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We provide carefully selected series full of romance, drama, suspense, and emotional storytelling. Whether you enjoy Turkish dramas, Chinese historical series, Korean romantic dramas, Thai lakorn, or Filipino teleserye, PrimeSeries delivers high-quality episodes with accurate English subtitles for global audiences.
Watch full episodes in HD, discover trending Asian series, and enjoy daily updates from the most popular international shows.
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TVTranscript
00:00But I've been thinking, because the stage manager exists outside the story, and is essentially a device, what if he
00:11is a puppet?
00:14Confusing? Interesting? Both, I think it's, yeah.
00:19But, um, yeah, oh.
00:22Good morning, my favorite man.
00:24Ah, Kristen, my love.
00:27Sit, sit.
00:28No, thank you. I, actually, I need to talk to Richard.
00:32Okay. I'll leave you two lovebirds alone.
00:36Oh, boy, you're a lucky man.
00:41We'll see.
00:45I need you to understand something.
00:46I love the MFT. It's my home.
00:50I would never do anything to jeopardize its future.
00:52Well, that's interesting, because...
00:53Okay, just let me finish.
00:55I walked into that theater when I was a lost, unloved, extremely unhappy 15-year-old girl.
01:02Do you know what it's like to be unloved, Richard?
01:04I don't think you do, because you've been worshipped since you were in utero.
01:08I can't remember quite that far back.
01:10That place, it saved me.
01:12And I have given it everything I have.
01:14So, for you to call me an employee...
01:16I'm sorry about that. I'm sorry.
01:18Way out of line.
01:20I beg your pardon?
01:20I'm sorry.
01:22Wow.
01:23I was, you know, should have said that.
01:26That's stupid.
01:30Well, I can see how it might have been a bit of a shock to find out...
01:34That the family theater had been sold out from under a...
01:36I did not sell it!
01:38I refinanced it!
01:41And if I hadn't, we would have lost the theater!
01:43So, I guess, you know, actually, I didn't do anything wrong.
01:47Hmm.
01:48Interesting apology.
01:50Yes, I...
01:51I understand now why you went into politics.
01:53Look, I want to see the theater, too.
01:56I might have mentioned that.
01:57Oh, yes, we know.
01:57With your million-dollar hour town.
02:00Come on, Richard.
02:01You're never going to be able to raise that money.
02:03There's still some phone calls to be returned.
02:05There's some angels out there...
02:06Uh-huh.
02:08...flapping their wings, trying to take off.
02:10I don't know.
02:10Yeah, I haven't given up.
02:12You know what?
02:13That's great.
02:14Have at it.
02:15Have at it?
02:16What?
02:16Oh, you're saying what?
02:17I'm saying go for it!
02:19I mean, we tried it my way.
02:20Let's just try it your way.
02:23You know?
02:23And if those angels do come up with the money, you can do our town however you want.
02:30But if they don't, consider doing the play the way it was intended to be staged.
02:37I just can't see it.
02:39You can't see it?
02:41Sorry.
02:42Oh!
02:42Oh!
02:43Huh!
02:44Our Town.
02:45Imagine.
02:46By Thornton Wilder.
02:49Act One.
02:50No curtain.
02:52No scenery.
02:56Can you see it now?
02:57I've seen it 50 times like that.
03:00And every time someone does a bit of...
03:05...mime, I'm taken right out of the play.
03:07Give me a horse, you know?
03:09People are carrying umbrellas and there's no rain.
03:11And people are undoing these jars.
03:13Why?
03:14Such a strenuous suspension of disbelief.
03:19Suspended disbelief is all we can afford right now.
03:22And you can cast locals.
03:25The way you told everyone you would during your mother's eulogy.
03:28I may have overpromised.
03:30No.
03:31No.
03:32Richard, you're so good with actors.
03:38What is it you want me to do?
03:41You just...
03:42Just breathe, Mr. Webb.
03:44Oh.
03:46George, I was remembering the other...
03:49Oh, Jesus, what is that?
03:51Night.
03:52George, I was remembering the other night.
03:55The advice...
03:57Oh, Jesus H. Christ.
03:59What's that say?
04:00My figure?
04:01Father.
04:02Father.
04:03Couldn't use a bigger font?
04:05It's like I'm reading a goddamn pill bottle.
04:09Would reading glasses help?
04:11Who are you, my wife?
04:13How many of these people have you seen so far?
04:15Eighteen.
04:16Nineteen, if you count the singing dog.
04:19I'm beginning to doubt that there is any acting talent at all in this town.
04:26What happened to Joe Stoppel?
04:28The guy who played Falstaff.
04:30Dead.
04:31Ten years ago now.
04:33What about Muriel Pritchard?
04:34She lost her job.
04:35She moved to Michigan to live with her daughter.
04:39I thought I'd find you both here.
04:41Uh-huh.
04:42I've brought your mother.
04:45She's in there?
04:46In an urn, yes.
04:48The one you picked out.
04:49Yes.
04:50Cherrywood box.
04:52See, it's two birds.
04:53One representing you and one representing me.
04:55I'm guessing you're the eagle.
04:57Yes, and you're the red.
05:01It's very nice of you, Kenny, to bring her here yourself.
05:04My pleasure.
05:05I love my work.
05:07It's sad, I know, but I get to meet people.
05:10Help them.
05:12It's difficult sometimes when a young person passes, but mostly people live long, happy
05:19lives.
05:19Yeah, yeah.
05:21Uh, what did you just say a moment ago about young people?
05:26I was talking about how much I love my work.
05:28No, no, something else.
05:29Uh, here, would you read something for me?
05:31I'll read with you.
05:33Here.
05:33Okay, and just be yourself.
05:36You look well.
05:37Yes, yes.
05:39Can't complain.
05:41Very sad, our journey today, Sam.
05:43Yes.
05:46Yes, I always say I hate to supervise when a young person is taken.
05:51Oh, he's the undertaker.
05:53Yes, we're not looking for actors, we're looking for...
05:57Real people who are real people.
05:59And you, qualified.
06:03Congratulations, the part is yours if you want it.
06:06Richard Beam?
06:08It's Bean, with an N, B-E-A-N, like the legume.
06:13Can I get your autograph?
06:15Sure, well, of course.
06:16Yes, um, excuse me.
06:18Yes.
06:19How would you like me to make that out?
06:21Sign your name.
06:22What exactly am I signing here?
06:27Oh, God.
06:28Where do you want him?
06:28Oh.
06:29Uh.
06:31But it's money we don't have, Phil.
06:34Yeah, and how many more local jobs do we lose?
06:36We can't even afford to pick up our own trash, Kristen.
06:39My God.
06:39Maybe we see if Concap is willing to hire a local.
06:42Now, I would really like to move on to the next agenda item, which is a very exciting proposal from
06:49our friend Connor Boyle.
06:51I'm going to let him walk you through it.
06:53So, Connor.
06:55Thank you, Mayor.
06:57Thank you, Mayor.
06:57Councilmen and women, I hear you talking about rising prices and unemployment, and let me tell you this.
07:03It breaks my Irish heart.
07:05Big problems require big solutions, which is why I would like to offer you this.
07:11It is an integrated entertainment complex, a hotel, casino, three restaurants, stores, and a theatre.
07:20It would sit at the site of the Morrison Hotel and surrounding land.
07:26It will employ 800 people and generate over $3 million in tax revenue annually.
07:33And that does not include your cut from the table games and slots.
07:39This is the wonder you've been praying for.
07:42And I am a believer it'll help save this lovely town of yours.
07:46No, casino!
07:48No, casino!
07:49No, casino!
07:50No, no, casino!
07:52No, no, casino!
07:54No, no, casino!
07:56No, no, casino!
07:58No, no, casino!
08:00I just want to make it clear.
08:02I'm not an actor.
08:03I'm an obstetrician.
08:04That's what I want.
08:06I don't want actors.
08:06I want real people.
08:08So, Dr. Gibbs, in this scene, it's the first time we meet him, and he's coming back from having delivered
08:12twins.
08:13My brother John's going to read Joe with you, and just relax whenever you're ready.
08:24Morning, Doc!
08:25Morning, Joe!
08:28You want your paper now?
08:29Yes, I'll take it.
08:33I feel like he's going to hit me.
08:35Yeah, just, uh, that was very good, Derek, but for some reason you're coming across as slightly psychotic, and I'm
08:43wondering why you would make that choice for Dr. Gibbs.
08:46My dad was a GP.
08:48He was tired and stressed.
08:51I guess I'm doing my dad.
08:52Yeah, we all are in that way, but here's the thing.
08:56Try it again, will you?
08:57Just a simpler, a little less angry.
09:03Morning, Doc!
09:05Morning, Joe!
09:07Want your paper now?
09:09Yes, I'll take it!
09:11Wait.
09:12Oh, I'm doing it again, aren't I?
09:14Yeah, a little bit.
09:15I'm going to level with you.
09:17My dad was an angry guy.
09:19Honestly, he drank.
09:20I see the problem.
09:21Won't you forget about your dad, okay?
09:24This is you, okay?
09:27A doctor.
09:29A happy doctor.
09:30Just be yourself.
09:33Okay, how do I do that exactly?
09:38It's...
09:39I was just saying, which version of me do I...
09:42Hey, hey, hey, hey.
09:44Oh, God!
09:44It's okay.
09:45You're okay.
09:46Just tell me how you feel, Richard.
09:48Oh, shoot.
09:49I'm going to set you up.
09:50Okay.
09:51Call 911.
09:53I'm going to take your pulse.
09:54Just relax.
09:55I'm sure it's nothing.
09:55Just stress.
09:56Breathe.
09:57Are you taking any medication?
09:59No, Dr. Gibbs, I am not.
10:01That was perfect.
10:02You got the part.
10:04But you just did.
10:05That's all I need.
10:05That was perfect.
10:07Welcome aboard, okay?
10:08Yeah, I was acting.
10:09I am...
10:09My heart is fine.
10:11Really.
10:11Jesus!
10:12You got the part.
10:13Yes!
10:13Well done.
10:19Do you have children?
10:20Mm, not that I'm aware of.
10:23Wow.
10:24Well, okay.
10:24Um, if you had children that you were aware of, you would know that kids feel things passionately.
10:33I've raised her to have a point of view and to express it.
10:36What can you do?
10:37Yeah, what can you do?
10:39That's the question.
10:43We can show people our own opinion.
10:46We can, we can show people that casinos are fun.
10:53Family, friendly, fun.
10:55I mean, I say we have a, we have a casino night at the theater with, uh, with games and
11:00drinks
11:01and wonderful food prepared by my husband.
11:03People will come and they'll have a really good time.
11:06Um, what do you think?
11:09Get your brother-in-law to host.
11:11My, Richard, why?
11:13He's a celebrity.
11:14He'll be a draw, you know?
11:16Tell him the proceeds will go fund his play.
11:18Oh, well.
11:21I can't promise.
11:22Yes, you can.
11:23I, I can promise that I will see what I can do.
11:26Uh, one more thing.
11:28Uh, my girlfriend, Nadia?
11:30Yes?
11:30She's got to be in that play.
11:36You know, Myrtle, it's been dream of life to see Paris in France.
11:44Ah, it is sounding crazy, but for years I promised me this.
11:49I beat Bush and tell Dr. Gibbs if I...
11:53Uh, uh.
11:54The expression is, I, I beat around the bush.
11:57What did I say?
11:58You said beat Bush.
12:00That's the same thing, no?
12:01No, not the same at all, in fact.
12:04Uh, do you want to use the script?
12:06No, no, no, no.
12:07I know it.
12:08I memorize it in head because, you know, I want the part.
12:11Mrs. Gibbs, I want to be on the stage and you to make me great because you are the greatest
12:16American actor.
12:17All right, yes.
12:18Direct me now.
12:19Go.
12:20Okay.
12:21Very well.
12:22Remember, you're talking to a friend.
12:23You're confessing a secret dream that you've had for years to your very good friend, all right?
12:29So, maybe a little bit, um, softer?
12:32Go ahead.
12:36I beat Bush and tell Dr. Gibbs if I ever go to Legacy and make him take me.
12:43He said no!
12:45No!
12:46No.
12:47Okay.
12:48Uh, well, the first part was definitely quieter, uh, but it was, it was as if you were conspiring
12:54in some way.
12:55You were plotting a murder or something like that, you know?
12:57Good.
12:57No, not good.
13:00No.
13:01So, a bit louder there.
13:03And for the second part, uh, which was very loud, it seems like you're just yelling for,
13:07for no reason.
13:08Good!
13:09Listen, you just have to believe it.
13:11More importantly, you have to make us, the audience, believe it, you know?
13:15Oh, that is acting.
13:16That is acting.
13:17It is making people believe you are a thing, even when you are not.
13:21Let's just keep going, okay?
13:22Make, make, make me believe.
13:30Oh, Marta.
13:33It is so sorry I mentioned anything.
13:36A little louder.
13:37It seems to me that once in life, you ought to seek a country where they don't talk English.
13:44And they don't want to even.
13:50Hmm.
13:52Hmm.
13:54Hmm.
13:55Listen, um, mm-hmm.
13:57Please, just give her something small.
14:00A child.
14:01An animal.
14:02No, there's a horse, but we already cast it.
14:04I thought you wanted to use the people of our town in our town.
14:08Yes.
14:08The local talent.
14:10She doesn't qualify for that.
14:12Yet you just, how bad can she be?
14:16Come here.
14:17She was the last audition of the day.
14:20So it's right here.
14:23Oh, Myrtle.
14:24It is dream of life to see Paris in France.
14:29Oh, it is sounding crazy.
14:32But for years, I promised me days.
14:36I beat both.
14:37Uh, what?
14:39Yeah.
14:39She's raw?
14:41Oh, my God.
14:41Is she flirting with you?
14:42I wouldn't hold that against her.
14:44That's the least of her problems.
14:46Just, just please.
14:47Please, just think about it.
14:50I can't not think about it.
14:52You agreed to work with me to save the theater and the town, remember?
14:57Yes, of course.
14:58I'm organizing an event at the theater.
15:00A casino night.
15:01The proceeds will go to your play.
15:04Boyle would like you to emcee.
15:07Maybe sing a song.
15:09Everybody loves to hear you sing.
15:11I am not a performing monkey.
15:13Oh, just fuck off!
15:15I work so hard to keep this town alive.
15:19I have literally, I have unclogged sewers in the rain with my bare hands.
15:24All I'm asking you to do is just put on a tux and smile.
15:29God, just do it.
15:32Please, just do it for me.
15:37All right, I'm on condition.
15:39If I'm going to demean myself, you have to demean yourself right along with me.
15:45Okay, what does that mean?
15:46That means you have to sing a song.
15:48No, no, no.
15:48No, no.
15:49I do not sing.
15:50We'll sing a duet.
15:51Okay?
15:52Why?
15:52Why?
15:53Well, it'll prove to me that we are, in fact, working together.
16:00You and me.
16:02It'll be fun.
16:05I don't see why you have to decide not to go to agricultural school right now.
16:09It's a whole year away.
16:14Listen, Emily.
16:18I think that once you've found a person you're very fond of, I mean, a person who's fond of you,
16:23too, and likes you enough to be interested in your character, I think that's just as important as going to
16:30college.
16:32Even more so.
16:36That's what I think.
16:40How'd you do that?
16:43Emily.
16:45It's Miranda, right?
16:47So I pretended like I was talking to her.
16:51I mean, your uncle was crying.
16:53Like, I made him cry.
16:54I don't think I've made an adult cry without, like, dropping something on them or something like that.
17:00That's good, right?
17:01I mean, we could be in the play together now.
17:04Yeah.
17:05Yeah, no, sorry.
17:07I'm really happy.
17:09It's just...
17:11Okay, don't freak out.
17:13Okay.
17:15It came today.
17:23Holy shit, you got into pen.
17:25You got in.
17:26I told you you were to get into...
17:27I'm not going.
17:29But I thought that we were...
17:30No, I said I'm not going.
17:32Do not tell my mom, okay?
17:34Yeah, sure.
17:45How can you get any work done here?
17:47What?
17:48How can you get any work done?
17:51Oh, I just, I like working in the theater.
17:54But nonsense?
17:58It's actually growing on me.
18:00I mean, it's catchy.
18:01I mean, I like the blend of Jewish jokes and Catholic jokes and, uh, what's that guy's name?
18:07Heath.
18:08Heath?
18:09Yeah, I've hung out with him.
18:10Yeah?
18:11He's hot.
18:13Yeah, that he is, yes.
18:15And, I mean, he's good.
18:16He stands out.
18:17Yeah, he's, he reminds me of a young me.
18:20He's got the charisma and the stage presence.
18:25Can you see him as a possible George?
18:29I thought you were thinking of Randall for George.
18:30I am, I am.
18:32But he, I mean, Randall's young and innocent and gangly and he's badly in love with you, clearly.
18:38This guy's got, I don't know, he's got a thing, you know?
18:41I've never known a love like this before.
18:44I've never known a love like this before so many times I thought I knew.
19:06Hello, everybody, and welcome to Casino Night at the MFT.
19:13A chance for all of us to indulge those wonderful vices that we're not allowed to indulge most of the
19:19time.
19:20Gambling and drinking.
19:23Remember, all the proceeds for this evening go to our next production at MFT of Our Town.
19:29Which is going to be starring Our Town.
19:33So, remember, the more you lose, the better our production will look.
19:39Yes, and you're at all to our friend, our visionary, Mr. Connor Boyle.
19:46So, bet, bet, bet, roll, roll, roll, spin, spin, spin, and have fun!
20:00Are you enough for you?
20:02Well, it's a little passive-aggressive, but thank you.
20:05Do me a favor.
20:05Pass these around.
20:06I want to hit the craps table before the dice get cold.
20:09Thanks.
20:10He's excited, isn't he?
20:12What the hell?
20:12Okay, you look like you've never held a tray of hors d'oeuvres in your life.
20:16I haven't.
20:16All right, do that.
20:18What do I do with them?
20:18Leave them there.
20:19You give them to people.
20:24Pay the line, pay the line.
20:26I made them nice dance.
20:29Richard.
20:31Hi.
20:32Johnny Depp is basing Edward Scissor's hand on dog.
20:37I'm sorry, what?
20:39This Johnny Depp has a little dog, and he's saying he's basing Edward Scissor's hand character
20:44on this dog.
20:45Now, I have cat, Chunky Luna.
20:47She has always a secret.
20:50She has only one eye, and I'm thinking to myself, what if my character, Miss Gibbs, what
20:57if she is based on cat?
21:00Wouldn't that be great?
21:02Now, listen, I haven't made any final decisions on casting.
21:06There's a lot involved in casting more than just talent.
21:11There's sensibility, and temperament, and height, accent, and things like that.
21:18Oh.
21:19Hold on.
21:21I'm needed.
21:22I have to emcee.
21:23Excuse me.
21:23Yes.
21:37And now for a special treat, ladies and gentlemen.
21:40There's a certain lady in the house who is going to recreate a song she sang on this very
21:45stage many, many years ago, and she was just a girl in the chorus.
21:48Ladies and gentlemen, I give you Mayor Kristen Bean.
22:02I thought this was supposed to be a duet.
22:05She's a little shy, ladies and gentlemen.
22:07Let's show her a little love, shall we?
22:18The minute you walked in the joint, I could see you were a man of distinction, a real big
22:27spender, good looking, so refined.
22:33Wouldn't you like to know what's going on in my mind?
22:37So let me get right to the point.
22:41I don't pop my cork for every guy I see.
22:47Hey, big spender.
22:53Spend a little time with me.
22:59Do you want to have fun, fun, fun?
23:04How's about a few laughs, laughs, laughs?
23:09I can show you a good time.
23:15Hey, big spender.
23:18Hey, big spender.
23:20Hey, big spender.
23:22Hey, big spender.
23:24Let's spend a little time with me.
23:40I've said this before.
23:42You are an artist and you need your own restaurant.
23:45That's easier said than done.
23:46Hey, you come to see me and I will make this happen.
23:50Really?
23:51Really.
23:56There she is now.
23:57So, what happened to, I insist, we be demeaned together?
24:02Oh.
24:03Did I say that?
24:04Hmm.
24:05I don't know.
24:06In the moment, it just, I don't know.
24:08I thought it would be better for you to be, you know, demeaned all by yourself.
24:12It's a kind of confidence builder.
24:13But you killed it, okay?
24:15You crushed it.
24:18So, that's off to you, Adam Mayer.
24:23Well, it didn't completely suck, did it?
24:26No.
24:28No.
24:30No.
24:31Richard, I do roulette.
24:32You be my bone, girl.
24:33Come this way.
24:35I need your good luck.
25:00What are you doing here?
25:02I spoke to Nadia.
25:05Listen.
25:07Nadia's interested in acting.
25:10She's not interested in me.
25:12She said you didn't cast her in our town.
25:14Why not?
25:15Well, she falls short in certain areas.
25:21We're looking for...
25:21Look.
25:23Do you understand how hard a man's life can be when his girlfriend is not happy?
25:27Yes, I do.
25:28Yeah.
25:28It's a special kind of hell.
25:30No, I know I used to date Kristen.
25:34You did?
25:36Wow.
25:37Your brother's wife?
25:38Before they were married, obviously.
25:41So, yeah, she was very unhappy.
25:43But Kristen isn't Russian.
25:46Hmm?
25:47The Russians have a very profound understanding of misery and how to inflict it on other people.
25:53Just give her the fucking part.
25:55I mean, how bad can she be?
26:01I mean, how bad can she be here?
26:05Yeah, girl.
26:08Now, Myrtle, I've got to tell you something.
26:11Because if I don't tell somebody, I'll burst out.
26:15One of those second-hand furniture men from Boston came to see me last Friday.
26:20First I thought...
26:22How much?
26:23How much what?
26:24How much would it cost to, uh, put her into the show?
26:29Conor, this isn't a transaction.
26:31We're talking about an artistic endeavor.
26:33Well, you're two months behind in your loan payment.
26:35And you're currently on a payment holiday, which I'm willing to extend until after you open.
26:40And you're going to have to renovate and buy props and paint and other arty shite soap.
26:48I've done a number.
26:52All right.
27:04Fuck me, that's a big number.
27:06You saw the video.
27:10Done.
27:14Really?
27:19Oh, uh, how do we deal with this?
27:22Just to, uh, make out a check with that number on it and everybody will be happy.
27:29Well, and also you could help me out if I need a place to store 200 theater seats.
27:34Yeah, I've got, uh, three empty spaces in Main Street.
27:37Yeah.
27:38It's a wee dawdle.
27:40Oh, and, uh, can we just keep this between the two of us?
27:45I'm so fucking literally.
27:50Thanks.
28:05Nice to meet you.
28:07Hi.
28:08Nadia.
28:09Oh, yeah.
28:09Pats.
28:10Pats.
28:10Pats.
28:10Pats and Pats.
28:11Yes.
28:12Do it.
28:38of every stripe. Painters, carpenters.
28:40I told Kristen it was only a phone call away.
28:42Who's paying for this?
28:43This is a result of
28:46a very delicate back-channel
28:48operation with the Nederlanders.
28:51I'm sorry, which
28:52Nederlanders are we talking about?
28:54Richard Biel, I'm meeting your dad.
28:56He's like old you.
28:57Hello. Yes, he went that way
29:00after all. He's got hidden resources.
29:05Our town.
29:08What is it?
29:11Brandel?
29:12It's a play. Exactly.
29:14It's a play set
29:16in Roman's Corners,
29:18New Hampshire, at the turn of the last
29:20century. It is a
29:22moving portrait
29:24of what it means
29:27to be human.
29:30Traditionally,
29:30productions adhere to the first
29:32stage direction in the text. No
29:34curtains. No scenery.
29:36No, the audience arrives
29:37and sees an empty stage.
29:40Well, that, my friends,
29:42is the past.
29:44Hugo,
29:46I have a vision
29:48for another
29:50town.
29:51I see it as full
29:54of sensuous detail.
29:57Richard Biel,
29:59are these people
30:00in this photo naked?
30:02What?
30:03No, no, they're not
30:04naked.
30:05What the?
30:06Hugo?
30:07It's sex workers
30:08in a bordello
30:09in Boston, 1905.
30:11So, you will ask us
30:13maybe all
30:13to be naked.
30:14No, no, no, no, no, no, no.
30:15These are called
30:16mood boards.
30:18Because you are
30:18great artist,
30:20Richard Bean.
30:20I will be naked
30:21for this art.
30:22Now, who is with me?
30:24No, no, no, no, no, no, no.
30:26No one is naked
30:28in my vision.
30:29No.
30:30What I do see
30:32are sunflowers
30:33and heliotropes
30:34and mud,
30:35real mud
30:35in the cemetery.
30:36I see a real
30:37working soda fountain.
30:39I see a horse.
30:41I see real rain.
30:43Yes?
30:44Is this rehearsal deal
30:45going to be
30:46during the daytime?
30:47Hugo?
30:48Yes.
30:49Ten till six.
30:50Yeah.
30:51I can't quit
30:52my job for play practice.
30:53What?
30:54I can't quit
30:55my job for play practice.
30:57But I would remind you
30:58that you're going
30:58to be paid for it.
31:00Hugo, what is the
31:01current Broadway minimum?
31:03Just now.
31:04it's $2,439
31:07US dollars per week.
31:09So, that's when
31:10you'll be paid.
31:11This is my new job.
31:14This is the magic ball.
31:16What makes it magic
31:17is that you can only speak
31:19when you hold it
31:20in your hand.
31:21You will tell us
31:23your name,
31:24the role that you play
31:25in the show,
31:27your astrological sign,
31:28and, um...
31:30Something about you.
31:31And something about me.
31:32No, no, something
31:32about themselves.
31:33And something...
31:34Something about them.
31:36Something about yourselves.
31:38Yeah.
31:38So, I have the ball,
31:39so I might as well begin.
31:41Richard Bean.
31:44I am the director.
31:45I am a Scorpio.
31:47I've been praised
31:48as an actor
31:49my whole life,
31:50but I really just
31:51consider myself
31:52a humble
31:54storyteller.
31:58I'm Pat Patterson.
32:00I play Mrs. Webb.
32:02I'm an Aries.
32:03People see me
32:04as...
32:05Kind of maybe buttoned up,
32:06but inside,
32:07I'm this
32:07massive romantic.
32:11I'm also
32:12Pat Patterson.
32:14I play her husband,
32:15and I'm her real husband.
32:17And I'm a Cancer.
32:19You're actually a Leo.
32:21July is Cancer.
32:22I was born in July.
32:23You were born on the cusp.
32:24You're a Leo.
32:25Fine, I'm a Leo,
32:26but if you ask me
32:26all this astrology,
32:27it's just a bunch
32:28of bull crap.
32:29Pardon my French.
32:30You're really married.
32:32Not fake married.
32:33You know,
32:33intimately,
32:34and somewhat
32:35passive-aggressively,
32:36and meshed.
32:37I'm Dr. Derek Seal.
32:40I play Dr. Gibbs,
32:42and I'm a Leo.
32:43I'm recently divorced.
32:46My daughter said
32:47I should do something,
32:48so I'm doing this.
32:51Oh, I don't have the ball.
32:53Sorry.
32:54Yes, and I also
32:55don't have the ball.
32:57Hi.
32:59I'm Miranda Bean.
33:01I play Emily.
33:02I'm a Gemini.
33:04I'm an actor
33:05and a singer
33:06and newly vegetarian.
33:08I'm a Gemini, too.
33:09We're twins.
33:10Excuse me, dude.
33:11You don't have
33:11the fucking ball, either.
33:13Randall, chill.
33:14I'm chill?
33:15He doesn't have the ball.
33:16Jesus.
33:19Heath.
33:20Heath McArdle.
33:23George.
33:25Emily's love interest.
33:27Gemini has,
33:27we already said before,
33:28and I have my equity card.
33:31What's an equity card?
33:35I'm Randall Potts.
33:36I play Wally Webb,
33:37who is like 11 years old
33:40and dead for most of the play,
33:41so whatever.
33:42But I am Miranda's real life
33:45lot of interest
33:46because I'm her boyfriend,
33:48and I am a Sagittarius,
33:50so I'm also creative
33:52and a warrior.
33:54Take fast.
33:55Oh!
33:56Oh!
33:57Oh!
33:58Oh!
33:59Oh!
33:59Oh!
34:00Oh!
34:00Oh, my God!
34:03Are you okay?
34:05What are you doing?
34:08Oh, my God!
34:09Oh!
34:09Oh!
34:10Oh!
34:10Oh!
34:12Oh!
34:13Now that the bleeding
34:13has stopped,
34:15let's read the play.
34:17You go to read
34:17the stage directions.
34:19Our Town.
34:21Act One.
34:21No curtain.
34:23No scene.
34:23Oh.
34:24Um.
34:26Lots of scenery.
34:27This is the first act.
34:28This is the first act.
34:29This is the first act.
34:29This is the first act.
34:30I've washed
34:32and ironed
34:34the blue gingham
34:35for your special.
34:37Gingham.
34:39Gingham.
34:40Gingham.
34:42Gingham.
34:43Gingham.
34:45Gingham.
34:46Perfect.
34:54Great work.
34:55Woo!
34:57Woo!
34:58Mother Gibbs,
34:59it's George.
35:01Shh!
35:02Dear,
35:02just rest yourself.
35:04Mother Gibbs?
35:05Yes?
35:06Emily?
35:08They don't understand,
35:10do they?
35:11No, dear.
35:12They don't understand.
35:14Diane.
35:18Oh,
35:19take a break.
35:21Wonderful work.
35:22Give them a ten.
35:23Yeah.
35:24Take ten minutes,
35:24everyone.
35:25Yeah?
35:25Just ten minutes.
35:26Thanks.
35:26Dad is doing
35:28unbelievable work.
35:29And Miranda's
35:30going to be a
35:31better Emily
35:32than you.
35:33Yeah.
35:33You should come
35:34and join in.
35:35Maybe come on Monday
35:36and join our
35:37circle of truth.
35:38You know something
35:40I don't miss?
35:42Theater games.
35:44I honestly can't
35:44think of anything
35:45I'd rather do less.
35:47So this is
35:48the Temple of Art.
35:50Yay.
35:51Oh.
35:54Who do I give
35:55my cabaret seat to?
35:56Oh,
35:57uh,
35:58oh,
35:58there he is.
35:59Hi, Polly.
35:59Good to see you.
36:00You go.
36:01Hi.
36:02Thank you for doing it.
36:04Oh,
36:04this is,
36:04this is Polly.
36:06Kristen.
36:08Oh my God.
36:10This is
36:11the famous
36:12Kristen.
36:15It's very nice
36:16to finally meet you.
36:18Of course,
36:18I'm a big fan
36:19and I can't wait
36:20to see what you,
36:21what you do
36:21with Richard's vision.
36:22Oh,
36:23let me do it.
36:24No,
36:24thank you,
36:25darling.
36:26Oh,
36:26can I just,
36:27just,
36:28A,
36:29you are gorgeous
36:32and B,
36:33you don't know
36:33what it means to me
36:34to meet another person
36:35who has had to live
36:36with this man.
36:38Did he ever steal
36:39your concealer?
36:40Uh,
36:41never stole.
36:43Oh,
36:43come on.
36:44But you're not,
36:45you're not to be trusted
36:46around reflective surfaces,
36:47are you?
36:48No.
36:48No.
36:49Are you,
36:49darling?
36:50Paco says you spend
36:50hours in the bathroom.
36:52My son is an actor.
36:54His face is important to him.
36:56It's important to many.
36:57Why don't we change
36:58the subject
36:59from me to,
37:00well,
37:00the play,
37:01for instance.
37:01Yes,
37:02let's move on
37:03from my big brother's
37:04eccentricities
37:05and just take a moment,
37:07you're good?
37:07No,
37:07I'm good.
37:08Take a moment
37:08to marvel at the fact
37:10that he has managed
37:11to secure
37:12a blank check
37:14from the Nederlanders.
37:16The Nederlanders?
37:17Yes,
37:17and it's not just
37:18for the play.
37:19He is spreading money
37:20all over this town
37:22like,
37:22like fairy dust.
37:24The Nederlanders.
37:26Yes,
37:26they're backing
37:27our town.
37:28You have to admit,
37:29that's pretty incredible.
37:30Incredible.
37:31Yes,
37:32because I was with
37:33James Nederlander
37:34at the Jimmy Awards
37:35last week,
37:36and he told me
37:37that you called
37:38and asked him
37:39to invest,
37:40and he told you
37:40that he was just
37:41dying to get into bed
37:42with a raging psychopath.
37:44Didn't he, darling?
37:44Yes,
37:45that was the general
37:46thrust of what,
37:47listen,
37:49I didn't want
37:49to bring this up
37:50because I didn't want
37:50to make it all about me,
37:51but I've decided
37:52to pay for the production
37:53myself.
37:54What,
37:54with you?
37:55But with what?
37:56No,
37:57I don't mean to sound bleak.
37:59Pet,
38:00but you have no money.
38:02At least that's what
38:03you claimed
38:03when we got divorced.
38:04Don't forget,
38:05I have...
38:06It was the art collection.
38:07I have the art collection.
38:09I believe he got that
38:10in the settlement.
38:11You sold our art collection?
38:13I didn't sell
38:13the whole art collection,
38:14darling.
38:15No,
38:15don't be silly.
38:16I only sold
38:16the...
38:19The...
38:19Schicklegruber.
38:21The Schicklegruber?
38:22Wait,
38:22which one was that?
38:23The Schicklegruber
38:24was the big,
38:25the big moody,
38:26dark,
38:27dark,
38:28crazy,
38:28crazy,
38:29crazy,
38:31expressionistic-ish.
38:34Yeah,
38:34it was...
38:35I sold it
38:36to a very
38:38moody
38:39Japanese businessman
38:41from Japan
38:43somewhere.
38:44Yeah.
38:45For a very good price.
38:47Schicklegruber
38:48is Adolf Hitler's
38:50family name.
38:51No,
38:52no relation.
38:53No,
38:53no,
38:54no.
38:54these Schicklegrubers
38:55were from Lichtenstein.
38:57Yeah,
38:57the Lichtensteinian
38:58Schicklegrubers.
38:59I don't remember
39:01the Schicklegruber.
39:02Oh,
39:02darling,
39:03it was in storage
39:04most of the time
39:05because it troubled people.
39:07You would have hated it.
39:12I come seeking refuge.
39:14Put me to work.
39:16You...
39:17Here.
39:18Can juice
39:18these lemons
39:20and oranges.
39:22Sure.
39:23You know,
39:24it's funny.
39:24Even with my whole family
39:25beating up on me
39:26all at once,
39:28I'm happier now
39:29than I've been in years.
39:31Here.
39:34Try these.
39:36They're very hot.
39:39Glamorous peas.
39:44The hell?
39:45Good?
39:46Good?
39:47They're, um,
39:48magnificent.
39:51You make perfect food,
39:53little brother.
39:55Here's a question for you.
39:58Would you consider
39:59coming back here?
40:01I am back here.
40:02No, no.
40:03I mean,
40:06I mean,
40:07staying in Millersburg
40:09running the theater.
40:11Yeah,
40:11you might want to run
40:12that idea by Kristen first.
40:14She sees what you're pulling off.
40:15You know,
40:16you've got the talent
40:17and, uh,
40:18you clearly have
40:19some resources now
40:20and, well,
40:21you know,
40:21you've got to make
40:22a success out of this show.
40:23I know that.
40:25And if things go back
40:26to how they were,
40:27I mean,
40:28not a dinner theater,
40:30a lot of things
40:31become possible
40:32for everybody.
40:34Like what?
40:37Boyle
40:39has offered
40:39to build a restaurant
40:41for me
40:41in the casino
40:42for me to chef.
40:44Oh,
40:45I see.
40:46Making real money.
40:47Yeah.
40:47Making the food
40:48I want to make.
40:49I mean,
40:49that would be incredible,
40:50right?
40:50You know,
40:51Miranda,
40:51she goes to college
40:52in the fall
40:52and that,
40:54we got a little bit
40:55put away,
40:55but,
40:56you know,
40:57four years,
40:57that's a massive whack
40:59and I just,
40:59I want to give her
41:00every opportunity
41:01and,
41:02I mean,
41:03I'm not saying
41:03I take Boyle
41:04up on the deal.
41:05I just,
41:05I know you don't
41:06trust him.
41:06You're always saying
41:07how he's buying up
41:08all these properties.
41:09He's feasting
41:10on people's broken dreams.
41:12I mean,
41:12you talk about him
41:13like he's Satan.
41:14Yes,
41:14exactly,
41:15Satan.
41:16You know,
41:16he offers you
41:16what you want,
41:17but he always
41:18wants something
41:18in return.
41:19Usually it's your soul.
41:20That's not a good thing.
41:21Maybe a time
41:22when you and the devil
41:24want sort of
41:25the same thing
41:25and so in that case
41:27it might be all right then.
41:28So you're saying
41:30the devil wants you
41:31in hell,
41:31but you don't mind
41:33being in hell
41:34because there's this
41:36fabulous restaurant
41:37in hell
41:37and you are the head chef.
41:39We're not getting
41:40any younger.
41:42I would say
41:44go for it.
41:45That makes a lot of sense.
41:47Carpe diem.
41:48Carpe diem.
41:51How many of these
41:52are there?
41:52Come on here,
41:52let me do this.
41:54Just,
41:55you know,
41:55like this.
41:58You make it look
41:59so easy.
42:00Oh,
42:02good of you
42:03to have the ex
42:03over.
42:05you know,
42:06I must say
42:07this is
42:08kind of my weird
42:10confession.
42:11I always wondered
42:12if I'd like you.
42:15Well,
42:16the reviews
42:17are mixed.
42:18No,
42:18but I do.
42:19I mean,
42:20I really do.
42:22And you were always,
42:23you were always
42:23so good to Miranda
42:25when she was in the city.
42:26She'd come back
42:26just,
42:27you know,
42:27full of all the
42:28wonderful times
42:29you had.
42:29You know,
42:30I must say,
42:31I hope it's okay
42:32I say this,
42:33but I was surprised
42:35when I heard
42:36that you and Richard
42:37were getting divorced.
42:40Well,
42:40I guess I just
42:42don't like
42:43playing second fiddle.
42:45Yeah,
42:46I know.
42:48The career,
42:50the fans,
42:52the mirror.
42:56No,
42:57no.
42:58Darling,
42:59I was,
42:59I was fine
43:00with all of that.
43:01Second fiddle to you.
43:05You were the great
43:07love of his life.
43:09I was just
43:10someone to drink
43:11with.
43:17Speaking of which,
43:20I forgot my bottle.
43:38Yeah.
43:39No.
43:41No,
43:41I don't want him.
43:43Ah,
43:43he's a tall gobshite.
43:44Yeah,
43:45never liked him.
43:46Catch you there.
43:46Bye.
43:46Bye.
43:48Thank you for seeing me,
43:49Mr. Boyle.
43:50Connor,
43:51it is a treat
43:52to have you here.
43:53So,
43:54how's our resident genius
43:56this fine day?
43:57Oh,
43:57he's well,
43:58he's well.
43:58You know,
43:58the show looks terrific.
43:59Oh,
43:59I'm not talking about
44:00your brother,
44:01mate.
44:02I'm talking about you.
44:05Oh,
44:06thanks.
44:06I'm good.
44:10So,
44:10I,
44:13I've been thinking
44:14about your
44:16restaurant proposal.
44:17and I would love,
44:19I guess,
44:20to,
44:20uh,
44:22move forward.
44:24You guess.
44:26You guess.
44:28No,
44:29geniuses don't guess.
44:31I mean,
44:31your,
44:31your brother is gifted,
44:33but what you do
44:34with food
44:34is of far greater value
44:36than what he does
44:37playing make-believe
44:38all day long.
44:39You know,
44:39people are going
44:40to spend a lot of money
44:41eating the food
44:42that you make.
44:43Listen,
44:44can I offer you
44:44a wee nip?
44:45Well,
44:45it's a little early
44:46to have that.
44:47So,
44:48I mean,
44:48all I'm saying is,
44:51I'm all in.
44:52So,
44:52I've got investors
44:53who want to meet you.
44:53Wait,
44:54investors?
44:54Yeah,
44:55so we're going to drive
44:55down to Atlantic City
44:56tomorrow after lunch.
44:58You know,
44:58you fix them a meal,
44:59they fall in love,
45:00write big checks,
45:00we're at the crap tables
45:01by 10,
45:02shit face by midnight.
45:03What do you think?
45:05I should call Richard
45:07because,
45:07you know,
45:07I'm doing company management.
45:09You know what?
45:09Your brother's grand,
45:11but he's all about Richard,
45:12which is all right.
45:14And do you know
45:15how I know that,
45:16John?
45:17It's because
45:18I'm all about me.
45:21Now,
45:21what we need to do
45:23is to make you
45:24a little bit more
45:25about yourself.
45:30Well,
45:31I guess I could do that.
45:34I mean,
45:35I can do that.
45:38I'm in.
45:39Good luck.
45:41Sláinte.
45:42I do love craps.
45:46This is
45:47the circle of truth.
45:50As the stage manager says,
45:52people in our town
45:54want to know
45:55the facts about everyone.
45:57Since our play
45:59is about people
45:59living together
46:01on this earth,
46:02given the brief amount
46:03of time
46:03that we have here,
46:04I thought it would be good
46:05to learn
46:08some truths
46:09about each other.
46:11I would stress
46:12that anything
46:13that is said
46:14in the circle of truth
46:15stays
46:16in the circle
46:17of truth.
46:20Okay?
46:21So,
46:22who wants to start?
46:24I'll go.
46:27This probably won't
46:28come as a surprise
46:29for some of you here.
46:31I want to move
46:33to New York.
46:33I want to be an actor.
46:36You can stay
46:37in my alcove studio
46:38in Brooklyn.
46:39Yeah, dude,
46:39I'm pretty sure
46:40it's not your turn
46:40right now.
46:43The thing is,
46:44my mom doesn't want
46:45me to be an actor.
46:46She wants me
46:46to go to college
46:47and
46:49I just
46:50got in.
46:51I got accepted.
46:52Congratulations.
46:53But my mom
46:54doesn't know
46:55about it
46:55and she
46:56also doesn't
46:57know that
46:58I'm going
46:58to turn it down.
47:00Interesting.
47:01Yes.
47:03So,
47:04now that
47:05we're playing
47:06husband and wife,
47:08I
47:09really feel
47:11that we're
47:11complete opposites
47:12on almost
47:13every level.
47:14We're fine.
47:15I never said
47:16we weren't fine.
47:16I said we're
47:16different people.
47:17Can I fire myself?
47:18I mean,
47:19can I play
47:19another character
47:20in the play?
47:20Here it comes.
47:21I mean,
47:21one where I'm
47:22not married to her.
47:23The choir director,
47:24that kills himself.
47:25Yeah.
47:26Well,
47:26if we're
47:27picking parts,
47:29I want that
47:30guy to play
47:31my husband.
47:32Oh my God.
47:34Oh my God.
47:36I just feel
47:37totally,
47:38completely
47:39alone.
47:41Wow.
47:42This is great.
47:43This is marriage.
47:44Kenny,
47:45has something to say?
47:46Kenny!
47:46This is crazy.
47:49I
47:49think
47:50I'm
47:53kind of
47:54afraid of
47:54dying.
47:55But aren't you
47:56like The Undertaker?
47:57I know,
47:58it makes no sense.
47:59But being around
48:00so much death
48:01and now
48:03working on
48:04this play
48:05just makes me
48:06extra
48:08aware
48:08that time
48:09is running out.
48:10This is
48:11fucking depressing.
48:12Yes!
48:14Isn't it?
48:15I want to speak
48:16from the heart.
48:17Go ahead.
48:20I am a gay man.
48:23I was always
48:24a gay man.
48:27Oh boy.
48:29This is harder
48:30than I thought.
48:32It doesn't have
48:33to be a track.
48:34Casters are fine.
48:35Most of the actors
48:36love pushing things on.
48:38If I do improve
48:40and make a big change,
48:43would you be?
48:44I mean,
48:45could you be?
48:46I am now.
48:48I always have been.
48:50Well,
48:51I love her.
48:52But she's not a horse.
48:54Oh, no, no.
48:54She's a pony.
48:55We couldn't fit
48:56a real horse
48:56in the wings.
48:58Oh.
49:01Hey,
49:02has anyone
49:02seen my backpack?
49:04No?
49:13Miranda.
49:15Oh, thank you.
49:16I was sitting on it.
49:17Nice.
49:18Listen, did you
49:19say no to Penn?
49:21Not yet.
49:22I'm not crazy, am I?
49:24No, you want to be
49:24an actress, so
49:27I made
49:28a couple of calls
49:29and there's
49:30an internship
49:31if you're interested
49:32at MCC
49:33in the fall.
49:34It's not the lead
49:35in a Broadway play,
49:36but it's working
49:36in the theater
49:37in New York,
49:38so it's a start,
49:39you know?
49:41Thank you so much.
49:42I love it.
49:43My pleasure.
49:45You're very welcome.
49:46Okay.
49:46Okay.
49:58Good on you, Johnny.
50:00You're gonna win time.
50:03I'm excited.
50:07So let's do an exercise.
50:09Forget about the lines.
50:09You're just Mrs. Gibbs,
50:11turn of the century,
50:13wife of the town doctor,
50:18and we're just going to chat.
50:21Okay.
50:22All right.
50:23So good morning.
50:24How are you?
50:25Mrs. Gibbs?
50:26How are you?
50:26Hello.
50:27Hi, you guy.
50:32What did you do
50:33this morning?
50:38I waked up.
50:40Okay.
50:40Now remember,
50:40you're a real person.
50:42Yeah.
50:42You do real things.
50:44Chores?
50:44Any chores?
50:45Be specific.
50:46Details are important.
50:48I wash it
50:50and ironed the flag.
50:52You what?
50:53I'm washing the flag
50:54and I'm ironing
50:57the stars
50:58and the stripes
50:59so they're lying
51:00perfectly straight.
51:02I see.
51:04Okay.
51:06Uh,
51:08one last question.
51:10Would you say
51:11you're a happy person?
51:12Oh, yeah.
51:13Yeah.
51:14I'm a happy American woman,
51:17lady,
51:18girl,
51:19woman,
51:20and I'm wearing ginham.
51:23Gingham?
51:24Yes.
51:25Been working on that one.
51:34Mr. Bean.
51:36Hello?
51:37Where am I?
51:39Atlantic City.
51:41Who is it?
51:42Mel,
51:42your driver.
51:44Wait,
51:44just a second.
51:50I'm so sorry.
51:51I overslept.
51:52Is Mr. Boyle ready to go?
51:53No bother.
51:54He left hours ago.
51:55What?
51:55He, uh,
51:56he wasn't as wasted
51:57as he were.
51:58What time is it?
51:58Uh,
51:592.35.
52:01In the afternoon?
52:02Jesus Christ.
52:03You had yourself
52:03quite a night.
52:04I did?
52:05I don't remember.
52:06Yeah,
52:06it's probably not
52:06a bad thing.
52:08You hit a hot streak
52:09and you won
52:09and you won.
52:10Why wouldn't
52:11I want to remember that?
52:12Because then you lost
52:13and you lost.
52:14Lost?
52:15What?
52:16Like what?
52:16I couldn't keep track.
52:18You kept running
52:19to the ATM
52:19and then you started
52:20talking routing numbers
52:21and wire instructions
52:23and finally I just
52:24got depressed
52:25and went to bed.
52:27Uh,
52:27I'll wait for you
52:28downstairs.
52:29Okay.
52:30Take your time.
52:57Who told you?
52:59Does it matter?
53:00Does it matter
53:00who betrays me?
53:01Yes, it does.
53:02It was Randall,
53:03wasn't it?
53:03Do you ever stop
53:03to think that just
53:04maybe people are
53:05trying to do
53:05what's best for you?
53:06Do you ever just
53:06think that maybe
53:07I know what's best
53:08for me?
53:09You know what?
53:12Fuck Mirandall
53:13and fuck Penn
53:14because I'm going
53:14to New York.
53:15No, no,
53:16you are not.
53:16Why not?
53:17You know how much
53:18acting means to me
53:19because it meant
53:19the same thing to you.
53:20New York will
53:20eat you alive.
53:22Oh, uh,
53:23sorry.
53:23Um, did I interrupt
53:24something?
53:25Uncle Richard
53:26found me a job.
53:26What do you mean
53:27he found you a job?
53:28Well, I made
53:30a couple of calls
53:30about an internship
53:31and I offered her
53:32a place to stay
53:33with me.
53:34That's not a job.
53:35It is.
53:38All I have done
53:39is listen
53:40to your daughter.
53:42You ought to try
53:42that yourself.
53:44She wants to be
53:45an actress.
53:46Please,
53:46stay out of this.
53:47She has the talent,
53:48she has the passion.
53:50So why shouldn't she?
53:52Because it will
53:52make her miserable.
53:53Because it made
53:54you miserable?
53:54Acting didn't
53:55make me miserable,
53:56you did.
53:56You gave up.
53:57You gave up on yourself
53:58and your talent
54:00and you left.
54:02That's on you.
54:10Hey.
54:11Hey.
54:12I just came up
54:13with the sickest
54:14baseline for Best of Me.
54:16What?
54:17You're a total betrayer.
54:20I'm a what?
54:22You told my mom
54:23about school
54:23and New York
54:24and now she's losing it
54:25and you betrayed
54:26the circle of truth.
54:27You're the betrayer.
54:28You're betraying me
54:29with Mr. Actor Man.
54:30Heath?
54:31Yeah, but...
54:31Come to my tiny
54:33alcove in Brooklyn.
54:34Oh my God,
54:35Randall,
54:36nothing is going on
54:37with Heath.
54:37You guys are always
54:38hanging out.
54:38It's like you're a couple.
54:39We're playing a couple.
54:40We're playing Emily
54:41and George.
54:42I don't like it.
54:42Well, I don't care.
54:43Go be a crazy,
54:44jealous person
54:45somewhere else.
54:46Don't go telling
54:46my mother my personal
54:47shit.
54:47Where are you going?
54:48Are you going to see
54:49him?
54:50Jesus Christ.
54:52What about
54:52Marandal?
55:01Hello, Richard B.
55:02Oh, Jesus.
55:05How did you get in here?
55:06I'm climbing
55:07like monkey.
55:12You are wanting
55:13to kiss me now?
55:15No.
55:15No,
55:16niet.
55:17Don't want to kiss you.
55:18I'm your mentor.
55:19I'm your director.
55:19And your boyfriend,
55:20he seems like
55:21a very violent type.
55:22If you're worried
55:23about Connor,
55:24you must know
55:25that he's not
55:26understanding
55:27how it is
55:27you touch me.
55:28I am dreaming
55:29all my life
55:30to be actress
55:31and now
55:32I want everything
55:33that you can give me.
55:34There is genius
55:35in your fluids.
55:38Wow.
55:38That's
55:40very high praise,
55:41I'm sure.
55:42But it's
55:44probably a weird
55:44translation of a
55:45Russian idiom
55:46that sounds
55:47just like
55:48a bad idea.
55:51You're always
55:52talking about
55:53how you want
55:53these special
55:55alone times
55:56together
55:56and I'm thinking
55:57oh my gosh,
55:59this guy,
56:00he has feelings
56:01for me.
56:03You're always
56:04telling me
56:04I am great.
56:05No,
56:06I don't think
56:06I am.
56:06You said
56:07I am big actress.
56:08You said
56:08I am huge.
56:10When I said
56:11that I meant
56:11that some of
56:12the choices
56:12you make
56:13are growing
56:14a little too large.
56:15they're outsized
56:17and they're
56:17not natural.
56:18So if I am
56:19not great
56:20then what am I?
56:22You must
56:23tell me the truth.
56:24You cannot
56:24just
56:25you cannot
56:26beat my bush
56:27around.
56:27Oh,
56:27you want the truth?
56:28Yes,
56:29you are my mentor.
56:30I'm your protege.
56:31What we have
56:31if we don't
56:32have truth,
56:32you know?
56:33So,
56:34mentor me.
56:35Now,
56:35go,
56:36tell me.
56:36All right,
56:37well,
56:37you,
56:38um...
56:38Shape me,
56:39coach me,
56:40change my life,
56:40go.
56:41Dan,
56:42my God,
56:42yeah.
56:42Okay,
56:43don't get shy
56:43on me,
56:44little guy.
56:44There's,
56:45what's that?
56:46I can't hear you.
56:47You can't hear you.
56:48You're mumbling
56:49because you're always
56:49telling me articulate
56:50but you're not doing that.
56:52You can't act.
56:53What do you say?
56:54You can't act.
56:55You can't.
56:56Don't be shy.
56:57Don't be shy.
56:58You can't say.
56:59But what do you say?
57:01You can't act.
57:02You can't act.
57:03What?
57:04You are not an actress
57:06that you're in the wrong
57:08line of work.
57:09You can't act.
57:10How do you mean?
57:11You can't act.
57:12You can't act.
57:14It's not your thing.
57:16I can't act.
57:17No.
57:20You wanted the truth.
57:21That's the truth.
57:22You're not an actress.
57:27So fire me,
57:28then.
57:29I can't fire you.
57:30I mean,
57:31I wouldn't think
57:31of firing you.
57:32I can't.
57:34Right.
57:35Because then you lose
57:36the rain
57:38and the little horse
57:39and the fountain of soda.
57:40I understand
57:41why I am in show now,
57:42Richard Bean.
57:43There's another possibility
57:44you could,
57:45of your own volition,
57:46simply quit.
57:47Just walk away.
57:49You insult me,
57:51Richard Bean.
57:52You insult my spirit.
57:55No one talking
57:56to Russian women
57:57in this way.
57:58Nadia.
57:59I'm known when it is
58:00I'm not wanted,
58:01Richard Bean.
58:02Nadia?
58:03Good evening.
58:04Nadia!
58:05Nadia!
58:07Nadia!
58:08Nadia!
58:09Nadia!
58:10Nadia!
58:12I'm fucked!
58:14Fuck!
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