- il y a 10 heures
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#film vintage, regarde les film anciens. Bon film à tous et n'oubliez pas de vous abonner.
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Court métrageTranscription
00:01We enter life
00:06Without striking three blows
00:15The party has arrived
00:20Not counting us
00:30Take a good look at your child
00:33It cramps under his teeth
00:36The hope of tomorrow
00:41We enter life
00:47Without striking three blows
01:03And how is your protégé?
01:06Julien?
01:07Yes ?
01:07Yes, it's fine!
01:09He's considered a hero at school now!
01:11He's even got himself a little girlfriend, look!
01:14Speaking of girlfriends, how are you doing?
01:17What, is everything alright?
01:18How are you and your boyfriend Lionel doing?
01:21Yes, that's fine, why don't you go?
01:22Oh, you know that!
01:24With men!
01:25And there we go again!
01:27It's true !
01:28You're always complaining!
01:31No, Lionel, he's not complaining!
01:33If you start receiving them at your place too, now!
01:35A little help!
01:37Yes, but if you continue like this,
01:38You won't have any more Saturdays.
01:39You won't have any more Sundays.
01:39You'll have nothing left for yourself!
01:45Great !
01:46He's just grumbling a little
01:47Because I bring the kids home!
01:49He says I think I'm a nun!
01:51So, that's it, he's complaining!
01:56Noticed !
01:57It might be true that you're overdoing it a bit!
02:01You're a social worker, you're doing your job, good!
02:04But you shouldn't meddle in things that don't concern you!
02:07For that, you take your mother as an example!
02:10Why do you say that ?
02:11I'm saying this because you're here wanting to know everything!
02:14Men may be more prone to complaining,
02:15But women are more curious!
02:17My daughter lives with a boy!
02:19I just want to know if they get along, that's all!
02:21Don't worry, we get along very well!
02:23GOOD !
02:25And your temporary partner, is he still looking for trouble?
02:27Apart from that, she's not curious!
02:29But I'm not curious, I'm trying to find out!
02:32No, no, right now, it's fine!
02:34I brought his son back to him, so he's pretty happy with me now!
02:37Note that this doesn't mean he understands my role any better!
02:39He doesn't call me when it's my responsibility to intervene.
02:41He calls me when he doesn't know how to solve a problem!
02:44Miss Mazor, I am here with Mrs. Mazovitch.
02:46who is the mother of one of our good students.
02:49However, the boy is currently slightly disturbed.
02:51because he has a taste for cycling.
02:53He even joined a sports club.
02:56Seeing this, Mr. Mazovitch, who is the child's father
02:59and who lives separately from Mrs. Mazovitch, gave her a bicycle.
03:05Is that right, Mrs. Mazovitch?
03:06That's right, Mr. Principal. He gave it to him for his birthday.
03:09Here it is for his birthday.
03:11He even participated in a race where he achieved a very respectable ranking.
03:14He finished seventh.
03:15That's a very, very good result.
03:18But now, Mr. Mazovitch says to his son...
03:21I paid for the bicycle myself. It's staying at home.
03:24You will use it when you come to see me.
03:27Ah!
03:28Yes. Well then, knowing your skill, miss,
03:31I asked you to come and see if you could help us solve this problem.
03:37What do you mean, Mr. Headmaster?
03:39In other words, it would involve going to Mr. Mazovitch's house to get the bicycle.
03:43and to bring it back to the child's home.
03:47Listen, I'd love to, but really, it's impossible.
03:51For what ?
03:52Because I don't know how to ride a bicycle.
03:55It's not about getting on top of it, miss.
03:56Perhaps you could push it.
03:59No, I'm sorry, Mr. Headmaster,
04:01But we learn a lot of things at school.
04:04Psychology, social history.
04:06But to my great regret, cyclocross is not on the program.
04:10Ah.
04:11But you know he's sick, that guy. Completely sick.
04:14He's no longer involved.
04:16When I think about all the work he did,
04:18And he's the one sending me stories about little spoons.
04:20In divorced households, no way...
04:22Are we selling beef or mutton?
04:23Yes, if you want.
04:24No, I'm asking for beef or mutton.
04:26Well, beef will take my mind off things.
04:27Joel.
04:28Hi.
04:29What's going on?
04:32Why don't you want to go get your beef?
04:37Okay, so what's going on?
04:38You need to see my girlfriend.
04:41Laetitia?
04:41No, no, another one. Her name is Nelly. Nelly Corrins.
04:45Is she from high school?
04:47Yeah, she's in her second year of high school.
04:49Okay, well, tell her to come see me.
04:58You'll see, she'll come.
04:59All right.
05:02Hey, I got some dry rum. All we'll have to do is make some fries.
05:05What I like about you is that you always have great ideas.
05:08That's what being an outsider is.
05:10Ah, he said, I saw Gérard. We should meet him at the café.
05:13No, we have to go home.
05:14Well, we have time to have a drink.
05:15No, we're going home.
05:17Well, what's the matter?
05:19Are you waiting for someone?
05:22Yeah, there's a girl from high school there. He's waiting for me at home.
05:25No, that's not possible. I already told you not to have them at your place.
05:28Yes, I...
05:29This isn't living anymore.
05:30I know.
05:31Okay, well, you show me. I'm going to find Gérard.
05:33But no !
05:33Yes, yes, yes.
05:34Then, for your little problems, you won't need to lock me in the bathroom.
05:38I'm starting to know the bathroom like the back of my hand. Bye.
06:06So, you must have something to tell me? I'm running late.
06:17How much ?
06:19One month, or rather two.
06:23Is this what you're talking about now?
06:25I thought things would work out.
06:28That's it.
06:31How old are you?
06:3316 years old.
06:36Your parents know.
06:37If my father knew, he would kill me.
06:40Tens of thousands have said that.
06:42The father found out.
06:44That didn't stop them from ending up as grandfathers.
06:45You don't know my father?
06:49What do you plan to do?
06:52But I'm telling you about it.
06:54Okay, but what would you like?
07:01I don't want to keep it.
07:05You've thought it through carefully.
07:07Yes, why?
07:09Do you think it's better if I keep it?
07:11No, I don't believe anything.
07:14I just want you to know that there is a risk.
07:20For now, but also for later.
07:23I don't care, I don't want to keep it.
07:30In any case, you're a minor.
07:33You need your parents' permission.
07:34We need to die.
07:36Authorization from one of the two is sufficient.
07:41My father doesn't want me to wear makeup.
07:45I bought her a tube of lipstick.
07:47He flung himself into the void, hard gold.
07:50Then he beat me up.
07:53He told me that at 18, I would have the right to be a prostitute.
08:07Do you want me to go see your mother?
08:11What is it?
08:12Do you think she'll refuse?
08:14Oh no!
08:17She will sign whatever we want.
08:20Later, when she's older, she'll tell my father everything.
08:23This is important.
08:25It is often peppery.
08:28Every day.
08:36Well then...
08:37What do you want?
08:38I'm going to see the doctor?
08:40Do you want to tell him?
08:43What's most important is what he's going to tell me.
08:49What do you want me to tell you? She's pregnant.
08:54So what?
08:55So, nothing. She's pregnant, that's all.
08:58But doctor, she's 16 years old. I've explained the problem to you.
09:01Miss Mazard, please stop right there.
09:04The family's situation does not allow him to...
09:06Beyond the family situation, there is the conscience of each individual.
09:10To say that this young person is pregnant is to say that a human being has been born within her, that he
09:16vit.
09:17But that's not the problem.
09:19On the contrary, he is absolutely there.
09:20I won't talk to you about birth rates, because I think it would make you laugh.
09:26And yet, all the specialists agree on one point.
09:30The decline in the demographic curve represents a catastrophe for the economy of a modern country.
09:39Instead of counting its citizens like sheep in a flock, a modern country would be better off being
09:45capable of establishing the percentage of people who are happy and those who are not.
09:49Also of those who could be and of those to whom it is forbidden from birth.
09:55Miss Mazard, you have your convictions, I have mine.
10:00The opinions of those who respect human life seem to me as honorable as those who grant you the right
10:07to infringe upon it.
10:10That's a real reaction, man.
10:12But no.
10:14Oh, it's not Bakunin, that's for sure.
10:16But sometimes he takes good positions.
10:18It's a complete flop, he has his own moral code.
10:20I find it morally wrong to ruin a child's life when there are other options.
10:22But I'm not saying I think like him.
10:24I'm telling you he's sincere.
10:26And since he thinks like that, I find it beautiful that he has this attitude.
10:29Okay, but I've really heard it all.
10:31Yes, okay.
10:32Because what would be truly disgusting is if he agreed to help you, despite his opinions, just to...
10:35To please, in order to make money.
10:37You want me to tell you what you are? You're a fascist!
10:40Me ?
10:40Yes, you! And him too! You're both fascists.
10:43Oh shit !
10:51It's not a question of fascist or anti-fascist.
10:53It's not even a generational issue.
10:55Aunt Forget and I are not the same age.
10:56Do you think like him?
10:57No, I don't think like him.
10:59But in any case, I will not do anything without the parents' permission.
11:0216 years old! Do you realize what that means?
11:04That means being struck off the professional order.
11:06That's great! You always told me it was nonsense.
11:09I remind you that the legal deadline for taking action is 10 weeks.
11:12If you want to do something, you're right on time.
11:15Do something? What do you want me to do if everyone's backing down?
11:23But you don't have to do anything!
11:24Joel, are you crazy or what?
11:26You're not going to get involved in a matter like that!
11:28But what possessed me to tell you this?
11:29Me, who never says anything!
11:30Whether you tell me or not, it doesn't change anything, you know.
11:33Finally, you don't get paid to perform abortions.
11:35First of all, I did not perform abortions.
11:36Then, we pay to facilitate young people's entry into social life.
11:39I don't know if you're aware, but a girl who enters social life
11:41Having a 16-year-old to look after, there are better things to do!
11:43Well, my dear, she should have thought of that before!
11:45Oh, please!
11:46What, please?
11:46Yes, I know what I mean.
11:47You're not in front of your daughter, you'd be better off keeping quiet.
11:50My little girl was 16 years old, if anyone took care of German.
11:52What would you have said?
11:53I would have said thank you.
11:54Do you want to sulk?
11:55No, I'm keeping the memory.
11:56Science, you have enough problems already without it actually being useful for...
11:59This is not about science.
12:01I say we can't do that without talking to the parents.
12:03Oh, parents...
12:04What, parents? They still matter, don't they?
12:06Yes, they count, but they're not the ones who will pay for the mission, they are.
12:09They might pay for it for the rest of their lives, that's it, you don't seem to understand.
12:12Okay, so what are you going to do?
12:16Nothing, unfortunately.
12:20So, you're abandoning me?
12:23You knew it, you're a slut, I was told.
12:29You pretend like that to find out, and then you don't move.
12:33Maybe you're even an informant, right?
12:36Go ahead, let me know when you're finished.
12:37Screw you.
12:39Yes, screw you!
12:42Because you think you can trap me, huh?
12:43But I'm the one who tricked you.
12:46I did it just to see what would happen.
12:48But when it comes time to make it happen, I don't need you, believe it or not.
12:50No need to toupir either.
12:51In there, I have everything I need.
12:53Let me see.
12:54You want to see? Here, look.
12:55Inject that and it's all over.
12:56Do that for me.
12:57No, then.
12:58No !
12:59Do that for me!
13:00Make me!
13:01Make me!
13:01Make me!
13:01Make me!
13:02Make me!
13:04That's it, in a row.
13:05Yes ?
13:06What do you want?
13:07I don't know, I'm here to help you with your housework.
13:08Yes, but that's it.
13:09You can try your sense of humor later.
13:10When is it due?
13:11Listen, listen, really, you won't get away with it with me.
13:13I want to tell you this.
13:28Nelly, listen to me.
13:33You want to be reasonable for a little while.
13:38I will do everything I can to help you.
13:39Yes, I swear.
14:09I swear to you if you want.
14:10Ah, you have it?
14:11Yes.
14:15Awesome !
14:19It's still you, in a way.
14:22He wrote to me, he'll be here in 15 days.
14:24That's great.
14:25And you think you'll be able to hold out until then?
14:27It will have to be done.
14:29And your mother, is there no doubt about it?
14:30I don't think so.
14:32Do you think I've changed?
14:33A little, yes.
14:38He found a job in Constantine.
14:40We have the money for both trips.
14:42That's good, you're leaving soon.
14:43And are you going to tell your parents?
14:45Oh, I'll tell them when I get there.
15:04My dear friends, if he is normally constituted, the newborn child dreams of knowing the galvanometer.
15:14mobile frame.
15:16Ammeters, voltmeters.
15:19And don't forget, am I satin?
15:22The use of the galvanometer in measuring an electromotive force.
15:26That's what we studied today.
15:34Take a sheet of exam paper.
15:38Silence !
15:42No books on the tables.
15:50From the front steps, can you hear what I'm saying?
15:52I get five out of five, I love it.
15:58Is this yours?
15:59Oh no, sir, it's not mine, no.
16:01What, it's not yours?
16:02Oh no, no, no, no, it's not mine, no, no.
16:03Ah, good, perfect.
16:04Scout's honor.
16:06So, whose book is this?
16:08To no one.
16:12Okay, okay.
16:13No, no, we don't know whose book it is.
16:15I know nothing.
16:19Silence !
16:20Whose book is this?
16:22Whose book is this?
16:25To whom?
16:27You know, I don't care, do I?
16:30I'm not the one who's going to buy another one.
16:33Whose book is this? Whose?
16:36Eh ?
16:37No, no, no.
16:39No, no, no.
16:48Colombe Annie, at recess, you will go see Madame Piedanielle
16:52and you will ask her if she can lend me a roll of adhesive tape.
16:57Silence, interrogator!
17:00You know our capabilities, our limitations.
17:06I don't want to influence you one way or the other.
17:10But what would you do in my place?
17:16As the head social worker, I can assure you of one thing.
17:21Whatever your choice, you will have my support.
17:26But I must warn you that if you were to break the law,
17:31This support would not tip the scales heavily.
17:37I know.
17:39I was an assistant, like you, Joel.
17:42And rest assured, I too have sometimes taken big risks.
17:48to prevent teenagers from taking even bigger ones.
17:53Moreover, it's especially dangerous.
17:58If you choose a solution like this,
18:02Try to limit yourself to giving advice.
18:06An address, perhaps.
18:08But whatever you do, don't involve the administration.
18:12She would never forgive you.
18:16Once again, the choice is yours.
18:24Madam.
18:29Joel, whatever happens, you can call me whenever you want.
18:34Come see me at any time.
18:35I am at your disposal.
18:38Thank you.
18:46Bye.
18:48And keep me informed.
18:50THANKS.
19:09Hi.
19:11Yeah, I know, it's me again.
19:13But I didn't tell you anything.
19:14He used to have fewer hang-ups.
19:16I mostly had fewer problems.
19:20Well, if he has a chance, it's there.
19:25They're not going to tell him to get lost, are they?
19:27No, I have a friend who works there.
19:30He works with a women's movement.
19:32When she goes, I called them.
19:37He's a cool guy.
19:41THANKS.
19:44Ben, let us see it, don't you want to show it to us?
19:45Hey, I'm not the Paris fair.
19:47Oh, fuck!
19:48Have you seen it before?
19:50When did I see that?
19:51Yesterday, with Hervé.
19:52Oh, I wasn't there with Hervé yesterday.
19:54Fuck off, this is the last time.
19:56Oh, come on!
20:03Oh my god!
20:05It's like a war scar.
20:07My uncle had a war scar on him.
20:09Well, it's the same.
20:11I don't know, it makes me...
20:13Does it hurt?
20:14Does it hurt?
20:16Oh !
20:18I made a change of time.
20:20Are you sure you can't see your parents' signature?
20:22That would be better.
20:23Listen, I've already explained it to you.
20:26Good.
20:27Well, too bad, you'll just go like that.
20:30Aren't you coming with me?
20:33No.
20:35I would have preferred that, but I was told it was better not to.
20:37Courageous, but not reckless.
20:38That's it.
20:44How do you plan to get there?
20:46By bus.
20:47But to come back.
20:48You're not coming back by bus.
20:50I'll get myself out of the habit, I'll ask for a friend.
20:54Something else.
20:55Do you have a place to stay?
20:56What do you mean by a drop-off point?
20:58It's still serious, you know.
21:00In principle, everything will go well.
21:02But you might have a slight fever in the evening.
21:04So, it's best if you have somewhere to stay for a day or two.
21:07At least one night.
21:09So you can call if there's ever a problem.
21:11But what am I going to tell my parents to get me to pull out like this one night?
21:14Don't you realize? They'll never want to.
21:18Okay, we can see the doctor on Saturday.
21:20Can't you just invent a weekend?
21:21Listen, at our house, we spend our weekends in our room.
21:37Lionel, I don't know if I'm doing the right thing by coming to see you.
21:41I don't know you very well, but you seem reasonable.
21:45No, Joel probably believes he is acting correctly.
21:49Perhaps if you remembered her for this story...
21:52that you know.
21:54It worries me.
21:56Don't worry too much.
21:58Joel is less eccentric than you might think.
22:00Well, all the better if I'm wrong.
22:04However, you see, as far as you are concerned.
22:05Yes.
22:09Of course, that's none of my business.
22:12I wouldn't want you to think that I came here to...
22:16But for her and her administration,
22:18I'm sure everything would have gone much better.
22:20if, between you, the situation had been more regular.
22:24Is that what you came to tell me?
22:26Oh no, no, no, no, no.
22:27I came because I'm worried.
22:29It's primarily the story of this little girl.
22:31Madame Mazard, frankly, I don't think Joël is overstepping the bounds of his profession.
22:36And then, minds change, you know.
22:38But laws too.
22:41Maybe.
22:44It's because I'm so worried.
22:48What business is it of mine?
22:49No, but what does she do?
22:50She is worried.
22:52You know she's swollen, though.
22:54She doesn't even know you.
22:55I must say that surprised me.
22:57I even thought it was you who had sent it to me.
23:00Me ?
23:00But why?
23:02Because she talked to me about marriage.
23:05What ?
23:06Did you think that?
23:07I'm just saying that as a joke.
23:09Just kidding, but you still sent it right up my gums.
23:11I'm telling you it's a joke.
23:13Joke or not, I advise you not to repeat that.
23:15Otherwise, your suitcases will be found in front of the door.
23:17No, but seriously!
23:18There is no no, but say!
23:19Ah yes, there is a no, but tell me, because you're starting to get on my nerves in a peculiar way.
23:21I'm running after you.
23:23With your mother, your kids, your social cases, your constant problems.
23:26And then the apartment which is no longer an apartment, but a Salvation Army reception center.
23:30That's it.
23:31If you don't like it, just leave.
23:33You know, there's no point in acting like a fool, because it could very well happen.
23:36Go ahead, what are you waiting for?
23:38Please pack my suitcases.
23:42Pardon ?
23:42Ah yes, you told me that...
23:44I'll find them in front of the door, so when they're there, I'll take them.
24:11Do you want to listen to me seriously for one minute?
24:13No.
24:14You'll listen to me anyway.
24:15I'm warning you, if you continue like this, in three years you won't be taking care of anyone anymore.
24:19Because you're the one who will be completely demolished.
24:22Yes, yes, I assure you.
24:26But what do you want me to do?
24:27You're doing your job at school, that's great.
24:30When something extraordinary happens, you deal with it from the outside.
24:33But generally speaking, in the evening, on Saturdays and Sundays, you draw the curtain.
24:39If you think it's easy.
24:45Joel.
24:48You make a commitment. For fifteen days, you don't receive a single one at home. You keep your
24:53Weekends for you. Promise?
25:00Promised.
25:02Okay, I'll take you to a restaurant, then it's not long until the movies.
25:05OK.
25:11Joel, I was looking for myself. I lost the address.
25:14What address?
25:15The center, the thing. I had to pick up Nelly at four-thirty.
25:20Yes, I know, and then I lost the address.
25:22But you weren't planning on going to get her by motorcycle, were you?
25:27But you're all crazier than each other.
25:32Okay, listen, you come up to the house, then I'll do some shit.
25:35Joel, it's Saturday.
25:36Yes, I know. Tomorrow will be Sunday. In the meantime, what else can I do?
25:40Okay, you're not taking care of anything anymore, because if it's just to do stupid things, we'll...
25:42'doesn't need you.'
25:45Joel.
25:59Hi, orientation expert.
26:01Hi.
26:02Do you live in the neighborhood?
26:03Yes, indeed.
26:04It's true, there seems to be some change in your love life.
26:07What made you say that?
26:07Your girlfriends.
26:09They said the orienteer lost the position.
26:12Your girlfriends are funny.
26:13Yeah.
26:14Do you have time to grab a drink?
26:15If you want.
26:16Okay then, I'll take you. Get on the dock.
26:19Hop.
26:20Are you there?
26:21What ?
26:22Let's go!
26:34The baby care staff, the nurses, they were really nice there.
26:38Weren't you too scared?
26:40At first, I was a little freaked out. But then it was so nice. They even
26:46Not yelled at, nothing.
26:47That would be the last straw.
26:50You know, the first time I go to work, the first money I earn, I'll make you a
26:57gift.
26:58That's cute.
27:01In the meantime, if you have other girlfriends like you, I'd rather send them my way first as a matter of fact.
27:08Okay, I'll drop you off.
27:11You can put me wherever you want.
27:13Are you going somewhere?
27:15No, I haven't found anyone. But I don't want to go to other people's houses.
27:21No, it's fine, you can leave me wherever you want. It's okay.
27:25But where would you have gone if I hadn't come to you?
27:28Ben at the bistro.
27:29How about at the bistro?
27:30Yeah, at Pierrot's. On Saturdays, they don't close before midnight. I would have been stuck on the bench.
27:36That's not true.
27:37No, that's not true.
27:42Oh my god, I swear.
27:45Where are you going?
27:46Yeah, where do you want me to go?
27:53On the one hand, I prefer you to be here. I would be more at ease.
27:56Well, that's what I call peace and quiet.
27:58Okay, so will you give us a minute?
27:59No, but that's the word I was looking for. There, all good.
28:02You don't understand anything.
28:03Oh, come on, I'm not a bear.
28:05It's true that after something like that, even on a cot, she'll be better off than on...
28:08the bench seat in a bistro.
28:10No, but you don't really think I'm going to make her sleep on a camp bed, do you?
28:14What, you're not going to give him the bed?
28:16Finally, Lionel thought for a moment before speaking.
28:19The patient sleeps in a bed, that's normal.
28:21You don't intend to sleep with her.
28:23Okay, so you see what you have to do.
28:27I see !
28:28You're being interrupted again.
28:29Yes, no, don't worry.
28:30We're going to keep you interested for too long for you to go to bed now.
28:50I don't know yet.
29:24MFP subtitles.
29:28Yonel, he's fine, he doesn't have any viper.
29:31Did you hear? He doesn't have any vièvre.
29:34Yes, I heard. And that's great.
29:38But I still wonder if you are capable of experiencing human emotion.
30:23Yonel, it was your mother who had an accident.
30:26A mother, an accident.
30:28I'm sure, I just revealed it.
30:31Yes, yes, yes, there you go, there you go, there you go.
30:40What are you doing here? I don't know, you came halfway through.
30:42No, no, you shoot, you shoot. That's better.
30:44You can't call that a toy, can you?
30:45I don't know.
30:52It's what ?
30:53That's Yves, your favorite guitarist.
30:57It seems you told him to come at eight o'clock, so I kicked him out.
31:00It's already eight o'clock? What do you mean, you fired him?
31:02But don't worry, I fired him, but he didn't leave. He wants to talk to you.
31:07And you're just going to leave it like that?
31:09Yes.
31:12Oh, in a fit of rage!
31:13Yes.
31:15Have you just recovered?
31:17Ah yeah.
31:18That, I can make too much noise in the side of my head.
31:19You are a little more.
31:23Good evening.
31:23But it's you.
31:26Wait a bit.
31:29Joel, yesterday afternoon you went to pick up that girl.
31:31Last night, you gave him our bed.
31:33Last night, every hour, you gave me his health report.
31:35GOOD.
31:35But I'm warning you, if I can't sleep this morning, I'm outta here.
31:39You were talking about suitcases.
31:40I'm not kidding, Joel.
31:41If I hear a note from that instrument, you'll never see me again.
31:44Well, I'm off then.
31:45No, you're settling in.
31:46Don't provoke, Joel.
31:48Don't pay attention, Elisa, because he's angry.
31:51Stop.
31:52Well, you're going to play, you're not going to go to your concert without rehearsing.
32:02Well, I guess I'm not going to your concert.
32:27I'll give you a quick call.
32:28I hope to get some advice on the names.
32:32You're not going to let me down now, otherwise what will we get out of this?
32:41For this coffee?
32:42Yes, I'm coming.
32:45So, friend, how are you feeling?
32:48I'm doing well.
32:50Sleep a little longer.
32:52You have all day.
32:54It's disco at your place, huh?
33:19For this reason, the rock is said to be deep,
33:25or plutonic,
33:28or intrusive,
33:30or endogenous.
33:32Or endogenous.
33:33GOOD.
33:35While the joining of two crystals
33:38forming a certain angle
33:41is a...
33:44is a...
33:49Anna Bianchetti, show us what you have in your hands there.
33:51Come on, right now, don't be ashamed.
33:53I am not ashamed.
33:55What, you're knitting while I'm teaching?
33:58Yeah.
34:00That doesn't bother me.
34:26It's ready, right?
34:28Is anyone there?
34:29I think it's okay.
34:30Yeah, but...
34:39Ah.
34:42I was waiting for you.
34:43We were with Mother Labarthe.
34:45Because she can settle down, this woman.
34:47I thought we were never going to guillotine the pieces.
34:50Here, this is for you.
34:52You're not going to bring me candy every time we see each other.
34:55I promised you, my dear.
34:57Ah, because you have money.
34:59Are you going to fork it for your old man?
35:00No, no, I have something.
35:01Hey Julien, is it true that you're taking a franc while you're with your wife?
35:04Yeah, that's true.
35:07No, no, but it's one franc per person, but you have to be at least five.
35:10For what ?
35:10That's how it is, I don't go into details.
35:13Come on.
35:15Okay, you're not messing up again.
35:17I'm doing what I can.
35:25Mr. Censor, excuse me for disturbing you in your work.
35:27This is a matter I wish to resolve as soon as possible.
35:30I'm listening, Mr. Headmaster.
35:31So.
35:32You know that in this establishment, only the headmaster, that is to say myself,
35:36has private cars, that is to say, cars that lock with keys.
35:40Yes, Mr. Headmaster.
35:41You also know that it is a traditional key, that is to say, a little bit bulky.
35:46I usually hang it here, and this morning it disappeared.
35:50It might be Mrs. Piedaniel.
35:51No, Mrs. Piedaniel called to say she would not be able to come to work.
35:53His son is ill.
35:54He is, in fact, quite regularly ill on Monday mornings.
35:56Finally, let's move on.
35:57Getting back to our case...
35:59Do you want me to find the key?
36:01And the prankster who took it?
36:02Come, Mr. Headmaster, I'll take care of it.
36:03Thank you.
36:04You are welcome.
36:10Hey Hervé, did you go pick up Nelly on Saturday?
36:13No, I didn't have it where, but I had the address.
36:15You had to go there all the time.
36:16Yeah.
36:17And where was it? What was it called?
36:19I don't know, I'm telling you I didn't have where but the address.
36:21Yeah, yeah, that's what they say.
36:22My eye.
36:24Will you give me some space?
36:33You know, I'm in trouble.
36:35Well, why?
36:37Well, it's still my fault, Lionel.
36:38It's been shot, there.
36:40But it's okay, he'll be back.
36:43Do you think so?
36:44But yes, listen, you're not going to start worrying about that, Adi.
36:48Ciao.
36:49Ciao.
37:02What was that again?
37:03It was...
37:04The concert the other day was great.
37:05It was great, really, it was really good.
37:07And that was rehearsed properly on Sunday morning?
37:09Yeah, right.
37:10Didn't you notice anything?
37:11Where?
37:12Well, I'm a coffee pusher.
37:14No, what was I supposed to notice?
37:16Well, she was all alone.
37:18Why are you telling me this?
37:19Well, did you fly?
37:19Speak!
37:19I don't like to talk, I just love music.
37:22Ciao, guys.
37:28Yes.
37:31Enter.
37:35Good morning.
37:37GOOD.
37:45Sit down.
37:46THANKS.
37:49Can I help you?
37:51I'm in love.
37:54And I am unhappy.
37:57These things happen.
38:02There you go, Mr. Provost.
38:04I put a guard on duty.
38:06On duty?
38:20In any case, I'm unhappy.
38:37I'm going to give you a question.
38:40I am unhappy.
38:42I am unhappy.
38:42I am unhappy.
38:47It's a little bit.
38:50I'm going to tell you something
38:51You have a nice face
38:54It's a rumor going around, yeah.
38:55Yeah, he's got a nice face
38:58So I'd hate to damage it.
39:00So now for Coffee Break
39:01You're going to stop acting like a total jerk.
39:02Otherwise, you'll run into some trouble, okay?
39:05Are you showing off that you're multiple people or what?
39:06I don't know
39:09If you keep bothering Pause Café
39:10I'll smash your head
39:12Are we kidding?
39:13No, no, we're done playing around.
39:15Did you understand?
39:16Otherwise, next time we'll give you a good time.
39:19Oh yes, that's for sure, oh yes, that's for sure
39:20There you go, I like it when you play the fool
39:27So
39:54Class leader
39:56Please distribute the copies.
40:00Malorie
40:02Lubofsky
40:06Bernarda
40:08Bianchetti
40:10Anna Bianchetti is not here
40:11She was there this morning
40:12Ah, that's a shame.
40:13Ah, that's a shame, she's 18.
40:14Ah, that's a shame, I have the 18th
40:15And you too, Jean-Pad
40:16And you too, Jean-Pierre?
40:23Focus Tun incom moon
40:37Yes. Since when?
40:40Since Anatole France. He made the whole class laugh.
40:46And him?
40:48He used to love me.
40:50Before what?
40:53Before Granny Nerve. Before Grégoire, he was kind.
40:59Now he's acting like he can't see me.
41:02He learned Russian as a second language.
41:04I'm sure he can no longer be with me.
41:09Don't you think you're imagining things?
41:11No, no, I know him well.
41:17I think about him more and more.
41:19I'm working less and less.
41:22What do you want me to do?
41:24I don't know. Maybe you know something?
41:27Anything?
41:30So that he will come back.
41:34If I didn't know about it, I would start by using it.
41:38For what ?
41:39Were you ratted out too?
41:42It will be simple.
41:45If you want to tell me, I'm listening.
41:50You can speak, Eva.
41:51I assure you, it feels good.
41:55Okay, so we have the homogeneous oblique cylinders A, B, C.
42:01We place them on a horizontal plane P.
42:05Sir, sir, sir.
42:08What's on the front steps?
42:09Couldn't we open the window a little because I don't know what's in there?
42:12But I'm a little hot.
42:13I don't know if it's not beautiful.
42:14I don't know if it's not beautiful.
42:15I feel that...
42:18Oh, thank you, sir.
42:20Okay, nice, huh?
42:22Okay, then, mark it.
42:24A rule emerges from these examples.
42:27Any solid object, resting on a horizontal plane, is in equilibrium when the vertical line, passing through the center of gravity, meets
42:37the plane inside the base of support.
42:43What else is there on the porch?
42:44Sir, it's very cold, we absolutely must close the window now.
42:49It's freezing cold, it's unbelievable, it's crazy.
42:59Okay, let's start again, let's start again, we write, we write, we agree.
43:03Let's start again.
43:04We write, there, here.
43:05Okay, so, a rule emerges from these examples.
43:10Ah, not made pure, not made pure.
43:12Any solid object, resting on a horizontal plane, is in equilibrium when the vertical line, passing through the center of gravity,
43:21and against the plane inside, inside the base of support.
43:28So.
43:30Note to all teachers.
43:32Note to all teachers.
43:35Oh yes.
43:38It's not literary, it's simple and direct.
43:40I'm listening to you.
43:42Ah, ladies and gentlemen of the teaching staff, the key to the headmaster's toilets has disappeared,
43:49Ladies and gentlemen, professors are requested to...
43:54Is there something you dislike, Mr. Headmaster?
43:55No, your style isn't the issue, he believed, but it's in relation to the last note that
43:59we received on the words of foreign origin.
44:02The rector is very insistent that we limit its use among students.
44:05So in a text from us, the word water...
44:09You're right, Mr. Headmaster, I'll put...
44:13Cabinet.
44:16The key to the headmaster's office...
44:19I don't really like offices.
44:24Me neither, Mr. Headmaster.
44:33The places.
44:35The key to the place.
44:39Look it up in the synonym dictionary, it's there.
44:43You know, in the dictionary, you never find what you're looking for, Mr. Principal.
44:49So it's coming, yes?
44:51That's fine, Mr. Principal.
44:54It's a cabinet.
45:01Synonym, ministry.
45:04Pardon ?
45:05Ministry or office.
45:08Toilet, or even a place of comfort.
45:11Yes, well we won't feel it, thank you, sir.
45:13Sir, please, sir.
45:14Sir...
45:15What else is there on the porch?
45:16Sir, listen, it seems to me that it was still better, on reflection, it was still better
45:20when the arrow was open,
45:21Because right now, I'm a bit claustrophobic, you see?
45:24And yet, I'm still having trouble.
45:25Yes yes.
45:25I'm not doing well, are I?
45:28You suffer from claustrophobia.
45:30Yes, I am claustrophobic.
45:31You can no longer breathe.
45:32I'm having trouble.
45:33So listen, I have an idea, I have an idea, excellent.
45:36Okay, yes, okay.
45:37Go get some fresh air.
45:38Immediately.
45:39That's right, okay, that will probably do me a lot of good, won't it?
45:43Yes, that's true.
45:44No, because you see, I'm a little claustrophobic, it's not a big deal, I'm a little claustrophobic.
45:47Yes, it's true that I'm a little claustrophobic.
45:47Yes, it's true that I'm a little claustrophobic.
45:48Go and get some fresh air, my dear friend, sir, plenty of fresh air.
45:50See you later.
45:51The hand, really?
45:59Okay, I'll give you an idea, if you want.
46:05Why wouldn't you feel Varlot at the post? Huh? It's funny, isn't it?
46:10Yeah.
46:10SO ?
46:13Varlot to the post!
46:44So, Dupéron, are you looking for something?
46:48No, I heard a noise, I think.
46:49Still spiritual?
46:51No, but I'm not kidding.
46:54Is anyone there?
46:57Ah yes, there is someone.
46:59Go get the life censor, give him the key.
47:01Okay.
47:03Is anyone there?
47:10That's precisely the point: I don't have the key.
47:12Tell Mr. Casnav to come immediately with all the necessary equipment.
47:21So, Mr. Ramey, what's going on?
47:23I don't know, Mr. Headmaster.
47:24The door was closed, and then I think I heard that I put on
47:27someone inside.
47:35I think it's blood.
47:36Okay, blood, come on, go get the doctor.
47:38Here we go.
47:39Ah, Mr. Casnav, hurry up.
47:40Do whatever you want, shit yourself on the door, but open it for me, hurry up.
47:45Ah, we're alive!
47:49Ah yes, the key stays on for two hours.
48:00Ah yes, the key stays on for two hours.
48:02I'm going to stop with the great warriors.
48:04I'm sure you like me, that's fine.
48:22Cazenar, help me.
48:30The stretcher, quickly, attention.
48:32Quickly.
48:44Mr. Camp,
48:45He took the police to drive.
48:46Quickly.
48:47Subtitling by the Canadian Broadcasting Corporation (CBC).
48:52Subtitling by the Canadian Broadcasting Corporation (CBC).
49:20Anna!
49:21Oh, I should have known.
49:23Did you know something?
49:25Then, as long as she had to leave.
49:28Leave ?
49:29In Constantine.
49:31She met a boy there during the holidays.
49:33Then she became pregnant.
49:36And he went home.
49:40He kept telling her he would come and get her.
49:42And yet, he kept delaying the trip.
49:45And she was afraid to talk to her parents about it.
49:48She said she would give birth there and would tell them afterwards.
49:52So she squeezed herself.
49:55And she's been pregnant for seven months.
50:07She is pregnant.
50:36The manurice.
50:43That's
50:44THE
50:44THE
50:44THE
50:44THE
50:44THE
50:55THE
50:55THE
51:29All children need to dream.
51:36The older they are, the bigger their dreams are.
51:43The adolescent is a child
51:51The teenager is a child who dreams of a flying circle
51:59Come into his soul to lead him across the ocean
52:11All children have broken dreams.
52:18This is the time, the great time for thoughts
52:26Nothing is more beautiful than a gift
52:34From those long, dreaming eyes
52:39The madmen are living his dream
52:45And give him his freedom
52:53And just a little bit of love
52:58And just a little bit of love
53:08All children need to dream.
53:16The older they are, the bigger their dreams are.
53:22The adolescent is a child
53:30Is a child who dreams of a flying circle
53:38Come into his dream
53:42To train him on the ocean
53:50An ocean of love
53:58An ocean of love
54:03An ocean of love
54:09To train him on the atいる
54:23LaBarée d'amourkeltit
54:23Qu字ées