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00:00Welcome to this second compilation of highlights from the latest series. Everyone ready?
00:04Then let's start the show!
00:23Mind the champagne!
00:25OK, there we go. Yeah, Max, Max, Max.
00:31Merry Christmas, everybody.
00:36Merry Christmas!
00:38There you go. Yeah, that's what it is. Are you OK there?
00:40I just had a panic that my fly was down.
00:45I should have checked back there. The tie covers it.
00:50You look me down. No-one's noticed.
00:53It's a warm welcome back to Paul, Jack and Jessie.
00:56A first-time welcome to Michelle de Swart. I'm so glad you're here.
01:04We first met on RuPaul's Drag Race UK.
01:07You were a judge. And the fandom, the people who love that show, loved you.
01:13Did you feel all the kind of Drag Race love?
01:15I did. I did. I absolutely loved it.
01:17Also, I was like, I have trained my whole life for this panel. Do you know what I mean?
01:23I was like, yes, fashion, comedy and judging.
01:27It's your wheelhouse.
01:28Exactly.
01:28And now, are you going to be OK on the couch tonight because...
01:33Michelle has feelings for someone on the couch.
01:36Oh!
01:42Who might that be, Michelle?
01:45Jessie?
01:47If you could just move out of the way, Jack.
01:52Oh!
01:53Oh, my God.
02:01OK.
02:02I am a massive fan and, like, early on...
02:06Sorry, guys.
02:08Like, Tenacious D is like the blueprint of...
02:11If there was a score for my early 20s, it would be Tenacious D.
02:16Oh, my God. Thank you.
02:16Thank you so much.
02:17You kept me so much company.
02:18That was so sweet.
02:20Wow.
02:23I feel I should apologise to Paul because Jessie Buckley also has a Jack Black thing.
02:30What?!
02:32I get it.
02:33I have a Jack Black thing.
02:36There's enough of me to go around.
02:40No, yours is very specific, Jessie.
02:42I, like, say to myself more often than is reasonable, tip it to the side cello.
02:48Oh, yeah.
02:49From School of Rock.
02:50It's a bass.
02:51It's a bass.
02:52Yes.
02:53When do you get to say tip it to the side cello?
02:56I said unreasonably.
02:57Like, there's no reason.
03:00But you live, like, rent-free saying that in my head.
03:05That is sweet.
03:06That line.
03:07I remember, that wasn't in the script.
03:10George Draculius, great record producer, and also, he was in charge of, like, the music
03:15on that movie.
03:17And he threw that to me.
03:18He was like, you should say on this next take, you should say, you play cello?
03:23Tip it to the side.
03:24Cello, it's a bass.
03:25And I just took it straight to my head and ended the movie.
03:28And it is some of people's favourite line.
03:31I feel like we should stop saying lovely things about Jack Black now.
03:34It's been too much.
03:35One more from the shelf.
03:36Well, no.
03:37I did just watch you take one sip of Campari, then take a tea chaser, and then drink some
03:41water.
03:42I don't take compliments.
03:44It's amazing.
03:45You have a tea and a Negroni.
03:47A white tea, a Negroni, and a regular water.
03:50Nice.
03:50With a little bit of morphine drip.
03:54All the food groups.
03:57Now, Timothy, of course, you worked with the great Ron Atkinson.
04:01Yes, I'm Wonka.
04:02No, I worked with the great Ron Atkinson.
04:04Yes, yes.
04:05Wonka.
04:06Say it like this.
04:07Wonka.
04:07Wonka.
04:08Because if it just even vaguely moves towards a different vowel, it's a different, totally
04:12different one.
04:14I was warning you, because it was slightly bit Wonka.
04:17I know, yeah.
04:17And I thought, oh.
04:19That'll get bleeped out.
04:20That'll get bleeped out.
04:21And you played Father Julius, but off screen, you were giving Timothy advice, I hear.
04:25He was giving me a great, you know, he was giving me unaffordable car advice.
04:29Yes.
04:29So, Rowan is an incredible car collector.
04:31I reached out to him.
04:32I, to this day, have not bought a car.
04:34And the references he gave me were wildly out of my league, you know.
04:39I didn't think they were, so I'm sorry that they were.
04:43When you were about 20, you gave me a Lyft in an Aston Martin.
04:48Good.
04:48You, I was about 20, you were 22.
04:51Oh, gosh.
04:52Something like that.
04:53Yeah, that sounds about right.
04:54You had an Aston Martin then.
04:5522?
04:55Yes.
04:56Yeah, I think I did.
04:57I can only imagine the insurance.
04:59It was the only reason that I entered show business was to attempt to buy an Aston Martin.
05:04And I got one quite young.
05:06Yeah, you did.
05:07Very young.
05:07Did you, how did you feel in the experience?
05:10Was it OK?
05:12I thought, to be honest, Row, I thought, what a knob.
05:17I'm so sorry.
05:19I was quite, so I was a big kind of thingy at the time.
05:22I was quite, I just thought, why have you got this huge car at 22?
05:30Why were you in this car?
05:32Because we've known each other since we were about 10.
05:34I mean, it must have been short.
05:36But it was platonic?
05:36It was normal?
05:37It was platonic, I said.
05:40Yes.
05:41Yes, it was.
05:41I wasn't putting out.
05:43Oh, yes.
05:44It was platonic.
05:46Timothy, Timothy, what happened to the beautiful Chalamet locks?
05:49They're all gone.
05:50Yes.
05:50They've been stolen.
05:51How long, how long have they been missing?
05:54Since June, June 25th.
05:55Did you put them on eBay?
05:57No.
05:59Somebody could have stuffed a cushion with them and made a lot of money.
06:02I didn't think of that.
06:04Did they just throw the Chalamet locks away?
06:08You know, it was for a film for Dune Part 3,
06:12and there's supposed to be a nice character shift,
06:15and I'm playing 15, 20 years older,
06:18so we did a 3mm haircut, I think it's called,
06:21and then the director wanted more, 1.5,
06:23and then we did one, and I begged him, I said,
06:24please, please, like, you know, your hair, weirdly,
06:28we're all attached.
06:29It's kind of like our personality.
06:30These follicles that grow out of our heads.
06:32Samson.
06:33Yeah.
06:34You know, your hair contains your power.
06:36Could do.
06:36I've never heard that.
06:38Samson and Delilah, she cut all his hair off
06:40and took all his power.
06:41I have no clue what you're talking about.
06:45I'm going to take you for margaritas after this.
06:48I'm going to tell you lots of stories about hair.
06:51But you're right, you're right, it's a really powerful thing.
06:53It's a powerful thing, yeah.
06:53Margaritas and read the Bible to Timothee Chalamet.
06:56It's a great combo, it's a great combo.
06:59And Dawn, you've been in so many successful things,
07:01but I didn't realise you, at one stage,
07:03you were going to be in the film of Mamma Mia.
07:05Oh, yeah, oh, yeah.
07:07Yeah.
07:07Yeah, the producers took me out for lunch and, frankly,
07:10offered me the part, the comedy part in Mamma Mia.
07:13And I said, well, look...
07:14Pierce Brosnan?
07:17I did say, look, I'm not a professional trained singer,
07:20I can hold a note, but I cannot really sing.
07:22And they said, it doesn't matter, because, um,
07:24Bajerk and Bajork, or whatever they call from Mamma,
07:29those Abba boys, they've got tuners, they can fix it,
07:33they'll auto-tune it.
07:34And I went, oh, OK.
07:36So I agreed to play this part,
07:37but they asked me to go along and meet the musical director,
07:40just to trot through a couple of the songs.
07:43So I went to the Cambridge Theatre,
07:45and I went up all the stairs, and I went into this room
07:47that was my favourite environment in the world,
07:49because it was just a sea of gay men
07:51that were working in this office, right?
07:53And they were all going,
07:54Ah! Oh, ah!
07:56And this was an encouragement for me when I walked in,
07:58went, oh, no, guys, I'm a bit nervous.
08:00Went into a side room with the musical director.
08:03He sat down at the piano, started plonking away and said,
08:05let's just, come on, let's have a little go,
08:08trot through some of the songs.
08:09Let's do Dancing Queen.
08:10Here we go.
08:11It was a musical.
08:12And this was the sound, honestly, that came out with me.
08:15Dancing Queen!
08:19But only one note.
08:21I could only do one note.
08:21I couldn't get off one note.
08:24When I was telling them I can hold a note,
08:26it was just one note.
08:28He looked very upset.
08:30Just relax, just breathe.
08:32I went, I know.
08:32I can sing.
08:33I can.
08:34And then he said, right, well, let's do this one.
08:36You'll know this one.
08:37I thought I knew that one.
08:39And then he started to plonk away,
08:41bit like Bobby Crush, you know.
08:42And he started on the next one.
08:44I went, all right, I know this one.
08:45Here we go.
08:46Mamma Mia!
08:47Here we go again!
08:48Like, like, how can I resist you?
08:50That's what I sounded like.
08:53He closed the piano.
08:55He just surrendered completely.
08:57And he turned to me and went, well, it's been very nice to meet you.
09:02Very nice to meet you.
09:03Oh, my God.
09:04OK.
09:04So I went back out into that lovely room,
09:07full of welcoming to every single one of those guys.
09:09There's his head down like this.
09:11They'd all heard that cow giving birth.
09:16Nobody would look at me.
09:18And I went down the stairs.
09:19And honestly, by the time I hit the street,
09:21my phone was ringing.
09:22It was my agent going,
09:23Love, um, it's not a good fit.
09:28And that was the end of it.
09:29Enter Julie Walters, who's brilliant and funny
09:32and can sing, apparently.
09:33Boy, go on, go on.
09:36More like this, but you had a...
09:38Was it an animated movie you had to sing in?
09:40Or were going to sing in?
09:41I was, yeah, auditioning for it.
09:43Oh, OK.
09:43Yeah, yeah.
09:44And it was, yeah, not dissimilar.
09:46And...
09:48I'm not a singer.
09:49And my children will remind me of that.
09:52They'll just say,
09:53Dad, please don't sing.
09:55Don't sing.
09:55And I love to sing, but I don't...
09:57I've got that thing where, when I sing,
09:59it sounds great to me.
10:01But to other people, they hear something different
10:03because they're wrong.
10:04I'd like to hear it.
10:05Yeah, yeah, yeah.
10:06This is just perfect.
10:08No, no.
10:08What do you say?
10:09What I...
10:09I just started sweating.
10:10What I love...
10:11So, you're going to audition for something.
10:14You're not a confident singer.
10:15What song did you choose for as your audition song?
10:17Well, I decided to choose a song from Aladdin.
10:20Ooh.
10:20Ooh.
10:21Thank you, Cynthia.
10:22Yeah.
10:22I can show you the world.
10:24That song.
10:24That was lovely?
10:27Yeah.
10:27Keep going.
10:28It was so lovely.
10:29I knew they made a mistake!
10:32I can't even remember the lyrics, though, now.
10:34Shining, shimmering.
10:36Shining, shimmering.
10:37Splendid.
10:39Splendid.
10:40Splendid.
10:40I did it.
10:41Tell me, princess.
10:42Yeah, tell me, princess.
10:43Now, when did you last let your heart decide?
10:46Oh, yeah.
10:47So, I can't find it.
10:48Beautiful!
10:49That's great!
10:52And, uh...
10:53Obviously, we all know you can sing,
10:55but I didn't know you had a different vocal talent.
10:59What...
10:59What is it?
11:00The...
11:00The whist...
11:02Oh, the whistling.
11:03Yes.
11:04No, no.
11:05Whistling is too small a word for what you do.
11:08It's amazing.
11:09I learnt, when I was much younger,
11:11how to whistle like I sing.
11:14So, if I'm practising something,
11:17or I have, like, a concert or something,
11:18and I get a little bit tired,
11:19instead of singing a song, I just whistle it.
11:22Do you?
11:23Yes.
11:23You're Roger Whittaker!
11:26You're looking at me like,
11:27OK, all right, I'll find something.
11:28Why do we lose?
11:28It's almost completely left.
11:29OK, um, oh...
11:32BUZZER
11:33BUZZER
11:36BUZZER
11:41BUZZER
11:43BUZZER
11:45BUZZER
11:46BUZZER
11:55BUZZER
11:57WHISTLE BLOWS
12:02WHISTLE BLOWS
12:04WHISTLE BLOWS
12:04WHISTLE BLOWS
12:05Wow!
12:07How magical is that?
12:09Wow.
12:11That was beautiful.
12:13That is amazing.
12:15And weirdly, I'm sure you're going to bond with John,
12:20because Halle Berry, you have Liverpudlian roots.
12:25You're a family for Liverpool.
12:26Yes, I just told him that backstage.
12:28I thought that was not the conversation we were going to be having.
12:32Can you believe that?
12:33I know.
12:34We could in some way be related.
12:36I said to her, it's good,
12:37because at least somebody on the couch can understand me tonight.
12:40So who was it?
12:41It was your mum?
12:42My mum's side of the family.
12:43So did she sound like John Bishop?
12:44No.
12:47Her family left a little too early,
12:49but that is the origin of my roots.
12:51OK, have you been deliverable?
12:53No.
12:54It's not really working this.
12:58But actually, but you do love action and stunts and things.
13:02When did you...
13:02Because it's one thing loving...
13:03How do you discover you're loving it?
13:04What was the movie where you kind of went,
13:06oh, I'm really good at this?
13:07Well, I was a gymnast as a kid, so...
13:09And I know you were an ice skater, so it was another thing.
13:11Yes.
13:11I had dreams of being, like, those...
13:16Black, Nadia Comaneci.
13:18You know, like, that was my dream.
13:20So when I did Catwoman,
13:22that was the first time I did all of my own stunts.
13:25And I tried to make my Catwoman really like a...
13:28Like a cat.
13:29So I was into all the...
13:31I learned Capoeira for that movie,
13:32and I really got into doing all of those stunts myself.
13:35And so that's when my love of...
13:37And I realised that also,
13:38when a performer can do all of their own stunts,
13:41that frees up the director to put the camera anywhere
13:43and shoot from any angle,
13:44because you don't have to sort of accommodate a double.
13:49You know, you can sort of give them a lot more to work with.
13:51And that's when I realised I would try to lean into
13:53doing all of my own stunts.
13:55But you have to...
13:56You have to know what you're doing.
13:57I did...
13:58I did Doctor Who.
14:00Erm, and...
14:03I thought I'd bring it back to the UK, you know what I mean?
14:10I did Doctor Who, and there was...
14:11So Doctor Who's like a scientific series over here,
14:16where there's a time machine that flies through space.
14:19And the first day, they said,
14:21your character is going through space and it crashes,
14:24so you've got to fall on the floor.
14:25They said, do you want a mat?
14:27I said, no, don't worry about it.
14:28So I said...
14:29And it just said, fall on the floor.
14:31And they said, do you want a stunt double?
14:32I said, don't worry about it.
14:33So I literally just threw myself on the floor.
14:36BANG!
14:37And I went, OK, let's do it again.
14:38I went, what?
14:39He said, you're going to do that about 15 times?
14:42I went, fuck off, get him in.
14:49Actually, I'm sorry, Rowan, because of the things you've done,
14:52there is such a physicality to the ball.
14:54Yes.
14:55Well, sometimes, yeah.
14:56But do they go over into kind of stunt work?
14:59Do other people have to ever do things for you?
15:02Um...
15:02Yeah, not so much the driving.
15:04I tend to do my own driving.
15:05Oh, yeah, yeah.
15:06What a knob.
15:08What a knob!
15:09What a knob!
15:11I am teamwork, by the way.
15:12I think it's the coolest stuff ever.
15:14Tim, that's very sweet.
15:15Don't let them burn.
15:17No, I've got to keep up my reputation as a knob.
15:22And, yeah, on and off set.
15:25But, I mean, generally speaking, yeah, I've done...
15:27I did a movie quite a while ago called Mr. Bean's Holiday.
15:31Oh, yes.
15:31Woo!
15:32In which Mr. Bean...
15:36You're so casual about that.
15:38I did a film called Mr. Bean.
15:40Bow!
15:40Well...
15:41Well, because he'd look like an even bigger knob if he said,
15:45oh, well, of course you all know Mr. Bean's Holiday.
15:48Yeah, exactly.
15:49I'm trying to reduce my knob quotient.
15:53As far as I possibly can.
15:55In which, we had this idea in which a Mr. Bean would overtake
15:59a peloton of cyclists.
16:01Oh, yes.
16:01And no matter almost how slowly we got the peloton to go,
16:06I was finding it quite tricky.
16:08But I really...
16:09You know, we did several takes of me...
16:11Oh, there you are.
16:12There you are.
16:13In which I overtake the peloton of cyclists.
16:16And I really did it, for real.
16:17You know, it was in the days when CGI was less...
16:20..was less accessed.
16:22And, um...
16:23But, oh, goodness me, after the second take,
16:24I was absolutely dead.
16:26And because Mr. Bean didn't need language,
16:28so it could play anywhere,
16:29was there anywhere that it didn't play?
16:32Was there anywhere, you know, that it didn't go?
16:34No.
16:35Eventually, it went everywhere.
16:36But in the 90s, there was the capacity,
16:39because it was just television distribution
16:41over which I had some control.
16:45And, you know, sort of pre the mass use and access...
16:48..of the internet.
16:51But...
16:51And therefore, that I did see an opportunity
16:54to stop Mr. Bean being shown in Italy.
16:58So, for a number of years,
17:00it wasn't...
17:01It was shown all over the world except in Italy.
17:04Er...
17:04Well, just because I wanted to go on holiday to Italy.
17:07LAUGHTER
17:08And, er...
17:08And it worked for several years.
17:10This was kind of in the early mid-90s.
17:13LAUGHTER
17:15And, er...
17:15And it worked very well.
17:17No-one...
17:17No-one had the slightest clue who it was.
17:19And then the...
17:20The first Mr. Bean movie,
17:22Bean...
17:22What's it called?
17:23Bean?
17:23The Ultimate Disaster movie?
17:24Something like that.
17:25Which came out in 97.
17:27That, of course,
17:27the film company wanted it to be everywhere,
17:29including Italy.
17:31Er...
17:31And then, actually,
17:32Italy turned out, because then the TV shows went there
17:34and it turned out to be, you know,
17:36one of our most enthusiastic audiences was in Italy.
17:40LAUGHTER
17:40So now there's no way you can go on holiday?
17:42Er...
17:42Exactly.
17:43OK.
17:44Er...
17:44Well, I tell you who loves France, Adrian Lester,
17:48because I didn't realise you are a French film star.
17:51LAUGHTER
17:52He is.
17:54Er...
17:54A very...
17:54A very early job I did, er,
17:56was playing an American record producer in a film,
17:59a French film.
18:00And the weird thing was I...
18:02I auditioned for this film in English,
18:04met the director,
18:05and he said,
18:06very good, and I did my audition,
18:07and he said,
18:08when can you start?
18:08And he picked the date,
18:09and I'm...
18:10Ten days shooting,
18:11and I went over and I met the other actors,
18:13and we did this read-through,
18:15and went through the scene,
18:17and I said my lines in English,
18:19and then he said, no, no, no, no.
18:20And someone came over with the script.
18:22Oh, no.
18:23No.
18:23And the...
18:23Oh, yes.
18:26And the lines were in French.
18:28That is a nightmare.
18:29And I...
18:30I can't believe we hadn't worked that out.
18:33Do you know what I mean?
18:33I thought...
18:34You're playing an American record producer,
18:35of course...
18:36Yeah.
18:36OK, you speak English, you know.
18:37I got to the set,
18:38and it's French comedy,
18:40like Comédie Francaise,
18:41so they speak really fast.
18:43And we're in the scene,
18:44it's going...
18:48And then I went...
18:49And there was a gap.
18:53And then I went...
19:05And said my line.
19:06It was OK, but...
19:08Wow.
19:09Shooting.
19:09We've got a clip.
19:10There's a...
19:12I haven't seen this film.
19:14I haven't seen this film.
19:15Have you never seen it?
19:15Have you never seen it?
19:17So, look, what I'll tell you...
19:19Let's see it, let's see it.
19:19What I'll tell you...
19:20No, you're very good in it.
19:21So, it's called Les SÅ“urs Soule.
19:24The sound system.
19:25The clip...
19:26The clip we're showing,
19:28it features...
19:29Adrian, as the American record producer,
19:32a woman doing some of the worst lip-syncing
19:34I've ever seen.
19:35Oh, my God.
19:36And keep your eyes peeled
19:39for one of the most surprising cameos.
19:43I don't know if it's a cameo,
19:44but it's...
19:45You do not expect to see this...
19:47First time.
19:47...in a French film.
19:48Here we go.
19:49This is Les SÅ“urs Soule, featuring Adrian Nestor.
20:13Bravo, tout le monde.
20:16Miss Soule,
20:17j'adore votre voix.
20:20Je suis descendu de l'Hôtel Savoy.
20:21Please, call me.
20:22Oh, yeah.
20:23I called you.
20:24Beautiful!
20:25Thank you!
20:28Can we...
20:29Can we...
20:30Can we...
20:31Can we just...
20:32Can we...
20:33Can we see the kangaroo again?
20:35Can we see him? Why?
20:36We need to talk about that.
20:38That is ridiculous.
20:38Why?
20:41Why is there a kangaroo?
20:42He's very invested in what you're acting.
20:44Yeah, he's...
20:45It's a really good kangaroo.
20:46Look at it.
20:46He's really looking at it.
20:47He's really...
20:48Yeah.
20:49He's practised...
20:49He's practised his walk and everything.
20:53That's another thing you should ask.
20:55Apparently.
20:56Am I speaking French?
20:57He's got...
20:57He was a...
20:59For some reason,
21:00the husband and wife in the film,
21:03and they had a pet kangaroo.
21:05And we were doing...
21:05We did a scene...
21:07In this...
21:07This scene.
21:08And we had to do retakes
21:10because the kangaroo jumped onto the mixing desk.
21:13There was a moment when it was...
21:16And I'd waited.
21:17And I went...
21:22It was...
21:23Now, I'm asking you this question
21:25and the answer could be yes.
21:27Kayleigh, do you own a kangaroo?
21:28Well, what's funny is...
21:32I would love to...
21:33I have a lot of weird animals,
21:35but I would love to get a kangaroo.
21:37Yeah.
21:37Now that I just saw how focused
21:39and work-related he was.
21:41He really is.
21:42He's still and...
21:43No, I have a lot of strange animals.
21:44I have a farm at home.
21:46And we have all types of farm animals.
21:49We have some very unique animals too.
21:51Pigs and goats and cows.
21:51You've got something called a zonkey.
21:53We have a zonkey.
21:54Everyone thinks it's a myth.
21:55It's real.
21:56What?
21:56We have a picture of a zonkey.
21:57Yes, sir.
21:58It's half zebra.
22:00Half donkey.
22:01She's real.
22:02Is that an accident?
22:03Yes.
22:03OK.
22:04You shouldn't do that.
22:05No, of course not.
22:07No, no.
22:07That has to be an accident.
22:08That's why I saved it.
22:09Yeah.
22:09Yeah, now I get you.
22:10Yeah.
22:10Yeah.
22:11They're all...
22:11Now, is a zonkey...
22:13It's an accident between a zebra and a donkey.
22:15No, I get that, but is the zebra...
22:16Is the zebra the father?
22:18I was not part of that process.
22:21So I just came in later.
22:23Well, no, because all I know...
22:24Because I wondered what a zonkey was.
22:26So I looked it up.
22:27He said he's wearing tights.
22:28No, it does look like he's wearing tights.
22:30She does.
22:30And I...
22:31So a zonkey...
22:33So if the parenting is the other way round...
22:36OK.
22:36They're called a Deborah.
22:39They're called a Deborah.
22:41They're called a Deborah.
22:42Not making it up.
22:44Not making it up.
22:45No.
22:45Someone Google that.
22:47It's true.
22:48It's true.
22:48Turn off your phones.
22:49But it's true.
22:50Why is it called a Deborah?
22:52Because if the donkey...
22:54So if the donkey is a dad?
22:55Yeah.
22:56Or a mother.
22:57I don't know.
22:57It's just a different parenting.
22:59OK.
22:59This is a zonkey, though.
23:01This is a zonkey.
23:01Have you got two zonkeys?
23:02I have two zonkeys, yes.
23:04That's...
23:04Do they name?
23:05Like a horse?
23:06They...
23:07They donkey.
23:08You know, they...
23:10You know.
23:11Like a donkey?
23:12Yeah, yeah, yeah!
23:14There's a donkey!
23:16There's no horse anyway.
23:18You know, they're kind of making a deep donkey sound.
23:20What do they sound like?
23:20Wow.
23:20Well, how would that sound?
23:22Don't ask me.
23:22It's like a...
23:23You know, not a nay.
23:24It's a bray.
23:25It's like they're like...
23:26You know, they're eons.
23:27They're eons.
23:28Yeah.
23:28You know.
23:29OK.
23:29Yeah.
23:29He's so confused.
23:32He's like...
23:33Don't get a horse, they're not the same thing.
23:35They're not.
23:36Oh, dear.
23:38Claire Foy, we've got to talk about a goshawk.
23:41It's called Mabel in the film.
23:43Yeah.
23:43How many goshawks were there?
23:45There were five goshawks, but they all had like different jobs
23:49and different parts of Mabel's personality because we wouldn't
23:52have been able to shoot the film with just one bird.
23:54Are they heavy?
23:55Because they look like a big creature on your arm.
23:58Well, you see, their bones are hollow so they can fly.
24:01Otherwise, they wouldn't be able to get very high.
24:04Good noise, everyone.
24:04They're like, oh, you've learnt something this evening.
24:08Yeah.
24:08Fun fact for all you hot fuck fans.
24:10So, you know, it's a weird position to have your arm in
24:13and they're not, it's not that they're light, but they're not,
24:15they're not like, you know, I didn't have loads of muscles or anything.
24:18Well, I tell you who'll be loving this chat is tiny temper
24:21because apparently you've handled a cockatoo.
24:23Yes.
24:25LAUGHTER
24:27I really jumped at that and said yes.
24:30No, I had a pair of cockatoos.
24:32See?
24:33See?
24:35They died.
24:35But I was going to ask you, Claire, do you miss them?
24:39The Mabel's, yeah.
24:40Two in particular, Mabel one and we had two Mabel's called Mabel one
24:43and Mabel two, it wasn't very original.
24:45And Jess, yeah, I really miss them.
24:47But aren't they, but aren't they non-affectionate?
24:50I think Helen says that in the film.
24:52They're a non-affectionate species but you, you connect.
24:55It's like any animal, you connect with them and you have a,
24:58you have a relationship with them and that means that there's a love there.
25:02Actually, not the only bird lover on the couch tonight
25:05because Ant and Dec, if people go down to Battersea Children's Zoo,
25:11what might they find there?
25:13There are a couple of emus.
25:14Yes.
25:15Called Ant and Dec.
25:17Yes.
25:18Here are Ant and Dec.
25:19There they are.
25:21There they are.
25:21There they are.
25:22And Tammy.
25:24That's so sweet.
25:24Makes sense, right?
25:28Makes sense.
25:30Have you met them?
25:31Look at them.
25:31No, I've walked past there many times and I've seen the little sign.
25:35But we knew when they were, I think being hatched,
25:38that they were going to name them Ant and Dec.
25:41Aw, that's so sweet.
25:42My daughter's met them.
25:43She's been on a couple of school trips down there and she's been seeing them
25:47and they're like, oh, look, these are called Ant and Dec.
25:49And she's like, why?
25:51Why?
25:52That's my dad!
25:53That's my dad!
25:54You say that, we contacted the zoo to get that picture,
25:58that lovely picture of Ant and Dec, and they gave us some extra information
26:00and they said, like Ant and Dec, Ant and Dec emus are best friends.
26:05Oh, that's nice.
26:07Now, unlike Ant and Dec, they're also boyfriend and girlfriend.
26:12Well, we have known each other for a long time.
26:14And Dec, Dec has laid many eggs over her life.
26:17LAUGHTER
26:22You're the joke.
26:23That's what you say.
26:24You're the guy.
26:25Brady, they love a shower and a dust bath to keep their feathers
26:27to deep-top condition and their favourite foods are red cabbage and broccoli.
26:31LAUGHTER
26:31Now, here's the thing.
26:33That is a sort of showbiz honour that, you know,
26:36reserved people have been in the business a long time.
26:37Mm.
26:38Joe Keery, you've already had that showbiz honour, have you not?
26:42I have had that showbiz honour?
26:44Yes. Not to my...
26:45I think you have.
26:46Your character, Steve Harrington, the Street of Things.
26:49Yes.
26:49Is there not a Pacific Marine Mammal Centre sea line called Steve Harrington?
26:54This is news to me, I did not know this.
26:57LAUGHTER
26:57Oh, yeah.
26:58Do we have a pic, did we get a picture in the end?
27:00Oh, there he is!
27:03That's you!
27:04That's you!
27:06Yeah.
27:07Sadly, I...
27:08Where is this guy?
27:10It's in Laguna Beach.
27:12Oh, perfect.
27:12I've got to go.
27:13The Pacific Marine Mammal Centre.
27:14Sadly, I don't have any more info.
27:16LAUGHTER
27:16I don't know about foods or anything.
27:18No...
27:19No eggs.
27:19If you've laid an egg.
27:20LAUGHTER
27:23Because, Michelle, you know, before you got into comedy,
27:26we'll talk about this later, you were a model.
27:29Yeah.
27:29Didn't you have a beetle thing?
27:31Yeah.
27:31Yeah.
27:32Because they would just get you to do, like,
27:33random things in modelling where they were just sort of like,
27:36you're lucky to be here.
27:37We're going to do this shoot now.
27:38And this is editorial.
27:40It's high fashion.
27:41So we're going to put these beetles on your face.
27:42Stay very still.
27:43And look gorgeous.
27:45LAUGHTER
27:47Try and look nice.
27:48But if you've got a beetle on your face, you're like...
27:51LAUGHTER
27:52You're like, smile.
27:53You're like, aaah!
27:54Yeah, there's a lot of stuff like that.
27:56And then I did another shoot where they wanted me to sit on,
27:59like, a bit of wood.
28:02And as I sat down on it, it was in Texas, and I was like,
28:05oh, there's all these ants crawling on me.
28:06But obviously, from England, I didn't realise there's ants that bite.
28:10Do you know what I mean?
28:11Yeah, yeah, yeah.
28:11Like, what's the worst that can happen to you in this country?
28:13A pigeon shits on you or something.
28:15LAUGHTER
28:16So I sat there and I was like, they're burning.
28:18They're burning.
28:18They're like, oh, it's a fire ants' nest.
28:20And I was like, I should probably get up.
28:22And they were like, it's the last shot.
28:23If you could just stay there.
28:24LAUGHTER
28:25And look gorgeous!
28:26And they were like, yeah!
28:28Yeah, fun times, fun times.
28:30I don't know why you gave it up.
28:32Er...
28:32Jessie Buckley, you grew up in the Irish countryside,
28:35so are you good with animals?
28:36Well, actually, my mum grew up in a bull farm.
28:40What?
28:40Yeah.
28:41And she had, like...
28:42Can I just say, that seems problematic.
28:45LAUGHTER
28:46Why?
28:47Well, you need more than bulls on your bulls.
28:50Oh, well, they were no pedigree bulls.
28:52They, I don't know...
28:52It's like a gay cow bar or something.
28:55LAUGHTER
28:55You love it, Chris!
28:57LAUGHTER
28:58Only bulls, I don't...
29:00LAUGHTER
29:02LAUGHTER
29:03APPLAUSE
29:04Are they just bred bulls?
29:06Yeah, they were, like, prize bulls,
29:08so they'd bring them to shows and kind of wash them
29:11and brush their hair and show them around.
29:14It is a gay cow bar.
29:16LAUGHTER
29:18But I remember once, um,
29:21my grandfather brought me out into the fields
29:23and put me on his tractor and, um,
29:26I had never really been around a load of bulls.
29:28Like, a mass...
29:30Good.
29:30Good of...
29:31LAUGHTER
29:32Um, and he went to open the gate and close it
29:35and there was a load of hay on the back of the tractor
29:37and he, all of a sudden, this, like, it felt like...
29:41like a hundred bulls were running towards me.
29:46And since that moment, I just think, you know,
29:49out of respect, I don't need to wrangle...
29:52LAUGHTER
29:52Leave them alone.
29:53Anything, really.
29:54I leave them alone.
29:55Wise, wise.
29:56And, uh, Paul Rudd, what is the connection to Ireland,
29:59that you love Ireland so much?
30:00I just think it's the greatest place.
30:02I just love Ireland.
30:03I first went there on my own.
30:05I loved Irish music and I was just very drawn to Ireland.
30:08OK.
30:08And then my father spent a lot of time in Ireland
30:10because he was a Titanic expert
30:12and he used to take groups of people throughout Ireland
30:15to Belfast, to Harlan Wolfe, where the ship was built
30:17and he'd go down to Cove, which was the last port of call.
30:20Yeah, so, we spent a lot of time in Ireland.
30:23Yeah.
30:24And is Rudd an Irish name?
30:25I think there's other Rudd sausages.
30:28Is that rigged about Jessie Buckley?
30:29I never had a Rudd sausage.
30:31No.
30:31I'll bet you have.
30:39Next up, Rachel McAdams brings us a brilliant movie
30:42from Evil Dead director Sam Raimi.
30:44It's called Send Help.
30:46So, Rachel, you play Linda Little.
30:49She's fantastic.
30:50Tell us about Linda Little.
30:51Who is she?
30:52What's she up to?
30:53Well, Linda is a real worker bee.
30:56She's been at her company for seven years
30:58and she can do everybody's job with her eyes closed
31:01and she's in line for a big promotion.
31:04She's very excited.
31:05She's going to use the money to get a bigger apartment
31:07and go travelling and then she gets passed over
31:11for the douchebag friend of the boss
31:16who's been there for six months.
31:18Oh.
31:19And it really grinds her gears.
31:22It would.
31:23And she's just about had enough, you know?
31:26Yeah.
31:26Yes.
31:27I'd rather say, eat her asshole.
31:30Yes.
31:31Grind her gears is...
31:33It's not pissed off enough.
31:35It's not enough.
31:36Sorry, once again, eat her asshole?
31:38Eat her asshole.
31:39OK.
31:40It really eats her asshole.
31:44Like that?
31:45Yes.
31:46Like that.
31:46Good job.
31:47I'll work on it.
31:50But tell us more because then a big thing happens.
31:55We're allowed to know the big thing, aren't we?
31:56Oh, the rest?
31:57The rest?
31:57The end help bit.
31:58Right.
32:00Um...
32:01So...
32:02You remember what happens, right?
32:05I don't know how long ago you filmed this, Rachel.
32:07It was like six months ago!
32:08So, um...
32:09After you lost your asshole.
32:11LAUGHTER
32:13Uh, yes.
32:14So, she gets invited to prove herself once again.
32:18Um, on the company trip to Bangkok, um, he...
32:22Her new boss invites her to solve a problem there, and they get on the plane,
32:26and, um, the plane goes down.
32:32That's a spoiler, though.
32:34No.
32:34No, it's really not.
32:35It's called Send Help.
32:36Right.
32:36Don't care.
32:37LAUGHTER
32:38I think...
32:40I...
32:41I think you'll...
32:42The audience will be disappointed if they don't know her.
32:44They'll be like, why does she need help?
32:47I don't know.
32:48LAUGHTER
32:48The boy is broke.
32:50LAUGHTER
32:51LAUGHTER
32:52Yes, yes.
32:53And then she winds up washing up on a Thailand beach, and, um...
32:59And she thrives.
33:00And she thrives.
33:01Yeah, she does very well, because she's a fan of Survivor.
33:04She's a big fan of Survivor, and she spends a lot of her time...
33:06Her spare time...
33:07She's auditioned for Survivor countless times.
33:09Never been chosen.
33:11LAUGHTER
33:12I know.
33:13It's more asshole eating.
33:15LAUGHTER
33:17I was going to say, I've never heard this expression before.
33:20I've coined...
33:21I've coined...
33:22Oh!
33:22Everybody in my life.
33:24Go ahead.
33:25It's Hayley.
33:25Hayley's...
33:26She's got Scouse DNA.
33:28LAUGHTER
33:29I can find the...
33:31I can find the spare end.
33:32I can get to it.
33:34Egan arse off.
33:36LAUGHTER
33:39Martin Freeman.
33:40Music could have been your life, Sliding Doors, and Aaron Doherty, you really could have been a footballer.
33:48Yeah.
33:48So, I grew up acting and doing football.
33:52It all just happened to be on a Sunday, for whatever reason, everything just fell on a Sunday.
33:55But, no, but you were really good at the football.
33:57Yeah, so I got scouted to play for Chelsea.
33:59Shut up.
34:00But, literally, as I did, like, this is why the Sunday thing was relevant.
34:04Because, basically, my dad was having to drive me to football, like, all over the country.
34:07And then, after to drive me back to my drama club.
34:10Wow.
34:10And he just was tired.
34:12That pick.
34:13He genuinely was...
34:15He had that conversation with me, so he was like, Aaron, you need to pick one.
34:17So, I never actually got to go and play for Chelsea or do anything about it.
34:20Wow.
34:20We've got a picture of little footballing Aaron.
34:23There she is.
34:24There she is.
34:25Hydrating.
34:26Very important.
34:27Very important.
34:27You know how young you are?
34:29That looks like it was 1972.
34:32It's the grade, Graham.
34:33It's the grade.
34:34I loved it, honestly.
34:35Like, I genuinely, like, had such a passion for it.
34:37Do you still play?
34:38No, I tried.
34:40Basically, like, even amateur teams now, like, they take it very seriously.
34:43And so, I was, like, pulling out of tackles because I didn't want to get injured.
34:46And they were like, Aaron Gohan.
34:47Of course, yeah.
34:49Yeah.
34:50I was genuinely, like, just not...
34:52But, Aaron...
34:53How old were you when you sort of had to make that little decision in your head?
34:56I was probably about 13.
34:59So, like, it was, like, old enough to feel like I knew myself.
35:02Yeah.
35:02But young enough to, like, not really...
35:04Yes.
35:04You know, it didn't weigh heavily on my mind.
35:07I think I probably thought about it for, like, an hour.
35:09Really?
35:10Yeah.
35:11I loved acting.
35:12Yeah, like, there was something about being on stage.
35:15Yeah, I don't know.
35:16But Chelsea...
35:17Chelsea are terrible and they're acting as well, so...
35:20Well, I'm genuinely...
35:20I'm a Spurs fan, so it always would have sat long.
35:23Oh!
35:24And he's Spurs fans, yes.
35:25Yes.
35:26Now, in terms of what they wanted to be when they were growing up,
35:30Wumi, you wanted to be an actor from a very young age.
35:33What was it?
35:34A movie opened that world to you.
35:36Yeah, Annie.
35:37Annie.
35:37I watched Annie every single day after school.
35:40I hadn't...
35:40Like, are you exaggerating?
35:41Or did you actually watch it every day?
35:43Every single day after school, I had, like,
35:4512 cartons of Long Life milk lined up
35:48and I would drink them at the certain points of the movie.
35:51That's why I'm so tall.
35:53The rest of my family is quite short.
35:55And I think it was that.
35:57Little cartons, green cartons.
35:59And I used to watch it every single day after school.
36:03Erm...
36:03I don't know...
36:04I don't...
36:05I pressed play and the tears start rolling still to this day.
36:10But, erm...
36:10But then you used that film as kind of breadcrumbs
36:13to get you to where you needed to be.
36:14Yeah, so I said to my mum and my sisters,
36:16I was like, I don't really...
36:17I don't want to go to do maths and economics.
36:20I don't...
36:20I just don't.
36:22Erm...
36:22I think I want to act.
36:23And they were like, OK, well, how do you do that?
36:25I don't know.
36:26Well, erm...
36:28Who do we know that acts?
36:29Well...
36:30So we Googled the whole cast of Annie
36:31and we just saw what each person did
36:34and Albert Finney's from Manchester, Salford,
36:37and he went to RADA.
36:39That's the first time I ever heard of drama school
36:41and I auditioned for RADA.
36:44And got in?
36:44And got in.
36:45Isn't that mad?
36:47Mad.
36:48I know, I know.
36:50It was amazing.
36:52Yeah.
36:52Yeah.
36:53Yeah.
36:54It changed my whole life.
36:55Yeah.
36:55Yeah.
36:56I love that film.
36:57Forever.
36:58Yeah, we get it.
37:00Lots of milk.
37:04Talking of musicals, Jacob Lordy, was it your very first gig?
37:07Ah, yes.
37:09What?
37:09I don't know this.
37:09Yes, my first job was at 12.
37:12Um, and I think it was because I had bad behaviour in school.
37:15Ah, they thought it was obnoxious, so they asked me
37:17to play the Cat in the Hat in Seussical, the musical.
37:20We've got photographic evidence.
37:22Jesus Christ.
37:22Photographic evidence.
37:23That is a very young Jacob Lordy.
37:25Wait, you were 12?
37:26How tall were you at 12?
37:27I was honestly just a little bit shorter than this.
37:30Oh, bless you.
37:31Yeah, I've been this big since I was about 15.
37:33He's so tall.
37:33And then the hat.
37:34Yes, the hat.
37:35He's the unfaithful narrator and trickster of the show.
37:40He opens the show and I came up through a trap door.
37:43Wow.
37:43And I remember being sort of hunched down and the stage manager
37:46was like, OK, who's about to go?
37:48And it's like, it's a school trap door, so it's not like...
37:51It's like this hat comes up.
37:54And it's me with this look on my face.
37:55And that was your punishment?
37:56Yeah.
37:57That was my punishment.
37:58And then I started, you know...
37:59They don't know what they're doing.
38:00That's awesome.
38:01All the things you can think.
38:01All the things you can think, you know?
38:03Oh, how you know it all.
38:04Keep going.
38:04Yeah, if you're willing to try.
38:10And you got the bug.
38:11I got the bug.
38:12Yeah.
38:14Talking musicals, Amanda, Mamma Mia 3, that's a thing, right?
38:18Yeah, yeah.
38:19Wow!
38:20I love Mamma Mia 3.
38:22Yeah, and you guys are in it, all of you.
38:24It's nothing.
38:25Happily.
38:26No, you are.
38:27I love Mamma Mia.
38:27You're going to have to be in it because at this point,
38:31I cast people every day.
38:33You have a better cast than you guys?
38:35Graham, you're welcome.
38:37Oh, I'd love to go to Greece.
38:38Everybody keeps asking me as if I'm the...
38:40I hold the key.
38:42Maybe your agent got you an executive producer credit
38:44and you don't know it.
38:45Honestly, if I don't get it for the third,
38:47I'll be pretty pissed.
38:49But I want it for real.
38:51But I also think, like, I don't...
38:53I don't know anything about anything
38:55other than that I was in it.
38:57Twice.
38:58Was it fun?
38:59Oh, it's the best time of life, you know.
39:01Cher will be back, right?
39:02Of course she will.
39:03Yeah.
39:03Cher is starring in it.
39:05OK.
39:06She's actually playing the lead.
39:09OK.
39:10What's she like?
39:10Is she cool?
39:11The best.
39:12Oh, my God.
39:13Not only is she just incredibly nice,
39:15but she is exactly who she is.
39:18Yeah.
39:18What you see is what you get.
39:19This studio is not large enough to contain
39:21the fuck she doesn't give.
39:22Yeah.
39:24She's very quotable.
39:26She is.
39:28She's so brave.
39:29That is amazing.
39:30I love that.
39:31She's very perfect for those things.
39:34Yeah.
39:34We saw you singing, dancing and Barbie.
39:36Would you ever do a Broadway show or anything?
39:38If I could sing, which I can't,
39:41you'd all know about it.
39:42I would be on...
39:43I would never shut up.
39:44I'd be singing right now.
39:45Because if I had your voice...
39:47Hold on a second.
39:48I would never shut up.
39:49I can't sing.
39:51I'm terrible at it.
39:51And I had to sing...
39:52That's embarrassing.
39:53I had to sing in that scene in Barbie.
39:56But, fortunately, I was meant to be not a good singer.
39:58That was fine.
39:59But it was mortifying.
40:00So embarrassing.
40:01I don't know how you do it.
40:02I think, honestly, it's liberating.
40:04Because you've seen...
40:04I mean, listen.
40:05In Mamma Mia, do Pierce, Colin and Stellan sing well?
40:12But they do it and they love it.
40:14Oh, they love it.
40:15You know?
40:16It's about just, like, accepting, loving it.
40:19You're going to have a lot of confidence
40:20if you're not great at it, you know?
40:22I know, but then once you get past the fear of it,
40:24you just become liberated.
40:26If I'm, like, with friends at karaoke, I don't care.
40:28Yes, great.
40:28You can't get...
40:29Like, I can actually share.
40:31Believe is my favourite karaoke song.
40:33Nice.
40:34I do a bit of a share voice while I do it, you know?
40:36But doing it in front of, like, a crew was humiliating.
40:38Wait, what's your share voice?
40:39Yeah, I was going to say...
40:40Is there any more?
40:40No, I'm absolutely not stepping into that trap.
40:45Sure, on live TV, I'm just going to bust it out.
40:48Absolutely not.
40:49That's not happening.
40:50Eh...
40:50Oh, God.
40:52Eh...
40:52Give us a share.
40:54Come on.
40:54Can you?
40:55Go on, come on.
40:58Do it.
40:59You're doing it, Jacob.
41:00Do it.
41:00I'm not singer.
41:01Do it.
41:01No.
41:01It doesn't feel...
41:03Do you be...
41:03Do you be...
41:04Do you be...
41:07Do you be...
41:11Charlie, when you kind of started performing, you were doing these raves.
41:16You were singing at raves in East London.
41:18But your parents would have to bring you because you were so young.
41:21Yeah, yeah.
41:22I was sort of, like, 15 when I first started going.
41:26And, you know, it's that time where you're kind of like,
41:28I'm going to be so independent and cool.
41:30I'm going to go to these raves.
41:32And then my parents were like, and we're coming with you.
41:34You know?
41:35So it's like the rebellion just got kind of, like, taken from my grasp.
41:39And then we were this weird family who went to raves.
41:43I love how sweet...
41:44Your parents sound adorable.
41:45They're very sweet.
41:46What's the story your...
41:47Someone tried to sell drugs to your dad?
41:50He...
41:51Yeah.
41:51Yeah.
41:52He hates when I tell the story.
41:53But, yes, he...
41:54I think he comes out of it very well.
41:56Yeah.
41:56Well, it's very, you know, loud.
41:58It's loud in the rave.
41:59Of course.
41:59It's very loud.
42:00And I think they were trying to sell him some MDMA or something.
42:04And I think there was a sort of miscommunication about whether it was MDF.
42:10Wood.
42:11Paddling or something.
42:13So, you know, I don't think he really wanted either.
42:17I think there was just some sort of miscommunication there.
42:20You know, understandably so.
42:22So, er...
42:22I just love that.
42:23Yeah.
42:24Yeah, yeah, yeah, yeah.
42:25Yeah.
42:25He was approaching it in a very positive way.
42:27Yeah.
42:28Of course someone would try to sell me MDF.
42:30Yeah.
42:30Why not?
42:31Yeah.
42:31Yeah, yeah.
42:32But honestly, it is extraordinary.
42:34Because, you know, Gordon Ramsay, you were all over Brat Summer, weren't you?
42:37Yeah, I have three daughters, yes.
42:39Yeah.
42:39Yeah.
42:40Yes, they loved it.
42:41Yeah.
42:42And Jennifer, Benicio, were you aware of Brat Summer?
42:44Very aware, yes.
42:45I have three kids.
42:46Yeah.
42:46All about it.
42:47Yeah, my daughter, also.
42:49She's 14.
42:50She's 14, yeah.
42:51I'm a hit with the kids.
42:52Yeah.
42:54It's better than people being like, my grandma loves you!
43:01Right?
43:02As parents of children, do the children, do their behaviour get worse?
43:07Or, like, do they channel what they thought Brat was?
43:10Just attitude.
43:12Yeah.
43:12In abundance.
43:13And loud volume.
43:14I think the older you get, the lower you want the volume.
43:17And it's like...
43:17I mean, I feel like they could have got that from you.
43:19To be honest.
43:22You're right.
43:24But, you know what it's like.
43:27And, talking about transformations, for you, Leo, how hard does it make that switch from Jack
43:34and the White Lotus to playing, kind of, very posh in one day as Dexter?
43:41I mean, it was difficult purely because I had to do it within, like, two weeks.
43:46Because the chute was crossing over.
43:48Oh, OK.
43:49So, I had to lose, I don't know, like, a stone and a half of weight.
43:54Of muscle, I mean.
43:57And, you know, kind of lose the walk, get rid of the tattoos, which...
44:03Harder to get off than I actually realised.
44:06Um...
44:06Did you...
44:07But you kind of...
44:07You liked the tattoos.
44:09Did you kind of miss them?
44:11I loved them.
44:11I loved them.
44:12It's fun getting them on.
44:13Yeah.
44:13I mean, it's not fun getting them on.
44:15Or getting them off.
44:17It takes a while.
44:17When they're on, I would just...
44:18I would walk around.
44:19I'd just sit in the chair and just have a little meditate on when they covered them up
44:22or when you'd have to get the tattoos on.
44:23Do you have a lot of tattoos?
44:24I have a few, yeah.
44:25Oh, OK, so you've got to get them covered.
44:27Yeah.
44:27Do you have any tattoos?
44:29I do.
44:29I have a large one on my back.
44:31And it's funny, the one on my back just shows above my shirt.
44:34I wish I would have, years ago, thought to just go an inch lower and I never would have
44:38had to cover it.
44:39It's always just sticking out of the top.
44:41Yeah.
44:41Just annoying.
44:42Just a little bit.
44:43Is it rude to ask what it is?
44:44It's like, it covered an old one.
44:46It just got worse and worse.
44:48OK.
44:48Oh, wow.
44:48It started with one.
44:50I covered that one.
44:51Then I covered another.
44:52And now it's just...
44:54It's just all the way across.
44:55A big scribble.
44:58You know, think before you put one on your back, guys.
45:02It's interesting with them on your neck, though, isn't it?
45:04Yeah.
45:04Because you would probably never put one on your neck.
45:06Well, I don't know.
45:07I mean, I...
45:07OK.
45:09We'll be in a chair for ages then.
45:11Yeah, yeah.
45:11I think, I mean, the neck was definitely extreme, but I just kind of liked being...
45:16I mean, some of them were so stupid anyway.
45:18Something about the characters, isn't it?
45:19Yeah.
45:19Yeah.
45:20I had, um...
45:22I had Wendy on my left butt cheek.
45:26Which doesn't actually make it into the show, so...
45:28It's not real.
45:28No, no, no.
45:30It's not real.
45:31OK.
45:31So you just had Wendy on your ass for no reason.
45:33No reason.
45:34No reason.
45:34I, like, I...
45:35You mean today.
45:36In future relationships, that's going to be a bit...
45:39Excuse me, are we going to see Wendy today?
45:40Trust me, there is a couple of bum scenes in that.
45:44And I tried to shift...
45:45You tried to get Wendy in the show.
45:46I tried to shift Wendy into the shop, but...
45:48She just didn't...
45:49She didn't make it.
45:51And is it...
45:52Was it the name or the logo of the shop?
45:55It was...
45:57So...
45:58No, it wasn't Wendy's.
45:59No, it was just Wendy's.
46:00Oh, OK.
46:00Who came up with Wendy?
46:02I did.
46:03My...
46:03There's a reason for Wendy.
46:06I think there's some backstory here.
46:07So, I think I'd been, like, watching Breaking Bad and there's a character called Wendy in that show.
46:12And...
46:13I just thought how this kid would have some memory of a woman called Wendy and he'd just get it
46:19tattooed on his bum.
46:20So Wendy's supporting you in some way.
46:21So Wendy got me through that whole...
46:24Yeah.
46:24I don't think...
46:24Oh, I like...
46:25Oh, I like...
46:25Oh, I like...
46:25I was a little...
46:26I think any woman...
46:28Any woman would see that as a compliment.
46:31That's so lovely you got my name there.
46:33Well, you haven't met Wendy.
46:34Yeah, yeah.
46:35I don't know.
46:36Wendy would be very happy.
46:37So Wendy.
46:39Now, there's a tradition, I feel, Jack, every time you do a movie, somehow it inspires you musically.
46:46Yeah.
46:46Have you come up with an Anaconda song?
46:49I have, actually.
46:50Do you want to hear it?
46:51No.
47:00Quiet on the set.
47:05Anaconda, the most beautiful creature in the wild. Anaconda, you're the most popular with boys and girls. You bite and
47:16you swallow and you take it down. You are the scariest snake in town. Big as a bus and a
47:23hearty too. I made up this song just now.
47:28Beautiful.
47:29Oh.
47:30I lied.
47:32I lied.
47:32I didn't have a song.
47:35That is EBD extras.
47:36EBD extras.
47:37Did you know that I was making it up as we went along? Because I lied. I did not have
47:41a song.
47:42Oh.
47:43Oh, it's very good.
47:45Anaconda.
47:47The stare of your snake in the line.
47:49I think it's a hit though.
47:51Yeah.
47:51It's pretty good.
47:52That's how all songs are written. At first you don't have a song. And then, did you see the Beatles
47:57documentary?
47:59When you watch Paul McCartney and Sir Paul come up with Get Back right in front of your eyes? That's
48:05what you just saw.
48:08Beautiful work. Beautiful work.
48:10Jacob, thank you so much for that performance. It was really, really, really beautiful.
48:13My pleasure.
48:14You wait ages for one Jacob to be on the couch and now we've got two.
48:17What a bargain.
48:19I know.
48:20Can you sing Believe by Cher?
48:22Oh, I don't really know.
48:23How would you go?
48:24I'm a bad gay.
48:25I don't really know much Cher.
48:27You don't know?
48:27I know.
48:27Please don't put me in gay jail.
48:29Oh.
48:31A little talk behind the scenes.
48:33Could you get it going?
48:34I'll sing along with you.
48:36Oh.
48:36Oh, no.
48:37That one.
48:37Yeah, sorry.
48:38I stole it.
48:39I stole it.
48:40I stole it.
48:40I stole it.
48:40I stole it.
48:41I stole it.
48:41I stole it.
48:41I stole it.
48:42I stole it.
48:43I stole it.
48:49I stole it.
48:51I stole it.
48:53I stole it.
48:53I stole it.
48:54I stole it.
48:55I stole it.
48:55Jacob Allen, everybody.
49:03Welcome to the family where they've always got each other's backs.
49:06A funny and emotional drama with the Walsh sisters on iPlayer.
49:10Press red for a weekend binge.
49:19Hello here.
49:20Hey how are you going to do it?
49:20I rhythm of the wind.
49:20I paused to find the water possible.
49:20Hey, sensitive ice day.
49:20You heard you.
49:20Why would need for water here.
49:20I didn't sow.
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