawn in gratitude, it'll only embarrass me.
00:55:09Hold up, ladies.
00:55:10Please.
00:55:26Carry on.
00:55:31Can we have slopes here?
00:55:33Come on.
00:55:33Wrap yourself.
00:55:35You're going down the chute.
00:55:40Keep covered.
00:55:41Zero five.
00:56:04Excuse me, young lady.
00:56:05Laugh.
00:56:05What the fuck is this?
00:56:07I said, excuse me, young lady.
00:56:18Come on.
00:56:18Get up.
00:56:19Very good.
00:56:23Come on.
00:56:28I'm back.
00:56:29Get out.
00:56:29Get out.
00:56:30Get out.
00:56:31Get out.
00:56:31Get out.
00:56:32Get out.
00:56:33Get out.
00:56:33Get out.
00:56:33Get out.
00:56:33Get out.
00:56:34Get out.
00:56:34and he'll crush beneath the wave like a shipwag
00:56:37— like a racetrall—
00:56:38I was just bouncing, but I was bouncing about
00:56:40I was sling a little more, a little more
00:56:43and then we all swung a little more
00:56:45a little more each domain
00:56:47Swing a little more, a little more
00:56:49and then we all swung a little more
00:56:52until the past fall
00:56:53— when I was against the face,
00:56:55— I was like a humor in security
00:56:56I'm on a pin and talk around
00:56:58— I'm not a lot of obscurity
00:57:00Tell me something, girl,
00:57:01I didn't explain how he's supposed to
00:57:03I said, don't let me know.
00:57:04On the devil's dance floor.
00:57:06I'll shoot you a little more.
00:57:08You'll have a little more.
00:57:08I'll shoot you a little more.
00:57:09You'll have a little more.
00:57:11On the devil's dance floor.
00:57:19Escaped?
00:57:20What do you mean, escaped?
00:57:21My understanding is that nobody could escape from Oxford Jail.
00:57:24Seems like you had an accomplice dressed as a washerwoman.
00:57:27When?
00:57:28When did this happen?
00:57:29An hour ago.
00:57:30Our officers are searching the city.
00:57:33Constable, I do not want some trigger-happy marksman
00:57:36gunning him down in the bloody street.
00:57:38Pardon me, gentlemen.
00:57:39Detective Fidget, Scotland Yard.
00:57:42Constable Lestrade?
00:57:43Is this the crime scene?
00:57:44It is, sir.
00:57:45Sounds like this case has turned into something of a shambles, Constable.
00:57:48With all due respect, sir, a lapse in prison security
00:57:51can hardly be considered my responsibility.
00:57:54Who might you be, sir?
00:57:56I'm Sherlock Holmes' brother.
00:57:58Mycroft Holmes.
00:57:59From the Foreign Office.
00:58:00Ah, the Foreign Office, Andy's brother.
00:58:03In one tiny package.
00:58:06I'm prepared to help you with your search.
00:58:09On one condition.
00:58:11When he is brought in, no harm will come to him.
00:58:15My brother is innocent, detective.
00:58:19Well, if he is innocent, Mr. Holmes, why is he running?
00:58:33Why here?
00:58:35Sir, look, it's as good a place as any to hide out.
00:58:38It's dark, during daylight hours.
00:58:39You can get yourself a new outfit.
00:58:41We're not running from here until we sort out this mess.
00:58:44This mess is my mess, not yours.
00:58:47You can still have a future at Oxford.
00:58:49I think we're well past that point.
00:58:53I suppose I should probably rather awkwardly say thank you.
00:58:59For what?
00:59:00For your flamboyantly impressive extraction.
00:59:05Now, there's no need to thank me.
00:59:07I'm having a lovely time.
00:59:09You ready?
00:59:10Sorry.
00:59:14Ow!
00:59:15Jesus, James, what was that for?
00:59:17You need to learn how to defend yourself.
00:59:20Come on up.
00:59:22Come on up.
00:59:25I'd hate to break this to you.
00:59:27But you're a bit of an embarrassment.
00:59:33Stop hitting me in the nose!
00:59:34You need to learn how to stop me from hitting you in the nose.
00:59:38Oh, very good.
00:59:40Oh, so what happened to you last night?
00:59:42She came.
00:59:44We drank.
00:59:45I woke up covered in blood and was arrested for murder.
00:59:48So you can't remember anything else?
00:59:50No, nothing.
00:59:51Okay.
00:59:52How many did you drink?
00:59:52Two.
00:59:53Two.
00:59:54One and a half.
00:59:55One and a half drinks.
00:59:55Yes.
00:59:56That's it.
00:59:56Yes.
00:59:57Oh.
00:59:58Are you suggesting she's involved?
01:00:00I would explain.
01:00:02That's the way she came to your room last night.
01:00:05Oh, Sherlock.
01:00:07Oh, I just wanted to thank you.
01:00:10You're so busy.
01:00:16That's not bad.
01:00:17Oh, you deserved it.
01:00:23She did have her back to me as she poured the drinks.
01:00:26Your companion, James Moriarty, is quite brilliant, but not as brilliant as you.
01:00:31So she slipped something in your drink?
01:00:34That would explain why I can't remember anything.
01:00:36Here's to your extraordinary future.
01:00:38Perhaps we do have the right idea.
01:00:40Just the wrong thief.
01:00:47She stole the scrolls to ensure the library was locked down, giving her time to plant the bomb.
01:00:52All good.
01:00:53All good.
01:00:54To a point.
01:00:55If she was trying to kill the professor, why would she go to the trouble of building a bomb?
01:00:58Why would she not just lay for me at the back and get it over with?
01:01:02That's Oscar.
01:01:03I would love to see her again.
01:01:06What's the collective known for a police?
01:01:09A plot.
01:01:10A plot of healers.
01:01:11A plot of healers.
01:01:20I think we should join the plot.
01:01:39The party was not a success.
01:01:43No one expected your Mr. Holmes to enter the picture.
01:01:47What do you intend to do about him?
01:01:51Already done.
01:01:55He's been arrested for murder.
01:01:57And on the run, I hear.
01:02:00Even more reason for them to think he's guilty.
01:02:03Is he going to be a problem for us?
01:02:07I can control him.
01:02:11He got to you, didn't he?
01:02:16Upon that wall are 26 characters from the Hebrew Bible.
01:02:19The numerical value of Jehovah.
01:02:23Jehovah is both positive and negative.
01:02:26Ying and yang.
01:02:27So we double the 26 and we find 52.
01:02:31That is why we have 52 weeks in a year and 52 playing cards.
01:02:36What we don't need here is a 53rd.
01:02:40A joker.
01:02:44The first apostle has been eliminated.
01:02:48I don't want to doubt you.
01:02:51You have one week.
01:02:54Move quickly.
01:02:55Find Professor Roberts.
01:03:01Or it will be our blood that is spilled.
01:03:05Princess.
01:03:14Forgive me.
01:03:42Professor Roberts?
01:04:00Professor Roberts?
01:04:22Professor Roberts?
01:04:39Anything else to tell me?
01:04:42No, constable.
01:04:44Good.
01:04:45Keep your nose clean.
01:04:47Will do.
01:04:55Constable Lestrade?
01:04:56Yes.
01:04:58Do you have anything for me?
01:05:03You too.
01:05:06Here.
01:05:07Now.
01:05:12Yes, sir.
01:05:14Young man worked here as a scout.
01:05:17Sherlock Holmes.
01:05:18I need information.
01:05:20Family address.
01:05:22Background.
01:05:24Already there, sir.
01:05:25His family estates in Appleton, his father's scientific pursuits take him aboard, and his mother's in a local asylum.
01:05:31You seem very knowledgeable, constable.
01:05:33I do like to do my own research, sir.
01:05:36I think it's fair to say that I would lay down my life for the constabulary.
01:05:41I also like to do my own research, sir.
01:05:44And I think it's fair to say that I would lay down my life twice for the constabulary room.
01:05:49Very good, young man.
01:05:51Very good, young man.
01:05:51What else can you give me?
01:05:53I hear he is dangerously smart.
01:05:57That's not where my investigation has led me, sir.
01:06:00I hear that he's not as smart as he thinks he is.
01:06:04A genius is probably a more appropriate term to describe his intellectual capacity.
01:06:08I hear he gets all his best ideas from his associate, who we recognize to be the true artist.
01:06:12I think my colleague's research has taken him down a verisimilitudinous cul-de-sac, if you will.
01:06:18The barren land is how our savior might describe this particular cerebral pasture.
01:06:23Oh, I think that the acclaim is so often erroneously misplaced to cosmetic factor in an equation of two.
01:06:31E pluribus unum, sir.
01:06:34The moon so often takes the credit for the light.
01:06:42that he's shone upon it.
01:06:44Thank you, champs.
01:06:46Carry on.
01:06:47Wonderful hat, sir.
01:06:48Thank you, constable.
01:06:50Sir.
01:06:55Waste of time.
01:06:58You're constable to know you press a must-shot.
01:07:05You take the room, or take the steps.
01:07:37Well, I'll stop you there, chaps.
01:07:39Take me a job.
01:07:40Nothing up there.
01:07:42I suggest you take a look at the north stairs.
01:07:44I'll check this out.
01:07:45On you go.
01:07:53Enter, «fiterio»
01:07:54I love you.
01:07:54Damn!
01:08:02Thank you, Cassie!
01:08:02Now, I'll decide what you're saying.
01:08:02I will check now.
01:08:02I'll see you next time.
01:08:03joining us now.
01:08:04Come, baby!
01:08:06I have a man.
01:08:09Bye!
01:08:14Bye!
01:08:15Bye!
01:08:17I know about your English children and your nursery games.
01:08:20Shall I be the nanny and you'll be the little boy?
01:08:24Are you going to make me come and find you?
01:08:28That won't be necessary, nanny.
01:08:32I surrender.
01:08:33Did you find anything incriminating, officer?
01:08:36Sadly, my search hasn't been as productive as I would have hoped.
01:08:40It seems your obsession with me runs very deep.
01:08:42More curiosity, then.
01:08:45Obsession.
01:08:47However, shockingly, I am curious as to why I'm being set up for murder.
01:08:51Are you implying in some way that I am guilty?
01:08:53Well.
01:08:57Yes.
01:08:58Yes, I think I am.
01:08:59If I were to scream and they came in here, whose side would they take?
01:09:04An escaped convict masquerading as a policeman or a highly esteemed princess of the Qing dynasty?
01:09:10And yet you haven't screamed, have you, princess?
01:09:13Maybe there's a reason you don't want anyone snooping around in here.
01:09:21Maybe there's something you're trying to hide.
01:09:51Even you're all right.
01:09:52Fine, I'm just doing my exercises.
01:10:01Aww, that is a shame.
01:10:09It won't be long now before they come to save the innocent princess from the deranged escaped convicts.
01:10:20Baito Jain.
01:10:22Bonjour.
01:10:26Well, that was dramatic. Should have taken your job.
01:10:36You? Thank you.
01:10:46Mr. Huygens, I'm here to visit my mother. These two gentlemen wish to speak to the director.
01:10:51My name is Detective Fidget, Scotland Yard.
01:10:53Constable Lestrade. I'll stand for the director.
01:10:59If you don't play your cards right, you could end up in a place like this, Lestrade.
01:11:03No, Trudy. Trudy, please.
01:11:05Everything under control, Lestrade?
01:11:06Yes, thank you. Thank you, Dr. Huygens.
01:11:22Twice in one week? To what do I owe the pleasure?
01:11:28You knew it was me.
01:11:31I know your footsteps. The echoes in that corridor are my whole world.
01:11:38Has he been here?
01:11:42Sherlock.
01:11:45You said he was with you in Oxford. What's happened?
01:11:48Nothing.
01:11:49I just wondered if you'd been to visit, that's all.
01:11:51You're lying.
01:11:55The man with the bird's claw, who came after me.
01:11:57Oh, please, Mother.
01:11:58Now he's after Sherlock.
01:12:01He's hunting.
01:12:02Shh. Please, Mother. Don't upset yourself.
01:12:05Sherlock is fine. He's settling in, making friends.
01:12:10Now I know you're lying.
01:12:14Sherlock never made any friends.
01:12:17I just wondered if he'd been to visit, that's all.
01:12:21How to paint a mother's grief.
01:12:25She was such a pretty little thing.
01:12:29She was.
01:12:30She'll never grow old.
01:12:33No.
01:12:35She'll always be a child to me.
01:12:42You have been most helpful, sir.
01:12:46She hasn't seen him.
01:12:48The director confirms your brother, in fact, hasn't been here.
01:12:51He'll be miles away by now.
01:12:52He won't run.
01:12:53No.
01:12:54You wouldn't do it to our mother.
01:12:56My brother is innocent, detective.
01:12:59Mr. Holmes, your brother remains a fugitive.
01:13:02The chase continues.
01:13:09Siobhan was desperate for me not to see something.
01:13:11What?
01:13:12A burnt piece of paper in a grate.
01:13:20My God, it pains me to see you so defenseless.
01:13:24Yes, well, I recognize I'm a work in progress.
01:13:31Something silver, embossed writing.
01:13:34Can you see the letters?
01:13:35L and R?
01:13:38Gothic script.
01:13:39Mean anything?
01:13:40There was a number two, the signing of the Magna Carta.
01:13:42That's 1215.
01:13:43That's it?
01:13:45No, I have seen those letters.
01:13:49Fortress Lodge, the photographs on the wall.
01:13:52It's not L and R.
01:13:53It's L and K.
01:13:54Lord and Kingsley, the Oxford photographer.
01:13:56Why would she want to destroy a college photograph?
01:13:58Well, you have the number.
01:14:01You can find the original plate.
01:14:02You can make yourself a copy.
01:14:04Lord and Kingsley, they have a shop on the high street.
01:14:06If we find out what she burned, maybe we can find out why.
01:14:08And so we stand like greyhounds in the slips, straining upon the start.
01:14:17Fancy yourself, the king.
01:14:20You have the cronfits.
01:14:32Good afternoon, gentlemen.
01:14:34Good afternoon, sir.
01:14:35We would like to order a copy of a photograph I believe you have already taken.
01:14:39It's number 1215.
01:14:41Okay, let me see.
01:14:48I don't seem to have a plate of that one.
01:14:51Unfortunately, we don't have enough room to store all the originals.
01:14:54What was the photograph?
01:14:55I don't recall.
01:14:56Would you at least be able to tell us who you made copies for?
01:15:00Well, ladies and gentlemen, let me check my other ledgers.
01:15:02I say, is this a Richard Maddox model?
01:15:05Good heavens, sir.
01:15:06You certainly know your cameras.
01:15:08Would I be correct in saying this works on a gelatin dry plate to produce a shorter exposure?
01:15:13Yes.
01:15:13And it builds on the collodium process to require only two to three seconds of exposure before producing an image.
01:15:19Must have been jolly expensive.
01:15:21Yes, it was rather.
01:15:24It only just arrived.
01:15:26To be honest, I'm still getting to grips with it myself.
01:15:29But it produces a remarkable image.
01:15:32I think this is going to pave the way to miniaturization.
01:15:35Yes, and potentially more adaptable photographic emulsions.
01:15:39Yes.
01:15:40The new world beckons.
01:15:42Well, we shall be back tomorrow to pick up the photograph.
01:15:48You'll be most helpful.
01:15:51Good evening.
01:15:52Good evening.
01:15:53Two cuties made.
01:15:54Schwan burned one.
01:15:55The other one went to the master's lodge, House of Candlin.
01:15:58Good.
01:16:00So, you just walk up to his door and knock on it?
01:16:06Sorry to disturb you, sir.
01:16:08Is the master at home?
01:16:10Not here.
01:16:10There's an engagement in London.
01:16:12Right.
01:16:13We're checking all the college premises for this fugitive Sherlock Holmes.
01:16:17Ah, yes, I heard.
01:16:18Well, I can assure you he's not in here.
01:16:22If I don't check for myself, sir, my sergeant, I'll never hear the end of it.
01:16:32Thank you, sir.
01:16:38Did you know him, sir?
01:16:40The scout, Sherlock Holmes?
01:16:43Never met him.
01:16:45They say he was an odd sort.
01:16:48Excuse me, would you come to the floor?
01:16:50I was just about to take the mistress here afternoon tea.
01:16:53If you wouldn't mind waiting.
01:17:09Sorry about that, constable.
01:17:11Would you like me to give you the tour?
01:17:18Good afternoon, smudger.
01:17:20Oh, good afternoon, your highness.
01:17:21I need to speak with Professor Roberts.
01:17:23I'm afraid he's not in college at present.
01:17:25I have to hand in an essay.
01:17:28The tunneling shield perfected by Ismbar to Kingdom Brunel is the future.
01:17:32Discuss.
01:17:33Sounds fascinating.
01:17:35He's very strict about deadlines.
01:17:37Would you be so kind as to give this to him?
01:17:39Of course, your highness.
01:17:41Lad.
01:17:44Thank you, smudger.
01:17:45My pleasure, your highness.
01:17:46Put it with the others, lad.
01:17:49When are you going up to his country house?
01:17:51This evening, sir.
01:17:52Why the secrecy?
01:17:54Why not give out his address?
01:17:56You mourned your own business, lad.
01:17:58Do as you bid.
01:18:00Oh, my God.
01:18:37Candling College Tennis Court, 1870.
01:18:40Why would she not want anyone seeing her?
01:18:43That's Professor Thompson, your supposed victim.
01:18:47Who are the other three?
01:18:49You should know, Sherlock. He waited on a hand and foot.
01:18:51I clean 35 places a day. I made 30 beds a day. I might need a moment.
01:18:55Pink, man. Pink.
01:18:56What do you think I'm doing?
01:18:57I'm not frying an egg or milking a cat.
01:18:59I'm thinking.
01:19:00This professor, in particular, was very tidy.
01:19:03He kept very little in his room.
01:19:05There were some books on his desk, but nothing that helps me remember his name.
01:19:08Excuse me, sir.
01:19:14Professor Roberts. That was his name.
01:19:17Very good, very good. Well, keep going. Keep going. Come on.
01:19:20I might be a scout. I'm not your scout.
01:19:23I emptied his waste paper basket. There were some letters.
01:19:26One of them from a John...
01:19:27John... John... John... John who?
01:19:29John... Nowell?
01:19:30John Nowell? Or John Howell?
01:19:32John Howell. How did you know?
01:19:33Professor John Howell is an engineer.
01:19:35So Professor Roberts is a professor of engineering.
01:19:38Our work here is done.
01:19:41That's Professor Enright.
01:19:44He's a meteorologist.
01:19:46And that is Professor Malik, a visiting professor from the University of Bombay.
01:19:52The speciality?
01:19:54Geology.
01:19:55So what links are four of them?
01:20:00The gala opening.
01:20:03The science building.
01:20:06Well, there was a guest list by the entrance.
01:20:08Investigate.
01:20:09They were all on the same table.
01:20:11The table nearest the front, nearest the podium, nearest the bomb.
01:20:13So this bomb was designed to kill them all.
01:20:15That's why she didn't want us seeing this.
01:20:17It's a picture of her targets.
01:20:19A way to identify them.
01:20:20But in the crux of the thing,
01:20:21Because why does she want them dead in the first place?
01:20:31Professor Roberts!
01:20:33Professor Roberts!
01:20:40Professor Roberts!
01:20:44Sir!
01:20:54I need you to give me their home addresses.
01:20:56I can't give out private information.
01:20:58Check their rooms.
01:21:00Do you think I'd be standing here talking to your fat arse if I hadn't already done that?
01:21:04What's your tone, Moriarty?
01:21:07You are not listening to me.
01:21:09Bones will be broken.
01:21:11Blood will be spilled here today.
01:21:12There's always drama with you, innit?
01:21:14Now, on your bike, I'm busy.
01:21:17Well, you've been fierce helpful.
01:21:25One day, I'll remember that.
01:21:27Oh, yeah.
01:21:35It's no use.
01:21:37Mine's an empty suit.
01:21:39I couldn't kick anything out of them.
01:21:42Excuse me.
01:21:47Do you really think they're in danger?
01:21:49Why?
01:21:51Is there something you'd like to share?
01:22:01Who is it?
01:22:02Jeff, Bob.
01:22:03Roll through delivery.
01:22:06One moment.
01:22:09Rather late, aren't you, boy?
01:22:11Come on.
01:22:12Chop, chop.
01:22:12Read it through.
01:22:13Hit me.
01:22:18Get it through.
01:22:23Let's check on.
01:22:24Stop.
01:22:24I don't know.
01:22:54I don't know.
01:23:28I don't know.
01:23:29We are stumbling through the fumes of our murderous wake.
01:23:36You've got a hand to do.
01:23:38Forgive me if I'm not ready to applaud.
01:23:45I'm a wanted man.
01:23:46You should go to the police.
01:23:47She's thrown down this challenge to you, Sherlock.
01:23:51Not to them.
01:23:52Why let them have all the fun?
01:23:55There are two professors out there still alive.
01:23:59We find them before she does.
01:24:01We stand like Ray Hansen, the slips straining upon the stern.
01:24:11The game's afoot.
01:24:13As I was walking all the lane, I heard to walk over his mackin' mane.
01:24:22In behind your love-filled night, I watched their lives on yesterday night.
01:24:31And nobody depends anymore.
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