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Igra sudbine Epizoda 1702,Igra sudbine 1702,Igra sudbine 1703,Igra sudbine Epizoda 1702, Igra sudbine Epizoda 1703,Epizoda 1702 Igra sudbine ,Epizoda 1703 Igra sudbine
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TVTranscript
00:00The End
00:30What? Is everything ok?
00:31Nothing is ok. Nothing.
00:33I'll end up in a mess,
00:36on a psychiatrist,
00:37because of these weaknesses
00:38with whom I live. I don't think about you.
00:53It looks like we won't see anything more.
00:56What? I thought you liked this place.
00:58I don't like the place,
01:01but...
01:01Do you see the girl there?
01:08That's the young...
01:11...dvaraç
01:11with whom I spoke to you.
01:15I thought
01:18that...
01:20...we could be able to do it.
01:26Okay.
01:28Okay.
01:28Let me tell you what happened to you.
01:30What special?
01:33Let me tell you.
01:38Let me tell you.
01:39Let me tell you.
01:55I don't know.
01:55What happened to you.
01:58I don't know.
01:59I don't know.
01:59I don't know.
02:14what's the best.
02:15I don't know.
02:16I don't know.
02:17I don't know.
02:22what's the best.
02:23I don't know.
02:24I don't know.
02:26I don't know.
02:33I don't know.
02:47I don't know.
02:48I don't know.
02:50I don't know.
02:51It's not one thing in the most part...
02:54...kind of you.
02:55It's kind of like a car.
03:02And like...
03:04It doesn't have another one.
03:05And like...
03:06It's like...
03:09I don't know.
03:10It looks like it looks like it's me.
03:16That's my maximum, and that's it.
03:21It looks like it's a day when all of you and Milet.
03:26I pray.
03:28Wait, wait, wait, wait.
03:29Did you say that they and Milet and Milet?
03:33Is Gala? No, just tell me if it's Gala.
03:37No, Milet, Dijana Terski.
03:39Wait, wait, wait.
03:41Do you think you were wrong with the demands that they had?
03:46Yes, I thought about it.
03:48I mean, because the fame didn't show me,
03:50I thought I was right.
03:55But why did they show me?
03:57I don't know.
03:59She really made the nonsense that she said Dijana.
04:03No, no.
04:04I was expecting to know that something could happen.
04:08But it's the first time.
04:11Why did you say it?
04:13No, no.
04:14No, that's not what I said.
04:16What did I say?
04:19What did I say?
04:20Now, now this is a circle, and it goes to you and it goes to you.
04:29That's me? That's me, ma?
04:30That's me, that's me.
04:32Because it's not possible to be a dead man from these two sides to the Maldives.
04:42That's me.
04:43I don't think about it because he had an opportunity to talk about it.
04:50Okay, but when you're like that, you can't like it if you don't like it.
04:58Well, maybe you can hit you in a cage, you know, and now it's a tactic,
05:03because you weren't interested in it.
05:06No, I believe it's better.
05:09I'm going to give up to you, so I won't be surprised.
05:16I don't know what you're doing, but we're good.
05:19Everything will be as you say.
05:21I'll show you something he's here, to see what he's doing here.
05:29I hope everything will be fine.
05:31It's not possible.
05:37Let's go.
05:57Let's go.
05:57The other thing I thought of is that...
05:58Life's writing a novels and I said that life's not good.
06:06Sometimes you lose, but often you lose, and everything is unknowing, except for the struggle.
06:20Like love in the war, there is nothing to do, you have one life, only one chance.
06:34To become no one, because the star will all be done.
06:42It's a game of love, like a circle of happiness, someone wants someone, someone doesn't want someone.
06:52Like in the sea, the world changes everything, and we are our hearts.
07:00So you should be there.
07:03Oh, oh.
07:07Oh, oh.
07:13Oh, oh.
07:16Oh, oh.
07:54What is this?
07:56Is it possible that we drink at this police station the best coffee in the city?
08:01Do you know what this is?
08:03Don't worry, man, on everything.
08:05And you're not this coffee.
08:07You're the government apparatus, all the rules.
08:11You don't have to be a good coffee.
08:13Well, you don't have to be the best coffee.
08:15We don't have to drink with this.
08:16It's a mess.
08:18What's your fault?
08:19It's like a knife.
08:20Let me tell you how we're standing with Grklen and his team.
08:27Sit down, let me do that.
08:32Let me tell you.
08:33What about those two, Maxima and Komarca, they don't have anywhere.
08:41They didn't make any nonsense for the whole week.
08:44It looks like Grklen is holding them under control.
08:49And he?
08:50Grklen?
08:52There's no one anywhere.
08:53It's like he fell into the earth.
08:55It's like he fell into the earth.
08:55No words.
08:56Yes.
08:58What do you think?
08:59Why is that so?
09:02Well, he really wants to appear at the same time.
09:05Especially after the same message.
09:07He noticed that he was a little bit disappointed,
09:10and now he's got to be ashamed of everything.
09:14Are you sure that he made that message?
09:18Who would be the other one? That's his style, that's the old school, the Italian phase, the new generation, the
09:24criminalists don't know anything, they only know what to do, and nothing. They don't know what to do about diplomatia.
09:33A strong diplomatia. He sent Somovu mrtvu glavu, koko kum za sirotinju.
09:41Don't worry, mafia diplomatia has known our rules, but there is another problem.
09:49Which one?
09:51Someone's son hit Mida.
10:06Stvarno, I can't believe.
10:08What can't believe you?
10:09That's my new wife and my wife is the owner of the company.
10:16She's a wife, she's a wife, it's not. Nobody needs to be like this.
10:22Gabriela is from me. She has a diploma on the way to get them.
10:27She doesn't want you to. She doesn't want you to do the drama.
10:29Zato što je kretenski zahtev.
10:32Kretenski ili ne, ja sam uradila ono što se traži od mene i donela diplomu.
10:37Eh, i ja sam uradila nešto.
10:40A šta si ti uradila?
10:43Gledala Gabrielu kako maršira hodnicima ispod oka, jel' to?
10:47Nešto mnogo konkretnije.
10:49Šta si uradila?
10:51Reći ću ti kasnije.
10:53To je stvarno strašno panči, nevam reći. Ja si zna ko je odgovoran uopšte za to ili?
10:57Što tako gledaš za nje?
11:00Imam joj neke svoje razlogi.
11:02Ale, a šta si uradila?
11:05Suna...
11:06Si spremila svu dokumentaciju.
11:08Da, sve to.
11:09Odlično, ajde sad pođe sa vam.
11:20Naravno, panči, naravno.
11:21I molim te, Aleksa, svrati do bolnice, poseti mi to.
11:26Ko ću to se podrazumio?
11:27Ne znam, valjda sam pametno uradila što sam zvala Vukašina.
11:32Nadam se da nam se to neće obiti u glavu.
11:34Ko zna s kakvim ljudima imamo posle?
11:37Verovi panči, postupila si ispravno.
11:40Između ostalog ti ljudi žele da se mi njih plašimo.
11:43Tako da ako neko može da pomogne, to je Vuki.
11:46Ja se nadam.
11:48Najbitnije sada je Mido živ i samo nemoj da se brineš, molim te.
11:52Pa šta ću?
11:53Ja kad brinem, ja brinem.
11:56Dobar, samo nemoj da se brineš više nego inač.
11:58Probat ću. Ajde, Aleksa, čujemo se.
12:01Hajde, hajde, ćao.
12:24Gala dođi odmah u moju kancelariju.
12:27Hvala, čujemo.
12:39Ja nije mi jasno ko bi napao jadnog Mida?
12:42Jel je reko nešto? Prepozno? Znak ko je u pitanju?
12:46Nije ništo reko i dalje u nesvrsti.
12:49A ovo znači da su dobro nagradili Mida?
12:54Pa, nekoga je baš onako ozbilno odradio,
12:57i ne liči i na obično razbojništvo, a i nije ništo ukradeno.
13:03Pa šta ćemo mislao da radimo?
13:04Sad čekat ćemo da se mi probodi pa ćemo ga pitati.
13:08Možda se seća napadača?
13:11Koga znam, ma da su.
13:14Jel, a šta misliš da možda to nema neke veze sa ovim mojim slučajem?
13:22Ne vero, ne vero.
13:25Misliš?
13:27Misliš da ga je napao Grkljan?
13:29Da.
13:29Ne, ne, ne.
13:31Možda.
13:32Ne zna, vidjet ću.
13:33A hoćeš da ja pričam sa Mida kad se probudim?
13:40Ne, ja ću s njim da porazgovaram.
13:44A ti nastavi da pratiš tog Grkljana i njegovu ekipu i vodi računa da budeš neprimećen.
13:50Jer oni jesu budale, teške su budale, ali umeju da osete repove, to je nevjerovatno.
13:56Hoću, a ti da mi javiš šta ja rekao Mido kad se probudim, možda tu ima ipak neke veze sa
14:01mojim slučajem?
14:03Dobre.
14:04Idem ovo da prospem, ovu splačinu i pomjeru i da popijem nešto ko čovek.
14:10A i ti, nemoj da piješ to.
14:12To može da bude opasno za trenutim godinima.
14:15Pa ćeš moju možda.
14:18Ozbriti kaži što.
14:20Nemoj da piješ to.
14:24U životu bolje kafe neće nigde popiti.
14:47Alekse, je li sve okej?
14:48Sino, još sam ti poslala izviješ šta je, trebalo bi da si to sve dobro.
14:51A, nije rečno s nama, sedim u imicu.
14:55Da.
14:56Evo ti pročitaj ovo.
15:02Opa.
15:05Anonimna pritužba na Gabriela, a?
15:07Čitaj gledaj.
15:09Kaže, maltretira zaposlene nemogućim rokovima.
15:14Uvredljivo komentariše izbor garderobe, dobro, dobro.
15:18Kleveta obrazovanja i sposobnost zaposlenih, dobro.
15:23A šta je tačno smješno to?
15:25Pa, mislim, izvini, jeste ti žena, ali ovo prilično odgovara Gabrielinom opisu.
15:32Mislim, vidi, ja ne znam ko bi to mogo da pošalje, ali pretpostavljam neko od novih mlađih kolega.
15:38I znaš kako to su ove nove generacije, neće oni da trpe takve stvari, siguran budi.
15:42Aj, ruku na srce, lijepo su ovo srečili.
15:46Dobro, izvini, ali vidi, dobra stvar je kad već imamo posla sa ovako nečin, da je to završilo na tvom
15:51stolu, da je i dalje interna stvar.
15:54Jer ako ovo iscurio javnost, to za nas znači jako loš publicitet.
16:00Da.
16:01I šta ja da ovo uradim povodom oga?
16:05Moraćeš da reaguješ, jer ako neko od tih ljudi koje Gabriela maltretira riši da izađe u javnost,
16:10to ću raditi jer prosto osjeća da im je potrebna neka zaštita, sva taš?
16:14Moraš ti da ih zaštitiš.
16:17Upravo si.
16:19Eto tako.
16:20Ovdje po meni postoji jedna jedina stvar koju možeš da uradiš, da lijepo dokažeš da ovdje vlada struka, profesionalnost, a
16:29ne nepotizam.
16:33Suspenduj Gabrielu, Alixa.
16:44Hvala.
16:55Hvala.
17:07Hvala.
17:10Hvala.
17:12Hvala.
17:12Hvala.
17:13Hvala.
17:14Hvala.
17:36Hvala.
17:38At the same time, on the other day, no one goes out.
17:41No one, except the homeless, or even the other,
17:46did not listen to anyone.
17:48Okay, what do I do when I don't die anywhere?
17:52Listen to me and listen to me.
18:00Did your mother not learn to get a good hospital?
18:02Don't forget to call someone for 100 if someone doesn't call you.
18:06Yes, yes.
18:08I have a little help of my friend with me
18:13and my friend tells me that now is absolutely everything.
18:30Did you say something to me?
18:33Yes, and that's the only solution.
18:35The only solution is to suspend my wife on the basis of anonymity.
18:40Okay.
18:41Is it about cancel culture, canceling?
18:44Yes.
18:45Okay.
18:45As you said, I am going to cancel it in Russian,
18:48an apology.
18:49That's when the entire public will move into a scandal.
18:52You understand?
18:53Wait, wait, no need to be suspended, but also the answer.
18:57Is it so?
18:57Alexa, you'll be cancelled if you go to the public.
19:01You'll be completely in the company.
19:05Do you understand?
19:05The trend is going to be in the media.
19:08The trend is going to be in the future.
19:12The future is going to be in the future.
19:13You'll be able to get the staff to get the job.
19:17I'll be honest.
19:18I'll be honest.
19:20This is how I tell you.
19:21I'm going to be a few days before you do that.
19:24and you become very interesting.
19:27I can see the subtitles in the news.
19:30Mobbing, violence, harm.
19:32Then our competition will make a campaign against you, against companies.
19:38And because of this only thing?
19:39What do you mean?
19:41People are waiting for us to make a circus.
19:45And when you think about yourself,
19:47when you think about yourself,
19:48when you react to yourself,
19:50it will be later, believe me.
19:52And the only way to avoid this is...
19:55That everything is fine.
19:57Listen to me, Alex,
19:58you have to say to Gabriel,
20:00you have to remember all this stuff.
20:02You have to remember all this stuff.
20:02You have to know that we reacted to the company
20:08and that we sanctioned the crime.
20:10I don't know, but you are not sure at all.
20:13I know what I'm talking about.
20:15You don't know how these new generations work,
20:18how they think about it.
20:19They are waiting for a war on social networks.
20:24You understand?
20:26But all this on the side of the side,
20:28you have to be responsible.
20:30Okay, but we have to be responsible for your wife.
20:32And for the family.
20:34I am responsible for your wife.
20:35I am responsible for you.
20:35I think you should do well.
20:36You have to do well,
20:37because you don't have to do well.
20:41No.
20:42No.
20:43No.
20:44No.
20:44No.
20:44No.
20:44No.
20:46No.
20:59No.
21:01No.
21:07No.
21:13No.
21:15No.
21:17No.
21:18No.
21:19No.
21:25No.
21:27No.
21:31No.
21:38No.
21:43No.
21:45No.
21:52No.
21:56No.
21:59No.
22:10No.
22:11No.
22:15No.
22:17No.
22:17No.
22:17No.
22:19No.
22:20No.
22:21No.
22:24No.
22:38No.
22:40No.
22:42No.
22:44No.
22:44No.
22:45I did not want to start from a while,
22:47more than what we need.
22:49Yes, yes.
22:52You have knowledge,
22:53you have certificates,
22:55you have diploma.
22:57And you have to get a job with a secretary?
23:00Yes.
23:01Why?
23:02Because I wanted to learn from the best.
23:05And I think that's where I am
23:07where I am going to learn from.
23:10Yes.
23:12If you have this reference,
23:15she would be grateful for all of us.
23:22Isn't it funny to me?
23:24I don't want to be able to get another woman
23:26to get myself out of the way.
23:32Interesting.
23:36Vanja,
23:37do you want to leave us alone for a moment?
23:42Yes.
23:42Do you know what you do?
23:53Do you know what you want to do?
23:56Yes.
23:56Do you know what you want to do?
23:58Yes.
24:00But I don't think that he's on the job.
24:03And with the authority?
24:05The authority is caring.
24:07I don't care about it.
24:09Do you think you'll have a problem with me?
24:12No. If the expectations will be clear.
24:16And if they won't?
24:19Then I'll ask.
24:35I'll ask.
24:36This is my book from the end.
24:39Do we know from the foundation?
24:41I know.
24:43Everything is told me.
24:47And what? You sat together, right?
24:49Yes.
24:51And how did the rest of the time go?
24:54I don't know. It's about two, two and a half.
24:57It's about two years.
24:58It's about two years.
24:59It's about two years old.
25:02I know, I know it's about two.
25:03I can write a tenth of a book.
25:08I'll tell you a little bit.
25:10Well, that's what I need.
25:12This one is a great entry.
25:18You see, when I go out, I don't care.
25:21And I'll be able to return to you if there's a mess.
25:25And I'll be able to return to you if there's a mess.
25:27What's strong?
25:29Two things.
25:31First, the book.
25:32Any one.
25:33I can't do it what you want.
25:35I understand everything.
25:37And another one I guess is a women's question.
25:55Maša Đjoković.
25:58Yes.
25:59What is this? This is the one who ran away from the barracks, right?
26:04Yes.
26:06Come on.
26:08Listen to what you say.
26:10She is a woman.
26:11And she is not out of jail.
26:13And I believe that for a lot of people, I am going to kill people.
26:17Let's go a little bit.
26:19In general, she says that she was.
26:21When you look at you, nobody will wait for me.
26:26I have to know where I am.
26:29And I know that you can help them.
26:32And all of this is based on knowledge and good friends.
26:36No, you don't have to worry about anything.
26:38I would like to return to the same time.
26:45My number is at the bottom of the camera.
26:48And what will we do if we don't get the answer?
26:53No.
27:11I was not alone. I was alone. I was alone because of this situation.
27:18I got to go.
27:20I got to go.
27:23When?
27:27You are the only woman in my city who comes to the Republic of Republic.
27:33You are in a serious weakness.
27:37What is the weakness of the Lukašina when we don't know if the Lukašina will be in the middle.
27:43She will be in the middle.
27:47Everything is done.
27:49It depends on how it is.
27:52It depends on who he hit, where he hit, where he hit, how he hit.
27:56It depends on how it is.
27:57It depends on how it is.
28:01It depends on how it is.
28:02It depends on how it is.
28:07It depends on how it is.
28:08It depends on how it is.
28:11Do you see any new friends?
28:15Yes.
28:17No.
28:18No, no, no.
28:19Yes, no.
28:21No.
28:21I don't know if you don't have a bad friend.
28:23But you don't have to kill anyone.
28:29No.
28:32Do you think you might be thinking about someone?
28:36I'm thinking.
28:38What about you?
28:41I'm thinking about the Goran.
28:43What about you?
28:45How can you go with him?
28:45I can't see him.
28:48Goran, last time.
28:51He doesn't have a job.
28:53He has two-three women's day.
28:56He falls like a job.
28:59He says that they are his children,
29:02and he keeps them with his laptop.
29:06I don't know.
29:09Okay.
29:10But how can it be with me?
29:16Maybe he can, Vukasin.
29:19Maybe he's a lover,
29:20and he comes out.
29:25How can he come out with Gorana and Midu?
29:28He wanted to get out with Gorana,
29:31but he comes out with Midu.
29:34Is there anything else?
29:36Is there anything else?
29:37Yes.
29:38What?
29:39I told Midu a night
29:40that he came to Maldives
29:44from my new family,
29:47and she was away from him.
29:50Now he was asked for her,
29:52and Midu said that he didn't know anything about her.
30:03I have another important question.
30:07I'm listening.
30:08.
30:21What do you want to do with that cup?
30:23Here you go, what are you doing at the end of the heart?
30:27Can someone bring me a piece of bread?
30:30Here you go, wait a minute.
30:31No, without Dijane, here is a storm.
30:39Nothing.
30:57Hello, hello, Halense, Maksime.
31:02Maksimiljančiću, where are you from?
31:04I don't know what you mean.
31:05It's hard to get to my father's father.
31:08Sorry, I didn't hear anything.
31:12I said it's hard to get to my father's father.
31:16I said it's hard to get to my father's father's father.
31:23And I said it's hard to get to my father's father's father.
31:26And I said it's hard to get to my father's father's father.
31:27But, well, you're calling me to get to the side of the road.
31:35He's not a lie.
31:36I'm not a lie.
31:38I'm sorry to say I'm sorry for you.
31:39Listen, Dijana, we have to meet you.
31:41I don't like to meet you with your former love.
31:44Well, I don't want you to be with me because of love, Dijana.
31:46I don't want you to ask me.
31:49Why are you here?
31:51What's your fault?
31:53Let me ask you.
31:55You found me.
31:57Let me ask you, Maksime.
32:00It's scary.
32:02I'm sorry.
32:03I'm sorry for a personal advice
32:04for which I'm sure I would like to hear him.
32:07I want that cafe more.
32:10There's more.
32:11There's more.
32:12There's more.
32:12There's more.
32:13There's more.
32:13No, there's no way.
32:15I believe.
32:16Everything is without me.
32:17They're not able to work on their job.
32:29Let's listen.
32:32Is there a name, Arsa Dančić?
32:43Arsa Dančić?
32:47I don't think I'm going through a hole, but I can't do it anywhere.
32:54He's an old beogradian criminal. He was on a long run and now he's almost gone.
33:02And then he became one of the most mafia boss in the city.
33:08Yes, I don't know.
33:09I don't know, I don't know.
33:11Do you have a small group of criminals who are dealing with protection?
33:19Yes. I don't know, Bukašina, I don't know where would Arsa and Mido be able to do it?
33:30I don't know.
33:31Maybe they came to the end of the day, they came to Maldive, they were able to get the protection,
33:37they were able to get the racket, they were able to get the racket, and they were able to get
33:41the racket.
33:42But Maldive did not work.
33:44Of that fire.
33:46Mila je tamo uneo je kukus i fancy rasol.
33:50To je sada magazin.
33:52Dobro, oni to nisu mogli znati, Maldive.
33:56Da.
33:56Pa ne znam, nisam pametna.
33:59Ma ništa, pitavavavavavavavavavav, možda se neke priče pokope.
34:04No, no, no, no, I understand, I understand that, but I don't know where we could be able to get
34:10up on this way.
34:12I don't know what you say, what you say, I don't know, I don't know.
34:18Nothing, I'm going to ask myself, and when I'm going to get up, I'm going to get up.
34:23I'm going to see him now, I'm going to see him.
34:27I'm going to get up.
34:27I'm going to get up.
34:29I'm ready for a minute.
34:31The coffee is open.
34:33That's the same, the coffee.
34:35Yes, yes, it's not for you.
34:51Then I'll read and do my job, but I don't believe that I'll get to that.
34:58Are you sure?
35:00I don't see how we got to get up on the job.
35:05Yes.
35:05I just want to be a other player.
35:09What do you want?
35:10No, nothing.
35:12I'm going to delete every kind of complex.
35:15You think I'm going to be a complex?
35:17No.
35:18No, no, no.
35:19I think you're a woman.
35:22You're a successful business, a career, a family.
35:28You're a real woman of the 21st century.
35:31I hope you really think about it.
35:34Of course.
35:35And I would like to have a chance to see your diploma and reference.
35:42Just to see where you were in my years.
35:47Please.
35:53You're free to go back to your place.
36:06Hello, Aleksan.
36:08Hey, I would like to sit together a little while you're home.
36:12It's important.
36:13Of course.
36:13We'll see.
36:22Hello.
36:24Hello.
36:26Hello.
36:27What is this?
36:28This?
36:29Yes, it is.
36:31Yes, it is.
36:31This is known as Cezar Salata.
36:36Well, I know it.
36:37I see it.
36:38But why is it?
36:39It's not a doctor.
36:54Who is it?
36:56He is a doctor.
36:59And he is a doctor.
37:02He's an influencer.
37:09This is equal.
37:13I don't know what I'm talking about before the phone.
37:18I don't know what I'm talking about before the phone.
37:20Because we need to find ourselves, see ourselves and tell you what we're doing.
37:26We need to see ourselves.
37:37I don't know what I'm talking about before the phone.
37:39I don't know what I'm talking about.
37:41I don't know what I'm talking about.
37:43Hello? Hello, are you here?
37:46I can't believe that I'm talking about this.
38:00I don't know what I'm talking about.
38:01It's really funny. I don't know what I'm talking about.
38:03I don't know.
38:04I see that they told us our friends.
38:09Maybe it's something to be honest.
38:22You're telling me that I'm a dick.
38:23I don't know what you're saying.
38:27I don't know what I'm talking about.
38:29I don't know what I'm talking about.
38:45I'm not at all.
38:46I'm not at all.
38:48You're right.
38:49You're right.
38:50You're romantic.
38:50It's romantic, you have to raise your hand.
38:52You know Natasha, the creative director.
38:56She's crazy, she's pretty greener.
38:58I'm looking at how she looks like her.
39:01She's because of her company.
39:16What is it?
39:17What do you think?
39:20Who do you think?
39:23Here we go.
39:24Here we go.
39:24Here we go.
39:40Here we go.
39:41Here we go.
39:42Here we go.
39:43Here we go.
39:46Here we go.
39:49Here we go.
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