- 3 hours ago
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00:01I don't want to die!
00:03I don't want to die!
00:04You are the most sweetest of me, Daoche.
00:06When I'm in a gripe,
00:08I'm going to take you and take you to take me
00:09and take you back.
00:11I don't want to drive you, I don't want to die!
00:13I don't want to die!
00:14I don't want to die!
00:16If you help you with the organization,
00:19we can soon buy something.
00:21Bravo, bravo!
00:22It's a lie, but it's a lie.
00:24I don't want to die!
00:25I don't want to die, Male.
00:26I don't want to die!
00:28You can't take you to the end of the wall,
00:31but one thing is to take you away.
00:32I don't want to die, Male!
00:37I don't want you to die!
00:38If you don't take me to die,
00:41you'll never get me to die.
00:43I don't want to die!
00:44I don't want you to die!
00:47Come on!
00:48Come on!
00:52What did you do?
00:54What did you do?
01:08What did you do?
01:26Come on!
01:28I'm thinking that we were missing.
01:41The gift of the gift is a great gift.
01:44What kind of gift?
01:45How do I remember?
01:47Everything.
01:50I know who created a mom.
02:25We are missing now.
02:27And now they start to kill them and they start to kill them.
02:33Is that the film from Chernev?
02:37It's the same.
02:40What is this one?
02:43What is this one from my mom?
02:45Like the other one from my mom.
02:48What is this one from my mom?
02:50Well, he told me one of the ugly things about the ugly things and...
02:58...mai-mai...
02:59...they look at the end of the day.
03:01What are the ugly things?
03:04I don't want to give up the words from Shengiel.
03:08He says, that my mother is protected from...
03:13...the blood of the ugly things.
03:17they are killed to...
03:20so get rid of the wasting them,
03:24so get rid of them into a way.
03:29And then all of the ë nasty ones should come isetics for it.
03:31they would buy him only the evidence.
03:37And...
03:38so he can't be he сделал.
03:45So that's why Dnesotrov is a great deal.
03:53And we?
03:55What did we do?
03:56What are you doing?
04:18Are you trying to save the life of your sister?
04:23I am doing that!
04:25My mother took my child to Serbia.
04:29You don't have another choice.
04:53I'm sorry.
04:57I think that my family is a problem.
05:00And what my father did.
05:03Now, because of me, the child is dead.
05:09My brothers and all others have been killed.
05:14They are dead because of your mother.
05:17She has betrayed you.
05:19Your mother is your betrayal.
05:24According to me, you have to go back here.
05:38My mother is dead.
05:53My mother is dead.
05:58You have to go back here.
06:03My mother is dead.
06:07You have to go back here.
06:10You have to go back home.
06:14You have to go back here.
06:17You have to go back here.
06:19.
06:29The mother of Lazar was a victim of her death.
06:36.
06:37.
06:38.
06:38.
06:38.
06:39.
06:39.
06:39.
06:40One mother should not be convicted.
06:44One mother should not be guilty.
06:47To protect her children.
06:51And that's why I told you the truth to my father.
06:56I know, mother.
07:05And I know, that...
07:08I don't want to kill you because of me.
07:16I'm sorry.
07:29You can't take a coffee, mother.
07:32Yes, I'm sorry.
07:38How do you get out of the house?
07:42I'm sorry.
07:45I'm sorry for the whole reserve.
07:48I'm sorry.
07:56What do you think?
07:57What are you talking about?
07:58We're going to get rid of them.
07:59What do you think?
08:03She's always heard how to tell her.
08:08She's not for me.
08:09She's not for me.
08:10She's Lazar.
08:14She's not for me.
08:16She's not for me.
08:16She's a mother.
08:18She's a mother.
08:20What do you think?
08:22What?
08:24She's been a mother.
08:28She's a mother.
08:28I saw a girl.
08:33She's a mother.
08:35I'm a mother.
08:37I'm a mother.
08:39I'm a mother.
08:41I don't want to tell you that Lazar is...
08:44a vampire.
08:46I'm a baby.
08:48I like you.
08:52I got to pick up my army.
08:54I don't know it was that.
08:55I was a spider.
08:56I didn't know it was a spider.
08:58I was a spider.
09:00If I was there to be a spider.
09:01It crashed at me.
09:04I got it.
09:06I got it.
09:07...
09:20Lerodana,
09:22has there a leg for my mother's ran?
09:26This is a magic magic. For her leg there is not.
09:31And because of her,
09:32...to be seen.
09:35My mom doesn't want to tell you.
09:39To me.
09:59He was in the house of Lazarus.
10:01I told you that he was in the house of Saturn.
10:03He was in the house with her.
10:08According to me,
10:10Lazarus was here to kill her mom.
10:13And to steal her from herself.
10:15I don't want to kill her.
10:30I don't want to kill her.
10:42I don't want to kill her.
11:12I don't want to kill her.
11:13I don't want to kill her.
11:20I don't want to kill her.
11:22I don't want to kill her.
11:37I don't know how to die.
11:38Mom...
11:41Can I be...
11:43...unbit?
11:52So?
11:53I'm at the end.
11:55I'm with you.
12:07I don't know who is the creator of the mom.
12:11How is it? Who?
12:13He's a Lazar.
12:15He's a baby.
12:17He remembers everything.
12:21He only told me that he's a Caracomjo.
12:28Yes, I told him everything.
12:32It's okay to tell him, but...
12:38...
12:38...
12:39...
12:39...
12:39...
12:40...
12:40...
12:40Mr. Kostrov.
12:42He was killed in the house.
12:47He was in front of the car,
12:50but he didn't have to do anything.
12:55Dark, where are you?
13:01That's why...
13:03...Mamika...
13:04...is that she was in love.
13:05...and she was in love.
13:08How do you say?
13:10The last night Mamik was in the house.
13:14I realized that my mother was in the house.
13:19Mom...
13:20I don't understand anything.
13:22I don't need help.
13:25And what?
13:26To tell him that we have to say that we have to keep the protection of the girl,
13:31which is called Mamik?
13:32Let's go.
13:44Dark, just a second.
13:47You want to tell me,
13:49I don't want to tell you,
13:50so you know all the information you have.
13:54And now you don't want to tell me.
13:56You want to trust me?
13:58I don't want to trust myself.
14:00I don't want to trust myself,
14:02but...
14:03...I don't want to trust everything.
14:04And I will tell you the truth.
14:06No, no.
14:07The question is...
14:09I will trust you.
14:11Everything so quickly happens,
14:13because I don't have time to think about it.
14:16I'm going to move on to the other side.
14:19And we need to do something then.
14:21I agree with you.
14:25I agree with you.
14:32But...
14:33...I'm sorry...
14:34I'm sorry.
14:34I'm sorry.
14:38I'm sorry.
14:40I don't want to do something that we have to say.
14:43I don't want to say something.
14:43I don't want to trust you.
14:48So I think that the thing that you have told you...
14:52...is true.
14:55...
14:56...I'm not too late to be here.
14:58You can't come here to be here.
14:58You got to see.
15:00Mom, I do not want to do something.
15:01You see...
15:01I...
15:02They are my people, so they don't have 65.
15:12How is it?
15:14How is it?
15:16Fear is.
15:18For me.
15:33According to me, these children are the brothers Lazar.
15:38The one whom Bia Venci had been
15:41and the fire is alive, the fire is holding the mother.
15:45How so?
15:49Maybe...
15:50Bywency, as a young man,
15:52has become the creator of the mother.
15:56And the death of the brother of Lazar.
16:00That's a shame.
16:07The death of the mother.
16:09The death of Lazar.
16:11The death of Lazar.
16:13The death of Lazar.
16:13But the death of Lazar.
16:16Of course, the death of Lazar.
16:21The death of Lazar.
16:24The death of Lazar.
16:25You know, how they found him?
16:26What did they find?
16:27They told me that they found him...
16:32...with a big, big, big crown.
16:40It's not...
16:41...a great family.
16:45It's something like that.
17:24What was that?
17:42What are you doing here?
17:58Yes, I'm here.
18:17What is the story?
18:19What is the story?
18:20What is the story?
18:24You're wrong with everything.
18:28What is the story?
18:30And my brother.
18:44So...
18:46Bai Venzi can be here to be a witness of the creation of the mother.
18:53What is the story of the mother?
18:56What is the story of the mother?
18:57Why did he not see the story of the mother?
19:01What is the story of the mother?
19:02According to me, he was starting to remember the story of the mother.
19:08What is the story of the mother?
19:10He was trying to get him to come here.
19:13How did he get to get the help of the mother?
19:17Maybe.
19:23Let's go.
19:25I can't be here.
19:28I can't be here.
19:42I can't be here.
19:43I can't be here.
19:57Why are you doing it?
20:01I can't be here.
20:02What is the story of the mother's heart?
20:06What is the story of her heart?
20:07And I can only help people.
20:08I can only help them.
20:08And how is it going to get them all over my mother?
20:14that they find a way to free them from this evil.
20:19You see?
20:21Yes.
20:23Oh my God.
20:47Oh, my God.
20:49Oh, my God.
20:50You can't do it.
21:04My man is,
21:07do you want me to go to the house?
21:23Gladens.
21:25Gladens.
21:28I've met you, Adam,
21:31that you want to help us.
21:34The black prince.
21:37I understand,
21:38that you want to tell the truth.
21:44I'm sorry,
21:45that you are going to suffer from it.
22:02Yes, it was Lazar.
22:06And he was there,
22:09when the black prince was created.
22:12He's a big prince.
22:14And he's the king of the prince.
22:33And he's a big prince.
22:35And he's a big prince.
22:40And one of the two is the king of the prince.
22:45The Blackhawk...
22:48...is she killed the man?
23:01The Blackhawk...
23:06...is she can't die.
23:11I'm hungry.
23:21I'm hungry.
23:24I'll be back.
23:25I'm hungry.
23:53Let's see.
23:54指istersке
23:57Казуватина
23:58никога да не казува
23:59що съм видел...
24:06Какво са...?
24:07Моя венци добави нарисунката
24:10и майката на Лазър
24:11с нож в ръка
24:14На нея вика черната царица
24:17Черната царица
24:20Нали...
24:21He's talking about the Черna Царица.
24:24And what do you say?
24:27He says that the Черna Царица can't die.
24:31If Bywency is associated with Mammika,
24:34maybe Mammika can also be able to learn things through him.
24:37He says that the chances of you become above the world,
24:52which He says to me is more than one of the protagonists.
24:55And He says to me,
24:58he says to me he says to me,
25:00he said to me he says to me.
25:00He says to me.
25:19Wait, wait.
25:20There was nothing to do with Bavenci.
25:26Buzhan?
25:28What's that?
25:29There's nothing to do with Bavenci.
25:31There's a house.
25:33He's gone there.
25:36No!
25:38No!
25:39No!
25:41I'm not a enemy!
25:41Where are you?
25:51Where are you?
25:54Where are you?
25:55Where are you?
26:14Where are you?
26:15Come here, the people!
26:44I don't know what to say.
26:47The body always was paralyzed.
26:50But no one has seen it move.
26:52You want to tell me that it's impossible to get away and get away somewhere.
26:56It's impossible to get away somewhere.
26:56I don't know what to say.
27:01How many years ago?
27:04Over 90.
27:06No one knows.
27:08She has any relatives?
27:11Who wants to see her?
27:12No, no one.
27:15Where are you here?
27:18From the end of the 90s.
27:20Before I started working here.
27:22How is it?
27:23My mind is…
27:24reading the press desk.
27:27At home, at the end of the Kurdish cada시� estable…
27:29Should there be a different information for me?
27:32Then, the ambush inside the ghost had gone all over Hannah's archip…
27:35...from the Allahuang-louэ walls, as people knows.
27:37To come on…
27:51I would like to say that VENETA is not VENETA.
27:56How is it? Are you sure?
27:59We are not sure.
28:02VENETA is coming from the house where he worked with Zara Maransk.
28:07After the fire, Zara is disappeared and the entire documentation of the people from home is burned.
28:13After that, VENETA is coming from here.
28:16She is the only person living in the house of Zara.
28:21And nobody can imagine how long it is.
28:24I'm not sure that VENETA is coming from home.
28:27It's probably possible.
28:29It's possible that it is possible that VENETA is coming from home.
28:36It's possible that VENETA is coming from Zara Maransk.
28:44It's not possible that VENETA is living in such a while.
28:51As it is, everything is possible.
28:56As it is possible that VENETA is dead,
28:58it's not possible that VENETA is dead,
28:59but it's not possible that VENETA is dead.
29:03In a way.
29:05It's possible that VENETA is dead.
29:18It's possible that VENETA is dead from home as plain man does not survive.
29:23What does that mean?
29:30According to me, Mamdika and Veneta are connected.
29:34And there is something else.
29:36Plamen, from the house house,
29:38says that the doctors have never found the physical reason for the disease.
29:45Well, if the Veneta is a mother,
29:48it's like a Lazar,
29:50why don't you do it with her?
29:53It's like a child.
29:55It's like a child.
29:56You're crazy.
29:57I'm the right.
30:01I'm the one who needs to be done before her.
30:08I have to save you.
30:10You see?
30:12It's logical.
30:21You're crazy.
30:22Lazare!
30:27What one of the signs of her is,
30:29who is the mother of mine?
30:30Well, no, Lazare.
30:32They don't.
30:33It's a mother of mine.
30:36It's not a mother of mine.
30:37Lazar!
30:40What's going on?
30:41Nothing.
30:43It's right.
30:45Let's go.
30:46I'm going to go to the house.
30:48In the house, in the house.
30:51You don't understand that she doesn't want to go back to the house,
30:54but she wants you to go to the house.
30:56That's how she will kill you.
31:26Excuse me.
31:28I don't want to go back up.
31:30I know. But I should ...
31:31Why?
31:32You said to be the person who told me that I'm not sure about the mencionations,
31:35which are my friends.
31:37And I'm not sure about the death of a man.
31:41You're not sure about the death of a woman.
31:46It's a miracle, which kills people.
31:49I can't be able to forgive them.
31:51It's necessary to do it!
31:54I don't know how to do it.
31:59Then you took the right decision.
32:04This decision doesn't have to be wrong,
32:07as if you love it and love it to your friends.
32:13The difference is that...
32:19The way you will not be the same.
32:29There is something to throw it away.
32:39I know.
36:03that if he was created by his mother,
36:06he would be killed.
36:15I'm going to take my own curse.
36:21It's necessary for a moment to be done before your mother and mother.
36:43What is it?
36:47It's strange.
36:50If you're able to take your curse,
36:55what will it be for you?
37:05I don't know how to do it.
37:07It's just going to get out of the air.
37:10It's like that.
37:11There's no way to go.
37:13I'm sure that if someone else finds it,
37:16it will find it again.
37:17But she can't explain it.
37:20It's a miracle.
37:22We're not doctors.
37:24Soon as we find it,
37:26they'll say what is.
37:27But they and doctors don't have to stop.
37:31Look at what happens with baivenci.
37:33That's his pain.
37:35It's not a miracle.
37:37I'm just looking for a lot of noise around the window.
37:42I don't want people to get upset.
37:45What do they get upset?
37:48That his 100-year-old baby-shkier
37:51was able to escape from home.
37:52I don't know.
37:53There were many strange jobs in the past.
37:55That's right.
37:57But you don't want to take care of,
37:59that you can't take care of any other people,
38:02who are constantly away from home.
38:06Yes.
38:16Yes.
38:16Can you see that again?
38:17I'm going to register for the场 I had.
38:24I'm going to set up nicely.
38:25For the場合,
38:26I'll let him get to the parcel.
38:35May we get closer.
38:36You're going, Dad.写
38:37date, Yeah.
38:38Oscar.
38:40The 90
38:40-year-old boy. Yes.
38:41The 90
38:42-year-old boy. Yes.
38:46What is the earth?
38:47The earth is... and I'm not.
38:50Hey, Delo, watch the приказ for you.
38:53You have to go and see you.
38:56Oh, how can I get you so much?
39:00Tadko, how can I get you?
39:02I'll get you.
39:03I'll give you a snack.
39:05I've heard of you now.
39:06I don't know if you're injured,
39:08but we're not in the house.
39:10Where are you?
39:11Did you happen?
39:13It happened.
39:14Yes.
39:15We found a new apartment.
39:18It's very suitable.
39:19At the moment, we have the rules.
39:22Four stairs?
39:23Yes.
39:24It means that you will have your own stairs.
39:28But...
39:29I don't know what to say.
39:31It's nothing.
39:32You just collect the bagage and...
39:35You have to go.
39:37Is everything in order for you?
39:39Yes, everything is in order.
39:41Yes, all right.
39:43Yes.
39:44Yes, I will come from you.
39:45Hi, Daddy!
39:47Huh?
39:47See you, my family.
39:49Yes, I'll see you later.
39:51Bye, see you later.
39:53Bye, see you later.
39:54Bye, emcepi!
40:15Do you think your mother will come back there?
40:17I don't know, so I'm going to check it out.
40:29I don't know anything.
40:39I'm going to check it out,
40:41when I was looking for an alien.
40:43I thought it was a GPS on the other side.
40:47I thought it was a signal.
40:50I'm going to check it out.
40:52I'm going to check it out,
40:54because I heard it.
40:56I'm going to check it out.
40:57I'm going to check it out.
40:59I'm going to check it out.
41:21I'm going to check it out.
41:26I'm going to check it out.
41:28I'm going to check it out.
41:30I'm going to check it out.
41:31I don't think it's a problem.
41:33I'm going to check it out.
41:37I'm going to check it out.
41:39I'm going to check it out.
41:42I'm going to check it out.
41:44I'm going to check it out.
41:45I'm going to check it out.
41:48I'm going to check it out.
41:48I'm going to check it out.
41:49I'm going to check it out.
41:55I see.
41:55And when things happen,
41:57you will need to be away from her.
41:59If not for myself, it's only for Lelia Neda.
42:03That's why Lazarus is right.
42:05And other than that, I'm sure.
42:06I can't trust myself for myself.
42:08I don't have to look at them.
42:12Except for him, I'm a Myron.
42:15If you're with me, I'm constantly thinking about you.
42:20My mother will take care of me.
42:24I'm going to take care of my family.
42:27I'm going to take care of you.
42:29And you, Dirk, come to take care of them.
42:31And you look like you're going to take care of me.
42:34I'm going to take care of you.
42:42I'm going to take care of you.
43:06I'm going to take care of you.
43:14I'm going to take care of you.
43:20I'm going to take care of you.
43:23I can't wait for you.
43:24I can't wait for you.
43:26How is she?
43:26Did you find my mom?
43:31The Lázaro's coming to the house, where I think it's my mom.
43:34And my mother Lázaro's mother.
43:39I'm sorry for the old song and for him.
43:45The old song, you said?
43:49Why did you feel the song about Lázaro?
43:58My mother, my mother, my mother.
44:02He told me that everything will be like a song.
44:08She sang the song about the curse of Lázaro's death.
44:16And he can break it up only when she comes back to her mother.
44:26I'm sorry for the curse of Lázaro's death.
44:43I'm sorry for the curse of Lázaro's feelings.
44:47I'm sorry for the curse of Lázaro's death.
44:50I can't wait to hear you, my mother.
44:55I would like you to thank you,
44:59that you have saved me.
45:15How did you make the song?
45:19When the song is alive,
45:21he leads her to her mother.
45:26She said to her mother,
45:28she said to her mother,
45:31she said to her mother,
45:32she shut her mouth.
45:36The dead are gone,
45:39the dead are left.
45:42If the song is alive,
45:47then...
45:47Then...
45:48And now she is alive.
45:52Otherwise, Lázaro is dead.
45:56Lázaro is not able to kill her mother
45:59and want to die,
46:01but she wants to bring Natalia to her mother.
46:04So she will die her heart of her soul.
46:12I don't...
46:14I don't...
47:04Why, Maiko?
47:12Why?
47:14Why?
47:16Why?
47:19Why?
47:20Why?
47:23Why
47:26Why
47:27Why
47:27Why
47:28Why
47:30Why
47:31Why
47:31Why
47:32Why
47:34Why
47:39Why
47:41Why
47:41Why
47:41Why
47:42Why
47:42Why
47:42Why
47:42Why
47:43Why
47:43Why
47:43Why
47:43Why
47:43Why
47:45Why
47:47Why
47:48Why
47:51Why
47:52Why
47:55Why
47:56Why
47:56Why
47:56Why
47:58Why
47:58Why
47:58Why
48:00Why
48:01Why
48:01Why
48:01Why
48:02Why
48:02Why
48:02Why
48:02Why
48:02Why
48:02Why
48:03Why
48:05Why
48:06Why
48:09Why
48:12Why
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48:13Why
48:14Why
48:18Why
48:18Why
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48:20Why
48:20Why
48:22Why
48:22Why
48:22Why
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49:09Watch out!
49:33¡No está vivo!
49:48I'm not sure what you're doing, but I'm not sure what you're doing.
50:09Oh
50:10Oh
50:10Oh
50:10Oh
50:40Oh
50:42Oh
50:44Oh
50:45Oh
50:46Oh
51:09Oh
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