- 5 months ago
Niagara Falls (1941) is a charming romantic comedy filled with humor, misunderstandings, and delightful twists. Follow the story of two strangers brought together by unexpected circumstances, leading to hilarious situations and a heartwarming ending. A true classic from the golden era of cinema.
Category
π₯
Short filmTranscript
00:00The End
00:30THE END
01:00Hey, hey!
01:24You want to buy some peanuts?
01:26Peanuts? No!
01:28It's a long trip down there. You'll have to get hungry.
01:31Can't you see how I'm trying to commit suicide?
01:34That's a very bad habit to get into.
01:36I'm only going to do it this once.
01:38Must you?
01:39Yes. I'm sick of getting into trouble.
01:41How?
01:42Sticking my nose in other people's business.
01:45Oh, so that's it. Sit down here.
01:47I have a bag of peanuts.
01:49They're in the house.
01:50So what happens?
01:52It's a long story.
01:53Go ahead. I got a lot of peanuts.
01:55I was a young fella. She was a farmer's daughter.
01:59I heard that one before.
02:00Wait.
02:01You don't understand.
02:03For 20 years we planned on getting married.
02:05Then all of a sudden...
02:07That's too bad.
02:09What do you mean, too bad?
02:11I struck oil.
02:12Oh, you mean...
02:13That's right.
02:15A couple of days ago we were married.
02:17Yesterday we were driving up here for our honeymoon.
02:19You and the farmer's daughter?
02:21Me and the most beautiful girl in the world.
02:29Only 15 more miles and we'll be there.
02:32We've waited a long time for this, Emmy.
02:34Oh, but you were worth waiting for, Sam.
02:37So were you, honey.
02:38Okay, break it up.
02:50Oh, sorry, Austin.
02:52You see, we're fresh married.
02:53Not really.
02:55Have you got your driver's license?
02:57Somewhere.
02:58Yeah.
03:00Here it is.
03:02Would you mind driving?
03:03Oh.
03:04Oh.
03:08I'm sorry.
03:26You ought to be.
03:27Well, I thought you were a guy trying to cop something.
03:30I just wanted to borrow your tire pump.
03:32And since when do I look like a guy?
03:34Well, from where I was standing, I couldn't tell.
03:36Does it hurt?
03:37Of course it does.
03:38Maybe I could help.
03:39Never mind, never mind.
03:41Oh.
03:43Excuse me.
03:43Can I help?
03:44No, thanks.
03:45No, thanks.
03:45Everything's all right.
03:47Now, now, children.
03:48That's no way to act.
03:49Why don't you throw that club away, neighbor, and kiss and make up?
03:52Say, that's not a bad idea.
03:54Wait a minute.
03:54Wait a minute.
03:56She's a little bashful, but we'll be all right, buddy.
03:59We understand.
04:06Hey.
04:07Hey.
04:12Hey.
04:16Here.
04:17Here, let me do that.
04:18I'd rather not trouble you.
04:20Oh, it's no trouble at all, baby.
04:21Give me a chance to improve my score.
04:23Your score?
04:24Sure.
04:24So far, it's not so good.
04:25One hit, one error.
04:26Get it?
04:27Yeah, I get it.
04:28Oh.
04:30Oh.
04:35Oh.
04:43Better?
04:45Yes, thanks.
04:46How far you got to go?
04:48West Willow.
04:49It's about 40 miles from here.
04:50I live there.
04:5140 miles?
04:52See, that tire's pretty thin.
04:53I better follow you in case something happens to me.
04:54Oh, you need bother.
04:55There's no bother at all.
04:56I got to go that way.
04:57Niagara Falls.
04:58Niagara Falls?
04:59Where's your wife?
05:02Oh, I haven't any wife.
05:04No, and I don't want one.
05:06Oh, you don't?
05:08Well, maybe someday after I've had my fling, but not when I'm young.
05:12No, sir.
05:13I can have too much fun on the prowl.
05:15On the prowl?
05:17Yes.
05:18Take our case, for example.
05:19If you were married, I was married, we'd both be out of circulation.
05:23Who knows?
05:24This might turn into a beautiful friendship.
05:27You know, they built statues for the guy who wrote the wedding march.
05:31But the guy who wrote the line,
05:32He who loves and runs away lives to love another day,
05:35had a former for a lot more fun.
05:38I bet you feel the same way about it, don't you?
05:40Oh, no, I don't.
05:42But I'm glad to know how you feel.
05:44Now, you can just take your pump and go.
05:46Well, hey, wait a minute.
05:47Don't get me wrong.
05:49I just meant I'm not the Marian kind.
05:51There's nothing to get sore about.
05:52You get away from me, you wolf.
05:55Wolf?
05:56Yes.
05:56But you picked the wrong little red riding hood this time.
05:59You see, I am the Marian kind.
06:01Oh.
06:02And I'm going to marry while I'm young and have children.
06:05Oodles of children.
06:05Well, go ahead.
06:06Have a couple of dozen of them.
06:07There'll be no divorce, either.
06:09It'll be till death do us part.
06:11Well, I'm not waiting for death, sister.
06:13Goodbye.
06:14Happy marriage.
06:15Kiss the kitties for me.
06:16All 24.
06:17I'll thank you to keep my children out of this.
06:22He who loves and runs away, lives to love another day.
06:27So I'm a wolf, huh?
06:29Married young, have oodles of children.
06:32No divorces.
06:33Who cares?
06:34Happy!
06:39Kiss the kitties for me.
06:41Okay, how much?
07:05Ten kitties.
07:05That's 50 bucks.
07:0750 bucks?
07:08That's five dollars a goose.
07:09That's right.
07:10Learning to drive, lady?
07:20Listen to me, hornblower.
07:22I've been driving a car ever since I was 12 years old.
07:25I've never had an accident.
07:26Hey, look out!
07:31Are you hurt?
07:32Of course I'm hurt.
07:33Where?
07:34Never mind.
07:34Go away and leave me alone.
07:36Okay, if that's the way you feel about it.
07:38Oh, sir, you wouldn't leave me in a spot like this.
07:40Well, you just said that...
07:40Don't tell me what I said.
07:42What goes on here?
07:43Oh, he ran me off the road.
07:45I did not.
07:46He did too.
07:46I was just trying to pass her with my...
07:48Shh.
07:48One at a time.
07:49I can't hear you both.
07:50Go ahead, miss.
07:51What happened?
07:52Well, he tried to pick me up.
07:54I tried to pick you up.
07:55Why, I wouldn't pick you up if I was starving and you were a ham sandwich with mustard.
08:00Now, take it easy.
08:01You're a little excited.
08:03Look, lads, you better drive her into town and I'll follow along.
08:05What?
08:06Me driving that would-be Casanova?
08:08I'd rather hitchhike.
08:10Well, I guess you can get going.
08:12Well, thank you, officer, very much.
08:14Hitchhiking's against the law, but I'll get you there.
08:16Get on.
08:16Oh, thanks.
08:20There you are.
08:21Say, isn't it pretty bumpy?
08:26You shouldn't mind a few bumps at your age.
08:27Well, it isn't my age exactly.
08:29It's...
08:30Oh, excuse me.
08:31Just a minute.
08:35Ouch.
08:36Something wrong with the seat?
08:37No, officer.
08:38Never mind.
08:39It's nothing.
08:40Just drive right ahead.
08:51Welcome to Fallsview Hotel.
09:08Hunter's the name.
09:09I'm the manager.
09:10Pleased to meet you.
09:10I'm Sam Sawyer.
09:11From Oklahoma?
09:12Yep.
09:13Oh, yes.
09:13Your reservations are all ready for you.
09:15Fine.
09:21I'm sure you'll find everything to your liking.
09:38Looks mighty pretty to me.
09:40How about you, Emmy?
09:41Oh, it's beautiful.
09:42Oh, pardon me.
09:43This is Miss...
09:44I mean, Mrs. Sawyer.
09:46My mistake.
09:47I wouldn't exactly call it a mistake.
09:49How do you do?
09:50Oh, well, dear me.
09:56I...
09:57Oh.
09:59I...
10:00I...
10:00Would you mind registering, please?
10:02Sure.
10:04Here you are, sir.
10:08Where do I sign?
10:09Right there, please.
10:15Is someone shaking the desk?
10:16No, I'm afraid you're a trifle nervous.
10:18Now, settle down, Sam, and don't be nervous.
10:22I ain't nervous, Emmy.
10:36Pardon me.
10:38Perhaps you'd better do it.
10:39Do you mind?
10:40Not at all.
10:41You see, we've never stopped at a big hotel before.
10:43I understand.
10:55The bellboys are very busy.
10:58We have 350 guests.
11:00Really?
11:01Let me have the key to the bridal suite.
11:05Bridal suite?
11:06Yes.
11:07I'd better take you up myself.
11:08Oh, don't trouble yourself.
11:09We'll wait.
11:10Oh, it's no trouble.
11:11But we don't want to go up just now.
11:12We'd rather just sit down and relax a minute.
11:15Wouldn't we, Emmy?
11:15Well, I thought.
11:23Comfy here, ain't it?
11:24Do you think so?
11:25Well, I thought...
11:27Welcome to Fallsview Hotel.
11:42Uh, will you register, please?
11:43This way, please.
12:01This way, please.
12:13The elevators are over here.
12:30Bags in the back.
12:43I'll have your car here in the morning.
12:46Thank you very much.
12:58The correct time is exactly 7.15.
13:01Welcome to Fallsview Hotel.
13:03I want a room.
13:04Well, the bridal suites are all taken, but I...
13:07Bridal suite?
13:09No, I just want a room.
13:10So do I.
13:11Naturally.
13:13Show this couple to 427.
13:15Wait a minute.
13:15I said I wanted a room.
13:17Yes, I understand.
13:18And I'm sure that you'll both like 427.
13:21Now, look, get this straight.
13:22I want a room and she wants a room.
13:24That's two rooms.
13:27Well, that's rather unusual.
13:28What's unusual about it?
13:29Oh, no, I'm sure that if you'll take this room and just talk things...
13:32I don't want to talk.
13:33And I wouldn't listen if he did.
13:35Oh, no, I wouldn't be too hasty.
13:37We all have our little troubles.
13:38Little troubles?
13:39Listen, mister, all I've ever had since I've met this girl is trouble.
13:43Give me that key.
13:44Come on.
13:45Excuse me, please.
13:46Mm-hmm.
13:48Oh, uh, you forgot to register for...
13:50I can write.
13:51Never mind.
13:51I'll take care of it.
13:54Tom Wilson and wife.
13:56Oh, but Sam, I...
14:00I...
14:01Hey, Usher.
14:03But, Sam, it's none of your business.
14:05No use arguing, Emmy.
14:06I just got to do it.
14:07Mr. Potter, we've decided that young couple will be happier in our bridal suite.
14:11But I don't understand.
14:12It may be just a thing to bring them together again.
14:15And we can take their room.
14:16Can't we, Emmy?
14:17But I was looking forward to...
14:18You see?
14:19It's all right with Emmy.
14:20Well, the customer's always right.
14:22Uh, boy, put that unhappy couple in the bridal suite.
14:25Yes, sir.
14:26I hope you won't regret your generosity.
14:28Give and ye shall receive.
14:30That's my motto.
14:32Lovely day, wasn't it?
14:34No!
14:37We're all ready, sir.
14:38Go on ahead.
14:39It's too crowded for me.
14:40Yes, sir.
14:47This way, please.
14:55You're welcome.
15:03Right here, sir.
15:04Oh, thanks.
15:09Well, this is all right.
15:11Here you go.
15:12Thank you, sir.
15:22Thank you, sir.
15:43Thank you, sir.
15:47THE END
16:17May I come in?
16:38I guess so.
16:39I just had to look the place over.
16:42You know how it is.
16:43I've been dreaming about these rooms for 20 years.
16:47And I pictured how it might have been.
16:49Sam sitting right there.
16:51Can't you see him?
16:54Well, no, I...
16:55You can't?
16:57Oh, you mean sitting right there.
16:59Mm-hmm.
17:00Oh, yes.
17:02Excuse me, Sam.
17:04Sam and I reserve these rooms for our honeymoon.
17:07Oh, so that's it.
17:09But he thought you needed them more than we did.
17:12Oh, you shouldn't have done that.
17:13I'll get my things together and move right out of here.
17:15Oh, no, no.
17:16Sam wouldn't think of taking them back.
17:18Oh, but really, I don't need all this room.
17:20I...
17:20Oh, it's beautiful.
17:22Do you mind if I look in there?
17:24Why, no.
17:25Go right ahead.
17:26Make yourself at home.
17:27Oh, it's wonderful.
17:33Why did I have to give it up?
17:37Soft.
17:38Soft.
17:48Oh, Sam.
17:54Isn't it lovely?
17:57What did you say, Sam?
17:59Do you really want me to sit in your lap?
18:03Well, if you insist.
18:08Oh, Sam.
18:10You're wonderful.
18:12Oh, stop, Sam.
18:14Stop.
18:15You know I'm ticklish.
18:16Coochie, coochie, cooch.
18:18Oh, stop tickling me, Sam.
18:21Oh, just think, Sam.
18:24After 20 long years, alone at last.
18:29I beg your pardon, lady.
18:30Oh, dear.
18:31We're not alone.
18:33And you're not dressed.
18:35What?
18:35Oh, I'm sorry.
18:37Oh, that's better.
18:40Hey.
18:41Oh, dear.
18:42I'm sorry, Harold.
18:43No clothes.
18:44Well, what are you doing here?
18:50What am I doing here?
18:51What are you doing here?
18:52This is my room.
18:53I beg your pardon.
18:54This happens to be my room.
18:55We'll see about that.
18:56You bet we will.
19:00Hello?
19:01Give me the manager.
19:02Give me my manager.
19:03All right.
19:03Give me my coat.
19:05Whose room is this?
19:06Mine or his?
19:07Yes.
19:07Whose room is this?
19:08Hers or mine?
19:09You don't have to yell in my ear.
19:10I'm yelling in the manager's ear.
19:12Please, please.
19:13One at a time.
19:15What kind of a manager are you?
19:16Yes.
19:17What kind of a hotel is this?
19:18I wanted a room.
19:19I wanted another room.
19:20Yes.
19:20That makes two rooms.
19:21Remember?
19:21Listen, you amity cubit.
19:23When I want anyone to take my lover.
19:24Oh, Mr. Sawyer, I'm afraid we've made a terrible mistake.
19:37The young couple?
19:38Oh.
19:39Shut that.
19:40Just let me handle this, Mr. Potter.
19:42But you see.
19:43Please.
19:43I've been settling other people's affairs all my life.
19:46Haven't I, Emmy?
19:47Yes, but I wouldn't if I were here.
19:49See?
19:50Just dismiss it from your mind.
19:52I ain't never made a mistake yet.
19:54Come, Emmy.
19:56Sam!
19:57Yes, Emmy?
20:00Where did you come from?
20:01Harlem, sir.
20:03Oh, my mistake.
20:04Yes, sir.
20:06We'll see who gets thrown out.
20:17I'm not in.
20:29But?
20:31Don't they ever sweep around here?
20:33What do you mean by hanging up the phone in my ear?
20:36Oh, it wasn't me, madam.
20:37It must have been Mr. Potter, the manager.
20:39Well, then I want to speak to him.
20:40Yes, where is he?
20:41Well, Mr. Potter seems to have disappeared.
20:43Won't I do?
20:44Well, why should I punch you in the nose?
20:46Just one question.
20:47Is that my room or not?
20:49Your room?
20:51Oh, yes, of course.
20:52All right, then throw him out.
20:54Just as you say.
20:55You'll throw who out?
20:56Oh, I just came on duty.
20:59I'm a little confused.
21:00Well, she isn't out of that room.
21:02By the time I've finished eating, you'll get what I've been saving for Potter.
21:05Oh, thank you, sir.
21:09Oh.
21:11Oh.
21:11Oh, Mr. Potter.
21:13What was he saving for you, sir?
21:14The punch in the nose.
21:16Oh.
21:23All alone.
21:25Pardon me.
21:26This way, please.
21:30It didn't work, Sam.
21:32Maybe we could take our bridal suite back again.
21:35Oh, Emmy, you can't be an Indian giver.
21:37Besides, we've got to give them...
21:38Yes, sir.
21:46He's her husband.
21:47Oh, thank you, sir.
21:53Don't you think you better eat something before it gets cold?
21:56Hi, neighbor.
22:00Hi.
22:04But aren't you going to sit with the lady?
22:06What?
22:07Say, what is this?
22:07A hotel or a lonely hearts club?
22:10But I understood that...
22:10That's the point you don't understand.
22:12Thank you very much.
22:13I can take care of my own affairs.
22:15Well, it's just as much my affair as it is yours.
22:17Oh, now, look, lady.
22:18Are we going to start this all over again?
22:20I hope not.
22:23How do you like that guy?
22:25Somebody ought to sock him in a kisser.
22:27With a bat?
22:28Yeah.
22:29Can I have a menu, please?
22:35That guy boils me up.
22:37Well, stop talking and do something.
22:39Go over and sock the big fat.
22:40I think you got an idea.
22:47I don't like your attitude.
22:50What is this?
22:51They don't treat dames that way where I come from.
22:53Well, just where do you come from?
22:55Brooklyn.
22:55And no cracks.
22:56Please, please.
22:57Take it easy, Pop.
22:58This guy's asking for a poke in the nose.
22:59Well, all right.
23:00Let's poke noses.
23:01Oh, yeah.
23:02Oh, yeah.
23:02Oh.
23:10Hey, give me a hand.
23:18Sam.
23:20Feel better, Sam?
23:22I'm all right, Amy.
23:22Just a little dizzy.
23:24Now, now, children.
23:26This is no way to act.
23:27Let's go back and talk it over.
23:28You'll never get me back in that room.
23:31Now, stunning.
23:31Why don't you mind your own business?
23:35Didn't you like the bridal sweep?
23:37No.
23:40All right, you two.
23:44Hey.
23:45Hey, wait a minute, buddy.
23:46Quiet.
23:47You lovebirds will do better in a smaller nest.
23:49You're switching rooms with us.
23:50You don't know what you're doing.
23:51Oh, yes, I do.
23:53But we're not.
23:54Quiet.
23:55The guy's batty.
23:56Come on.
23:57Get moving.
23:57Yes, sir.
23:58Right around the corner, down the hall.
24:00Yes, sir.
24:01No back talk now.
24:02I'll learn you.
24:04Be right back, Amy.
24:06Hurry there.
24:07I should have known you mortals grown the markets here.
24:24La, la, la, la la, la, la, la, la, la, la, la, la, la, la, la, la.
24:31he's crazy all right now why don't you kiss and make up yes come on
24:44that's better i knew all you two needed was a little persuading see you in the morning
24:53hello hello hello manager hello good night good night
25:06oh
25:22ah do not disturb but i live here oh i'm sorry go right ahead thank you why does she mind
25:46her own business emmy yes dear
25:53work emmy they're closer than two peas in a pod nothing will ever split them up now
26:03oh sam you're wonderful emmy oh
26:07oh you're hiding i hope
26:30sam well thanks pal don't mention it oh i was just going out to take a look at the
26:46falls the view is much better from the inside oh it is thank you very much don't tell me
26:54daniel boone is here again yep i'm gonna stay right outside the door until you two make
26:59up
27:01there's only one way to get rid of that guy that's to make him think we're in love
27:07now oh no you don't oh now look lady i don't like this any more than you do well you stay
27:13away from me it's our only chance well all right but you keep your distance don't worry i will
27:18darling uh we've been awfully silly haven't we yes and it took that sweet lovely stranger
27:26to open our eyes i'll never leave you again dear not even wild horses could drive me away
27:33i must have been crazy to think i could ever live even a day without my sweet mansy wansy
27:40kiss me again sweetheart this is wonderful isn't it darling no you have to do better than that
27:48why don't you two get together
27:50uh-uh more like this
27:57hey take it easy you take it easy there that's more like it good night good night well that's not so bad let's try it again get away from me
28:05just as i thought now you two get back together again
28:12you might as well stay together permanently because i'm gonna be right out here all night
28:20all night
28:22all night
28:29all night
28:31well that's what the man said
28:33howdy
28:34howdy
28:35howdy
28:36you looking for something
28:37yes yes i uh
28:39uh
28:40which way are the elevators
28:41back there
28:42oh thank you
28:46is that you dear
29:11yes honey
29:14well i guess
29:15shall we stop
29:16sorry i run out like i did but those kids needed more managing
29:26everything all right now
29:28i got them tucked in for the night
29:29uh-huh
29:39stay awake
29:40shhh
29:44he's getting up again
29:47what do we do
29:48oh the same thing
29:49same thing
29:50sure
29:54well let's put on a real good act this time and maybe he'll go away
29:57well you bet
29:58because in my book of rules two people locked in the same room together all night still have to get married
30:03sure
30:04what
30:05what's the matter
30:06what's the matter
30:07hold on
30:08a second thought this won't do us any good i gotta get out of here good luck
30:13wait don't jump
30:16i'm not gonna jump
30:17i'm not gonna jump
30:22get back there
30:23oh why don't you leave me alone
30:25i'm gonna give you more trouble huh
30:27i'll be right back emmy
30:29oh but sam i
30:30i'll be right back emmy
30:34oh but sam i
30:35you again
30:40yep get back there
30:42get going
30:44why don't you be reasonable mister
30:51you give up hard but i give up harder
30:57you're making an awful mistake
30:59oh no i ain't
31:01yes you are
31:02we're not married
31:04huh
31:05expect me to believe that
31:07you must think i'm crazy
31:09oh no no not much
31:11well then stop arguing and stay put
31:13get in there
31:20back again huh
31:22yeah back again
31:23well why didn't you tell him
31:24did you ever try to talk to a crazy man with a gun that's loaded
31:27what a spot
31:28a crazy man on the outside and you on the inside
31:31hmm
31:46scat
31:47scat
31:48wow
31:57all i need now is to have it start raining
31:59these
32:01the
32:02things
32:06to have it
32:07here
32:08the
32:09the
32:10and
32:11the
32:12and
32:13the
32:14the
32:15and
32:16the
32:17and
32:18the
32:20the
32:21the
32:22the
32:23the
32:24Sweetums.
32:38Sweetums!
32:40Yes, Snookums?
32:41Love me?
32:43Uh-huh.
32:44Do you love me?
32:46Uh-huh.
32:54Are you cold, honey?
33:07Uh-huh.
33:24Honey, do you mind if I ask you something very personal?
33:44Uh-uh.
33:46Have you ever had any trouble with your feet?
33:49Uh-uh.
33:50Did you used to do a lot of walking?
33:54Uh-uh.
33:56Honey.
33:57Yes, ma'am?
33:59Were you born with feet like that?
34:01What's the matter with my feet?
34:03Don't you think they're kind of big for a little girl like you?
34:05No, why?
34:07Well, I was just...
34:12Howdy, folks.
34:14Howdy.
34:17Just passing through.
34:20Good night.
34:21Night.
34:22Good night.
34:24Good night.
34:26Hey!
34:37Are you back, Sam?
34:38Yes, Sammy.
34:39And this time for good.
34:42Good night.
34:52Sam, oh stop, oh you didn't shave, but I love your chest the same.
35:13Oh dear, it's you, are you hurt?
35:35No, I'm alright Amy.
35:37Oh Sam, you better get to bed. I thought you were a cat.
35:43A cat?
35:44Yes, it got right up there in my...
35:48I can't understand how anybody can be so stubborn.
35:51Don't you think it's about time to forget about them and think about us?
35:54Nope, I can be just as stubborn as they can.
35:56Oh, but Sam, oh dear, I... it's...
36:00I'll out-sit him if it takes all night.
36:03And he's not kidding, so you might just as well relax.
36:06Good night, Amy.
36:07Oh, good night.
36:15Oh, scared!
36:16Oh, it's no use. The guy's got insomnia.
36:25Oh, it's no use. The guy's got insomnia.
36:26Say, he's asleep. Now's your chance.
36:30By the way, what's your name?
36:31Margie Blake.
36:32Margie Blake. What's yours?
36:33Tom Wilson.
36:34Tom Wilson.
36:35What's your name?
36:36Margie Blake. What's yours?
36:38Tom Wilson.
36:39Tom Wilson.
36:44He's asleep. Now's your chance.
36:57By the way, what's your name?
36:59Margie Blake. What's yours?
37:01Tom Wilson.
37:05Well, I'll be seeing you. So long.
37:09Bye.
37:14Oh, good morning, sir.
37:20Good morning.
37:21I guess it seems a little odd to hear.
37:23I understand. Just a lover's quarrel.
37:25Perhaps I can help.
37:27Oh, no.
37:29Maybe you can.
37:31Right this way, please.
37:34There you are, sir.
37:35Thanks, buddy.
37:36Anybody home?
37:37Oh, hello. Did you forget something?
37:39Yes, you.
37:40See who I've got here with me?
37:41This is Dr. John Foster and Mr. Clark, the witnesses.
37:43Witness?
37:44Sure.
37:45Oh, I forgot to tell you.
37:46I've decided to marry you.
37:48Well, of all the nerve, you've decided to marry me.
37:51I like that.
37:53Well, what's the matter with it?
37:55Nothing.
37:56Except I hardly know you.
37:57I've never even told you I liked you.
37:59You haven't even proposed.
38:00You mean I've got to marry you and propose to you, too?
38:02Well, it is customary.
38:04Oh, that kind of makes it tougher.
38:06I've never done this before.
38:08Do I have to do it, doctor?
38:10Mm-hmm.
38:11Okay.
38:12Here goes.
38:13Darling.
38:14Darling.
38:15Look.
38:16How would you like to file your income tax with mine?
38:17And have a little exemption running around the house?
38:22I mean, if you haven't got anything better to do today, how would you like to change your name to mine?
38:29Oh.
38:30Oh.
38:31Well, why do you say we just get married, huh?
38:32No.
38:33And no girl would after that proposal.
38:34I guess it was pretty bad.
38:35Well, it was terrible.
38:36Can't blame a fella for trying.
38:37Well, so long.
38:38So long.
38:39Sorry I bothered you, doctor.
38:40Hey, I guess you're right at that.
38:41No reason to go away mad, is there?
38:42No reason to go away mad, is there?
38:44No reason to go away mad, is there?
38:46Well, I'm sorry.
38:47I'm sorry I bothered you, doctor.
38:49Hey, I guess you're right at that.
38:51No reason to go away mad, is there?
38:53Well, doctor says to show that there isn't any hard feelings, we ought to kiss each other goodbye.
39:00If that's what the doctor ordered, I...
39:01Oh, yeah.
39:02Yeah, that's what the doctor ordered.
39:03Oh, yeah.
39:04Yeah, that's what the doctor ordered.
39:06Do you, Thomas Wilson, take this woman to be your awfully wedded wife?
39:10Morning, officer.
39:11Good morning.
39:12Will you tell Miss Blake her car is here?
39:13Well, there's no Miss Blake registered.
39:14There's no Miss Anybody registered.
39:15They're all Misses's.
39:16She's here.
39:17Checked in last night.
39:18Oh, well, it must be a mistake.
39:19No.
39:20No.
39:21No.
39:22No.
39:23No.
39:24No.
39:25No.
39:26No.
39:27No.
39:28No.
39:29No.
39:30No.
39:31No.
39:32No.
39:33No.
39:34No.
39:35No.
39:36No.
39:37There's no mistake.
39:38I brought her here myself.
39:39Blonde hair, blue eyes, about five foot four, and a red sport coat with...
39:42Big buttons?
39:43That's right.
39:44Oh, you mean Mrs. Wilson.
39:46No.
39:47I mean Miss Blake.
39:48You mean she isn't married?
39:50No.
39:51She isn't married.
39:52Sure?
39:53Certainly, I'm sure.
39:54Not married.
39:56Front.
39:57Front, boys.
39:59Boys, go up to the fourth floor bridal suite and throw those impostors out.
40:02Yes, sir.
40:03Yes, right away.
40:04I've been divorced.
40:05I hope you'll always be very happy.
40:07Oh, thank you, sir.
40:08I must be in the bedroom.
40:09Oh.
40:10Well, who are you?
40:11Boy, there must be some mistake.
40:12There is, and you made it.
40:13But, but what do you want?
40:14Is something burning?
40:15Yeah, the manager.
40:16Here, let me down.
40:17Oh, please, please be calm.
40:18Be calm?
40:19I thought this was a respectable hotel.
40:20It is, madam.
40:33I assure you.
40:34Well, gee whiz, what's my mother going to say when she hears about this?
40:36Let me down, let me down.
40:37Turn me loose.
40:38Wait, wait.
40:39Put me down.
40:40This is the Sawyers.
40:41You're darn right it's the Sawyers.
40:42Wait, wait, wait. Put me down!
40:44Put me down! This is the Sawyers.
40:46You're darn right it's the Sawyers. What does this mean?
40:48Where did you get these people?
40:49In the fourth floor bridal suite.
40:51But I thought you gave up the bridal suite.
40:53We did.
40:54But we took it back again.
40:55Then that young couple must have left the hotel sometime during the night.
40:58See, there's nothing to be upset about after all.
41:01Now just relax, everybody.
41:03Congratulations, Mr. Sawyer.
41:05You saved the reputation of the Fallsview Hotel.
41:08Reputation?
41:09Those people weren't married.
41:11Not married?
41:13Sam, they weren't married.
41:15Come along, Amy.
41:16Well, aren't you gonna tell him?
41:18Don't you realize?
41:19I realize you stuck your big nose in once too often.
41:21Shh, shh.
41:22Two wrongs don't make a right.
41:23Amy, please.
41:24You've got to tell him. It's the only honorable thing to do.
41:26Tell me what?
41:27Well, you see, I...
41:28Never mind. I'll tell him.
41:29Now, Mr. Potter, when I took back our bridal suite,
41:31I put that young couple in our room.
41:33You...
41:34Then they're still in the hotel?
41:35That's right.
41:36Mr. Sawyer, your meddling has aided and abetted in the ruination of this hotel.
41:40Oh, Sam, you ought to be ashamed of yourself.
41:43There they are now.
41:45Boys, boys.
41:46Young man, you've deceived me.
41:48I what?
41:49Throw them out.
41:50Hey, what's the matter?
41:51What's the matter?
41:52Stop!
41:53Throw them out.
41:54Hey!
41:55Hey, what's the idea?
42:01And stay out.
42:03Hot-headed little fella, ain't he?
42:05I don't get it.
42:06I think I do.
42:07Yeah, I think I do, too.
42:10Excuse me.
42:12Well, that's how it happened.
42:14It's a bad habit sticking your nose in other people's business.
42:17But that's the way I am, and I guess nothing will ever cure me.
42:21Oh, I wouldn't say that.
42:24I'm going to start minding my own business before it's too late.
42:30Too late.
42:31Too late.
42:32Oh, okay.
42:33Here's a good idea.
42:34you two of these!
42:37Come in here!
42:46What is this ν οΏ½μ dinero?
42:47Come in here!
42:48Ask me that I'll be watching.
42:49Hey, Johnny.
42:50Come in here!
42:51Yeah.
42:52Well, it's very cold.
42:54Yok!
42:55I'll enjoy it.
42:56I'll be watching the quarrel.
42:58Der!
42:59ΒΆΒΆ
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