- 2 months ago
“Indiscreet” (1931) is a classic romantic comedy drama following the story of a lively young woman whose impulsive decisions lead her into a whirlwind of love, misunderstanding, and unexpected consequences. This early-era Hollywood film brings a charming mix of humor, romance, and dramatic tension, offering viewers a nostalgic look into the cinematic style of the 1930s.
Public domain film. Restored and uploaded for educational and historical preservation.
Public domain film. Restored and uploaded for educational and historical preservation.
Category
🎥
Short filmTranscript
00:00:00The End
00:01:00Wait.
00:01:04You needn't come up with me.
00:01:06I can get into the apartment without your assistance.
00:01:12Wait.
00:01:30Jerry, darling, please, please forgive me for what happened tonight.
00:01:42I admit I was wrong.
00:01:44You did all right for yourself.
00:01:46Oh, why do you insist on spoiling a perfectly good New Year's Eve?
00:01:50Why haven't?
00:01:51It's hardly midnight.
00:01:53You won't lack company.
00:01:55You didn't earlier this evening.
00:01:59Jerry, that's not like you.
00:02:01I know.
00:02:02I'm a brunette.
00:02:03Besides, I didn't think you noticed it.
00:02:14I've tried not to for some time.
00:02:18After all, my dear, a man must live.
00:02:21I've often wondered why it was necessary in some cases.
00:02:25Will you please be serious?
00:02:35I am serious.
00:02:36The trouble has been that you haven't been serious.
00:02:39Don't you see to a girl that means so much more than just an adventure?
00:02:43Jim, you've been the only man in my life.
00:02:45I wish I had known it was going to end this way.
00:02:50Well, it doesn't have to end this way.
00:02:53Oh, please, dear, let's forget it.
00:02:55Let's start this New Year's right.
00:02:57I am starting it right.
00:02:59Without you.
00:03:01With whom, then?
00:03:03You would ask that.
00:03:05I'm starting it with myself.
00:03:06Me, Jerry, your ex, uh...
00:03:09Jerry.
00:03:10I'm not ashamed, nor afraid.
00:03:13Goodbye, Jim.
00:03:15Have a good New Year.
00:03:16I'm going to have the best New Year I ever had since I've grown up.
00:03:29Jerry.
00:03:31Will you marry me?
00:03:34What an effort that must have been.
00:03:37Oh, stop that.
00:03:40Well, it might work out.
00:03:42If you married all of us,
00:03:43the chorus girl, the widow, and...
00:03:45Who told you about...
00:03:46Oh, it's a secret.
00:03:47Nobody knows but me.
00:03:48And the Associated Press.
00:03:51Well, I...
00:03:52I haven't offered to marry anyone else.
00:03:56No, why not?
00:03:57Well, because I...
00:03:59Because once I asked you to...
00:04:02Ah, he remembers.
00:04:05I also remember there was some difficulty about, uh...
00:04:09Setting the date.
00:04:12Thank my lucky stars.
00:04:14I'm really serious.
00:04:18I really mean it this time, Jerry.
00:04:21Mean what?
00:04:22Oh, marriage and...
00:04:24And all that.
00:04:26No, I'm afraid there'd be, uh,
00:04:28too little marriage and too much...
00:04:30All that.
00:04:31Are you absolutely...
00:05:01Deafinant about this, Jerry.
00:05:03So deafinant.
00:05:09Well...
00:05:10It was beautiful, while it lasted.
00:05:19Jim, come back.
00:05:21Well, you know, I'll be clear to...
00:05:47Let's go.
00:06:17Take these designs to the shop.
00:06:24I've made the changes and they can start on them at once.
00:06:29Oh, yes.
00:06:30And tell Miss Curtis that Mrs. Hoffenstein's gown must be ready this evening.
00:06:34That Buster Collins on the phone.
00:06:38And tell them I'll be over early in the morning.
00:06:41Well, what time?
00:06:42Twelve o'clock.
00:06:47Hello, Buster.
00:06:49Hello, Jerry.
00:06:50Can I come over and bring a friend?
00:06:53I'm not dressed.
00:06:55Who is it?
00:06:56Tony Blake.
00:06:58Tony Blake?
00:07:00Oh, Anthony Blake.
00:07:02Of course, bring him along.
00:07:03I'd like to meet him.
00:07:05Tell him I think his book is wonderful.
00:07:06Oh, but don't tell him I haven't finished it.
00:07:11When does he want to meet me?
00:07:13I don't know.
00:07:15Get him to tell you.
00:07:17You have to have something to talk about.
00:07:21Oh, all right.
00:07:27Hey, Tony.
00:07:29What?
00:07:29It's all set.
00:07:32Hey.
00:07:40Oh, and Kate, I'm ready to meet Anthony Blake.
00:07:43Now, what's so good about that?
00:07:45He's the one who wrote this book.
00:07:46Any idiot can write a book.
00:07:47Mm-mm.
00:07:48Not a good one.
00:07:49Oh, I can hardly wait until I meet him.
00:07:52You'd better take your shower and cool off a bit.
00:07:54Oh, well, it's all right.
00:07:56And Kate, put a tune on the piano for me.
00:07:58And I want music.
00:08:20Well, anyway, the boy gets the girl in the end.
00:08:22Oh, what an unusual finish.
00:08:27Hurry up now.
00:08:28Come on, get him, get him.
00:08:35Why get so excited over a man before he's eaten everything?
00:08:39I hope he's a little man with a prop coat and a beard.
00:08:43Can't you hear me?
00:08:47Well, what I'd like to say is if I don't like him,
00:08:49I'll run him out of here.
00:08:50Oh, you will, will you?
00:08:56Now, if you've been here so well, turn on the cold one.
00:09:03Oh, I still like him even after a cold shower.
00:09:09If he's anything like his book, he's wonderful.
00:09:11Hey, no, I'll be here.
00:09:12I love you.
00:09:16Oh, I love you.
00:09:16Phil
00:09:46Oh
00:10:16You can keep
00:10:18The rest of it
00:10:20Under the best of it
00:10:22For love and joy
00:10:26Go hand in glove
00:10:30What could be
00:10:32That or the other
00:10:34If you haven't got along
00:10:40Mrs. Kate Smith and Miss Cherry Trent may I present Mr. Anthony Blake
00:10:44That's great Buster
00:11:06What do you mean
00:11:08I just decided you look even better with your clothes on
00:11:12Didn't I explain
00:11:14Come here
00:11:16You see that building
00:11:18I have an apartment there and on a clear day
00:11:20I see you here on the roof taking your sun bath
00:11:22In your bathing suit
00:11:24I know how you feel about it
00:11:26I feel the same way
00:11:28We should be married at once
00:11:34You're probably gonna say you don't know me well enough
00:11:36So let's get acquainted
00:11:38What do you do?
00:11:40I own a shelf
00:11:41You know
00:11:42Very smart things for very smart ladies
00:11:44Good
00:11:45Any profits?
00:11:46Not many
00:11:48You see I won't sell the nicest things
00:11:50I keep them and wear them myself
00:11:52Too bad
00:11:54I thought for a minute I'd be able to quit work
00:11:56Well no matter
00:11:57Now that I know you
00:11:58I'm still willing to go through with it
00:12:00Will you marry me?
00:12:02You are crazy
00:12:03Why am I crazy?
00:12:04I obey my impulses
00:12:06Like the character in your book
00:12:07I am the character in my book
00:12:09But let's get back to our marriage
00:12:11Now then
00:12:12If we went around together for several months
00:12:14The usual thing
00:12:15You'd find out that I don't like carrots
00:12:17And you'd find out that I dunk my donuts
00:12:20Exactly
00:12:22It's twice as much fun marrying first
00:12:25And getting acquainted afterwards
00:12:27Have you ever done it before?
00:12:29Uh...
00:12:30No
00:12:31But right now I have an impulse to do it
00:12:33And I always obey my impulses
00:12:35We miss so much in life
00:12:36But not doing what we're really feeling
00:12:38Did you ever want to trip a waiter
00:12:39When he's carrying a tray full of dishes?
00:12:41Yes
00:12:42I've done it
00:12:43And it's marvelous
00:12:44It only cost me $28.60
00:12:46What are you doing tonight?
00:12:47Why?
00:12:48Do you want to go out and trip a waiter?
00:12:49Yes
00:12:50I'd rather ring doorbells and run
00:12:51Oh, the fun we're going to have together
00:12:56That's just what I wanted to know
00:12:58A good woman
00:13:00That's right
00:13:01There's not many other hats out, eh?
00:13:05Here it is
00:13:06What?
00:13:07Joe must be sailing for home about now
00:13:10What?
00:13:11I say your sister Joe must be sailing for France about now
00:13:14That's right
00:13:15Oh
00:13:16What time is it?
00:13:18415
00:13:19415
00:13:20415
00:13:21Here
00:13:22Let me see
00:13:23Over there
00:13:24It must be
00:13:25915
00:13:27We're away on time
00:13:28We're away on time
00:13:37I'll be so glad to get home to see sister and aunt Kate
00:13:40How long since you've seen your sister?
00:13:43It's been two years
00:13:44And then just for a few days I'm away over here to school
00:13:47You see I lived with my aunt in Oklahoma
00:13:49Oh
00:13:50You think a lot of your sister, don't you?
00:13:53Everyone who knows her loves her
00:13:55I could never tell you how wonderful she's been to me
00:13:58She worked so hard to pay for my schooling over here and
00:14:02Don't get me started on the subject of Jerry or I'll talk all the way home
00:14:06How well did you know her?
00:14:10Oh
00:14:11It was just one of those things
00:14:14I remember her all right
00:14:16But I don't know if she'll remember me
00:14:19Wouldn't you be surprised if she knew we were engaged?
00:14:25Don't forget, that's our secret
00:14:45You can't be as happy as you look
00:14:47I've never been so happy
00:14:49I'm falling more in love with him every day
00:14:53But it can't go on
00:14:56For heaven's sakes, why not?
00:15:02I've got to tell him, you know, about Jim
00:15:05Now don't be a fool
00:15:07That's the one sure way of losing him
00:15:10I know, but I won't feel right unless I tell him
00:15:14You'll probably feel worse if you do
00:15:16Think it over, carefully
00:15:20Well
00:15:22I guess I'm just a modern girl
00:15:24With an old-fashioned conscience
00:15:40Press this for me
00:15:41Huh?
00:15:42Bye
00:15:45Bye
00:15:58Well here we are
00:15:59And just in time
00:16:00Spin time
00:16:04There you are
00:16:08Let go
00:16:09I want to turn on the light
00:16:10Take me with you
00:16:11I'm afraid of the dark
00:16:12All right
00:16:19Still scared?
00:16:20Still scared?
00:16:21Mm-hmm
00:16:26Still scared?
00:16:27A little
00:16:29Should we have some music?
00:16:31Pick a station
00:16:32And the baby swallows the pill
00:16:34Thinking it's candy
00:16:35Making it's candy
00:16:44Still scared?
00:16:45A little fire and everything set
00:16:49Everything set
00:17:01I think your feet are wet
00:17:02No they're not
00:17:03They might be
00:17:04I didn't step in the puddle
00:17:05Well let's see
00:17:06Are they warm now?
00:17:11Mm-hmm
00:17:18Ow
00:17:19What?
00:17:20God
00:17:21Better get a shoe on
00:17:27Here we are
00:17:28There we are
00:17:40An inventor as well as a writer
00:17:42You know
00:17:43Blake
00:17:45Let Dr. Blake
00:17:46Feel your pulse
00:17:49You'll live
00:17:51I wonder when I'm with you
00:17:53I'm the one who's just begun to live
00:17:55I wish I'd met you years ago
00:18:03I wish you had
00:18:10You didn't have as much fun today
00:18:12What's wrong?
00:18:15Nothing
00:18:18Weren't you going to autograph one of your books for me?
00:18:22Right now
00:18:23Can you look for me?
00:18:24Right now
00:18:53Wait a minute
00:18:57Wait a minute
00:18:58Don't pee
00:18:59Hmm?
00:19:15Tell me
00:19:16Hmm?
00:19:17Do you believe everything in this book?
00:19:18Of course not
00:19:21When you said you were the central character
00:19:24Wouldn't you do what he does?
00:19:27Well I'd try to
00:19:29You see
00:19:30He's me
00:19:31Idealized of course
00:19:32I'm surprised of course
00:19:50That's beautiful, darling
00:19:52So you love me more each hour
00:19:55Until you're a hundred
00:19:57After that I may start chasing around
00:20:01I'll always treasure this
00:20:02I'll dedicate the next one to you
00:20:04I'd love to write it in Paris
00:20:06Now
00:20:08If I had a wife to go with me
00:20:11Sort of a
00:20:12Severe's critic
00:20:14I have an idea for your new novel
00:20:16Really?
00:20:17Yes
00:20:18You should call it love and kisses
00:20:20And you could point out the difference between love and just kisses
00:20:24That's not bad
00:20:27Suppose by way of plot
00:20:28A girl who's had an affair with one man
00:20:29Falls in love with another
00:20:30Should she tell him?
00:20:31No
00:20:32No
00:20:33No
00:20:34No
00:20:35No
00:20:36No
00:20:37No
00:20:38No
00:20:39No
00:20:40No
00:20:41No
00:20:42No
00:20:43No
00:20:44No
00:20:45No
00:20:59That all depends on the man
00:21:01Supposing you are like the character in your book
00:21:02Oh I see
00:21:04Well
00:21:06It might be better for her to tell him than to let him find out for himself
00:21:08That's what I first thought
00:21:09On the other hand it might be wise for her to say nothing what a man doesn't know won't hurt him I
00:21:17Guess that everyone told the truth
00:21:19Nobody would marry anybody then honestly isn't the best policy rarely
00:21:24The modern babyface looks up at the chump. She's going to marry and says
00:21:29You're the only one I've ever loved
00:21:31The big fat says yeah
00:21:36And they live happily ever after
00:21:39Oh
00:21:41I don't know
00:21:44It's hard to say what a girl should do who's faced with that situation
00:21:48But I am your what
00:22:09I
00:22:11Did you love him?
00:22:13I
00:22:15Did you love him?
00:22:17Tell me if you loved him I'll die
00:22:19I only thought I did
00:22:21Don't you see I had to think I did
00:22:25I don't want to know anything about him
00:22:27I don't even want to know who he is
00:22:29Just promise me you'll never see him again
00:22:31Oh no fear of that
00:22:33Jerry
00:22:35I have a confession to make
00:22:36Once I
00:22:37Once I
00:22:39Went out for the girl
00:22:41Went out for the girl
00:22:43That's right
00:22:45I don't want to know who he is
00:22:46Just promise me you'll never see him again
00:22:47Oh no fear of that
00:22:49Why amespace leave now?
00:22:56Jerry
00:22:59I have a confession memory
00:23:01Once I
00:23:03went out for the girl
00:23:05That makes us even
00:23:06Well now for the girl. That makes us even.
00:23:10Please help me.
00:23:14In spite of my great mistake, will you marry me?
00:23:18I'd like to see anything stop me.
00:23:22I'd better go.
00:23:40Why, it's raining.
00:23:42And my sister comes in tomorrow.
00:23:48And I have some letters to write.
00:23:51Oh, those aren't reasons.
00:23:53Well, they'll do. Goodbye.
00:23:55Wait, I'll go with you.
00:24:21I forgot my book.
00:24:25I forgot my book.
00:24:31Tony, you didn't change what you had written, did you?
00:24:35Yes, a little.
00:24:37I forgot my book.
00:24:47Tony, you didn't change what you had written, did you?
00:24:49Yes, a little.
00:24:51I want it.
00:24:53I want it.
00:24:55Give it to me.
00:24:57Give it to me.
00:24:59Give it to me.
00:25:01Please.
00:25:03Give it to me.
00:25:13Give it to me.
00:25:15Please.
00:25:33I'll be back.
00:25:35I'll go.
00:25:45I'll be back.
00:25:47I can't wait.
00:25:49I can't wait.
00:25:51Well, hello, Richard.
00:25:53Hello, Hunter.
00:25:55Oh, and you don't know how good it looks to me.
00:25:59I'm so happy.
00:26:01Well, I'm going to help school to unpack your things.
00:26:03Okay.
00:26:05Oh, and Kate, New York is so different from Paris.
00:26:07You can't see it.
00:26:09I'm so happy.
00:26:11I'm so happy.
00:26:13I'm going to help school to unpack your things.
00:26:15Okay.
00:26:17Oh, and Kate, New York is so different from Paris.
00:26:19Your trunks will be here about an hour.
00:26:25Gee, it's great to see you, baby.
00:26:29Hey, what's the matter?
00:26:31Please, Buster.
00:26:33I have to unpack and everything.
00:26:35Hey, aren't you glad to see me?
00:26:37Of course I'm glad to see you.
00:26:39But...
00:26:41But what?
00:26:43Quit being so young.
00:26:45I mean, you're a young man.
00:26:47I mean, you're older than you are.
00:26:49Well, I could.
00:26:51It was rather silly to think that things would be the same between us after two years.
00:26:57Oh.
00:26:59You're kidding.
00:27:01Aren't you coming?
00:27:03It was nice of you to want to give me a party.
00:27:05But you really shouldn't do it.
00:27:07Hey, Jerry, help me out.
00:27:09She's giving me the chill.
00:27:11Says she doesn't want to go to my party.
00:27:13What's the matter?
00:27:15Won't you go?
00:27:17There you are, my lad.
00:27:19From now on, it's up to you.
00:27:21See you about 7.30.
00:27:25All right.
00:27:27And you and Tony?
00:27:29And you too, Mrs. Brown.
00:27:35Oh, I can't get over the way you've grown.
00:27:37It was only yesterday I was looking at these.
00:27:39Look.
00:27:41There you are, before going to Paris.
00:27:43Before and after.
00:27:45Aha.
00:27:47Oh.
00:27:49What's the well-dressed baby you are?
00:27:51Oh, I can't get over the way you've grown.
00:27:53Oh, I can't get over the way you've grown.
00:27:55It was only yesterday I was looking at these.
00:27:57Look.
00:27:59There you are, before going to Paris.
00:28:01Before and after.
00:28:03Aha.
00:28:05Oh.
00:28:07Oh.
00:28:09What the well-dressed baby used to wear.
00:28:11Oh.
00:28:12Oh.
00:28:13But that.
00:28:30That reminds me.
00:28:33I promised to look after you.
00:28:39The times I worried about you being out of my sight for so long.
00:28:47You didn't have to.
00:28:49I couldn't help it.
00:28:51Hmm.
00:28:53I hope we have as much fun here as we have in Oklahoma.
00:28:59Do you remember the nights you went out with Spore Wardell?
00:29:03Aha.
00:29:04Isn't that funny?
00:29:05Chugged along and he made you get out and walk.
00:29:08Aha.
00:29:09And even a thought I'd beat him home.
00:29:11Aha.
00:29:12What's that?
00:29:13I was wondering if you remember.
00:29:14Of course I do.
00:29:16Don't tell me.
00:29:17Don't tell me.
00:29:18Don't tell me.
00:29:19I need you now.
00:29:20So keep your love.
00:29:21That's the last part of it.
00:29:23I remember it.
00:29:24It's the S.O.S.
00:29:25When you had a bow in the parlor and it got to, uh, bowish, you'd sing this, which was my signal, to come in and say, uh,
00:29:31Charity.
00:29:32It's the S.O.S.
00:29:33It's the S.O.S.
00:29:34It's the S.O.S.
00:29:35It's the S.O.S.
00:29:36It's the S.O.S.
00:29:37When you had a bow in the parlor and it got to, uh, bowish, you'd sing this, which was my signal, to come in and say, uh,
00:29:44Charity.
00:29:45It's the S.O.S.
00:29:46It saved my life many times.
00:29:49Ha ha.
00:29:50Ha ha.
00:29:51Start over.
00:29:52Get through.
00:29:59Come to me.
00:30:02Come to me.
00:30:04My life, my love, my own.
00:30:09Come see.
00:30:10From near afar, whereale you are.
00:30:15Come to me.
00:30:16Come to me.
00:30:18You know.
00:30:21in answer to my call.
00:30:28Somewhere on a hill, then a whipper will,
00:30:36calling with me as a shredder's fall.
00:30:45I need you now to keep your love.
00:30:51Come to me, come to me, my life, my love, my all.
00:31:09You'll never hear me calling dear when he's here.
00:31:19Oh, he's good looking.
00:31:21Who is he?
00:31:22Anthony Blake, the novelist.
00:31:25And your future brother-in-law.
00:31:28No.
00:31:29Yes.
00:31:30Oh, he's terrific.
00:31:31You'll meet him tonight.
00:31:33Oh, you, you poor darling.
00:31:35You've been in the convent so long, I suppose you've forgotten what boys look like.
00:31:39I have, all except one.
00:31:41He hasn't forgotten you, either.
00:31:42Oh, I don't mean Buster.
00:31:44No?
00:31:45No, this one I met in Paris.
00:31:47I think you know him, too.
00:31:49Who is he?
00:31:50Jim Woodward.
00:31:52Don't you know him?
00:31:55Yes, I'm trying to place him.
00:31:58He said you might not remember him.
00:32:00Oh, Jerry, he wears the cutest clothes.
00:32:03Says the most adorable things and dances divinely.
00:32:06If you'd ever met him, you'd remember him.
00:32:08I remember him.
00:32:10Vaguely.
00:32:12Well, I suppose you'll want a manicure and a wave for tonight.
00:32:18I'll go with you.
00:32:19I need one, too.
00:32:20Oh, and you can wear one of your new Paris gowns to Buster's party.
00:32:23It'll be a wonderful party, really, it will.
00:32:26Oh, what a party I'm doing.
00:32:31Oh, I'm good.
00:32:53I asked a friend of mine to drop in on the party.
00:32:55Hope you won't mind.
00:32:56That's great.
00:32:58What's her name?
00:33:00Jim Woodward.
00:33:05Swell.
00:33:06Oh, here's someone for your cake.
00:33:10Yeah.
00:33:14Shall we tell them about us?
00:33:16Why?
00:33:17Why?
00:33:19I want to pin you down in public.
00:33:26Why not?
00:33:28Not now.
00:33:31Hello, Joe.
00:33:33Hello.
00:33:36You remember Mr. Woodward?
00:33:39Jerry.
00:33:41And more beautiful than ever.
00:33:47Meet me, Mr. Woodward.
00:33:48Tony Blake.
00:33:49I'm the fellow who's supposed to make all those pretty speeches to Jerry.
00:33:53And my aunt, Mr. Smith.
00:33:55How do you do?
00:33:59And this is Mr. Collins.
00:34:01Mr. Collins?
00:34:02Mr. Collins.
00:34:18Have a drink, Woodward?
00:34:19Yes, Mike.
00:34:21Very good.
00:34:22Very good.
00:34:36What a party I'm giving.
00:34:43Well, here's to...
00:34:46Well, what shall we do?
00:34:53I have something important to drink to.
00:34:55The minute I laid eyes on Jerry Trent, I wanted to be a slave.
00:34:59I offered my services as a chauffeur.
00:35:02She said, no, I...
00:35:04Myself.
00:35:05I said, well, what about a secretary?
00:35:07She said, no, I handle all correspondence myself.
00:35:10No matter what I suggested at scene, she didn't need me.
00:35:14Then one day I remarked that she might like to marry and...
00:35:19raise a...
00:35:22family.
00:35:24Yes.
00:35:25I got the job.
00:35:26I go to work Monday.
00:35:28You've been going on, Buster. Congratulations.
00:35:31Thanks, Buzz.
00:35:36Likewise.
00:35:37Thanks.
00:35:44Here's hoping you'll never discharge.
00:35:47Thanks, old man.
00:35:49Thanks.
00:35:53May I dance, Mr. Gladys?
00:35:55Of course.
00:35:57Jerry.
00:36:19Can I be best man?
00:36:31He's the best man I ever knew.
00:36:36Is that nice?
00:36:37I love him.
00:36:38I love him.
00:36:39You know why.
00:36:40I love him.
00:36:41I love him.
00:36:42I love him.
00:36:43I love him.
00:36:44Oh, are you gonna go for best?
00:36:46Why not? I love him.
00:36:56This doesn't mean anything, you and John, does it?
00:37:03Why?
00:37:04You know why.
00:37:09Just lay a parrot on the boat.
00:37:11She's only a child.
00:37:15I think she's getting a bit...
00:37:17...serious.
00:37:18See that she doesn't.
00:37:21You know me.
00:37:23That doesn't...
00:37:24...too well.
00:37:34That's how different it was!
00:37:36Buffalo Bill.
00:37:41Now's a good time to invite them.
00:37:51Where?
00:37:52To your home.
00:37:53Our family should meet sometime if we're going to be married.
00:37:57There's plenty of time for that.
00:37:59But you said you'd arrange it as soon as you got back.
00:38:09Attention, please.
00:38:13Stand by for a station announcement.
00:38:15I'm giving a big weekend party, in my father's name, at Westbury.
00:38:19And I want you all to come.
00:38:20And maybe you'll get a surprise, too.
00:38:21I'll bet I know.
00:38:22Another engagement.
00:38:23Well, it's something to drink to, anyway.
00:38:25And maybe you'll get a surprise, too.
00:38:27I'll bet I know.
00:38:28Another engagement.
00:38:29Well, it's something to drink to, anyway.
00:38:31Engagement well, it's something to drink to anyway
00:39:01Why didn't you tell me we weren't going to the Woodward's before I got all dressed up?
00:39:15I'm sorry, Aunt Kate. We shouldn't go and Joan shouldn't go either.
00:39:19It's bound to be an awkward situation for all of us.
00:39:22Well, on second thought, perhaps you're right.
00:39:25It might cause a lot of trouble, even a big scandal.
00:39:29Joan has no business with her.
00:39:32And from what you tell me about Jim Woodard, even I wouldn't be safe with him.
00:39:38Besides, Joan might find out about...
00:39:45What's the matter? Aren't you going?
00:39:48No, and you shouldn't go.
00:39:51But Jerry, his parents wanted me to die.
00:39:54And you think he wants to marry you.
00:39:57What about Buster?
00:39:59He's just a kid. I like older men.
00:40:02Naturally, you would at your age. What'd you tell Buster?
00:40:06I had that out with him this morning. He'll get over it.
00:40:09He's a fine boy.
00:40:11You mean to imply that Jim isn't?
00:40:13Darling, you've always listened to me. Please listen to me now.
00:40:18I know something about life. You're only on the brink of it.
00:40:21And I want you to benefit by my experience.
00:40:23You mustn't have heartaches that you can possibly avoid.
00:40:26That's why I want you to believe me when I say that Jim Woodward's not the sort of man you should marry.
00:40:30How do you know so much about him? You said you barely remembered him.
00:40:33Well, I knew a girl that he went with and how he treated her and lots of others.
00:40:38I don't care about his others. Every man has had others. Ask Tony.
00:40:42Jones, just a moment, Aunt Kate. At least Jim didn't love the others.
00:40:46And now that he's engaged to me, he's through with them all. He told me so.
00:40:49He told you so? Would you believe Black was right if he told you so?
00:40:52I have to know that he promised to marry this particular girl. And she believed in him.
00:40:56All the while he was running around with a dozen others that believed in him, too.
00:40:59You've no right to talk to me like this. I'm old enough to know what I'm doing.
00:41:02You think so?
00:41:03Yes, I do. How do you know this girl's telling the truth about Jim?
00:41:06I wouldn't believe anything I heard from that kind of girl.
00:41:09Oh, yes, you would from this kind of girl.
00:41:11No, I wouldn't. She's probably lying. Who is she?
00:41:14You want to know who she is?
00:41:15I'll tell you who the girl is, Harry.
00:41:17Let her alone. Go on, Joan. Go on to Westbury.
00:41:21Marry the man you love.
00:41:24Why, you girls ought to be ashamed of yourselves, falling like this.
00:41:29Goodbye, Joan.
00:41:46I just couldn't let you go through with it.
00:41:49You were right.
00:41:50Just give that Jim Whitter time.
00:41:52He opened her eyes himself.
00:41:54By then it might be too late.
00:41:56Jim isn't going to be on the level with her.
00:41:58It just isn't in him.
00:42:00Oh, Joan only knew him as I know him.
00:42:02Hello, darling.
00:42:12Oh, hello, darling.
00:42:14Everything's all set.
00:42:15Can I clock?
00:42:16The little church around the corner?
00:42:17Then to your house for food.
00:42:18I'm no fool.
00:42:19Well, say, how much should I give the minister?
00:42:21Whatever you think it's worth, I suppose.
00:42:23Oh, I couldn't afford to pay that much.
00:42:25What are you laughing at?
00:42:26The passports just got here.
00:42:27Oh, Tony, my picture.
00:42:28Isn't it dreadful?
00:42:29We're a great pair.
00:42:31We don't look as if we're trying to get out of the country.
00:42:33We look as if we're trying to get in.
00:42:35Oh, by the way, Jerry, I can't go to the woodward.
00:42:37I've got to run out of the country to get in.
00:42:39But I can say, I'm wrong.
00:42:41We'll be the minister.
00:42:42What's the minister?
00:42:43Whatever you think it's worth, I suppose?
00:42:45Oh, I couldn't afford to pay that much.
00:42:46What are you laughing at?
00:42:47The passports just got here.
00:42:48Oh, Tony, my picture.
00:42:49Isn't it dreadful?
00:42:50We're a great pair.
00:42:54We don't look as if we're trying to get out of the country.
00:42:58We look as if we're trying to get in.
00:43:00Oh, by the way, Jerry, I can't go to the woodward.
00:43:04now I've got to run down to Washington after all oh you shouldn't stay home on
00:43:12my account you ought to go anyway why you'll probably have lots of fun
00:43:16don't be silly I couldn't have any fun without you
00:43:21well hurry back I'll miss you
00:43:27be a good boy and Kate yeah get ready we're going to Westbury
00:43:57I was so anxious to meet them I'm sorry I want you to know Miss Trent
00:44:19hello yeah you attended to it thanks a lot
00:44:48I didn't want to go to watch it in any way good bye
00:44:58I'm terribly sorry about you and Jim I did all I could but I'm defeated I don't
00:45:10know why you're on my side but I love you for it
00:45:15after I've finished these I'm going in and get Jim's old man to call the whole
00:45:21thing off
00:45:22I think I'm brave enough now
00:45:46interested in Miss Trent I like Joan I like the sister but that aunt oh she seems all right
00:46:03I like to come in
00:46:06how do you do hello when I met you today Mr. Woodward I don't think you remembered me I'm the son of Timothy Collins
00:46:25I came in here to ask you Mr. Woodward if you knew that Jim intended to marry Joan Trent no really well we hadn't heard but I should be very glad if it were true
00:46:32you're anxious that Jim should settle down oh but what do you know about these
00:46:44tricks nothing much they seem to be nice people well not from what I heard but if you're satisfied all right
00:46:51Buck there one moment tell us what you heard oh it doesn't matter much oh it certainly does tell us what you know well I heard
00:46:58that the aunt was a bootlegger what did I tell you nonsense I don't believe it
00:47:13I don't believe it
00:47:15it certainly does tell us what you know well i heard that uh the ant was a bootlegger what did
00:47:25i tell you nonsense i don't believe it you may not believe that but that's not the half of it
00:47:33oh but i can see you're not interested oh buster just a minute tell us what you know
00:47:38do you want to know all all well it's pretty bad
00:47:52i wish i hadn't mentioned it young man will you speak up all right you ask for it
00:48:01everyone that knows the trench knows that there's a dash just a teeny weeny day of insanity in the family
00:48:23so now i feel like a cat
00:48:36how'd you do comrade i did all right what do you mean you did all right
00:48:43i don't think there'll be any woodward marrying any friends really
00:48:48what did you say i'd rather not tell you you must tell me i'd rather not you might not like it
00:49:00i swear i love it you won't get sore now cross my heart well i i don't
00:49:08i told him i told him that there was a dash just a teeny weeny weeny dash of of insanity in your family
00:49:32i said there was just a jenny weeny weeny dash of insanity in your family
00:49:37oh that's that's awful well i said there was just a jenny weeny day
00:49:56what about
00:50:02what about
00:50:28look up
00:51:02Those are embarrassing crackers.
00:51:08You know, you can get a kind that won't break.
00:51:11Of course, you can't eat them, but you can butter them.
00:51:15What's the matter?
00:51:17Nothing.
00:51:18Aren't you going to have your consummate?
00:51:21Consummate?
00:51:23Why, I thought it was a soup.
00:51:26Would you pass the sugar?
00:51:33Please.
00:51:35Sugar?
00:51:36Sugar.
00:51:42One, two, button your shoe.
00:51:46Three, four, shut the door.
00:51:49Five, six...
00:51:51Pardon me.
00:51:53Do you realize that sugar?
00:51:56Oh, yes.
00:51:57Yes, yes.
00:51:58I've heard of that before.
00:51:59I'll bet you'll love it.
00:52:02Hey, well.
00:52:03When?
00:52:04When?
00:52:05What's the matter?
00:52:06Nothing.
00:52:20What are you looking at?
00:52:21Nothing.
00:52:22What do you want?
00:52:23Nothing.
00:52:25Nothing.
00:52:28What's the matter?
00:52:30Nothing.
00:52:31What's the matter?
00:52:43Nothing.
00:52:44What?
00:52:46What are you laughing at?
00:52:54Nothing.
00:52:55Oh, Aunt Kate, I have news for you.
00:53:16Mr. Woodward's new Buffalo Bill.
00:53:19.
00:53:25.
00:53:30.
00:53:39what do you mean by inviting
00:54:09These things for our house, they're crazy.
00:54:13Frazier than the rest of our guests?
00:54:15Absolutely mad, I tell you. They stand out.
00:54:20Oh, you must be mistaken, Dad.
00:54:25Go up and fire her down.
00:54:27Order a straitjacket, do something.
00:54:29All right, all right.
00:54:32And didn't you know, Buffalo B.O.?
00:54:34Oh, that's it. I think I'll finish finding my bathing suit.
00:54:44That ought to convince them.
00:54:55Well, hello, Colin.
00:54:57What are you doing in this lady's bedroom?
00:54:59What are you doing in this house?
00:55:08When I think of the answer to that, I'll be back.
00:55:13Oh, Jerry!
00:55:17Closed in, Mrs. James.
00:55:19Oh, what's going on here? What are you up to?
00:55:21Nothing, nothing. I've given up.
00:55:23Let anybody marry anybody.
00:55:25Let anybody marry anybody.
00:55:26You're the winner, Jim Woodward the winner.
00:55:28Rawr!
00:55:29The Jim Woodward.
00:55:31My old man's terribly upset.
00:55:33He thinks you're crazy.
00:55:34Crazy? Why?
00:55:35I only obeyed my impulses, that's all.
00:55:38What are you talking about?
00:55:39We miss so much in life for not doing the things we want to do.
00:55:42If you feel like doing something, why shouldn't you do it?
00:55:44For instance?
00:55:46Oh, for example, I don't like his expression.
00:55:49I'll catch you on.
00:55:54Oh, baby, this is a perfect house for obeying impulse.
00:56:00I have work here, it'll take me days.
00:56:04I have work here, it'll take me days!
00:56:31Oh, Jerry!
00:56:34Oh, Jerry!
00:56:40Now I have another impulse. You get out of here.
00:56:42Go on. Up and go.
00:56:44Uh-oh!
00:56:45Oh, yeah.
00:56:46Go!
00:56:47What do they think downstairs?
00:56:49I don't care what they think.
00:56:52I have a bigger impulse.
00:56:54I want to study.
00:56:56I haven't laughed like this in years, Jerry.
00:56:59I always did have a good time with you.
00:57:03Why talk about that?
00:57:07I'm just beginning to realize what a fool I was to let you get away from me.
00:57:11Are you trying to make love, Tony?
00:57:15That's the impulse.
00:57:17What about Joan?
00:57:23Joan will never be a Jerry.
00:57:27I think the only reason I ever felt for Joan in the first place was if she reminded me so much of you.
00:57:32Can't we start all over again?
00:57:40You mean it?
00:57:41I was never more serious in my life.
00:57:51Come on, Jerry, Molly.
00:57:52Just a moment. Let me think.
00:57:53Come on.
00:57:58I'd hate to hurt Joan any more reason as necessary.
00:58:03Joan's up, the kid.
00:58:04She'll get over it.
00:58:10I bet I know what you're thinking about it.
00:58:13Blake.
00:58:14Oh, forget him.
00:58:17Don't you want me back?
00:58:18Isn't there just a little spark still going?
00:58:23Why do you suppose I was so anxious to break it up between you and Joan?
00:58:32Jealousy!
00:58:36What a fool I was not to have seen it before.
00:58:39Oh, you mustn't be too hainty, Jim.
00:58:42Thanks.
00:58:44Oh, Jerry.
00:58:45Do you suppose it'll work out?
00:58:50What, certainly.
00:58:53Could we ever recapture the happiness in the old...
00:58:57We could.
00:59:01Remember the gay nights?
00:59:02The music, the dancing?
00:59:06Well, the same places are still open.
00:59:10You used to tell me that you, like nothing better,
00:59:13than to sit for hours while I stand through.
00:59:18I liked that too.
00:59:20You did, didn't you?
00:59:22Do you remember?
00:59:24If you can hear me calling dear,
00:59:30come to me, come to me.
00:59:34Come to me, my life, my love, my all.
00:59:43From near or far, where'er you are.
00:59:48Come to me, come to me, in answer to my call.
00:59:59Somewhere on a hill, there's a whiffer wheel.
01:00:00Calling with me as the shadows fall.
01:00:02I need your love to keep your love.
01:00:05Come to me.
01:00:06Come to me.
01:00:07Come to me.
01:00:08Come to me.
01:00:09Come to me.
01:00:10My life, my love, my love, my love, my love.
01:00:16I need your love to keep your love.
01:00:19Come to me.
01:00:22Come to me.
01:00:24Come to me.
01:00:29Come to me.
01:00:30Come to me.
01:00:31Come to me.
01:00:34Come to me.
01:00:35Come to me.
01:00:36My life, my love, my love.
01:00:40Can I am the same?
01:00:56Well, that's it.
01:00:57it. Oh, oh, Joan's mad. Now, now, Joan, don't make a scene. That's right, now, now, Joan,
01:01:13you mustn't make a scene. What am I supposed to do, applaud? We were just, we were just,
01:01:21we were just discussing things. That's right. Jim was trying to tell me how much he loved
01:01:28you. Well? Well, I think you'd sound more convincing with your coat on. No wonder you didn't want
01:01:40me to have him. You wanted him for yourself. Why, a man like Jim has enough love for both
01:01:46of us. I won't share his love with anyone. Well, I guess you're going to have to choose
01:01:54between. Make yourself a trend. Well, maybe this will help. Ibbity-bibbity-sibbity-sab,
01:02:01ibbity-bibbity-canaba. Canaba. Canaba. Canaba in, Canaba out. How does it go? Oh, stop it.
01:02:10Why do you hesitate? Is there any doubt? Of course there's a doubt. Jim's very fine.
01:02:16Come to this, Jerry, aren't you, Jim? Jerry, I don't know how you can do this to me.
01:02:27Joan, don't cry. Please. I know it hurts. But you'll soon forget. Really, you will. There,
01:02:37don't cry. Let me alone. Don't cry. Oh, Joan, I don't think you quite understand. You see,
01:02:49well, you see, Jerry and I were once sweethearts.
01:02:53Sweethearts. You and Jerry? Yes, Joan. Oh, we just discovered each other all over again. How do we do?
01:03:09You and Jerry? Yes, Joan. Oh, we just discovered each other all over again. How do we do?
01:03:21Oh, please. Tony, wait. Tony. Wait. Don't misunderstand me. Take your hands off her. It doesn't mean anything.
01:03:39He doesn't mean anything. I don't care why you did it. Oh, but Tony. You lost the man. And you promised me. I know I promised you. But Julie, you of all people will understand why even your book you said. But I don't happen to be a character in a book.
01:04:01I don't even happen to be a character in a book. I don't even take it, darling. How about?
01:04:25I'm beginning to understand you, Jim. You're not bad. You're just not very bright.
01:04:55So, Jerry.
01:05:17What's the matter? Sick? No, I'm all right.
01:05:20I talked to Joan this morning on the phone, and what do you think?
01:05:27She called me.
01:05:32Looks like everything's going to be alright.
01:05:39See, what happened out there the other night?
01:05:42Tony no more than got there and he left.
01:05:45And then you left, and then everybody left.
01:05:48So I left.
01:05:56Hello, Joan.
01:06:06But, dear, do you mind if I meet you down at the car?
01:06:10I want to talk to Jerry a moment.
01:06:13Sure. See you soon, Jerry.
01:06:18I want to tell you, Jerry. I understand everything now.
01:06:28And I'm sorry about Tony.
01:06:32I know you are.
01:06:35And I want to tell you.
01:06:39You want me to stay home and see you.
01:06:45I don't have to go out with Buster.
01:06:47I think it would be nice if you would.
01:06:51Will you be alright?
01:06:53I'll be home early.
01:06:55Oh, Miss Trent.
01:06:56I want you to see something wonderful.
01:06:57It will be nice.
01:06:58You want me to stay home and see you.
01:06:59I don't have to go out with Buster.
01:07:01I think it would be nice if you would.
01:07:03Will you be alright?
01:07:05I'll be home early.
01:07:09I'll be home early.
01:07:21Oh, Miss Trent.
01:07:22I want you to see something wonderful.
01:07:24It just comes.
01:07:35See, is this not beautiful?
01:07:38I will.
01:07:46I will be home.
01:07:48I'm sorry.
01:07:50I know you are.
01:07:51We will be home.
01:07:52We will be home.
01:07:53I'm sorry.
01:07:54We will be home.
01:07:56are you going to stand around all day and admire that atrocity oh you ought to be ashamed of
01:08:16yourself I'm getting sick and tired of it what do you mean here you are in love with a man yet
01:08:22you sit around all day moving but he feels right out of your life are you sure he's failing certainly I
01:08:27call his house you didn't of course I did why not oh shame on you what did he say nothing he wasn't
01:08:36there but his servant tells me that he's sailing for Europe we're going to gather now he's gone no
01:08:44he hasn't he doesn't feel for 35 minutes now if you're any sort of a girl at all and if you're
01:08:51worthy of the name of Trent you'll get out of here and go after him we could he's your man isn't it
01:08:58you love him don't you well you're always preaching to me about obeying those instincts now why don't
01:09:06you practice what you preach but I couldn't miss the boat in 35 minutes besides I haven't anything
01:09:12packed yes you have I gotta get out of here come on come on come on get out of here my things
01:09:18and right here right here right here you go and back in your purse now come on come on get your
01:09:23things together oh yeah oh I bet I'm sure there's something you've forgotten oh thank you but my
01:09:27guns did you why not your good ones of course good here here come on get your coat on get it
01:09:31I haven't got any time to lose oh here yeah I got the one that's going here don't do this yourself
01:09:37oh hurry hurry now have you got everything yes Aunt Kate tell her to tell Joan about it she'll
01:09:45get to know oh I don't know you already got your grip oh hurry now he's your man isn't it oh Aunt Kate
01:09:58you're a darling what will I ever do without you well then you get to Paris and you still can't do without me
01:10:05go there you go
01:10:09Why, Aunt Kate, is Jerry here?
01:10:34Jerry, she's out.
01:10:35Well, I must see her at once.
01:10:37I started to sail without her, but I couldn't.
01:10:39I don't care what's happened.
01:10:40I want her.
01:10:42I said a lot of things I'm sorry for, and I want to tell her.
01:10:45Why, I'm mad about her.
01:10:46I'm simply crazy.
01:10:47That's what I said the first time I saw you.
01:10:50I guess I better tell you.
01:10:52She's gone to the boat looking for you.
01:10:54Gone to the boat looking for me?
01:10:56Yes.
01:10:57Looking for me?
01:10:57Yes.
01:10:58Goodbye.
01:11:00Oh, hi.
01:11:01Goodbye.
01:11:09Every ticket's ready.
01:11:18Take it, please.
01:11:19I have a ticket.
01:11:19You can't get a board without a ticket.
01:11:21But I'm sailing on this boat.
01:11:22You're not sailing on this boat without a ticket.
01:11:24But I must sail.
01:11:24You must not sail unless you have a ticket.
01:11:26Will you please stand aside?
01:11:29Show your ticket, please.
01:11:31Every ticket's ready.
01:11:33Every ticket's ready, please.
01:11:35Yes.
01:11:36Every ticket's ready.
01:11:37Every ticket's ready, please.
01:11:59Boop, boop.
01:12:02Boop.
01:12:02Boop.
01:12:03Boop.
01:12:03Boop.
01:12:04Boop.
01:12:04Boop.
01:12:04Boop.
01:12:05Boop.
01:12:05Boop.
01:12:06Boop.
01:12:07Boop.
01:12:08Boop.
01:12:09Boop.
01:12:10Boop.
01:12:11Boop.
01:12:12Boop.
01:12:13Boop.
01:12:14Boop.
01:12:15Boop.
01:12:16Boop.
01:12:17Boop.
01:12:18Boop.
01:12:19Boop.
01:12:20Boop.
01:12:21Boop.
01:12:22Boop.
01:12:23Boop.
01:12:24Boop.
01:12:25Boop.
01:12:26Boop.
01:12:27Boop.
01:12:28Boop.
01:12:29Boop.
01:12:30Boop.
01:12:31Boop.
01:12:32Boop.
01:12:33Boop.
01:12:34Boop.
01:12:35Boop.
01:12:36She looks like this.
01:12:38Have you got a ticket?
01:12:45All right.
01:12:46Just a minute here.
01:12:48Oh, well, if you see her, tell her I'm on board.
01:12:51I'll tell her.
01:13:06I'll tell her.
01:13:27Corby! Corby!
01:13:29Corby!
01:13:31Corby!
01:13:33Corby!
01:13:34Corby!
01:13:35Let go! Let go!
01:13:37I had to get out of the ship, and I'm perfectly willing to pay my ticket.
01:13:41Even if you had a ticket, the captain's right on me.
01:13:43Oh, hello, darling.
01:13:45Oh, oh, yes, darling.
01:13:47Oh, don't worry, officer.
01:13:48She can share my cabinet.
01:13:52I'm sorry, sir.
01:13:54But this is a first-class boat.
01:13:56But to save the reputation of the boat, the captain can marry us.
01:14:02With the lady's consent, of course.
01:14:04Don't leave the car.
01:14:05Oh, .
01:14:06Don't leave the car on her.
01:14:07Don't leave.
01:14:08Don't leave.
01:14:09Don't leave there!
01:14:13Oh, don't leave.
01:14:14Don't leave.
01:14:18Don't leave.
01:14:23Ha, ha, ha!
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