- 2 days ago
Igra sudbine - 1700 epizoda NOVO
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00:00The End
00:12What is the end of the day before 12 to 6?
00:14Let's go out!
00:16What?
00:18Why do you see how it's got a solution?
00:19It's a blank solution, Mido!
00:21Look, you don't need a hole!
00:22Don't you look at a hole!
00:23Wait, Mido!
00:24What are you doing?
00:26You are the only one and the one.
00:28They are young people who don't have to live in their lives.
00:30I've come to that because I have something very important to you.
00:33I have some support for you.
00:34There's no time, Diana.
00:36Not even I have time.
00:37That's why I'm going to finish.
00:41I imagine that my Gabriela is waiting for you.
00:45You can imagine.
00:47But I also think that it's my daughter.
00:51And that you listen to what you say.
00:54Sorry, you don't listen to what you think.
00:57I really wanted to tell you.
01:00That your daughter should have to listen to what she says.
01:03I won't be talking to you.
01:05The jury will come back to the magazine
01:08so I wouldn't pick up a payment.
01:12You heard it?
01:13My dear, you're a very heavy man.
01:16You're a serious detective.
01:20What do I do?
01:21All for Alex.
01:22What?
01:23What?
01:23Which of course?
01:25y'all?
01:26What are you doing?
01:26Why are you doing this?
01:31Why are you doing so?
01:32I've recently known for the great woman.
01:36which inspires me on all the way.
01:39That's amazing!
01:46I have some feelings,
01:49and I have some feelings that rarely do,
01:51but I have some kind of a relationship with some past.
01:57You know what?
01:59Besides the relationship,
02:01I am an expert for women and women.
02:05So, just continue.
02:07How did you do that?
02:08Wait for me to help you.
02:10Let me help you.
02:12Everything is fine.
02:16Let's go.
02:16Sit down to help you.
02:18No, no, no.
02:20I can be whatever I want.
02:23Will you stop me to write my memory?
02:26You can't say so.
02:27You know what?
02:28We have to do our own heart.
02:31I pray.
02:32Please, don't leave your mind.
02:35Do you want me to do what you want?
02:38Do you want me to do what you want?
02:40I want you to do what you want.
02:41You are totally mad for you because you don't have a little girl to go to America.
02:46I will survive it. The right side is called mobbing.
02:51The right side is talking again, huh?
02:54What do I do? You have to be sorry Alexi. Do you have a foundation for that?
02:57I have, but I don't.
02:59Why?
03:01Because I have something to do today.
03:05I am going to take you now.
03:08What do you mean? What do you mean?
03:10Do you understand that he has deceived you?
03:12Hello, man.
03:14Do you understand that?
03:16He is mine.
03:19The dead lady talked about Alexi.
03:23Alexi?
03:24Yes.
03:24Yes.
03:25How is that?
03:26Yes.
03:26What?
03:28How did you react then?
03:33I don't know what you ask me.
03:35How did I react to Alexi?
03:38I don't know what to say about Alexi.
03:41Is that right?
03:43Yes.
03:44Yes.
03:44Yes.
03:45Yes.
03:45Yes.
03:46Yes.
03:49I think it's interesting to me that I saw Lenku with a good friend.
03:57Let me ask him.
03:58Yes.
04:00Yes.
04:17Yes.
04:19Yes.
04:23Yes.
04:29I don't know.
04:54To become no one, because the star is all the time.
05:03We play a game like a happiness.
05:08Someone who wants, someone who doesn't even know.
05:12Like in the sea, the world is called,
05:16and we are in our hearts.
05:21Sonya should be made at war.
05:28Oh..
05:29Oh..
05:34Oh..
06:07Write.
06:09The statement in the description.
06:12The main sponsor is Rendani Mile.
06:19I am a genius.
06:20I am a genius.
06:22And for golf.
06:24And for marketing.
06:25And for golf.
06:27I am a marketing magnate.
06:30You mean mag?
06:32And that's it.
06:34Write.
06:34Write what I've said in the article.
06:37Miletove Genialstine.
06:39Write.
06:41Yes.
06:43Here we go.
06:45Good day, Svić.
06:47Good day.
06:50Where are you, Dixi?
06:52Where are you?
06:53Where are you, Milance?
06:55Mile.
06:56Where are you, Milance?
06:59What?
06:59What do you say?
07:00What do you say?
07:01What do you say?
07:01What do you say?
07:04What do you say?
07:06I don't know.
07:08I don't know what to do.
07:14Do you want to drink?
07:17What do you say?
07:18Rasul, maybe?
07:19Yes.
07:20Rasul.
07:22Jajajaj.
07:24What are they saying?
07:25Rasul.
07:26Jajajaj.
07:28Catastrofa.
07:29Catastrofa.
07:29Catastrofa.
07:30I won't drink anything.
07:31I won't drink anything, but I got to do it.
07:33I'm obviously getting money for the beginning of the campaign.
07:36Avanza.
07:36Here.
07:37Here's the money for the campaign.
07:38Here's the money for the campaign.
07:39Here's the money.
07:40Here's the money.
07:42Here's the money.
07:42Where are you?
07:44Where are you?
07:45Where are you?
07:52Here's the money.
07:52Here's the money.
07:54Here's the money.
07:56Okay.
07:57I have lots.
07:58How do you get the money?
08:00How do you get the money?
08:01Nobody is doing anything.
08:02I'll accept the job as a man.
08:04Okay.
08:06This is good.
08:06This is great.
08:07Wait, wait.
08:08Wait.
08:08Wait.
08:10Thanks, dear.
08:13What are you doing?
08:14What are you doing?
08:15In this cage, you look like a tip-top.
08:20Wait, I see the person...
08:22Oh!
08:24You know who you like me?
08:26Who?
08:27You're the Brad Pitt!
08:28The same!
08:29The same!
08:30The same!
08:33The same!
08:33The same!
08:34It's amazing!
08:37This is my secretary...
08:42Milena Drago!
08:44Milena, I don't know.
09:00You know very well...
09:02...that you need to find a company in Ivan.
09:05To find him.
09:06Okay.
09:07How do we find him?
09:08You've been there.
09:10You've helped him.
09:11And...
09:11...to show your interest.
09:13Topping.
09:16Topping?
09:17Yes, okay.
09:18Even if it's true, all of a sudden.
09:21You're now on the top of the pyramid.
09:23Yes, that's right.
09:25But my dear,
09:26if you want to stay there,
09:28you have to stop working.
09:31Okay.
09:32Okay.
09:34You're right.
09:35Life is constant.
09:37There's no problems.
09:38There's no problems.
09:38It's all right.
09:39Okay.
09:40I don't speak only about problems.
09:42I just speak another very important thing.
09:45It must be clear that you can get all the time
09:47for a second,
09:48for a second,
09:50for a second,
09:50for a second,
09:50for a second,
09:51for a second,
09:58you can be a little girl
10:00and a little girl
10:01and a little girl.
10:02You know what?
10:04I understood everything.
10:05You don't need to keep the rest.
10:06Please.
10:07Is that all?
10:09Yes.
10:11And how are you?
10:14I'm great. Let's see you at home.
10:31I have to admit that it's not unusual for me.
10:35Well, it's all human relations.
10:36Now it's not important to be a new or old acquaintance.
10:40The most important thing is that you can always learn something
10:44from an example or a thought.
10:47I'm not a bad listener.
10:50The most important thing is that you don't leave any
10:55traces of a breakthrough.
10:59That you don't think that you are not a bad person.
11:02I'm sure that you are a bad woman.
11:05You don't want to be interested in any progress.
11:11I think that you don't have a number of phones.
11:15You don't have a number of phones.
11:16Is it?
11:17Yes, yes, yes.
11:18And that you don't have a number of phones.
11:19And that you don't have a number of phones.
11:22It's interesting.
11:23It's interesting.
11:25It's interesting.
11:29It's important to show you that she can have confidence in you.
11:33And that you can be present in the most difficult details of your life.
11:37And that she is in your presence and your thoughts.
11:42But that's the way that you can feel it is important.
11:46Let's say that your previous connection has been traumatic.
11:50Okay.
11:51You can do things with you and something.
11:53You have to do it only if you are the two.
11:54So there's no one.
11:55There's just one silver coin.
11:59You.
12:01And you.
12:02That's our thought.
12:04It's not far from truth.
12:06Okay.
12:06You must definitely show you a bigger engagement.
12:10And yes, it's easy.
12:12Because she doesn't want to feel exhausted.
12:15And she has to not be scared in your plans and plans.
12:22That's it.
12:24Maša, you are really an expert in this.
12:26I tell you that you never know when someone can help you.
12:32No, thank you.
12:34I'm waiting for a further development of the situation.
12:38With the agreements.
12:41To the next day.
12:42To the next day.
12:44observer.
12:44Let's get the end.
12:54To the next day, Alina is final.
13:00It's an accident.
13:03Ready?
13:03To the next day, Alina is final.
13:04In the future, Alina is final.
13:05It's like you will, Alina is final.
13:06Bye.
13:08So, this is your secretary Milena?
13:12The newest.
13:13Okay. Milena Dušo, if you have basic education,
13:17I don't need to introduce yourself to you.
13:19Well, you know who is the big one, Diana Erski?
13:22No, I know.
13:24Okay, that's right.
13:27When you are already here, Dixi,
13:30that you only, Milenice, read my new ideas.
13:36Milena Dušo, read my new ideas.
13:40Genial.
13:41Takmičen is the influence of a pool pool.
13:44No, no, no, Diana, no.
13:47This is extreme sports.
13:50We are the mother of the soul.
13:52No, Milena, it's not that,
13:55it's a TV program.
13:56Listen, this, this, this, this.
13:58Well, it's a great statement in the pool pool.
14:02Under the understrival of a religious iniciativa.
14:06What the hell is this?
14:08What?
14:09Milen, wait, wait, wait, wait.
14:13I am the one who is the first job in this job.
14:17Do you understand?
14:18I am a genius for marketing.
14:20Do you understand that?
14:22What a pool pool pool.
14:23Listen, I understand the brand. I understand the price.
14:28But now we categorize the price on a different way, specific way.
14:32We'll see if we can get some pieces. Of course, it's a sophisticated way.
14:37It's marketing, understand?
14:38It can't be like this. It's not like that.
14:40It's nice.
14:42But, Dixi...
14:45When I go to the price, I don't know why I can laugh.
14:49They laugh at me.
14:50They say, you are, you are, you are, you are, you are, you are.
14:53I want to go to the house, see what I have in the money.
14:59They pay.
14:59They throw, throw, throw, Dixi, Dixi, Dixi, Dixi, Dixi, Dixi, Dixi, Dixi.
15:03They say, wait, wait, wait, wait, wait.
15:06It's going to be a applause, it's going to be a popularity.
15:10But, listen to me, I know how to do it.
15:13How to do it.
15:14How to do it.
15:14I don't know that you're angry.
15:15I don't know if you're angry.
15:17It's a very good thing.
15:17I said, we said, we will put the price in a special folder with a great care.
15:22The range is also a good thing.
15:25But wait, wait, wait.
15:27Is that a bad thing?
15:28It's really a bad thing.
15:28It's not a bad thing.
15:29I don't know.
15:32It's a bad thing.
15:32You are listening to your great day,
15:34and you won't eat your mace,
15:38some mace, some mace, some mace.
15:41No, no, no, no.
15:43From today's, you're the fry who eats caviar.
15:47I'm making you a premium fry.
15:49Remember.
15:50Okay.
15:50Let's go to the gents.
15:51To the gents.
15:55Hello, gentlemen.
15:56Hello.
16:00I'm on a point.
16:02We're all connected.
16:03She's making me a premium.
16:05See me, a premium, personally.
16:07And I'm going to leave.
16:08They have burnt us and hu completely round them.
16:16They don't have door.
16:17They don't push that push.
16:20They don't push up on the coin.
16:22It's very easy.
16:24Then, basically, You've got this big attack.
16:26You see.
16:27I'll是啊.
16:27Hindi.怕
16:33públicas? Yeah.
16:35Why what?
16:36It's going
16:36to get you well.
16:42I don't know.
16:44I don't know.
16:45Let's put it.
16:47You don't need to remove your hands.
16:48No, I don't need to remove it.
16:51What will you live in a family home?
16:55You don't know what can be done every time.
16:58You'll be clean.
17:00When he knew where he would fall, he would be asleep.
17:03That's it.
17:04Wait, wait, wait.
17:06Wait, wait, wait, wait.
17:07Wait, wait, wait.
17:07I think you need to call Mileta,
17:13and you're looking for the job.
17:14What's that?
17:16That's because of this little piece of paper.
17:18What's that?
17:20Not this little piece of paper.
17:23I'm capable of doing it.
17:25You want to do it.
17:27That's another story.
17:29I had a lot of problems,
17:31so I went to the job.
17:32Wait, wait, wait.
17:33I don't have a job.
17:35I don't want to be hysterical.
17:37First of all, you need to leave yourself.
17:40Then we'll see what you need to do.
17:42What are you doing?
17:44You're a dog of a animal.
17:45What are you doing?
17:47I'm going to the job and ready.
17:48You're a dog of a animal.
17:50You're a dog of a animal.
17:52I'm a dog of a animal.
17:54but I'm sure as a dad,
17:56I won't give a dog of a animal.
17:58You're a dog of a animal.
18:00You're a dog of a animal.
18:02Okay.
18:06What?
18:08What did you see?
18:10How did you see?
18:11Well, I'm not sure.
18:14I'm not sure.
18:18I'm not sure.
18:21I'm not sure.
18:26I'm not sure.
18:29I'm not sure.
18:32I'm sorry.
18:33I'm sorry.
18:34The new rules are
18:35houses that
18:38the guests can't use laptop
18:40inside the object.
18:41What?
18:43That's interesting.
18:44I didn't know that.
18:45Now you know.
18:47But,
18:48for such a beautiful
18:50house,
18:51we'll be able to do it.
18:53Thank you very much.
18:55You know how it turned out
18:56that I was in the hospital
18:58and said,
18:58let's go back here
18:59to finish something.
19:00Everything is clear.
19:01I'm here.
19:03I'm here.
19:04I'm here.
19:04I'm here.
19:04I'm here.
19:05I'm here.
19:05I'm here.
19:05I'd rather be here.
19:06I'd rather be here.
19:10But,
19:11what are we going to drink?
19:14Oh,
19:14God.
19:15I'm here for a cup of wine.
19:16I don't know if I'm happy.
19:17I'm still in the middle of the time.
19:19But,
19:21no one should know.
19:23Let's see.
19:24It will be our
19:25little sweet secret.
19:27This is right.
19:29You can do it.
19:32You can do it.
19:42Yes,
19:43it's like that.
19:43You're the one.
19:45Good.
19:45Hello, what are you doing?
19:47You're the one!
19:51You're the one.
19:51Can I ask you how you are trying to ask me?
19:53Yes,
19:54you're the one.
19:56And then you're asking me to ask me to ask me.
20:06You know what?
20:07What?
20:08I know you are stupid and ограничable.
20:13But now you are stupid.
20:16No, no.
20:18What?
20:19No, no.
20:20Let me explain.
20:22Let me explain.
20:22Let me explain.
20:25Let me explain.
20:26Let me explain.
20:28Do I have been wrong with that?
20:32That I can't stop drinking a few hours a day?
20:38Right.
20:38Right.
20:40But it's hard to say.
20:42What is it?
20:43It's hard to say.
20:45Do you know who he is most likely?
20:48My father.
20:50What?
20:52What?
20:52What?
21:19No.
21:20He has his own pips.
21:23What pips? Kokoška?
21:25No, kokoška, but his young women.
21:29That's what they think.
21:30Why do they work?
21:32They have been published.
21:34You bought your chrnogors office,
21:38thinking about it, not completely.
21:41It was cheap.
21:42It's not that women's bags with the job.
21:45Everyone knew that it was going.
21:47No, no, no, no, no.
21:48Nobody saw me.
21:50He's going to sit down.
21:56What's the final decision?
21:59What's your relationship?
22:01What's your relationship?
22:01I'll explain to you.
22:04You understand?
22:06Some young women are in the work of the house.
22:09You have no longer to ask.
22:11Really?
22:13You understand?
22:14I don't understand you, man.
22:16There's a good thing.
22:18Yes? What a good thing?
22:19What a good thing when I see only above the top!
22:23No, don't go.
22:24I'll go to the young lady.
22:25I'll see you, the panchetta.
22:29I'll go to the panchetta.
22:30I'll go to the panchetta.
22:31I'll go to the panchetta.
22:31I'll go to the panchetta.
22:33See, Pjanović,
22:37Gorana will be mad.
22:40That's him to go to the panchetta.
22:42Tvoja glupost
22:43Ostaće zaovek.
22:45E, majko moja,
22:48sve moram sama.
22:50SVE.
22:51E, panchetta, vidi,
22:52Nemoj naglo.
22:54Nemoj nakon da lomiš preko koljena.
22:56Budi diplomata kao i ja.
22:58Ti ćeš da mi kažeš,
22:59uodini Kissinger.
23:02Majko.
23:14Why are you asking me?
23:16Because it seems to me that you don't see well.
23:19I see the difference, I don't know. I don't know what the problem is.
23:24What the problem is? You always break something.
23:27You walk around the house, you hurt yourself.
23:29If it's the problem, it's the most important problem.
23:33What are you talking about? What are you talking about?
23:35What are you talking about?
23:39What are you talking about?
23:42Why are you talking about yourself, why do you think?
23:46I don't think it's the problem.
23:49If it's the issue of the view, it's the most important problem.
23:53It's not the issue of the view.
23:54I see it all together and this one.
23:58I can see it all together.
23:59Which is what you talk about?
24:01Why are you talking about yourself, because you are all talking about me,
24:04You don't have anyone, and then you turn your nose into a foreign job.
24:09I don't care about you, I don't care about you, that's why I ask you if you look good.
24:12I come to you all as a weapon for shooting, shoot, shoot, shoot!
24:17I don't know, I'm going to do it with you, I'm going to do it, I'm going to do it.
24:36I feel like I'm invited to sit on your chair.
24:41Is it?
24:41Yes.
24:42I don't really know why you felt like that.
24:46You know, I think there's something else between you and me.
24:52I don't believe anything, nothing, nothing, nothing, nothing.
24:58At least on my side, I'm sorry, I'm sorry.
25:00Don't be afraid to admit that you're thinking about me, let's go.
25:04Listen, listen, alright, listen, I don't worry about anything,
25:08and to you definitely not.
25:09And directly to say, I've never thought that I don't think about you.
25:14Certainly never?
25:16And when I think about you, I mean I just tell you,
25:18it would be a bad vibe.
25:20I just felt like a little weird, you know.
25:23You're right, that's right.
25:25I think of you, you think you're thinking about it.
25:28So you think you're thinking about it, don't you think about it?
25:29What's the best thing about it is that you're talking about before you are thinking about it?
25:32I don't see how I feel that I'm trying to get out of here.
25:37I'm trying to get out of here.
25:38You're trying to get out of here.
25:40Oh!
25:42Excuse me.
25:44It's not a shame to take me out of here.
25:48Let's go.
26:04Oh!
26:07Oh!
26:07Never mind with the cup and with the salt.
26:12How did this cup, mother?
26:15What is this?
26:16Oh, my God.
26:19Go ahead.
26:20Let's go.
26:21Let's go.
26:23We have a bigger problem.
26:24I have a problem, but I'm the real problem.
26:26I'm so tired of this cup that I'm going to get out of here.
26:29I'm going to get out of here.
26:31It's so hard to get out of here.
26:34But, my God, I'm coming out of here.
26:37I'm going to get out of here.
26:42I've got out of here.
26:43What a lot?
26:43No, it's been a force.
26:44We've got out of here.
26:46You're a little bit upset.
26:46What a lot?
26:47What a lot of fun?
26:51Hold it shut your water.
26:58I don't know if you were going to go.
26:59I'm going to be a little bit of a joke, Pancet-o.
27:01And I'll be a god.
27:03No, I don't lie, I'm not a joke.
27:04Everything I do is to be a good friend of all of us.
27:07I don't lie to you, I don't lie to you.
27:09I don't know what happened to me in the last time.
27:12What happened to me?
27:13What happened to you?
27:15What do you think?
27:17You know how many people like the Belgrade people?
27:19Let's go.
27:20What happened to you?
27:22I'll tell you a few situations, I'll tell you.
27:25Yesterday I bought a cigarette on the traffic.
27:27What happened to me?
27:28Can I buy a cigarette?
27:30I'll end up with the next scene.
27:32We're your house in your house.
27:34Do you believe me?
27:37I'm Mađioničar.
27:38Copperfield.
27:39That's crazy.
27:43I'll show you how they have.
27:44I'll show you.
27:46What do you think?
27:47There's a couple of women for you.
27:50Look at this blue.
27:52Look at this blue student.
27:54Look at that blue blue.
27:56This blue.
27:56Look at this blue color.
27:57Look at this blue?
27:58She doesn't want to be in the morning.
28:01Enough of the daylight.
28:02Let me give you this.
28:04I am the same as you don't have to take this.
28:07What do I see?
28:08Somebody has to take it.
28:09What about the mall?
28:19I'm not sure if I can.
28:21I'm not sure if I can't, but I'm not sure if I can't.
28:26What is your computer?
28:33Yes.
28:34I think, Mark.
28:37Just a second.
28:39HP.
28:40And yours?
28:41Yes.
28:43What do you think? What generation of computers are these computers?
28:50They are relatively new.
28:52They are not new. They are the most new computers.
28:56It's really nice to prepare for the council.
29:00Do you think it's normal that you're going to get to the operation
29:03of those who are prepared for you?
29:05We don't have a place where we are.
29:06We don't have a place where we can go.
29:08We don't have a hotel, we don't have a kitchen,
29:12We go to the street.
29:14It seems to me that you are missing something
29:16from the basic education and education.
29:18I would like to see you tomorrow
29:19your own diplomas.
29:21I would like to do the inspection.
29:28How dare you.
29:31I would like to go to the door.
29:33I wonder.
29:33You have to just be doing it.
29:36We will.
29:38You'll be doing it.
29:53Let's go.
29:54Hey, get that.
29:55You hear it?
29:55You're a dama.
29:55I'm not going to do it.
29:56I think the rest of you have to make it.
29:58I think that you will work in the game.
29:59You're going to let me play.
29:59You know what? You're all about to have fun scenes.
30:01I've come here to finish the job, to stop a little,
30:04and I'm going to get a lot of your time, understand?
30:07Yes, I'll just let you finish it.
30:10You won't fall.
30:11If that's how I can stay with you,
30:15I'll stay with you when I'm so small and I'll go.
30:18Let's go.
30:18It's okay, yes.
30:20I'll never forget it, I'll just know.
30:23Hello?
30:25I can't drink now.
30:27Let's see.
30:30Oh my God, what a fool!
30:33I'm going to give me wine, so I can't do this after him.
30:36I don't see any wine.
30:37My mother, thank you for you.
30:39It's the best that I can't drink.
30:41It's the best that I can drink now.
30:42Yes, as a manager, I don't really want to react.
30:46That's why you've reacted,
30:48and that's why you have a lot of wine,
30:54and that's on the account of the house.
30:59I don't know if I can accept it.
31:01Yes.
31:02Yes.
31:02Yes, of course, you can accept it.
31:04That's the best thing I can do for you.
31:06Okay, but I have one word.
31:10To drink a cup of wine with me.
31:13Can I?
31:13Yes.
31:15Yes.
31:16Yes.
31:18I can't take it.
31:32I can't take it.
31:33Yes.
31:37Yes.
31:38Yes.
31:45Yes, it's the best thing.
31:46Yes.
31:47Yes.
31:47Yes, yes, yes.
31:48Yes.
31:48Everything is explained by me, but you have to help me, I have to do it.
31:54I can't let you know what you're doing, but you can't get out of my own.
31:57You're going to be with the panchetto, but you're with the panchetto.
32:01That's what you're talking about.
32:02And I'm not sure if you want to do it, but you don't want to do it.
32:05I don't want to do it.
32:05You can't do it, but you can't do it.
32:07I don't know how to do it.
32:08I'm going to go, how to do it.
32:11Now I'm going to do it.
32:13I'm going to change the stuff.
32:15Do you understand?
32:15Okay.
32:16So I think you're going to push me a little.
32:18Okay, okay.
32:19That's not a little more.
32:21And he's going to get a little bit of a circle.
32:22And then we'll talk about what we're going to do and how we're going.
32:26Is it possible?
32:27I can't.
32:28I have to go and see you in the video.
32:31I'll put these videos in the video.
32:32I'll put these videos in the video.
32:33I'll see you in the video.
32:34I'll see you in the video.
32:35We'll talk about it.
32:35We'll talk about it.
32:36We'll talk about it.
32:43We'll talk about it.
32:51You know what?
32:53There's a lot of courses in the video.
32:55And the most courses in the most of the courses.
32:58He has to read the whole day.
33:00What?
33:01I can't imagine how she would be if she had any kind of school.
33:03A saa misli da se slika sa tim diplomama?
33:07Hmm?
33:08Pa.
33:09Ha, ha, ha.
33:09Sa našim diplomama misli.
33:10Da, da.
33:11O, onda bi je tužile.
33:12Pa, ne bi mi bio prvi put.
33:15E, a ta žena?
33:17Koliko me radi na loše?
33:20To je strašno.
33:22A dobro, ja moram da priznam da je ipak malo poštujem.
33:27Što?
33:29Da.
33:29Yeah, because we all know how women are one before the other, when they are looking for good women, is
33:36it like that?
33:37Yes.
33:38It can be a surprise, a surprise, but it doesn't have to be.
33:43She tells you that she doesn't want, that she doesn't like.
33:48So, you like that she wants to be one before us?
33:51Well, it doesn't really matter and enjoy me, but there is something real in this world that is full of
34:01lies.
34:04Velja!
34:10Why did you come here, man?
34:12How did you come here?
34:13Why did you come here?
34:14It's better than you. Let's go.
34:18Let's go.
34:19Let's go.
34:21Let's go.
34:23Let's go.
34:24What is it?
34:26What is it?
34:30What is it?
34:43Sendka!
34:45Sendka, where is Sendka?
34:48Sendka!
34:51Sendka!
34:52Is it about standing by you?
34:54Sendka, what is shit?
34:55Sendka, what was Iって, I just had to come to you suddenly before.
34:57It was your兄弟 when you came to you.
34:59You is the only one who calls you the middle one.
35:00Sendka, don't you for the humble one, you will be into you till the middle two points.
35:01Sendka, niting your head to you and I do not describe with you.
35:02Milos, what is so funny?
35:03It's funny?
35:04What is the woman's head?
35:05What is that?
35:06It's funny.
35:08It's funny that it needs to be changed.
35:16What do you say, Senka?
35:18Let's talk about it.
35:46Let's talk about it.
35:49Come on.
35:50What is this?
36:00Do you want me to say good evening or a nice night?
36:06Friend, tell me what you want.
36:08You don't have to worry about it at the end of the day and we won't receive any more money.
36:12Yes, because this is a magazine, not a local.
36:15That's right.
36:16And what else do you have on the repertoire?
36:20I don't have anything.
36:21I don't have to worry about it.
36:23I don't think it's a lie.
36:25What else do you want to do?
36:27I pray.
36:29I pray.
36:30My friend, I pray for you.
36:31I pray for you to lie to you.
36:33You're not a man.
36:34Who can someone lie to you?
36:35Especially me.
36:36Why?
36:37Where is Maša?
36:40Friend, I don't know where he is.
36:44You don't know.
36:45You don't know.
36:46You don't know.
36:47You don't know.
36:49You don't know how to talk about it.
36:50You see, I told you what I told you.
36:52And you tell me whatever you want.
36:58Time is missing from me.
37:00I'm not missing.
37:04CRKO DA BOGDA
37:06Come on in.
37:07Tag cat cat cat.
37:15Maybe I take a seat.
37:22That's as if I walk a guest.
37:40I was thinking that we could be able to do it again.
38:01Okay, let me tell you what happened to you.
38:05What special?
38:06Let me tell you.
38:13Maybe Gala was going to see you with someone.
38:27I think it would be the best if we don't remember that at all.
38:42What did you say? Wait, wait, wait, wait.
38:45Did you say it to me and Milet?
38:59I didn't expect anything to happen.
39:05But it was the first time for everyone.
39:07Why?
39:08Why?
39:20How much time did I tell you that I'm in the right direction?
39:25Why did I tell you?
39:27I'm in the right direction.
39:29I'm in the right direction.
39:32I'm in the right direction.
39:57Oh.
39:59That's fine.
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