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Everybody Loves Raymond 30Th Anniversary Part 2 2026
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00:00Raymond.
00:04Yes, Philip. Still here.
00:06I got nowhere else to go.
00:08Welcome everybody to
00:10part two of the
00:12Everybody Loves Raymond 30th Anniversary
00:14Reunion Special.
00:16Some of you may be wondering,
00:18why? Why part two?
00:20Money? No!
00:22No! We're not
00:24getting money. We got stuff
00:26you haven't seen, stuff from
00:28behind the scenes. We got stuff we did at the reunion
00:30that we wanted to put in but didn't have
00:32enough time. And this is it. There's not gonna be
00:34a part three because I don't have another
00:36jacket. I'm gonna be honest with you.
00:38This is it. What if they didn't
00:40see part one? Oh, you mean my
00:42family? No, of course.
00:44Everybody saw part one, but in case
00:46you didn't, I've always wanted to say this.
00:48Previously, on
00:50part one... A little deeper. A little
00:52serious. Really?
00:54Previously.
00:56Previously.
00:58You do it.
01:00Previously, on part one.
01:02Ray was somebody you wanted in your home.
01:04You wanted to be part of that family.
01:10I love you. I love you. Thank you.
01:12Please welcome Phil Rosenthal.
01:14I wrote one new joke.
01:18My twins were born here. Hi!
01:20And what I didn't know about Ray's
01:22family, I filled in with the
01:24personalities from my family.
01:26We can't go out and get our own fruit.
01:28I'm trying to tell.
01:30Ladies and gentlemen, Patricia Heaton.
01:32Frank Garrett, everybody.
01:36Here's Monica.
01:40Madeline and Sullivan Sweetin,
01:42are you here?
01:44During that first audition.
01:46I kissed him.
01:48I know when she walked out, I go,
01:50that's the one!
01:52You know what?
01:54Who hyperventilates,
01:56say the line.
01:58Everything you saw Peter do,
02:02my father did in real life
02:04without pants on.
02:06To Doris and Peter.
02:08Yay!
02:10You have this amazing, iconic dance.
02:12I wanted to ask if we can recreate it
02:14right now and boogie down a little.
02:22All right, all right.
02:24What you don't see are all the people
02:26that really made the show with us.
02:30Thanks for the good life.
02:32Thank you, everybody.
02:34Thank you, everybody.
02:39So that was great.
02:40That was fun.
02:41And you know, off the top of my head,
02:43one thing they didn't see
02:44was the first time that you and I
02:46actually walked out onto the set.
02:48Right.
02:49It was right before we started the taping.
02:51And there was a curtain in front of the set,
02:52so the audience couldn't see it yet.
02:54But they let Ray and I come out and take a look.
02:58And for the first time we're seeing this set
03:00that, you know...
03:01We lived on.
03:02Nine years on.
03:03Yeah.
03:04It's been 20 years.
03:09Wow.
03:10Wow.
03:11Down to the turkey.
03:16I mean, like no time has passed.
03:19Beautiful.
03:20What have we done?
03:21You know, it was emotional.
03:22I got emotional.
03:23I know you did, too.
03:24You didn't see me cry, but...
03:25Because, you know, I have an image.
03:26I'm going to be a Marvel hero.
03:27I hope.
03:28Great job.
03:29Yeah.
03:30How are you?
03:31How are you?
03:34How are you?
03:37Oh, my goodness.
03:38This is where I got pushed up against.
03:39Yes.
03:40Yes.
03:41Yeah.
03:42No kidding.
03:43Listen, if I had PMS, and I'm not saying that I have, is that how you help me? By taping
03:56me? By telling me I have PMS? That doesn't help me. That doesn't help me.
03:58Well, what do you want me to do? I don't know what to do. Show me what to do. Just draw it out for me.
04:07Have you ever thought about giving me a hug?
04:09A hug?
04:10Beautiful.
04:11All right.
04:12This is amazing.
04:13I still smell Ray.
04:15This is not a bather.
04:18I told you.
04:19You look gorgeous.
04:20It's a lighting.
04:21You look gorgeous.
04:22Look how I look here.
04:23Oh, it's a little different.
04:24Is this better?
04:25This is incredible.
04:28Wow.
04:29I am like for glad from all of us.
04:30This is very nice.
04:32It's such a different vibe without Ray and Phil.
04:35You know, it's like it feels free.
04:37It feels like we could try things.
04:40What is Ray stuck under his wallet?
04:43Where?
04:44Where is he?
04:45I can't believe this.
04:46Hey, man.
04:47Good to see you.
04:48It's been a while.
04:49Yeah, it has.
04:50I thought you would grow.
04:51Remember you asked me, will I grow, Brad?
04:53I said, of course you will.
04:55Hello.
04:56Funniest guy in the world, in my opinion, Brad Garrett.
05:00At my expense.
05:01Yeah, I would agree with that.
05:03By the way, the guy-
05:04But I love it.
05:05I love it.
05:06The guy that he hugs, they live together now.
05:07Well, the truth is, he's never seen that guy before.
05:10That's his go-to, no matter who he sees.
05:13I know we talked about how the show started, but we didn't talk about how the title came about.
05:19Here's how that happened.
05:20To my chagrin.
05:22The title, Everybody Loves Raymond, is based on my real-life brother doing exactly what Brad does in the pilot.
05:30He sees an award that I get, and he goes,
05:33When did he get this?
05:35Oh, that's an award your brother got for his sports column.
05:39Never ends for Raymond.
05:41Oh, poor Robbie.
05:43Everybody loves Raymond.
05:45You used it as a working title, but you promised me we could change it when the time came.
05:53And when the time came, the network fell in love with the title, and here we are.
05:58Do you remember?
05:59We already had the cups made, so we had to do it.
06:02Yeah.
06:03Before the pilot reached the network schedule, I get a call from Ray, and Ray said,
06:09Can you help me out with something?
06:12And this says more about me than about anybody else in this story.
06:16Of course I can help you.
06:18What do you need?
06:19I really thought, I'm the guy.
06:21I can help.
06:22I can solve problems.
06:23What's the issue?
06:25Uh, the title of the show.
06:27What's the matter with the title of the show?
06:30It makes me self-conscious.
06:32What if the show fails?
06:33Then everybody in print is going to say,
06:36Not everybody loves Raymond.
06:38And I thought, you know what?
06:40You're exactly right.
06:42I know Les Moonves personally.
06:45He loves the project.
06:46He loves you.
06:47He loves me.
06:48Now, the last part's not true.
06:50But I did know him.
06:52So I called Les Moonves.
06:54Hi, Les.
06:55How's it going?
06:56Listen, I just talked to Ray Romano.
06:57Yeah.
06:58Fantastic.
06:59We love the show.
07:00You love the show.
07:01Everybody loves the show.
07:02Here's the problem.
07:03Ray would like to change the title.
07:05Les Moonves without missing a beat said, absolutely not.
07:09And I said, okay, great.
07:10Nice talking with you, Les.
07:11I had to call Ray back.
07:13Hey, yeah, Ray, get used to it.
07:15It's not going to be anything, but everybody loves Raymond.
07:19The one thing he asked for and I couldn't accomplish.
07:23I'm so sorry, Ray.
07:25I hate the name too.
07:27It's not too late, Dave.
07:29Come on.
07:30It's too late.
07:31That Raymond guy.
07:33That Raymond guy.
07:35We don't need love in it.
07:37We'll be right back with a lot more stuff.
07:39Lots more of the cast on the set, more classic clips.
07:42We're going to see a lot of our guest cast that we love.
07:45Outtakes.
07:46Outtakes.
07:47Yeah.
07:48Everybody loves the outtakes.
07:49That's the title.
07:51No.
07:52I knew one day this would happen.
08:08The cast was extraordinary.
08:10Everyone was gently and carefully chosen.
08:13This is my notebook from the pilot of Everybody Loves Raymond.
08:17April 9th, 1996.
08:19This was the day Patty finally came in and she read with Ray and I wrote Bingo.
08:24I just want to say this one thing and we won't have to discuss it anymore.
08:28You're not blowing this for me, pal.
08:31So you got to just be as creative as you possibly could because you knew you had these home run hitters making it great.
08:42To me, it was like all in the family.
08:43It was the same kind of brilliant acting and brilliant timing.
08:47I mean, everyone seemed so in tune to each other.
08:51Get your hand out of my pants!
08:54You'd see it for the first time at the table read, which is pure joy.
08:58You're like, here's what we wrote.
09:00And then you watch it come alive and you're like, oh my God, what Brad Garrett just added to this?
09:04Did not see that coming.
09:05Well, Brad, I used to call him the human blow.
09:15You know, the blow to the scene is the final scene and the scene is supposed to get a laugh.
09:18And you could put anything in Brad's mouth.
09:22You just have Brad say a word.
09:24Pretzel?
09:25Laugh. Get a big laugh.
09:28Okay, this is Doris and Brad and this is March 18th.
09:32Doris was on my original list and I had tried to get her in the door from day one.
09:37But I could not get her in the room.
09:39And finally, when she did come, she stopped me at the door and she grabbed my wrist.
09:45Then she said, listen to me.
09:47If I don't get this role, I'm tearing up my SAG card.
09:50And I said, okay, well, that's a lot of pressure.
09:53But she was right.
09:55I mean, she knew she was right for it.
09:57We knew she was right for it.
09:58And that was that.
09:59Okay, go golfing.
10:01Have a good time.
10:06To write for such sure-footed actors is just a privilege.
10:13The wife in a sitcom is very, very important.
10:16You want to find someone who's sweet and tough and vulnerable and good-looking and so many things.
10:22People always think the show revolved around Raymond.
10:26But I think in reality, it revolved around Patty.
10:29She's kind of the voice of reason in the world.
10:32And you're almost seeing the show through her eyes.
10:35Yes.
10:36Right?
10:37Yes.
10:38Yes.
10:39I have to do everything around this house.
10:40If I don't do it, it doesn't get done.
10:41Well, that's because, now take it easy, that's how it's supposed to be.
10:46That's how it's supposed to be?
10:58I said take it easy.
11:00Okay, now let me tell you something.
11:03If I'm the one that has to do the laundry, why should I be the one to drag that thing upstairs?
11:08Huh?
11:09Isn't the man supposed to carry stuff?
11:10Isn't that the man-y thing to do?
11:12Huh?
11:15Isn't that how that's supposed to be?
11:19Obviously, you spend a lot more time thinking about this than I have.
11:22The show is so evergreen because from generation to generation, new, young, married people are watching it and completely relating to it.
11:32And it doesn't feel dated because it's this eternal thing that everybody is dealing with.
11:39And I think the reason the show is so internationally renowned, because I was just doing some charity work in Uganda.
11:48Wow.
11:49And a Ugandan fellow and I were driving along and he started telling me how bummed he was because that weekend he had to go to a wedding from someone that his wife worked with.
11:59And he didn't know anybody there and he really didn't want to go.
12:02And I said, even in Uganda, marriage is exactly the same.
12:07Right, right.
12:08You travel a lot.
12:10Yes.
12:11In real life, Ray's older brother is shorter than him.
12:15Yes.
12:16And I thought, oh, how great.
12:18One of the reasons he's jealous is that he's shorter than his younger brother.
12:23So we were only looking for short people.
12:27I was in New York during that casting and I got a phone call from one of the producers and they said, we found the brother.
12:34We found Brad Garrett.
12:35And I was a comic.
12:36So I had to kiss you, but Brad didn't.
12:38Yeah.
12:39Yeah.
12:40Oh, he did.
12:41Oh, he did.
12:42Yeah.
12:43But you're better.
12:44You're a better kisser.
12:45They told me Brad Garrett.
12:46All I remember from Brad Garrett was he had won the first season of Star Search.
12:51It's kind of neat when you're tall.
12:52I've always been very large.
12:53As a matter of fact, my mom is still in traction from the birth.
12:57I'm talking to big kid.
12:59The doctor had to deliver me like this.
13:01It was, all right.
13:02Bring him back now.
13:03I remember because of the comic, I'm watching this six foot eight guy and he's telling me,
13:12yeah, we found your brother.
13:13And I'm like, you found two of them.
13:16You found two of my brothers.
13:18And we were, I was like, how is that going to work?
13:22And this is one of the beauties of how you've got to get lucky in this.
13:26We didn't really write that guy.
13:28What he brought to it was his own thing, you know?
13:32Are you saying that I don't love my mother?
13:35Not as much as me.
13:37You take her for granted.
13:40But me?
13:41I cherish every ounce of affection that woman gives me because I have to fight for it like
13:47a dirty dog in the street.
13:53But you?
13:54You don't even have to try.
13:56She makes it so easy for you.
13:59You're just a fat kid sitting with his mouth open at the end of a chocolate assembly line.
14:10You know, we see them periodically, but we don't see everybody together.
14:13Yeah.
14:14That was what was cool about the whole thing.
14:16And I loved when we all got to sit around the kitchen table on the set and go through our favorite moments.
14:21Yeah.
14:22There are a lot of them.
14:23So when we come back, hear some more.
14:28How about we go upstairs and enjoy the rest of today?
14:33Okay.
14:34Well, the wallpaper show, I said, you know, the neighbor across the street from us used to routinely back his car out of his driveway and smash into my parents' cars.
14:46And I said, yeah, so maybe we could do that where Frank and Marie back into the car and Phil goes, no, no, this is the Barones.
14:52Can you hear that?
14:58In true Raymond fashion, the biggest laughs did not come from any joke.
15:01It was the faces of Darce and Peter getting out of the car.
15:04At that time, it sort of encapsulated everything that the series was about, how intrusive the parents had become.
15:23So I thought the show was sort of at its best in that moment.
15:27Oh, and Deborah, I've run out of things to put them in, so I came to get the canister.
15:31What canister?
15:32My canister with the blue horses around the edge.
15:35Oh, yeah, I brought that back.
15:37Really?
15:38Yeah.
15:39The canister, it was written by a friend of mine named David Riegel.
15:41And he wanted to run some Raymond ideas about me just to do a spec script.
15:45The first one he tells me about is this dispute in his family between a mother and a daughter-in-law about a cookie canister that the mother-in-law claimed had never been returned.
15:54And I immediately said, forget your spec script. I think we could do this.
15:58Oh, I'm sorry, Deborah.
16:00I mean, now she sees she's not always right.
16:06Is this what grandma was looking for?
16:09It was a great episode because it was a good Deborah episode.
16:13I got an apology.
16:16Okay, do you have any idea what that means? She apologized to me.
16:20Patty had to play three things at once.
16:22She had to play surprise that Marie took the fall, and then gratitude, and then convince everybody that she's mad at Marie, even though she's actually really grateful that Marie left her off the hook at that moment.
16:34Happy Easter, Raymond.
16:38The fun of that, the whole second act, is this farce about the canister.
16:43Raymond, happy Easter!
16:44Thank you!
16:46Yeah!
16:47Please, Frank, don't say anything. If she finds out I've had this thing.
16:50You're in big trouble, lady.
16:52And that episode won her her second Emmy.
16:55It was just one little problem.
16:56What?
16:57Well, it's really not a problem. She didn't even use the word problem. It's just a minor, minor, minor thing.
17:02All right, what? What? What is it?
17:04She thinks I'm you.
17:09There was a Steve Scrovan episode called Raybert.
17:12She just assumes that I'm Ray Barode from New York Newsday.
17:17Robert is mistaken for Ray when he meets a woman in a bar, and they have an encounter, and Ray at one point says,
17:24wait a minute, but if she's a fan of mine, she must know I'm married.
17:27If she knows my writing, then she must know I have a wife.
17:30Had. Had a wife.
17:32You killed Debra?
17:35Had to be done.
17:37This woman shows up at the door, and the reason I love this with Joy is here's a wife, and here's a girl that is cheating on his wife.
17:48And you're like, this is going to explode.
17:50Wait, how do you know Ray?
17:52We met at a bar.
17:55Ray and I are kind of dating.
18:02Is there a problem?
18:05Um, no, there's no problem.
18:07I'm just surprised that my husband has time to date.
18:11You know, and it's like, wow, what an opposite reaction that you're expecting.
18:16I've come to fix sprinkler.
18:32Isn't it great to see the writers?
18:34You know, we usually keep them in a hole.
18:36So it's nice to see them.
18:37We throw food in.
18:38The happiest place on earth was that writers room.
18:41As a comedian, you don't laugh out loud yourself a lot.
18:44I've never laughed more than in that room with you guys.
18:46Me too.
18:47Yeah, it was a magic place.
18:49And you know, the magic place on stage was around the kitchen table, which is why it was great when we all sat around there talking about our memories and our favorite moments.
18:58We got more of that, I'm sure.
19:00Give a look.
19:01All right.
19:02Let's do a fast, like, what do they call it?
19:04A lightning round.
19:05Lightning round.
19:06Favorite scenes or moments?
19:07Uh, no fat with the tofu turkey.
19:10We are all eating some.
19:15Swallow it.
19:28Go ahead, Robert.
19:41Go ahead, Robert.
19:45Actually, I think it's very tasty.
20:03You just have to make an adjustment.
20:05Right, Deborah?
20:10Kind of starts out with an aftertaste, doesn't it?
20:15Oh, my God.
20:18Madeline, do you have one?
20:19Yeah, I think my favorite is another Peter one.
20:23He was so incredible to work with.
20:25But my favorite was Grandpa Steeles.
20:45Okay.
20:46Uh, so, Ali, uh, what did the Mexican fire chief name his two sons?
20:55Jose and Hose B.
21:02Hey, listen.
21:04Okay.
21:05Now I believe you.
21:06Is that so funny?
21:07That was all this?
21:08When we got, uh, stuck inside, when it was, the electricity went out, I got to dance with Peter.
21:25don't worry about a thing amy you're in good hands this is wonderful frank okay okay it's
21:40my turn again please marie she's waited her whole life for this another great one was i loved that
21:49when deborah was giving birth and we were in the car and we were in the uh in the cop car
21:55all right i'm gonna need something to wrap the baby in raymond give me your shirt
22:15what no no no no punch him and take that shirt robert all right all right man this is not right
22:21this is against god now shall not look at thy brother's wife there i don't think i'm
22:27seeing what i'm supposed to be seeing what else are you supposed to see
22:30no maybe it's not hurting so much anymore
22:43will you stop looking then stop looking
22:46i have a quick one phil and i are both our fathers have made little appearances on the show
23:08neither one of them is an actor we're doing your bachelor party oh my god and i we go to
23:14the elks lodge or whatever it is and they're the guys that run the elks lodge and i tell them to get
23:18a banner that says congratulations robert and they mess it up and they have like two lines each
23:25and they they crush it on these two lines with no inflection at all
23:30hey hey hey what what the hell is this
23:36what's the banner you ordered it's supposed to say congratulations robert i think on the phone you said woody
23:45no no robert congratulations robert i can't use this well we got some balloons but we can't blow them up
24:00um one of the joys of my life is having our dads on the show max and albert
24:11they live on on on television
24:15if you like that you know every episode is streaming on paramount plus you can see it
24:23uncut without commercials oh i gotta get a tv
24:27yeah my wife has strict rules
24:30hey but seriously though uh one of my favorite things was the q a with the audience
24:35and we had a bunch of that this is great because we can show more of it
24:39when we come back yeah
24:41uh my question is was anyone hurt in any scene with uh physical comedy
24:49yes this young man i think all of us might have been hurt a little bit
24:52no but you actually stopped tape yeah we we did a scene where we i went to your apartment
24:58you were a young i mean you were a single man then and i was like wanted to hang out with you
25:03because there's all these single women i what do you got here look at you got cheese and crackers
25:07and i cut the cheese and i cut my finger and i had to go get stitches and the audience
25:13stuck around and i came back like an hour later and they had recast you
25:19no i remember telling you i did a stupid joke i go well thank you for sticking around i'll let
25:24you know what happened i went there they sewed it up and they took a testicle i don't know what the
25:29but and then we got a big laugh because then we did the scene again
25:35and i start and i go oh you got some cheese here i go i don't want any cheese like that yeah
25:40yeah yeah yeah i got hurt one time actually running running down the stairs i told you not to run
25:46i ran down the stairs i hit my head on the coffee table but they were yeah but they were panning over
25:54to the kitchen oh so i held the cry in until they yelled cut and then and then you know my mom tells
26:04me that story i don't remember it and that's why madeline owns the entire show
26:08hi um my question was um do you guys have any like pre or post rituals from your show
26:18just the sacrifices
26:19but marie made uh she made soup a lot doris she made soup in her uh dressing room wouldn't she she'd
26:29make like these big pots of soup yeah and we would always do a speed through before taping where we
26:35would just sit together in a on a couches and chairs and we just say our lines really really
26:39quickly and they're usually in the makeup room in the makeup chairs while we're getting touched up
26:43and then afterwards we all went over to what was the bar columbia bar and grill that's it that's
26:48it columbia bar and grill sunset gower yes yeah with all the laugh out loud moments from the show
26:54i'm just wondering if there are scenes you can remember that it was hardest for you not to break
26:58character who would break uh i had one where you can see me laugh you can see it on the cable we're just
27:04talking about it it was the funeral when we were at the funeral for the neighbor who died yes and if
27:09you look up stage you can see me standing with robert at the few next to the casket and pretending
27:16i'm crying but i'm laughing and you can tell because he was being funny there's no one in there
27:22anything i was dying hi my questions for patricia and ray uh patricia you're coming down the stairs i saw
27:32you look at the luggage i recently got married and this is a constant battle in my household as well
27:38so for your tv marriage and my real marriage can you guys finally resolve this and one of you move
27:45the luggage now right now i can have my assistant move i don't have an assistant no you made me move
28:02it i'm not that guy i keep it real real with me you know one of the things that people said after the
28:08part one was where was the guest cast where was stefania where's gianni well when we come back
28:14we'll find out
28:15yes hey got your futon delivery robert have you met amy's brother peter never had the pleasure
28:25we need a new captain who wants the job hey i do that ain't funny hey you don't talk when we on
28:34the radio now sit back step on ya gotta learn how to chill out a little what's with this guy he's my
28:41father oh people are always wondering how did you get on the show well i am an actor no no no no no
28:48you i'm talking about you you andy kendler the guy goes hey hey what do you got going in there
28:55i remember the moment i got the gig i just quit my job two weeks prior as a legal secretary and i was
29:04like this is it sink or swim and i got the audition and i didn't have a car because they repossessed my
29:09car so i had to take the bus all the way to colfax studio for the audition and my agent told me
29:15that the role was for queen latifah give me the usual i'm going to the ladies room i said lord
29:21like i don't want her legs broken but let her book something else because i need this job why are we
29:26taking a break what are we taking a break from how about a break from your mouth i walked in
29:33and i saw ray romano and he smiled at me and i thought that was a really good sign she seems nice
29:39well ray and i met in the 80s doing stand-up i had just moved out here and i got a phone call
29:47it was ray and i am a man for all you i got a cable guy and he was like almost afraid to ask me
29:55you know what i mean it's like i gotta you think you would want i said ray are you kidding me
29:59of course i would do it you know you're the futon guy you're the assistant futon guy
30:05i've seen stefania she's nothing you are beautiful yeah hello deborah oh hello i am stefania
30:15i was so nervous to go in and audition for ray they'd already won everything in the world
30:24it was already a top show brad was making me laugh constantly
30:28so my audition was terrible they called two weeks later guess what you got it you're going
30:36to italy uh they couldn't find the italian girl that they wanted the frowny frowny face
30:40he's always i don't like i don't want i don't think it is annoying
30:47i want to be able to call you guys both of you brother man they embraced me with open arms
31:01um but i was a little nervous about joining these are just amazing actors with amazing timing
31:08putting on a one-act play i didn't think i would be able to you know handle that because i don't
31:13consider myself an actor and if you've seen my work i think you'd agree now i feel like
31:17excuse me miss puss and i have some cocoa on the stove
31:20my favorite moment being on everybody loves raymond was going to the club with brad garrett
31:30being at a club with all of these black people in the club and him having to dance that was the
31:35one time he got to do the robot he did it so well they wrote me really really wonderful lines
31:40what what does he say sit back i'm not gonna tell you again
31:43you just lost your tip and then i got to kiss christine kavanaugh i've never kissed my wife
31:52because we feel like it's just too much aggravation when ray and ever meet what are you doing
31:59nothing hey how are you he's hitting on her and flopping terribly right so maybe i'll see you there
32:08sometime where china star oh well yeah i'll probably be there for lunch tomorrow
32:13actually i just said chinese today
32:15and my line was just as i'm walking away i turn away and you know my line was oh my god
32:24and it just got the biggest laugh things like that i mean they just make you feel so good
32:32i told you i was going to be a writer right yeah yeah yeah what a way with words
32:38literally i will be at the airport and somebody will go sergeant judy and i turn around like
32:45did somebody call my name every time i would go back to new york johnny johnny johnny hey what's
32:53the matter you can't put a stove in you know
32:55for my parents it was huge my parents started getting free food everywhere because they were
33:04stefania's parents when i would go back to jfk international airport i was a hero during the
33:10show all i had to do was stand on a revolving platform and sold dvds really really proud to be
33:16part of this show it's television history okay so little fun fact is john manfrillotti yeah and i met
33:22doing stand-up at the improv in new york 35 years ago wow and he still talks to you once in a while
33:29when he needs money when we come back everybody loves outtakes see that's the title better title
33:36you're right
33:37i am going to give you the secret to marital bliss after you give it to him why don't you let me in
33:46we knew we had something special we also knew we were lucky as hell
33:51there is that lightning in a bottle feel with great shows will you stop your killing christmas
34:00and by the way sometimes the noodles in your lasagna are overcooked
34:06everyone knows raymond has stood the test time and will stay in the test time because
34:12these situations are so relatable still
34:15it's just what families are a universal family life
34:26it's fine with me if you're gay dear
34:29everyone's mother is slightly overbearing and everyone's mother medals and everyone's mother
34:36asks an uncomfortable question you love him you hate him he disgusts you look how he eats
34:41i think the show works today because it actually comes from the heart how do you get along with
34:47your spouse how do you get along with your in-laws you know what do you do with sibling rivalry
34:51these are problems that aren't going away
34:53and so it's just resolving all these issues within this prison of family
35:00i think it's worked out very well
35:02that's so different from who you really are
35:06caring for each other teaching each other loving each other being mad at each other
35:12that doesn't change gobble gobble gobble gobble gobble gobble gobble yeah
35:17all right here's one of our favorite things tell the people how we would do these second
35:25takes on true none about an hour before yeah we shot i would go into my dressing room about two
35:30other writers and we would look at anything that was interchangeable a punch line that we could put a
35:35new line in or a new action in without telling the cast right and it didn't affect the story
35:40Right. And it'd be new for the audience,
35:42because the audience is saying it three, four times,
35:43so it's something new.
35:45And so that was always fun.
35:46And then there were outtakes.
35:48Outtakes are different from second takes.
35:50Outtakes just happen on the cuff.
35:52Usually mistake.
35:52Or Brad likes to insult me, that kind of thing.
35:56Those were fun.
35:57And deserved.
35:59I hope she's not there tonight, really.
36:02She was such a nice girl.
36:04I was such an idiot.
36:10That's your line, Emmy winner.
36:20Could it not be Gail?
36:22Because I have a superior named Gail.
36:25Look, all right.
36:25She's a big...
36:26Sorry. Sorry. Sorry. Sorry.
36:35What's the matter, Ray? I'm in too many scenes?
36:40Oh, this is wonderful.
36:49Oh, I love this.
36:50Okay, here we go.
36:54Is it?
36:57What, Ray?
36:58Nothing.
37:02The only good thing in this room,
37:04my penis is going to look huge.
37:05I'm trying to read him a book once in a while.
37:22Oh, read, and that's your answer for everything, right?
37:24Do you even know how to read, Ray?
37:25Oh, I read. I dance.
37:26All right, all right, all right.
37:29Here, save your marriage.
37:32Emmy's brother, Russell.
37:33He owns a comic book shop.
37:34He's got cards there.
37:36Russell's comic, vintage...
37:38Russell's vintage comics?
37:40You should read more.
37:42Russell's...
37:42Come on, give her what she's like.
37:53Come on, tell her.
37:54I want you to tell her.
37:56It's time to rise up.
37:57Cast off ye shackles.
38:01You're getting a lot of spit on us over here.
38:02Is that you crying in there?
38:15It's all right, Robbie.
38:17You're never too big to cry.
38:18But you are too big for my underwear.
38:20It's all right, Robbie.
38:36You're never too big to cry.
38:38That could be the title to your book.
38:39Oh, Frank, it's all right, Robbie.
38:51You're never too big to cry.
38:53But the bedwetting's got to stop.
39:03It's all right, Robbie.
39:04You're never too big to cry.
39:07Doo-dah.
39:08Doo-dah.
39:16Hey, how's it going?
39:18All right.
39:23Can I just get you to sign for this?
39:24I'm going to need that pen back.
39:42Thanks a lot.
39:42Have a nice day.
39:43All right.
39:47What'd you get?
39:48That's scumbag.
40:09That's scumbag.
40:10That prick.
40:32That prick.
40:32I'm going to puttin' man, I'm on the putt, man.
40:54Okay, thank you.
40:55I'm not bringing in the rip right now.
41:02Hey, uh, you know what?
41:14Why don't you guys go without me?
41:15Because I'm really not feeling good here.
41:17Okay, well, come on, Deborah, let's go.
41:19Okay.
41:23What's the matter, right?
41:23You have, like, a sore throat or something?
41:24I gotta, it's probably...
41:25Get in the car.
41:28Roger!
41:29Roger!
41:29Move!
41:30Move!
41:30Move!
41:32What's the matter, Rae?
41:32Do you feel like you have a sore throat or something?
41:34I think it might be in my throat.
41:36Oh, my God!
41:36Oh, my God!
41:38Robert!
41:39Robert!
41:40Well, you know, I was a little skeptical.
41:47Do we need a part two?
41:48And I think we did need it...
41:49We did.
41:50...cause that was fun to see all that.
41:51It was very nice.
41:52We might need a part three.
41:53Don't get greedy, Raymond.
41:55Just show us putting makeup on.
41:59But anyway, what else we want to say?
42:01Paramount Plus, you can watch them all.
42:02Watch them all without commercials, all the shows.
42:05And we want to say happy holidays to the people, right?
42:07Merry Christmas, happy Hanukkah, happy Kwanzaa,
42:10whatever you like.
42:10Happy New Year, happy everything.
42:12Although when they rerun this, that's going to look stupid.
42:14You're going to look stupid for saying that.
42:16Maybe you look stupid for saying that.
42:17No, it's going to be March, and you're saying happy holidays.
42:19You can still, people like holidays.
42:21There's still holidays all year round.
42:23I'm hungry.
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