La famiglia Santangelo, composta da Domenico Santangelo, sua moglie Gemma Cenname e la figlia di lui Angela Santangelo, è stata uccisa nell'abitazione a Fuorigrotta la notte tra giovedì 30 e venerdì 31 ottobre 1975. Non fu risparmiato neppure il loro cane, soffocato con una coperta. Le indagini, più volte riaperte, sono state di volta in volta nuovamente archiviate. #BluNotte #CarloLucarelli #ColdCase #Crime #TrueCrime #Giallo #CronacaNera
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00:00Music
00:58Music
01:13What we are about to tell is a story of pure and simple horror.
01:18A mystery of course, and also a locked room mystery, a detective story, but a terrifying and frightening one.
01:24There is blood in this story, a lot of blood, and a blind violence that seems to have nothing human about it, even
01:31if it takes place in a calm and quiet environment.
01:34A quiet apartment in a middle-class building in Naples.
01:38For what happened, for the people, for the atmosphere, a story like this could have been written by
01:44Beppe Ferrandino in his Pericles the Black.
01:47And yet it really happened, and it is the most terrifying thing you can imagine.
01:51It happened in Naples, at Via Caravaggio number 78.
01:56It is October 29, 1975.
02:00Music
02:13That apartment on Via Caravaggio has been silent for nine days.
02:21The phone has been ringing unanswered for nine days on the fourth floor of that 1960s-style middle-class building.
02:27This is usually not the case.
02:29Three people live in that apartment.
02:32Domenico Sant'Angelo, known as Mimmo, his wife Gemma and their daughter, Angela.
02:36And there's also a dog, a little dog named Dick.
02:39The Sant'Angelo family comes and goes, participates in the life of that condominium, goes to visit relatives, Angela goes out with
02:45engaged and instead no.
02:47For nine days, silence. Total silence in that apartment.
02:51Why? What happened?
02:54The first to be seriously worried is Gemma's nephew, Mario Zarrelli.
02:59On Saturday 8th November, around 8pm, Mario goes to the police, he goes to the flying squad, to report that strange
03:06and a very long silence.
03:07The police went to Via Caravaggio with him and found the apartment door locked.
03:13So the firefighters had to be called, and they had to come through a terrace, force a door, and enter the apartment.
03:20The lights? All the lights are off, as if the power went out or someone turned off the meter.
03:28Perhaps the Sant'Angelo family left, closed the doors, turned off the lights, and left.
03:34But no, because as soon as the firefighters and the police turn on the electricity, everyone notices that it is
03:40something happened, and something bad.
03:43There's blood on the ground, a lot of blood. Two streaks, one thinner and wavy, running along the length of the
03:49main corridor and from the study ends behind the bathroom door.
03:53The other, much wider and more compact, like a thick brush stroke a meter wide, which starts from the kitchen
03:59and she disappears, too, behind the bathroom door.
04:06What's in that bathroom? What happened in that quiet apartment?
04:11Mario, the nephew of the Sant'Angelo family, the police and the firefighters realize this as soon as they open that door.
04:16door ajar, and the scene they see is one they will never forget.
04:29Inside the bathtub, immersed in blood, there are the bodies of Gemma and Mimmo, and also of the
04:34their dog Dick, all three massacred.
04:36The girl, Angela, is in her parents' bedroom, on the double bed, wrapped in a blanket and a
04:43sheet, massacred, her too.
04:49A massacre. A massacre that the next day the newspapers were calling the Via Caravaggio massacre.
04:55But that massacre is strange. In that apartment there are so many unusual and contradictory traces that they immediately become mysteries.
05:05Those two streaks of blood, the thin one and the thicker one, were produced by dragging Gemma's bodies
05:11and Mimmo in the bathroom.
05:12But why are they so different? And then there are other stains in that apartment, many and strange.
05:19In the living room, for example, there is a large stain on the floor, between the wall and the desk.
05:25And then there's another stain on the switch, the stain of a gloved hand.
05:30And then, still in the living room, there is a pillow, completely soaked in blood.
05:35In the kitchen, on the floor, near the table, there is another large stain.
05:38And another stain is found in the parents' bedroom.
05:42Where is Angela?
05:44They were probably produced from the bodies of the three victims and in fact the blood is theirs.
05:49However, there is another very strange stain found on the windowsill in the living room.
05:55Someone grabbed onto that windowsill, and they did it with bloody hands. Why?
06:01Throughout the rest of the apartment, however, perfect order reigns.
06:07In the kitchen, the table is set with a ready-made macaroni omelette, split in two.
06:12Salami sandwiches, a can of tuna, split in two, is set for dinner for two people, Mimmo and
06:18Gem.
06:19Because Angela is in her room, in her pajamas, writing a letter to her boyfriend.
06:25She doesn't have dinner because she doesn't feel well, as the doctor who visited her that morning will testify.
06:30A quiet scene, an ordinary day in the life of a family.
06:34Nothing that would suggest a massacre.
06:52The massacre, however, did take place.
07:22The massacre, however, did take place.
07:37The massacre, however, did take place.
08:21The massacre, however, did take place.
08:29Mimmo Sant'Angelo was hit in the forehead with a very heavy object, which then continued to hit him, shattering his
08:35the head.
08:37Afterwards, while he was still alive, someone cut his throat.
08:41The same thing goes for Gemma too.
08:43Someone hit her on the head and then slit her throat.
08:47Same treatment also for Angela, who however was stabbed after she was already dead.
08:52The killer's fury did not even spare Dick, the small pet dog,
08:58which was found in the bathtub under the bodies of the two owners.
09:02Who was it?
09:03Who could have committed a massacre like this?
09:05And why?
09:41There is a testimony.
09:43There are some traces and there are some clues.
09:46The traces and the clues.
09:48The only footprints that do not belong to the Sant'Angelo family
09:52They are found on a bottle of whiskey that is found in the living room.
09:56They are difficult to read, however,
09:58and will not belong to any of the people who will later come under suspicion.
10:02But there are more important footprints.
10:05They are printed in blood and are shoe prints, heel prints and a complete hip print.
10:10They are footprints from a size 42 shoe.
10:13And then there are some cigarette butts, without filters,
10:17found in the living room and one found under that window by the bloody maid.
10:23There are also a pair of gloves, rubber ones, found in the bathroom.
10:29The testimony.
10:31The police immediately noticed the absence from the condominium parking lot
10:35of Mr. Mimmo's Fulvia Maranto.
10:37That car will be found ten days later, on November 10th,
10:41noticed by a police patrol near Marciapiede in via Nuova Marina.
10:46The car is locked, has a dead battery, and has no traces of blood.
11:00However, someone swears they saw that car on the night of the crime.
11:05We talked about it with Alessandro Riva and Lorenzo Viganò, who came to Via Caravaggio with us.
11:10Here is Carlo, here we are just over a kilometer from the house on Via Caravaggio
11:16where the triple homicide took place.
11:18Yes.
11:19And right here, in these curves where we are now arriving, in one curve in particular,
11:23an event occurred that was of great importance to the investigation.
11:27So, what happened here?
11:28Well, it happened that that night, the night between October 30th and 31st of 75,
11:32a man may have seen the killer fleeing.
11:35We spoke to this man who told us that that night, around 2am,
11:41he was coming home, taking this very road that we are taking now,
11:44with his 500, and more or less at this height he saw a car appear in front of him
11:50that was coming in the opposite direction, from that side.
11:53It was a sports car, amaranth red in color, which looked like it was being driven by a madman, a drunk.
11:59So much so that he said, this guy must be drunk, he probably went to get drunk
12:03in one of the bars around here, he thought of this.
12:06He even had to step on the sidewalk with one wheel to avoid being hit by it.
12:10from this machine.
12:12And he also turned to look at the license plate number, but he managed to see a number,
12:17then he also forgot.
12:18So, who was in that car?
12:20In that car there was a man, a rather large man, with a big head,
12:24above all, he only remembers this, because he only saw it for a moment.
12:27Maybe this man was the killer.
12:29Who was on board that red Fulvia?
12:31For the Flying Squad and the deputy prosecutor Italo Ormanni who is coordinating the investigations,
12:36that man has a name and a face.
12:39His name is Domenico Zarrelli and he is the nephew of Gemma, the murdered woman.
12:43Domenico is a tall, big boy with a big head of hair.
12:47He's a bit of a wild student, he calls the good life, sports cars and beautiful women.
12:52He spends a lot, he spends 100,000 lire at the time and we are in the 70s,
12:56just for the rent of an apartment where he lives with a beautiful Jamaican girl.
13:02According to the prosecutor's office, he is in deep debt and is always on the hunt for money.
13:06But is this enough to make him the monster of Via Caravaggio?
13:10How does Domenico enter the investigation?
13:12Lorenzo Viganò went to ask Domenico Zarrelli himself,
13:16who is now a lawyer at the Naples Bar.
13:18Lawyer Zarrelli, for several years you have been considered by the newspapers and the police
13:24the monster of Via Caravaggio.
13:25How did he get involved in that murder?
13:29I heard about this crime by reading the newspapers, because although one of the victims
13:36if it were my aunt, at that time I had a particular life, I wasn't with my family,
13:41I was minding my own business, it was Sunday, reading the newspaper, lunchtime,
13:46I read this fact.
13:47I immediately rushed home, only because of my mother's reactions,
13:51who I knew was very attached to her sister, she was the only one who hung out with her sister,
13:56you find out about it.
13:58Then after that we were called to the police station, like all the relatives, to enter the declarations.
14:03and I realized that something was wrong, for the simple reason that they made me wait
14:074-5 hours in a room with three beautiful mirrors.
14:14Well, look at them, I don't like them, I don't like the fact that I'm here either,
14:19and then you find out that they had actually made me see it through one of their pseudo-witnesses
14:25which would have crossed paths with the car that had belonged to the owner of the house on the evening of the crime
14:31and they showed me from this gentleman that from that moment on perhaps remained in fruit,
14:35It is possible that the person who quickly crossed paths could have been Zarrelli,
14:39which was then something that was dismantled only in the second degree, that is in the first trial
14:45before the appeal court, because an experiment was actually carried out in Via Caravaggio
14:49in which it was calculated that in the Fulvia, which is a car with a rather high seat,
14:55I was going to hit my head under the sky and there was the glass being careful
15:00I was beginning to be seen only from the nose and chin down.
15:03After that they also took fingerprints because I had a hand that I had hurt.
15:14falling down pushing the broken down car and thinking that they could be the dots that were noticeable,
15:20the dog bite because there was also a dog, they had me do an expert assessment
15:26and the three professors in charge, Professor Giancani was the head of these teams,
15:33he said that the wounds matched the version I had given,
15:39that is, with the fall on a particular type of glass and crumbs
15:45which are found in the cavities of porphyry cubes
15:48and so I thought it was over.
15:50How come, in your opinion, he became the number one suspect?
15:54They hypothesized, given the transport of the corpses, other things that only a person of considerable strength could do.
16:00and since in the family the only one who was of notable strength was me.
16:05And for another thing too, they said, the absurd hypothesis,
16:10he made it clear in the acquittal sentence,
16:14that since I was living a wasteful life and therefore needed money
16:17and so I needed money, I got tied up with my aunt,
16:20I had asked him for a loan, my aunt hadn't had to give me the loan,
16:24I got angry and in a fit of rage I hit my husband,
16:27but my aunt was in the kitchen.
16:28Let's imagine where there was the absurdity, because if ever, if it had been, as they said,
16:33the first to be hit, the person I was supposed to argue with was my aunt,
16:36certainly not the husband I didn't know.
16:38The Naples prosecutor's office, however, is convinced.
16:41Against Domenico Zarrelli there is his need for money,
16:44there is his build, his physical strength, his character,
16:48even those wounds he has on his hands and the testimony of that man
16:52who says he saw him aboard that Fulvia Maranto.
16:55These are shaky clues, however.
16:57The wounds on the hands, says Domenico,
17:00he got them by pushing the broken down car and then falling on the asphalt.
17:03His need for money, his debts, his requests for money from his aunt are not proven.
17:09And then he has an alibi.
17:10That evening he was at the cinema, at the Gadir Cinema, to see Amici Miei.
17:14All the movie ushers recognize him, except one who says he saw him, yes, but the next day.
17:20Then there's another little mystery that complicates things.
17:25An anonymous phone call reports that on the evening of November 8th, before going to the police station,
17:30Mario Zarrelli had gone with his wife to his aunt's midwife's office,
17:34from where he had been seen coming out with a small chest.
17:38To a lady, who looks out of the window to ask what is happening,
17:42they say not to worry, that they went to get some papers,
17:46because since the aunt hasn't answered the phone for a week,
17:49in case something bad might have happened to her,
17:52There are some family affairs they would rather not come to light.
17:56The prosecution, however, is increasingly convinced.
17:58And on March 26, he arrests Domenico for the Via Caravaggio massacre.
18:03There's just one detail that doesn't add up.
18:05That footprint number 42.
18:10Domenico, as we said, is a tall, big guy and wears a size 46.
18:14And no matter how hard the experts try, they can't make his foot fit in size 42.
18:20At this point there is a twist.
18:23There is a witness, a traffic policeman,
18:25who remembers seeing a light in that apartment on the fourth floor of Via Caravaggio.
18:30He says he saw her on October 31st, the evening after the massacre,
18:33around 3:30 in the morning.
18:35That light, the prosecution says,
18:38It was lit by a person who entered the apartment to mislead the investigation.
18:42A person who wanted to imprint that number 42 in his blood.
18:47That person, says the Naples prosecutor's office,
18:49it is the monster of Via Caravaggio and Domenico Zarrelli.
18:53He is sent for trial on May 30th.
18:55On May 9, 1978, he was sentenced to life imprisonment.
18:59for the murder of his uncles and cousin.
19:02Case closed.
19:05What did he feel when he was sentenced to life in prison?
19:09When he was sentenced to life in prison I didn't feel much at the time for the simple reason
19:13that I had already convinced myself that I would never receive a redact of absolution.
19:19So I just said this, my brother told me as he was leaving,
19:22I told you, we'll see each other at the appeal.
19:24I was convinced that on appeal he would never have been able to read such a sentence.
19:29And that was my strength.
19:30And there was never a moment when he thought we weren't done?
19:32I never lost faith, never.
19:34Never.
19:35Have I ever lost, let's say, my inner peace,
19:39because certainly being deprived of freedom is already hard,
19:44but many times there is a prison, let's say, of the soul, which is even worse.
19:49From this point of view, I have never felt imprisoned or deprived of freedom.
19:53During the trial, and also in those that follow,
19:57Domenico will be defended by his brother Mario,
19:59who in addition to being the person who first entered the apartment on Via Caravaggio,
20:03He is also a criminal lawyer.
20:06Mario defends his brother with flight and passion and manages to get him acquitted.
20:10The evidence, in fact, doesn't hold up.
20:12The testimony of that man who says he saw Domenico on board the Fulvia Amaranto,
20:17for example, it is not certain.
20:18By the way, Domenico, inside a Fulvia, just fits
20:22and, if he drives with his torso upright, only half of his face is visible.
20:25And then, the possibility of printing fingerprints in already coagulated blood the next day,
20:31that's not certain either.
20:33The alibi holds up.
20:35The motive is not convincing.
20:38On March 6, 1981,
20:42Domenico is acquitted due to insufficient evidence.
20:44In July 1983,
20:47he is fully acquitted.
20:49On March 18, 1985,
20:52the Court of Cassation confirms the verdict.
20:54Domenico is not the monster of Via Caravaggio.
20:58Domenico is not the monster of Via Caravaggio.
21:36The sentence leaves all mysteries open.
21:39Is it possible for one man to kill three like that?
21:42And then, how do you explain those blood stains,
21:45those two very different streaks
21:46and those stains on the windowsill?
21:49How did Mimmo and Gemma's bodies go?
21:51to end up in the bathtub
21:53and Angela's, in the bedroom?
21:55Who committed that massacre?
21:57in that quiet apartment?
22:06There were some leads, according to her,
22:08that were overlooked in the investigation?
22:11In my opinion,
22:13they were not collected
22:15all those clues
22:17that they could have brought
22:18through true knowledge
22:20of people's lives
22:21and in particular
22:22of my aunt's husband's life too
22:25why we wanted to investigate
22:26having had this
22:27only on my aunt's life
22:29and about my aunt's family.
22:31It's true that
22:32almost nothing is known
22:33of what life was like
22:34of the Saint Angel, of the husband,
22:37nor has much been investigated
22:38that they found
22:38some free samples
22:39of which he was a representative
22:41and they didn't even know
22:42what was the company
22:43that's why he did this job.
22:46So it's a sign
22:46which has not been investigated at all.
22:48Despite this
22:49there have been other leads
22:50follow at the beginning
22:51including a runway
22:53which I consider absurd
22:54like mine
22:55which would be the track
22:56of a doctor
22:57I won't name you
22:58who frequented the family
23:00that was said
23:01who had been the lover
23:02of the girl
23:03that he had found for him
23:04he's the boyfriend
23:06to this girl
23:07just to take communion
23:08that maybe
23:08he would have gotten her pregnant
23:09on board
23:10and then
23:10in a moment of anger
23:12at the moment in which
23:13the girl's father
23:14would have done
23:15Meaning what
23:15a crime hypothesis
23:18of the same type
23:19of what then
23:20you can face me
23:21and since I think
23:21which is absurd
23:22it's impossible
23:23that the crime
23:24may have been done
23:25that way there
23:25for technical reasons
23:27for practical reasons
23:27which are easily conceivable
23:29I think that also
23:30this track
23:31it didn't work.
23:32Domenico Zarrelli
23:33he's right
23:34neither do we
23:35we know enough
23:36on this case
23:37we need to examine
23:38the other tracks
23:39and to do it
23:39we need to know everything
23:40on this strange
23:41mysterious
23:42and horrible crime
23:43the city where it takes place
23:45meanwhile
23:45Naples
23:46a crime hypothesis
24:30where it is born
24:31a crime
24:31as horrible as this
24:32where it sinks
24:33its roots
24:34a massacre
24:34so scary
24:43underground perhaps
24:44certainly not on the surface
24:45not in a city
24:46beautiful like this
24:47certain crimes
24:49must be
24:49like certain plants
24:50bad
24:50that sink
24:51their roots
24:52in the deep
24:53where it doesn't reach
24:53the light of day
24:54like certain thoughts
24:56that are born
24:56in the blackest part
24:57of the heart
25:18underground
25:18in the dark
25:19in silence
25:20or maybe not
25:21maybe even underground
25:23a city can be
25:24beautiful and evocative
25:24as above
25:25it can be like a large cellar
25:27that does not hide nightmares
25:28and demons
25:29but keep thoughts
25:30memories
25:31and memories
25:52and then where does it originate?
25:54a crime like this
25:56Perhaps
25:56it was born there
25:57where the cities
25:58they forget
25:58of themselves
25:59where they stop
26:00to think about oneself
26:01and so they stop
26:02to exist
26:02they let themselves rust
26:04until they are born
26:05like weeds
26:06even bad thoughts
26:16but maybe not
26:17even this is not enough
26:21certain cities
26:22cities like this
26:23they remain beautiful
26:24even when they are abandoned
26:25even when I'm in the dark
26:27even when illuminating them
26:28there is only a reflection
26:29on the sea
26:30at night
26:31and then
26:32where a crime is born
26:33like this
26:33it is born in the hearts of the people
26:35only there
26:36the cities
26:37cities like this
26:38they have nothing to do with it
26:50what can you tell me?
26:51on the crime house
26:52we entered
26:53we have
26:55we entered
26:55we entered
26:56in some apartments
26:57we saw
26:58how they were
26:58some apartments
26:59how old they were
27:00at the time
27:01that is, they remained
27:01the same
27:02others instead
27:02they were broken up
27:03why the apartments
27:04they are all quite large
27:06originally
27:07they are about 180 square meters
27:08as was the case with the crime
27:10Yes
27:11among other things
27:13the thing is
27:14those who remember it
27:15and they remember it
27:16just like
27:16a real trauma
27:18like a shock
27:19about the people who remained
27:20really traumatized
27:21that they remember
27:22the thing about bodies
27:23etc.
27:24as far as it concerns
27:25the family
27:26it was a family
27:27reserved
27:28so we don't know
27:30it is not possible to know
27:31In short
27:32they made life
27:33in a fairly good way
27:35contained
27:36In short
27:38even the same daughter
27:39Angela herself
27:40who was 19 years old
27:42at the time
27:42it was a little different
27:45from people
27:45of his age
27:46had matured before
27:48because she had died
27:49the mother
27:49he had started working
27:50so even some
27:52people who had
27:52some girls
27:54of that time
27:55which they had more or less
27:55at Angela's age
27:56with whom we spoke
27:57they told us
27:57that maybe they were going
27:58at his birthday party
27:59but then they didn't have
27:59a real relationship with her
28:01precisely for this reason
28:02and let's not forget
28:03also another fact
28:04that she worked
28:05unlike others
28:06her friends
28:07for which
28:09he did everything
28:10he made people believe
28:11that she was
28:11more mature
28:12and already more grown up
28:14of the others
28:15it's there
28:16in that anonymous condominium
28:1760s style
28:18where the family lives
28:19Saint Angelo
28:20him
28:21Mimmo
28:21he is a former captain
28:22long-term
28:23he is a former administrator
28:24of the Lauro villages
28:25after retiring
28:27from the navy
28:28she started doing it
28:29representative
28:29for a company
28:30of oil
28:30and detergents
28:31of which however
28:32the prosecutor's office
28:33he can't do it
28:33to find the name
28:34there is a sentence
28:36of the court
28:36about past life
28:37by Mimmo
28:38which defines it
28:3950 years
28:39of dark life
28:41Mimmo
28:41he got married
28:42then she divorced
28:43and he remarried
28:44with Gemma
28:45Gemma Cennamo
28:46who is an obstetrician
28:47from his first wife
28:48Mimmo had
28:49a daughter
28:50Angela
28:50that at the moment
28:51of the murder
28:52he is 19 years old
28:53Angela works
28:55to Lina
28:55like the mother
28:56who is dead
28:57about Angela
28:59maybe we know
29:00something more
29:01compared to his
29:02mysterious
29:03and a bit of a strange family
29:04maybe we can
29:05imagine something more
29:06she's engaged
29:07Angela
29:08he's about to get married
29:09and he's about to do it
29:10with a boy
29:11named Nicola
29:16when she is killed
29:17Angela
29:18in the parents' room
29:19in pajamas
29:20because he doesn't feel well
29:21and he just wrote
29:22a letter to her boyfriend
29:23in his diary
29:24I'm closing
29:25why they were made
29:2610.30pm
29:27and I hope
29:28to be able to sleep
29:29I'll start again tomorrow
29:36this is who Angela was
29:37a girl in love
29:39who was waiting for the next day
29:40to start texting her boyfriend again
29:42a few hours later instead
29:43will be massacred
29:44by whom?
29:46some witnesses
29:48tells of a strange climate of tension
29:50what was in that house
29:51Gemma for example
29:52she was restless
29:53she was tense and perplexed
29:55towards her husband
29:56of his earnings
29:57not better identified
29:58of the people he frequented
30:00and that he received at home
30:01and that she didn't like
30:02together with a friend
30:04she had gone to the bank
30:05to get a safety deposit box
30:07where she had placed the jewels
30:09and in which he would have liked to put
30:11even the silverware
30:12and valuable linen
30:15Gemma then
30:15he had confided in someone
30:17who was afraid
30:18to end badly
30:19she wasn't the only one
30:20to be worried
30:22It seems Angela was too
30:24we have to share it
30:25with the testimony
30:26of an employee
30:28of the Inam
30:28where he worked
30:29the daughter
30:31of this boy
30:31a certain Dr. Madonna
30:32which says that
30:33having seen his girlfriend
30:35worried
30:35he had asked him
30:36because she was worried
30:37he says but what is the blow
30:38of your boyfriend
30:39he says no that's a poor idiot
30:40a good boy
30:41it's your family's fault
30:42and who ever sees them
30:44he says then
30:45why are you so worried
30:46maybe you'll get married soon
30:47there is an engineer
30:49there is an engineer
30:50you will see it
30:51I died slaughtered
30:52this is for others
30:53this is the process
30:54At that time
30:54since this
30:55he had qualified
30:56engineer
30:56he had frequented the family
30:57had rented
30:58this farmhouse
30:58in the countryside
30:59which is found
30:59on the Capo junction
31:01of the Capua highway
31:02then he turned me around
31:03he hadn't heard any more
31:04they had gone
31:04she and her husband
31:06to open
31:07they had only found
31:07of the camp beds
31:08of the instruments
31:10let's say
31:11glass
31:12stills
31:13other
31:13they had turned to
31:15to my brother Mario
31:16so we know
31:17this fact
31:18brother Mario
31:18he said
31:18listen, do the best thing
31:20change the bolt
31:21regain possession
31:22I throw everything in the countryside
31:23this stuff
31:24that you found
31:24Don't worry
31:25after not even 4-5 days
31:26my aunt called
31:28says Mario
31:28Don't worry
31:29Everything OK
31:30if you saw it
31:30mimicry
31:31he's seeing her
31:31mimicry
31:32which would be in the moment
31:33nothing more probable
31:34that we have come
31:35aware of Sreddi
31:36that could not be known
31:38as he
31:39it's not that he was very well
31:40because it's so true
31:41he needed
31:41to resort to his daughter
31:42for loans
31:43why did he come out
31:44in the daughter's diary
31:4610,000 to dad
31:4720,000 to dad
31:48and others
31:49like my beauty
31:50they believed
31:51to be able to
31:52of having taken
31:53the lottery
31:53to be able to
31:54make money
31:55without knowing
31:55that that one
31:56it's a thing
31:57a little dangerous
31:59they asked for something
32:00and they went to bring them to him
32:02instead of money
32:03they received death
32:04who is the monster
32:05of Caravaggio Street
32:06how can it
32:07a single person
32:08kill three
32:09in that way
32:09what happened
32:11Truly
32:11in that apartment
32:12on the fourth floor
32:12and how are they explained?
32:14all those mysteries
32:15those two stripes
32:16of blood
32:16so different
32:17those bodies
32:18in the bathroom
32:19that girl
32:19on the bed
32:20and those stains too
32:21on the windowsill
32:22of the window
32:24let's go to the forensic sciences
32:25from Bologna
32:26and let's go ask
32:27to the commissioner
32:27Silio Bozzi
32:28some explanation
32:29on all that horror
32:45Carlo for me
32:45this is one
32:46of the miscides
32:46more monstrous
32:47that I have ever seen
32:48Certain
32:49this is a real one
32:49and a real massacre
32:50I ask you right away
32:51one thing
32:51how many there were
32:52to make a massacre
32:53of this kind
32:55the first thing
32:56which I thought about
32:56it was this
32:57so more people
32:58who attacked
32:59and so they were able
33:00to surprise the victims
33:01which were located
33:02in quite distant places
33:04inside the apartment
33:05but then
33:06looking carefully
33:08the modus operandi
33:09it is the uniqueness
33:12of the means
33:13of aggression
33:14of attack
33:15here I am convinced
33:16that only one
33:16he was the aggressor
33:17only one
33:18only one
33:19who acted
33:20in this apartment
33:21as you see
33:22it's very big
33:22with a structure
33:24a distribution
33:25of spaces
33:26almost labyrinthine
33:27let's analyze it carefully
33:28this apartment
33:29large apartment
33:31this is the place
33:32where he was killed
33:33the father
33:34Yes
33:35Here you are
33:35father
33:38mother
33:38Daughter
33:39let's repeat
33:40just obsessively
33:41incredible
33:42Look
33:42look how far away they are
33:43the place
33:44where he was killed
33:45the father
33:46and the place
33:46where she was killed
33:47the mother
33:48for the daughter
33:49No
33:49I'm closer
33:50Look
33:52to let in
33:53the killer
33:53was
33:54the father
33:55why do you say this
33:56because the father
33:56I say this for a reason
33:57very simple
33:58because examining
33:59the clothing
34:00of the victims
34:00the mother
34:01was contained
34:02purely as a housewife
34:03with the water bag
34:05some hot water
34:07in the kitchen
34:08the daughter was in her pajamas
34:10really
34:10the daughter was in her pajamas
34:11and he was in the room
34:12double bed
34:13maybe he wouldn't even have heard
34:14Here you are
34:15who was knocking
34:16so the only one
34:17which could open
34:17he was the father
34:18the father
34:18opens to the murderer
34:20at a certain point
34:21they drink
34:21so they come back
34:23in the study
34:24and at this point
34:26of the study
34:26in this narrow area
34:27so between the
34:30this board
34:31the armchair
34:32so the desk
34:33there was the first attack
34:35sudden
34:36sudden
34:37assault occurs
34:38in a brutal way
34:39I would say almost archaic
34:40that is, grasping
34:41and probably
34:41choosing an object
34:42and hitting
34:43and surprising
34:45the father
34:47to the head
34:47the father
34:48that falls
34:49almost immediately
34:51immediately
34:51in my opinion
34:52attack
34:53Therefore
34:53and takes
34:54the little dog
34:55and suppresses it
34:56the dog is eliminated
34:57right away
34:58together with his master
34:59I really think so
35:00I really think so
35:01the killer
35:02still has
35:03in the hands
35:04then he brandishes
35:05the object
35:06with which he has
35:07stunned
35:08the father
35:09then he goes out
35:11go past the entrance
35:12overcomes
35:13this other one
35:14this other door
35:16Here you are
35:16and enters the corridor
35:17at this point
35:18the apartment
35:19it's perfectly silent
35:21here it is
35:22the mother
35:23in the kitchen
35:24in the room
35:25double bed
35:26the daughter
35:26sick
35:27Here you are
35:27the killer
35:28go immediately
35:29silently
35:30in search
35:31of the next victims
35:32why can't he
35:33leave witnesses
35:33it's started now
35:35the massacre
35:35and he has to finish it
35:37Here you are
35:37hallway
35:39hallway
35:40Here you are
35:40which has a
35:41a structure
35:42elbow-shaped
35:43Yes
35:43in my opinion
35:45he goes
35:46in the kitchen
35:46the second victim
35:48she is the mother
35:49that is hit
35:51in the same way
35:51surprise
35:52in the central area
35:53of the kitchen
35:53here near the table
35:54surprise
35:55from these blows
35:56very violent to the head
35:57and the mother
35:58stay here
35:59collapsed
36:00then stretched out
36:01in the kitchen
36:02third victim
36:03the daughter
36:05because the daughter
36:06because the daughter
36:07I say the daughter
36:08Why
36:09if it's true
36:09that the daughter
36:10he couldn't hear
36:11Nothing
36:11of the first attack
36:12that is, the one that happened
36:13to the detriment of the father
36:14must certainly
36:15to have heard
36:15something
36:16the thud
36:17the fall
36:20of the body
36:21of the mother
36:22had in the kitchen
36:22may have heard
36:23something
36:24Yes
36:24indeed certainly
36:25he heard
36:26something
36:26so it's easy
36:27think that it is
36:28raised
36:29here it is directed
36:30towards the door
36:30opened the door
36:32Certain
36:32and he found himself
36:33in front of
36:34to the murderer
36:35in fact that's where it comes from
36:35hit near the door
36:37she gets hit
36:37Here you are
36:38another detail
36:39in my opinion
36:39significant
36:40this is it
36:41That
36:42even though it comes from
36:43coming from the kitchen
36:44the killer
36:45he doesn't have the knife yet
36:47he doesn't have the knife yet
36:48and I deduce this
36:50from a very simple thing
36:51that if he would not have used
36:52Certain
36:53instead continue to use
36:54the blunt instrument
36:56instead continue to use
36:57that mysterious object
36:58and crashes
37:00the poor girl's head
37:01which in fact fell
37:03at this point
37:03in fact it widens here
37:04the pool of blood
37:05Certain
37:07what happened next?
37:10Here you are
37:10at this point
37:12all three
37:13the victims
37:13so they are stunned
37:15and in the apartment
37:16silence falls again
37:18absolute silence
37:19at this point
37:20what does the killer do?
37:21this will be a constant
37:22of his actions
37:23it always comes back
37:24where did it start?
37:25Certain
37:26then started again from the father
37:28No
37:28before starting again from the father
37:31we are in the kitchen
37:32then he goes to the kitchen
37:33to look for the knife
37:35because it always follows
37:36a method
37:38chilling
37:39shiny
37:39determined
37:40crazy
37:41then he goes to the kitchen
37:43and from this moment on
37:44yes it starts again
37:45where did it start?
37:46so he has the knife
37:48in the hands
37:48he probably posed
37:49the other object
37:51which was used to accomplish
37:52the first phase of the attack
37:54and he has the knife
37:55with the knife
37:56start again
37:57where did it start?
37:58Therefore
37:58hallway
37:59entrance
38:00back in the studio
38:01and here
38:02cut the throat
38:04to the father
38:05using a precaution
38:06then covering himself
38:07so to protect themselves
38:08from the blood spatter
38:09then covering himself
38:10with a pillow
38:11who found
38:11on this armchair
38:12on one of these two armchairs
38:14cut the throat
38:15to the father
38:15at this point
38:17maniacally
38:18obsessively
38:18go back
38:20then entrance
38:21hallway
38:22hallway
38:23Kitchen
38:23cut the throat
38:24the mother
38:25retrace the corridor
38:27goes where
38:28the body lies
38:29of the girl
38:30then cut the throat
38:31to the girl
38:33at this point
38:34all three victims
38:35they died
38:39what does he do?
38:40then come back
38:41This
38:41this order
38:43this method
38:43monstrous
38:45retrace the corridor
38:47entrance
38:48again
38:48at the studio
38:49for the umpteenth time
38:50in the study
38:51returns
38:52it begins
38:52the action
38:53of dragging
38:54of the corpses
38:55Here you are
38:56in this way
38:57drags them
38:58entrance
38:59hallway
39:00etc.
39:01let's see
39:02what characteristics
39:03he has this
39:04dragging
39:05that is, which streak
39:06of blood
39:07causes
39:08this dragging
39:09we reproduced
39:11with great
39:12fidelity
39:14the consequences
39:16of this
39:16dragging
39:17Here you are
39:17it's a trail
39:18of blood
39:19a streak
39:20blood
39:20Enough
39:21modest
39:22with regard to
39:23the blood spilled
39:25there's some dripping here
39:26sign that
39:26something
39:27as a part
39:28of the body
39:28it was elevated
39:30Here you are
39:30so he was dragged
39:31I think that
39:32to be dragged
39:34were the legs
39:35I think so
39:36Why
39:36in his
39:38hyperrationality
39:39the killer
39:40had to
39:41necessarily
39:41hold the part
39:42bloody
39:43then bleeding
39:44from which it emerged
39:45the blood
39:45as far away as possible
39:46in this way
39:47then drag
39:48very slowly
39:49probably
39:50going backwards
39:51Here you are
39:52in this way
39:54but
39:54halfway down the corridor
39:56there's a hitch
39:56something happens
39:57let's go and see
40:00Here you are
40:00in this case too
40:01we reproduced
40:02with absolute fidelity
40:06the morphology
40:07of this strip
40:08Here you are
40:09halfway down the corridor
40:10something happens
40:11his grip slips
40:12probably
40:12In short
40:13Is there an intermission
40:14or
40:14something happens
40:15for which the murderer
40:16must stop
40:16Here you are
40:17he stops naturally
40:18the body too
40:20of the victim
40:20and here we see
40:21This
40:21to expand
40:22of this stain
40:23Here you are
40:25rearrange
40:26the grip
40:26and it starts again
40:27this tragic
40:28dragging
40:29and the dragging
40:31continues
40:31up to the bathroom
40:34so where then
40:35the body
40:36the remains of the little dog
40:38and the body
40:38of the father
40:40they come
40:40deposited
40:42in the tub
40:42bathroom
40:43as we know
40:45let's see what he does
40:46After
40:47Here you are
40:47we're going back
40:48to the scheme
40:51initial
40:52Here you are
40:53this is
40:53the scheme
40:54which reproduces
40:55the tracks
40:56of the draggings
40:57Here you are
40:57we saw
40:57hallway
40:58break
40:59stopover
41:01Now
41:02must drag
41:03the other one too
41:03body
41:04lifeless
41:06that of the mother
41:07Here you are
41:08back to the kitchen
41:10back to the kitchen
41:11and here
41:12something happens
41:12very strange
41:13something of
41:14enigmatic
41:15which is difficult
41:16explain
41:17in a manner
41:19instinctive
41:22drag
41:23the body
41:23of the mother
41:24and yet
41:24we don't have
41:25a trail
41:25similar
41:26to that one
41:27provoked
41:28from dragging
41:29of the body
41:29of the husband
41:30we have a situation
41:31very strange
41:32enigmatic
41:33we have two bodies
41:34which present
41:35the same injuries
41:36in the same places
41:37but the dragging
41:38of a body
41:39that of the father
41:40specifically
41:40causes
41:41a trail
41:42subtle
41:42uncertain
41:43like a break
41:44we saw
41:44that of the mother
41:45causes a trail
41:46wide
41:47more than a meter
41:47compact
41:48uniform
41:49that slips
41:50and describes
41:50this curve
41:51and it goes out
41:52so it ends
41:53at the feet
41:54of the tub
41:54bathroom
41:56how is it possible
41:57Exactly
41:57why that trail
41:58it's wider
41:59of that other one
42:00for a reason
42:00very simple
42:01I remember you
42:02of that difficulty
42:02the fall
42:03of the body
42:04that shot
42:05that stop
42:05the killer
42:07had
42:07this difficulty
42:08and he wanted to fix it
42:10exploiting
42:10all that
42:11who found
42:13within
42:13of the apartment
42:14he did something
42:15very simple
42:16hyperrational
42:16in this case too
42:17return to the same character
42:18hyperrationality
42:19then he takes the body
42:21of the woman
42:22and he fixes it
42:23on a blanket
42:24a plaid he found
42:25in the kitchen
42:26which as we have seen
42:27the hot bag
42:29some hot water
42:30he is testifying
42:31the woman was cold
42:33it was cold
42:34it was November
42:35so he had a plaid
42:36he sees it
42:37he exploits it
42:38he uses it
42:38he lays it out
42:39and places you
42:40above
42:41the body
42:42to drag it
42:43Certain
42:43and then the plaid
42:45causes that streak
42:46the plaid
42:46which is completely
42:47soaked in blood
42:48then soaked in blood
42:49try this trail
42:50wide
42:51uniform
42:52and so
42:52carrying it
42:53the killer
42:54he doesn't even have to
42:54take the risk
42:55to crush
42:56leaves
42:57Here you are
42:58what happens next?
42:59after it happens
43:00that the murderer
43:01continue to respect
43:02his order
43:04his method
43:06Yes
43:06And
43:09drag
43:09the body
43:10of the girl
43:11he puts it on the bed
43:12and then wraps it up
43:12between the sheets
43:14covers
43:15so as to
43:15to create
43:16this terrible spectacle
43:18Certain
43:18Here you are
43:19carry the bodies
43:21of the mother and father
43:22in the bathroom
43:22Why?
43:23Here you are
43:24this is
43:24the biggest puzzle
43:26Look
43:27I have an idea
43:28I would have it
43:29Why
43:29what is the reason
43:30that can push
43:31this murderer
43:33who made a mess
43:35inside this apartment
43:36to waste more time
43:37at risk of running over objects
43:39to make yourself heard
43:40Meaning what
43:41from the people above
43:42on the side
43:42under
43:43to still be there
43:45soaked
43:46soaked in blood
43:47Therefore
43:48at the risk of trampling blood
43:49Therefore
43:50and get yourself
43:51and leave footprints
43:53Certain
43:53for him
43:55fatal
43:56the only thing
43:58that I think
43:59may have meant to do
44:00so putting
44:01these two bodies
44:02within
44:03of the bathtub
44:04it was that
44:05Of
44:06place them
44:07there
44:07For
44:08to depezarli
44:08that is, tear them to pieces
44:10make them disappear
44:10take them away
44:11make them disappear
44:12it concerned
44:13Meaning what
44:14re-proposing
44:14the same method
44:15Therefore
44:16clearly
44:16they had nothing to do with it
44:17more than two people
44:19more
44:19we said
44:20the poor
44:20that's the little dog
44:21within
44:21of the bathtub
44:22so he
44:24he had prepared himself
44:24that's the ideal place
44:25to accomplish
44:26this monstrous
44:27activity
44:27of depezamento
44:28tear them to pieces
44:29put them in
44:30in suitcases
44:32in
44:33on the stock exchange
44:34and then
44:34work
44:35all night long
44:36clean everything up
44:37but
44:38but
44:38but
44:39something
44:40he interrupted it
44:41someone or something
44:42he interrupted it
44:43he blocked it
44:44he inhibited it
44:44and this is proven
44:46from
44:47another one
44:49photograph
44:56what is this?
44:57Here you are
44:57This
44:58it's the windowsill
45:00of the living room window
45:01these are
45:02the
45:03caused footprints
45:04with bloody fingers
45:05of the murderer
45:06I think a little
45:07it looks out
45:08if something
45:09it bothers him
45:10or
45:10the urgency
45:11to communicate
45:12something else
45:13to another person
45:14probably an accomplice
45:15or he wants to see
45:16what's happening
45:18what caused it
45:18a noise
45:19a reminder
45:19something
45:20that disturbed him
45:21and looks out
45:21leaning out a lot
45:22otherwise he wouldn't have had it
45:24this need
45:25to grasp
45:27All
45:27the windowsill
45:29and then
45:31closes again
45:31there
45:32the window
45:33and this seems to me
45:34may be
45:35a
45:35the test
45:37of an interruption
45:38of something
45:39which disturbed
45:40who has
45:41distracted
45:42the killer
45:42from his action
45:43Certain
45:43the killer
45:45that person
45:46who just killed
45:47with cold and lucid
45:48ferocity
45:48making for three
45:49the same gestures times
45:50it overlooks
45:51at that window
45:52covered in blood
45:53nobody sees it
45:54like in a horror movie
46:04maybe he heard a noise
46:06that window
46:08it opens onto a parking lot
46:09and maybe
46:10he heard some people
46:11who come back home
46:12or there is a car
46:13of the police
46:14or maybe
46:15it's easier
46:16he's waiting
46:17an accomplice
46:17someone
46:18who called
46:19with the phone
46:19a person
46:20which must arrive
46:21to solve problems
46:22a person
46:23which is more lucid
46:24and cold
46:24and less ferocious than him
46:25and believes
46:26that there is no need
46:27to finish that job
46:28to tear to pieces
46:29Mimmo
46:29Gem
46:30and Angela
46:30and take them away
46:31it's enough just
46:33erase the traces
46:34the most compromising
46:35and they do it
46:36but some
46:37they forget it
46:37the footprints
46:38some shoes
46:39cigarette butts
46:40for example
46:41After
46:42just go away
46:43with Mimmo's car
46:44or not
46:45that car
46:46in New Marina Street
46:48he brought it to Mimmo
46:49that day
46:49and there
46:50he left her
46:52the witness
46:53who saw the Fulvia
46:53maybe he was wrong
46:54he saw another one
46:55Therefore
46:56to the murderer
46:57just go down
46:58together with his accomplice
46:59get on the machine
47:00of this man
47:01and disappear
47:02and from that moment on
47:03become a shadow man
47:22in that apartment
47:23of Caravaggio Street
47:24silence returns
47:25but it's a black silence
47:26full of horror
47:27for an unpunished massacre
47:28a massacre
47:30started on a quiet evening
47:32while a family
47:33waiting to go to dinner
47:34and a girl
47:35in pajamas
47:36on the bed
47:37she writes to her boyfriend
47:54thank you all
48:24thank you all
48:51thank you all
49:24thank you all
49:54thank you all
50:16thank you all
50:41thank you all
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