00:12P30
00:17Quando danzi la coreografia di un'altra
00:20rinasci è immagine di chi l'ha creata
00:24I didn't even really have to read a script. The moment that I knew it was Luca who was involved
00:29in directing, I was sold. I would have done anything that he was a part of. He's such a master
00:36at what he does.
00:36I had really no dance training beforehand, so there was a lot to learn, but that's also what I love
00:42about this. You get to learn all these new skills. It was a dream. It really was. It was a
00:47difficult film, but if I could be involved with films like this, with directors like Luca, for the rest of
00:52my life, I'd have been incredibly happy.
00:53He's just my pal, you know, and we're just like a pair of kids in a sandbox. We just have
00:57for a laugh. Well, there's, you know, Thomas De Quincey wrote Suspiria a long time ago, and Dario Argento made
01:04a rocking horror film based on it, and anybody who hasn't seen it should go and look for Dario Argento's
01:10film, and that film really, really kind of got Luca and I going a long time ago. Him when he
01:15was a teenager, me when I was a student, and we've wanted to make a kind of piece of fan
01:20art about it ever since, so this is it.
01:22My, I play a character called Madame Blanc, who's the dance, she's the director of the dance school, and she's
01:29like, she wears this amazing brown dress. I always felt she was a bit like a, yeah, that was helpful,
01:34you know.
01:35Um, the dance language was specifically pronouncing, but I don't look back on it and think it's one challenging thing,
01:47actually, but I'm just really excited about it. It was a very fun one.
01:51There are so many challenging parts of making movies, but it's mostly such a great, fun thing to do that
01:57I don't really like.
02:01I would guess the physical aspect of that, but if I got hurt, it would be annoying.
02:10It's inspiring. He's extremely ambitious, but he also is very methodical and detailed and smart, and he's a real, like,
02:28beacon of hope for me when it comes to filmmaking, and I respect him, and I admire him, and I...
02:34I just love working with him.
02:37I'm a disaster in arrivo.
02:40Climate lại
02:41O
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02:47.
02:48.
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02:49.
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