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  • 14 hours ago
It’s a tweak off! With InStyle’s offices functioning as an active construction site, the derelict vibes in here would make Zoolander proud, but Brandon Blackwood NYC has had enough of the Dreckitude. With his chiseled cheekbones and statuesque demeanor, this project manager is ready to take a sledgehammer to the whole operation.

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Transcript
00:00Let's use a hand there.
00:01Okay.
00:03I'm not doing this with you, girl.
00:06That shoot was a complete disaster.
00:08Even though I couldn't give this place a major facelift,
00:11I still wanted to do something with construction.
00:13And I figured, why not?
00:14Let's incorporate it into shooting the bags.
00:16So I just wanted to come in and show you what we have so far.
00:20Hi. Oh, my God. Hi. Hello.
00:23That shoot was a complete disaster.
00:26Did Kevin try? I'm not sure.
00:28What do you think? Do you love? Do you hate?
00:29Switch it up a bit. Like, the whole set.
00:31The whole set.
00:33You know, usually we don't have the actual designer on set
00:36when we're doing a shoot.
00:38It felt a little bit, like, scary.
00:40This whole thing is not really gonna work.
00:43The vibe was supposed to be construction chic,
00:45and this just looks under construction.
00:47Okay, but now you're giving me construction,
00:49so let's figure it out, okay?
00:50Because let me tell you,
00:51I put a lot of work in putting these bags down.
00:53If it's a lot of work, I'm a little terrified.
00:55I, too, am scared.
00:56Hold me.
00:57Okay.
00:58I'm scared for this shoot.
00:59I'm gonna take a breather.
01:01Great idea.
01:02What the is this ?
01:03What else do they want?
01:05We don't have much in it.
01:07Hashtag concerned.
01:08I want to, like, literally throw myself out the window.
01:11You know, I didn't love the construction theme.
01:13It was a little grim and down market,
01:16but that was Brandon's vision.
01:18I honestly feel like I gave you guys ample time.
01:20You gave us 24 hours.
01:22That's enough time.
01:23What do you want?
01:24I'm not a mind reader.
01:25I'm not 11 from Stranger Things.
01:27I can't tell what you're thinking,
01:29so you gotta give me something.
01:30Let's use a hand.
01:31Give me that hand.
01:32I'm supposed to shoot this as well.
01:33There.
01:34Uh-huh.
01:34Maybe over here.
01:36But I think it's also over here, too.
01:38That's not difficult, but maybe over here.
01:39Okay.
01:40Let's watch out for body parts, ladies and gentlemen.
01:43I'm not doing this with you, girl.
01:44Okay.
01:45Let's not touch our photographer right now.
01:49Kevin.
01:49Yes.
01:50What is going on?
01:51A shoot.
01:52And it's going great.
01:53I don't really know what I was seeing,
01:55except it was trash.
01:56What is this that I'm looking at?
01:58I'm trying to figure that out as well.
01:59This was all Kevin's home.
02:01I put a lot of work into this.
02:02A lot of hot work.
02:03And now you're telling me you don't like it?
02:05Like, what do you want, Sally?
02:06On the one hand, it couldn't be Brandon's fault
02:09because he's a tastemaker.
02:10And on the other hand, I love Kevin.
02:12I don't know whose side to take.
02:14I think the construction aura is what we were going for,
02:17not like construction construction.
02:19I was on my way to lunch.
02:20Soup Slack says it's chicken dumpling today,
02:22so why don't I take you?
02:23I'll show you.
02:24There's also lentil.
02:25You really can't go wrong with any of our soups here.
02:27Soup?
02:29Do I look like I eat soup?
02:31Shoot me in the box.
02:32This is all we needed.
02:33Me.
02:35Hope you choke, mother .
02:36Excuse me?
02:38Oops.
02:39Sorry.
02:40To be continued on The Boss.
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