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00:12I don't know if I'm going to meet you with my partner, but we'll talk about it.
00:17Only with my partner.
00:20And you're telling me that?
00:24Well, it's funny that I'm interested in whether such a fantastic woman has someone in front of me.
00:30It's not funny, but I could be able to get another other motive, as well as the job.
00:38We should always look at the therapist.
00:41Eh, it's not a bad idea.
00:43If we go back to the court, you go to the court, and you go to the court.
00:47No one knows who I am, who I am and who I am.
00:52What did I say?
00:53What did you say?
00:55Who can fly every second?
00:57Yes, we are alone. Don't go to the court.
01:00No, no.
01:04Why thank you?
01:05What are you talking about?
01:08Sorry, you're not the most clear.
01:10Because everyone here is only a ride, and no one is going to go to the court.
01:14No, I don't know why.
01:17I don't know why.
01:18I don't know why.
01:19If you're going to go to the court, it's not easy to live.
01:22You see, I just need a little peace in the house.
01:29I would say that this is a mistake from the start.
01:32You're dead from the beginning.
01:35Well, the money is dead.
01:36We're dead.
01:38We're dead.
01:39We're dead.
01:39What do you say?
01:41We're dead.
01:42I don't know who the guys are going to go with the police.
01:46If you call someone like this, you can shout an old couple.
01:51Oh, that's it, that's it. Every time I see you, I'm proud of you.
01:57What do I ask?
01:59Well, because you're so nice, I understand.
02:09Are you sure that it's only because of that?
02:12Yes, because of that, and a little because of that.
02:15Yeah.
02:16Hey, what am I going to ask you, Alex?
02:18When could I see you with him?
02:20You know when I'm free with him.
02:21You know when I'm free with him.
02:23You know very well that I don't see him with Alex,
02:26I don't know what I'm doing when I'm free with him.
02:28Oh, sorry, I'm sorry.
02:31Not when I say it.
02:33I hope that everything is done as necessary.
02:36Yes.
02:37I think that yes.
02:38Well, it would be better,
02:39because you won't answer only Gabriel than me.
02:48How do you say it?
02:49Let's not do that.
02:51How do you say it?
02:52She lives here with us,
02:54but Gabriel is a little girl.
02:55She's so enthusiastic.
02:59She's so enthusiastic.
03:00We need her to listen and listen to us,
03:02not only Gabriel.
03:03You always have the ambitious women
03:06that are a little bit of ambition.
03:08How do you not?
03:11Okay.
03:12Okay.
03:12Good day, Chichelutkice.
03:14Good day.
03:14Good day.
03:15This is someone who is powerful.
03:17He has hired someone who will finish the job for her,
03:21and he will follow all of it and send it.
03:23And who is the first one to ask?
03:30Well, who is the other one?
03:32Grkljan.
03:33Right.
03:34Can you tell me what you are doing?
03:39I think Gabriel wants to get him.
03:41Here.
03:42What?
03:43He will run his head into the United States.
03:45Yes.
03:46I can't do anything.
03:48He told me the story.
03:49He told me the story.
03:51He told me the story.
03:51He told me everything.
03:52He told me the story.
03:53Why do you think you would start talking about
03:55the game in America
03:56if he did not hit the head of the United States?
03:59Everything is fine.
04:00Good day.
04:01We are all different.
04:02Yes.
04:06Who is Alex?
04:09Who is Alex?
04:11Well...
04:11Well, I think she is something to say.
04:15I would have to start.
04:17It is really later.
04:19If it is not a problem.
04:24What is Alex?
04:27Well...
04:27No.
04:28I am sorry.
04:37I am sorry.
04:38I am not sad.
04:38I am sorry.
04:38I am sorry.
04:40I am sorry.
04:42What is it?
04:43I am sorry?
04:43She started to get some monologue
04:45and some of her trowers.
04:47Do you know her theater?
04:50I mean the first stunt was
04:52a fire gun.
04:53But I am sorry.
04:54She was like a gay man.
04:56The dead lady talked about Alex.
05:00Alex?
05:01Yes.
05:01He was arrested.
05:02Yes.
05:02What a girl.
05:03And you?
05:05What?
05:05How did you react then?
05:28They say that life is written in novels.
05:32They say that life is not fair.
05:37Sometimes it will be free, but often it is mine.
05:42And everything is unrighteous,
05:44except for my son.
05:51Like in love in the war.
05:56You don't have the rules.
06:01You have one life, only one chance.
06:05To become no one,
06:08because the star is everything.
06:13You play in love,
06:16like a circle of happiness.
06:19Someone who wants,
06:21someone who doesn't want.
06:23Like in the summer.
06:25You say that life is a dream.
06:28And we are all the things.
06:32You are all the things.
06:35You are all the things.
06:49To be the last one.
06:49You are all the things.gerio
07:06supports men. And you
07:07are the seventh one, and you
07:07are all the things. Even if
07:08I'm over them. Then Iして.
07:16You, before you
07:16you every day, except for my food
07:17at home, and I run into
07:20Come on, let's go.
07:22Let's go.
07:23Let's drink a coffee and talk a little bit more.
07:26Can we?
07:27We can talk a little bit.
07:29I have a job in front of your head.
07:30Okay, I have a question with you.
07:33Do you like to have cookies?
07:36Maybe you have some gum on your skin?
07:40What do you like to do?
07:41I'm a big trainer.
07:43I'm a big trainer.
07:44I'm a big trainer.
07:45I'm a big trainer.
07:46You don't have any damage in your work.
07:50When a person is training,
07:52there's no damage.
07:54It's easy, Igor.
07:55It's easy to see how it goes.
07:58I have a proposal for you.
08:00What's your proposal?
08:01What's your proposal?
08:03What's your proposal?
08:05At home.
08:07Okay.
08:08I don't have a plan.
08:11I don't have a plan.
08:13I don't think I'm a big trainer.
08:16I don't think I'm a big trainer.
08:18I don't have a plan.
08:19If I'm coming into public, I'm gonna go...
08:20I'm gonna go home.
08:21I want you to take a break?
08:24Go?
08:25I don't even know what I'm talking about.
08:28Do you make a blend?
08:29I don't have a complaint.
08:31I'm talking about that.
08:32Every day, you will have a little...
08:35...
08:37...
08:37..
08:38I don't know what I'm talking about.
08:40I don't know where I am.
08:44I'm working in Word.
08:45I'm working in Excel.
08:46I worked in the PDF.
08:47You know, what are you doing?
08:48It's a big thing.
08:49It's a big thing.
08:51It's a big thing.
08:53I'm going to go home.
08:56I'm going to go home.
08:59Everything is alive.
08:59Look, we're a muck.
09:02What do I mean?
09:04I've been there.
09:04But I'm not a big thing.
09:04I'm not a big thing.
09:05I'm not a big thing.
09:13I'm not a big thing.
09:17I'm going to go home.
09:18Let's go.
09:20I'm going to go to the next one.
09:22Listen to me.
09:23I'm at 12.00 to 2.00.
09:25I'm at Maldives.
09:28I'm not going to drink.
09:292.00.
09:31It's a big thing.
09:33This is home for your akrobats.
09:37What do you think?
09:39No.
09:40There's no trick for me.
09:42It's a small trick.
09:54Come on.
09:55Come on.
09:57Let's go.
09:58I'll show you some more.
09:59Just a little bit.
10:10What is it on your face?
10:14Longjeta.
10:15I don't understand why you put it there.
10:20It's like a mod character, like a mod character.
10:22No, these new generations, you don't have so much style, so you don't know what you're doing.
10:33She put it on her hand like an asesor.
10:39It's not aesthetic, it's not practical.
10:42This is not a mod detail.
10:44It's necessary because of the damage.
10:46I had a weakness on skiing.
10:47It means extreme sports.
10:51You can see it.
10:52It's not something else.
10:53From all extreme sports, you need to practice only one.
10:58That's 15 centimeters.
11:00That's it and nothing else.
11:02I think that a woman can train boxing if she wants.
11:05Maybe if she wants to go on Mars.
11:08But it's not feminine.
11:10It's not feminine.
11:12What does it mean feminine feminine?
11:17What do you mean?
11:20You are crazy.
11:22I'm going to fall into an event.
11:24I will be here to be a boy in my life.
11:28I have no idea what I've ever experienced in my life.
11:29She asks me for what I'm feminine.
11:30I'm not.
11:31Diana Erzky.
11:33A big...
11:34I don't know how to increase it.
11:36I'm a representative framework.
11:38I'm a definition of a mod and a woman.
11:41She helps me for that.
11:42Come on, I'm sorry.
11:44I...
11:44What did you do, Diana?
11:46Alex, as you can see, the young people are in the mood.
11:49I didn't have any sense because I've come in.
11:52I've got a lot of heartache and I have some fun for you.
11:55I don't have time, Diana.
11:56I don't have time, so I'll finish it.
12:00Good, take a moment.
12:02I go.
12:03When I'm at the meeting, you take the work of Dianers.
12:09I'm asking you to return to the day.
12:10I'll take my dad.
12:12Yeah, I love it.
12:27What do we need to be here? What are you doing?
12:29What are you doing, man? We have to make a compromise.
12:33A little bit. Look, you're my good mother and you.
12:37I'll make a compromise. I'm a man from a compromise, but I can't stop it all in two hours.
12:41I'll wait for two hours. It's nothing.
12:43It's nothing.
12:46Okay, we have to make a meeting.
12:49I'm going for a meeting, but your meeting can't go.
12:53What do you propose?
12:55What do I propose? I can't do it.
12:57When you decide to do it, you understand?
12:59Matrogasan says to do it from 12 o'clock in the morning.
13:02What if anything is worse than 12 o'clock in the morning?
13:04You'll have to go.
13:05Here we go.
13:07What?
13:07I see how it has a solution.
13:09This is it!
13:11I'm not a solution.
13:13Wait, Mido.
13:14I don't have a solution.
13:16I'm the biggest one after a solution.
13:19I'll do it again.
13:21I'll do it again.
13:21I'll do it again.
13:26That's it!
13:28You see it.
13:28See that there is a solution, see that there is a problem.
13:31If there is a problem, then there is a little vrtićak, small vratanca.
13:34No, I can't. I don't have space for everything.
13:37I don't have space, I don't have time.
13:40I don't have time, I don't have time.
13:42I can't go to the next step.
13:43I can't go to the next step.
13:46I don't know how to do it.
13:48I can't go to the next step 2 hours, 2 hours after the evening.
13:52I can't go to the next step, 2-3-4 hours, who knows?
13:56You have to go to the next step.
13:59You know what?
14:00To the next step, you have to go to the next step.
14:04Is it like that?
14:05Do we have to go to the next step?
14:06Yes, we are.
14:07Yes, we are.
14:08Go to the next step.
14:09What is it?
14:10If you want to go to the next step.
14:12How to go to the next step.
14:14I think that I have a special cream for this step.
14:18I can't go to the next step.
14:19Yes, nothing is mine.
14:21You can see how to go to the next step.
14:23Nothing.
14:24You don't care.
14:25For Gorana.
14:25For Gorana, there is every treatment that is possible.
14:28Go.
14:30No.
14:35No.
14:36No.
14:48No.
14:49No, no.
14:49No.
14:50No.
14:51No.
14:51No.
14:52No.
14:53No.
14:54No.
14:54What do you mean by Alex?
14:56I'm asking you why you never tell me anything specific.
14:58What do you mean by that?
15:00What do you mean by that?
15:02You know that I just didn't have any significant relationship
15:07when we both grew up.
15:09You know that I'm going to a couple of dates
15:13that weren't good.
15:15I mean, that wasn't it.
15:16Okay, don't worry.
15:18You're not real.
15:19You can't get it.
15:20What do you mean by that connection?
15:22Of course.
15:23We lived together and worked together
15:28and had a community.
15:30We talked about plans for the future.
15:32We planned for children.
15:33And now, how after that,
15:35I mean, a date is good.
15:37I mean, it doesn't have to be done.
15:39But for me, it doesn't need to be done.
15:42You see, that one of us became a connection.
15:46I mean, it was a potential opportunity.
15:50Okay.
15:51It's interesting.
15:53It's interesting.
15:53It's interesting.
15:54There's something.
15:56But I don't want to risk it.
15:59I mean, because of the relationship and the whole story,
16:01I don't want to be sued.
16:02I don't want to be a relationship.
16:04Why are you so naive?
16:06Why are you naive?
16:07I don't think that there is a reason
16:10because of the relationship.
16:16It's interesting.
16:17What are you talking about?
16:19I ask you.
16:20A person is really interested in my work.
16:22Okay.
16:22Let's see.
16:23Let's see.
16:23Let's see.
16:23I'm so naive.
16:24I'm so naive.
16:27Okay.
16:28But if you ask me,
16:29it's a big sign of the question.
16:31Wait a minute.
16:32Do you think that all this work,
16:34that it's a lie?
16:36No.
16:37I don't think that.
16:38I think that it's a little complicated.
16:40I think that a person is interested in you.
16:43In any sense,
16:44if you understand me.
16:45You have a choice.
16:47Or you will ignore it
16:48because it doesn't answer it
16:50or you will accept it.
16:51Or you will accept it.
17:08Why are you talking about it?
17:08I truly know why you won't talk about it.
17:10Because I know what you want to ask me.
17:13Okay.
17:13To mean that we've already talked about it.
17:16We are already talking about it.
17:17I'm not sure.
17:19it's just like I believe
17:20what I can see
17:22and what I can do with my hands.
17:24I'm not sure.
17:25You can't talk about it.
17:26You can't speak anymore.
17:26Okay.
17:27I can't tell you what I wanted to say.
17:30Okay, Alexa, I don't see why you don't want to leave the mill in the process of delivery, I understand?
17:38Okay, I don't know how many people go around and explain why I don't want to.
17:42I've told Ivan, I've told Millet, nothing about the support.
17:46People, marketing is marketing, I understand?
17:49If you leave the mill, one of your product is going to get 200%, I understand?
17:54I'm talking about another language.
17:56Thank God, the job is as much as I need.
17:59So, I don't care about the increase of 200% and that means nothing about it.
18:07That's right, isn't it?
18:08That's right.
18:09That's right, isn't it?
18:10That's right, and the rest of the things I really don't care.
18:13You see.
18:16I think it's interesting to me that I've seen a good friend in the city with Lenku.
18:36I think it's really a cute creator.
18:41Let's see me first some review to you, let me trust.
18:45Wait…
18:45Here it is, the winner.
18:48The cute review is inspired by sea food.
18:52What are you talking about?
18:54Wait, wait, wait.
18:56Jau!
18:58Did you see it?
19:00This is a sea pool.
19:03You see it.
19:05Jau, jau, this is a bad guy.
19:06Oh, jau.
19:09I'm a manekenga.
19:11I would have to take a picture of myself.
19:15But all of this is going to be under the madness.
19:18And it's kind of cool.
19:20It's mysterious.
19:22Lea, don't look at me.
19:25Let's see what she always wears.
19:28I didn't find it.
19:30But it's kind of cool.
19:33It's mysterious.
19:35I'm great.
19:36Lea, don't look at me.
19:39Just to not come here to come here.
19:42I don't know how much she knows Alex.
19:44I found it on Instagram.
19:46She has created the council at Cannes Holdings.
19:49You're a serious detective.
19:53What will I do?
19:54All for Alex.
19:55No, no, no, no, no.
19:58No, no, no, no.
20:00No, no, no, no.
20:00Two girls, you're getting angry again.
20:03We're all over.
20:05We're all over.
20:05We're all over.
20:05We're all over.
20:06We're all over.
20:07We're all over.
20:09But I really don't know anything.
20:11We're all over.
20:12We're all over.
20:13Come on.
20:14Come on.
20:15Come on.
20:16Come on.
20:29Come on.
20:31Come on.
20:38Good morning, Prijo.
20:42Good morning.
20:45You didn't look at all the dogs today?
20:49They didn't.
20:51I expect you to be my Gabriela.
20:56Good, I expect you.
20:58But I also think that this is my daughter.
21:02And that you listen to what you say.
21:05Sorry, don't you listen to what you think.
21:08I really wanted to tell you.
21:11Your daughter should listen to what she says.
21:14What?
21:16To stop filling her head with non-normal ideas.
21:20She loves you like her.
21:23And I don't believe that, as you say,
21:26she's filling her head with her head.
21:30When will she tell you to go to America?
21:32Why don't you say that she wants to play in the car and go there?
21:37I don't see it.
21:39It's not normal or stupid.
21:41I don't see it.
21:43He's not too small to tell him about that.
21:46What do you want to say?
21:47Let's say it.
21:49I want to tell you,
21:50I want to tell you,
21:52to fill his head with the idea of going to America.
21:56I can imagine,
21:59I don't know,
22:00that he wants to go to America.
22:01Let's see.
22:36Hello?
22:39Hey, how are you?
22:42What are you doing, brad?
22:43Where are you from?
22:44Where am I from?
22:46Where am I from?
22:47I'm in the middle of the time.
22:49It's not the time.
22:50It's not the time when you decide to be the time.
22:55It's not the time, brate.
22:56I have a free day.
22:58That's right.
22:59You just give yourself free days.
23:02What are you doing, bramile?
23:04You gave me free days.
23:06I don't remember.
23:08It didn't happen.
23:10You told me, take free days,
23:13and go back to normal.
23:14That's what I told you.
23:15I don't want to talk to you.
23:18Look at that free days
23:20and come to the store,
23:21so you wouldn't buy a free payment.
23:24You heard it?
23:25Good, good, good.
23:26You're a lot of tough man.
23:29I'm ready.
23:30I'm ready to go.
23:32Bye.
23:32Bye.
23:33Bye.
23:34Bye.
23:34Bye.
23:35Bye.
23:44Take care.
23:48Bye-bye.
23:50Bye.
23:54Bye.
23:56Bye.
23:58Bye bye.
24:02Especially me, I don't blame you, child.
24:06I don't blame anyone.
24:08I try to show you the problem that I heard from Luleta.
24:14Okay, I'm going to show you the problem.
24:16I can't do it alone.
24:19Do you want to talk about your daughter or do not?
24:22I'm just a daughter.
24:24She's a young woman.
24:27She's a young woman.
24:28She can't decide to be an old advocate.
24:31And if you have something to tell her,
24:34I'm going to call her in the face.
24:36I'm going to try to show you the potential problem in communication with a child.
24:43I?
24:44I?
24:46I'm a psychologist.
24:48I'm sorry, I'm sorry.
24:50I'm sorry, I'm sorry.
24:50I'm sorry.
24:51I'm going to go all the way down.
24:52Oh, my mother.
24:55Oh, no.
24:57Oh.
24:58Oh.
25:00What was going on?
25:02Oh.
25:03Only one of these poor...
25:04Nothing.
25:05Oh, no.
25:13I can't believe that Gabriella is in Tel38.
25:17I don't know what to do with you.
25:19It was a little strange that she was right on me,
25:24but...
25:24What do you do?
25:26What do you do?
25:27I don't know what you do here.
25:31I know it's not normal,
25:32but I'm going to live.
25:34I'm going to live.
25:34I'm going to live with mobbing.
25:39I'm going to live with you again.
25:42What do you do?
25:43You have to be sorry, Alexi.
25:44Do you have a foundation for that?
25:46I have, but I don't know.
25:48Why?
25:50Because I don't understand something.
25:55I understand something.
25:56I understand that Gabriel test me.
25:58Yes.
25:59I want to see if I'm going to shoot.
26:02And that's your decision.
26:03You don't want to shoot.
26:04No, I don't want to be a jack.
26:08But...
26:09My father taught me when I was little.
26:11I don't want to shoot.
26:14I don't want to shoot.
26:15You don't want to shoot.
26:16You're crying.
26:18Or they're burning.
26:21And that's not allowed.
26:24If she comes to the extreme,
26:27then Gabriel will see
26:28who is working on the job.
26:29I don't want to get out of there.
26:44I don't want to get out of there.
26:59I just got a new one and I had a new wife in the office,
27:01I just got a new job.
27:04You can see how to pay me,
27:07and I have a job.
27:08What is happening, my sister,
27:10I don't know that I had to get out of the doctor.
27:14It's okay, but I don't know that I'm from the doctor
27:15because of the usual diseases.
27:17What is it because of the usual diseases?
27:20You're having the time to do it.
27:22You're trying to find out that you're going to get out of the doctor.
27:26Yes, I'm a chief of the best at the first time.
27:30I'm going to go to the alcohol and go to the house.
27:33Oh, my.
27:44The city tracks really don't like me.
27:47No, no, no. These are not city tracks.
27:51They don't have me.
27:53Let's leave those expectations.
27:55They aren't expectations. I'm a professional,
27:57and I'm a professional.
27:59What is this other than the expectations?
28:01I don't see this.
28:04I'm a professional.
28:06I'm a professional.
28:07I'm a professional.
28:07And since we're friends,
28:10I think I'm a friend.
28:11If I have any information,
28:13I'm a friend of mine.
28:15No, I'm a friend of mine.
28:16I'm a friend of mine.
28:18I'm a friend of mine.
28:19You and I are friends.
28:23We're friends.
28:24You're a friend of mine,
28:26and you fight for his progress.
28:27Is that right?
28:29See, Alexa.
28:31Listen to me.
28:32He's my friend of mine.
28:34Yes.
28:34That's right.
28:35But he's a friend of mine.
28:37Is that right?
28:38If he's a friend of mine,
28:39then,
28:40with people who do this job,
28:42he comes to me and my friend.
28:45And you come to me, friend.
28:46And then,
28:47because of that,
28:47I think I'm going to give you some information.
28:50I'm working for you.
28:52Dijana,
28:52avoid these semantical questions.
28:54I don't care about the relationship
28:55with a friend of mine,
28:56and I don't care about this other thing.
28:59What did you say?
29:00We're all confused.
29:02Yes.
29:03If I could,
29:04I'd like you to start slowly,
29:05since I had a meeting
29:07on which I had to reach
29:09for 20 minutes.
29:11Okay, Alexa.
29:13Okay.
29:15Is this what I said?
29:18Goodbye.
29:19Goodbye.
29:41Yes, Biljana.
29:43Gabriela,
29:43son,
29:44there has happened
29:45here in the house.
29:47What happened here?
29:48What happened here?
29:50Well,
29:51Ivan was just
29:52on a bottle
29:54of a bottle
29:54of a bottle,
29:55of a bottle.
29:57Okay,
29:58Biljana,
29:59what's Ivan now?
30:00I don't understand.
30:01What's the deal?
30:02Is it really so important,
30:03that the rage of the man
30:04that you call me
30:05in the process?
30:06Gabriela,
30:07it's not just the rage of the question.
30:09I believe
30:09I'm upset
30:10that it's related to the health.
30:12Okay,
30:12then go to the doctor.
30:14I don't know how to help him.
30:16Really.
30:17Let's go a little bit,
30:18let's go.
30:19You don't need to be a
30:21serious,
30:21personal woman
30:22when there are
30:23problems.
30:24It's not possible.
30:26I can be as much as I want.
30:29You will stop
30:30to give me the memory.
30:31You don't need to be like
30:33you know
30:33you have to
30:34to be a heart
30:35in this village.
30:37I pray
30:37you don't need to.
30:38Leave your
30:39your manners.
30:41Do you know
30:41what you want?
30:44I know
30:44what you want.
30:46Olga is totally
30:47crazy
30:47because you don't
30:48speak
30:49a little bit
30:50to go to America.
31:09I don't know
31:14what you want.
31:19I don't know.
31:20I don't know.
31:24How is it?
31:26How is it?
31:27Super.
31:28It's all the way
31:29as you need.
31:31It's all the way.
31:32It's all the way.
31:33It's all the way.
31:44I don't know.
31:45I can't see
31:45I'm not
31:45I don't know.
31:46I can't see
31:49when someone
31:50is concerned about
31:51my work.
31:52I am going to be
31:53irritant.
31:53And there
31:54I can't find out
31:55the red line.
31:58And you can call me if you come to do it.
32:02Yes, I mean, it's a small problem.
32:04It'll be done with me.
32:06I'm going to hear myself.
32:11But...
32:12How are you?
32:17It's a strange question.
32:21I'm not familiar with you.
32:23Well, it's time to focus on what is the most important thing.
32:31The most important thing.
32:36I actually...
32:37I've known a fantastic woman who inspired me all over the world.
32:44That's amazing!
32:51But...
32:52I have some feelings.
32:54I rarely do that.
32:55I have some unrescited accounts with someone from the past.
33:01You know what?
33:03Besides accounts,
33:06I'm an expert for men and women.
33:08So...
33:10Just continue.
33:11I love it.
33:34I love it.
33:40Pancetta, am I a Kissinger?
33:47Who are you? Who?
33:49That Henry Kissinger, the most American diplomat in the history of the world.
33:55I ask you, on which basis are you a diplomat?
33:58I have to say that.
34:00I am today a difficult diplomat, for which I believe that they will be dead.
34:08I am sure that you are the one who will be dead.
34:11I have to watch how you will be able to leave the international trade.
34:16Yes, they are not the one who will be dead.
34:18I am not the woman's head.
34:20I am not the one who will be dead.
34:22I am the one who will be dead.
34:24...pakt.
34:26Mmhm.
34:27Let's listen to what the pakt is strong from Berlin.
34:32Okay, Pancetta.
34:33What do you have to imagine?
34:35You have to imagine my diplomats.
34:38No, I don't have to imagine.
34:41I've seen everything in the work.
34:43You always throw away from the poison.
34:46That's it.
34:47Just a poison poison.
34:49You have to imagine that.
34:51You have to imagine that one minute of the house.
34:53And you don't have to imagine me for your heart.
34:56Why?
34:58Let's listen to me.
34:59Let's listen to you.
35:00What did you say, Goran?
35:03What did you ask him to ask him?
35:05What did you ask him to ask him?
35:06What was the end of Trump?
35:09Let's listen to you.
35:10What did you say to me, my mother-in-law?
35:13My mother-in-law.
35:14Quiet, Pancetta.
35:15Quiet, quiet.
35:17I saw you.
35:19You were very young.
35:21Yes...
35:21Yes.
35:22I was trying to fight for my future life.
35:27Yes.
35:28And my future life...
35:30Yes...
35:30Yes...
35:31Yes...
35:31Yes...
35:32I saw you from the Guslar's poem.
35:34Tell me.
35:35What do you say?
35:37You know what I mean?
35:40What?
35:41What?
35:42If you are a smart and intelligent man,
35:46that's how it's going to go!
35:49Mido, don't run away from me, don't pass my mind,
35:52tell me what you said in a second!
35:56I've been a lot to say,
35:58I've said,
35:58Gorane, this way you can't.
36:04And what did you say?
36:06I've said,
36:10I've said,
36:10I gave him two hours before the bed,
36:13free to sleep,
36:15two hours after the bed,
36:16and two hours after the bed,
36:17I'll do whatever you want.
36:20Clicker!
36:21Mido,
36:22I'm going to run away from you now.
36:24What are you doing?
36:25What did you say?
36:26You understand that he lost you!
36:29Hello, man!
36:30Do you understand that?
36:32He's me!
36:36I won't drink anything,
36:38but I came back to the first video of the money,
36:40for the first campaign.
36:42Avanza.
36:43Avanza for the campaign?
36:44Yes!
36:46Yes!
36:56Yes!
36:56Yes!
36:57I was going back to the top of the pyramid,
36:58yes!
36:59That's right!
37:00But my dear dear,
37:01if you want to stay there,
37:03you have to stop working.
37:15What do you think?
37:17What do you think?
37:17What do you think?
37:17The previous connection was traumatic.
37:20Well,
37:21you have to do everything.
37:22You will not be alone.
37:24You will not be alone.
37:26There is no one.
37:26Only one,
37:27one,
37:28one,
37:29one,
37:29one,
37:29two,
37:29two,
37:31one,
37:31one,
37:31three,
37:32two,
37:32two,
37:37three,
37:37two,
37:37three,
37:40three.
37:42You are going to need to be stopped,
37:44and then we are going to see if you should do it.
37:47You are going to do it.
37:47What do you do,
37:48man from snakes,
37:50man,
37:50you are going to die?
37:53Come on.
37:53How do you feel?
37:54You know that you give a very bad example, Lule.
38:07Do you know what happens to me in the last time?
38:09What happens to me?
38:11What happens to me?
38:12What do you think?
38:13What happens to me?
38:14Do you know how many people love Crnogors?
38:17Let's go.
38:18That's it, brother.
38:19You know what?
38:29Hello, Gala.
38:31How are you?
38:32How are you?
38:33Hello, Gala.
38:35Hello, Gala.
38:36You don't want to ask me how I am.
38:37Well, I would like to ask you.
38:41I would like to ask you.
38:42I remember that I asked you to sit for my stomach.
38:44I'm free.
38:56You just got to come in and find something wrong to you.
38:58What abusing is your everyday education and parenting.
39:00I think I should start your own education.
39:00I want you to see you tomorrow's diplome.
39:02I want you to see yourself in the early age of the exam.
39:09What am I doing?
39:11What the...
39:11I really appreciate...
39:11What am I doing?
39:12What am I doing?
39:13What am I doing?
39:18What am I doing?
39:23What do I do?
39:23Senka, eh, coño.
39:43Senka!
39:45Senka, Jesse, Senka!
39:48Senka!
39:54Senka, Jesse, Senka!
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