00:00.
00:12I see that something good hurts.
00:18You hurt me, you hurt me.
00:23I have a friend. I have a friend.
00:26and for my friends, I have to say that I have to do this, so let's go!
00:31It's just what we're trying to avoid.
00:37Okay, Lukasin, you're the same.
00:39Okay, you're the same.
00:40What's good here for you?
00:42No, I don't say good in that sense.
00:44I say good, because we don't have to accept what happens to happen.
00:50From now on, you won't put your hands on your hands.
00:54Is it clear?
00:56I didn't finish.
00:57Don't stop.
00:58I didn't know how to finish.
01:00I don't want to be careful in the police.
01:02Okay, let's finish.
01:05I want you to make a diet.
01:08I love you.
01:10I remember some of them.
01:11Some of them are alive and healthy.
01:13They grow and grow a good child.
01:15And that's it!
01:16What is it?
01:17I don't want you to kill me.
01:19I don't care.
01:20I don't want you to kill me.
01:23Don't want you to kill me.
01:28A rat on the roof.
01:28A rat on the roof.
01:29That's what I say.
01:30A rat on the roof.
01:31Yes, that's what I say.
01:33But in this case, it's a rat.
01:34A rat on the roof.
01:36I'm going to do a child, you understand?
01:38We don't have any obligation to do that.
01:41I'm going to do it.
01:43On other hand, I'm going to do a panchetto.
01:45I'm going to do a child.
01:46She's going to have a child, she's going to live with her.
01:48And I'm free, like a cat, in the summer,
01:51to continue my life.
01:53Wait, what's that woman?
01:55She's a child.
01:56She's a woman.
01:57She's a woman.
01:59She's a woman.
02:01She's a woman.
02:03She's a woman.
02:04She's a woman.
02:05She's a woman.
02:07She's a woman.
02:10Hey, Uroše, hi.
02:12Hi.
02:14What are you doing?
02:17Nothing.
02:18Tell me what you need.
02:20No, nothing.
02:22I'm calling you to thank you for the first payment.
02:25Nothing.
02:27Nothing.
02:29What are you doing tonight?
02:30What are you thinking about tonight?
02:34Sorry.
02:35Sorry.
02:35I can't do it tonight.
02:36I have something else to say.
02:38Okay.
02:40Okay.
02:41We'll hear you.
02:42You have a house, my son.
02:45You have a house?
02:46Who are you?
02:47Who are you?
02:48Who are you?
02:48Who are you?
02:48Who are you?
02:50Who are you?
02:50Who are you looking at?
02:51Did you see?
02:54I'm looking.
02:54I'm looking at him Hauertman.
02:54A.
02:55Is that she moving through the window who may talk about.
03:00I am looking at you.
03:01Come on, on.
03:02Coz I am?
03:02Why was I coming back to my son??
03:05Yes.
03:05I am so fantastic!
03:06Do you know what Kaja told me?
03:12With you? No.
03:15Kaja, Kaja is nothing special.
03:17And she would have been thrown before Noda.
03:20You know who she is, Senka?
03:22You know what she was doing,
03:25while my Mila was alive,
03:27while she was in marriage with Alex.
03:29Just what she was doing with you,
03:33only one.
03:33My mother, it was a past,
03:34but it wasn't a past,
03:35I wasn't a past,
03:35I wasn't a past,
03:36I wasn't a past.
03:40I can't,
03:41I don't allow you,
03:42nothing, nothing,
03:46why?
03:48You're watching me and I?
03:50I really want to see someone who's watching.
03:54That's not correct.
03:56What do you have to do with you?
03:58What do you have to do with you?
03:59What do you have to do with you now?
04:00I don't understand.
04:02Nothing.
04:02I have to go.
04:03We'll see you later,
04:04when the analysis comes out.
04:06Good.
04:07See you, Doctor.
04:08It's nice.
04:08No.
04:14The doctors forgot to...
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