A delightful romantic comedy filled with mistaken identities, witty dialogue, and unexpected romance. That Wonderful Urge (1948) delivers classic Hollywood charm with memorable performances, lighthearted humor, and a heartwarming story that keeps audiences entertained from beginning to end. Perfect for fans of timeless romantic comedies and vintage cinema.
#ThatWonderfulUrge #ClassicFilm #RomanticComedy #ClassicHollywood #VintageCinema #ClassicMovies #OldMovies #1948Films #GoldenAgeHollywood #ComedyFilm #Romance #PublicDomainMovies #MovieLovers #ClassicCinema #RetroMovies
#ThatWonderfulUrge #ClassicFilm #RomanticComedy #ClassicHollywood #VintageCinema #ClassicMovies #OldMovies #1948Films #GoldenAgeHollywood #ComedyFilm #Romance #PublicDomainMovies #MovieLovers #ClassicCinema #RetroMovies
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Short filmTranscript
00:00:01The End
00:00:38The End
00:01:10The End
00:01:30Thomas Jefferson Tyler
00:01:32He ought to be horsewhip for using that name
00:01:46Thomas Jefferson Tyler
00:01:48He's probably one of those chinless hacks
00:01:51Who bribes chambermaids to peek through keyholes
00:02:10Thomas Jefferson Tyler
00:02:12And he calls that writing, I suppose
00:02:13I've seen better writing on a board fence
00:02:45Thomas Jefferson Tyler
00:02:55Oh, there he is
00:02:58One place
00:03:01That's the young man I was telling you about
00:03:02Oh
00:03:08Oh, hello there
00:03:09Won't you join us?
00:03:11Thank you
00:03:11This is Mr. What is your name again?
00:03:13Thomas
00:03:13Tom Thomas
00:03:14Tom Tom
00:03:15How quaint sounds Indian
00:03:16This is my niece, Sarah Farley
00:03:18Good evening
00:03:19And the Count de Guillaume
00:03:20How do you do?
00:03:21How do you do?
00:03:23Sarah Farley of the Farley chain
00:03:25I can hardly believe it
00:03:27Sarah, show him a grocery store
00:03:30You know, I've been reading those articles about you
00:03:32Really?
00:03:33Yes, you see
00:03:33I run a small town paper
00:03:34And the news syndicates brought the series to my attention
00:03:37How interesting
00:03:40Well, naturally I didn't touch them
00:03:41Oh?
00:03:42Why not?
00:03:44I wouldn't print things like that
00:03:45I think it's outrageous
00:03:48Besides the folks in my town
00:03:50Are opposed to that sort of nasty writing
00:03:52Didn't I tell you he was charming?
00:03:55Would you like to dance?
00:03:56Not now, Audrey
00:03:57Tell me, Mr. Thomas
00:03:59Thomas
00:04:01Do people in small towns realize that I'm being liable?
00:04:04Of course
00:04:06They're just like city folk, Miss Farley
00:04:08Except that they have a sense of fairness
00:04:11You see, they rather like you
00:04:12They feel that you've been a victim of circumstances
00:04:15And bad public relations
00:04:17They feel that it's happened because your parents died
00:04:20When you were a little girl
00:04:22Well, you need a mother, a father, or a husband
00:04:27Shall we dance now, dear?
00:04:28This is a revelation, Mr. Thomas
00:04:31I always felt that most people believed those stories
00:04:34Oh, no
00:04:36No, Miss Farley
00:04:37You mustn't lose faith in the real people
00:04:39They understand you
00:04:46I'm sorry
00:04:47I shouldn't have started all this
00:04:48Spoiling your evening
00:04:51I don't suppose you'd care to dance
00:04:53I'd love
00:04:55Thank you
00:04:56Excuse me
00:05:02He's nice, don't you think?
00:05:04I do not
00:05:05I think he's trying to take the bread right out of my mouth
00:05:13He's stalking her now, my pigeon
00:05:15I can tell by the look on his face
00:05:41Hello
00:05:42Uh, let me speak to Miss Sarah Farley, please
00:05:45Yeah
00:05:53Hello
00:05:55Oh, hello
00:05:58Tonight?
00:05:59Oh, no, I can't, Mr. Thomas
00:06:01I promised Count de Guillaume that I'd go dog sledding with him
00:06:05No
00:06:07Dog sledding
00:06:08Okay, I'll try you again some other time
00:06:10Have fun
00:06:11With the dogs
00:06:14Thanks
00:06:14And you will call me again
00:06:17Good
00:06:18Goodbye
00:06:30Hello, get me the sports desk
00:06:34Oh, sports desk
00:06:35This is Mr. Thomas speaking
00:06:36I'd like to talk to someone in charge of dog sleds
00:06:41Oh
00:06:41Oh, I see
00:06:42Well, have him call me as soon as he comes in, will you?
00:06:45It's very important
00:06:46A matter of life and death
00:06:48Thanks
00:06:49Oh, thanks
00:06:57Oh, I'm out of the way
00:07:14I'm out of there
00:07:14I'm out of there
00:07:15You can't talk to someone in charge of dog sleds
00:07:17Oh, I'm out of there
00:07:17Oh, I'm out of there
00:07:23Driver, where's the other sleigh?
00:07:26No speak English.
00:07:28Me Eskimo.
00:07:30And what are you doing here?
00:07:32Oh, I'm an old dog driver from way back.
00:07:34Mush!
00:07:53Oh, Mr. Thomas.
00:07:57Mr. Thomas, are you all right?
00:08:01Oh, why'd you have to slug me?
00:08:03I didn't. You slugged yourself on that tree.
00:08:05Was I out long?
00:08:07Not long. Can you sit up?
00:08:09I guess so.
00:08:12Your head.
00:08:13It's nothing at all, just a compound fracture of the skull.
00:08:16Well, I guess I deserved it, though, for playing the smart aleck.
00:08:20You need first aid.
00:08:22I need peace and quiet.
00:08:23Come on, get up.
00:08:27We'd better start back to the lodge, if we can find it.
00:08:33Hey, look. Look, there's one of those emergency ski cabins.
00:08:36How very convenient, Mr. Thomas.
00:08:39Well, we can at least keep warm until they find this.
00:08:57Keep still.
00:08:59How can I, if you keep poking into it?
00:09:00I'm trying to decide if it's too deep for iodine.
00:09:03Iodine?
00:09:03In my first aid course, they told me...
00:09:05Oh, no, no, never mind. It's just a scratch, believe me.
00:09:08Anyway, I have something much better.
00:09:11There we have.
00:09:12Well, you came very well-equipped, Mr. Thomas.
00:09:14Do we pour it on your head?
00:09:16Is that the way you like it?
00:09:17There's nothing wrong with my head.
00:09:20I don't know. You're probably suffering from shock and exposure.
00:09:23Oh, no. Just curiosity.
00:09:26You went to quite some pains to get me alone.
00:09:29Why?
00:09:30Pains is right.
00:09:31But that tree wasn't in the script.
00:09:34Oh, here. Hold these a minute.
00:09:39I hope you won't laugh at me, Miss Farley, but...
00:09:44I've written an article about you for my little paper.
00:09:47You, too?
00:09:48Yes. Well, I wouldn't think of publishing it without having you read it first.
00:09:51That's a new wrinkle, anyway.
00:09:52So that's why I wanted an hour or so alone with you.
00:09:54Here, if you don't mind, this is, uh...
00:09:57Begins' rent.
00:10:01You people know the true story behind Sarah Farley.
00:10:04She's been hurt, deeply hurt, by all the forces always arrayed against inherited wealth.
00:10:16She's a fine, warm human being who has been taught to conceal her true emotions behind an icy wall.
00:10:28Well.
00:10:29You like it?
00:10:30How could I help liking it?
00:10:32But you're not really going to print this, Mr. Thomas.
00:10:35You know, I think it's time someone printed your side of the story.
00:10:38A sort of rebuttal to people like that... that... that Tyler.
00:10:40Oh, let's forget him.
00:10:42Here's to Tyler.
00:10:43May you drop dead.
00:10:47Well, is it accurate?
00:10:49Have I my facts straight?
00:10:50Well, this isn't true, that I'm engaged to Andre de Guillaume.
00:10:53He's just an amusing companion.
00:10:55And up here...
00:10:56Well, look, why don't you go through the whole thing?
00:10:58Tell me the real story.
00:10:59Then I can use quotes.
00:11:00Make it authentic.
00:11:01You see, with quotes from you, we can make that stuff that Tyler's been writing look sick.
00:11:05Well, if you'd like.
00:11:06I'm not really that interesting.
00:11:08Oh, you are to me.
00:11:10Go on.
00:11:10Tell me everything.
00:11:12From the beginning.
00:11:16And sometimes I wish I'd been born poor.
00:11:19And then I kick myself and say, don't be an idiot.
00:11:21Because I'm fond of all the things money can buy, too.
00:11:24Even Andre, who comes high, prices being what they are these days.
00:11:29You see, it's a very dull and prosaic story.
00:11:31And I've talked about myself much too long.
00:11:33Oh, no, no.
00:11:34I could listen to you all night.
00:11:35I've never told anyone these things before.
00:11:37Have you enough for your article?
00:11:39Plenty.
00:11:39I have your permission to quote you.
00:11:41Of course.
00:11:42Now, this is dynamite.
00:11:43For Tyler, that is.
00:11:44Here's to Tyler.
00:11:45May he drop dead.
00:11:50I hate to think what he'd do with some of those quotes.
00:11:53Well, he probably sees things from a slightly different angle.
00:11:57Yes, through a keyhole.
00:11:59Oh, I wouldn't be too hard on Tyler.
00:12:01He has to make a living, after all.
00:12:03Not as far as I'm concerned, he doesn't.
00:12:06Well, I do happen to know that he has a fine record as a war correspondent.
00:12:10That makes it even worse that he should stoop so low.
00:12:13And let's not waste any more time talking about him.
00:12:16Well, this article will fix him.
00:12:17But good.
00:12:19You're not very experienced in newspaper work, are you, Mr. Thomas?
00:12:23Tom.
00:12:24Are you, Tom?
00:12:26Well, I make a living at it.
00:12:28Don't print that article.
00:12:30What?
00:12:31It'll only make you look foolish.
00:12:34Me?
00:12:35In the first place, it simply isn't good journalism.
00:12:38I know, Tom.
00:12:40I'm the expert.
00:12:41They started in on me when I was in kindergarten.
00:12:44When I won a prize for deportment, there wasn't a line about it.
00:12:47But it was front page news when I tried to scratch the eyes out of that little beast of a
00:12:50Vandermeer girl.
00:12:52The great reading public isn't interested in normal human beings.
00:12:56They want freaks served up with all the trimmings in the second place.
00:13:00You know what they'll say about you, Tyler, and people like that?
00:13:02That I took you in, made a fool of you, even that I paid you to write about me favorably.
00:13:07I'm grateful to you, Tom, for wanting to do it, but it just isn't worth it.
00:13:15Do you care what they say about me, Miss Farney?
00:13:17Sarah.
00:13:18Do you, Sarah?
00:13:19Yes, I do, Tom.
00:13:21Why?
00:13:22Oh, I don't know, because you're such a bad dog driver and because you get hurt so easily.
00:13:28I don't want you to get hurt for my sake.
00:13:30Then you'll become warped and cynical like the rest of them.
00:13:34You're too nice for that.
00:13:42Why are you looking at me like that, Tom?
00:13:45As if you'd never seen me before.
00:13:48Maybe it's the whiskey or the crack on the head I took.
00:13:52Or maybe it's just you.
00:13:58Hey!
00:13:59Anybody in there?
00:14:02I guess we're being rescued.
00:14:05I'm afraid we are.
00:14:16Tom's room's over there.
00:14:31Come in.
00:14:36Good morning, sir.
00:14:38Oh, good morning.
00:14:39A little early, aren't you?
00:14:40It's nine o'clock, your usual time.
00:14:42Sort of overslept yourself, didn't you?
00:14:44I had a big night.
00:14:45I guess you was at the fire.
00:14:47What fire?
00:14:48The old courthouse at 3-4.
00:14:50Here, it's in the local paper.
00:14:52Burned to the ground, nothing left of it.
00:14:54Oh, a lot of folks went over from the lodge.
00:14:59Yes, sir, we'll miss the old courthouse.
00:15:02A lot of Sun Valley romances wound up there.
00:15:05You know, we used to have two or three weddings a season.
00:15:07Regular Gretchen Green, you might say.
00:15:12Will that be all, sir?
00:15:14Yes, yes, that'll be all.
00:15:15I'll sign that later.
00:15:25Oh, uh, hello.
00:15:26Let me speak to Miss Sarah Farley, please.
00:15:28Miss Farley left word that she was not to be awakened until she called.
00:15:32May I take a message?
00:15:33No, no, that'll be all right, thanks.
00:15:36Hello?
00:15:37Give me the transportation desk.
00:15:40Transportation desk?
00:15:41When is the next train out of here?
00:15:429.35, sir.
00:15:44Well, this is Mr. Thomas speaking.
00:15:45Can you get me a reservation on it, anything?
00:15:47Well, that's in half an hour.
00:15:48I'll be ready.
00:15:49Can you get me on it?
00:15:50Yes, sir.
00:15:51Thanks.
00:16:05Where are they?
00:16:06I'm starving.
00:16:08So am I.
00:16:08I'll look and see.
00:16:22Are they coming?
00:16:24Andre is, but I don't see.
00:16:25Tom.
00:16:26Why don't you and Andre go ahead and have lunch?
00:16:29Well.
00:16:31Have you seen Tom?
00:16:32No, I haven't.
00:16:33As a matter of fact, I don't think you will either.
00:16:36Why not?
00:16:36I inquired at the desk and found he's checked out.
00:16:39Checked out?
00:16:40When?
00:16:40About an hour ago.
00:16:41Without even saying anything, why would he do that?
00:16:45He had his reasons.
00:17:11Andre, have you that wedding ring you're always flashing at me?
00:17:14Why, yes, Saturday, I have it right here.
00:17:17This is so sudden.
00:17:18I only want to borrow it.
00:17:19Now, Sarah, that lying, sneaking brute, twisting everything I say.
00:17:35How was Sun Valley, Ms. Farley?
00:17:37Did you see Tom Tyler, Ms. Farley?
00:17:38What about the count?
00:17:38I want to bring you back.
00:17:39How about his thing?
00:17:40Bring the count back.
00:17:41Is that a wedding ring you're always flashing?
00:17:43Oh, come on.
00:17:44Let's come on.
00:17:45Tell us about it.
00:17:45How is it?
00:17:45All right, Jeff.
00:17:47What?
00:17:48Well, it was the most surprising thing.
00:17:50It was love at first sight.
00:17:52It happened at Sun Valley.
00:17:53At first, I disliked him intensely, but he swept me off my feet, and we were married.
00:17:59At last, I found a man with whom I can be really happy.
00:18:03And to prove my love, I've settled a million dollars.
00:18:07A million dollars?
00:18:07Who is it?
00:18:08The count?
00:18:08Oh, no.
00:18:09Oh, it's us.
00:18:09Well, who is it?
00:18:11Come on.
00:18:12Tom Thomas.
00:18:13Who?
00:18:14Tom Thomas.
00:18:16Better known as Thomas Jefferson Thomas.
00:18:19Tom Thomas.
00:18:20Tom Thomas.
00:18:20Hey, are you kidding?
00:18:22How long has this been going on this time?
00:18:23Hey, come on.
00:18:24It's Farley.
00:18:30You look wonderful, Jess.
00:18:32You too.
00:18:32I do.
00:18:33I did nothing but sleep on the train.
00:18:35Didn't you turn out any more coffee?
00:18:36Yes.
00:18:36We caught up on all the other stuff.
00:18:38Yes, I did one more, and then the local gazette ran my picture, and I had to beat it.
00:19:13Well, let me tell you something, Duffy.
00:19:14She's not the kind of girl we thought she was.
00:19:16Turn your dispatch observer.
00:19:17Eva doesn't...
00:19:37Finley, come in here.
00:19:40What's the matter?
00:19:43What are you doing that for?
00:19:44Finley, get him out of here.
00:19:45Him what?
00:19:46Get him out, or I'll print the next edition in his blood.
00:19:48Oh, no.
00:19:49Wait a minute, Duffy.
00:19:50Let's speak to me, you Benedict Arnold.
00:19:52No, but this isn't true.
00:19:53It's a lie.
00:19:53It's a hole.
00:19:54Finley, get him out of here.
00:19:55Come on, will you please?
00:19:56No, I'm not going.
00:19:56This is ridiculous.
00:19:57You don't believe this, Duffy.
00:19:58Are you not?
00:19:59There'd be in the back for a dirty man.
00:20:00You don't believe me.
00:20:01I wouldn't believe your dying conflict.
00:20:03I'll get her on the phone.
00:20:03I'll prove it to you.
00:20:04Not on one of our phones.
00:20:05Get Mr. Sarah Foley out of here.
00:20:07I'm trying to.
00:20:08I'm trying to explain.
00:20:08Do two men like working here?
00:20:10Yeah, why?
00:20:11Sure.
00:20:11Well, he doesn't work here anymore.
00:20:12So if you want to keep on working here, throw him out.
00:20:15Shut up a minute.
00:20:16Please.
00:20:18Hello?
00:20:19Hello, is this the party?
00:20:20Well?
00:20:22All right, all right.
00:20:23I'll use the phone booth in the hall.
00:20:26Out.
00:20:32Tom, are you sure?
00:20:34Am I sure of what?
00:20:35You didn't fall for her?
00:20:36Of course I didn't.
00:20:37She's not a woman.
00:20:38She's a corporate structure.
00:20:41She asks for it and she'll get it.
00:20:43I'll write a series of articles about her that'll burn her to a crisp.
00:20:46For what paper?
00:20:47What's that?
00:20:48Remember?
00:20:49Duffy fired you.
00:20:50I can get another job.
00:20:51I wonder after everything that's happened.
00:20:54All right, then.
00:20:54I'll do the series for Pravda.
00:20:56They'll eat it up.
00:20:57Typical capitalist behavior.
00:20:58Oh, Tom, be serious.
00:21:00The sensible thing is to demand a retraction.
00:21:02From her?
00:21:03Not a chance.
00:21:04From the papers that ran the story.
00:21:07Yeah, I guess you're right.
00:21:08I could do that.
00:21:09Good.
00:21:10Will you drop me off at my place?
00:21:11Wire the papers and then try and get a good night's sleep.
00:21:24Good night.
00:21:26There he is!
00:21:27I'll send your autograph.
00:21:29Oh, no.
00:21:30Oh, no.
00:21:33Oh, no.
00:21:34Everybody, let go.
00:21:36Everybody, get away now.
00:21:38Go on.
00:21:39Hey, Mrs. Sarah.
00:21:40Anyway.
00:21:40Let me alone.
00:21:42Go out and mind your own business.
00:21:43Get away from me.
00:21:44This is Riley!
00:21:48This is Riley!
00:21:53Mrs. Riley, you get out of here, you bunch of bootlegs, get out of us.
00:21:57This is an respectable house and I don't want any trouble with any of you.
00:22:02Thank you, Mrs. Riley.
00:22:03Mr. Tyler, you rascal, you.
00:22:06Oh, no, please, Mrs. Riley.
00:22:07You never said a word about it, you sly boots.
00:22:11You dear boy, I could kiss you.
00:22:14Oh, no, no, no.
00:22:15Oh, no, you don't, don't you dare come into my house.
00:22:18You get out of my house and you stay out, you hear me?
00:22:26Hello, get me Western Union.
00:22:29Hello, Western Union.
00:22:30This is Lexington 21598.
00:22:33Yeah, I want to send a telegram to the Courier, Dispatch, Observer, all the New York newspapers.
00:22:37That's right.
00:22:38Now, this is the message.
00:22:40I categorically didn't...
00:22:43Oh, never mind.
00:22:44I positively deny that I am married to Sarah Farley.
00:22:48I demand an immediate retraction and apology.
00:22:51Signed, Thomas Jefferson Tyler.
00:22:55Of course it's the truth.
00:22:56You send it just the way I gave it to you.
00:22:59All right.
00:23:01We want Tyler.
00:23:03We want Tyler.
00:23:05We want Tyler.
00:23:07We want Tyler.
00:23:07We want Tyler.
00:23:16It's the word.
00:23:17Slick, oh, gentlemen.
00:23:19Gives the hair that smooth gloss that makes you irresistible to the ladies.
00:23:22As irresistible as Romeo was to Juliet, as Anthony was to Cleopatra, as Tom Tom Tyler was to Sarah Farley.
00:23:32Dedicating the next number to this romantic pair, you will now hear a new recording of an old favorite.
00:23:37Thanks, a million.
00:23:50Who is it?
00:23:52It's me, Mrs. Riley.
00:23:59Are you alone?
00:24:00Yes, dear.
00:24:04Come in.
00:24:06I made your breakfast myself.
00:24:09Never mind about that.
00:24:10Did you get those papers?
00:24:11Here they are.
00:24:20Mr. Tyler, I hope you'll disregard that foolish note I sent you about last month's rent.
00:24:28I should have realized your head was up in the clouds and you had no time for sordid and mundane
00:24:34things.
00:24:36Ah.
00:24:53Something wrong, Mr. Tyler?
00:24:55Everything's wrong.
00:24:56Oh, I can't be that bad, Mr. Tyler.
00:24:59A little tear for lover's spat.
00:25:01I always say the course of true love never runs smoothly.
00:25:04A little sun and a little shade makes the fairest day.
00:25:07Get out of here.
00:25:08Oh, Mr. Tyler.
00:25:09Get out.
00:25:09Mr. Tyler.
00:25:10Get out of here right now.
00:25:11It's a good thing you've got a million dollars.
00:25:13Get out.
00:25:40Oh, my God.
00:26:05Mr. Tyler, only $1,500 and it's yours.
00:26:08Take it away, I'm not interested.
00:26:09But you don't understand, Mr. Tyler, it worked.
00:26:12Oh!
00:26:22Hi, Finley.
00:26:23Come on, Finley.
00:26:27Well?
00:26:29But this is crazy.
00:26:30Look, you've got to explain to him.
00:26:31I can't.
00:26:32You know Duffy, he won't listen.
00:26:33Here, Joe.
00:26:34Yes, sir.
00:26:34How's it going, Cinderella man?
00:26:36You don't happen to have a couple of grand and small bills on you, do you?
00:26:39Lay off, Eddie.
00:26:40Duffy's fired him.
00:26:41So, he's an unemployed millionaire.
00:26:43My heart bleeds.
00:26:44Joe, a round of drinks on Mr. Farley.
00:26:45Wait a minute, if I'm not married...
00:26:46Have a fight already?
00:26:48How can you argue with a million bucks?
00:26:50Maybe he doesn't want to get measured for his polo mallet.
00:26:53Well, here's mother in your spats.
00:26:55Why don't you do that?
00:26:55Take your entire jokes back to the bar.
00:26:59Listen, Tom.
00:27:00Why don't you go home?
00:27:02If Sarah's there, maybe she'll convince you, too.
00:27:05Well, anyway, go home.
00:27:07If Duffy comes in here, there's going to be trouble.
00:27:08No, I can't go home.
00:27:09The hall's full of guys trying to sell me things.
00:27:12Real estate, insurance, perpetual motion machines, yachts.
00:27:16How can I prove I'm not married to that dame?
00:27:19How would you prove it?
00:27:21I'm married already.
00:27:22My wife hasn't got a yacht to her name.
00:27:33Jess.
00:27:34Will you marry me?
00:27:36What?
00:27:36I said, will you marry me?
00:27:39It'll prove it, don't you see?
00:27:40I'm not going to marry you just to prove that you're not married to her.
00:27:43Now, look, all your life you've been railing against her kind of woman.
00:27:46Useless, troublemakers, parasites.
00:27:47You're not going to let her get away with this, are you?
00:27:49Well, I don't know.
00:27:49Oh, please, Jess, see it my way.
00:27:51We can go right down to City Hall.
00:27:52Hey, what is this?
00:27:55Please, Jess.
00:27:57Let's go.
00:27:58I'll tell Duffy.
00:27:59This is a new phone from the City Hall.
00:28:01I'll haul you from down there.
00:28:02Cinderella man, wait a minute.
00:28:03Sarah hears about this.
00:28:04I'll be the best man, Tom.
00:28:05I'm going to ride down with you.
00:28:07Hello?
00:28:08I want to speak to Miss Sarah Farley.
00:28:10Johnson of the Courier.
00:28:12Oh.
00:28:13But just tell her her husband's getting married.
00:28:16That's what I said.
00:28:17He just went down to the City Hall.
00:28:25Look, I don't know what kind of license you fellas want, but this ain't the place for her.
00:28:31What's keeping the clerk?
00:28:34Probably can't read your signature on the application.
00:28:37Thomas Jefferson, Tyler, and Jessica Wood?
00:28:39Yes.
00:28:39Mr. Conner from the Chief Kirk would like to see you in his office.
00:28:42Right this way.
00:28:46What's up?
00:28:47Chief Kirk don't confide in me.
00:28:53You can't go in there.
00:28:55What's Conner talking about?
00:28:56Come on, give us something.
00:28:57You Thomas Jefferson, Tyler?
00:28:59Jessica Woods?
00:29:00Yes.
00:29:01These are the two that applied for the license, Fisher?
00:29:03Yes, sir.
00:29:04What's this all about?
00:29:05You may not know it, Miss Woods, but this man already has a wife.
00:29:09I have not.
00:29:10He's marrying me.
00:29:10He's married to Sarah Farley.
00:29:12Here it is all over the front page.
00:29:13I'm not married to anybody, and I insist that you give me a license.
00:29:15I can't be a party to a conspiracy to commit bigamy.
00:29:18You got any proof that you're not married to Sarah Farley?
00:29:22You know no one can prove that they're not married.
00:29:24Nobody issues certificates of non-marriage.
00:29:27You got to take my word for it.
00:29:28I'm not married to Sarah Farley.
00:29:30Tom, Tom, how can you say that?
00:29:35We had a little quarrel.
00:29:37I'm sorry, darling, and I forgive you.
00:29:39You forgive me?
00:29:40Now, you cut this out.
00:29:41Oh, this must be so awkward for you, my dear.
00:29:44I'm terribly sorry, but Tom, Tom is married to me.
00:29:46When were we married?
00:29:47Have you forgotten already?
00:29:49Where were we married?
00:29:50Oh, you shouldn't do this to me, and on our honeymoon, too.
00:29:53Just because you're angry with me, it's so embarrassing.
00:29:55Where were we married?
00:29:57Don't shout, dear.
00:29:58We shouldn't hear our quarrels in public.
00:30:00She's lying.
00:30:01I'm not married to Miss Farley,
00:30:02and I insisted you give me a license to marry Miss Wood.
00:30:04Stop shouting at me.
00:30:05You ought to be ashamed of yourself, pulling such a scurvy drink.
00:30:07Listen, you're here to serve the public.
00:30:08I'm one of the public, and I insist on my rights.
00:30:11Take him out.
00:30:11You're denying me my rights by force.
00:30:13That man is setting up a moral censorship
00:30:15when all he was ever commissioned to do
00:30:16was to grant licenses to citizens.
00:30:22I just don't understand it, Jess.
00:30:24I'm absolutely innocent, and I lost my job.
00:30:27Can't go home.
00:30:28I can't even get married.
00:30:29No civil rights.
00:30:30I'm like a man without a country.
00:30:33Also, I'm hungry.
00:30:35Let's have dinner at my place.
00:30:36Have any money?
00:30:37I think I'd spend it all on taxi fare.
00:30:42We have four dollars.
00:30:44Come on.
00:30:44I'm fine.
00:30:45I'm fine.
00:30:46I'm fine.
00:30:46I'm fine.
00:30:48I'm fine.
00:30:49I'm fine.
00:30:49I'm fine.
00:30:49I'm fine.
00:30:50I'm fine.
00:30:51I'm fine.
00:30:58I'm fine.
00:31:01I'm fine.
00:31:01I'm fine.
00:31:01I'm fine.
00:31:03I'm fine.
00:31:03I'm fine.
00:31:04I'm fine.
00:31:04I'm fine.
00:31:05I'm fine.
00:31:06I'm fine.
00:31:07I'm fine.
00:31:08I'm fine.
00:31:20Jess, this is a Farley store.
00:31:23Look, there's the caviar.
00:31:25Come on, here.
00:31:27Give me a hand with these things.
00:31:28These, huh?
00:31:29Tom, we only have four dollars.
00:31:31Never mind about the money.
00:31:33I'm married to a rich woman.
00:31:34Come on, bring your basket along here.
00:31:36Wait, we'll get another one.
00:31:37Tom, we'll never get away with this.
00:31:39Huh?
00:31:40Sure, I will.
00:31:41We can't possibly get all this done.
00:31:43Never mind, we'll put it away someplace.
00:31:53Where do you keep the champagne?
00:31:55No champagne, sir.
00:31:56No champagne?
00:31:58Low type of store.
00:32:00Probably have bowl weevils in the flower.
00:32:02Oh, no, sir.
00:32:04Oh, you can stop that counting.
00:32:07That isn't necessary.
00:32:10Oh, yes, sir.
00:32:11I have to.
00:32:13You don't think I'm going to pay for this, do you?
00:32:15I own this stuff.
00:32:1913, 80.
00:32:20Mr. Bissell.
00:32:25Mr. Bissell.
00:32:26Yes?
00:32:29This man doesn't want to pay.
00:32:35Sir, let's have no trifling with the clerks, if you please.
00:32:38Perhaps you don't know who I am.
00:32:41Here.
00:32:42Take a look at that.
00:32:46Mr. Farley.
00:32:47Well, I mean, Mr. Tyler.
00:32:49Well, well, this is an honor.
00:32:52To be chosen out of all the Farley stores.
00:32:55I'm so pleased, Miss Farley.
00:32:58I'm not, Miss Farley.
00:32:59This is Miss Woods, my fiancée.
00:33:01How do you do?
00:33:02Fiancée?
00:33:03But you're...
00:33:03My wife is very broad-minded.
00:33:055, 52, 30...
00:33:08Stop counting!
00:33:11Oh, I've lost count!
00:33:13I won't.
00:33:13Never mind.
00:33:15I hope.
00:33:16I mean, well, congratulations.
00:33:24Pick up a couple of bags, Jessica, dear, and let's go home to dinner.
00:33:28There we are.
00:33:29Good night.
00:33:35I don't know what we're going to do with all this stuff.
00:33:37You can give it away if you like.
00:33:38There's plenty more where this came from.
00:33:40We could start another grocery store.
00:33:42All right, well, this has great possibilities.
00:33:49Jessica, this has even greater possibilities.
00:33:51Like what?
00:33:53Can't...
00:33:53That's how fast he is.
00:33:54Oh, don't you...
00:33:56Huh?
00:33:57Here, is that your sister?
00:33:58Uh-huh.
00:33:59Well, you take that home to mother now.
00:34:00Gee, thanks.
00:34:01Oh, thanks.
00:34:02I won't be home to dinner, dear.
00:34:04Where are you going?
00:34:06I'm going to call on my wife.
00:34:20I won't be home to dinner.
00:34:22Let's go.
00:34:22Oh, my God.
00:34:22I have to go.
00:34:22Oh, my God.
00:34:24I have to go.
00:34:25Oh, my God.
00:34:26Oh, my God.
00:34:31Oh, my God.
00:34:34Oh, my God.
00:34:44yes hello is mrs tyler in who sir i'm mr tyler miss farley's husband oh yes sir won't you
00:34:51please come in miss sarah i mean mrs tyler didn't tell me you were pending my congratulations thank
00:34:57you i'm barrett sir oh thank you barrett is she in no sir she's out for the evening well i'll
00:35:05see
00:35:05her later you have a spare room for me oh certainly sir adjoining me adjoining mrs tyler sir this way
00:35:12please may i say sir that the staff was delighted with your articles you like them i saw right through
00:35:26them sir i even predicted the marriage sir won 180 from the staff are they paid off yet they
00:35:34well at the end of the month sir it was child's play i recognize it immediately sir a kind of
00:35:44left-handed romance the devastating criticism of a man in love it's a nice deduction rather obvious
00:35:51if i may say so sir the writer of those articles was trying to avoid showing his affection
00:35:57you happen to know where she went barrett he's dining at the whitson's the where the whitson's sir
00:36:08the whitson's yes sir this one sir
00:36:16miss sarah's parents left mr witson in charge of the farley chain
00:36:20frankly say he doesn't know his wholesale from his retail
00:36:23he doesn't know his wholesale from his retail
00:36:30barrett yes sir get me a cab
00:36:34yes sir
00:36:45mr witson residence yes sir is miss sarah farley here
00:36:48who shall i say is calling sir mr tom tom tyler the cinderella man i'm miss farley's husband
00:36:59darling
00:37:02mr tom tom tyler
00:37:08it's your last chance to call it off no you'll have to excuse us we're still on our honeymoon
00:37:18well dear you might at least introduce me oh this is mrs witson our hostess oh mrs witson how do
00:37:25you do
00:37:26i uh understood you were too ill to accept tonight mr tyler oh he is he's going right
00:37:30home aren't you well i should say now i feel wonderful my husband mr tyler oh how do you do
00:37:36mr witson
00:37:38oh how do you do first one i've missed in years and mr and mrs vickers how do you do
00:37:42mrs vickers
00:37:43mr vickers how do you do and my favorite auntie hello is it true that you've given up newspaper
00:37:48work yes dear i'm going in for pigeon hunting
00:37:54miss clayton oh miss clayton how do you do mr sharp how do you do oh and can andre de
00:37:59guillaume
00:38:00why andre how are you good evening mrs witson this sounds like a wonderful party
00:38:07i always have wanted to mingle with a filthy rich but you know i can't afford one of those monkey
00:38:12suits and sarah hasn't bought me my trousseau yet darling you know you look feverish i really don't
00:38:17think you should stay oh no i feel like a million dollars million dollars that's pretty
00:38:23good huh the old beans working fine oh yeah thank you very much get out of here not unless
00:38:31you are uncle and make a public statement that we're not married not on your life oh no no
00:38:42thanks i'll stick with my peanuts goobers they call them where i come from and where is that
00:38:50mr tyler oh the hills of west virginia god's own country yep i grew up there as a barefoot boy
00:38:57with
00:38:57nothing more than a green thumb and a natural talent for making an eight the hard way but he's all
00:39:01right
00:39:02i got sarah ow his foot just happened to fit the glass slipper you know it's funny ma always used
00:39:09to
00:39:09say marry a rich girl feather your nest she said it can't hurt she was right guess you must still
00:39:16be watching over me has your mother passed on mr tyler oh no no no she's still up there in
00:39:21the cabin
00:39:22on the mountain the old witty of mount baldy they call her well she's about 70 now frail and white
00:39:28haired well i can see her there now smoking that old corn cob pipe the dad left her
00:39:34yeah you know sarah we'll have her come and live with us she's a wonderful gal well she choose
00:39:40tobacco just like dad only better she can drown a beetle at 20 paces oh she's you'll love her
00:39:47yes from the stories tom tells me mother tyler's terribly quite independent tell them about the time
00:39:52she shot the government agent oh well you don't have to hide anything here we have tax trouble too
00:40:00or do you think it would be carrying things too far why no no you you mean about the time
00:40:06that the
00:40:06revenuers surrounded the still and ma came out with that was the time why sure now come on you get
00:40:12over
00:40:12there pretend that you're the agent oh no why don't you let mrs vickers be the agent well if you
00:40:17insist
00:40:17oh oops we busted our beads well don't worry about that there's plenty more where those came from
00:40:23you know i never could resist these stories because i'm mighty proud of my family's doings
00:40:28oh now mrs v if you'll just step right over here and pretend like you're one of those government
00:40:32varmints hiding behind an old pine tree he'd have to pick a big one just like you would what that's
00:40:37all right just step right back here that's fine now you stay there ma was down by the cabin standing
00:40:42guard with her squirrel gun oh i'm ma was quite a shot when she was sober uncle porter he's my
00:40:50half-wit
00:40:51uncle with the hives uncle porter was heating up the mash and starting him to sweat out about a 40
00:40:56gallon of the prettiest mountain dew that ever invited snakes to a picnic well ma suddenly spies
00:41:01that government varmint his treasury pallor give him away so she throws a sight on him and hey
00:41:07hey hey
00:41:10hey
00:41:10bye
00:41:11hey
00:41:13hey
00:41:14hey
00:41:15hey
00:41:15y
00:41:16oh
00:41:31y
00:41:52Not tonight, dear.
00:41:54Good night.
00:42:22Well, it's about time.
00:42:24How did you get in here?
00:42:25Where have you been since your rude exit from the Whitsons?
00:42:27Why, I was at store club with Andre.
00:42:29The store club, a fine thing.
00:42:30Get out of here right now.
00:42:32Remember the servants.
00:42:34What are you doing here?
00:42:35I've been waiting for you for hours.
00:42:37I made some sandwiches, I brought you some milk, and then I waited some more.
00:42:40How did I know you weren't killed or something?
00:42:42You worried about me.
00:42:44Well, if you'd been killed, I'd never been able to prove I wasn't married to you.
00:42:54Now will you go home?
00:42:55Oh, but I am home.
00:42:56I live here.
00:42:58I'm Mr. Farley, or you're Mrs. Tyler, remember?
00:43:01Oh, fine wife you are.
00:43:03Still a bride and already you're out with another man.
00:43:10You gonna marry this de Guillaume?
00:43:12That's none of your business.
00:43:18No answer.
00:43:18I gave all the servants the night off.
00:43:20You gave them the night off?
00:43:22Sure.
00:43:23I'm the new man of the house.
00:43:25Oh, I'll call the police.
00:43:27Good.
00:43:28Tell them I'm not your husband.
00:43:29Please.
00:43:30Don't let me go through life with that blot on my record.
00:43:32You may as well get this straight.
00:43:34You are not going to get out of this.
00:43:37I'm going to devote my life to making you miserable.
00:43:40Especially after what you did at the Whitsons tonight.
00:43:42Well, I just showed pride in my family.
00:43:45Have a goober?
00:43:48You're going to get out of here if I have to throw you out myself.
00:43:51Wrong build.
00:43:52Nice, but wrong for the job.
00:43:55Why don't you try slugging me with a few old diamonds?
00:43:58Hey, hey, no, no.
00:44:00Hey.
00:44:00Hey, look out.
00:44:01Hey, put those down.
00:44:03Wait a minute.
00:44:04Have you gone crazy?
00:44:07Let me go.
00:44:08Now, you listen to me.
00:44:10I lost my job.
00:44:11My friends hoot at me.
00:44:12My girl feels foolish.
00:44:13And you get playful.
00:44:15Now, listen.
00:44:17You just listen to me for a minute and then I'll let you talk.
00:44:20Okay?
00:44:21Did you hear me?
00:44:22All right.
00:44:23Now, first of all,
00:44:26I smell like the rose parade.
00:44:28That's your opinion.
00:44:30Let's stop being silly and get serious.
00:44:32Oh, certainly.
00:44:32When you get hurt, it's serious.
00:44:35Now, my attorneys happen to have checked on you.
00:44:37And you haven't learned to make an eight the hard way.
00:44:40You're a fair writer, but you're unscrupulous.
00:44:43And you're a wolf.
00:44:45That's a lie.
00:44:46Stella, Joan, Lucy, Martha, Tilly, Patsy, Lucille, Dee Dee, Poppy, Vera, Nancy and Jessica.
00:44:54A round dozen.
00:44:56I see you like the athletic type, too.
00:44:59Dee Dee.
00:45:00A pitcher on a girl's baseball team.
00:45:03Probably had quite a wind-up.
00:45:05And Tilly, professionally known as the titillating twister from Tennessee.
00:45:09You gave her a fox scarf and then took it back.
00:45:12She gave it back.
00:45:13Oh, yes.
00:45:14She decided you weren't steady enough.
00:45:15No sense of responsibility.
00:45:18A gangster's mall, too.
00:45:21Don't remember, Patsy?
00:45:23You had to go into hiding until her boyfriend got caught.
00:45:25Remember?
00:45:27Yeah, well, I was just after a story.
00:45:29Anyhow, she was in hiding with me.
00:45:30Don't brag.
00:45:32Two FBI men were with you.
00:45:35According to the record, you're much worse than I am.
00:45:38So where do you get the right to criticize me in print?
00:45:42Okay.
00:45:43You through?
00:45:45Not with you.
00:45:46You're going to be mud in the public eye until I change my mind.
00:45:49Cinderella man.
00:45:51Sure?
00:45:52Mm-hmm.
00:45:53Positive?
00:45:53Mm-hmm.
00:45:55Okay, darling.
00:45:57I give in.
00:45:58I surrender.
00:45:59I'm your husband.
00:46:00Put out the cat, dear, and let's turn off the lights.
00:46:04Well, what are you so surprised about?
00:46:06I'm still your husband.
00:46:08Now, wait a minute.
00:46:09Come to your tom-tom.
00:46:11Go away!
00:46:13You maniac!
00:46:14But I love you, dears.
00:46:16I have a legal right to do.
00:46:17Go away! Stop it!
00:46:18Do you want this thing to be a farce, a travesty, unconjugal bliss?
00:46:21Didn't you promise to love and cherish me?
00:46:24Well...
00:46:29All right, all right.
00:46:31You win.
00:46:32A signed statement that I'm not married to you, hmm?
00:46:34All right.
00:46:36I'll sign it in the morning.
00:46:37Can I get home?
00:46:38No, we're going right down to the Chronicle office now.
00:46:40There's plenty of time for the late edition.
00:46:42But I've got to see my lawyer.
00:46:43I can't sign anything.
00:46:45Now.
00:46:46All right.
00:46:47And this better not be a gag, darling.
00:46:49Hello?
00:46:50Hello, Duffy?
00:46:51Listen, I'm bringing Sarah Farley right down to the Chronicle office.
00:46:54Yeah.
00:46:54Meet me there.
00:46:55You'll get her signed statement and a story to top all Farley stories.
00:47:10What are you in a huff about?
00:47:11I'm the injured party.
00:47:13After all, other reporters wrote things about you, too.
00:47:14Why pick on me?
00:47:15Because you pried into my personal life, wormed your way into my confidence, and then twisted
00:47:20everything I said.
00:47:21Well, it was...
00:47:22It was my job.
00:47:26Well, I'm still hungry.
00:47:30It's occurred to me I could have used a sandwich myself.
00:47:34And there's a lunchroom up ahead.
00:47:35They say truck drivers always find the places that serve good food.
00:47:48You know...
00:47:48In a way, this has sort of been fun.
00:47:51Well, shall we...
00:47:52Shall we go?
00:47:53No.
00:47:55I mean down to the paper.
00:47:56I understood you.
00:47:57I said no.
00:47:58Well, we've got to get there before the deadline.
00:47:59Duffy will be waiting for us.
00:48:00No.
00:48:02Look, Sarah, you're not going to start this all over again.
00:48:04I'm not going.
00:48:06Don't shush me.
00:48:07Sarah, please.
00:48:08I've changed my mind.
00:48:14Fine thing.
00:48:16Every time I eat, you get richer.
00:48:22Let go of me, you monster.
00:48:24No.
00:48:25Don't you dare hit me.
00:48:26Why not? You're my wife.
00:48:27What's up, bud?
00:48:28Oh, it's just a little family argument.
00:48:29She's my wife.
00:48:30I am not.
00:48:31What?
00:48:32Repeat that.
00:48:33Louder.
00:48:34Listen, you're a witness.
00:48:35Are you going to stand there and let him hit me?
00:48:37Nope.
00:48:38They're married, Hyman.
00:48:39It's legal.
00:48:40Don't mix him.
00:48:40Who is mixing?
00:48:43You smell nice.
00:48:45What you got on?
00:48:46I'll get some for my wife.
00:48:51Sarah, now.
00:48:52Hyman, I'm chairman of the local, ain't I?
00:48:54I said we don't mix in.
00:48:56Now, wait just a minute.
00:48:57I...
00:48:57You keep out of this.
00:48:59I got a right to disagree, don't I?
00:49:01What about the bylaws?
00:49:02Gentlemen, please.
00:49:03Let's take a vote.
00:49:04What's the resolution?
00:49:05Do we got a right to mix in another union's troubles?
00:49:07That's the resolution.
00:49:08Get me the sheriff's office.
00:49:10Please, gentlemen.
00:49:11Excuse us, lady.
00:49:12It's illegal.
00:49:12Influence the voting.
00:49:13Two-thirds vote or simple majority?
00:49:15Majority.
00:49:15I'd like some discussion on this subject.
00:49:17Point of information.
00:49:18Now, gentlemen, just a minute.
00:49:19He's calling you a gentleman, so answer him, stupid.
00:49:22Are you a member of the truck driver's local?
00:49:24Well, I...
00:49:25No.
00:49:26Well, then shut up.
00:49:28Oh, Sarah, I...
00:49:28Wait a minute, bud.
00:49:29We ain't even thought of yet.
00:49:30No, but she's going...
00:49:30Wait a minute.
00:49:31You started this.
00:49:32Now you can wait till we count the votes.
00:49:49You shouldn't have done it, Hyman.
00:49:51He was out of order, wasn't he?
00:49:53Well, you should have fielded the chair.
00:49:54Oh, you brute!
00:49:57Now, lady, is that parliamentary?
00:49:59I warned you, Hyman.
00:50:00It's purely jurisdictional, just like you said.
00:50:03Mom!
00:50:04You would have a glass jaw.
00:50:09Mom, wake up.
00:50:12Wake up!
00:50:13What's the matter with you?
00:50:34I won't be long.
00:50:36Come on, get up there.
00:50:36Here comes his honor.
00:50:39I can't see why they have to get you up at all hours, Homer.
00:50:43I've got to do my duty, Martha.
00:50:44A regular crime wave we've been having.
00:50:50Court's in session.
00:50:51What's the charge, Sheriff?
00:50:52Disturbing the peace, rioting, drunk and disorderly, and assault.
00:50:55But this is ridiculous.
00:50:56This will be five dollars for five days.
00:50:58But it isn't true.
00:50:59I was merely twenty.
00:51:00Not ten dollars for ten days.
00:51:02But I have a right to see a lawyer.
00:51:04Now it's twenty dollars for twenty days.
00:51:06And if you want to make it more, just keep on talking.
00:51:09But you can't do this to her, Judge.
00:51:11Don't you know who she is?
00:51:12Don't know and I don't care.
00:51:14Now it's thirty dollars for thirty days.
00:51:16But this is Sarah Farley, the grocery store heiress.
00:51:19Sixty?
00:51:19She'll take this courthouse and...
00:51:20Oh, Tom, stop it, please.
00:51:23I'll pay.
00:51:24How much is it?
00:51:26Sixty dollars, like the judge said.
00:51:28Well, I haven't any money with me, but if you'll let me use the phone.
00:51:32Lock her up, Nan.
00:51:35What's so funny?
00:51:36I was just thinking about you and your millions.
00:51:38I shouldn't think you'd laugh.
00:51:40Now I can't make that statement to your editor.
00:51:42It's too late for the morning papers, but I'll bail you out tomorrow in time to sign it.
00:51:45Why, you!
00:51:46None of that now.
00:51:47Come along.
00:51:48Take her away, Sheriff.
00:51:49Good night, Your Honor.
00:51:51And I want to thank you for restoring my faith in human nature.
00:51:53Wait a minute.
00:51:56Come here, boy.
00:51:58Who?
00:52:00Me?
00:52:15I'll just you in peace.
00:52:17Come on!
00:52:20Whoo-oh...new.
00:52:24Hey-
00:52:30Uh-oh
00:52:31heh-e
00:52:32-heh-Oh... Uh-oh... Uh
00:52:37-oh... Ah
00:52:40-oh-oh
00:52:41-oh.
00:52:48Oh, give me land, lots of land, neath the starry skies above.
00:52:57Don't fence me in, let me rock.
00:53:01Why, Tom, don't you like my singing?
00:53:05I'm trying to sleep.
00:53:07On our honeymoon.
00:53:13I'm trying to sleep.
00:53:44I'm trying to sleep.
00:53:57Tom.
00:53:58What?
00:53:59I'm cold.
00:54:01If I could get it to you, I'd warm you up, but good.
00:54:05Darling, you have got a terrible disposition, haven't you?
00:54:21I'll tell you what I'll do.
00:54:23I'll give you my coat.
00:54:24Well, don't tell me under that rude exterior lurks the soul of a gentleman.
00:54:30That's not all that lurks there.
00:54:32Thanks, pal.
00:54:32Well, you're welcome.
00:54:35You know, it could be a lot worse.
00:54:37Suppose we were really married.
00:54:40Uh-uh.
00:54:41My imagination doesn't carry that far.
00:54:43A lot of girls would be very glad to marry me.
00:54:45Well, I suppose if a girl kept the keyholes plugged up and looked under her pillow for microphones every night.
00:54:50I'll get this straight.
00:54:51It's the first time in my life I ever took an assignment like that.
00:54:53Why'd you take it then?
00:54:57Well, I, uh, I like to ski and I saw a chance to get a vacation at Sun Valley on
00:55:02the paper.
00:55:03Don't you ever do anything honestly?
00:55:06I did once.
00:55:07Never again.
00:55:08When?
00:55:09You remember that article you read in the cabin up there?
00:55:12Oh, yes.
00:55:13The bait for your filthy little trap.
00:55:17Well, I admit that's why I wrote it, but, uh, funny part of it is that I turned it into
00:55:21Duffy just the way you read it.
00:55:23You're lying.
00:55:24No, ask Duffy.
00:55:26Well, listen, I'm not proud of it.
00:55:28No man likes it to get around, but he's soft in the head.
00:55:31He'd probably have fired me for it anyhow, even if you hadn't given out that story.
00:55:35And he'd have been right.
00:55:36A reporter's supposed to dish out facts, not moonshine.
00:55:40You shouldn't be so self-critical, darling.
00:55:42You should leave that to your wife.
00:55:44My wife?
00:55:46I've always wanted to be someone Severus' critic.
00:55:48Listen, you're not going back on your promise.
00:55:50You're going to sign that statement tomorrow.
00:55:52How can I?
00:55:53Thanks to you, I'm stuck here for 60 days.
00:55:57You won't get out of it that easily.
00:55:58That lunatic of a judge will have to let us use the phone in the morning, and then you can
00:56:01call that gigolo of yours.
00:56:03Better yet, I could call the press.
00:56:05Can't you see the headlines?
00:56:07Tom, Tom and heiress, honeymoon in jail.
00:56:10Lovers, tiff, lands, glamour couple in the clink.
00:56:13You wouldn't.
00:56:14Oh, wouldn't I?
00:56:15Apparently your education hasn't been completed yet.
00:56:19Oh.
00:56:39Could I have a cigarette, Tom?
00:56:51It's the last one.
00:56:53Oh, one puff, then, please.
00:56:56Well, you don't deserve it, but here.
00:57:00Ah, I'll hold it.
00:57:02I can't reach it there, Tom.
00:57:03Mom?
00:57:05Yeah.
00:57:06That better?
00:57:07Perfect.
00:57:09Ow!
00:57:10Ow!
00:57:10You cannibalistic...
00:57:11Give me back my cigarette.
00:57:13Give me that cigarette, do you hear?
00:57:15Give me back that cigarette, right...
00:57:17Oh, I should have known better to trust you.
00:57:21Give me that cigarette.
00:57:22Give me that cigarette right now.
00:57:28I should have...
00:57:29Judge!
00:57:29Judge!
00:57:30Judge!
00:57:32Cut out that racket.
00:57:35What's going on in here?
00:57:36What's the only noise about?
00:57:38She bit me, Judge.
00:57:39She bit you?
00:57:40How in the world could she...
00:58:03I don't know how you've done it, but don't do it again.
00:58:14Ten, twenty, thirty, forty, fifty, sixty.
00:58:20There you are, Your Honor.
00:58:22Is that correct?
00:58:23Yep.
00:58:24And here's twenty dollars to you personally.
00:58:28Are you trying to bribe me?
00:58:30Oh, no, you're right.
00:58:31Emptured bribery.
00:58:32I'll fine you twenty dollars.
00:58:34Well, that's not my money.
00:58:35Let's go.
00:58:36Find the way down here.
00:58:41Right there.
00:58:42Now, don't crowd around, fellas.
00:58:43Darling, what a terrible experience.
00:58:46It wasn't so bad.
00:58:47It reminded me a little of your chateau.
00:58:50Especially the plumbing.
00:58:51I want to save you.
00:58:53I'm a better fight.
00:58:54Well, we had a little disagreement.
00:58:56I'm sure you wouldn't want to pry into the reasons for it.
00:58:59But Tom-Tom has apologized.
00:59:03And now you can say we're very, very happy.
00:59:06Is that true?
00:59:07No comment.
00:59:09How much is his bail?
00:59:12Sixty dollars.
00:59:13Pay it, Andre.
00:59:14She's going to bail you out.
00:59:15Boy, I wish I had a rich wife.
00:59:16No, she's not going to pay my bail.
00:59:18Why, Tom-Tom.
00:59:19Stay right here in jail.
00:59:21You'll meet a better class of people.
00:59:22How about a statement?
00:59:25You want a quote from me?
00:59:26Okay, then take this.
00:59:28Rather than accept one nickel of her tainted money,
00:59:30I'll rot here in jail for the rest of my life.
00:59:39My poor darling.
00:59:42In all my experience, I have never met a more frightful cad.
00:59:45Imagine turning down your generous offer.
00:59:47Can't you imagine it, Andre?
00:59:49Of course not.
00:59:49If the man were a gentleman.
00:59:51He'd have accepted my money.
00:59:53Yes, as a matter of simple courtesy.
00:59:55It's the first time anyone ever insulted me by turning down my money.
00:59:59Well, it just shows how far he'll go to demonstrate his hatred.
01:00:04Hatred?
01:00:07Do you think he really hates me, Andre?
01:00:09Well, naturally.
01:00:10You want him to hate you, don't you?
01:00:11Oh, yes.
01:00:15Yes, of course.
01:00:16You can't really blame him.
01:00:18You've made him a national laughingstock.
01:00:21You're right, Andre.
01:00:22But now I...
01:00:25Now I think it's time to deny the story.
01:00:28As you say, I've accomplished everything I set out to.
01:00:31A very wise decision, my dear.
01:00:33After all, you can't go on pretending that you're married to him and then marry someone else.
01:00:38Someone who really has something in common with you.
01:00:57That's why I didn't show up, whether I got knocked out and thrown into jail.
01:01:01Every paper in town beat us to it again.
01:01:03But I couldn't call you.
01:01:04I tell you, I was locked up.
01:01:07Yes?
01:01:07Mr. Ketchel is here.
01:01:09That's going to wait a moment.
01:01:09I've got a way out of this whole thing.
01:01:11I'm going to prove I'm not married to her.
01:01:13I'm leaving town this afternoon.
01:01:14I'm going up to Maine or Canada or someplace.
01:01:16And I'm really going to get married.
01:01:17Let Sarah Farley charge me with bigamy.
01:01:19Married?
01:01:20Whom are you marrying?
01:01:21Jessica, of course.
01:01:22We'll come back with this whole thing licked.
01:01:23That Farley dame will just look silly.
01:01:25I'll keep in touch with you.
01:01:26And after the ceremony, just let me write the story.
01:01:28Jessica, eh?
01:01:29That's rather drastic, isn't it?
01:01:30I mean, rushing into marriage is...
01:01:32You know, there might be another way out of this.
01:01:34Send Ketchel in here.
01:01:36There's the man to help us.
01:01:37Ketchel?
01:01:37How?
01:01:37He's a lawyer.
01:01:38Well, what of it?
01:01:39We can sue Sarah Farley and have the facts established in a court of law.
01:01:42You're not getting me in any deeper.
01:01:43I've had enough of this.
01:01:43Tyler, you've made this newspaper a laughingstock.
01:01:46News boys sneer at me as I go by.
01:01:48Why?
01:01:49Because every paper in town beat us on our own yarn.
01:01:51They did not.
01:01:52It's not true.
01:01:52I'm not married to Sarah Farley.
01:01:54That's what you say, but can you prove it?
01:01:56No.
01:01:56No.
01:01:56Now, you're responsible for this, and you can repay me in some small measure for what you've done to me.
01:02:00Come on in.
01:02:01I'm married, Jess.
01:02:01Now, we can not only prove we were right and they fell for a gag, but we can get an
01:02:05exclusive story, because you'll be the plaintiff, and you'll be covering the story for us.
01:02:08Who are we suing this morning?
01:02:09Sarah Farley.
01:02:11Why?
01:02:11Won't you give him his allowance?
01:02:13Oh, very funny.
01:02:14Sarah claims she's Tyler's wife, and Tyler's suing for libel.
01:02:17Do you mean to imply, sir, that this beautiful specimen of American womanhood, this veritable flower of ravishing femininity who
01:02:24represents, how much, a hundred million, merely claims that she's married to you, and you want to sue her for
01:02:29libel?
01:02:30Don't make a campaign speech out of it.
01:02:31Now, you can sue for defamation of character, damage to his reputation and livelihood, holding him up to public ridicule,
01:02:36and great mental anguish.
01:02:37How does it strike you?
01:02:38I don't know.
01:02:39Why don't you sue for divorce and get a fat settlement?
01:02:41Because I'm not married to her.
01:02:42Can we win?
01:02:43Well, if he's telling the truth, we can.
01:02:45He's been damaged, all right.
01:02:47Damage to the tune of a million dollars.
01:02:48I don't care about the money.
01:02:49Just get me out of that mess.
01:02:50We'll save our face, and we'll get an exclusive on a great story.
01:02:53File suit right away.
01:02:54Draw up the papers.
01:02:55This gets you out of the nutcracker.
01:02:56Maybe.
01:02:57And maybe it'll be worse.
01:02:58More headlines about me.
01:02:59That's not getting me out.
01:03:00A legal decision will be better than this, won't it?
01:03:06I'd like to see Thomas Tyler, please.
01:03:08Name?
01:03:09Sarah Farley.
01:03:11Ready.
01:03:14It's Sarah Farley to see Mr. Tyler.
01:03:19Oh, right this way, Miss Farley.
01:03:28Just a minute, Freddie.
01:03:30I'll take care of this.
01:03:31What are you doing here?
01:03:33You're making a career out of...
01:03:34Well, I just came to give your editor the statement.
01:03:35Wait a minute.
01:03:37What?
01:03:38I'll sign the statement.
01:03:40You mean it?
01:03:42It's no gag?
01:03:43What made you change your mind?
01:03:45Oh, a lot of things.
01:03:46Your glass jaw and your gallantry and giving me your coat last night.
01:03:50And sharing your last cigarette with me.
01:03:53And it suddenly stopped being fun, darling.
01:03:55I don't want you thinking I'm hard and vindictive because...
01:03:59Well, I wouldn't want anyone to think that.
01:04:02Oh, I knew I was right about you.
01:04:04That's what I told Dustin.
01:04:05But that isn't what you wrote.
01:04:07No, but he didn't have a chance to run the last installment.
01:04:09That was the only one that was legitimate.
01:04:10On the level and flattering, too.
01:04:13Oh, what a relief this is.
01:04:14You're a great girl, Sarah.
01:04:16Duffy won't believe this.
01:04:17But I told him.
01:04:18I said you weren't the girl that we started to write about.
01:04:20I knew you'd come through.
01:04:22Sit down over here for a minute.
01:04:23I'll see if he's in his office and break the good news to him.
01:04:25Now, don't go away.
01:04:25I'm going to kiss you for this.
01:04:27In fact, I think I will.
01:04:29I will.
01:04:49Miss Sarah Farley?
01:04:51Yes.
01:05:20Bye-bye.
01:05:34Duffy, look at this stuff.
01:05:37Everything was going fine till you hit her with that summons.
01:05:39Just bad timing, that's all.
01:05:40Anyway, we've tried to explain.
01:05:42We tried to apologize and she wouldn't listen now.
01:05:44She'll get what's coming to her.
01:05:45She'll get what's coming to her.
01:05:47Maybe you don't know what's happening.
01:05:48This morning an old lady came up to me on the street
01:05:50and hit me over the head with a number hour.
01:05:52What for?
01:05:53She said she was doing it in the name of American womanhood.
01:06:22Now, go on, you're afraid of a few women.
01:06:24There he is.
01:06:33And now, Mr. Tyler, I'm certain that you would agree
01:06:37that you could hardly have forgotten such an important event as your marriage, could you?
01:06:41Do you have a good memory?
01:06:43I have a very good memory, Mr. Prosecutor.
01:06:45As a matter of fact, I recall that you asked me that same question about 20 minutes ago.
01:06:49I'm not a prosecutor, Mr. Tyler.
01:06:52I'm the legal counsel for the defendant, which you very well know.
01:06:55The plaintiff will refrain from further sarcasm.
01:06:58Proceed with the examination.
01:07:00You remember everything that happened at Sun Valley, for instance?
01:07:03Yes.
01:07:04Do you remember falling off a dog sled and being knocked unconscious?
01:07:07Yes.
01:07:08Memory doesn't function during an unconscious period, does it, Mr. Tyler?
01:07:11I mean, if you were unconscious, you couldn't very well remember
01:07:15what happened while you were unconscious, could you?
01:07:18Nothing happened while I was unconscious.
01:07:20How do you know?
01:07:23Well, I...
01:07:24Nothing happened.
01:07:25Isn't it possible that while you were in this condition,
01:07:28you might have done quite a number of things you don't remember?
01:07:30I remember everything.
01:07:32Isn't it possible that after the accident in the sled,
01:07:35you visited the local Justice of the Peace?
01:07:37No, it is not possible.
01:07:38I've just told you I remember everything,
01:07:40and I resent your attempts to make me appear an idiot.
01:07:43Your Honor, do I have to stand for this?
01:07:45Uh, the matter of who is or who is not an idiot
01:07:48has not been brought into this action.
01:07:49The witness will answer the questions.
01:07:51By the way, Mr. Tyler,
01:07:53while you were serving as a war correspondent,
01:07:55were you ever wounded or injured in any way?
01:07:58Yes, but I assume that's no crime.
01:08:00Seriously enough to be hospitalized?
01:08:02Yes.
01:08:03Would you tell the court what was the nature of your injury?
01:08:07I was struck on the head by shell fragments.
01:08:09Which resulted in a loss of memory?
01:08:11Yes.
01:08:12But it was only temporary.
01:08:13Objection.
01:08:14This line of questioning is irrelevant and immaterial.
01:08:17It seems to me that whether or not the plaintiff had a good memory
01:08:20has a great deal of bearing on this case.
01:08:22The objection is overruled.
01:08:23Thank you, Your Honor.
01:08:25And now, Mr. Tyler, according to your deposition,
01:08:27it is your contention that you are the helpless victim
01:08:30of a diabolical plot on the part of the defendant.
01:08:32That is definitely my contention.
01:08:34It is the whim of this evil and designing woman to wreck your life.
01:08:37That's exactly what she's trying to do.
01:08:39Isn't it just the other way around, Mr. Tyler?
01:08:41Didn't you lure this young woman to a cabin in Sun Valley?
01:08:44I did not lure her.
01:08:46Well, did she invite you there?
01:08:48No, but...
01:08:49Then how did it happen you were there with her?
01:08:51Well, I wanted to be alone with her.
01:08:53Ah, you did.
01:08:54You wanted to be alone with her
01:08:56in the seclusion of a cabin in the woods
01:08:57where you subsequently...
01:08:59You're putting the wrong connotation on this.
01:09:00Well, what other connotation could be placed upon it, Mr. Tyler?
01:09:05The truth.
01:09:05You're making it appear as though I had a personal interest
01:09:07whereas I was only collecting material from my articles.
01:09:10Nothing else.
01:09:10Now, Mr. Tyler,
01:09:12I ask you to look at the defendant.
01:09:14In your articles,
01:09:15you described her rather flatteringly.
01:09:18Do you still agree that she has charm?
01:09:21I do.
01:09:22She's young and desirable?
01:09:24Yes, she is.
01:09:25Then she naturally attracts the attention of most men.
01:09:28I suppose she might.
01:09:29And yet you maintain
01:09:30that while you were collecting material for your articles,
01:09:33the defendant was so overcome
01:09:34by your manly charms,
01:09:36your magnetic personality and beauty,
01:09:39that without any encouragement from you,
01:09:41she dreamed of a fraudulent marriage to you
01:09:43and threw her considerable fortune at your feet.
01:10:06And although you had never seen him before,
01:10:08you permitted him to enter the house
01:10:10because he said he was her husband?
01:10:11Yes, sir.
01:10:12I gave him the room adjoining hers.
01:10:14I was always put in the guest house.
01:10:16Was he still there when she returned?
01:10:19I don't know, sir.
01:10:20He gave me the night off.
01:10:22He assumed the rights of the man of the house?
01:10:25Yes, sir.
01:10:26Was he still there on the following morning
01:10:28when you brought up your mistress's breakfast to her?
01:10:30No, sir.
01:10:31But there were signs of a struggle or some unpleasantness, sir.
01:10:35Ah?
01:10:36What signs?
01:10:37Broken perfume bottle, sir.
01:10:40Did it look as if she had defended herself against violence?
01:10:43Objection.
01:10:44Presumption on part of the witness and leading question?
01:10:46I know where it's leading.
01:10:48So do I, Counselor.
01:10:50Objection sustained.
01:10:55And the plaintiff charged these purchases for the Farley account?
01:10:59$67.84, we estimate.
01:11:02And you permitted him to charge such a large amount?
01:11:05Well, he said he was her husband.
01:11:07Of course, I thought it was very odd.
01:11:09What was odd?
01:11:10Well, he said he was married to Miss Farley.
01:11:12Then he pointed to that woman there
01:11:14and introduced her as his fiancée.
01:11:17Okay.
01:11:18Okay.
01:11:26Having heard the accusations of the plaintiff, Mrs. Tyler,
01:11:30would you be kind enough to tell the jury your reaction to them?
01:11:33Oh, I forgive him.
01:11:35He doesn't really mean it.
01:11:37She forgives me.
01:11:39I think you deserve a lot of credit for your forbearance, Mrs. Tyler.
01:11:43Now, Mrs. Tyler...
01:11:45Objection.
01:11:46Defense counsel constantly addresses the witness as Mrs. Tyler
01:11:49to influence the jury.
01:11:50But she is, Mrs. Tyler.
01:11:52We dispute that.
01:11:53We're here to prove that she's not, Mrs. Tyler.
01:11:55Sister, it'll be stricken from the record.
01:11:58Perhaps you may address the witness as Sarah.
01:12:01Yes.
01:12:04Sarah.
01:12:06Now, Sarah, you met Mr. Tyler at Sun Valley?
01:12:09Yes.
01:12:10Can you tell us what happened at Sun Valley?
01:12:12Oh, it was just wonderful.
01:12:13Because we fell in love.
01:12:14Just like that.
01:12:16Just like that, eh?
01:12:18Now, Sarah, ordinarily a woman has too much pride to contest a lawsuit like this.
01:12:23Will you please tell the jury why you're contesting?
01:12:26Well, because I know he loves me.
01:12:30After all, he came to the Whitson dinner party because he couldn't keep away from me.
01:12:33And if he had no emotional interest in me, he wouldn't have wanted to strike me.
01:12:39That's why he broke into the house at three in the morning.
01:12:42The woman knows about those things.
01:12:44He was so jealous of the Count de Guillaume.
01:12:47But even though he was in a jealous rage, he was so sweet.
01:12:50He went down to the kitchen and got sandwiches and milk.
01:12:54Well, I was hungry.
01:12:57Of course, he hates rich people.
01:12:59He blames me for having money.
01:13:01He does?
01:13:02He's the only man I've ever met who really isn't interested in my money.
01:13:09A man often reveals things without knowing it.
01:13:14I guess we both fell in love before we knew it.
01:13:17Well, Sarah, if he isn't interested in money and he loves you, why do you think he's suing you?
01:13:23Well, sometimes he's a heel.
01:13:28I object, Your Honor.
01:13:30Sustained.
01:13:31A question led to an opinion on the part of the witness and was so designed.
01:13:35However, it has become increasingly clear that there are rather unusual factors behind the testimony so far given.
01:13:42The court cannot disregard certain emotional implications which apparently have remained undetected by opposing counsel.
01:13:50Therefore, I shall ask both litigants and their attorneys to meet with me in my chambers.
01:13:55Meanwhile, the court will recess.
01:14:14Will you be seated, please?
01:14:17Be seated, please.
01:14:21It's not in the province of the court to interfere in libel actions, but this action basically is one of
01:14:26domestic origin, deriving from the marriage or non-marriage of the litigants.
01:14:31Now, it's always been my policy to attempt reconciliations in the public interest and because I'm just an old meddler
01:14:37with a sentimental streak.
01:14:39Now, everyone in the courtroom, including the jury, is fully aware that you two are eminently suited to each other.
01:14:47The way you look at each other.
01:14:52And the way you smile at each other.
01:14:58You've got a good marriage.
01:15:00They're not married, Your Honor.
01:15:01Ask her where they were married.
01:15:02This is a conference.
01:15:03She's not on the stand now.
01:15:04Gentlemen, please.
01:15:05This is entirely off the record.
01:15:07It's a sort of a family affair.
01:15:09There's no courtroom procedure whatsoever.
01:15:12It's merely a matter of good manners and no raised voices.
01:15:16Well, where were we married?
01:15:18Well, off the record, at the courthouse at Three Forks, Idaho.
01:15:21Three Forks, Idaho.
01:15:22We can check that in about two hours, Your Honor.
01:15:24Well, unfortunately for all of us, that's impossible.
01:15:26You see, the courthouse burned down and the records were destroyed.
01:15:30That fire?
01:15:31Mm-hmm.
01:15:32Your Honor, I'd like to confer with my client.
01:15:34You may.
01:15:41But she's...
01:15:42She's right.
01:15:44We can't prove a thing.
01:15:45We're late.
01:15:46Not yet, we're not.
01:15:46Now, listen to me.
01:15:50Your Honor, we're prepared to concede that it's possible Mr. Tyler did, in fact, marry Miss Farley.
01:15:55This concession, however, introduces certain other factors.
01:15:58Such as?
01:15:59Oh, merely routine matters.
01:16:01All to the benefit of the Farley Enterprises.
01:16:03In what way?
01:16:04Why, my client, being cognizant of his obligations as a husband, wishes to assume his duties in regard to the
01:16:09Farley Enterprises.
01:16:10He'd like to see the financial statement.
01:16:12To protect his wife's interests, naturally, he'd like to assume his position of authority and take active charge of the
01:16:17business.
01:16:17Take the money of the business.
01:16:19Miss Farley, I nearly want to help.
01:16:20I don't need your help.
01:16:21After all, Mrs. Tyler, your husband's devoted to you.
01:16:23They're devoted to you.
01:16:24His devotion will have you bankrupt in six months.
01:16:26Your Honor, the purpose of this suit is very evident now.
01:16:30This literary ne'er-do-well really wants you to validate this marriage so that he can establish his dour
01:16:35rights in the Farley Fortune.
01:16:36Oh, come now, Mr. Rice.
01:16:38Your Honor, this suit was brought to determine whether or not Mr. Tyler married me.
01:16:43He's admitted that he did, so I feel that my reputation has been cleared.
01:16:46I ask just one other thing of the court, and that is to clear my name.
01:16:51I want this marriage annulled.
01:16:53So soon?
01:16:53I only admitted to being married a few seconds ago.
01:16:55Perhaps you're being a bit hasty, my dear.
01:16:57Hasty?
01:16:58Oh, no.
01:16:59I'm just not quite bright.
01:17:01I really thought you were the one man who wasn't interested in money, but you're just a little more clever
01:17:05than the others.
01:17:07You'll cherish me, will you?
01:17:09You double-crossed and lied to me every chance you had at Sun Valley when I came to your office,
01:17:15and now, and I...
01:17:17Well, you can just go cherish somebody else's checking account.
01:17:22Well, Mr. Rice and I can discuss the terms of the divorce.
01:17:25I said annulment, not divorce.
01:17:27But on what grounds?
01:17:32Why, yes.
01:17:34On the grounds that they haven't lived together as man and wife.
01:17:37Could anything be simpler?
01:17:39Wait a minute.
01:17:39How do you know we haven't?
01:17:41After all, I was there.
01:17:42You may have been unconscious, but I wasn't.
01:17:45That has nothing to do with it.
01:17:46I deny the allegation.
01:17:47I deny everything.
01:17:48Just a minute.
01:17:49The procedure has been trickled out here.
01:17:50The law is the law.
01:17:51You won't get away with it.
01:17:52You married me, but in name only.
01:17:53If you're going to find your husband conscious or unconscious, I'm still your husband.
01:17:55Quiet.
01:17:56There's been deception and trickery throughout this trial.
01:17:58Bailiff.
01:17:59The chambers of the court are not the place to settle domestic feuds.
01:18:02Bailiff.
01:18:03Nor is it the proper place to seek an annulment of marriage.
01:18:05Bailiff.
01:18:06I'm not only throwing this case out of court, but also the plaintiff, the defendant, and their
01:18:10attorneys.
01:18:12And I'm very disappointed in you, too.
01:18:26Your Honor.
01:18:28Bailiff.
01:18:29Your Honor, please.
01:18:30I want some advice.
01:18:31Bailiff.
01:18:32I gave you my advice.
01:18:34Only fools repeat themselves.
01:18:35I'm willing to take it now, but I'm being annulled.
01:18:37What can I do about that?
01:18:39You want her back?
01:18:40Yes, sir.
01:18:41You convinced me.
01:18:42But she wants to get that annulment.
01:18:44Well, well.
01:18:45So I convinced you, hmm?
01:18:46Yes, sir.
01:18:47My boy, I can't advise you personally, but if you want a judicial tip, the way to forestall
01:18:54a legal action is to remove the grounds.
01:18:57To remove the...
01:18:58Remove the grounds.
01:19:01Court's adjourned.
01:19:02I mean, good evening.
01:19:03Did you call me, Your Honor?
01:19:05Oh, yes, Bailiff.
01:19:06Good evening.
01:19:20Miss Farley.
01:19:21I mean, Mrs. Tyler.
01:19:23You were right the first time, Barrett.
01:19:25Miss Farley, I want to tell you that...
01:19:26In the morning, Barrett.
01:19:28Good night.
01:19:39Good night.
01:20:08Oh, thank you.
01:20:11Hey, Brighton, it's only me.
01:20:12How dare you come in here?
01:20:15Get out or I'll call the police.
01:20:17You'll call nobody.
01:20:19I'm your husband.
01:20:20We haven't been a no.
01:20:21We'll see about that.
01:20:22We're going to settle this once and for all, and we're going to settle this now.
01:20:28How dare you handle me this way?
01:20:31Let me up.
01:20:31Not until you listen to what I have to say.
01:20:33I'm not interested in anything you have to say.
01:20:36Help!
01:20:37Ow!
01:20:39If you do that again, so help me and I'll...
01:20:40You're what?
01:20:42I'll tell you what I came up here to tell you.
01:20:44I love you.
01:20:48Well, there's no law against a man telling his wife he loves her, is there?
01:20:52Oh, if there is, there shouldn't be.
01:20:57Oh, Tom.
01:20:58I'm so glad you're not annulled.
01:21:03Just a minute.
01:21:05There's one thing I'd like to know.
01:21:06What really happened at Sun Valley?
01:21:08Did I marry you?
01:21:09That's something you'll never know.
01:21:12No, but I've got to.
01:21:14I mean, well, you know, if we have children, why...
01:21:17Well, it wouldn't be legal.
01:21:18Oh, all right.
01:21:19If you're going to worry about it, we'd better settle this.
01:21:22We'll get married all over again, just to keep you happy.
01:21:26Good idea.
01:21:27It'll keep the children happy, too.
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